Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 43
Type:
Archival materials
Photographs
Date:
ca. 1933-1935
Scope and Contents:
Job Number: 25224
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 17
Type:
Archival materials
Photographs
Date:
[ca. 1930]
Scope and Contents:
16 men and women posed in two rows. "E / Miner's Melody Chorus" in ink on edge, but "Minor's [sic] Melody Chorus / Washington, D.C." in ink in image area, bottom right. Defender safety base edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., [4" x 5"].)
Container:
Box 109
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
May 1960
Scope and Contents:
Choir of men and women, dressed in robes, standing on the exterior steps of a building at Howard University. The conductor stands in front of them with a music stand. A group of men and women in evening dress sit at the top of the steps. No ink on negative. Ink on envelope: caption. "KODAK - SAFETY -- FILM" edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Container:
Box 110
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
February 1964
Scope and Contents:
Choir of men and women standing inside an unidentified church. No ink on negative. Ink on envelope: caption and " 1 - 11x14, 1" border of ea 1 - 8x10 glossy of posed group". "KODAK - SAFETY -- FILM" edge imprint. Retouching on faces with New Coccine.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
African American churches -- 1960-1970 -- Washington (D.C.). Search this
Genre/Form:
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Container:
Box 110
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
February 1964
Scope and Contents:
Choir of men and women standing inside an unidentified church. The conductor stands in front of them and to the left is a man playing an organ. An audience is seated in the pews facing the choir. No ink on negative. Ink on envelope: caption and " 1 - 11x14, 1" border of ea 1 - 8x10 glossy of posed group". "KODAK - SAFETY -- FILM" edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
African American churches -- 1960-1970 -- Washington (D.C.). Search this
Genre/Form:
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Container:
Box 110
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
January 1964
Scope and Contents:
Posed group of men and women in two rows, the first row is seated whilst the back row stands. They are dressed in choir robes. Behind them is a set of steps, a platform and a wall with a painting of a book on it. No ink on negative. Ink on envelope: caption and "2 of ea glossy". "KODAK - SAFETY -- FILM" edge imprint.
Biographical / Historical:
In 1873 Mt. Jezreel was born out of Vermont Avenue Baptist Church by a group of people tired of walking across town to church. 1879 Mt. Jezreel relocated to 7th near L Street, S.E. to a site known as the old "Meat House". In 1882 the Church voted to purchase the lot on the southeast corner of E Street at 5th, S.E. and in 1883 the cornerstone was laid at 5th & E Streets, S.E. In 1996, after several further moves, the Church relocated to 420 University Boulevard East, in Silver Spring, Maryland where it remains. Taken from Church's website: www.mtjezreel.com
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American churches -- 1960-1970 -- Washington (D.C.). Search this
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Container:
Box 110
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
New coccine (or crocein scarlet) dye
Retouching
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
January 1964
Scope and Contents:
Posed group of men and women in three rows, the first row is seated whilst the other two rows stand. They are dressed in choir robes. Behind them is a wall with a painting of a book on it, whilst in front are empty church pews. No ink on negative. Ink on envelope: caption and "2 of ea glossy". "KODAK - SAFETY -- FILM" edge imprint. Retoucing on faces with New Coccine.
Biographical / Historical:
In 1873 Mt. Jezreel was born out of Vermont Avenue Baptist Church by a group of people tired of walking across town to church. 1879 Mt. Jezreel relocated to 7th near L Street, S.E. to a site known as the old "Meat House". In 1882 the Church voted to purchase the lot on the southeast corner of E Street at 5th, S.E. and in 1883 the cornerstone was laid at 5th & E Streets, S.E. In 1996, after several further moves, the Church relocated to 420 University Boulevard East, in Silver Spring, Maryland where it remains. Taken from Church's website: www.mtjezreel.com
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American churches -- 1960-1970 -- Washington (D.C.). Search this
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
New Coccine (or Crocein Scarlet) dye
Retouching -- Dye
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 4" x 5".)
Container:
Box 110
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
New coccine (or crocein scarlet) dye
Retouching
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1960-1970 -- Photographs
Date:
January 1964
Scope and Contents:
Posed group of young men and women in three rows, the first row is seated whilst the other two rows stand. They are dressed in choir robes. Behind them is a wall with a painting of a book on it and a hymn board. No ink on negative. Ink on envelope: caption and "2 of ea glossy". "KODAK - SAFETY -- FILM" edge imprint. Retouching on faces with New Coccine.
Biographical / Historical:
In 1873 Mt. Jezreel was born out of Vermont Avenue Baptist Church by a group of people tired of walking across town to church. 1879 Mt. Jezreel relocated to 7th near L Street, S.E. to a site known as the old "Meat House". In 1882 the Church voted to purchase the lot on the southeast corner of E Street at 5th, S.E. and in 1883 the cornerstone was laid at 5th & E Streets, S.E. In 1996, after several further moves, the Church relocated to 420 University Boulevard East, in Silver Spring, Maryland where it remains. Taken from Church's website: www.mtjezreel.com
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American churches -- 1960-1970 -- Washington (D.C.). Search this
Photographs -- 1960-1970 -- Black-and-white negatives -- Acetate film
New Coccine (or Crocein Scarlet) dye
Retouching -- Dye
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 22
Type:
Archival materials
Photographs
Date:
1948
Scope and Contents:
Choir is seated in three rows. Ink on negative: "***19th St. Baptist Church Choir, 1948*** Scurlock / Photo."
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Cubanakan; Vision; Teagle Family; St. Teresa Of Avila Choir Afro-Cuban Music; Gospel 3 Of 4
Track Information:
101 Afro-Cuban Music / Cubanakán (Musical group).
102 Gospel / Vision (Musical group).
103 Gospel / Teagle Family (Musical group).
104 Gospel / St. Teresa of Avila Choir (Washington, D.C.).
Local Numbers:
FP-1987-CT-0436
Date/Time and Place of an Event Note:
Recorded in: Washington (D.C.), United States, July 3, 1987.
Restrictions:
Restrictions on access. Some duplication is allowed. Use of materials needs permission of the Smithsonian Institution.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Scurlock, George H. (Hardison), 1919-2005 Search this
Container:
Box 13, Folder 14
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Banquet camera photographs
Place:
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
1932
Scope and Contents:
Scan Number: 618ns0177445pg.tif
Ink on negative: "The Roland Hayes Male Chorus Washington D.C. 1932 Scurlock Photo". No manufacturer's mark on film edge.
General:
Located in freezer storage Box 6, envelope 4.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Banquet camera photographs -- 1930-1940
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 13, Folder 39
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Banquet camera photographs
Date:
1936
Scope and Contents:
Scan Number: 618ns0177491pg.tif
Ink on negative: "Friendship Revival Chorus / Friendship Baptist Church---Rev B.H. Whiting, Pastor / Scurlock / Photo ---1936---" No manufacturer's mark.
General:
From original negative Box 5895526E.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Banquet camera photographs -- 1930-1940
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 13, Folder 65
Type:
Archival materials
Photographs
Banquet camera photographs
Date:
circa 1930
Scope and Contents:
Scan Number: 618ns0177513sc.tif
No ink on negative; no manufacturer's mark on film edge.
General:
From original negative Box 693513A.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Banquet camera photographs -- 1930-1940
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., 12" x 20".)
Container:
Box 14, Folder 4
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Panoramas
Banquet camera photographs
Place:
Washington (D.C.) -- 1930-1940 -- Photographs
Washington (D.C.) -- African Americans -- 1930-1950
Date:
1934-1935
[ca. 1934-1935.]
Scope and Contents:
Scan Number: 618ns0177534sc.tif
No ink on negative. No manufacturer's mark on film edge.
General:
From original negative Box 5893524A.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Panoramas
Banquet camera photographs -- 1930-1940
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item (Silver gelatin on cellulose acetate film sheet., [11" x 20"].)
Container:
Box 2, Folder 22
Culture:
African Americans -- Washington (D.C.) Search this
Type:
Archival materials
Photographs
Banquet camera photographs
Panoramas
Place:
Washington (D.C.) -- African Americans
Washington (D.C.) -- 1930-1950 -- Photographs
Date:
1930 October 16
Scope and Contents:
Scan Number: AC0618.004.0001262.tif
Posed group of men and women inside the church. There are a set of organ pipes behind them. Most of the women are wearing light colored dress, the men are in black or white tie. Ink on negative: caption "B" and "Scurlock Photo". No edge imprint.
Subseries Restrictions:
Collection is open for research.
Series 8: Business Records, Subseries 8.1: Studio Session Registers are restricted. Digital copies available for research. See repository for details.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American churches -- 1930-1940 -- Washington (D.C.). Search this
Photographs -- 1930-1940 -- Black-and-white negatives -- Acetate film
Banquet camera photographs -- 1930-1940
Panoramas
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Introduction:
The Folklore in Your Community featured several presentations based in communities of the Washington, D.C. area.
Vietnamese Americans For refugees, community is an immediate concern. Vietnamese were the newest wave of refugees to American shores, plucked from their families and communities very suddenly with the end of the Vietnam War in 1975. Cultural change in Vietnamese American communities was rapid; in some families the grandparents spoke little English in 1979 and the grandchildren spoke little Vietnamese. Nonetheless, the traditional pattern persisted of three generations of an extended family living and working together. In Vietnamese terms, a family consists of passing on responsibility and gratitude from generation to generation. Arriving with fragments of their families and communities, the Vietnamese in Washington, D.C., had by 1979 vigorously woven a network of community activities through neighborhood grocery stores, restaurants, Buddhist temples, Catholic organizations, a bistro, Vietnamese language schools, senior citizens' groups, and newspapers.
D.C. Fire Fighters Since the first horse-drawn fire engines clanged down a city street, fire fighting has been an urban service occupation that continued to generate a feeling of romance and respect. Yet beyond the excitement and pride felt by those who advance the hose lines, make the rescues or throw the ladders, there are a variety of techniques, customs, gestures, and stories that form the work culture passed from one generation of fire fighters to the next. Fire fighting is dangerous and filled with sharp contrasts. Danger must be anticipated; life or death situations require all the knowledge and skill an individual can muster. A fire fighter prepares for this every day through training, experience, and the collective knowledge of past generations of fire fighters communicated through occupational folklore, represented at the Festival by workshops demonstrating the skills and lore of District of Columbia fire fighters.
CB Community Viewed broadly, the CB community included anyone who had and used a CB (Citizen's Band) radio. But for many CBers in the D. C. area, two way radio was more than an occasional convenience to help drivers. It formed the basis of an ongoing and richly-interactive community. CB people met and socialized over the radio and at CB events; they created informal networks and organized special clubs, such as the Legal CB Operators of America who helped prepare this year's CB presentation for the Folklife Festival. CB aficionados invited Festival visitors to learn their special jargon and to eavesdrop on the life of their community.
Street Criers and Corner Stores The places where cultures meet to do business with one another produce some of our most vital folk expressions. At markets where Italians sell to Jews, where blacks sell to Chinese; in streets where itinerant peddlers make their neighborhood stops, vendors combine talent, tradition, and business sense to sell their goods. Two programs focused on this domain: one looked at neighborhood and corner stores and the role they played for their proprietors, neighbors, and customers, and the other looked at the verbal arts of vendors and sellers - the cries and pitches of fish vendors, fruit peddlers, and others who used their skills to attract customers and to close a deal.
Truong Cam Khai, 1906-, calligrapher, painter, Arlington, Virginia
Nguyen Van Minh, lacquerware maker, Springfield, Virginia
Le Thanh Nghiem, narrator, costume, Washington, D.C.
Phan Bach Ngoc, silk flower maker, Falls Church, Virginia
Than Nguyen, narrator, immigrant experience, Springfield, Virginia
Nguyen Kim Oanh, musician, Alexandria, Virginia
Ho Thien Tam, musician, Falls Church, Virginia
Tam Vi Thuy, musician, Fairfax, Virginia
Ai Thi Tong, narrator, foodways, Washington, D.C.
Minh Nguyet Vu, narrator, immigrant experience, Arlington, Virginia
Ngo Vuong Zoai, musician, Alexandria, Virginia
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1979 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Smithsonian Institution. Center for Folklife and Cultural Heritage Search this
Type:
Archival materials
Date:
June 30-July 8, 1973
Introduction:
The 1973 Festival saw the inauguration of a new theme presentation entitled "Working Americans". The presentation of working peoples' skills, crafts, and lore began in 1971 and continued in 1972 when the Union Workers programs featured ten member unions of the AFL-CIO. Working Americans differed from these earlier efforts in numerous ways, most substantially in the consideration of how working people serve human needs and how their skills and expressions have shaped a major national festival to celebrate the nation's 200th birthday.
Working Americans in 1973 featured "Workers Who Build Our Shelter", to be followed in future years by exploration of those workers who provide our food and other needs. Nine unions of the building and construction trades demonstrated their skills, complemented by a full musical program that presented various traditions enjoyed by urban and rural working people, from labor songs to urban blues and a Cajun band. On July 7 and 8, a gospel stage was dedicated to presentations of diverse traditions of African American sacred music. Narrative workshops on the Working Americans stage focused attention on the oral traditions of each of the building trades, as well as on the customs and practices that spanned several trades.
The Working Americans Program Coordinator was Shirley Askew, assisted by Denis Lachman. Major sponsors included the AFL-CIO, its Building and Construction Trades Department, and the U.S. Department of Labor.
Participants:
Bricklayers, Masons, and Plasterers International Union
Thomas Murphy, President
Exhibit Chairman: Edward Royston
Ronald Bennett
James Chellemi
Michael Crowley
Ray Fischer
Thomas Fonte
Charles Poss
and other craftsmen
Operative Plasterers' and Cement Masons' International Association of the U.S. and Canada
Joseph T. Power, President
Exhibit Chairman: Gilbert Wolfe
Charles Breen
Harry W. Furr
Rufus Jones
Benson Marble
Archie Neal
Carl O. Peterson
B. Lynn Romesberg
Joseph Vittone
Gilbert Wolfe
United Brotherhood of Carpenters and Joiners of America
William Sidell, President
Exhibit Chairmen: Charles L. Allen, James E. Tinkcom
Carpenters
Mill-cabinet makers
Millwrights
Apprentices
International Union of Operating Engineers
Hunter P. Wharton, President
Exhibit Chairmen: Delbert Allen, J. C. Turner
Charles Davidson
Charles Monroe
Ernest Motta
Donald Nolan
Charles Stover
and other craftsmen
International Union of Wood, Wire, and Metal Lathers
Kenneth M. Edwards, General President
Exhibit Chairman: G. C. Carter
J. V. Briguglio
Anthony Byrd
Robert Chatman
Frank Eastman
Tom Evans
Rick L. Talglador
Laborers' International Union of North America
Peter Fosco, President
Exhibit Chairmen:
Ben Bostic (Laborers' Joint Training Fund of Washington, D.C. and Vicinity)
Jack Wilkinson
Participants: Laborers District Council
International Brotherhood of Electrical Workers
Charles H. Pillard, President
Exhibit Chairman: Thomas B. Noone
Clinton L. Bearor
Edmund Berry
Harry W. Creamer
William J. Creamer
Robert Crosby
Joseph Dollarton
Jack R. Donahue
Lawrence C. Hogan
Ralph H. Kemp
Richard L. Martin
Daniel J. McQuaid, Jr.
Frederick M. Noone
Thomas B. Noone
Francis J. O'Neill
Paul Parker
Wade H. Sheriff
Walter E. Shoemaker, Jr.
Paul J. Webb
Robert Wines
Sheet Metal Workers International Association
Edward J. Carlough, President
Exhibit Chairmen: James A. Bettis, Bernie McMonigle,
William I. Stewart
Raymond F. Cook
Thomas E. Fitzgerald
Herb Griffith
Francis Hines
Mark Rosenbaum
Frank Santora
William I. Stewart
United Association of Journeymen and Apprentices of the Plumbing and Pipe Fitting Industry of the U.S. and Canada
Martin J. Ward, President
Exhibit Chairmen: Joseph Corcoran, George Bliss, Samuel Armstrong, Frank Blanch, Marion E. Moore, James Sullivan
Alexander B. Bell
Denvert Boney
Zigmund Charney
Timothy Christian
Mike Richards
Bernard Thornberg
Department of Labor
Peter J. Brennan, Secretary
Log Cabin Exhibit:
Claude and Billy Phillips, Berryville, Arkansas
Tipi painting:
Kevin Red Star, Crow Agency, Montana
Tipi maker:
Tom Heavy Runner, Browning, Montana
American Federation of Musicians
Hal C. Davis, President
in cooperation with
The Music Performance Trust Funds
Kenneth E. Raine, Trustee
and
Department of Labor
(Funding performances on the Working Americans, Gospel and Memorial stages)
Jimmy Dawkins (1936-2013) Band with Carey Bell (1936-2007), Big Mojo Elem (1928-1997), Clifton James (1936-2006), Willie James Lyons (1938-1980), blues band, Chicago, Illinois
Lefty Dizz (1937-1993) Band with Bill Warren, Bob Simmons, blues band, Chicago, Illinois
Dr. Thomas A. Dorsey, 1899-1993, gospel songwriter, Chicago, Illinois
Eastern High School Gospel Choir, gospel choir, Washington, D.C.
John Edmonds Gospel Truth, gospel group, Bowling Green, Kentucky
John Estes, 1899-1977, with Hammie Nixon, 1908-1984, Memphis bluesman, Brownsville, Tennessee
Ed Gerald Sounds, gospel group, Washington, D.C.
Gospel Music Workshop of America, gospel group, Washington, D.C.
Institutional Church of God in Christ, gospel choir, New York, New York
Cousin Joe, 1907-1989, blues pianist New Orleans, Louisiana
National Gospel Symposium Ensemble, gospel choir, Washington, D.C.
New York Community Choir, gospel choir, New York, New York
Utah Phillips, 1935-2008, labor singer, Saratoga Springs, New York
James Williams with Lefty Dizz Band, blues band, Chicago, Illinois
Collection Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Collection Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Collection Citation:
Smithsonian Folklife Festival records: 1973 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 54
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- 1950-1960 -- Photographs
Date:
Jan. 1955
1955
Scope and Contents:
No caption on negative.
Conductor [Lawson] leading orchestra and choir, taken from behind.
General:
From NUS carton 29.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
African American universities and colleges -- 1950-1960 Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 54
Type:
Archival materials
Photographs
Place:
Washington (D.C.) -- 1950-1960 -- Photographs
Date:
Jan. 1955
1955
Scope and Contents:
No caption on negative.
Orchestra and choir being conducted by Lawson.
General:
From NUS carton 29.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
African American universities and colleges -- 1950-1960 Search this
Genre/Form:
Photographs -- 1950-1960 -- Black-and-white negatives -- Acetate film
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
Scurlock, George H. (Hardison), 1919-2005 Search this
Extent:
1 Item
Container:
Box 27
Type:
Archival materials
Photographs
Retouching
Date:
[ca. 1940.]
Scope and Contents:
Group in two rows, posed behind piano. "Agfa Safety Film" edge imprint.
Subseries Restrictions:
Collection is open for research.
Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Subseries Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
African American churches -- 1940-1950 Search this
Community life -- Washington, D.C. -- 1940-1950 Search this
Genre/Form:
Photographs -- 1940-1950 -- Black-and-white negatives -- Acetate film
Retouching -- Pencil
Subseries Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
Sponsor:
The collection was acquired with assistance from the Eugene Meyer Foundation. Elihu and Susan Rose and the Save America's Treasures program, provided funds to stabilize, organize, store, and create digital surrogates of some of the negatives. Processing and encoding funded by a grant from the Council on Library and Information Resources.
