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¡Printing the Revolution! In Conversation with E. Carmen Ramos and Claudia Zapata

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2021-07-15T15:45:18.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_Nx3ip9k1VJQ

Pete Seeger Discusses Political Songs [Interview Video]

Creator:
Smithsonian Center for Folklife and Cultural Heritage  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2010-04-22T16:10:16.000Z
YouTube Category:
Music  Search this
Topic:
Cultural property  Search this
See more by:
smithsonianfolkways
Data Source:
Smithsonian Center for Folklife and Cultural Heritage
YouTube Channel:
smithsonianfolkways
EDAN-URL:
edanmdm:yt_FwBb058by5Y

¡Printing the Revolution! Highlights Reel

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2020-12-03T20:28:08.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_H7B9s_-Od7M

“¡Printing the Revolution! The Rise and Impact of Chicano Graphics, 1965 to Now" at SAAM

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2020-11-20T21:44:19.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_boRC36_NgKI

Oral history interview with Frank Romero, 1997 January 17-March 2

Interviewee:
Romero, Frank, 1941-  Search this
Romero, Frank, 1941-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Almaraz, Carlos  Search this
Mugnaini, Joseph A.  Search this
Rocha, Roberto de la  Search this
Sanchez Luján, Gilbert  Search this
Sheets, Millard  Search this
Voulkos, Peter  Search this
Four (Art group)  Search this
Otis Art Institute  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Mexican American art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Chicano art movement  Search this
Chicano artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13587
(DSI-AAA_SIRISBib)216102
AAA_collcode_romero97
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216102
Online Media:

Oral history interview with Carmen Lomas Garza, 1997 Apr. 10-May 27

Interviewee:
Garza, Carmen Lomas, 1948-  Search this
Garza, Carmen Lomas, 1948-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Galería de la Raza (San Francisco, Calif.)  Search this
Type:
Sound recordings
Interviews
Topic:
Latino and Latin American artists  Search this
Chicano artists  Search this
Chicano art movement  Search this
Chicano movement  Search this
Women artists  Search this
Women painters  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)13540
(DSI-AAA_SIRISBib)216257
AAA_collcode_garza97
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216257
Online Media:

Oral history interview with Patssi Valdez, 1999 May 26-June 2

Interviewee:
Valdez, Patssi, 1951-  Search this
Valdez, Patssi, 1951-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Mesa-Bains, Amalia  Search this
Gronk  Search this
Gamboa, Harry  Search this
Self-Help Graphics and Art, Inc.  Search this
Otis Art Institute  Search this
Asco (Group of artists)  Search this
Type:
Sound recordings
Interviews
Topic:
Latino and Latin American artists  Search this
Mexican American artists  Search this
Women artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)13543
(DSI-AAA_SIRISBib)216609
AAA_collcode_valdez99
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216609
Online Media:

Oral history interview with Tomás Ybarra-Frausto, 2014 May 1- 2015 May 25

Interviewee:
Ybarra-Frausto, Tomás, 1938-  Search this
Ybarra-Frausto, Tomás, 1938-  Search this
Interviewer:
Cardenas, Gilberto  Search this
Type:
Interviews
Sound recordings
Topic:
Latino and Latin American artists  Search this
Chicano movement  Search this
Chicano artists  Search this
Theme:
Latino and Latin American  Search this
Record number:
(DSI-AAA_CollID)16309
(DSI-AAA_SIRISBib)379312
AAA_collcode_ybarra14
Theme:
Latino and Latin American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_379312

Oral history interview with Barbara Carrasco, 1999 April 13-26

Interviewee:
Carrasco, Barbara, 1955-  Search this
Carrasco, Barbara, 1955-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Subject:
Almaraz, Carlos  Search this
Chavez, Cesar  Search this
Gamboa, Harry  Search this
Garza, Carmen Lomas  Search this
Valadez, John  Search this
University of California, Los Angeles  Search this
University of California, San Francisco. School of Fine Arts  Search this
Asco (Group of artists)  Search this
Type:
Sound recordings
Interviews
Topic:
Latino and Latin American artists  Search this
Mexican American artists  Search this
Chicano art movement  Search this
Chicano movement  Search this
Chicano artists  Search this
Women artists  Search this
Women painters  Search this
Theme:
Latino and Latin American  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)5447
(DSI-AAA_SIRISBib)216606
AAA_collcode_carras99
Theme:
Latino and Latin American
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216606
Online Media:

Oral history interview with Carmen Lomas Garza

Interviewee:
Garza, Carmen Lomas  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Galería de la Raza (San Francisco, Calif.)  Search this
Extent:
5 Sound cassettes (Sound recording (4 hrs.), analog)
122 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1997 Apr. 10-May 27
Scope and Contents:
An interview of Carmen Lomas Garza conducted 1997 Apr. 10-May 27, by Paul Karlstrom, for the Archives of American Art.
Lomas Garza discusses her working environment at Hunter Point Shipyard, a former naval facility on San Francisco Bay, near Candlestick Park, occupied by artists and small businesses; growing up in Kingsville, Tex., near Corpus Christi; her education at Texas A and I University (now Texas A and M) and graduating from the University of Texas at Austin with a B.S. in art education (1969); her activism in the Chicano movement during her college years; joining the farm workers march in Kingsville in 1965; installing an art show for MAYO (Mexican Workers Youth Organization) conference in 1969; the impact upon her of MAYO's walkout at Robstown High School, Tex., while she was a student teacher there, in protest of the lack of Mexican American teachers and curriculum; joining Galeria de La Raza in San Francisco, 1976, while a graduate student at Washington State University and the effect it had on the development of her career as an artist; the inspiration of her mother, who painted "lotteria tablas" (figures on boards; game cards); her interest in children's art; using family experiences for her "monitos" or "little figures" (cards painted with sets of fifteen numbers); and preserving her Mexican-American traditions as a basis for her identity.
Biographical / Historical:
Carmen Lomas Garza (1948-) is a painter from California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview received from a donation to AAA from the Los Angeles women's art organization Double X.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- California  Search this
Topic:
Latino and Latin American artists  Search this
Chicano artists  Search this
Chicano art movement  Search this
Chicano movement  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.garza97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-garza97
Online Media:

Oral history interview with Barbara Carrasco

Interviewee:
Carrasco, Barbara, 1955-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Asco (Group of artists)  Search this
University of California, Los Angeles -- Faculty  Search this
University of California, Los Angeles -- Students  Search this
University of California, San Francisco. School of Fine Arts -- Students  Search this
Almaraz, Carlos  Search this
Chavez, Cesar, 1927-  Search this
Gamboa, Harry  Search this
Garza, Carmen Lomas  Search this
Valadez, John, 1951-  Search this
Extent:
87 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1999 April 13-26
Scope and Contents:
An interview of Barbara Carrasco conducted 1999 April 13 and 26, by Jeffrey Rangel, in two sessions, for the Archives of American Art.
Carrasco speaks of the roles played by her parents in her career as an artist, her experiences as a light-skinned Chicana, and the marginalization of women artists within the Chicano art movement; her relationship and marriage to fellow artist, Harry Gamboa, Jr., who has supported women artists; and her perception of Asco ("nausea" in Spanish), a group of artists and performers who joined together during the Chicano civil rights movement. She also discusses the influence of the art professors at UCLA and the quality of the training she received there; working with Carlos Almaraz and John Valadez on the "Zoot Suit" mural in Hollywood; meeting César Chávez and how he in part shaped her identity as a cultural worker; attending California School of Fine Arts, Valencia, California, and receiving her MFA there; other Chicana artists such as Carmen Lomas Garza; and the changes in her most recent work.
Biographical / Historical:
Barbara Carrasco (1955-) is a painter and muralist from Los Angeles, California. Carrasco was born in El Paso, Texas, and a resident of the Los Angeles area since 1956. She is best known for her work inspired by the United Farm Workers Union, by her experiences as a Chicana, by historical events, and by personal issues.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 4 hr., 41 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview and transcription provided by the Smithsonian Institution Latino Initiatives Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- California -- Los Angeles  Search this
Muralists -- California -- Los Angeles  Search this
Topic:
Latino and Latin American artists  Search this
Mexican American artists  Search this
Chicano art movement  Search this
Chicano movement  Search this
Chicano artists  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.carras99
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carras99
Online Media:

Oral history interview with Tomás Ybarra-Frausto

Interviewee:
Ybarra-Frausto, Tomás, 1938-  Search this
Interviewer:
Cardenas, Gilberto  Search this
Extent:
32 Items (sound files (11 hrs., 26 min.), digital, wav)
175 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2014 May 1- 2015 May 25
Scope and Contents:
An interview with Tomás Ybarra-Frausto, conducted 2014 May 1-2015 May 25, by Gilberto Cardenas for the Archives of American Art.
Biographical / Historical:
Interviewee Tomás Ybarra-Frausto (1938- ) is an art historian in San Antonio, Texas, who specializes in Latin American and U.S. Latino culture. Interviewer Gilberto Cardenas is the Executive Director of the Notre Dame Center for Arts and Culture, South Bend, Indiana. Ybarra-Frausto is an authority on Chicano art and a bibliographer.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- Texas -- San Antonio -- Interviews  Search this
Topic:
Latino and Latin American artists  Search this
Chicano movement  Search this
Chicano artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.ybarra14
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ybarra14
Online Media:

Oral history interview with Patssi Valdez

Interviewee:
Valdez, Patssi  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Asco (Group of artists)  Search this
Otis Art Institute  Search this
Self-Help Graphics and Art, Inc.  Search this
Gamboa, Harry  Search this
Gronk, 1954-  Search this
Mesa-Bains, Amalia  Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1999 May 26-June 2
Scope and Contents:
An interview of Patssi Valdez conducted 1999 May 26-June 2, by Jeffrey Rangel, for the Archives of American Art.
The interviews were conducted at the artist's home/studio in Los Angeles, California. Valdez discusses her current show at the Laguna Art Museum, "A Precarious Comfort," and the intensely personal nature of the work being exhibited; the liberating aspects of painting and her journey from dealing with the problems and concerns of the Chicano community to a more internal focus in which she examines her personal emotional life through symbol and imagination; how, in her work, landscape has come to represent emotions and states of mind; health problems and her turning to alternative methods of healing; her relationship with Asco and her eventual break from the group to pursue her art studies at Otis Art Institute in Los Angeles (now Otis College of Art and Design) and in New York, and with a NEA grant to Europe and Mexico; difficulties she experienced with her decision to focus on art school and on her survival as an artist, while trying to keep in touch with friends and peers; friendships with Amalia Mesa Bains, Christina Fernandez, and Gronk, as well as with Sister Karen Boccalero whose Self-Help Graphics contributed so much to the growth of a younger generation of Chicano artists; fellow Asco artist Harry Gamboa, Jr., and their mutual goals in their art to subvert Chicano stereotypes; what constitutes Chicano art and how the Les Demon des Anges show changed her perspective; and her ability to create change through her art.
Biographical / Historical:
Patssi Valdez (1951-) is a painter, and installation artist from Los Angeles, California. Valdez is known for her boldly rendered works that vary in themes from homages to female deities to mystical environments.
General:
Originally recorded on 4 sound cassettes. Reformatted in 2010 as 7 digital wav files. Duration is 3 hr., 32 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview and transcription provided by the Smithsonian Institution Latino Inititatives Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Artists -- California -- Los Angeles  Search this
Topic:
Latino and Latin American artists  Search this
Mexican American artists  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.valdez99
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-valdez99
Online Media:

Oral history interview with Frank Romero

Interviewee:
Romero, Frank  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Los Four (Art group)  Search this
Otis Art Institute -- Students  Search this
Almaraz, Carlos  Search this
Mugnaini, Joseph A.  Search this
Rocha, Roberto de la  Search this
Sanchez Luján, Gilbert  Search this
Sheets, Millard, 1907-1989  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
99 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 January 17-March 2
Scope and Contents:
An interview of Frank Romero conducted 1997 January 17-March 2, by Jeffrey Rangel, for the Archives of American Art, in Romero's studio, in Los Angeles, Calif.
Romero discusses his growing up in East Los Angeles and his large extended family; his earliest art studies in the public schools; attending the Otis Art Institute where he studied with Joe Mugnaini and had contact with Millard Sheets and Peter Voulkos; the "very polyglut culture" of East Los Angeles; the influences of television, western movies, rock-and-roll, and rhythm and blues on his early musical/artistic taste; time spent in New York; returning to Los Angeles in 1969; and his marriage and family.
He describes his move into Carlos Almaraz's house which became the informal meeting place of the artist group Los Four (Almaraz, Romero, Gilbert Sanchez Lujan, and Roberto "Beto" de la Rocha); the Los Four show at the Los Angeles County Museum of Art in 1974; and the stylistic aesthetics of Los Four.
Romero describes the "boys club" nature of Chicano art centers; his contributions to the Chicano art movement; his relationship to the Chicano/Mexican culture and mainstream U.S. culture; murals done by members of Los Four for the Inner City Mural Program; his work for the Metropolitan Transit Authority; the Murals of Aztlan exhibit in 1981 at the Craft and Folk Art Museum; and his shows at the ARCO Center for the Visual Arts. He concludes with his assessment of the Chicano arts movement, the relationship between economic and art cycles, and the role of the more established artists to those of a younger generation.
Biographical / Historical:
Frank Romero (1941- ) is a painter from Los Angeles, Calif.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Muralists -- California -- Los Angeles -- Interviews  Search this
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Mexican American artists  Search this
Latino and Latin American artists  Search this
Mexican American art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Chicano art movement  Search this
Chicano artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.romero97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-romero97
Online Media:

Oral history interview with César Martínez

Interviewee:
Martínez, César Augusto, 1944-  Search this
Interviewer:
Quirarte, Jacinto, 1931-2012  Search this
Extent:
107 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 Aug. 21-28
Scope and Contents:
An interview of César Martínez conducted 1997 Aug. 21-28, by Jacinto Quirarte, in Martínez's studios, San Antonio, Tex., for the Archives of American Art. Martinez discusses his family; schooling; experience in Korea and returning to San Antonio; meeting other artists; joining artists' groups; artists who have influenced him; the themes, forms, meaning, development, processes of his work; and specific works.
Biographical / Historical:
César Martínez (1944- ) is a painter and printmaker from San Antonio, Tex.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hrs., 31 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1959 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Latino and Latin American artists  Search this
Art, Modern -- 20th century -- Texas -- San Antonio  Search this
Chicano artists  Search this
Chicano movement  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.martin97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-martin97
Online Media:

Oral history interview with Gilbert Sanchez Lujan

Interviewee:
Sanchez Luján, Gilbert  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Los Four (Art group)  Search this
Almaraz, Carlos  Search this
Rocha, Roberto de la  Search this
Romero, Frank  Search this
Extent:
104 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 Nov. 7-17
Scope and Contents:
An interview of Gilbert Lujan conducted 1997 Nov. 7-17, by Jeffrey Rangel, for the Archives of American Art, in Los Angeles, Calif. and La Mesa, N.M.
Sanchez Lujan discusses his growing up in a rural community, East Los Angeles, and Mexico; how early experiences and changes in culture have affected his art and developed his interest in history and politics; his attraction to black culture and the relationship of art as a medium for inter-ethnic interaction where politics and human nature create divisions; his understanding of racial segregation and apartheid in California society; coming into consciousness as a Chicano; and his collaboration and the formation of Los Four with Roberto de la Rocha, Carlos Almaraz, and Frank Romero.
Biographical / Historical:
Gilbert Sanchez Lujan (1940-2011) was a painter from Los Angeles and La Mesa, N.M.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 4 hrs., 42 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- California -- Los Angeles -- Interviews  Search this
Painters -- New Mexico -- La Mesa -- Interviews  Search this
Chicano artists  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lujan97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lujan97
Online Media:

Oral history interview with Willie Herrón

Interviewee:
Herrón, Willie, 1951-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Asco (Group of artists)  Search this
Gronk, 1954-  Search this
Extent:
7 Sound cassettes (Sound recording (6 hrs.), analog)
109 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
2000 Feb. 5-Mar. 17
Scope and Contents:
An interview of Willie Herrón conducted 2000 Feb. 5-Mar. 17, by Jeffrey J. Rangel, for the Archives of American Art.
The interviews took place in a restaurant, City Terrace, East Los Angeles, Calif. Herrón describes his childhood growing up in East Los Angeles, culminating with an extensive discussion of the circumstances surrounding the painting of his most acclaimed mural, "The Wall that Cracked Open" in City Terrace; founding the avant-garde Chicano art group Asco along with Harry Gamboa, Jr., Patssi Valdez, and Gronk; his experience as leader of the band Los Illegals and as a cofounder of the alternative music space Club Vex with Self Help Graphics' Sister Karen Boccalero; the Chicano mural movement, particularly his undertakings in City Terrace, Boyle Heights, and at the Estrada Courts and Ramona Gardens housing projects in East Los Angeles; his commitment to working with at-risk youth and his strong desire to expand the stylistic and iconographic parameters of the medium through the incorporation of graffiti; and an assessment of Asco's role in expanding the continuum of Chicano art and identity.
Biographical / Historical:
Willie Herrón (1951-) is a painter, graphic artist, muralist, and musician from Los Angeles, Calif. Herrón is known as one of the premiere artists and musicians to emerge out of the Chicano arts movement during the 1970s.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview and transcription provided by the SI Latino Fund of 1997.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Muralists -- California -- Los Angeles -- Interviews  Search this
Topic:
Art and music  Search this
Graffiti art  Search this
Street art  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Chicano artists  Search this
Chicano art movement  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.herron00
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-herron00
Online Media:

Oral history interview with Gronk

Interviewee:
Gronk, 1954-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Asco (Group of artists)  Search this
Los Angeles Contemporary Exhibitions (Gallery)  Search this
Los Four (Art group)  Search this
Dreva, Jerry  Search this
Extent:
6 Sound cassettes (Sound recording (ca. 6 hrs.), analog)
94 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1997 Jan. 20-23
Scope and Contents:
An interview of Gronk conducted by Jeffrey Rangel for the Archives of American Art.
Gronk discusses differences between two artists' group, Los Four and and Asco; the Chicano artists view of Asco; isolation from the Chicano arts movement as well as the mainstream avant-garde art scene; his relationship with Jerry Dreva and the development of mail art and the Dreva/Gronk Show: 1968-1978 at the Los Angeles Contemporary Exhibitions; and his 1983 NEA fellowship for performance/conceptual work.
Biographical / Historical:
Gronk (1954-) is an artist from California. Gronk, whose full name is Glugio Gronk Nicandro, was born in Los Angeles in 1954. As a member of the 1970s activist performance group, Asco (nausea), with Harry Gamboa, Jr., Patssi Valdez, and Willie Herron, Gronk arranged anti-war protests and painted graffiti murals.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview provided by the Smithsonian Latino Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Chicano artists  Search this
Latino and Latin American artists  Search this
Mural painting and decoration -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gronk97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gronk97
Online Media:

Oral history interview with Rupert Garcia

Interviewee:
Garcia, Rupert, 1941-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Asco (Group of artists)  Search this
Galería de la Raza (San Francisco, Calif.)  Search this
Los Four (Art group)  Search this
San Francisco State University -- Students  Search this
Almaraz, Carlos  Search this
Lippard, Lucy R.  Search this
Montoya, Malaquias, 1938-  Search this
Extent:
9 Sound cassettes (Sound recording (8 1/2 hrs.), analog)
166 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1995 Sept. 7-1996 June 24
Scope and Contents:
An interview of Rupert Garcia conducted 1995 Sept. 7-1996 June 24, by Paul J. Karlstrom, for the Archives of American Art, at Rupert Garcia's home and studio, in Oakland, Calif.
SEPT. 7, 1995 SESSION: Session opens with a discussion of Garcia's exhibition, Aspects of Persistence (1993); the deaths in 1968 of Martin Luther King, Jr. and Marcel Duchamp; Garcia's self-conception and his two roles as political activist and artist; the influence on him of Sartre's "Being and Nothingness"; racism, power, control; his background and being a Mexican-American; need to establish ethnic identity; his realization in high school of wanting to become an artist; his lost opportunity for a scholarship at the San Francisco Art Institute; moving to San Francisco; enlisting in the Air Force and serving in Vietnam; ambivalence about war; experiences at San Francisco State University and his switch from painting to silkscreen; Artes Seis and Galerie de la Raza; artists in the Mission District.
NOV. 10, 1995 SESSION: Painting vs. graphic art; posters; Lucy Lippard; Chicano art; Los Four, Asco, and other artists groups and conferences; conflicts between San Francisco and Oakland groups; emergence of identity groups; Malaquias Montoya, Carlos Almaraz; making art from experience.
JUNE 24, 1996: Politics of culture; social progress; being optimistic but realistic; the Latino movement in the 1990s; Mexican attitudes toward Chicanos; the CARA exhibition at UCLA; Garcia's students at San José State; current work, interests and projects; interest in art history and other intellectual pursuits; and the art market, dealers, and galleries.
Biographical / Historical:
Rupert Garcia (1941-) is a painter and teacher from the San Francisco Bay area, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Chicano artists  Search this
Painters -- California -- San Francisco -- Interviews  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.garcia95
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-garcia95
Online Media:

Oral history interview with Harry Gamboa, Jr

Interviewee:
Gamboa, Harry  Search this
Gronk, 1954-  Search this
Interviewer:
Rangel, Jeffrey J.  Search this
Names:
Asco (Group of artists)  Search this
Extent:
5 Sound cassettes (Sound recording (270 min.), analog)
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1999 Apr. 1-16
Scope and Contents:
An interview of Harry Gamboa, Jr. conducted 1999 Apr. 1-16, at various cafes in Los Angeles, Calif., by Jeffrey Rangel, for the Archives of American Art. The artist, Gronk, joined the interview for the second session.
Photographer, painter, video artist, and writer, Harry Gamboa, Jr. (b. 1951), has been involved in creating visual and performance works that interpret the contemporary urban Chicano culture. A native of Los Angeles, Gamboa began the interview by reflecting on his book Urban Exile (University of Minnesota Press, 1998), which he considers only a fragment of his creative work, feeling photography his primary medium. He expressed a need to maintain his identity as a Chicano artist while at the same time trying to balance financial survival, family maintenance, and creative spontaneity. He described growing up in East Los Angeles, a period that tested his personality and developed his quick wit and humor as a means of survival and his sense of being the "participant viewer." He remembers his educational experiences as "highly damaging," due to the physical violence from a few teachers and the stereotyping of Chicanos. His views about the Vietnam War and his disillusionment of the political process which led to a discussion about the Civil Rights Movement and the African-American culture's influence on his work. He emphasized the lack of an awareness by the art community of black and Chicano artists that was underscored in the Armand Hammer Museum's LA and Noir [Sunshine and Noir: Los Angeles Art, 1960-1990, at the UCLA/Armand Hammer Art Center] exhibition, 1998.
The second session began and ended with Gamboa reflecting on his relationship with his wife and fellow artist, Barbara Carrasco. In the interim, he and Gronk, who joined the interview, discussed the dynamics that brought the artists together in Asco; the differences and competitiveness within the Chicano Arts Movement; and the vulnerabilities of an artist's surviving while trying to maintain an artistic vision. Despite these challenges and an opressive dominant culture that has not embrased Chicano art, Carrasco have continued as artists because they feel a need to create and to present their work as a means of expanding a perception of reality.
Biographical / Historical:
Harry Gamboa, Jr. (1951-) is a painter, writer, photographer, and video artist from Los Angeles, Calif.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for the interview and transcription provided by the Smithsonian Institution Latino Initiatives Fund.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Chicano artists  Search this
Chicano movement  Search this
Latino and Latin American artists  Search this
Photography  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.gamboa99
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gamboa99
Online Media:

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