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People of Progress

Creator:
National Portrait Gallery  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 15 Jun 2021 07:00:00 -0000
Topic:
Portraits  Search this
See more posts:
PORTRAITS
Data Source:
National Portrait Gallery
EDAN-URL:
edanmdm:posts_b347997fbfb497b27b3c914e12db67b0

Tomás Ybarra-Frausto research material

Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Names:
Mexican Museum  Search this
Royal Chicano Air Force  Search this
Studio 24 (San Francisco, Calif.)  Search this
Garza, Carmen Lomas  Search this
Goldman, Shifra M., 1926-2011  Search this
Mesa-Bains, Amalia  Search this
Extent:
33.1 Linear feet
1.27 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Slides (photographs)
Interviews
Place:
Mexico -- Religious life and customs
Date:
1965-2004
Summary:
The research material of Tomás Ybarra-Frausto, measures 33.1 linear feet and 1.27 GB and dates from 1965-2004. The collection, amassed throughout Ybarra-Frausto's long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States and chronicles Ybarra-Frausto's role as a community leader and scholar in the political and artistic Chicano movement from its inception in the 1960s to the present day.
Scope and Content Note:
The research material of Tomás Ybarra-Frausto, amassed throughout his long and distinguished career as a scholar of the arts and humanities, documents the development of Chicano art in the United States. As community leader and scholar, Ybarra-Frausto played dual roles of active participant and historian in the Chicano movement, chronicling this unique political and artistic movement from its inception in the 1960s to the present day.

Deeply rooted in American history, "El Movimiento," the Chicano movement, evolved from Mexican-Americans' struggle for self-determination during the civil rights era of the 1960s. It began as a grassroots community effort that enlisted the arts in the creation of a united political and cultural constituency. Chicano artists, intellectuals, and political activists were instrumental in mobilizing the Mexican-American community for the cause of social justice, and the movement was shaped by the affirmation of a cultural identity that embraced a shared heritage with Mexico and the United States.

Just as "El Movimiento" aimed to instruct and inspire through the recollection and conservation of culture, Ybarra-Frausto's own career as scholar and historian helped to shape the intellectual discourse of the Chicano art. As a leading historian and theoretician in the field of Chicano Studies, he has written extensively on the subject, and has been instrumental in defining the canons of Chicano art. His papers are accordingly rich and varied, and they will be of great use to future scholars.

His research material, dating from 1965 to 1996, are arranged in subject files containing original writings, notes, bibliographies compiled by Ybarra-Frausto and others, exhibition catalogues, announcements, newspaper clippings and other printed material, as well as slides and photographs. Many of these files also include interview transcripts and correspondence with prominent figures in the movement. While this research collection contextualizes Chicano art within the larger framework of Latino and Latin-American culture, the bulk of the files relates specifically to Chicano visual culture. The collection also contains pertinent documentation of the Chicano civil rights movement, material on Chicano poets and writers, and research files on the wider Hispanic community, but these also appear within the context of Chicano culture in general.

Prominent among the bibliographies are the many notes and drafts related to the publication of A Comprehensive Annotated Bibliography of Chicano Art, 1965-1981 (University of California, Berkeley, 1985), which Ybarra-Frausto co-authored with Shifra Goldman. Ybarra-Frausto's files on Goldman, like other files in the collection, document his close associations and collaborations with scholars.

Art historians have traditionally found the categorization of Chicano art a difficult task. Unsure whether to classify the work as "American" or "Latin American," critics often ignored the work altogether. An outgrowth of this dilemma was the proliferation of artists, curators, and critics within the Chicano community, and the papers contain many original writings by Chicano artists about Chicano art, found in extensive files on artists that will be of particular significance to researchers. These often contain exhibition essays, dissertation proposals, and course outlines authored by the artists, along with the standard biographies, exhibition records, and reviews. Some of the files contain rare interviews conducted and transcribed by Ybarra-Frausto. Highlights include conversations with Carmen Lomas Garza, Amalia Mesa-Bains, and members of the Royal Chicano Air Force artist cooperative.

As a member of several Chicano art organizations and institutions, Ybarra-Frausto kept active records of their operation. The extensive files on the Mexican Museum and Galerie de la Raza/Studio 24, both in San Francisco, not only chronicle the history of Chicano art through the records of exhibitions and programming, but also offer case studies on the development of non-profit art institutions. The files on artist cooperatives, organizations, and exhibition spaces cover several regions of the United States, but focus on California, Texas and New York.

Two notable events in the development of Chicano art were the 1982 Califas: Chicano Art and Culture in California seminar at the University of California at Santa Cruz, and the 1990 traveling exhibition Chicano Art: Resistance and Affirmation, 1965-1985 (CARA), of which Ybarra-Frausto served as organizer and catalogue essayist. His records document the planning and development of these seminal events. Ybarra-Frausto's files on folk art, altars, posters, murals, performance art, border art, Chicana feminist art, and Southwestern and Mexican imagery (both urban and rural expressions) mirror the diverse forms and subject matter of Chicano art.

Spanning almost four decades of American culture from a Chicano perspective, these files have a unique historical value. The legacy of Chicano art and its contribution to the cultural landscape of this country, kept alive in Ybarra-Frausto's files, attests to the richness and diversity of American art.

Henry C. Estrada

Research Fellow, 1997.
Arrangement:
The collection is arranged as a single series of subject files. The general contents of each folder have been listed. The subject files are arranged in alphabetical order. While no two files are alike, they may contain résumés, printed and digital material, letters, draft writings, and photographs. Unless otherwise noted, each listing represents one file folder. The abbreviation TYF was used to refer to the name Tomá Ybarra-Frausto throughtout the Series Description.
Autobiographical Note:
Papelitos (little bits of paper), whether rent receipts, paid bills, or piles of personal letters, can become layered bundles of personal history. I have always been a pepenador (a scavenger) and saver of paper scraps. Diary notes, scribbled annotations, and first drafts are often useful indicators of ideas and gestation. Papelitos are the fragments of every-day life that gain expanded meaning integrated into the larger historical events of a period.

In the decade of the 1960s, I started saving ephemeral material--exhibition announcements, clippings of individual artists and of organizations fomenting a Chicano art movement. The social scenarios of the period such as marches, strikes, sit-ins, and mobilizations for social justice all spawned manifestos, posters, leaflets, and other forms of printed material. I somehow managed to assemble and protect the evanescent printed information that recorded the birth and development of Chicano art.

As I started to research and write about Chicano art and artists of the period, I continued to clip, photocopy, and preserve material given me by Mexican-American artists from throughout the nation. My idea was to form an archive that would be comprehensive rather than selective. I knew that it was the offbeat, singular piece of paper with a missing link of information that would attract the scholar.

Today, several decades after the flowering of Chicano art, there is still a lamentable paucity of research and information about this significant component of American art.

It is my fervent hope that this compendium of information will function as a resonant print and image bank for investigators of Chicano culture. Perhaps contained within the archive are the facts that will inspire new visions or revisions of Chicano art and culture--this is my fondest dream.

Dr. Tomás Ybarra-Frausto

New York City, 1998
Related Materials:
Tomás Ybarra-Frausto Papers are located at University of Texas Libraries, The University of Texas at Austin.
Provenance:
The collection was donated to the Archives of American Art by Tomás Ybarra-Frausto in 1997, and in 2004.
Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Santos (Art)  Search this
Household shrines -- Mexico  Search this
Chicano art  Search this
Chicano artists  Search this
Mexican American art  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Photographs
Slides (photographs)
Interviews
Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.ybartoma
See more items in:
Tomás Ybarra-Frausto research material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e4916919-f4aa-4cd9-bf03-0335539ae06d
EDAN-URL:
ead_collection:sova-aaa-ybartoma
Online Media:

Chicano! History of the Mexican American Civil Rights Movement, Project, National Latino Communications Center

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Extent:
(publication; informational packet)
Container:
Box 7, Folder 16
Type:
Archival materials
Date:
1993
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw922d9d10d-2c74-4182-9cb5-1e05d844a34f
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref470

Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe)

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 8, Folder 33
Type:
Archival materials
Date:
1971-2000, undated
Scope and Contents note:
(letter to Dr. Guy Bensusan, Associate Professor, University of Arizona, 07/22/1972; Con Safo organizational information: list of needs, meeting notes, mission statement - Brown Paper Report; "General Comments" [by Felipe Reyes?]; clippings; exhibition announcements; catalogs; photographs of Con Safo members; material for TYF's course on Chicano Culture)
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94a9f4892-fea3-4b62-8121-7c311caea4da
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref550
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Con Safo Group, San Antonio, Texas, Organization (see also: Casas, Mel; Martinez, Santos; Reyes, Felipe) digital asset number 1

Expulsion Appeal Letter to Little Rock School Board, February 17, 1958

Associated Name:
Little Rock Nine  Search this
Trickey, Minnijean Brown  Search this
Recipient:
Little Rock School District  Search this
Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 25.1 cm x 18.7 cm; 9 7/8 in x 7 3/8 in
Object Name:
letter
Place made:
United States: Arkansas, Little Rock
Associated Place:
United States: Arkansas, Little Rock, Little Rock Central High School
United States: Arkansas, Little Rock
Date made:
1958-02-17
Subject:
School Discipline  Search this
Civil Rights Movement  Search this
Education  Search this
Related event:
Little Rock Integration Crisis  Search this
Credit Line:
Gift of Minnijean Brown Trickey
ID Number:
2015.0238.06
Accession number:
2015.0238
Catalog number:
2015.0238.06
See more items in:
Cultural and Community Life: Education
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b2-c776-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1764067

Indian Civil Rights

Collection Creator:
Freeman, Ethel Cutler, 1886-1972  Search this
Container:
Box 4
Type:
Archival materials
Date:
1951-1954
undated
Collection Restrictions:
By Ethel Freeman's instructions, the collection was restricted for ten years dating from the receipt and signing of the release forms on October 12, 1972. Literary property rights to the unpublished materials in the collection were donated to the National Anthropological Archives.

Access to the Ethel Cutler Freeman papers requires an appointment.
Seminole recordings cannot be accessed without the permission of the Seminole Tribe.
Collection Rights:
Contact repository for terms of use.
Collection Citation:
Ethel Cutler Freeman papers, National Anthropological Archives, Smithsonian Institution.
See more items in:
Ethel Cutler Freeman papers
Ethel Cutler Freeman papers / Series 2: Correspondence / Organizations of personal membership
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw3d28bd4d6-66d6-49a8-8ccb-ba5769f9ccf6
EDAN-URL:
ead_component:sova-naa-xxxx-0166-ref835

Festival Recordings: El Bordo Stage: Border Stories; Elia hilda Maceda, Paredes de Solis, Carmen Moreno, S. Buck; Quilts

Creator:
Smithsonian Institution. Festival of American Folklife. Borderlands Program 1993 Washington, D.C.  Search this
Performer:
Moreno, Carmen Cristina  Search this
Flores, Elia Ilda Maceda, 1971-  Search this
Solís, María Paredes de, 1923-  Search this
Buck, Sadie  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Mexicans  Search this
Seneca Indians  Search this
Mixtec Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
California
Mexico
Cathedral City (Calif.)
Tijuana, Baja California, Mexico
Texas
New York
Date:
1993 July 1
Local Numbers:
FP-1993-CT-0084
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 1, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Storytelling  Search this
Oral history  Search this
American Indian  Search this
Borderlands  Search this
Medicine  Search this
Civil rights  Search this
Quilting  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1993, Item FP-1993-CT-0084
See more items in:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
Smithsonian Folklife Festival records: 1993 Festival of American Folklife / Series 5: U.S.-Mexico Borderlands / 5.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5ebaf8e05-7f9f-4d30-ba15-9838a4908c1e
EDAN-URL:
ead_component:sova-cfch-sff-1993-ref706

Festival Recordings: El Bordo Stage: Border Stories: Crafts & Occupations

Creator:
Smithsonian Institution. Festival of American Folklife. Borderlands Program 1993 Washington, D.C.  Search this
Performer:
Sierra Cruz, Francisco Paulino, 1955-  Search this
Collins, Julius, 1928-  Search this
Hernandez, Reynaldo B.  Search this
Herrera, Alonso Encina  Search this
López, Gloria López  Search this
López, Ofelia Santos  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Mexicans  Search this
Americans  Search this
Indians of North America  Search this
Cajuns  Search this
Mixtec Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Texas
Arizona
Mexico
Tucson (Ariz.)
Brownsville (Tex.)
Tijuana, Baja California, Mexico
Durango
Ciudad Juar̀ez (Durango, Mexico)
Date:
1993 July 2
Track Information:
101 Border Stories / Francisco Paulino Sierra Cruz, Julius Collins, Reynaldo B. Hernandez.

102 Crafts and Occupations / Alonso Encina Herrera, Gloria López López, Ofelia Santos López.
Local Numbers:
FP-1993-CT-0086
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Storytelling  Search this
American Indian  Search this
Oral history  Search this
Borderlands  Search this
Shrimps  Search this
Border patrols  Search this
Agriculture  Search this
Civil rights  Search this
Mural painting and decoration  Search this
Basket making  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1993, Item FP-1993-CT-0086
See more items in:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
Smithsonian Folklife Festival records: 1993 Festival of American Folklife / Series 5: U.S.-Mexico Borderlands / 5.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b29cf406-9df3-401d-9829-fa80d4127816
EDAN-URL:
ead_component:sova-cfch-sff-1993-ref708

Festival Recordings: El Bordo Stage: Guitar making Workshop: Border Stories

Creator:
Smithsonian Institution. Festival of American Folklife. Borderlands Program 1993 Washington, D.C.  Search this
Performer:
Ramírez, Oscar, 1944-  Search this
Strong, Arturo Carrillo, 1930-  Search this
Bonaparte, Brad  Search this
Yucupicio, Peter S., 1957-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Mexicans  Search this
Indians of North America  Search this
Americans  Search this
Mohawk Indians  Search this
Yaqui Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Durango
Mexico
Ciudad Juar̀ez (Durango, Mexico)
Arizona
New York
Tucson (Ariz.)
Magdalena de Kino (Mexico)
Date:
1993 July 2
Track Information:
101 Guitarmaking Workshop / Oscar Ramírez. Guitar.

102 Border Stories / Arturo Carrillo Strong, Brad Bonaparte, Peter S. Yucupicio.
Local Numbers:
FP-1993-CT-0087
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 2, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Guitar  Search this
Musical instruments -- Construction  Search this
Smuggling  Search this
Civil rights  Search this
Drugs  Search this
Herbs -- Theraputic use  Search this
Borderlands  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1993, Item FP-1993-CT-0087
See more items in:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
Smithsonian Folklife Festival records: 1993 Festival of American Folklife / Series 5: U.S.-Mexico Borderlands / 5.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5b409c0cd-abfc-4f6d-9e6b-c7776872b9da
EDAN-URL:
ead_component:sova-cfch-sff-1993-ref709

Festival Recordings: El Bordo Stage: Guitar making Workshop: Border Stories: Paper Crafts Workshop

Creator:
Smithsonian Institution. Festival of American Folklife. Borderlands Program 1993 Washington, D.C.  Search this
Performer:
Ramírez, Oscar, 1944-  Search this
Strong, Arturo Carrillo, 1930-  Search this
Bonaparte, Brad  Search this
Bernholz, Richard M., 1954-  Search this
Rogues, Maria G. Moroyoqui'd de  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Mexicans  Search this
Indians of North America  Search this
Americans  Search this
Mohawk Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Durango
Mexico
Ciudad Juar̀ez (Durango, Mexico)
Texas
Arizona
New York
Tucson (Ariz.)
Presidio (Tex.)
Nogales (Nogales, Mexico)
Date:
1993 July 4
Track Information:
101 Guitarmaking Workshop / Oscar Ramírez.

102 Borders Stories / Arturo Carrillo Strong, Brad Bonaparte, Richard M. Bernholz.

103 Paper Crafts Workshop / Maria G. Moroyoqui'd de Rogues.
Local Numbers:
FP-1993-CT-0094
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 4, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Storytelling  Search this
Musical instruments -- Construction  Search this
Border patrols  Search this
Civil rights  Search this
Smuggling  Search this
Migrant workers  Search this
Borderlands  Search this
Paper flowers  Search this
Paper art  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1993, Item FP-1993-CT-0094
See more items in:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
Smithsonian Folklife Festival records: 1993 Festival of American Folklife / Series 5: U.S.-Mexico Borderlands / 5.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59ebb645b-1828-43a8-958c-c735d8bb815c
EDAN-URL:
ead_component:sova-cfch-sff-1993-ref716

Festival Recordings: El Ranchito: Border Stories: Corrido & Ranchera Singing

Creator:
Smithsonian Institution. Festival of American Folklife. Borderlands Program 1993 Washington, D.C.  Search this
Performer:
Strong, Arturo Carrillo, 1930-  Search this
Serra, Francisco  Search this
Hernandez, Reynaldo B.  Search this
Moreno, Carmen Cristina  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Mexicans  Search this
Americans  Search this
Hispanic Americans  Search this
Mixtec Indians  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Arizona
Mexico
Tucson (Ariz.)
Tijuana, Baja California, Mexico
California
Cathedral City (Calif.)
Date:
1993 July 3
Track Information:
101 Border Stories / Arturo Carrillo Strong, Francisco Serra, Reynaldo B. Hernandez.

102 Corrido and Ranchera Singing / Carmen Cristina Moreno. Guitar.
Local Numbers:
FP-1993-CT-0106
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1993.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Storytelling  Search this
Corridos  Search this
Rancheras  Search this
Guitar  Search this
Emigration & immigration  Search this
Civil rights  Search this
Border patrols  Search this
Family  Search this
Borderlands  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1993, Item FP-1993-CT-0106
See more items in:
Smithsonian Folklife Festival records: 1993 Festival of American Folklife
Smithsonian Folklife Festival records: 1993 Festival of American Folklife / Series 5: U.S.-Mexico Borderlands / 5.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5d0137a7c-0736-4a8d-9c1e-7f570ae2cff9
EDAN-URL:
ead_component:sova-cfch-sff-1993-ref728

Festival Recordings: Learning Center/Camp Fire: Fernando Cellicion; Flute Zuni Pueblo: Images, Tourists and Traditions

Creator:
Smithsonian Institution. Festival of American Folklife. New Mexico Program 1992 Washington, D.C.  Search this
Place, Janet L. (recorder)  Search this
Bergeson, Kevin (recorder)  Search this
Performer:
Cellcion, Fernando  Search this
Concha, Benito, 1965-  Search this
Martinez, Consuelo, 1948-  Search this
Garcia, Peter, 1927-2001  Search this
Atencio, Paulette, 1947-  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Indians of North America  Search this
Americans  Search this
Zuni Indians  Search this
Taos Indians  Search this
Hispanic Americans  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
New Mexico
Zuni (N.M.)
Taos (N.M.)
Mora (N.M.)
Santa Fe (N.M.)
Date:
1992 June 26
Track Information:
101 Fernando Cellicion- Zuni Flute / Fernando Cellcion. Flute.

102 Images, Tourists and Traditions / Benito Concha, Consuelo Martinez, Peter Garcia.

103 Cuentos: Stories from the Rio Grande Valley / Paulette Atencio.
Local Numbers:
FP-1992-CT-0133
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
American Indian  Search this
Oral history  Search this
Storytelling  Search this
Flute  Search this
Civil rights  Search this
Crafts & decorating  Search this
Tourism  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0133
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 4: New Mexico / Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk54fac1ca7-6ded-4a3e-9bc5-a26d446b7944
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref681

Festival Recordings: Maroon Narrative: Maroon Identity in the 1990s; Jamaica, Guianas, Mexico

Creator:
Smithsonian Institution. Festival of American Folklife. Maroon Program 1992 Washington, D.C.  Search this
Spinks, Vondale (recorder)  Search this
Woodley, Harold (recorder)  Search this
Performer:
Lamoraille, Antione  Search this
Hernandez Palomino, Gabino  Search this
Balla, Romain  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Colombians  Search this
French Guianese  Search this
Maroons  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Colombia
Suriname
Jamaica
French Guiana
Date:
1992 June 27
Local Numbers:
FP-1992-CT-0179
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 27, 1992.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Oral history  Search this
Identity (Philosophical concept)  Search this
Indigenous peoples -- Civil rights  Search this
Education  Search this
Maroons  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1992, Item FP-1992-CT-0179
See more items in:
Smithsonian Folklife Festival records: 1992 Festival of American Folklife
Smithsonian Folklife Festival records: 1992 Festival of American Folklife / Series 3: Creativity and Resistance: Maroon Culture in the Americas / 3.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5e48046ad-36fd-4219-8fef-4ab797b068c7
EDAN-URL:
ead_component:sova-cfch-sff-1992-ref728

Subject File Regarding Indian Affairs

Collection Correspondent:
Paul, William L. Jr  Search this
Collection Creator:
Curry, James E., 1907-1972  Search this
Extent:
43 Linear feet
Type:
Archival materials
Date:
circa 1934- circa 1956
bulk 1935-1955
Scope and Contents note:
The material reflects Curry's legal work in representing the large number of Indian tribes that were his clients, his work as general counsel for N.C.A.I. and some of his early work as an attorney with the Bureau of Indian Affairs. Other papers reflect Curry's long feud with the government concerning his contracts with a representation of the Indian tribes, political involvement, and other causes in which he was interested. The bulk of the documents consist of letters, but it also includes copies of telegrams, statements of services rendered, tribal resolutions, contract and lease copies, affidavits, vouchers, expense statements, press releases, minutes of tribal meetings, newspaper clippings, copies of testimony before government committees, copies of legislative bills, petitions and motions filed in cases, mailing lists, tribal reports, N.C.A.I. bulletins, and documents generated from Indian land claim cases. Other materials reflect Curry's efforts in the areas of Indian self-government, voting rights, civil rights, and social security.
Arrangement note:
Arranged alphabetically by subject and chronologically within each subject.
Directional Note:
For more information on subjects regarding Alaska, please see the specific names of Alaskan towns and Indian communities/tribes.

Alaska Communities

Akutan Alaskan Community

Angoon Alaskan Community

Craig Alaskan Community

Eskimo claims

Haida- see -- Tlingit and Haida

Haines, Alaska

Juneau Indians

Kake, Alaska

Kasaan, Alaska

Ketchikan, Alaska

Kiana, Alaska

Klawock, Alaska

Kluckwan, Alaska

Taku Indians of Douglas, Alaska

Tlingit

Unalakleet, Alaska

Wrangell, Alaska
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); James E. Curry papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
Identifier:
NMAI.AC.015, Series 2
See more items in:
James E. Curry papers
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv449e11e38-1f98-487e-9c14-a814016f4b50
EDAN-URL:
ead_component:sova-nmai-ac-015-ref12

I-G-17 (President's Committee on Civil Rights)

Collection Correspondent:
Paul, William L. Jr  Search this
Collection Creator:
Curry, James E., 1907-1972  Search this
Container:
Box 108
Type:
Archival materials
Text
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); James E. Curry papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
James E. Curry papers
James E. Curry papers / Series 2: Subject File Regarding Indian Affairs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4f7771a3f-961b-4604-b0f9-fef494030327
EDAN-URL:
ead_component:sova-nmai-ac-015-ref212

President's Committee on Civil Rights

Collection Correspondent:
Paul, William L. Jr  Search this
Collection Creator:
Curry, James E., 1907-1972  Search this
Container:
Box 137
Type:
Archival materials
Text
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); James E. Curry papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
James E. Curry papers
James E. Curry papers / Series 2: Subject File Regarding Indian Affairs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4a228e617-b4ec-4427-8536-ef66498782f9
EDAN-URL:
ead_component:sova-nmai-ac-015-ref332

Civil Rights

Collection Correspondent:
Paul, William L. Jr  Search this
Collection Creator:
Curry, James E., 1907-1972  Search this
Container:
Box 71
Type:
Archival materials
Text
Collection Restrictions:
Access to NMAI Archive Center collections is by appointment only, Monday - Friday, 9:30 am - 4:30 pm. Please contact the archives to make an appointment (phone: 301-238-1400, email: nmaiarchives@si.edu).
Collection Rights:
Single photocopies may be made for research purposes. Permission to publish or broadbast materials from the collection must be requested from National Museum of the American Indian Archive Center. Please submit a written request to nmaiarchives@si.edu.
Collection Citation:
Identification of specific item; Date (if known); James E. Curry papers, Box and Folder Number; National Museum of the American Indian Archive Center, Smithsonian Institution.
See more items in:
James E. Curry papers
James E. Curry papers / Series 2: Subject File Regarding Indian Affairs
Archival Repository:
National Museum of the American Indian
GUID:
https://n2t.net/ark:/65665/sv4798ec3f0-ce5b-45cc-aea9-3ffa642c4d41
EDAN-URL:
ead_component:sova-nmai-ac-015-ref91

The American South

Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Type:
Archival materials
Introduction:
The Olympic Games join athletes from across the globe in the highest levels of competition and excellence. The games have included, since their inception, a cultural component, but never before as extensively as in Atlanta in 1996. The Centennial Olympic Games brought together musical and dramatic performances, exhibitions, and artists from around the world. But most importantly, the Olympic Arts Festival highlighted the American South.

Southern culture was born from the interactions over past centuries of Native Americans, European settlers, and peoples from Africa. In the South, various forms of expression have arisen and transcended boundaries of race, gender, religion, and geography. So powerful have these expressions been - jazz, blues, gospel, rock 'n' roll, civil rights songs, Southern oratory, and food - that they have constituted unique American contributions to world culture. At the 1996 Festival on the National Mall, these forms of expressive culture were celebrated. Later the same summer in Atlanta during the Olympic Games, the program was the core of Southern Crossroads, a festival of Southern culture mounted in the new Centennial Olympic Park - the gathering spot for several hundred thousand visitors a day and billions more through television coverage. An Enhanced-CD Smithsonian Folkways recording with Internet connections and other educational material derived from the Festival program reached countless more after the Olympic Games.

The 1996 program not only exposed regional cultural roots but also showed how many of them have become part of traditions known to America and the world. Technology amplified the stories and songs of Southern rivers and roads, travails and struggles - as documenters recorded, disk jockeys broadcast, and performers toured these cultural expressions, helping them bridge race, gender, class, and ethnicity and producing forms of music now identified with American culture as a whole.

The world of Southern culture celebrated in the 1996 Festival was one of family, home, and community. The program explored new points of juncture and the evolution of new identities. In these could be discovered in today's South the roots of a new, evolving American culture.

Philippa Thompson Jackson was Program Curator and Phyllis K. Kimbrough was Program Coordinator.

The American South was made possible by and was produced in collaboration with The Atlanta Committee for the Olympic Games Cultural Olympiad and in cooperation with the Southern Arts Federation. Additional support was provided by The Recording Industries Music Performance Trust Funds.
Presenters:
Dori Addison, Tara Browner, Katherine Hagedorn, Joyce Jackson, Worth Long, Derek Lowery, Tim Patridge, Henry Willett Ill, Otis Williams, Joe Wilson
Particpants:
Performance Traditions

BEAUSOLEIL AVEC MICHAEL DOUCET

Jimmy Breaux, Acadian accordion, Lafayette, Louisiana

David Doucet, lead and backing vocals, acoustic guitar, Lafayette, Louisiana

Michael Doucet, lead vocals, fiddle, Lafayette, Louisiana

Al Tharp, vocals, banjo, bass, fiddle, Lafayette, Louisiana

Billy Ware, percussion, Lafayette, Louisiana

THE BIRMINGHAM SUNLIGHTS

Reginald Speight, tenor, Birmingham, Alabama

Barry Taylor, bass, Birmingham, Alabama

James Taylor, light tenor, Birmingham, Alabama

Steve Taylor, bass, Birmingham, Alabama

Wayne Williams, tenor, Birmingham, Alabama

CALLIOPE HIGHSTEPPERS

Henry Freeman, dancer, New Orleans, Louisiana

Johnny Stevenson, dancer, New Orleans, Louisiana

James Taylor, dancer, New Orleans, Louisiana

THE FREEDOM SINGERS

Betty Mae Fikes, 1946-, vocals

Rutha Harris, vocals

Charles Neblett, 1941-, vocals

Cordell Hull Reagon, 1943-1996, vocals

GENO DELAFOSE & FRENCH ROCKIN' BOOGIE

Geno Delafose, diatonic, Acadian & piano accordion, vocals, Eunice, Louisiana

Bobby Broussard, guitar, Eunice, Louisiana

John Espre, bass, Eunice, Louisiana

Germaine Jack, drums, Eunice, Louisiana

Steven Nash, rub board, Eunice, Louisiana

IFÉ ILÉ

Philbert Armenteros, congas, Miami, Florida

Rodolfo L. Caballero, vocals, Miami, Florida

Catalino Diaz, dancer, Miami, Florida

Ruben Romeu, congas, Miami, Florida

Luis E. Torres, bata, congas, chekere, Miami, Florida

Neri Torres, lead dancer, Miami, Florida

Tony Littleturtle Clark, Lumberton, North Carolina

Kat and Ray Littleturtle, Lumberton, North Carolina

Willie Lowery, Lumberton, North Carolina

MAGGIE LEWIS WARWICK WITH TILLMAN FRANKS' OLD TIME LOUISIANA HAYRIDE BAND

Maggie Lewis Warwick, guitar, vocals, Shreveport, Louisiana

Jimmy Day, lead guitar, Shreveport, Louisiana

Tillman Franks, acoustic bass, Shreveport, Louisiana

Paul Griffith, drums, Shreveport, Louisiana

John Peck, fiddle, Shreveport, Louisiana

Felton Pruitt, steel guitar, Shreveport, Louisiana

Kenny Bill Stinson, keyboards, Shreveport, Louisiana

NEW COON CREEK GIRLS

Dale Ann Bradley, guitar, Renfro Valley, Kentucky

Kathy Kuhn, fiddle, White Creek, Tennessee

Vicky Simmons, bass, Berea, Kentucky

Ramona Church Taylor, banjo, Wilkesboro, North Carolina

Eddie Pennington, Princeton, Kentucky

Douglas Quimby, 1936-, Brunswick, Georgia

Frankie Quimby, Brunswick, Georgia

Arnold Richardson, London, Kentucky

SKEETER BRANDON & HWY 61

Skeeter Brandon, vocals, keyboards, North Carolina

Chris Grant, bass, North Carolina

Armand Lenchek, guitars, North Carolina

Kelly Pace, drums, North Carolina

Rusty Smith, trombone, North Carolina

Wally West, tenor saxophone, North Carolina

TREME BRASS BAND

Benny Jones, Sr., snare drum, New Orleans, Louisiana

James Andrews, trumpet, vocals, New Orleans, Louisiana

Lionel Baptiste, bass drum, vocals, New Orleans, Louisiana

Kirk Joseph, tuba, New Orleans, Louisiana

Frederick Shepherd, trumpet, vocals, New Orleans, Louisiana

Gregory Veal, trombone, New Orleans, Louisiana

ULALI

Pura Fe Crescioni, Cherokee-Tuscarora, vocals, rattles, hand drum, Philadelphia, Pennsylvania

Jennifer Kreisberg, Cherokee-Tuscarora, vocals, rattles, hand drum, Hartford, Connecticut

Soni Moreno, Aztec-Maya, vocals, rattles, hand drum, Staten Island, New York

Craft Traditions

David Allen, cane carver, Homer, Louisiana

Anna Branham, potter, Rock Hill, South Carolina

Monty Branham, potter, Rock Hill, South Carolina

Nola Campbell, potter, Rock Hill, South Carolina

Melissa Darden, basket weaver, Charenton, Louisiana

Mary Jackson, basket maker, Charleston, South Carolina

Eric Miller, potter, Brent, Alabama

MISSISSIPPI CULTURAL CROSSROADS (MCC)

Essie Buck, quilter, Port Gibson, Mississippi

Patty Crosby, quilter, Port Gibson, Mississippi

Geraldine Nash, quilter, Port Gibson, Mississippi

Mary Ann Norton, quilter, Port Gibson, Mississippi

Shirley Motlow, patchwork clothing, Baton Rouge, Louisiana

Donnie Tolson, biblical carver, Winchester, Kentucky

Elsie Trivette, rug maker, Zionsville, North Carolina

Alvin Wood, basket maker, Murfreesboro, Tennessee

Trevle Wood, basket maker, Murfreesboro, Tennessee

Foodways Traditions

Larry Frey, food demonstrations, Eunice, Louisiana

Julietta Garcel, food demonstrations, Miami, Florida

Lucky Grissette, food demonstrations- Mountain View, Arkansas

Johnny Kallus, food demon¬strations, Katy, Texas

Steve Orsak, food demon¬strations, Katy, Texas

Larry Wietstruck, food demon¬strations, Katy, Texas

Sara Wilson, food demonstrations, St. Helena, South Carolina

Gospel Sing

THE CHAPLIERS, UNION CHAPEL BAPTIST CHURCH

Rev. Jimmy Strickland, minister, Pembroke, North Carolina

PROSPECT UNITED METHODIST CHURCH CHOIR

Rev. Bill James Locklear, minister, Maxton, North Carolina

Harold Dean Jacobs, diatonal minister, Maxton, North Carolina

THE SPIRITUAL TONES, WEEPING MARY FULL GOSPEL BAPTIST CHURCH

Rev. Henson F. Brooks, pastor, Salisbury, Maryland

Rev. Russell Campars, Sr., Salisbury, Maryland

Timothy Waters, II, manager, Salisbury, Maryland

WESLEY TEMPLE GOSPEL CHOIR, UNITED METHODIST CHURCH

Rev. Grant Johnson, minister, Salisbury, Maryland

Diane West, choir director, Salisbury, Maryland

Mary Winder, pianist, Salisbury, Maryland

Janet Ames, president and business manager, Salisbury, Maryland

WHITE HILLS FREE WILL BAPTIST CHURCH CHOIR

Rev. Jerry Locklear, minister, Maxton, North Carolina

Eddie Carter, music director, Maxton, North Carolina
Collection Restrictions:
Access by appointment only. Where a listening copy or viewing copy has been created, this is indicated in the respective inventory; additional materials may be accessible with sufficient advance notice and, in some cases, payment of a processing fee. Older papers are housed at a remote location and may require a minimum of three weeks' advance notice and payment of a retrieval fee. Certain formats such as multi-track audio recordings and EIAJ-1 videoreels (1/2 inch) may not be accessible. Contact the Ralph Rinzler Folklife Archives and Collections at 202-633-7322 or rinzlerarchives@si.edu for additional information.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Collection Citation:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1996, Series 2
See more items in:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk54efbe008-92f8-4085-aa1f-6e946fa15bab
EDAN-URL:
ead_component:sova-cfch-sff-1996-ref18

Festival Recordings: South Studio Stage: Warwick with Louisiana Hayride Band; Freedom Singers; Birmingham Sunlights

Creator:
Smithsonian Institution. Festival of American Folklife. The American South Program 1996 Washington, D.C.  Search this
Boas, Gary (recorder)  Search this
Place, John L. (recorder)  Search this
Louisiana Hayride Band  Search this
Performer:
Warwick, Margaret Lewis  Search this
Franks, Tillman  Search this
Fikes, Betty Mae  Search this
Harris, Rutha  Search this
Taylor, Barry  Search this
Speight, Reginald  Search this
Louisiana Hayride Band  Search this
Freedom Singers  Search this
Birmingham Sunlights (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Anglo-American  Search this
African American  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Louisiana
Shreveport (La.)
Georgia
Mississippi
Alabama
Birmingham (Ala.)
Date:
1996 June 26
Track Information:
101 Country and western / Louisiana Hayride Band, Margaret Lewis Warwick, Tillman Franks. Hawaiian guitar,Keyboards (Music),Guitar,Fiddle.

102 Songs of Stuggle / Freedom Singers, Bettie Mae Fikes, Rutha Harris. English language.

103 African-American Gospel / Birmingham Sunlights, Barry Taylor, Reginald Speight.
Local Numbers:
FP-1996-CT-0001
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Country music  Search this
Gospel music  Search this
Acappella Vocal Band  Search this
Topical songs  Search this
Hawaiian guitar  Search this
Keyboards (Music)  Search this
Guitar  Search this
Violin  Search this
Gamelan music  Search this
Struggle  Search this
Civil rights  Search this
String band  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1996, Item FP-1996-CT-0001
See more items in:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife
Smithsonian Folklife Festival records: 1996 Festival of American Folklife / Series 2: The American South / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk51098b33e-5406-4cde-8e27-117697db4509
EDAN-URL:
ead_component:sova-cfch-sff-1996-ref551

Festival Recordings: South Studio Stage: Warwick with the Louisiana Hayride Band; Freedom Singers; Skeeter Brandon & HWY 61

Creator:
Smithsonian Institution. Festival of American Folklife. The American South Program 1996 Washington, D.C.  Search this
Boas, Gary (recorder)  Search this
Louisiana Hayride Band  Search this
Performer:
Warwick, Margaret Lewis  Search this
Franks, Tillman  Search this
Fikes, Betty Mae  Search this
Harris, Rutha  Search this
Lenchek, Armand  Search this
Brandon, Skeeter  Search this
Louisiana Hayride Band  Search this
Freedom Singers  Search this
Highway 61 (Musical group)  Search this
Collection Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Extent:
compact audio cassette
1 Sound cassette (analog.)
Culture:
Americans  Search this
Anglo-American  Search this
African American  Search this
Type:
Archival materials
Sound cassettes
Place:
United States
Washington (D.C.)
Shreveport (La.)
Georgia
Mississippi
Alabama
North Carolina
Louisiana
Date:
1996 June 26
Track Information:
101 Country / Louisiana Hayride Band, Margaret Lewis Warwick, Tillman Franks. Hawaiian guitar,Keyboards (Music),Guitar,Fiddle.

102 Songs of Stuggle / Freedom Singers, Bettie Mae Fikes, Rutha Harris.

103 Low Country Blues / Highway 61 (Musical group), Armand Lenchek, Skeeter Brandon. Keyboards (Music),Guitar,Saxophone,Trombone.
Local Numbers:
FP-1996-CT-0003
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, June 26, 1996.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Copyright and other restrictions may apply. Generally, materials created during a Festival are covered by a release signed by each participant permitting their use for personal and educational purposes; materials created as part of the fieldwork leading to a Festival may be more restricted. We permit and encourage such personal and educational use of those materials provided digitally here, without special permissions. Use of any materials for publication, commercial use, or distribution requires a license from the Archives. Licensing fees may apply in addition to any processing fees.
Topic:
Country music  Search this
Gospel music  Search this
Acappella Vocal Band  Search this
Topical songs  Search this
Struggle  Search this
Blues (Music)  Search this
Rhythm and blues music  Search this
Hawaiian guitar  Search this
Keyboards (Music)  Search this
Guitar  Search this
Violin  Search this
Saxophone  Search this
Trombone  Search this
Civil rights  Search this
String band  Search this
Collection Citation:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1996, Item FP-1996-CT-0003
See more items in:
Smithsonian Folklife Festival records: 1996 Festival of American Folklife
Smithsonian Folklife Festival records: 1996 Festival of American Folklife / Series 2: The American South / 2.3: Audio
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5994783bc-8a6b-4ad9-92ea-291985f98007
EDAN-URL:
ead_component:sova-cfch-sff-1996-ref553

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