Skip to main content Smithsonian Institution

Search Results

Collections Search Center
49 documents - page 1 of 3

Oral history interview with Barbara Chase-Riboud, 2019 June 7-11

Interviewee:
Chase-Riboud, Barbara, 1939-  Search this
Interviewer:
Gilbert, Erin, 1979-  Search this
Type:
Sound recordings
Interviews
Topic:
Women artists  Search this
African American artists  Search this
Record number:
(DSI-AAA_CollID)21702
(DSI-AAA_SIRISBib)398510
AAA_collcode_chase19
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_398510
Online Media:

Peter Howard Selz papers, 1929-2018, bulk 1950-2005

Creator:
Selz, Peter Howard, 1919-2019  Search this
Subject:
Chatzes, Demetres  Search this
Bury, Pol  Search this
Guston, Philip  Search this
Baykam, Bedri  Search this
Paris, Harold Persico  Search this
Lipchitz, Jacques  Search this
Dubuffet, Jean  Search this
Golub, Leon  Search this
Rothko, Mark  Search this
O'Keeffe, Georgia  Search this
Benton, Fletcher Chapman  Search this
Onslow-Ford, Gordon  Search this
Feininger, Lyonel  Search this
Bergman, Ciel  Search this
Calder, Alexander  Search this
Tinguely, Jean  Search this
Lebrun, Rico  Search this
Lindner, Richard  Search this
Graves, Morris  Search this
Giacometti, Alberto  Search this
Conner, Bruce  Search this
Beckmann, Max  Search this
Petlin, Irving  Search this
Reinhardt, Ad  Search this
Chase-Riboud, Barbara  Search this
Christo  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Institute of Design (Chicago, Ill.)  Search this
Marlborough Gallery  Search this
San Francisco Bay Area Rapid Transit District (Calif.)Art Council  Search this
University of California, Berkeley.University Art Museum  Search this
College Art Association (U.S.)  Search this
Pomona College (Claremont, Calif.)  Search this
Type:
Sound recordings
Scrapbooks
Video recordings
Topic:
Political cartoons  Search this
Ceramics  Search this
Painting, Abstract  Search this
Pop art  Search this
Realism in art  Search this
San Francisco Bay Area (Calif.)  Search this
Art  Search this
Environmental art  Search this
Art, Modern  Search this
Record number:
(DSI-AAA_CollID)8464
(DSI-AAA_SIRISBib)210640
AAA_collcode_selzpete
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210640
Online Media:

Eleanor Munro papers, circa 1880-2011, bulk 1950-2011

Creator:
Munro, Eleanor, 1928-  Search this
Subject:
Antin, Eleanor  Search this
Thomas, Alma  Search this
Stone, Sylvia  Search this
Bontecou, Lee  Search this
Mitchell, Joan  Search this
Lin, Maya Ying  Search this
Pepper, Beverly Stoll  Search this
Chase-Riboud, Barbara  Search this
Lockspeiser, Mary  Search this
Blaine, Nell Blair Walden  Search this
Type:
Sound recordings
Interviews
Topic:
Dreams  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)16216
(DSI-AAA_SIRISBib)368453
AAA_collcode_munrelea
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_368453
Online Media:

Zanzibar/Black

Artist:
Barbara Chase-Riboud, born Philadelphia, PA 1939-died Chicago, IL 2019  Search this
Medium:
bronze with black patina, silk and wool over a steel armature
Dimensions:
82 × 30 × 27 in. (208.3 × 76.2 × 68.6 cm)
Type:
Sculpture
Date:
1974-1975
Topic:
Abstract  Search this
Credit Line:
Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Copyright:
© 2017, Barbara Chase-Riboud; Courtesy of Michael Rosenfeld Callery, LLC, New York, NY
Object number:
2018.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Smithsonian American Art Museum Collection
Department:
Painting and Sculpture
On View:
Smithsonian American Art Museum, 3rd Floor, East Wing
Data Source:
Smithsonian American Art Museum
GUID:
http://n2t.net/ark:/65665/vk75d1e3cf3-96b8-48ce-af4e-181ccf19602b
EDAN-URL:
edanmdm:saam_2018.2

Chase-Riboud, Barbara, 2000

Collection Creator::
Smithsonian American Art Museum. Curatorial Office  Search this
Container:
Box 4 of 12
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2033. Records may contain personally identifiable information (PII) that is permanently restricted. Transferring office; 3/22/2019 memorandum, Johnstone to Laura Augustin; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 19-136, Smithsonian American Art Museum. Curatorial Office, Acquisition Records (Declined)
See more items in:
Acquisition Records (Declined)
Acquisition Records (Declined) / Box 4
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa19-136-refidd1e4034

Photograph of Barbara Chase-Riboud

Photographer:
Lionni, Leo, 1910-  Search this
Subject:
Chase-Riboud, Barbara  Search this
Type:
Photographs
Date:
circa 1970s
Record number:
(DSI-AAA)22490
See more items in:
Eleanor Munro papers, circa 1880-2011, bulk 1950-2011
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_22490
Online Media:

Peter Howard Selz papers

Creator:
Selz, Peter Howard, 1919-  Search this
Names:
College Art Association of America  Search this
Institute of Design (Chicago, Ill.) (Faculty)  Search this
Marlborough Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Pomona College (Claremont, Calif.)  Search this
San Francisco Bay Area Rapid Transit District (Calif.)  Search this
University of California, Berkeley. University Art Museum  Search this
Baykam, Bedri, 1957-  Search this
Beckmann, Max, 1884-1950  Search this
Benton, Fletcher, 1931-  Search this
Bergman, Ciel, 1938-  Search this
Bury, Pol, 1922-2005  Search this
Calder, Alexander, 1898-1976  Search this
Chase-Riboud, Barbara  Search this
Christo, 1935-  Search this
Christo, 1935- (Running fence)  Search this
Conner, Bruce  Search this
Dubuffet, Jean, 1901-  Search this
Feininger, Lyonel, 1871-1956  Search this
Giacometti, Alberto, 1901-1966  Search this
Golub, Leon, 1922-2004  Search this
Graves, Morris, 1910-  Search this
Guston, Philip, 1913-1980  Search this
Hadzi, Dimitri, 1921-2006  Search this
Lebrun, Rico, 1900-1964  Search this
Lindner, Richard, 1901-  Search this
Lipchitz, Jacques, 1891-1973  Search this
O'Keeffe, Georgia, 1887-1986  Search this
Onslow-Ford, Gordon  Search this
Paris, Harold, 1925-  Search this
Petlin, Irving, 1934-  Search this
Reinhardt, Ad, 1913-1967  Search this
Rothko, Mark, 1903-1970  Search this
Tinguely, Jean, 1925-  Search this
Extent:
31.5 Linear feet
0.696 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Sound recordings
Video recordings
Place:
San Francisco Bay Area (Calif.)
Date:
1929-2014
bulk 1950-2005
Summary:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and nine scrapbooks.
Scope and Contents:
The papers of art historian and writer Peter Howard Selz measure 31.5 linear feet and 0.696 GB and date from 1929 to 2018, with the bulk of the materials from 1950 to 2005. The papers document Selz's long career via correspondence, writings, professional files, project files, membership and association records, artists' research files, exhibition files, personal business records, printed and digital materials, and scrapbooks.

Correspondence is with colleagues, artists, museums, and galleries concerning a wide variety of topics, including exhibitions and publications. The bulk of the correspondence consists of alphabetical files (two linear feet) that includes correspondence with artists. Notable correspondents include Pol Bury, Alexander Calder, Gordon Onslow Ford, Alberto Giacometti, Morris Graves, Philip Guston, Dimitri Hadzi, Jacques Lipchitz, Georgia O'Keeffe, Ad Reinhardt, Mark Rothko, Jean Tinguely, and others. Eight additional files of chronological correspondence is with curators, arts organizations, and publishers. Additional correspondence is found in the professional files, project files, membership files, artists' research files, and exhibition files.

The bulk of the writings series is comprised of files related to Selz's books and includes typescript drafts and galleys, printed and digital material, correspondence, and publishing contracts. Files are found for Art in Our Times, Art of Engagement, Beyond the Mainstream, and Theories of Modern Art. Other writings consist of drafts of articles, essays, notes, and lectures by Selz. Also included are writings by others, including materials related to Paul Karlstrom's biography of Selz.

Professional files document curatorial and teaching positions at the Chicago Institute of Design, Pomona College, University of California, Berkeley, and the Museum of Modern Art. The series includes contracts, recommendations, syllabi, and correspondence.

Project files document Selz's professional work on specific art projects, panels, and symposiums. There is extensive documentation of Selz's work as project director of Christo's Running Fence, as well as other environmental art work projects by Christo, the Berkeley Art Project, Disney Art Project, "Funk Art" symposium, and the "Art and Politics in the 20th Century" symposium. Project files contain a wide variety of materials, such as correspondence, printed material, financial records, reports, photographs, and other documents. There are 2 tape reels, 1 VHS, and 1 sound cassette.

Membership and association records document Selz's involvement with or membership in various art councils, trustee boards, such as the College Art Association, Art in Chicago Advisory Committee, Bay Area Rapid Transit (B.A.R.T.) Art Council, and the San Francisco Crafts and Folk Art Museum Advisory Board, among others. Materials include meeting minutes, bulletins, correspondence, and memoranda.

Artists' Research Files consist of a wide variety of research materials Selz compiled about artists for lectures, writings, projects, exhibitions, etc. Files vary and may include original and photocopied correspondence, photographic material, resumes, printed and digital material, and writings. There is also 1 sound cassette. Files are found for Bedri Baykam, Max Beckmann, Fletcher Benton, Ciel Bergman, Barbara Chase-Riboud, Bruce Conner, Jean Dubuffet, Lyonel Feininger, Leon Golub, Dimitri Hadzi, Rico Lebrun, Harold Paris, Irving Petlin, among many others.

Exhibition files include catalogs, reviews, clippings, writings, correspondence, and other material documenting exhibitions organized by Selz. Limited materials are found for the MOMA Art Nouveau exhibition. More extensive documentation is found for Seven Decades of Modern Art, 1895-1965, The Joint Show (1967), The American Presidency in Political Cartoons (1976), American Modern Art Between the Two World Wars (1979), German Realism in the Twenties: Artist As Social Critic (1980), Twelve Artists from the German Democratic Republic (1989), a Richard Lindner Retrospective (1996), Spaces of Nature (1999), Color and Fire: Defining Moments in Studio Ceramics, 1950-2000 (2000), and a Nathan Oliviera Retrospective (2002), among others. Some of the materials are in digital format.

Personal business records are related to the Mark Rothko estate and Kate Rothko's legal case against Marlborough Gallery, Inc. Also included in this series are Peter Selz's school transcripts, bequests, royalty statements, house designs, and other material.

Printed materials include clippings, prints of articles written by Peter Selz, exhibition announcements and invitations, and photocopies of artwork images.

There are nine disbound scrapbooks dating from the 1940s up through 2012 containing clippings, exhibition announcements, and photographs of art events, Selz, and artists. This series also includes materials from the 2018 addition that may have previously been compiled in binders.
Arrangement:
This collection is arranged as 10 series. When possible the original order of Peter Selz was maintained. However, multiple accessions were merged and integrated.

Series 1: Correspondence, 1942-2013 (2.3 linear feet; Box 1-3, Box 37)

Series 2: Writings, 1942- circa 2014 (8.3 linear feet; Box 3-10, OV 32, Box 37, 0.035 GB; ER01, ER12)

Series 3: Professional Files, 1949-2012 (1 linear feet; Box 11, Box 37)

Series 4: Project Files, 1962-2015 (2.8 linear feet; Box 12-14, OV 33, Box 37)

Series 5: Membership and Association Records, 1958-2014 (1.1 linear feet; Box 14-15, Box 37)

Series 6: Artists' Research Files, 1955-2014 (7.9 linear feet; Box 15-22, OV 34-35, 0.520 GB; ER02-ER08)

Series 7: Exhibition Files, 1959-2014 (5.2 linear feet; Box 23-27, Box 38, 0.093 GB; ER09-ER11)

Series 8: Personal Business Records, 1929-2014 (1.2 linear feet; Box 28-29, OV 36, Box 38)

Series 9: Printed Material, 1957-2014 (0.3 linear feet; Box 29, Box 38)

Series 10: Scrapbooks, 1947-2018 (1.4 linear feet, Box 29-31, Box 38)
Biographical / Historical:
Peter Howard Selz (1919-2019) was a pioneering historian of modern art, professor, and writer who taught at the University of California, Berkeley, from 1965-1988 and founded and directed the Berkeley Art Museum from 1965-1973.

Selz was born in 1919 in Munich, Germany to Eugene Selz and Edith Drey Selz. In 1936, the family fled Nazi Germany and immigrated to the United States. Selz attended Columbia University from 1937 to 1938 and became a naturalized citizen in 1942. During World War II, Selz served in the U.S. Army in the Office of Strategic Services. He married writer Thalia Cheronis in 1948 but they later divorced in 1965; he married several times afterwards.

After the war, Selz attended and taught at the University of Chicago where he received a Ph. D. in German Expressionism. He spent a year in Paris, 1949-1950, at the Sorbonne and École du Louvre on a Fulbright grant. He received a second Fulbright grant in 1953 to study at the Royal Museums of Art and History in Belgium. From 1953-1955, Selz also taught at the Chicago Institute of Design.

In 1955 Peter Selz accepted a position to chair the art history department at Pomona College in Claremont and relocated to California for a few years. He also became director of the college's art gallery.

In 1958 Selz moved to New York City to become curator of painting and sculpture at the Museum of Modern Art and was there through the transformative mid-1960s. While at MOMA, he organized several significant exhibitions of modern art, including the 1960 Jean Tinguely "Homage to New York," a sculpture that destroyed itself (and started a fire) in the sculpture garden of the museum; New Images of Man (1959), the Art Nouveau show (1960), and the Art of Assemblage (1961). He also launched important retrospectives, including the first Rodin retrospective in the United States and a comprehensive exhibition of Alberto Giacometti's work in 1965.

In 1965, Peter Selz returned to California to become the founding director of the Berkeley Art Museum at the University of California, Berkeley, a position he held until 1973. He organized exhibitions of Funk, film, and ceramicists like Peter Voulkos and Robert Arneson. Peter Selz later became project director for Christo's "Running Fence", the 24.5-mile long fabric fence over the Marin County hills in 1976. He also served concurrently as a professor of art history at UC until retiring in 1988.

Peter Selz was a member of the College Art Association's board of directors for two terms, 1958-1964 and 1966-1971. Selz is a prolific writer, and the author or co-author of numerous books, exhibition catalogs, and articles. Notable books include German Expressionist Painting (1957), Art in a Turbulent Era (1965), Art in Our Times (1981), and Sam Francis (1975).

In 1988 Peter Selz was named emeritus professor at University of California, Berkeley. In 1993 he was on the acquisitions committee of the Museums of Fine Arts, San Francisco. In 2012, Selz curated The Painted Word exhibition. Selz died in 2019 in Albany, California.
Related Materials:
The Archives of American Art also holds oral history interviews of Peter Selz conducted by Paul J. Karlstrom on July 28, 1982, October 12, 1982, and November 3, 1999.
Provenance:
The Peter Howard Selz papers were donated to the Archives of American Art by Peter Selz in multiple installments from 1976 through 2014. Additional papers were donated in 2018 by Gabrielle Selz, Peter Selz's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Authors -- California -- Berkeley  Search this
Topic:
Realism in art -- Germany  Search this
Political cartoons  Search this
Pop art -- Exhibitions  Search this
Environmental art  Search this
Painting, Abstract  Search this
Ceramics  Search this
Art -- Study and teaching -- California  Search this
Art -- Political aspects  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art historians -- California -- Berkeley  Search this
Art -- Germany  Search this
Genre/Form:
Photographs
Scrapbooks
Sound recordings
Video recordings
Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.selzpete
See more items in:
Peter Howard Selz papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-selzpete
Online Media:

Barbara Chase

Photographer:
Clements, Geoffrey  Search this
Subject:
Chase-Riboud, Barbara  Search this
Type:
Photographs
Date:
1966
Topic:
African American women artists  Search this
Portraits  Search this
Record number:
(DSI-AAA)3295
See more items in:
American Federation of Arts records, 1895-1993, bulk 1909-1969
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_3295
Online Media:

Eleanor Munro papers

Creator:
Munro, Eleanor, 1928-  Search this
Names:
Antin, Eleanor  Search this
Blaine, Nell, 1922-1996  Search this
Bontecou, Lee, 1931-  Search this
Chase-Riboud, Barbara  Search this
Frank, Mary, 1933-  Search this
Lin, Maya Ying  Search this
Mitchell, Joan, 1926-1992  Search this
Pepper, Beverly  Search this
Stone, Sylvia, 1928-  Search this
Thomas, Alma  Search this
Extent:
36.7 Linear feet
0.001 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Diaries
Sound recordings
Photographs
Transcripts
Date:
circa 1880-2011
bulk 1950-2011
Summary:
The papers of writer and art critic Eleanor Munro measure 36.7 linear feet and 0.001 GB and date from circa 1880-2011, bulk 1950-2011. The collection documents Munro's life, career, and research on women artists, through biographical and family material, correspondence, writing projects, diaries, dream journals and notebooks, subject and research files, printed and digital material, and photographic material.
Scope and Contents:
The papers of writer and art critic Eleanor Munro measure 36.7 linear feet and 0.001 GB and date from circa 1880-2011, bulk 1950-2011. The collection documents Munro's life, career, and research on women artists, through biographical and family material, correspondence, writing projects, diaries, dream journals and notebooks, subject and research files, printed and digital material, and photographic material.

Correspondence is both personal and professional in nature and is with family, friends, colleagues, agents, editors, and others regarding speaking engagements, writings, and other professional projects.

Writing projects make up a significant portion of the collection (10 linear feet) and include non-fiction works as well as fiction and poetry. Files contain drafts, notes, manuscripts, research, correspondence, contracts and agreements, royalty statements, and other business records for articles, books, reviews, talks, lectures, and other writing projects.

Diaries comprise twenty-six volumes of frequent entries that chronicle thoughts and feelings relating to Munro's personal and professional life. Dream journals and notebooks total 210 volumes plus additional loose pages and capture thoughts, reflections, and fragments of remembered dreams.

Subject and research files compiled and organized by Eleanor Munro make up the most substantial portion of the collection (20.6 linear feet) and reflect a wide variety of research interests, work projects, activities, and topics of interest. Types of material in this series are varied and include notes, drafts, printed and digital material, correspondence, proposals, interview transcripts, bibliographies, annotated articles, slides, photographs, original artworks, manuscripts by others, and four sound recordings. Many files relate to Munro's interest in women artists and serve as research for Originals: American Women Artists (1979). Interview transcripts are with women artists Eleanor Antin, Nell Blaine, Lee Bontecou, Barbara Chase-Riboud, Mary Frank, Maya Lin, Joan Mitchell, Beverly Pepper, Sylvia Stone, Alma Thomas, and others.

The remainder of the collection is comprised of biographical and family material, printed material, and photographic material.
Arrangement:
The collection is arranged as 7 series

Series 1: Biographical and Family Material, circa 1880s-2008 (0.4 linear feet; Box 1)

Series 2: Correspondence, 1959-circa 2000s (0.7 linear feet; Box 1-2)

Series 3: Writings Projects, 1921-circa 2000s (10 linear feet; Box 2-12)

Series 4: Diaries, Dream Journals, and Notebooks, circa 1939-2011 (3.8 linear feet; Box 12-15)

Series 5: Subject and Research Files, circa 1950s-2000s (20.6 linear feet; Box 15-36, OV 38-40, 0.001 GB; ER01)

Series 6: Printed Material, circa 1959-circa 2000s (0.6 linear feet; Box 36)

Series 7: Photographic Material, circa 1980s-1990s (0.6 linear feet; Box 36-37)
Biographical / Historical:
Eleanor Munro (1928- ) is a writer and art critic working in New York City and Truro, Massachusetts. She is best known for her groundbreaking work Originals: American Women Artists (1979), one of the first books to argue for the importance of women artists who were generally ignored by the art world. Munro was active in feminist art circles in New York.

Munro's father, Thomas Munro, was an art educator and modernist intellectual. Her mother, Lucile Nadler, was a pianist. She grew up in Cleveland, Ohio, after her father accepted a joint appointment at the Cleveland Museum of Art and Western Reserve University. Munro graduated from Smith College majoring in art history and earned a master's degree in comparative literature from Columbia. She was married to Alfred Frankfurter, editor of ArtNews, from 1955 until his death in 1965. Munro remarried to the writer E. J. Kahn until his death in 1994.

While working on Originals, Munro interviewed forty women artists including Georgia O'Keeffe, Louise Bourgeois, Jennifer Bartlett, Helen Frankenthaler, and Louise Nevelson. Her thesis sought to highlight the relationship between biography and the content of an artist's work. The book serves as an illustration of Munro's idea that the "narrative memory" these artists had constructed for themselves was an important "generative source" of their creativity. Women artists continued to be a prominent interest of Munro's throughout her life.

Munro is also the author of On Glory Roads: a Pilgrim's Book about Pilgrimage (1987), Memoir of a Modernist's Daughter (1988), and other books. In 1988, Munro received the Cleveland Arts Prize for Literature.
Provenance:
Donated by Eleanor Munro's son, David T. M. Frankfurter, in 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Eleanor Munro papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art critics -- Ohio  Search this
Authors -- Ohio  Search this
Topic:
Dreams  Search this
Women artists  Search this
Genre/Form:
Interviews
Diaries
Sound recordings
Photographs
Transcripts
Citation:
Eleanor Munro papers, circa 1880-2011, bulk 1950-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.munrelea
See more items in:
Eleanor Munro papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-munrelea
Online Media:

Chase-Riboud, Barbara

Collection Creator:
Munro, Eleanor, 1928-  Search this
Container:
Box 27, Folder 30-31
Type:
Archival materials
Date:
circa 1970s-1990s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Eleanor Munro papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Eleanor Munro papers, circa 1880-2011, bulk 1950-2011. Archives of American Art, Smithsonian Institution.
See more items in:
Eleanor Munro papers
Eleanor Munro papers / Series 5: Subject and Research Files / Women Artists
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-munrelea-ref785

Chase-Riboud, Barbara

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 1, Folder 16
Type:
Archival materials
Date:
1973-2003
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 1: Correspondence / 1.1: Alphabetical Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref37

Chase-Riboud, Barbara

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 16
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 6: Artists' Research Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref489

Biographical Material

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 16, Folder 20
Type:
Archival materials
Date:
1966-1994
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 6: Artists' Research Files / Chase-Riboud, Barbara
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref490

Harry Abrams, Inc. Correspondence

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 16, Folder 21
Type:
Archival materials
Date:
1998-1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 6: Artists' Research Files / Chase-Riboud, Barbara
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref491

General Correspondence

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 16, Folder 22-23
Type:
Archival materials
Date:
1998-2008
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 6: Artists' Research Files / Chase-Riboud, Barbara
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref492

Photocopy of Amnesia: Collected Poems

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 16, Folder 24
Type:
Archival materials
Date:
circa 1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 6: Artists' Research Files / Chase-Riboud, Barbara
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref493

Negatives

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 16, Folder 25
Type:
Archival materials
Date:
circa 1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 6: Artists' Research Files / Chase-Riboud, Barbara
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref494

Harry Abrams Publishing Agreement

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 16, Folder 26
Type:
Archival materials
Date:
1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 6: Artists' Research Files / Chase-Riboud, Barbara
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref495

Notes

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 16, Folder 27
Type:
Archival materials
Date:
circa 1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 6: Artists' Research Files / Chase-Riboud, Barbara
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref496

Chase-Riboud, Barbara

Collection Creator:
Selz, Peter Howard, 1919-  Search this
Container:
Box 17
Type:
Archival materials
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Collection Rights:
The Peter Howard Selz papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Peter Howard Selz papers, 1929-2018, bulk 1950-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Peter Howard Selz papers
Peter Howard Selz papers / Series 6: Artists' Research Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-selzpete-ref497

Modify Your Search







or


Narrow By