Skip to main content Smithsonian Institution

Search Results

Collections Search Center
2 documents - page 1 of 1

Emerson Crosby Kelly research material relating to J. Francis Murphy

Creator:
Kelly, Emerson Crosby, 1899-  Search this
Hollinger & Co. photography firm.  Search this
Photographer:
Moffett (Firm)  Search this
Sarony, Napoleon, 1821-1896  Search this
Vandyk, C.  Search this
Names:
National Academy of Design (U.S.)  Search this
Pestalozzi Foundation of America  Search this
Salmagundi Club  Search this
Carlsen, Emil, 1853-1932  Search this
Murphy, Adah Clifford, 1860-1949  Search this
Murphy, John Francis, 1853-1921  Search this
Murphy, John Francis, 1853-1921 -- Catalogues raisonnés  Search this
Extent:
16.7 Linear feet ((on 21 microfilm reels))
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Place:
Arkville (N.Y.) -- Pictorial works
Date:
1761-1973
Scope and Contents:
Biography and catalogue raisonné of J. Francis Murphy by Emerson Crosby Kelly, M.D., and correspondence relating to Dr. Kelly's interest in Murphy. Personal papers of J. Francis Murphy and Adah Clifford Smith Murphy include diaries and notebooks, correspondence, Smith and Murphy family documents, financial records, printed matter, artifacts, photographs, and works of art.
Research notes, drafts, and manuscript of an unpublished biography, "J. Francis Murphy, N.A., (1853-1921): Tints of a Vanished Past," and illustrated catalogue raisonne of the works of J. Francis Murphy by Emerson Crosby Kelly (1953). Kelly corresponded with friends and relatives of the Murphys, with owners of Murphy paintings, publishers, printers, and possible financial backers for his book. Also documented is Dr. and Mrs. Kelly's involvement in the sale of "Weedwild," the Murphy's Arkville, N.Y. home, to the Pestalozzi Foundation of America.
Diaries of J. Francis Murphy (25 vols.) contain very brief entries that faithfully record weather conditions, garden progress, and other nature notes, with occasional mention of social engagements or service on art juries; entries recorded during trips to Europe mainly list places visited with little elaboration. Notebooks (16 vols.) include painting registers, daily listings of mail sent and received, address books, and jottings relating to Indian relics, his farmland, and paintings sent to dealers. Mrs. Murphy's diaries (46 vols.) also contain very brief entries mentioning friends, social engagements, travels, and an "Account of the pictures I painted and gave away. Portraits of them. + landscapes + old houses." Her notebooks (4 vols.) contain "Notes for a book. J.F.'s".
Correspondence concerns family matters, exhibitions, sales, professional memberships, involvement with the Salmagundi Club and National Academy of Design, and the couple's finances. Whenever separated, the Murphys exchanged lengthy letters with one another; the majority of these are from husband to wife.
Receipts and invoices are mainly for art supplies, framing, and shipping costs; expense records for personal purchases and farm upkeep and improvements; taxes; and legal papers concerning a property boundary dispute and lawsuit against the Murphys.
Photographs are of Mr. and Mrs. Murphy, their families and ancestors, friends, studios, "Weedwild" (country home) and surrounding Arkville, N.Y. area, landscape subjects, works of art by the Murphys, medals and certificates of award. Six tintypes are included. Photographers include: Hollinger, Moffett, Napoleon Sarony, and C. Vandyk. Commercially produced stereographs mainly depict U.S. scenes.
Art works consist of sketchbooks, oil sketches, and works of art on paper by both Murphys, Emil Carlsen, and other artists (ca. 500 items).
Other materials include exhibition catalogs and announcements, clippings, scrapbooks (probably compiled by Mrs. Murphy ca. 1885), medals awarded to J. Francis Murphy, copper plate etched by Adah C. Murphy, and artifacts.
Arrangement:
I. Writings and Research Notes. II. Kelly Correspondence and Miscellaneous Files. III. J. Francis and Adah Clifford Smith Murphy Papers.
Biographical / Historical:
Emerson Crosby Kelly, M.D., art collector, surgeon, and medical bibliographer; d. 1977. J. Francis Murphy, landscape painter and one of the leading tonalists of the American Barbizon school, lived and worked in New York City and Arkville, N.Y. Studied very briefly at the Chicago Academy of Design, 1875. Member of the National Academy of Design and active in the Salmagundi Club. His wife, Adah Clifford Smith Murphy, a painter and illustrator, studied at the Female Art School of the Cooper Union for the Advancement of Science and Art.
Provenance:
The donor, Sydney Kelly, is the widow of Dr. Emerson Crosby Kelly. Dr. Kelly acquired the Murphy papers in 1949 from Hulda Gregerson, Mrs. Murphy's long-time companion, for the purpose of writing a biography and catalogue raisonne of J. Francis Murphy.
Occupation:
Biographers  Search this
Illustrators -- New York (State)  Search this
Landscape painters -- New York (State)  Search this
Topic:
Artists' studios -- Photographs  Search this
Landscape painting, American -- New York (State)  Search this
Art -- Collectors and collecting -- New York (State)  Search this
Painters -- Biography  Search this
Women painters -- New York (State)  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.kellemer
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kellemer

Charles Henry Turner papers

Creator:
Turner, Charles Henry, 1848-1908  Search this
Names:
Carlsen, Emil, 1853-1932  Search this
Garrett, Edmund H. (Edmund Henry), 1853-1929  Search this
Lesrel, Adolphe Alexandre  Search this
Murray, Henry -- Art of painting and drawing in coloured crayons  Search this
Extent:
0.54 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Works of art
Sketchbooks
Sketches
Date:
1875-circa 1973
bulk circa 1890-circa 1910
Summary:
The papers of Massachusetts and New Hampshire painter and printmaker Charles Henry Turner, measure 0.54 linear feet and date from 1875-circa 1973, with the bulk of the material dating from circa 1890-circa 1910. The collection includes an auction catalog and a price list of Turner's paintings, biographical material, five letters, artwork, miscellaneous printed material, photographs of Turner, his studio, European travel, and artwork, and two glass plate negatives.
Scope and Contents:
The papers of Massachusetts and New Hampshire painter and printmaker Charles Henry Turner, measure 0.54 linear feet and date from 1875-circa 1973, with the bulk of the material dating from circa 1890-circa 1910. The collection includes an auction catalog and a price list of Turner's paintings, biographical material, five letters, artwork, miscellaneous printed material, photographs of Turner, his studio, European travel, and artwork, and two glass plate negatives.
Arrangement:
The collection is arranged as one series.

Series 1: Charles Henry Turner Papers, 1875-circa 1973 (0.5 linear feet; Box 1, OV 2, MGP 1-2)
Biographical / Historical:
Massachusetts and New Hampshire painter and printmaker Charles Henry Turner (1848-1908) was known for his landscapes, portraits, illustrations, and genre scenes. Born in Newburyport, Massachusetts, Turner studied under Otto Grundmann at the Boston Museum of Fine Arts School in the late 1870s. He studied in Europe in the 1880s, before returning to Boston, where he had a studio above his home on Mount Vernon Street.

Turner established a summer home in the White Mountains of New Hampshire and built a studio resembling a Swiss chalet on a hillside in Jackson, where he and his family spent many summers.

Turner was a member of the Unity Art Club and served as president of the Boston Art Club, where his work was exhibited many times. His work was also exhibited at the Pennsylvania Academy of Fine Arts.
Separated Materials:
Also in the Archives of American Art is material lent for microfilming (reel 4781) including drawings, a watercolor by Turner, and two charcoal landscapes by Edmund H. Garrett and [Emil?] Carlsen. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The collection was donated to the Archives of American Art by G. Frances Souther, granddaughter of Turner, in 1973 and 1979. The artworks on reel 4781 were lent for microfilming in 1993 by Robert and Connie Rosen, antiques dealers, who purchased the material at auction. The drawings may have come from Miss Souther's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Charles Henry Turner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters  Search this
Topic:
Artists' studios -- France -- Paris -- Photographs  Search this
Artists' studios -- New Hampsire -- Jackson -- Photographs  Search this
Artists' studios -- Pictorial works  Search this
Painting, Modern -- 19th century  Search this
Etching -- 19th century  Search this
Etchers  Search this
Genre/Form:
Photographs
Drawings
Works of art
Sketchbooks
Sketches
Citation:
Charles Henry Turner papers, 1875-circa 1973, bulk 1890-1910. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.turnchar
See more items in:
Charles Henry Turner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-turnchar
Online Media:

Modify Your Search







or


Narrow By
  • Archives of American Art