Skip to main content Smithsonian Institution

Search Results

Collections Search Center
8 documents - page 1 of 1

William and Ethel Baziotes papers

Creator:
Baziotes, William, 1912-1963  Search this
Names:
Kootz Gallery (N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Peter A. Juley & Son  Search this
Solomon R. Guggenheim Museum  Search this
Alloway, Lawrence, 1926-1990  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Baziotes, Christos  Search this
Baziotes, Ethel  Search this
Baziotes, Harry  Search this
Bernshṭin, Meʼir, -1978  Search this
Blesh, Rudi, 1899-1985  Search this
Bodin, Paul, 1910-1994  Search this
Canaday, John, 1907-1985  Search this
Castano, Giovanni, 1896-1978  Search this
Greenberg, Clement, 1909-1994  Search this
Guggenheim, Peggy, 1898-  Search this
Halper, Nathan  Search this
Hare, David, 1917-1992  Search this
Hélion, Jean, 1904-1987  Search this
Janis, Harriet Grossman  Search this
Kamrowski, Gerome  Search this
Kootz, Samuel Melvin, 1898-1982  Search this
Lee, Francis P.  Search this
Licht, Michel, 1893-1953  Search this
Matta, 1912-2002  Search this
Motherwell, Maria  Search this
Motherwell, Robert  Search this
Namuth, Hans  Search this
Onslow-Ford, Gordon  Search this
Paneth, Donald  Search this
Peterson, Charles  Search this
Picasso, Pablo, 1881-1973  Search this
Pollock, Jackson, 1912-1956  Search this
Ricci, F.  Search this
Ruiz-Picasso, Maya  Search this
Schumm, Gertrud  Search this
Schwabacher, Ethel, 1903-1984  Search this
Sievan, Maurice  Search this
Still, Clyfford, 1904-1980  Search this
Vazakas, Byron  Search this
Zulieta, Orlando  Search this
Extent:
6.3 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Photographs
Sketchbooks
Date:
circa 1900-1992
bulk 1935-1980
Summary:
The papers of New York City abstract expressionist painter William Baziotes and his wife Ethel measure 6.3 linear feet and date from circa 1900-1992, bulk 1935-1980. The collection includes William Baziotes biographical material, correspondence, writings, printed material, and photographs. The papers of Ethel Baziotes consists of correspondence mostly dated after her husband's death regarding exhibitions of his work, along with limited biographical material and writings.
Scope and Contents:
The papers of New York City abstract expressionist painter William Baziotes and his wife Ethel measure 6.3 linear feet and date from circa 1900-1992, bulk 1935-1980. The collection includes William Baziotes biographical material, correspondence, writings, printed material, and photographs. The papers of Ethel Baziotes consists of correspondence mostly dated after her husband's death regarding exhibitions of his work, along with limited biographical material and writings.

Biographical material on William Baziotes consists of a bibliography, teaching files, a sound recording of an interview, membership cards, sales records, a sketchbook, and other miscellaneous material. There is one folder regarding Ethel Baziotes containing a few certificates and her college diploma.

Correspondence consists of letters to William and Ethel Baziotes. Notable correspondents include Lawrence Alloway, Alfred Barr, Andre Breton, Clement Greenberg, Peggy Guggenheim, David Hare, Jean Helion, Maria and Robert Motherwell, Jackson Pollock, and others. There are also letters from the Samuel M. Kootz Gallery regarding the sales of William Baziotes's artwork and letters written by William Baziotes to his brother Christos. Letters to Ethel Baziotes include condolence letters as well as letters from museum and galleries regarding exhibitions of her husband's work.

Writings include William Baziotes's notes on various subjects, a list of book titles, and a transcript for a speech. Writings by others include essays about William Baziotes and other subjects.

Printed materials consist of clippings, announcements, magazines, and many exhibition catalogs, mostly on group exhibitions which included artwork by William Baziotes.

Photographs are of William Baziotes, Ethel Baziotes, family and friends, their residence, and his artwork. There are a also photographs of Meir Bernstein, Samuel Kootz, Paul Bodin, Maria Motherwell, Pablo and Maya Picasso, Rudi Blesh, Nathan Halper, Ethel Schwabacher, Clyfford Still, and others.
Arrangement:
The collection is arranged as 5 series.

Series 1: Biographical Material, 1933-1982 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1936-1988 (Boxes 1-2; 1 linear feet)

Series 3: Writings, circa 1950-1992 (Box 2; 0.2 linear feet)

Series 4: Printed Material, 1944-1992 (Boxes 2-7, 9; 4.1 linear feet)

Series 5: Photographs, circa 1900-1979, bulk 1940-circa 1963 (Boxes 7-9; 0.7 linear feet)
Biographical / Historical:
William Baziotes (1912-1963) was an abstract expressionist painter in New York City. Born in Pittsburgh, Pennsylvania, Baziotes moved to New York City in 1933, where he studied painting at the National Academy of Design, 1933-1936. He participated on the Works Progress Administration's Federal Art Project as a teacher, 1936-1938, and painted for the Easel Painting Project, 1938-1940.

In 1941 he married Ethel Copstein. He had his first one-man show at Peggy Guggenheim's Art of This Century Gallery in 1944. The Samuel M. Kootz Gallery, Inc. held a solo show for Baziotes in 1946 and continued to exhibit his works until 1958.

Baziotes taught at Subjects of the Artist, 1948; the Brooklyn Museum Art School and New York University, 1949-1952; the People's Art Center at the Museum of Modern Art, 1950-1952; and Hunter College, 1952-1962. Baziotes died in 1963.
Provenance:
The William and Ethel Baziotes papers were donated by Ethel Baziotes, widow of William Baziotes, in several installments from 1969 to 1993.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Topic:
Abstract expressionism  Search this
Painters -- New York (State) -- New York  Search this
Art, Abstract  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Sketchbooks
Citation:
William and Ethel Baziotes papers, circa 1900-1992, bulk 1935-1980. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.baziwill
See more items in:
William and Ethel Baziotes papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-baziwill

E.P. (Edgar Preston) and Constance Richardson papers

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance, 1905-  Search this
Names:
Archives of American Art  Search this
Castano Galleries (Boston, Mass.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
Philadelphia Museum of Art  Search this
White House (Washington, D.C.)  Search this
Peale family  Search this
Allen, Joseph  Search this
Allston, Washington, 1779-1843  Search this
Andrews, Wayne  Search this
Aram, Siegfried F.  Search this
Bishop, Isabel, 1902-1988  Search this
Bostick, William A.  Search this
Bouché, Louis, 1896-1969  Search this
Boyd, Julian P. (Julian Parks), 1903-  Search this
Castano, Giovanni, 1896-1978  Search this
Cohn, Harold  Search this
Copeland, Lammot du Pont  Search this
Culver, Charles B. (Charles Beach), 1908-1967  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Flexner, James Thomas, 1908-2003  Search this
Frankenstein, Alfred V. (Alfred Victor), 1906-1981  Search this
Fredericks, Marshall M., 1908-1998  Search this
Freeman, Michael W.  Search this
Garrison, Eve Josephson, 1903-2003  Search this
Groce, George C., 1899-  Search this
Hardy, Jeremiah Pearson, 1800-1889  Search this
Heil, Walter, 1890-1973  Search this
Hopper, Edward, 1882-1967  Search this
Jungwirth, Irene G. (Irene Gayas), 1913-  Search this
Krentzin, Earl, 1929-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lee-Smith, Hughie  Search this
Lewis, W. S. (Wilmarth Sheldon), 1895-1979  Search this
Lynes, Russell, 1910-1991  Search this
Marsh, Reginald, 1898-1954  Search this
Mast, Gerald, 1908-1971  Search this
McDermott, John Francis, 1902-  Search this
Middeldorf, Ulrich Alexander, 1901-  Search this
Morse, John D., 1906-  Search this
Moser, Liselotte, 1906-1983  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Oliver, Andrew, 1906-  Search this
Peale, Charles Willson, 1741-1827  Search this
Pleasants, J. Hall (Jacob Hall), 1873-1957  Search this
Ripley, Sidney Dillon, 1913-2001  Search this
Rockefeller, John D., 1906-  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979  Search this
Rutledge, Anna Wells  Search this
Sellers, Charles Coleman, 1903-  Search this
Sheeler, Charles, 1883-1965  Search this
Simper, Fred, 1914-  Search this
Simpson, Corelli C. W.  Search this
Soria, Regina, 1911-  Search this
Spark, Victor D. (Victor David), 1898-1991  Search this
Speck, Walter, 1895-  Search this
Stevens, William B.  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Wedda, John  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Wyeth, Andrew, 1917-2009  Search this
Extent:
28.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Date:
1814-1996
bulk 1921-1996
Summary:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.
Scope and Contents:
The papers of art historian E. P. Richardson measure 28.7 linear feet and date from 1814-1996, with the bulk of the materials dating from 1921-1996. Within the papers are scattered biographical materials; acquisition files for Richardson's personal art collection; professional and personal correspondence with colleagues, art historians and critics, artists, museums, galleries, and dealers; numerous writings, including manuscripts and research files for his published books, articles, and lectures; general research notebooks and files compiled by Richardson on a wide variety of art-related topics and artists; professional and committee files; as well as a smaller amount of Constance C. Richardson's papers.

Biographical materials include certificates, awards, and honorary degrees, membership information, personal and family photographs, a few sketches, and a transcript of an oral history Interview with E.P. Richardson conducted by the National Endowment for the Humanities in 1982.

There are acquisitions files for the Richardsons' personal art collection that invoices, photographs, correspondence with galleries and collectors, appraisals, price lists, and artwork examination forms.

Correspondence is with colleagues, art dealers, collectors, museums and museum curators, foreign scholars, organizations, galleries, artists, art historians and critics, publishers, editors, librarians, friends, and family. Topics regard purchasing art for various collections, consultations about art and collecting including authentications and attributions, publishing, general art history, lectures, and personal matters, among other topics. There is correspondence with the Archives of American Art, Castano Galleries, Lawrence Fleischman, James Thomas Flexner, Alfred V. Frankenstein, George Croce, Walter Heil, Earl Krentzin, Wilmarth Lewis, Russel Lynes, John Francis McDermott, Philadelphia Museum of Art, J. Hall Pleasants, Anna Rutledge, Charles Sellers, Smithsonian Institution, Regina Soria, Victor Spark, William Stevens, Robert Vose, William Woolfenden, and many others. Scattered correspondence with artists is with Isabel Bishop, Louis Bouche, William Bostick, Eve Garrison, Edward Hopper, Irene Jungwirth, Yasuo Kuniyoshi, Hughie Lee-Smith, Reginald Marsh, Gerald Mast, Georgia O'Keefe, Charles Sheeler, Walt Speck, and John Wedda, among many others. The greatest extent of correspondence is with Andrew Wyeth, Harold Cohn, and Frederick Simper. There is also personal correspondence with family and friends, and between E.P. and Constance Richardson.

E.P. Richardson's prominence as an art historian, writer, and expert on collecting is well documented through his prolific writings. Materials include drafts, notes, typescripts, and outlines for articles, exhibition catalog essays, and lectures. Also found are research files and publishing documentation for Richardson's books, including Washington Allston: A Study of the Romantic Artist in America (1948), Painting in America (1956), Charles Willson Peale and his World (1983), and American Romantic Painting (1944). There are also miscellaneous notes and four diaries. Two of the diaries comment on the social and cultural life of Detroit; the authenticity of paintings; Richardson's reflections on contemporary American painting, thoughts about museums, dealers, artists, and art historians (especially Wilhelm R. Valentiner); and travel.

Notebooks compiled by Richardson on a wide variety art-related topics cover nearly six decades. There are also numerous research files organized Richardson about individual artists and art history. And, the art collector files contain reference materials about art collectors and their collections including Lamont du Pont Copeland, Michael W. Freeman, Nelson Rockefeller, Mr. and Mrs. Joseph Allen, and the Marquis de Somerlous. There are three index card file boxes containing bibliographic data on published books and articles.

Professional and committee files document Richardson's professional and consulting work for the Art Quarterly, Detroit Institute of Arts, National Collection of Fine Arts, the National Portrait Gallery, the Pennsylvania Academy of Fine Arts, the John D. Rockefeller III collection, Winterthur Museum, the White House, and the Historical Society of Pennsylvania.

Constance C. Richardson's papers include business and professional correspondence with various institutions, most extensively with the Macbeth Gallery. In addition, there is a smaller amount of personal correspondence, photographs and slides of her artworks, printed materials, two illustrated notebooks on her work, and miscellaneous notes. Also included is Constance's artist palette.
Biographical / Historical:
Art historian, museum director, and writer E. P. (Edgar Preston) Richardson (1902-1985) served as director of the Detroit Institute of Arts (1945-1962) and Winterthur Museum (1963-1966). He was also a board member of the Pennsylvania Academy of the Fine Arts from 1966-1977 and, in 1954, co-founded the Archives of American Art, Smithsonian Institution.

E. P. Richardson was born in 1902 in Glens Falls, New York and died in Philadelphia in 1985. He graduated from Williams College in Massachusetts in 1925 and studied painting at the Pennsylvania Academy of the Fine Arts for the three years following graduation. In 1930 he became educational secretary at the Detroit Institute of Arts, was quickly named assistant director in 1933, and served as director from 1945 to 1962. He left Detroit to take the position of director of the Winterthur Museum, where he remained until 1966. Richardson married Constance Coleman in 1931. Born in Berlin, Germany in 1905, Constance Coleman Richardson was an award-winning and widely exhibited realist style painter of American landscapes. She gave up painting in the 1960s and died in 2002.

While at the Detroit Institute of Arts, E. P. Richardson co-founded the Archives of American Art with Lawrence Fleischman, and served as the Archives' first director. Richardson was also art advisor to John D. Rockefeller III for over ten years, editor of Art Quarterly from 1938 to 1967, and a member of various boards, including the Historical Society of Pennsylvania, the Smithsonian Arts Commission, and the National Portrait Gallery. He authored numerous books including ones on artists Washington Allston and Charles Willson Peale, and The Way of Western Art: American Romantic Painting (1939), Painting in America: The Story of Four Hundred and Fifty Years (1956), A Short History of Painting in America (1963), and American Art, an Exhibition of the Collection of Mr. and Mrs. John D. Rockefeller, 3d (1976).
Related Materials:
Related collections among the holdings of the Archives of American Art include an interview with E.P. Richardson dated February 6, 1978 conducted by Linda Downs; and several miscellaneous manuscripts that include an E.P. Richardson Letter to Rockwell Kent, June 15 1959; E.P. Richardson letters to Lawrence Arthur Fleischman, May 13, 1962 and August 22 1954; and a Yasuo Kunioshi letter to E.P. Richardson, July 25 1948.

Additional E.P. Richardson papers are found at the Detroit Institute of Arts and in the archives of the Henry Francis du Pont Winterthur Museum.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reel D46) including E.P. Richardson's research material on Jeremiah P. Hardy. These materials are housed at the Smithsonian American Art Museum Library and are not described in the collection container inventory.
Provenance:
Edith Wilkinson first donated a letter to E. P. Richardson from herself in 1957. E.P. Richardson donated papers to the Archives of American Art in 1958 and 1960 and lent materials for microfilming in 1961. Addition material was donated by Constance Richardson in 1985, and by Martha Fleischman in 2003.
Restrictions:
Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact References Services for more information.
Rights:
The E.P. (Edgar Preston) and Constance Richardson papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study and scholarship. The collection is subject to all copyright laws.
Occupation:
Authors -- Michigan -- Detroit  Search this
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism in art  Search this
Art -- History -- Study and teaching  Search this
Art historians -- United States  Search this
Genre/Form:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Citation:
Edgar P. Richardson papers, 1814-1996, bulk 1921-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.richedga
See more items in:
E.P. (Edgar Preston) and Constance Richardson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-richedga
Online Media:

Bruce Anthony King photographs and printed material

Creator:
King, Bruce Anthony, 1934-  Search this
Names:
Baskin, Leonard, 1922-2000  Search this
Castano, Giovanni, 1896-1978  Search this
Hallam, Beverly, 1923-2013  Search this
Hugo, Harold  Search this
Janowitz, Joel, 1945-  Search this
Laurent, John, 1947-  Search this
McKee, Todd  Search this
Mirski, Boris, 1898-1974  Search this
Morgan, Maud, 1903-1999  Search this
Plamondon, Peter M.  Search this
Smart, Mary, 1915-  Search this
Vose, Robert C. (Robert Churchill), 1911-1998  Search this
Extent:
0.3 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1974-1986
Scope and Contents:
Photographs of artists (1974-1976) and miscellaneous printed material concerning King's photographs (1976-1986).
REEL 906: One hundred three photographs by King are of Leonard Baskin, his family, his studio, and his home.
REEL 1817: Six photographs of Harold Hugo, and 2 photographs of Boris Mirski (1974); previously microfilmed under Photos of Artists II and subsequently scanned.
Unfilmed: Photographs of artists (1976-1977) include Giovanni (John) Castano, Beverly Hallam and Mary-Leigh Smart, John Laurent, Judy and Todd McKee and their children, Peter Plamondon and his studio, and Robert C. Vose. Printed material includes photocopies of King's photographs of Joel Janowitz and Maud Morgan. Printed material containing photographs by King includes a book VISION AND REVISION (1979), a magazine SPECTRUM (Spring/Summer 1985), and a calendar NEW ENGLAND IMAGES (1986).
Biographical / Historical:
Photographer, born 1934.
Provenance:
Donated by Bruce Anthony King, 1975 and 1985.
Occupation:
Photographers  Search this
Topic:
Portrait photography -- Photographs  Search this
Artists -- United States -- Photographs  Search this
Identifier:
AAA.kingbruc
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kingbruc

Castano Galleries records

Creator:
Castano Galleries (Boston, Mass.)  Search this
Names:
Beam, Philip C.  Search this
Castano, Giovanni, 1896-1978  Search this
Chrysler, Walter P. (Walter Percy), 1909-1988, Jr.  Search this
Danes, Gibson A.  Search this
Denghausen, Franz H., 1911-  Search this
Goodrich, Lloyd, 1897-1987  Search this
Grandin, Isabella  Search this
Hale, Lilian Westcott, 1880-1963  Search this
Hofer, Philip, 1898-1984  Search this
Rathbone, Perry Townsend, 1911-2000  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Venturi, Lionello, 1885-1961  Search this
Extent:
30 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1907-1983
Scope and Contents:
20 feet, chiefly gallery records and some personal papers of gallery owner, Giovanni (John) Castano, including correspondence, legal material, subject files, notes, writings, financial material, photographs, a scrapbook, and printed material.
Included are biographical information about Castano, business correspondence with dealers, museums, clients, collectors, artists, art historians, and others, and some personal correspondence, including a letter from Rome, 1876, from an unidentified writer to an unidentified woman containing a detailed description of a painting in the Barberini, and correspondence related to Castano's work as a scenic artist, 1924-1931. Subject files contain mainly correspondence and lists of work, and relate to Italian Renaissance exhibition, 1938, the Heeramaneck Collection of Persian and Indian Art, a Boldini exhibition, Arthur C. Goodwin, 1945-1952, and a Mancini-Sargent exhibition, 1951.
Financial material includes records of expenses and income; account books; employees' weekly wage book; records of purchases and sales of art work, including part of a bill for a painting by Diaz paid by Knoedler and Co., 1890; appraisals done for individuals, estates and institutions, including the Gorham Corporation, Harvard University murals, the Mrs. T. Morris Murray estate, furnishings of William M. Paxton's studio, ca. 1941, and paintings by Edmund Tarbell, and others; consignments; priced auction catalogs of the Henry F. Sears estate, the Mary A.H. Traiser estate, and miscellaneous price lists.
Also included are a card file on paintings; lists of paintings; inventories; client cards; address and appointment books; mailing lists; gallery journals, 1936-1927; descriptions and notes on paintings and authentications; biographies of artists; writings by and about Castano; and notes by Churchill Wyman on Philip Hale's anatomy lectures.
Photographs are of Castano, his work, artists at work, and various works of art. Original art work consists of sketches for a logo designed by Suzanne Chapman. Included in the exhibition related material is a catalog for Castano's posthumous exhibition.
Also included is a scrapbook containing announcements, clippings on the gallery and Castano, exhibition catalogs, and biographical material compiled by Castano's longtime secretary.
Among the correspondents are: Philip Beam, Walter P. Chrysler, Jr., Gibson Danes, Franz Denghasusen, Lloyd Goodrich (Whitney Museum of American Art), Isabella Grandin, Lilian W. Hale, Philip Hofer (Fogg Art Museum), Perry T. Rathbone (Museum of Fine Arts, Boston), Edgar P. Richardson (Detroit Institute of Arts), Paul J. Sachs (Fogg), and Lionello Venturi.
Biographical / Historical:
Art gallery, Boston, Mass. Founded in 1931 by Giovanni Castano, also known as John Castano. Castano attended the School of the Museum of Fine Arts, Boston, where he was an assistant to Philip Hale. He was a scenic artist for the Boston Opera Company and for the Grand Opera in Cincinnati, Ohio. During the Depression, he returned to Boston where he opened a gallery on Newbury Street specializing in European and American paintings, acted as an agent for Wildenstein and Co., and restored paintings. The gallery had numerous exhibitions of the "Boston School," including A.C. Goodwin, Winslow Homer, Philip Hale, Edmund C. Tarbell, William Paxton and others. The gallery occupied several Newbury St. locations. From 1975 until his death, Castano operated it from his home in Needham.
Other Title:
Giovanni Castano Galleries records, 1907-1983.
Provenance:
Lent for microfilming by Elvira Castano Palmerio, Castano's daughter, 1988.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Art appraisers  Search this
Restorers  Search this
Set decorators  Search this
Gallery owners  Search this
Art dealers -- Massachusetts  Search this
Painters -- Massachusetts -- Boston  Search this
Topic:
Art -- Collectors and collecting  Search this
Function:
Art galleries, Commercial -- Massachusetts -- Boston
Identifier:
AAA.castgall
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-castgall

Oral history interview with Giovanni Castano, 1973 June 17-1974 June 20

Interviewee:
Castano, Giovanni, 1896-1978  Search this
Interviewer:
Brown, Robert F  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American  Search this
Painters -- Massachusetts -- Boston -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12257
(DSI-AAA_SIRISBib)212582
AAA_collcode_castan73
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212582

Oral history interview with Josephine Marie Caruso Castano relating to Giovanni (John) Castano

Interviewee:
Castano, Josephine Marie Caruso, 1901-  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Castano Galleries (Boston, Mass.)  Search this
Castano, Giovanni, 1896-1978  Search this
Denhausen, Franz H., 1911-  Search this
Extent:
27 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 May 17
Scope and Contents:
An interview of Josephine Marie Caruso Castano regarding her husband, painter and art dealer Giovanni (John) Castano, conducted by Robert Brown for the Archives of American Art.
Castano discusses her childhood and marriage to Giovanni (John) Castano; his career in Cincinnati as a scene painter for the local opera company; moving to Boston circa 1930; his career there as an art dealer, owner of Castano Galleries, and an agent for Wildenstein and Knoedler's; his work as a teacher and painting restorer; the sculptor Franz Denghausen; and passing references to various painters, museum personnel, and art dealers.
Biographical / Historical:
Josephine Marie Caruso Castano is the widow of painter and art dealer Giovanni (John) Castano.
General:
Originally recorded on 1 sound tape cassette. Reformatted in 2010 as 1 digital wav file. Duration is 41 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Set designers -- Ohio -- Cincinnati  Search this
Topic:
Art -- Conservation and restoration  Search this
Painting, Modern -- 20th century  Search this
Painters -- Interviews  Search this
Art dealers -- Massachusetts -- Boston -- Interviews  Search this
Art teachers -- Massachusetts -- Boston -- Interviews  Search this
Function:
Art galleries, Commercial -- Massachusetts -- Boston
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.castan91
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-castan91

Charles Donagh Maginnis papers

Creator:
Maginnis, Charles Donagh, 1867-1955  Search this
Names:
Angel, John, 1881-1960  Search this
Castano, Giovanni, 1896-1978  Search this
Connick, Charles J., 1875-1945  Search this
Goodhue, Bertram Grosvenor, 1869-1924  Search this
Gropius, Walter, 1883-1969  Search this
Lamb, Aimée, 1893-1989  Search this
Leland, Joseph  Search this
Sturgis, R. Clipston (Richard Clipston), 1860-1951  Search this
Extent:
10 Items
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Date:
1900-1980
Scope and Contents:
Biographical material, correspondence, subject files, drawings, photographs, and printed material concern Maginnis' architectural projects.
Reel 3134: Reel 3134: A 2-page biographical sketch contains comments about American architecture; two letters concern a speech Maginnis gave at the Eire Society of Boston (1941, 1980); photographs of Maginnis at the construction site of the Lenox Street Housing Project, Boston, and with Joseph Leland; and four clippings date from 1941 to 1978. Also included on reel 4314 is a photograph of R. Clipston Sturgis is autographed "To Robert Walsh from his friend R. Clipston Sturgis". A clipping concerns Boston College's architecture (1963).
Biographical / Historical:
Charles Donagh Maginnis (1867-1955) was an architect, Boston, Mass. Maginnis was born in Londonderry, Ireland, and was educated at Cusack's Academy in Dublin. In 1885, he settled in Toronto, Canada, moving to Boston, Massachusetts three years later. In 1890, Maginnis began working for Edmund M. Wheelwright, becoming head draftsman in 1891. In 1898, Maginnis joined Timothy Walsh of Peabody and Stearns and Matthew Sullivan of Wheelwright's company to form their own company. In 1905, Maginnis, Walsh, and Sullivan became Maginnis and Walsh. Maginnis married Amy Brooks in 1908. He was the author of a book, PEN DRAWING, and served as chairman of the Boston Art Commission, president of the American Institute of Architects, and trustee of the Museum of Fine Arts, Boston, among other activities.
Related Materials:
Reel 1451: The Archives also holds microfilm of material lent for microfilming (Reel 1451), comprising: 4 brief biographical accounts on Maginnis, an interview transcript (1952-1953), and certificates; correspondence (1909-1978), primarily about architectural projects, including letters from John Angel, Giovanni Castano, Charles Connick, Walter Gropius, and Aimée Lamb; two photographs of Maginnis (ca. 1936); two subject files (1945-1948) containing letters, announcements, proposals, and lecture notes concerning work on St. Patrick's Cathedral, New York, and construction at Boston College; art works consisting of 10 drawings (1913-1929) and a heliotype print of a landscape by Maginnis, and 2 drawings by Bertram Goodhue; and printed material including booklets on Catholic architecture (1900) and Maginnis (1956), 2 clippings (1955), invitations and a program.
located at Business records of the firm Maginnis & Walsh are located at the Boston Public Library, Boston, Massachusetts.
Provenance:
The lender and donor, Alice Maginnis Walsh, is Charles Donagh Maginnis' daughter and the wife of his junior partner, Robert Walsh.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Architects -- Massachusetts -- Boston  Search this
Topic:
Architecture, Modern -- 20th century -- Massachusetts  Search this
Genre/Form:
Drawings
Interviews
Identifier:
AAA.magichar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-magichar

Oral history interview with Giovanni Castano

Interviewee:
Castano, Giovanni, 1896-1978  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
86 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1973 June 17-1974 June 20
Scope and Contents:
An interview of Giovanni Castano conducted 1973 June 17-1974 June 20, by Robert Brown, for the Archives of American Art.
Biographical / Historical:
Giovanni Castano (1896-1978) was a painter and art dealer from Boston, Massachusetts.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 45 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art dealers -- Massachusetts -- Boston  Search this
Topic:
Art, American  Search this
Painters -- Massachusetts -- Boston -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.castan73
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-castan73

Modify Your Search







or


Narrow By
  • Archives of American Art