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Oral history interview with Brice Marden, 1972 Oct. 3

Interviewee:
Marden, Brice, 1938-  Search this
Interviewer:
Cummings, Paul, 1933-  Search this
Subject:
Andre, Carl  Search this
Chaet, Bernard  Search this
Geldzahler, Henry  Search this
Katz, Alex  Search this
Kay, Reed  Search this
Kertess, Klaus  Search this
Pollack, Reginald  Search this
Rauschenberg, Robert  Search this
Schueler, Jon  Search this
Vicente, Esteban  Search this
Boston University  Search this
Type:
Sound recordings
Interviews
Topic:
Pop art  Search this
Postmodernism -- New York (State) -- New York  Search this
Painters -- New York (State) -- Interviews  Search this
Painting -- Technique  Search this
Record number:
(DSI-AAA_CollID)11908
(DSI-AAA_SIRISBib)211975
AAA_collcode_marden72
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211975

Oral history interview with Robert Mangold, 2017 November 16

Interviewee:
Mangold, Robert, 1937-  Search this
Interviewer:
Lyon, Christopher, 1949-  Search this
Subject:
Albers, Josef  Search this
Chaet, Bernard  Search this
Hesse, Eva  Search this
Katz, Alex  Search this
LeWitt, Sol  Search this
Lippard, Lucy R.  Search this
Marden, Brice  Search this
Nice, Don  Search this
Welliver, Neil  Search this
Wyman, Robert  Search this
Cleveland Institute of Art  Search this
Mnuchin Gallery  Search this
Pace Gallery  Search this
Society for Visual Anthropology (U.S.)  Search this
Yale/Norfolk Summer School of Art  Search this
Type:
Interviews
Sound recordings
Topic:
Abstract expressionism  Search this
Art -- Technique  Search this
Minimal art  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Pop art  Search this
Record number:
(DSI-AAA_CollID)17524
(DSI-AAA_SIRISBib)391130
AAA_collcode_mangol17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_391130
Online Media:

Barbara Swan papers, 1927-1992

Creator:
Swan, Barbara, 1922-  Search this
Subject:
Kelly, Ellsworth  Search this
Tovish, Harold  Search this
Sexton, Anne  Search this
Miller, Edwin Haviland  Search this
Miller, Rosalind S.  Search this
Chaet, Bernard  Search this
Fink, Alan  Search this
Kumin, Maxine  Search this
Olsen, Tillie  Search this
Weinberg, Elbert  Search this
Chaet, Ninon  Search this
Museum of Fine Arts, Boston  Search this
Topic:
Women artists -- Massachusetts -- Boston  Search this
Record number:
(DSI-AAA_CollID)8701
(DSI-AAA_SIRISBib)210882
AAA_collcode_swanbarp
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210882

Barbara Swan letters to Rosalind and Edwin Miller, 1961-1991

Creator:
Swan, Barbara, 1922-  Search this
Subject:
Miller, Edwin Haviland  Search this
Miller, Rosalind S.  Search this
Chaet, Bernard  Search this
Fink, Aaron  Search this
Fink, Alan  Search this
Fink, Joanna Elizabeth  Search this
Gustin, Dan  Search this
Milton, Peter  Search this
Sexton, Anne  Search this
Stevovich, Andrew  Search this
Alpha Gallery (Boston, Mass.)  Search this
Topic:
Women artists  Search this
Record number:
(DSI-AAA_CollID)10853
(DSI-AAA_SIRISBib)214605
AAA_collcode_swanbarb
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214605

Conflict of visions [videorecording] / producer, Tug Yourgrau; editor, Joel Olicker, c1987

Creator:
WGBH Educational Foundation  Search this
Subject:
Aldrich, Nelson W.  Search this
Allara, Pamela  Search this
Bloom, Hyman  Search this
Chaet, Bernard  Search this
Coburn, Ralph  Search this
Goodrich, Lloyd  Search this
Plaut, James S. (James Sachs)  Search this
Swan, Barbara  Search this
Yourgrau, Tug  Search this
Olicker, Joel  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Type:
Video recordings
Interviews
Topic:
Painting, Modern -- 20th century -- Massachusetts -- Boston  Search this
Expressionism (Art) -- Massachusetts -- Boston  Search this
Record number:
(DSI-AAA_CollID)21890
(DSI-AAA_SIRISBib)216531
AAA_collcode_wgbhedut
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216531

Oral history interview with Bernard Chaet, 1997 June 18-August 15

Interviewee:
Chaet, Bernard, 1924-2012  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Albers, Josef  Search this
Zerbe, Karl  Search this
Boris Mirski Gallery  Search this
Yale University  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- Connecticut -- Interviews  Search this
Painters -- Massachusetts -- Interviews  Search this
Art teachers -- Connecticut -- New Haven -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13280
(DSI-AAA_SIRISBib)216431
AAA_collcode_chaet97
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216431
Online Media:

Ralph Rosenthal papers, 1938-1996

Creator:
Rosenthal, Ralph, 1912-2003  Search this
Subject:
Chaet, Bernard  Search this
Kay, Reed  Search this
Kramer, Jack  Search this
Lebrecht, Alma  Search this
Topic:
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Record number:
(DSI-AAA_CollID)6149
(DSI-AAA_SIRISBib)216372
AAA_collcode_roseralp
Theme:
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216372

Marilyn Pearl Gallery records, 1925-2000, bulk bulk 1976-1993

Creator:
Marilyn Pearl Gallery  Search this
Subject:
Chaet, Bernard  Search this
Freeman, Joseph  Search this
Allain, René Pierre  Search this
McShea, Jim  Search this
Miles, Jeanne Patterson  Search this
Lutz, Winifred  Search this
Lasch, Pat  Search this
Loew, Michael  Search this
Greene, Stephen  Search this
Hill, Clinton  Search this
Weiner, Ellen  Search this
Von Wiegand, Charmion  Search this
Robin, Stephen  Search this
Perez, Pedro  Search this
Pearson, Henry  Search this
Type:
Visitors' books
Photographs
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)6030
(DSI-AAA_SIRISBib)237852
AAA_collcode_maripeag
Theme:
Art Movements and Schools
Women
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_237852
Online Media:

George Cohen papers, 1943-1980

Creator:
Cohen, George, 1913-1980  Search this
Subject:
Chaet, Bernard  Search this
Aronson, David  Search this
Hodgson, Joseph  Search this
Kupferman, Lawrence Edward  Search this
Caro, Anthony  Search this
Type:
Interviews
Record number:
(DSI-AAA_CollID)7481
(DSI-AAA_SIRISBib)209639
AAA_collcode_cohegeor
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209639

Bernard Chaet papers, 1945-2012

Creator:
Chaet, Bernard, 1924-2012  Search this
Type:
Sketchbooks
Topic:
Art -- Technique  Search this
Artists' studios -- Photographs  Search this
Drawing -- Study and teaching  Search this
Record number:
(DSI-AAA_CollID)6571
(DSI-AAA_SIRISBib)215865
AAA_collcode_chaebern
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215865

Catherine Viviano Gallery records, 1930-1990, bulk bulk 1949-1978

Creator:
Catherine Viviano  Search this
Subject:
Wakabayashi, Kazuo  Search this
Viviano, Catherine.  Search this
Van Veen, Stuyvesant  Search this
Shapiro, Meyer  Search this
Seeger, Stanley J.  Search this
Sage, Kay  Search this
Valentin, Curt  Search this
Tanning, Dorothea  Search this
Stout, George L. (George Leslie)  Search this
Price, Vincent  Search this
Pulitzer, Joseph  Search this
Perlin, Bernard  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Rosenthal, Bernard M.  Search this
Rathbone, Perry Townsend  Search this
Ribicoff, Belle Krasne  Search this
Morlotti, Ennio  Search this
Moyens, H. Marc  Search this
Ossorio, Alfonso  Search this
Myers, John Bernard  Search this
McCray, Porter A.  Search this
Menil, Dominique de  Search this
Meltzer, Doris  Search this
Miller, Stephen Robeson  Search this
Miró, Joan  Search this
Minguzzi, Luciano  Search this
Hirschhorn, Joseph  Search this
Lerner, Abe  Search this
Mabe, Manabu  Search this
Ludgin, Earle  Search this
Manrique, César  Search this
Giacometti, Alberto  Search this
Glasco, Joseph  Search this
Goodhue, Bertram Grosvenor  Search this
Graves, Morris  Search this
Guerrero, José  Search this
Göpel, Barbara  Search this
Göpel, Erhard  Search this
Eisendrath, William N.  Search this
Ernst, Dallas  Search this
Faison, S. Lane (Samson Lane)  Search this
Fleischman, Barbara  Search this
Fleischman, Lawrence A. (Lawrence Arthur)  Search this
Genauer, Emily  Search this
Chaet, Bernard  Search this
Callery, Mary  Search this
Bishop, Elizabeth  Search this
Broderson, Robert M  Search this
Dorazio, Virginia Dortch  Search this
Dubuffet, Jean  Search this
Dorazio, Piero  Search this
Cox, Jan  Search this
Afro  Search this
Birolli, Renato  Search this
Barker, Walter  Search this
Bareiss, Walter  Search this
Baker, Richard Brown  Search this
Ashton, Dore  Search this
Dudensing, F. Valentine  Search this
Yunkers, Adja  Search this
Wadsworth Atheneum  Search this
Yale University  Search this
World House Galleries  Search this
Harvard University  Search this
William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts  Search this
University of Virginia  Search this
Santa Barbara Museum of Art  Search this
Philadelphia Art Alliance  Search this
Museum of Fine Arts, Boston  Search this
Museum of Fine Arts, Houston  Search this
Walker Art Center  Search this
Pennsylvania Academy of the Fine Arts  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Los Angeles County Museum  Search this
Mary Washington College  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Fogg Art Museum  Search this
City Art Museum of St. Louis  Search this
Detroit Institute of Arts  Search this
Massachusetts Institute of Technology  Search this
Brooklyn Museum  Search this
Dallas Museum of Fine Arts  Search this
Des Moines Art Center  Search this
American Federation of Arts  Search this
American Academy of Arts and Letters  Search this
Barnes Foundation  Search this
Colorado Springs Fine Arts Center  Search this
Art Club of Chicago  Search this
Carnegie Institute  Search this
Art Institute of Chicago  Search this
Type:
Notes
Photographs
Topic:
Art dealers  Search this
Sculpture  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Painting  Search this
Art -- Collectors and collecting  Search this
Record number:
(DSI-AAA_CollID)11096
(DSI-AAA_SIRISBib)243136
AAA_collcode_cathvivi
Theme:
The Art Market
Lives of American Artists
Women
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_243136
Online Media:

Charles Cajori papers, 1942-2011

Creator:
Cajori, Charles, 1921-2013  Search this
Subject:
Cézanne, Paul  Search this
Soutine, Chaim  Search this
Adams, Pat  Search this
Ippolito, Angelo  Search this
King, William  Search this
Matter, Mercedes  Search this
Pearlstein, Philip  Search this
Simon, Sidney  Search this
Gray, Cleve  Search this
Forge, Andrew  Search this
Finkelstein, Louis  Search this
Dodd, Lois  Search this
Chaet, Bernard  Search this
Bell, Leland  Search this
Watkins Art Gallery  Search this
University of California, Berkeley  Search this
Whitney Museum of American Art  Search this
David Findlay Galleries  Search this
New York Studio School of Drawing, Painting and Sculpture  Search this
Lohin Geduld Gallery  Search this
American University  Search this
Bertha Schaefer Gallery  Search this
Tanager Gallery (New York, N.Y.)  Search this
Stable Gallery (New York, N.Y.)  Search this
Cooper Union for the Advancement of Science and Art  Search this
Colorado Springs Fine Arts Center  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Gallery Association of New York State  Search this
Roko Gallery (New York, N.Y.)  Search this
Type:
Photographs
Sound recordings
Interviews
Video recordings
Transcripts
Topic:
Painters -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)15960
(DSI-AAA_SIRISBib)302402
AAA_collcode_cajochar
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_302402
Online Media:

Oral history interview with Robert Mangold

Interviewee:
Mangold, Robert, 1937-  Search this
Interviewer:
Lyon, Christopher  Search this
Names:
Cleveland Institute of Art -- Students  Search this
Mnuchin Gallery  Search this
Pace Gallery  Search this
Society for Visual Anthropology (U.S.) -- Faculty  Search this
Yale/Norfolk Summer School of Art -- Students  Search this
Albers, Josef  Search this
Chaet, Bernard  Search this
Hesse, Eva, 1936-1970  Search this
Katz, Alex, 1927-  Search this
LeWitt, Sol, 1928-2007  Search this
Lippard, Lucy R.  Search this
Marden, Brice, 1938-  Search this
Nice, Don, 1932-  Search this
Welliver, Neil  Search this
Wyman, Robert  Search this
Extent:
3 Items (sound files (2 hr., 43 min.) Audio, digital, wav)
37 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Italy -- description and travel
New York (N.Y.) -- Description and Travel
Date:
2017 November 16
Scope and Contents:
An interview with Robert Mangold conducted 2017 November 16, by Christopher Lyon, for the Archives of American Art, at Mangold's studio in Washingtonville, New York.
Mangold speaks of his childhood in the North Tonawanda, New York; early experiences of drawing; attending the Cleveland Institute of Art, a summer program at Yale Norfolk, and graduate school at Yale; his first encounter and experiments with Abstract Expressionism in the late 1950s; the influence of Pop art and New York City's built environment on his work; moving to New York in 1962; the art world social scene of the early 1960s; his teaching career at SVA; his investigative approach to art-making; his approach to making series of works; the influence of living in the countryside on his work; his investigations of drawn lines in paintings beginning in the late '60s; his recent decision to hire an assistant; his formative summer of 1974 in Italy; his 2017 retrospective survey at Mnuchin Gallery; and his comments on certain pieces reproduced in the Pace Gallery catalogue of his work. Mangold also recalls Bernard Chaet, Alex Katz, Josef Albers, Brice Marden, Neil Welliver, Lucy Lippard, Robert Ryman, Sol LeWitt, Eva Hesse, Don Nice, and others.
Biographical / Historical:
Robert Mangold (1937- ) is a minimalist artist in New York, New York. Christopher Lyon (1949- ) is an author and publisher in Brooklyn, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Abstract expressionism  Search this
Art -- Technique  Search this
Minimal art  Search this
Painters -- New York (State) -- New York -- Interviews  Search this
Pop art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mangol17
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mangol17

Oral history interview with Bernard Chaet

Interviewee:
Chaet, Bernard  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boris Mirski Gallery (Boston, Mass.)  Search this
Yale University. School of Art and Architecture  Search this
Albers, Josef  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
5 Items (sound files (3 hrs., 30 min.), digital, wav file)
92 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1997 June 18-August 15
Scope and Contents:
An interview with Bernard Chaet conducted 1997 June 18-August 15, by Robert Brown, for the Archives of American Art, at Chaet's home in Rockport, Massachusetts.
Chaet briefly speaks of his life growing up in the Dorchester neighborhood of Boston and his family, in particular his father, before segueing into his early beginnings as an artist and his acceptance into the School of the Museum of Fine Arts; he discusses his training there, as well as the three-year interim after he quit and before he completed his education at Tufts University when he worked alone; he refers to his teacher and the head of the Department of Painting at the School of the Museum of Fine Arts, Karl Zerbe, often, including his falling out with Zerbe, citing this as the reason his quit the school; he recalls his relationship with Boston art gallery owner Boris Mirski, who supported him from an early stage and sent him to Europe when he was young, the evolution of his relationship with Mirski, and the reason for their eventual falling out; Chaet describes his trip to Europe, where he traveled for several months with friends, at length, including the art museums and the suffering he witnessed in Italy and Spain, as well as accidentally meeting Picasso in Antibes, and the influence the trip had on his work; he recalls how he became an art teacher, how he was hired by Josef Albers at Yale, his tenure at Yale, some of the students there, including Chuck Close, Nancy Graves, and Richard Serra, as well as the internal politics and his accomplishments; he discusses his own evolution as an artist, including his use of watercolors, as well as his return to certain themes, such as his painting of cows (and how, more generally, artists do return to themes throughout their lives), and the balance between teaching and being an artist; Chaet mentions the beginnings of Artists Equity and Cold War politics. Chaet also recalls his wife, the artist Ninon Lacey, his former roommate, the artist David Aronson, and art world figures: Hyman Swetzoff, Edith Halpert, Dorothy Adlow, Charles Sawyer, Jackson Pollock, Pablo Picasso, Hyman Bloom, Willem de Kooning, Rico Lebrun, and others.
Biographical / Historical:
Bernard Chaet (1924-2012) was a painter and teacher from New Haven, Connecticut and Rockport, Massachusetts.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 5 digital wav files. Duration is 3 hr., 29 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Topic:
Painters -- Connecticut -- Interviews  Search this
Painters -- Massachusetts -- Interviews  Search this
Art teachers -- Connecticut -- New Haven -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.chaet97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chaet97

Conflict of visions [videorecording] / producer, Tug Yourgrau; editor, Joel Olicker

Creator:
WGBH Educational Foundation  Search this
Names:
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Aldrich, Nelson W.  Search this
Allara, Pamela  Search this
Bloom, Hyman, 1913-  Search this
Chaet, Bernard  Search this
Coburn, Ralph, 1923-  Search this
Goodrich, Lloyd, 1897-1987  Search this
Olicker, Joel  Search this
Plaut, James S. (James Sachs), 1912-1996  Search this
Swan, Barbara, 1922-  Search this
Yourgrau, Tug  Search this
Extent:
1 Item (videocassette (VHS) (ca. 30 min), sd., col., 1/2 in.)
Type:
Collection descriptions
Archival materials
Video recordings
Interviews
Date:
c1987
Scope and Contents:
Examines the Boston art scene in the late l930s and l940s, where traditional conservative artistic taste clashed with the emerging Boston Expressionists trained at the Museum of Fine Arts, Boston School. Focuses on the artists' relationship to the newly formed Institute of Modern Art, and the uproar which resulted when its director, James Plaut, issued a statement viewed as antagonistic to artists explaining the change of name of the museum to the Institute of Contemporary Art. Discussing the events are artists Barbara Swan, Bernard Chaet, Ralph Coburn and Hyman Bloom, ICA director James Plaut and president Nathanial Saltonstall, art historian Pamela Allara, Nelson Aldrich and Lloyd Goodrich.
Publication, Distribution, Etc. (Imprint):
Boston: WGBH Educational Foundation, c1987
General:
First broadcast on WGBH January 1988.
Provenance:
Donated in 1993 by the WGBH Educational Foundation.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Museum directors -- Massachusetts -- Boston  Search this
Topic:
Painting, Modern -- 20th century -- Massachusetts -- Boston  Search this
Expressionism (Art) -- Massachusetts -- Boston  Search this
Function:
Art museums -- Massachusetts -- Boston
Genre/Form:
Video recordings
Interviews
Identifier:
AAA.wgbhedut
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wgbhedut

Barbara Swan letters to Rosalind and Edwin Miller

Creator:
Swan, Barbara, 1922-  Search this
Names:
Alpha Gallery (Boston, Mass.)  Search this
Chaet, Bernard  Search this
Fink, Aaron, 1955-  Search this
Fink, Alan, 1925-  Search this
Fink, Joanna Elizabeth, 1958-  Search this
Gustin, Dan  Search this
Miller, Edwin Haviland  Search this
Miller, Rosalind S., 1923-  Search this
Milton, Peter, 1930-  Search this
Sexton, Anne  Search this
Stevovich, Andrew, 1948-  Search this
Extent:
0.8 Linear feet ((microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1961-1991
Scope and Contents:
Swan, writing to her friends Rosalind and Edwin Miller, discusses her husband Alan Fink's positions as an art dealer and owner of the Alpha Gallery in Boston, mentioning artists Milton Avery, Gregory Gillespie, Don Gustin, Ellsworth Kelly, Boris Mirski, and Andy Stevovich. She writes also about her son Aaron's art career and daughter Joanna's career as assistant to Alan, her health problems dealing with lupus, family vacations and activities with Swan's mother and aunt, Peter and Edith Milton, and Bernard and Ninion Chaet, her numerous trips to New York and the Museum of Fine Arts, Boston for various art openings; and her friendship with poet Anne Sexton.
Other topics include her painting career, including illustrating Sexton's versions of Grimm's fairytales, portraits of various friends and commissions, exhibitions, painting style, and inspirations for her bottle and quarry reflection paintings.
Biographical / Historical:
Swan, a painter, draftsman, and lithographer from Boston, Mass., was friends of Rosalind Miller, a professor of psychiatric social work at Columbia University, and Edwin Miller, a Walt Whitman scholar and biographer of Herman Melville and Nathaniel Hawthorne. The Millers are collectors of American textiles.
Provenance:
Donated 1992 by Rosalind Miller.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Women artists  Search this
Identifier:
AAA.swanbarb
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-swanbarb

Barbara Swan papers

Creator:
Swan, Barbara, 1922-  Search this
Names:
Museum of Fine Arts, Boston. School  Search this
Chaet, Bernard  Search this
Chaet, Ninon  Search this
Fink, Alan, 1925-  Search this
Kelly, Ellsworth, 1923-  Search this
Kumin, Maxine, 1925-  Search this
Miller, Edwin Haviland  Search this
Miller, Rosalind S., 1923-  Search this
Olsen, Tillie  Search this
Sexton, Anne  Search this
Tovish, Harold, 1921-2008  Search this
Weinberg, Elbert, 1928-  Search this
Extent:
820 Items ((partially microfilmed on 2 reels))
3 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Date:
1927-1992
Scope and Contents:
REELS 826-827: 697 letters, including letters to her parents and her future husband Alan Fink, and letters from Bernard Chaet, Maxine Kumin, Tillie Olsen, Anne Sexton, Andrew Stevovich, Elbert Weinberg, and the Cober Gallery; a 15-page diary; a scrapbook containing photographs, clippings, catalogs and miscellany; and many loose clippings and catalogs.
UNMICROFILMED: Photographs of Swan, Ellsworth Kelly, and other students of the Museum of Fine Arts, Boston School; letters relating to Swan's career and from friends and relatives, including Bernard and Ninon Chaet and Edwin and Rosalind Miller; Christmas cards by Swan and other artists; drafts and a transcription of a talk by Swan on Harold Tovish; exhibition announcements and catalogs; clippings; and printed material on Anne Sexton.
Biographical / Historical:
Painter, illustrator, draftsman, and lithographer; Boston, Mass. Studied at School of the Museum of Fine Arts, Boston under Karl Zerbe. Ellsworth Kelly was also a student there. Swan collaborated as an illustrator with poets Anne Sexton and Maxine Kumin.
Provenance:
Material on reels 826-827 was lent for microfilming in June of 1974 by Barbara Swan. She donated the photographs of Ellsworth Kelly in December 1974, and letters, writings, exhibition catalogs and miscellaneous printed material in 1992. Additional papers are expected.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators  Search this
Poets  Search this
Lithographers -- Massachusetts -- Boston  Search this
Painters -- Massachusetts -- Boston  Search this
Draftsmen (artists) -- Massachusetts -- Boston  Search this
Topic:
Women artists -- Massachusetts -- Boston  Search this
Identifier:
AAA.swanbarp
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-swanbarp

Ralph Rosenthal papers

Creator:
Rosenthal, Ralph, 1912-2003  Search this
Names:
Chaet, Bernard -- Photographs  Search this
Kay, Reed -- Photographs  Search this
Kramer, Jack -- Photographs  Search this
Lebrecht, Alma -- Photographs  Search this
Extent:
1 Item (partial microfilm reel)
Type:
Collection descriptions
Archival materials
Date:
1938-1996
Scope and Contents:
One letter from David Aronson, 1996 and one letter of recommendation, 1996; a poem by Rosenthal, "Disillusion," written in 1936 and printed ca. 1938, in reaction to his dismissal as an art teacher at Medford Senior High, apparently because he was Jewish; a clipping from the Boston Globe ,1941, on his art classes; and five photographs of Rosenthal and family and of art classes taught by Rosenthal and others, including Alma Lebrecht, Reed Kay, Bernard Chaet, and Jack Kramer. The materials relate primarily to his teaching career at the Museum of Fine Arts, Boston and the Boston school system.
Biographical / Historical:
Sculptor, ceramist, art educator; Boston, Mass. Rosenthal attended the Museum of Fine Arts, Boston school while in high school, and later taught there. He received a Master's degree in Education from Boston University in 1936, and taught in the Boston school system from 1936-1976, rising from key teacher of high school students to supervisor of art for the entire system in 1966. Many of his students went on to become notable artists.
Provenance:
Lent for microfilming 1998 by Ralph Rosenthal.
Restrictions:
Patrons must use microfilm copy.
Occupation:
Sculptors -- Massachusetts -- Boston  Search this
Art teachers -- Massachusetts -- Boston  Search this
Topic:
Art -- Study and teaching -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Identifier:
AAA.roseralp
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-roseralp

Oral history interview with Brice Marden

Interviewee:
Marden, Brice, 1938-  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Boston University -- Students  Search this
Andre, Carl, 1935-  Search this
Chaet, Bernard  Search this
Geldzahler, Henry  Search this
Katz, Alex, 1927-  Search this
Kay, Reed  Search this
Kertess, Klaus  Search this
Pollack, Reginald  Search this
Rauschenberg, Robert, 1925-2008  Search this
Schueler, Jon, 1916-  Search this
Vicente, Esteban, 1903-2001  Search this
Extent:
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1972 Oct. 3
Scope and Contents:
Interview of Brice Marden conducted 1972 Oct. 3, by Paul Cummings, for the Archives of American Art. Marden speaks of his early family life and schools in Briarcliff, N.Y.; the development of his interest in art; his art and theater activities at Florida State Southern College; Boston University and the Boston art scene in the 1950s.
He comments on the impact of a summer in California on his painting style, living in Paris and New York, and changes in his work, including rectangles, one-color panels, paintings over silk-screen proofs, oil and wax. Marden also speaks of his first one-man exhibition, working as Robert Rauschenberg's assistant, his exhibit in Paris, teaching at the School of Visual Arts, his drawings, lithographs and grid drawings, his use of color, paintings as statements and influences on his work. He recalls Henry Geldzahler, Reed Kay, Bernard Chaet, Jon Schueler, Reginald Pollack, Alex Katz, Esteban Vicente, Carl Andre and Klaus Kertess.
Biographical / Historical:
Brice Marden (1938) is a painter from New York, N.Y.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 2 hrs., 47 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State)  Search this
Topic:
Pop art  Search this
Postmodernism -- New York (State) -- New York  Search this
Painters -- New York (State) -- Interviews  Search this
Painting -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.marden72
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-marden72

Marilyn Pearl Gallery records

Creator:
Marilyn Pearl Gallery  Search this
Names:
Allain, René Pierre, 1951-  Search this
Chaet, Bernard  Search this
Freeman, Joseph  Search this
Greene, Stephen, 1918-1999  Search this
Hill, Clinton, 1922-2003  Search this
Lasch, Pat  Search this
Loew, Michael, 1907-1985  Search this
Lutz, Winifred  Search this
McShea, Jim  Search this
Miles, Jeanne Patterson, 1908-1999  Search this
Pearson, Henry, 1914-2006  Search this
Perez, Pedro  Search this
Robin, Stephen, 1944-  Search this
Von Wiegand, Charmion  Search this
Weiner, Ellen  Search this
Extent:
7.4 Linear feet
Type:
Collection descriptions
Archival materials
Visitors' books
Photographs
Date:
1925-2000
bulk 1976-1993
Summary:
The records of the Marilyn Pearl Gallery are dated 1925-2000, with the bulk of the ematerial from the period 1976-1993. The collection measures 7.4 linear feet and consists of artists' files, exhibition files, and business records documenting affiliated artists and gallery activities.
Scope and Content Note:
The records of the Marilyn Pearl Gallery are dated 1925-2000, with the bulk of the ematerial from the period 1976-1993. The collection measures 7.4 linear feet and consists of artists' files, exhibition files, and business records documenting affiliated artists and gallery activities.

Artist files are found for: René Pierre Allain, Bernard Chaet, Stephen Greene, Clinton Hill, Pat Lasch, Michael Loew, Winifred Lutz, Jim McShea, Jeanne Miles, Henry Pearson, Pedro Perez, Stephen Robin, Charmion von Wiegand, and Ellen Weiner. They contain the following types of records in varying combinations: correspondence with the artist, collectors, galleries and museums; printed material including publicity, exhibition catalogs and announcements of Marilyn Pearl Gallery and other venues; photographs; financial records concerning sales and exhibition expenses. In general, items dated prior the gallery's existence and after its closing are printed material relating to the artist. A notable exception is the small number of the personal papers of Charmion von Wiegand that include letters from her husband, writer and editor Joseph Freeman.

Exhibition files are arranged chronologically by exhibition date, 1977, 1980-1992 and consist of correspondence, invoices, printed material, publicity, and photographs.

Business records document the routine affairs of the gallery. Included are client correspondence, inventory cards (work in stock, pieces returned to artists, and works sold), a nearly complete set of invoices for gallery sales for the period 1976-1986, consignment records, appraisals, mailing lists, guest books, and records regarding Basel Art Fairs of 1989-1993.
Arrangement:
The collection is arranged as 3 series:

Series 1: Artists' Files, 1925-2000 (Boxes 1-4; 3.6 linear ft.)

Series 2: Exhibition Files, 1973-1992 (Boxes 4-5; 1.15 linear ft.)

Series 3: Business Records, 1976-2000 (Boxes 5-8; 2.65 linear ft.)
Historical Note:
The Marilyn Pearl Gallery (est. 1976-circa 1993) was an art gallery in New York, N.Y. specializing American art from the 1920s-1950s.

Marilyn Pearl (Mrs. Alan Loesberg), the daughter and granddaughter of art collectors from Akron and Cleveland, Ohio, as a young child began developing an appreciation for and true love of art. After a stint as a history teacher, Ms. Pearl was determined to establish her own gallery. With help from family, her dream became a reality when the Marilyn Pearl Gallery opened at 29 West 57th Street, New York, in 1976. In 1982, the gallery relocated to 38 East 57th Street, and in 1987 moved to 420 West Broadway in SoHo. Although the gallery closed in the early 1990s, Ms. Pearl continued to operate as a private dealer and expanded her activities to international art fairs, among them the Basel Art Fair.

Among the artists represented by the gallery were: Bernard Chaet, Stephen Greene, Clinton Hill, Pat Lasch, Michael Loew, Winifred Lutz, Jim McShea, Jeanne Miles, Henry Pearson, Pedro Perez, Stephen Robin, Charmion von Wiegand, and Ellen Weiner.

Pearl's first sales were works by sculptor Winifred Lutz, known for site-specific installations. Ms. Lutz remained part of Marilyn Pearl Gallery's stable throughout its history. In addition to emerging artists, Marilyn Pearl also was interested in traditional art forms, and eventually specialized in exhibiting American art from the 1920s-1950s, with particular emphasis on geometric abstraction. In addition, Marilyn Pearl Gallery presented a number of exhibitions exploring WPA era murals, American Abstract Artists, and post-war figurative work. By the 1980s, the gallery's annual schedule usually featured summer shows of new talent; several artists first introduced in this manner developed long-term relationships with Marilyn Pearl Gallery.
Provenance:
Marilyn Pearl donated the records of her gallery to the Archives of American Art in 2002.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Marilyn Pearl Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Genre/Form:
Visitors' books
Photographs
Citation:
Marilyn Pearl Gallery records, 1925-2000. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.maripeag
See more items in:
Marilyn Pearl Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-maripeag
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