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Charles M. Kurtz papers

Creator:
Kurtz, Charles M. (Charles McMeen), 1855-1909  Search this
Names:
Albright Art Gallery (Buffalo, N.Y.)  Search this
American Art Association  Search this
Buffalo Fine Arts Academy  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Louisiana Purchase Exposition (1904: Saint Louis, Mo.)  Search this
National Academy of Design (U.S.)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Saint Louis Exposition and Music Hall Association (1883-1902 : Saint Louis, Mo.)  Search this
Southern Exposition (1885 : Louisville, Ky.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Starkweather family  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Avery, Samuel Putnam, 1822-1904  Search this
Cesnola, Luigi Palma di, 1832-1904  Search this
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Hallowell, Sara  Search this
Hambidge, Jay, 1867-1924  Search this
Hasbrouck, Du Bois Fenelon, b.1860  Search this
Irwin, Benoni, 1840-1896  Search this
Ives, Halsey Cooley, 1847-1911  Search this
Kurtz, Davis Brook Kurtz, 1826-1906  Search this
Kurtz, Julia Stephenson  Search this
Reid, Alexander  Search this
Rhodes, Charles Ward, d. 1905  Search this
Richardson, Mary Curtis, 1848-1931  Search this
Sedelmeyer, Charles  Search this
Thum, Patty P., 1853-1926  Search this
Wanamaker, John, 1838-1922  Search this
Wickenden, Robert J.  Search this
Photographer:
Pluschow, Guglielmo  Search this
Extent:
27.74 Linear feet
Type:
Collection descriptions
Archival materials
Menus
Photographs
Lithographs
Etchings
Address books
Engravings
Visiting cards
Diaries
Photogravures
Tempera paintings
Oil paintings
Sketches
Date:
1843-1990
bulk 1884-1909
Summary:
The papers of arts administrator, museum director, collector, dealer, and editor Charles M. Kurtz (1855-1909), measure 27.74 linear feet and date from 1843-1990 (bulk dates 1884-1909). The bulk of the collection consists of detailed chronological correspondence between Kurtz and his wife and family, friends, colleagues, and business associates that documents many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.
Scope and Content Note:
The Charles M. Kurtz papers measure 27.74 linear feet and date from 1843 to 1990 with the bulk of the material dating from 1884 to 1909. The bulk of the collection consists of chronological correspondence between Kurtz and his family, most notably his wife, friends, colleagues, and business associates. Kurtz's letters are amazingly detailed and document many notable exhibitions, galleries, museums, private collections, as well as cities, people, and events of the period. The letters between Kurtz and his wife are most interesting for their descriptive commentary on late 19th century life and offer a complete picture of Kurtz's activities. Many of Kurtz's letters to Halsey C. Ives can be found in the Halsey C. Ives Papers. Some of the letters in the collection are illustrated. Also found in the collection are Kurtz's diaries, scrapbooks, printed materials, and photographs.
Arrangement:
The collection is organized into twelve series.

Series 1: Biographical Information, 1885-1931, undated

Series 2: Correspondence, 1843-1940, undated

Series 3: Circulars/Requests for Submissions of Works of Art, 1886-1905

Series 4: Legal Records, 1881-1928

Series 5: Financial Records, 1870-1989, undated

Series 6: Diaries, 1894-1901

Series 7: Notes and Writings, 1872-1980, undated

Series 8: Scrapbooks, 1878-1909

Series 9: Printed Material, 1873-1990, undated

Series 10: Photographs, 1898-1990

Series 11: Photographs of Works of Art, undated

Series 12: Miscellany, undated
Biographical Note:
Charles M. Kurtz's name is known to many scholars and students of American art history. To some he is important for his critical writings, others are interested in his management of exhibitions for the Art Union and the American Art Association. Many are aware of him because of his publication of National Academy Notes, which continued for nine years. Still others are familiar with Kurtz in his role as an art administrator for late 19th century art exhibitions like those at the 1893 Columbian Exposition in Chicago and the St. Louis Fair, or for his accomplishments as the first director of the Albright Gallery in Buffalo, New York. Sometimes researchers have become familiar with his name through the sale catalogue for his considerable collection, which was sold at auction after his death in 1909. His career, which encompassed the last quarter of the nineteenth century and the first decade of the twentieth century, touched on virtually every aspect of art in America during that period.

Born in 1853 to Davis Brook Kurtz (1826-1906), an attorney, and Julia Wilder, Charles Kurtz enjoyed a genteel upbringing. The Kurtz family originated in Darmstadt, Germany, and migrated to America in the eighteenth century. D.B. Kurtz, a leading member of the Lawrence County bar, was also a vice-president of the National Bank of Lawrence County, Pennsylvania. As a local representative of many important railroad and business interests, he accumulated assets estimated at one million dollars by the time of his death, just three years before that of his son, Charles, the eldest of his five children. Unlike his brothers Louis, who also became an attorney, and Edward, a professor at Columbia University, Charles eschewed a professional career to enter the art world, as did his sisters Emily, an artist, and Catherine, a musician.

After his graduation from Washington and Jefferson College in Washington, Pennsylvania, Kurtz visited the Centennial Exposition, held in 1876 in Philadelphia, before coming to New York to study art at the National Academy of Design. These two activities foreshadowed the direction that his career would eventually take. As the chronology indicates, his early efforts revolve around writing for a variety of publications, most notably, his own National Academy Notes. In 1881 he took what was to be the first of many trips abroad to survey the art scene in Europe. Later in his career, his fascination with foreign art and his own entrepeneurial interests led him to become an outspoken opponent of tariffs on imported art.

Kurtz's personal life changed significantly in 1884 when he met Julia Stephenson, a physician's daughter and fledging art student from Harrodsburg, Kentucky. Throughout their courtship and after their marriage the couple was frequently separated. Consequently, they wrote lengthy letters which document not only their personal relationship but also Kurtz's aspirations and activities in the art world.

With his appointment as one of Halsey C. Ives's (1847-1911) chief assistants of the Fine Arts Department of the World's Columbian Exposition in 1891, Charles Kurtz's career achieved international stature. Among the most notable European artists he introduced into this country through circulating exhibitions were the Glasgow School, the Danish School, the Hungarian artist, Mihaly Munkacsy, and the subject of his final exhibition, the Spanish artist, Sorolla.

Throughout his life, Kurtz was plagued by health problems and, in 1899, illness forced him to resign as Assistant Director of Fine Arts for the United States for the Paris Exposition of 1900. Throughout the following decade, his work was increasingly interrupted by ill health. His death in 1909 at the age of 54, while sudden, was not entirely unexpected. However it most certainly cut short a cosmopolitan career that encompassed virtually every aspect of the art world and the pertinent issues of the day.

Kurtz is remembered for his editorial work with the National Academy of Design; as Art Director for the Southern Exposition, 1883-1886, and the St. Louis Exposition, 1894-1899 (where he introduced the Glasgow School of Painting); and as Assistant Chief/Director for the World's Columbian Exposition, the 1900 Paris Exposition, and the 1904 Louisiana Purchase Exposition. He was also director of the Buffalo Fine Arts Academy.

1855 -- Charles McMeen Kurtz born

1876 -- receives B.S. degree from Washington and Jefferson College, Washington, Pennsylvania

1876-78 -- studies at the National Academy of Design, N.Y. with Lemuel Wilmarth and William Morgan; writes a column, "New York Letters," for The Courant published in New Castle, Pennsylvania

1878 -- edits a small daily paper published during a "National Camp Meeting for the promotion of Holiness" held that summer in New Castle, Pa.; its critical stance resulted in his public denouncement and earned him a reputation as a journalist in western Pennsylvania; receives M.A. from Washington and Jefferson College

1878-79 -- becomes the local editor of The Guardian of New Castle

1879 -- publishes The Daily Reporter, a financial success

1881 -- publishes the first issue of National Academy Notes; travels in Europe, spending time in England, Holland, Belgium, Germany, Switzerland, Italy and France (Paris)

1881-82 -- prepares Illustrated Notes for Metropolitan Museum of Art exhibition

1882 -- writes "Art Notes" in The New York Tribune and resigns Dec. 23rd

1882-83 -- accepts position to write for Music and Drama, a new daily paper

1883 -- becomes the general manager of the American Art Union; exhibits a large collection of Art Union paintings in Buffalo, N.Y. and Louisville, Ky., where they became part of the Southern Exposition's first great art display

1883-86 -- accepts offer to become Director of the Art Department, Southern Exposition, Louisville, Kentucky

1884 -- edits Art Union magazine until December; applies for position to head the Art Department of the New Orleans World's Fair in September

1884-86 -- accepts a position offered by the American Art Association; terminates uncongenial relationship in March, 1886

1885 -- writes catalogues for the sale of the George Seney Collection and for the Watts exhibition at the Metropolitan Museum of Art, New York; October 1, marries Julia Stephenson (1861-1931), daughter of Dr. A. T. Stephenson of Harrodsburg, Kentucky; they had two daughters who survived them: Julia Wilder Kurtz (1889-1977), and Isabella Starkweather Kurtz (1901-1991); another daughter, Elizabeth Stephenson Kurtz (1886-1897), predeceased them

1886 -- terminates employment with the Art Association; daughter, Elizabeth Stephenson Kurtz, born

1886-87 -- manages the circulation of Mihaly Munkacsy's Christ Before Pilot for Charles Sedelmeyer to American venues: New York, Boston, St. Louis, Cincinnati, Kansas City, Minneapolis, Saint Paul, Nashville, Phildelphia, Indianapolis; tour generates $90,000 in ticket receipts

1889-91 -- February 24, appointed art critic ("Art Notes") and book reviewer for New York Daily Star; later literary and art editor of the Sunday Star

1890 -- writes for the Sunday edition The Press, a New York paper

1891 -- writes for The World; art editor for The New York Recorder; contributes to the New York Truth

1891-93 -- contributes to Chicago Evening Post ; writes artist biographies for The Chicago Graphic, a regional magazine; appointed Assistant Chief of the Department of Fine Arts of the World's Columbian Exposition

1894 -- contributes column, "Art at the Exposition" to St. Louis Life

1895 -- tours Denmark, Scotland, and France during the summer on behalf of the St. Louis Exposition

1894-99 -- appointed Director of the Art Department of the St. Louis Annual Exposition

1896 -- elected member of The Japan Society, London

1897 -- daughter, Elizabeth (Daisy), dies

1898 -- receives a diploma and medal "in recognition of valuable services in connection with the Fine Arts Exhibit" from the directors of the Trans-Mississippi International Exposition, Omaha

1899 -- appointed Assistant Director of Fine Arts for the United States Commission to the Paris Exposition of 1900; resigned in July due to ill health

1901-04 -- appointed Assistant Chief of the Department of Art of the Louisiana Purchase Exposition, August

1901 -- daughter, Isabella Starkweather Kurtz, born

1902 -- receives honorary Ph.D from Washington and Jefferson College "in recognition of distinguished ability and services as an art critic and writer"

1905 -- receives the cross of the Order of Merit from Prince Ferdinand of Bulgaria; appointed Director, Buffalo Fine Arts Academy and Albright Art Gallery, Buffalo, New York, in January; exhibits Glasgow paintings at Albright Art Gallery from November until the following April

1906 -- writes Academy Notes, a bulletin pubished by the Buffalo Fine Arts Academy and the Albright Art Gallery; father, D.B. Kurtz, dies in Newcastle, Pennsylvania

1907 -- accused of importing German pictures free of duty for exhibition purposes and then selling some for profit

1908 -- Honorary Doctor of Philosophy degree conferred by Washington and Jefferson College

1909 -- Charles M. Kurtz dies in Buffalo, New York on March 21

1910 -- Sale of the private collection of Charles M. Kurtz at auction, Fifth Avenue Art Galleries, February 24-25

1931 -- Widow, Julia Stephenson Kurtz dies October 30

1977 -- Daughter, Julia Wilder Kurtz, dies

1991 -- Daughter, Isabel Starkweather Kurtz, dies in Buffalo, N.Y.; remaining Charles M. Kurtz Papers bequeathed to the Archives of American Art and the National Academy of Design, New York
Related Material:
The St. Louis Exposition/Halsey C. Ives papers in the Archives of American Art contain material relating to Charles M. Kurtz.

Additional Charles Kurtz papers, 1870-1910, including 340 letters which discuss exhibitions, sales of art, patronage, atelier visits, and submissions to publications, and letters to his parents in which he discsses the art market and art world new; as well as manuscripts, notebooks, a diary, and printed ephemera relating to exhibitions and publications, are available at the Getty Research Institute, Research Library, Los Angeles, California.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel 4912) including Charles Kurtz's Glasgow painting diary. The loaned diary was returned to the lender and can now be found at the Yale Center for British Art in New Haven, Connecticut. This material is not described in the collection container inventory.
Provenance:
For many years, the Kurtz Papers were thought to have been destroyed in a fire. Isabel Kurtz, a school teacher who lived with her older sister in Buffalo, New York, was vague when initially approached about her father's papers by Archives Regional Director, Robert Brown in the mid-1980s. However upon her death in 1991, her will revealed that the papers were indeed in her house in Buffalo and the bulk of them were bequeathed to the Archives of American Art. Paintings and a diary relating to the Glasgow School were given to the Yale Center for British Art. That diary has subsequently been duplicated on microfilm and is now also available in the Archives. Scorch marks on some of the papers and also on the paintings given to Yale suggest that there was indeed a fire. The material that was not bequeathed to the Archives included duplicates of printed documents along with books from the Kurtz library and a coin collection, all of which were dispersed in an estate auction that was held in Buffalo in 1991.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
Glasgow painting diary, Microfilm reel 4912: Authorization to publish, quote, or reproduce requires written permission from Yale Center for British Art. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Editors -- United States  Search this
Art critics -- United States  Search this
Arts administrators -- United States  Search this
Topic:
Works of art  Search this
Glasgow school of painting  Search this
Exhibitions -- United States  Search this
Art, Scottish  Search this
Art -- Private collections  Search this
Art criticism  Search this
Art museums -- Buffalo (N.Y.)  Search this
Art -- Collectors and collecting  Search this
Museum directors -- New York (State) -- Buffalo  Search this
Genre/Form:
Menus
Photographs
Lithographs
Etchings
Address books
Engravings
Visiting cards
Diaries
Photogravures
Tempera paintings
Oil paintings
Sketches
Citation:
Charles M. Kurtz papers, 1843-1990 (bulk 1884-1909). Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kurtchar
See more items in:
Charles M. Kurtz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kurtchar
Online Media:

William G. Bowdoin letters

Topic:
New York evening world
Creator:
Bowdoin, William G. (William Goodrich), 1861-1947  Search this
Names:
Gorham Company (New York, N.Y.)  Search this
William Knable & Co.  Search this
Aikman, Walter Monteith, 1857-1939  Search this
Althouse, C. E.  Search this
Andreini, J. M.  Search this
Appel, Joseph H.  Search this
Archibald, A.  Search this
Bach, Richard, 1887-1968  Search this
Barney, J. Stewart (John Stewart), d. 1925  Search this
Beauley, William Jean, b. 1874  Search this
Birnbaum, Martin, 1878-1970  Search this
Brock, Gustav Frederick, 1881-1945  Search this
Browne, Margaret Fitzhugh, 1884-1972  Search this
Caro-Delvaille, Aline  Search this
Chapin, J. H. (Joseph Hawley), 1869-1939  Search this
Chapman, S. Jay  Search this
Clark, William A. (William Andrews), 1839-1925  Search this
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Clifford, William Hugh, Baron, 1858-1943  Search this
Coe, Henry Eugene, Mrs  Search this
Cooke, Robert Grier  Search this
Coster, Esther A.  Search this
Cox, Bertram  Search this
Craine, E. J.  Search this
Crawford, Winifred Marie  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Denslow, H. C. (Henry Carey), 1867-1944  Search this
Detwiller, Joel Rhys  Search this
Earle, Olive Lydia  Search this
Eddy, Henry S. (Henry Stephens), 1878-1944  Search this
Ehrich, Harold Louis, 1880-1932  Search this
Fleischman, Leon  Search this
Fowler, Carlton C., 1877-1930  Search this
Fox, William Henry, 1858-1952  Search this
Greene, Beryl Morse, b. 1895  Search this
Hall, Frances Cushing  Search this
Harrington, John W.  Search this
Harte, Richard Bret  Search this
Hartley, Rachel, b. 1884  Search this
Hatfield, T. F. (Thomas F), d. 1925  Search this
Heine, Edward  Search this
Hirst, Claude Raguet, 1855-1942  Search this
Hoffman, Harry L., 1874-1966  Search this
Hopkins, Nicholas A.  Search this
Hudnut, Alexander M. (Alexander Malew)  Search this
Hutchinson, Susan A.  Search this
Inness, Katherine  Search this
Jevons, T. Seton  Search this
Kent, Henry Watson, 1866-1948  Search this
Lafferty, Bob  Search this
Lenique de Francheville, Andree, 1875-1944  Search this
Macbeth, Robert W. (Robert Walker), 1884-1940  Search this
Magonigle, Edith Marion, b. 1877  Search this
Marbury, Elisabeth, 1856-1933  Search this
Maunsbach, Eric C.  Search this
Meyer, Herbert W. (Herbert William), 1882-1960  Search this
Miller, D. Roy, b. 1891  Search this
Montgomery, Percy F.  Search this
Nelson, Laurence, 1887-1978  Search this
Noe, Sydney P. (Sydney Philip), 1885-1969  Search this
Owens, David  Search this
Pearson, Ralph M., 1883-1958  Search this
Perry, Walter Scott  Search this
Plimpton, George  Search this
Rabinovitch, Mr  Search this
Robinson, Edward G., 1893-1973  Search this
Rosenbach, A. S. W. (Abraham Simon Wolf), 1876-1952  Search this
Scott, James, 1889-1967  Search this
Shepherd, James G.  Search this
Siddall, John M.  Search this
Spencer, Robert, 1879-1931  Search this
Stevens, Edward F., 1860-1946  Search this
Swinton, Marion, d. 1938  Search this
Vail, Floyd  Search this
Voorhees, Willis A.  Search this
Wanamaker, John, 1838-1922  Search this
Wentworth, Bertrand H.  Search this
White, Clarence H., 1871-1925  Search this
Wiggins, Guy C. (Guy Carleton), 1883-1962  Search this
Williams, Max, 1874-1927  Search this
Zabriskie, E. C.  Search this
Extent:
80 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1917-1922
Scope and Contents:
Letters to Bowdoin while he was art critic of the New York Evening World, most of which are brief expressions of appreciation for reviews which Bowdoin has written.
Correspondents include: Walter M. Aikman, C. E. Althouse, J. M.Andreini, Joseph H. Appel, A. Archibald, Richard F. Bach, J. Stewart Barney, William J. Beauley, Martin Birnbaum, Gustav Brock, Margaret F. Browne, Aline Caro-Delvaille, J. H. Chapin, S. Jay Chapman, W. A. Clark, Thomas B. Clarke,William Clifford, Robert G. Cooke, Mrs. Henry E. Coe, Esther A. Coster, Bertram Cox, E. J. Craine, Winifred M. Crawford, Charles H. Davis, H. C. Denslow, Joel R. Detwiller, Olive Earle, Henry S. Eddy, Harold L. Ehrich, Leon Fleischman, Carlton C. Fowler, William H. Fox, the Gorham Co., Beryl M. Greene.
Also, Frances Hall, John W. Harrington, Richard B. Harte, Rachel I. Hartley, T. F. Hatfield, Edward Heine, Claude R. Hirst, Harry L. Hoffman, A. A. Hopkins, Alex Hudnut, Susan A. Hutchinson, Katherine Inness, T. Seton Jevons, Henry W. Kent, William Knable & Co., Robert C.Lafferty, Mme. Andree Lenigue De Franceville, Robert W. Macbeth, Edith Magonigle, Elizabeth Marbury, Eric C. Maunsbach, Herbert Meyer, D. Roy Miller, Percy F. Montgomery, G. Laurence Nelson, Sydney P. Noe, David Owens, Ralph M. Pearson, Walter S. Perry, George A. Plimpton, Rabinovitch, Edward Robinson, A. S. W. Rosenbach, James Scott, James G. Shepherd, John M. Siddall, Robert Spencer, Edward F. Stevens, Marion Swinton, Floyd Vail, Willis A. Voorhees, John Wanamaker, Bertrand H. Wentworth, Clarence H. White, Guy Wiggins, Max Williams, and E. C. Zabriskie.
Biographical / Historical:
Art critic; New York City.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art critics -- New York (State) -- New York  Search this
Identifier:
AAA.bowdwill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bowdwill

Thomas Benedict Clarke scrapbooks

Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Names:
Century Association (New York, N.Y.)  Search this
Exposition universelle internationale de 1900 (Paris, France)  Search this
Lambs (New York, N.Y.)  Search this
Lincoln Club (New York, N.Y.)  Search this
Merchants Club (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Union League Club (New York, N.Y.)  Search this
World's Columbian Exposition (1893 : Chicago, Ill.)  Search this
Barye, Antoine-Louis, 1796-1875  Search this
Inness, George, 1825-1894  Search this
Smyth, Frederick, 1832-1900  Search this
Vereshchagin, Vasili Vasilevich, 1842-1904  Search this
Extent:
3.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
1880-1936
bulk 1883-1920
Summary:
The scrapbooks of Thomas Benedict Clarke measure 3.6 linear feet and date from 1879-1930. Twelve scrapbooks contain mostly newspaper clippings, but also include correspondence, invitations, exhibition catalogs, programs, magazine articles, art auction catalogs, and other material relating to Clarke's personal art collection and general art patronage. The scrapbooks also include clippings and miscellany relating to the Clarke family and influential society clubs, such as the Union League, Lambs, and New York Athletic clubs.
Scope and Content Note:
The scrapbooks of Thomas Benedict Clarke measure 3.6 linear feet and date from 1879-1930. Twelve scrapbooks contain mostly newspaper clippings, but also include correspondence, invitations, exhibition catalogs, programs, magazine articles, art auction catalogs, and other material relating to Clarke's personal art collection and general art patronage. The scrapbooks also include clippings and miscellany relating to the Clarke family and influential society clubs, such as the Union League, Lambs, and New York Athletic clubs.

Scrapbook 1 dates from 1880-1884 and includes information about the Lincoln Club, the Century Association, Motto Club, Rembrandt Club, Merchants Club, Art Club, and Union League Club. Scrapbook 2 dates from 1883-1884 and includes an index of artists in the Clarke art colletion, as well as information about the artists. Scrapbook 3 dates from 1887-1889 and includes information about artists Vasily Vereshchagin and Antoine Louis-Barye. Scrapbook 5 dates from 1891-1894 and contains clippings about the Clarke Prize, the opening of Clarke's "Art House" in Manhattan, New York, the 1891 Clarke exhibition at the Pennsylvania Academy of Fine Arts, the 1892 Columbian Loan Exhibition, and the 1893 Worlds' Columbian Exhibition. Scrapbook 6 dates from 1891-1902 and includes clippings regarding the art and auction sales of Greek, Continental, Persian, and Oriental antiquities, rugs, and porcelains. Scrapbook 7 dates from 1894-1898 and covers Clarke's support of Justice Frederick Smyth, his parents' 50th anniversary celebration, his daughter's society introduction reception, and events at the Lambs and Union League Clubs. Scrapbook 8 dates from 1894-1920 and houses announcements of the George Inness memorial exhibition, coverage of the Inness 1895 estate auction sale, copies of correspondence between Inness and Clarke, and two original photographs of Inness' studio. Scrapbook 9 is dated 1899-1900 and includes coverage of events at clubs, particularly the Lambs and Union League clubs, the Clarke Prize, Paris Exposition, Dewey Arch, and the private art collection of William T. Evans. Scrapbook 10 dates from 1899-1936 and consists primarily of coverage of the 1899 Clarke art auction to fund the National Academy of Design's Clarke prize. Scrapbook 11 dates from 1900-1902 and covers Clarke's Hampton cottage, his daughter's marriage and divorce suit, the New York School of Design for Women, and the Academy of Design annual exhibition. Scrapbook 12 is dated from 1899-1918 contains clippings regarding William Tilden Evans, a contemporary art collector and friend of Clarke's.

A 670 page annotated index of Books 1-6 and Books 10-12 is available on microfilm reels N598-N599.
Arrangement:
The collection is arranged into 1 series:

Series 1: Scrapbooks, 1880-1936 (Boxes 1-2, 4 BVs; 2.6 linear feet)
Biographical Note:
Thomas Benedict Clarke (1848-1931) was a prominent New York businessman and one of the first major collectors of contemporary American paintings in the 1870s-1880s. He purchased his first painting in 1872 and eventually amassed one of the largest private collections of American art at the turn of the century.

After retiring from the business world, Clarke served as President of the New York School of Applied Design for Women, Treasurer of the National Society of Arts, and Chairman of the House Committee of the Union League Club. He was a founding member of the National Sculpture Society and National Arts Club, and founded the Clarke Prize of the National Academy of Design in 1883. He was also a member of several New York gentlemen's clubs, including the Century, Lotos, Lamb, and Manhattan Clubs.

In 1890, Clarke announced he would no longer officially acquire or deal in works of art, except as an agent for his friend, George Inness. Concentrating his attentions on a new venture, in 1891, he opened "Art House" off of Fifth Avenue in New York City, a showcase for English furniture, Oriental porcelains, and Continental antiquities. In 1899, he announced he would be putting his collection of 375 American paintings up for sale during a landmark, week-long auction at the American Art Association. Included in the sale were 32 works by George Inness and 30 works by Winslow Homer.

In 1912, Clarke returned to active art collecting, this time focusing his energies on building a collection of Colonial American art.
Related Material:
The Archives also has the Thomas B. Clarke letters from or about Homer Dodge Martin, 1893-1897, which have been digitized and are available online via the Archives of American Art's website.

Also found in the Archives are Letters to Thomas B. Clarke from artists, 1883-1918 and the handwritten catalog Private art collection of Thomas B. Clarke, 1872-1879, both of which have been microfilmed and are available on reels D5 and 2802.
Provenance:
The scrapbooks of Thomas Benedict Clarke were donated by the Whitney Museum of Art director, Lloyd Goodrich, in 1978.
Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Collectors and collecting -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clarthom
See more items in:
Thomas Benedict Clarke scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-clarthom

Winslow Homer and Homer family papers from the Bowdoin College Museum of Art

Creator:
Homer, Winslow, 1836-1910  Search this
Names:
Beatty, John W. (John Wesley), 1851-1924  Search this
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Homer, Arthur Benson, b. 1841  Search this
Homer, Charles S., b. 1809  Search this
Homer, Charles S., b. 1834  Search this
Palmer, Potter, 1826-1902  Search this
Extent:
2 Microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1846-1954
Scope and Contents:
Biographical documents; correspondence; notebooks; artworks; scrapbooks; printed material; and photographs; ca. 600 items, total.
Awards and certificates; an address book kept by Homer's brother, Arthur; a biographical sketch of Homer by his nephew; correspondence, including letters, some illustrated, from Homer to his family and others, describing daily activities, his health, and his work; letters from Potter Palmer, Thomas B. Clarke, and John Beatty, and family correspondence which mentions Homer; 2 notebooks, containing notes and sketches; sketches and cartoons; 18 watercolors of plants, birds, and insects by Homer's mother; scrapbooks, containing photos of Homer, his studio, reproductions, clippings, a script and related material comparing Whistler and Homer for a radio program; catalogs; an album containing 60 annotated reproductions of artwork; printed material; Homer's Civil War pass; a contract between C. Klackner and Homer regarding the sale of etchings; receipts for sales; an inventory of the collection of Mrs. Charles S. Homer, Jr.; photos of Homer family members, Homer, his friends, and their surroundings in Prout's Neck, Me.; and miscellany.
Biographical / Historical:
Painter, illustrator; New York, N.Y. and Prouts Neck, Me. Illustrator for Harper's Weekly; artist-correspondent during Civil War; moved to Prouts Neck, Me., 1884.
Provenance:
Lent for microfilming 1983 by Bowdoin College Museum of Art. The Museum received the material from Homer's descendants in 1964.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce requires written permission from Director, Bowdoin College Museum of Art. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Maine -- Prout's Neck  Search this
Topic:
Painting, American  Search this
Identifier:
AAA.homewins
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-homewins

Winslow Homer collection

Creator:
Homer, Winslow, 1836-1910  Search this
Names:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Prang, Louis, 1824-1909  Search this
Salinger, Emil  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1863, 1877-1945
Summary:
The Winslow Homer collection measures 0.2 linear feet with material from 1863 and 1877 to 1945. The collection documents Homer's career as a painter and lithographer through letters, printed material, family records, and photographs.
Scope and Content Note:
The Winslow Homer collection measures 0.2 linear feet with material that dates from 1863 and 1877 to 1945. The collection documents Homer's career as a painter and lithographer through letters, printed material, family records, and photographs.

Letters in the collection primarily document Homer's later career between 1890 and 1909. Included are an illustrated letter to the art collector George G. Briggs concerning frames, and twenty-six letters to art collector and friend, Thomas B. Clarke, discussing Homer's artwork, exhibitions, sale of his work, and his family. Many of the Clarke letters are transcribed. Also found are twelve letters to Louis Prang, a friend and successful chromolithographer, concerning Homer's drawing techniques and making drawings for Prang's use. Miscellaneous letters include a letter to cellist Emil Salinger, art editor Florence Fuller, and others, discussing his artwork. Marie "Midie" W. Blanchard was Homer's cousin and the folder of her letters includes a letter from Homer to her, and two letters from her to others about Homer.

This collection also contains photograph copies of four pages from the "Family Record" in the Homer family Bible, which records births, deaths, marriages, and locations of family members. The "Century Loan Exhibition" catalog is annotated throughout with notes regarding the exhibition and contains an introduction by Booth Tarkington. Also found is a newspaper clipping about Homer's artwork. Photographs include twenty albumen and cyanotype photographs, on two pages from a photo album, of Winslow Homer and family in various activities.
Arrangement:
Due to the small size of this collection, items are categorized into one series consisting of twelve folders. Items are arranged chronologically within each folder.
Biographical Note:
Winslow Homer was born in Boston, Massachusetts, in 1836. He was raised in Cambridge, where he developed a love of art and the outdoors. At the age of 19 he began his career as an illustrator, apprenticing at the J.H. Bufford lithographic firm in Boston. He then decided to become a freelance illustrator. In 1859 Homer moved to New York to work for Harper's Weekly, serving as artist-correspondent for the magazine during the Civil War. After taking some art classes at the National Academy of Design, he decided to focus on oil painting. He quickly gained international recognition as a painter, and in 1866 made his first trip to Europe. In 1873 he decided to work in watercolor and found great success in his experimentation with light and color in this medium. In the mid-1880s Homer moved permanently to Prout's Neck, Maine, an isolated area where he built a studio and focused his paintings on man's struggle with nature. Also during the 1880s he worked on a series of etchings based on his paintings. Homer continued to paint for the next twenty years, vacationing summers in places such as the Adirondacks and the Bahamas to capture varied landscapes, until his death in 1910.
Related Material:
Also found in the Archives of American Art are the Winslow Homer letters to M. Knoedler & Company, 1900-1904.
Provenance:
Items in this collection are gifts of various donors. The exhibition catalog was donated by Lawrence Fleischman in 1954, the photographs donated by Dorothy Adlow in 1961, and the Marie Blanchard letters and news clipping donated by Carlotta Claflin in 1976. Other letters were donated by Charles Feinberg in 1959, Joyce Tyler in 1979, Lawrence Fleischman in 1959, Jean Meissner and William T. Campbell in 1966, Katherine H. Coudon in 1989, and Edgar Salinger in 1961. The bible pages were a 1977 anonymous donation. Items were microfilmed shortly after receipt.
Restrictions:
The collection has been digitized and is available online via AAA's website.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Maine  Search this
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Citation:
Winslow Homer collection, 1863, 1877-1945. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.homewinl
See more items in:
Winslow Homer collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-homewinl
Online Media:

Thomas B. Clarke letters from or about Homer Dodge Martin, 1893-1897

Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931,  Search this
Martin, Homer Dodge, 1836-1897  Search this
Subject:
Macbeth, William  Search this
Martin, Homer Dodge  Search this
Topic:
Art dealers -- New York (State) -- New York  Search this
Art patrons -- New York (State) -- New York  Search this
Art -- Economic aspects  Search this
Collectors and collecting -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)7029
(DSI-AAA_SIRISBib)209162
AAA_collcode_clartbhm
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209162
Online Media:

Scrapbooks

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Type:
Archival materials
Date:
1880-1936
Scope and Contents note:
Book 1 (1880-1884, 73 pages) consists of clippings regarding art news and events, the National Academy of Design's Clarke award, coverage of private art collections and auctions, exhibition openings, artists, art related charity events, and art museums and societies. There is one booklet of the Lincoln Club's charter and by-laws, and additional miscellaneous printed material related to the Century Association, Motto Club, Rembrandt Club, Merchants Club, Art Club, and Union League Club.

Book 2 (1883-1884, 241 pages) contains an index of artists in the Clarke art collection. It lists the titles of works owned and includes artists' biographical information and clippings regarding specific works of art. Coverage related to the National Academy of Design's Clarke prize, including the 1883 fundraising exhibition of the Clarke collection, is also included.

Book 3 (1887-1889, 27 pages) consists of clippings regarding art news and events, exhibition openings, and artists, including Vasily Vereshchagin and Antoine Louis-Barye. There is also news coverage of the New York Athletic Club.

Book 4 (1889-1891, 70 pages) consists of clippings regarding the art related and general activities of the Union League and New York Athletic clubs. There is also news coverage of Clarke's art collection.

Book 5 (1891-1894, 242 pages) includes clippings regarding Clarke's art collection and the Clarke Prize, the opening of Clarke's "Art House" in Manhattan, New York, the 1891 Clarke exhibition at the Pennsylvania Academy of Fine Arts, the 1892 Columbian Loan Exhibition, and the 1893 Worlds' Columbian Exhibition. There is one annotated catalog of the 1894 A.H. Wyant Collection at the 5th Avenue Art Galleries, and news coverage of art auctions, exhibition openings, and events at the Union League, New York Athletic, Metropolitan, and Lambs clubs.

Book 6 (1891-1902, 234 pages) consists of clippings regarding the art and auction sales of Greek, Continental, Persian, and Oriental antiquities, rugs, and porcelains. There is also coverage of the Clarke collection and exhibition openings.

Book 7 (1894-1898, 337 pages) includes coverage of Clarke's support of Justice Frederick Smyth, his parents' 50th anniversary celebration, his daughter's society introduction reception, the theft of silverware from his residence, and events at the Rembrandt, Lotos, Colonial, Manhattan, New York Athletic, Heights, and Century clubs. Extensive coverage is given to the Lambs and Union League Clubs, including several art exhibition catalogs. Clippings covering art related events and news are also included.

Book 8 (1894-1920, 198 pages) consists of clippings related to George Inness, including obituaries and remembrances, announcements of the Inness memorial exhibition, and coverage of the Inness 1895 estate auction sale. A catalog of the 1895 auction sale, copies of correspondence between Inness and Clarke, two original photographs of Inness' studio, and additional auction sales lists from 1904 and 1911 are also included.

Book 9 (1899-1900, 175 pages) includes coverage of events at the Brooklyn, Clover, Democratic, Lincoln, and Manhattan clubs, with extensive coverage given to the Lambs and Union League clubs. Clippings covering the Clarke Prize, Paris Exposition, Dewey Arch, the private art collection of William T. Evans, and the non-segregation policies of the New York School of Applied Design for Women are also included.

Book 10 (1899-1936, 326 pages) consists primarily of coverage of the 1899 Clarke art auction to fund the National Academy of Design's Clarke prize. Articles describe highlights in the 375 piece collection and provide coverage and analysis of the sales at the American Art Association galleries. Printed announcements of the auction and a copy of the auction catalog are included. From 1910-1930, there are clippings regarding the art of Winslow Homer, Albert Ryder, and George Stuart. From 1912-1936, there are articles on George Stuart's paintings of Washington, clippings regarding the exhibition of Clarke's collection of American portraits from the 17th-19th century, and the 1936 purchase of this collection by Knoedler and Company.

Book 11 (1900-1902, 173 pages) consists of coverage of Clarke's Hampton cottage, his daughter's marriage and divorce suit, and events at the Manhattan, Lambs, and Union League clubs. Clippings related to the playwright Charles Hoyt, the New York School of Design for Women, the Academy of Design annual exhibition, and various charity benefits and art auctions are also included.

Book 12 (1899-1918, 98 pages) is a book of clippings regarding William Tilden Evans, a contemporary art collector and friend of Clarke's. It includes coverage and analysis of Evans' 1900 art collection auction, prices paid, and printed materials related to the auction sale. Later material includes a catalog of Evans' exhibition at the Union League Club in 1903, clippings regarding Evans' suit against the art dealer William Clausen from 1908-1910, a second art auction in 1913, Evans' creditor's suit against artists in 1917, and obituaries and remembrances of Evans in 1918.
Arrangement note:
The original chronological arrangement has been retained, which does not match the order of filming.
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.clarthom, Series 1
See more items in:
Thomas Benedict Clarke scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref15

Book 1

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Extent:
(Book 1 housed in BV 3)
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1880-1884
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref16

Book 2

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Extent:
(Book 2 housed in BV 4)
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
1883-1884
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref17

Book 3

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
1887-1889
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref18

Book 4

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
1889-1891
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref19

Book 5

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Date:
1891-1894
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref20

Book 6

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Extent:
(Book 6 housed in BV 5)
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
1891-1902
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref21

Book 7

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
1894-1898
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref22

Book 8

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Container:
Box 2, Folder 1
Type:
Archival materials
Date:
1894-1920
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref23

Book 9

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Container:
Box 2, Folder 2
Type:
Archival materials
Date:
1899-1900
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref24

Book 10

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Extent:
(Book 10 housed in BV 6)
Container:
Box 2, Folder 3
Type:
Archival materials
Date:
1899-1936
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref25

Book 11

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Container:
Box 2, Folder 4
Type:
Archival materials
Date:
1900-1902
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref26

Book 12

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Container:
Box 2, Folder 5
Type:
Archival materials
Date:
1899-1918
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref27

Oversized Book 1 from Box 1, Folder 1

Collection Creator:
Clarke, Thomas B. (Thomas Benedict), 1848-1931  Search this
Container:
Box BV 3
Type:
Archival materials
Date:
1880-1884
Collection Restrictions:
Use of originals requires an appointment. Patrons must use microfilm copy due to fragility of the original scrapbooks.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Benedict Clarke scrapbooks, 1880-1936, bulk 1883-1920. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Benedict Clarke scrapbooks
Thomas Benedict Clarke scrapbooks / Series 1: Scrapbooks
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-clarthom-ref28

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