including the bald eagle, "Old Abe," the Live Wisconsin War Eagle.
See also:
Civil War, World Expositions
Series Restrictions:
Sears, Roebuck & Co. catalogs restricted due to fragile condition. Researchers should consult microfilm in NMAH library for 1880-1983 editions, drawer 692.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Digitization of Series 2.2: Stereographs was made possible by Andrew and Anya Shiva.
mostly Gettysburg, including three copies of etchings titled "First Day's Fight," "Second Day's Fight," and "Battle of Gettysburg--3rd day"; and a pirated copy of the famous Gardner image of dead on the battlefield, titled "Dead on Culp's Hill"; several stamped on verso as from the Battlefield Museum at Gettysburg
See also:
Birds, California--San Francisco, Military, Monuments and Sculpture, Navy, Parades, Pennsylvania
Series Restrictions:
Sears, Roebuck & Co. catalogs restricted due to fragile condition. Researchers should consult microfilm in NMAH library for 1880-1983 editions, drawer 692.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Digitization of Series 2.2: Stereographs was made possible by Andrew and Anya Shiva.
Civil War, Florida, Foreign, Landscapes, Musical Instruments, Navy, New York City, World Expositions
Series Restrictions:
Sears, Roebuck & Co. catalogs restricted due to fragile condition. Researchers should consult microfilm in NMAH library for 1880-1983 editions, drawer 692.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Digitization of Series 2.2: Stereographs was made possible by Andrew and Anya Shiva.
including the Saratoga Monument; two of the Council of War; the Burns Monument, Washington Park, Albany, N.Y., with Julius Wendt stamp on verso
See also:
Cemeteries, Civil War, Foreign, Gardens and Parks, Marble, Massachusetts, New York--Albany,--Saratoga Springs, World Expositions
Series Restrictions:
Sears, Roebuck & Co. catalogs restricted due to fragile condition. Researchers should consult microfilm in NMAH library for 1880-1983 editions, drawer 692.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Digitization of Series 2.2: Stereographs was made possible by Andrew and Anya Shiva.
U.S. battleships and sailors, including the Battleships Kansas, Massachusetts, Maine, Iowa, Oregon, Indiana, and Connecticut, including two lithoprints
See also:
Civil War, Military, Ships
Series Restrictions:
Sears, Roebuck & Co. catalogs restricted due to fragile condition. Researchers should consult microfilm in NMAH library for 1880-1983 editions, drawer 692.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Digitization of Series 2.2: Stereographs was made possible by Andrew and Anya Shiva.
including several of G.A.R. reunions, circa 1880-1908
See also:
Bicycles, Civil War, New York City, New York--Albany, Oregon, Pennsylvania, World Expositions
Series Restrictions:
Sears, Roebuck & Co. catalogs restricted due to fragile condition. Researchers should consult microfilm in NMAH library for 1880-1983 editions, drawer 692.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Digitization of Series 2.2: Stereographs was made possible by Andrew and Anya Shiva.
San Francisco and vicinity scenery, including two streetscapes by Thomas Houseworth & Co.; three street scenes and a harbor scene by Lawrence & Houseworth one
Mt. Tamalpais, by Edw. J. Muybridge (Helios); Cliff House; others. See also: Civil War, Churches, Disasters, Horses, Houses, Wagons
Series Restrictions:
Sears, Roebuck & Co. catalogs restricted due to fragile condition. Researchers should consult microfilm in NMAH library for 1880-1983 editions, drawer 692.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Digitization of Series 2.2: Stereographs was made possible by Andrew and Anya Shiva.
Eleven images of monuments, battlefields, and memorial parks of the Civil War, including three copies of etchings, entitled "First Day's Fight," "Second Day's Fight," and "Battle of Gettysburg--3d day"; and a copy of the Alexander Gardner and Timothy O'Sullivan image, "Harvest of Death," titled on the card as "Dead on Culp's Hill"; several with stamps on verso from the Battlefield Museum at Gettysburg.
General:
In photographs division, stereographs sub-series.
Restrictions:
Unrestricted research use on site. Photographs must be handled with white cotton gloves, unless protected by plastic sleeves.
Series Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Civil War, United States -- Stereographs Search this
Monuments and memorials -- Stereographs Search this
Genre/Form:
Stereographs
Photographs
Series Citation:
Warshaw Collection of Business Americana, Archives Center, National Museum of American History, Smithsonian Institution
Sponsor:
Funding for partial processing of the collection was supported by a grant from the Smithsonian Institution's Collections Care and Preservation Fund (CCPF).
Digitization of Series 2.2: Stereographs was made possible by Andrew and Anya Shiva.
This series covers General Hazen's career from graduation at West Point to service in California, Oregon, Texas, the Civil War, military post inspections, Indian tribe affairs, observations of two European battles, court martials, his appointment as chief signal officer, the Arctic expedition, military forms, a book, A Narrative of Military Service, and the first Civil War monument at Stones River, Tennessee.
Arrangement:
This series is divided into nineteen subseries:
Subseries 1, Military Posts and Civil War Battles, 1856-1870
Subseries 2, Military Posts, 1869-1880
Subseries 3, Inspections by Generals Ruling and Hazen, January 19, 1867
Subseries 4, Indian Tribes, 1869-1871
Subseries 5, Old Soldiers, 1869-1886
Subseries 6, General Hazen in Europe, 9/1887-6/24/1868
These records include General Hazen's statement to soldiers of the Fifteenth Army Corps at the end of the Civil War; impressions on battles in Europe resulting in a book of ideas for reform in the U.S. Army; inspections westward with General Ruling; problems with management and the efficiency of the Signal Corps and attempts to transfer the Weather Service from the War Department; presentation book in French on lights applicable to rescue at sea; leather bound book of press sketches of the life and services of General Hazen; and a ledger book of ideas that may be related to writing "The School and the Army in Germany and France."
Collection Restrictions:
Collection is open for research.
Collection Rights:
Rights situation uncertain, but most of the collection is probably in the public domain due to its age.
Collection Citation:
William B. Hazen Papers, 1855-1909, Archives Center, National Museum of American History.
Sponsor:
Digitization of this collection was made possible by Andrew and Anya Shiva.
