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Edwin Coupland Shaw papers

Creator:
Shaw, Edwin Coupland, 1863-1941  Search this
Names:
Akron Art Institute  Search this
Carrig-Rohane Shop (Boston, Mass.)  Search this
E. & A. Milch, Inc.  Search this
Ferargil Galleries  Search this
Gorham Company. Dept. of Sculpture (New York, N.Y.)  Search this
Grand Central Art Galleries  Search this
Hatfield & Clark (Firm: Chicago, Ill.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
J.W. Young (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Montross Gallery  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Thomas Whipple Dunbar Art Galleries (Milwaukee, Wis.)  Search this
Thurber Art Galleries (Chicago, Ill.)  Search this
Barrie, Erwin S., 1886-1983  Search this
Batts, J. E.  Search this
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Benson, Frank Weston, 1862-1951  Search this
Blakelock, Ralph Albert, 1847-1919  Search this
Carlsen, Emil, 1853-1932  Search this
Chase, William Merritt, 1849-1916  Search this
Cole, Timothy, 1852-1931  Search this
Daingerfield, Elliott, 1859-1932  Search this
Dallin, Cyrus E. (Cyrus Edwin), 1861-1944  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Davis, Warren, 1865-1928  Search this
Derujinsky, Gleb W., 1888-1975  Search this
Dewey, Charles M., 1849-1937  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Dougherty, Paul, 1877-1947  Search this
Dunbar, Thomas Whipple  Search this
Duveneck, Frank, 1848-1919  Search this
Eaton, Charles Warren, 1857-1937  Search this
Frieseke, Frederick C. (Frederick Carl), 1874-1939  Search this
Fuller, George, 1822-1884  Search this
Genth, Lillian Mathilde, 1876-1953  Search this
Gerrity, Thomas F., 1873-1935  Search this
Hassam, Childe, 1859-1935  Search this
Hatfield, D. H.  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Hunt, William Morris, 1824-1879  Search this
Inness, George, 1825-1894  Search this
Johansen, John C. (John Christen), 1876-1964  Search this
Konti, Isidore, 1862-1938  Search this
La Farge, John, 1835-1910  Search this
Lathrop, William Langson, 1859-1938  Search this
MacMonnies, Frederick William, 1863-1937  Search this
MacNeil, Hermon Atkins, 1866-1947  Search this
Metcalf, Willard Leroy, 1858-1925  Search this
Milch, Albert, 1881-1951  Search this
Minns, Hervey W.  Search this
Montross, N. E. (Newman E), 1849-1932  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Murphy, John Francis, 1853-1921  Search this
Price, F. Newlin (Frederic Newlin)  Search this
Proctor, Alexander Phimister, 1862-1950  Search this
Purdy, W. Frank, 1865-1943  Search this
Ranger, Henry Ward, 1858-1916  Search this
Ritschel, William, 1864-1949  Search this
Russell, T. H. (Thomas H)  Search this
Russman, Felix, 1888-1962  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Sellstedt, Lars Gustaf, 1819-1911  Search this
Sherman, Frederic Fairchild, 1874-1940  Search this
Shonnard, Eugenie Frederica, 1886-1978  Search this
Torrey, Elliot, 1867-1949  Search this
Tryon, Dwight William, 1849-1925  Search this
Turner, Helen Maria, 1858-1958  Search this
Twachtman, John Henry, 1853-1902  Search this
Vedder, Elihu, 1836-1923  Search this
Vonnoh, Bessie Potter, 1872-1955  Search this
Vonnoh, Robert William, 1858-1933  Search this
Walker, Horatio, 1858-1938  Search this
Weir, Julian Alden, 1852-1919  Search this
Williams, Frederick Ballard, 1871-1956  Search this
Wolf, Henry, 1852-1916  Search this
Young, J. W.  Search this
Extent:
3 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1864-1937
Scope and Contents:
Correspondence with dealers, artists, museums, publishers, photography studios, and others regarding art purchases, loans, and Shaw's collection; and 16 v. of scrapbooks containing photographs, letters, and biographical information on artists. Much of the correspondence with artists relates to Shaw's requests for the information which was then used in the scrapbooks. Also included is one volume compiled in 1947 outlining the contents of the scrapbooks.
REELS 1124-1125: 16 vol. of scrapbooks, 1864-1930, relating to artists represented in Shaw's collection, containing letters, many from artists, photographs of artists and their work, biographical data, clippings and articles, and comments on their work; and 1 v., "Notes: Edwin C. Shaw Collection of Paintings," compiled in 1947, and annotated "Used at Women's Art League Meeting at Miss Shaw's in 1947 by Mrs. [Jane S.] Barnhardt, who compiled it, and then given to the Art Institute Library," containing an outline of the contents of the 16 v. of scrapbooks.
Artists represented in the scrapbooks include J. Carroll Beckwith, Frank W. Benson, Ralph Blakelock, Emil Carlsen, William Merritt Chase, Timothy Cole, Elliott Daingerfield, Cyrus B. Dallin, Charles Davis, Warren Davis, Gleb Derujinsky, Charles M. Dewey, Thomas W. Dewing, Paul Dougherty, Frank Duveneck, Charles Eaton, Frederick Frieseke, George Fuller, Lillian Genth, Childe Hassam, Charles Hawthorne, William Morris Hunt, George Inness, John Johansen, Isidore Konti, John La Farge, William Lathrop, Frederick MacMonnies, Hermon A. MacNeil, Willard Metcalf, Herman Dudley Murphy, J. Francis Murphy, A. Phimister Proctor, Henry Ward Ranger, William Ritschel, Felix Russmann, Albert P. Ryder, Eugenie F. Shonnard, Lars Gustaf Sellstedt, Elliot Torrey, Dwight Tryon, Helen M. Turner, John Twachtman, Elihu Vedder, Bessie P. Vonnoh, Robert Vonnoh, Horatio Walker, J. Alden Weir, Frederick Ballard Williams, Henry Wolf and "The Ten."
REEL 4597: Correspondence, ca. 1916-1941, concerning art acquisitions with dealers Erwin S. Barrie of Grand Central Art Galleries; Thomas Whipple Dunbar; Frederic Newlin Price and T.H. Russell of Ferargil Galleries; W. Frank Purdy of the Gorham Co. Dept. of Sculpture and later the School of American Sculpture; D.H. Hatfield of Hatfield & Clark; Thomas Gerrity of M. Knoedler & Co.; Robert Macbeth, Robert McIntyre and Henry Miller of the Macbeth Gallery; Albert Milch of E.& A. Milch, Inc.; Newman Montross of Montross Gallery; J.E. Batts of the Thurber Art Galleries; Robert C. Vose of R.C. & N.M. Vose and Vose Galleries, and their frame shop, Carrig-Rohane; Howard Young of Howard Young Galleries; and J.W. Young; correspondence with artists and/or their families requesting the artist's portrait, biographical information and background, including letters from Elliot Daingerfield, Charles Dewey, Thomas Wilmer Dewing, John C. Johansen, Willard Leroy Metcalf, Hervey W. Minns, Hermann Dudley Murphy, A.P. Proctor, Eugenie Shonnard, Elliot Torrey, Dwight W. Tryon, Helen M. Turner, and Horatio Walker, and the families of J. Carroll Beckwith, George Inness, Lars Gustaf Sellstedt, John Henry Twachtman and J. Alden Weir; correspondence with the Dayton Art Museum and the Metropolitan Museum of Art regarding works lent for exhibition; with publisher Frederic Fairchild Sherman; with photography studios; and other miscellaneous correspondence.
Biographical / Historical:
Art collector; Akron, Ohio. Shaw, a BF Goodrich executive and avid collector of post-Civil War American art, was one of the founders of the Akron Art Institute, now the Akron Art Museum.
Provenance:
Lent for microfilming 1976 and 1992 by the Akron Art Museum. Shaw bequethed his art collection and papers to the Museum, then named the Akron Art Institute.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, American -- Collectors and collecting  Search this
Ten American Painters (New York, N.Y.)  Search this
Art -- Collectors and collecting  Search this
Function:
Art galleries, Commercial -- United States
Identifier:
AAA.shawedwi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shawedwi

Emerson Crosby Kelly research material relating to J. Francis Murphy

Creator:
Kelly, Emerson Crosby, 1899-  Search this
Hollinger & Co. photography firm.  Search this
Photographer:
Moffett (Firm)  Search this
Sarony, Napoleon, 1821-1896  Search this
Vandyk, C.  Search this
Names:
National Academy of Design (U.S.)  Search this
Pestalozzi Foundation of America  Search this
Salmagundi Club  Search this
Carlsen, Emil, 1853-1932  Search this
Murphy, Adah Clifford, 1860-1949  Search this
Murphy, John Francis, 1853-1921  Search this
Murphy, John Francis, 1853-1921 -- Catalogues raisonnés  Search this
Extent:
16.7 Linear feet ((on 21 microfilm reels))
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Place:
Arkville (N.Y.) -- Pictorial works
Date:
1761-1973
Scope and Contents:
Biography and catalogue raisonné of J. Francis Murphy by Emerson Crosby Kelly, M.D., and correspondence relating to Dr. Kelly's interest in Murphy. Personal papers of J. Francis Murphy and Adah Clifford Smith Murphy include diaries and notebooks, correspondence, Smith and Murphy family documents, financial records, printed matter, artifacts, photographs, and works of art.
Research notes, drafts, and manuscript of an unpublished biography, "J. Francis Murphy, N.A., (1853-1921): Tints of a Vanished Past," and illustrated catalogue raisonne of the works of J. Francis Murphy by Emerson Crosby Kelly (1953). Kelly corresponded with friends and relatives of the Murphys, with owners of Murphy paintings, publishers, printers, and possible financial backers for his book. Also documented is Dr. and Mrs. Kelly's involvement in the sale of "Weedwild," the Murphy's Arkville, N.Y. home, to the Pestalozzi Foundation of America.
Diaries of J. Francis Murphy (25 vols.) contain very brief entries that faithfully record weather conditions, garden progress, and other nature notes, with occasional mention of social engagements or service on art juries; entries recorded during trips to Europe mainly list places visited with little elaboration. Notebooks (16 vols.) include painting registers, daily listings of mail sent and received, address books, and jottings relating to Indian relics, his farmland, and paintings sent to dealers. Mrs. Murphy's diaries (46 vols.) also contain very brief entries mentioning friends, social engagements, travels, and an "Account of the pictures I painted and gave away. Portraits of them. + landscapes + old houses." Her notebooks (4 vols.) contain "Notes for a book. J.F.'s".
Correspondence concerns family matters, exhibitions, sales, professional memberships, involvement with the Salmagundi Club and National Academy of Design, and the couple's finances. Whenever separated, the Murphys exchanged lengthy letters with one another; the majority of these are from husband to wife.
Receipts and invoices are mainly for art supplies, framing, and shipping costs; expense records for personal purchases and farm upkeep and improvements; taxes; and legal papers concerning a property boundary dispute and lawsuit against the Murphys.
Photographs are of Mr. and Mrs. Murphy, their families and ancestors, friends, studios, "Weedwild" (country home) and surrounding Arkville, N.Y. area, landscape subjects, works of art by the Murphys, medals and certificates of award. Six tintypes are included. Photographers include: Hollinger, Moffett, Napoleon Sarony, and C. Vandyk. Commercially produced stereographs mainly depict U.S. scenes.
Art works consist of sketchbooks, oil sketches, and works of art on paper by both Murphys, Emil Carlsen, and other artists (ca. 500 items).
Other materials include exhibition catalogs and announcements, clippings, scrapbooks (probably compiled by Mrs. Murphy ca. 1885), medals awarded to J. Francis Murphy, copper plate etched by Adah C. Murphy, and artifacts.
Arrangement:
I. Writings and Research Notes. II. Kelly Correspondence and Miscellaneous Files. III. J. Francis and Adah Clifford Smith Murphy Papers.
Biographical / Historical:
Emerson Crosby Kelly, M.D., art collector, surgeon, and medical bibliographer; d. 1977. J. Francis Murphy, landscape painter and one of the leading tonalists of the American Barbizon school, lived and worked in New York City and Arkville, N.Y. Studied very briefly at the Chicago Academy of Design, 1875. Member of the National Academy of Design and active in the Salmagundi Club. His wife, Adah Clifford Smith Murphy, a painter and illustrator, studied at the Female Art School of the Cooper Union for the Advancement of Science and Art.
Provenance:
The donor, Sydney Kelly, is the widow of Dr. Emerson Crosby Kelly. Dr. Kelly acquired the Murphy papers in 1949 from Hulda Gregerson, Mrs. Murphy's long-time companion, for the purpose of writing a biography and catalogue raisonne of J. Francis Murphy.
Occupation:
Biographers  Search this
Illustrators -- New York (State)  Search this
Landscape painters -- New York (State)  Search this
Topic:
Artists' studios -- Photographs  Search this
Landscape painting, American -- New York (State)  Search this
Art -- Collectors and collecting -- New York (State)  Search this
Painters -- Biography  Search this
Women painters -- New York (State)  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.kellemer
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kellemer

Charles Henry Turner papers

Creator:
Turner, Charles Henry, 1848-1908  Search this
Names:
Carlsen, Emil, 1853-1932  Search this
Garrett, Edmund H. (Edmund Henry), 1853-1929  Search this
Lesrel, Adolphe Alexandre  Search this
Murray, Henry -- Art of painting and drawing in coloured crayons  Search this
Extent:
0.54 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Works of art
Sketchbooks
Sketches
Date:
1875-circa 1973
bulk circa 1890-circa 1910
Summary:
The papers of Massachusetts and New Hampshire painter and printmaker Charles Henry Turner, measure 0.54 linear feet and date from 1875-circa 1973, with the bulk of the material dating from circa 1890-circa 1910. The collection includes an auction catalog and a price list of Turner's paintings, biographical material, five letters, artwork, miscellaneous printed material, photographs of Turner, his studio, European travel, and artwork, and two glass plate negatives.
Scope and Contents:
The papers of Massachusetts and New Hampshire painter and printmaker Charles Henry Turner, measure 0.54 linear feet and date from 1875-circa 1973, with the bulk of the material dating from circa 1890-circa 1910. The collection includes an auction catalog and a price list of Turner's paintings, biographical material, five letters, artwork, miscellaneous printed material, photographs of Turner, his studio, European travel, and artwork, and two glass plate negatives.
Arrangement:
The collection is arranged as one series.

Series 1: Charles Henry Turner Papers, 1875-circa 1973 (0.5 linear feet; Box 1, OV 2, MGP 1-2)
Biographical / Historical:
Massachusetts and New Hampshire painter and printmaker Charles Henry Turner (1848-1908) was known for his landscapes, portraits, illustrations, and genre scenes. Born in Newburyport, Massachusetts, Turner studied under Otto Grundmann at the Boston Museum of Fine Arts School in the late 1870s. He studied in Europe in the 1880s, before returning to Boston, where he had a studio above his home on Mount Vernon Street.

Turner established a summer home in the White Mountains of New Hampshire and built a studio resembling a Swiss chalet on a hillside in Jackson, where he and his family spent many summers.

Turner was a member of the Unity Art Club and served as president of the Boston Art Club, where his work was exhibited many times. His work was also exhibited at the Pennsylvania Academy of Fine Arts.
Separated Materials:
Also in the Archives of American Art is material lent for microfilming (reel 4781) including drawings, a watercolor by Turner, and two charcoal landscapes by Edmund H. Garrett and [Emil?] Carlsen. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The collection was donated to the Archives of American Art by G. Frances Souther, granddaughter of Turner, in 1973 and 1979. The artworks on reel 4781 were lent for microfilming in 1993 by Robert and Connie Rosen, antiques dealers, who purchased the material at auction. The drawings may have come from Miss Souther's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Charles Henry Turner papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters  Search this
Topic:
Artists' studios -- France -- Paris -- Photographs  Search this
Artists' studios -- New Hampsire -- Jackson -- Photographs  Search this
Artists' studios -- Pictorial works  Search this
Painting, Modern -- 19th century  Search this
Etching -- 19th century  Search this
Etchers  Search this
Genre/Form:
Photographs
Drawings
Works of art
Sketchbooks
Sketches
Citation:
Charles Henry Turner papers, 1875-circa 1973, bulk 1890-1910. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.turnchar
See more items in:
Charles Henry Turner papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-turnchar
Online Media:

Ferargil Galleries records

Creator:
Ferargil Galleries  Search this
Names:
Arkell, Bartlett  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bliss, Lizzie P. (Lizzie Plummer), 1864-1931  Search this
Carlsen, Emil, 1853-1932  Search this
Dabo, Leon, 1868-1960  Search this
Davey, Randall, 1887-1964  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Diedrich, Hunt  Search this
Lawson, Ernest, 1873-1939  Search this
Lowrie, Agnes Potter  Search this
Lucioni, Luigi, 1900-1988  Search this
Miller, Barse, 1904-1973  Search this
Parrish, Maxfield, 1870-1966  Search this
Parsons, Lloyd  Search this
Pike, John, 1911-1979  Search this
Platt, Dan Fellows, 1873-1938  Search this
Price, F. Newlin (Frederic Newlin)  Search this
Sample, Paul, 1896-1974  Search this
Sawyer, Wells, 1863-1960  Search this
Van Soelen, Theodore  Search this
Van Vleck, Natalie, 1901-1974  Search this
Willams, Lois  Search this
Photographer:
Käsebier, Gertrude, 1852-1934  Search this
Extent:
18.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Prints
Drafts (documents)
Gallery records
Scrapbooks
Sketches
Date:
circa 1900-1963
Summary:
The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.
Scope and Content Note:
The Ferargil Galleries records date from circa 1900-1963 and document the activities of this New York gallery that dealt primarily in American contemporary art from shortly after its 1915 founding by Frederic Newlin Price (1884-1963) to it's closure in 1955. 18.7 linear feet of records include incoming and outgoing correspondence with artists, dealers, schools and colleges, and museums and other art institutions; artist files; estate and legal records including papers relating to the Arthur B. Davies estate; gallery business and financial records; printed material; scrapbooks; scattered personal papers of Price; artwork; and photographs of artists, exhibitions and artwork.

Correspondence is both incoming and outgoing and documents the day-to-day activities of the galleries, primarily from the 1920s to the 1950s. Significant correspondence with, or relating to, many of the artists represented by Ferargil Galleries can be found here including correspondence with Bartlett Arkell, Thomas Hart Benton, Randall Davey, Hunt Diedrich, Ernest Lawson, Agnes Potter Lowrie, Luigi Lucioni, Barse Miller, Maxfield Parrish, John Pike, Paul Sample, Wells M. Sawyer, Theodore van Soelen and many others.

Artist files consist primarily of material compiled about artists represented by Ferargil Galleries, including biographical information, press releases for exhibitions, and scattered price lists and information about individual works of art.

Estate and legal records include estate inventories for the estates of Lizzie P. Bliss, Arthur B. Davies, and Dan Fellows Platt, and document several legal actions involving Ferargil Galleries. Of particular significance are the records documenting Price's involvement with the estate of Arthur B. Davies, including correspondence with Davies's wife, Virginia, and sales and inventory records for Davies's artwork at Ferargil Galleries and elsewhere.

Business and financial records date primarily from the 1920s and document inventories, sales, insurance, shipping, and taxes for the bulk of the gallery's operating years.

Printed material contains Ferargail Galleries exhibition catalogs and announcements from 1918 to the 1950s in addition to scattered printed material from other galleries and one folder relating to Arthur B. Davies.

Scrapbooks provide a more comprehensive and detailed history of the gallery's exhibitions, through multiple news clippings of press coverage, in addition to catalogs, announcements, and photographs. Of particular note is a circa 1908 photograph of Arthur B. Davies taken by Gertrude Kasëbier.

Scattered personal records of Frederic Newlin Price document Price's work with the Benjamin West Society at Swarthmore College and further reveal Price's interests through an inventory of his art collection and drafts and copies of his writings on artists such as Arthur B. Davies, and on changing trends and tastes in the art world.

A small series of artwork includes 6 pencil sketches, a print, 3 plans, and an Arthur B. Davies exhibition catalog mock-up with pencil sketches, all by unidentified artists.

Gallery photograph files include some photos of artists such as Emil Carlsen, Leon Dabo, Lloyd Parsons, Natalie Van Vleck and Lois Williams, in addition to 13 folders of photos relating to collections and exhibitions, and photographs of artwork.
Arrangement:
The collection is arranged as 9 series:

Series 1: Correspondence, 1920s-1963 (Boxes 1-15; 6.0 linear ft.)

Series 2: Artist Files, circa 1920s-1950s (Boxes 16-17; 0.7 linear ft.)

Series 3: Estate and Legal Records, circa 1925-circa 1939 (Boxes 17-18; 0.3 linear ft.)

Series 4: Business and Financial Records, 1919-1956 (Boxes 18-21; 1.2 linear ft.)

Series 5: Printed Material, circa 1900-1956 (Boxes 21-22; 0.7 linear ft.)

Series 6: Scrapbooks, circa 1920s-1950s (Boxes 23-34, 40, OV 41; 5.4 linear ft.)

Series 7: Frederic Newlin Price Records, 1920s-1950s (Box 34; 6 folders)

Series 8: Artwork, circa 1920s-circa 1950s (Box 34, OV 41; 2 folders)

Series 9: Photographs, circa 1920-1950s (Boxes 35-39, OV 40; 4.4. linear ft.)
Historical Note:
Frederic Newlin Price (1884-1963) opened Ferargil Galleries in 1915 at 24 East 49th Street and 607 Fifth Avenue in New York City. Art critic W. Frank Purdy (1865-1943)was the President of the Art Alliance of America in 1918 and director of the School of American Sculpture worked at the galleries as director of sculpture.

Named from a combination of "fer" (ferrous-iron) and "argil" (clay), Ferargil Galleries dealt in wrought iron, sculpture, paintings and prints, and focused on exhibitions of work by American artists such as George Bellows, Thomas Hart Benton, Emil Carlsen, John Steuart Curry, Arthur B. Davies, W. Hunt Diederich, Thomas Eakins, Edward Hicks, Ernest Lawson, Albert P. Ryder and Grant Wood. Ferargil was also known for its representation of a group of contemporary watercolorists including Charles Dickinson, Phil Dike, Hardie Gramatky, Barse Miller, and Paul Sample.

In 1927 the business moved to 37 East 57th Street (later 63 East 57th Street) and housed a print room, a sculpture gallery with a fountain, and the main painting galleries.

In 1931 Price became the Director of the newly-formed Benjamin West Society at his alma mater, Swarthmore College. There, he promoted the arts at Swarthmore through annual lectures and exhibitions by contemporary artists and also acquired artwork for the college, primarily by Benjamin West. Price served as President of the American Art Dealers Association in the early 1930s and published a number of books and articles on artists including Arthur B. Davies, Walter Griffin, Eric Hudson, Ernest Lawson, Arthur P. Ryder and Horatio Walker.

Price closed Ferargil Galleries in 1955.
Separated Material:
The Archives of American Art also holds microfilm of material lent for microfilming (reels D321-D322, and N68-14-N68-15) including personal and business correspondence with artists and other records. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
In 1958, Frederic Newlin Price donated circa 70 letters to the Archives of American Art and loaned material for microfilming on reels D321-D322. The remaining records were donated anonymously in 1968.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Ferargil Galleries records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art dealers -- New York (State) -- New York  Search this
Art, American -- New York (State) -- New York  Search this
Art -- Collectors and collecting  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Gallery owners  Search this
Genre/Form:
Photographs
Prints
Drafts (documents)
Gallery records
Scrapbooks
Sketches
Citation:
Ferargil Galleries records, 1900-1963. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.feragall
See more items in:
Ferargil Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-feragall
Online Media:

Emil Carlsen and Carlsen family photographs

Creator:
Carlsen, Emil, 1853-1932  Search this
Names:
Carlsen, Dines  Search this
Carlsen, Luella May  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Glass plate negatives
Copy prints
Photographs
Date:
circa 1885-circa 1930
bulk 1910-1930
Summary:
The photographs of Emil Carlsen and the Carlsen family measure 1.6 linear feet and date from circa 1885 to circa 1930, with the bulk from circa 1910 to circa 1920s. Included in this collection are 169 glass plate negatives, black and white copy prints of all glass plate negatives, and four plastic safety negatives. Some descriptive annotations by Emil Carlsen are included.
Scope and Contents:
The photographs of Emil Carlsen and the Carlsen family measure 1.6 linear feet and date from circa 1885 to circa 1930, with the bulk from circa 1910 to circa 1920s. Included in this collection are 169 glass plate negatives, black and white copy prints of all glass plate negatives, and four plastic safety negatives. Some descriptive annotations by Emil Carlsen are included.

Also included are approximately 54 original glass plate negative sleeves containing contextual and descriptive information about the images penned by Emil Carlsen, which have been kept with their respective copy prints. Within the collection, 29 black and white copy prints and four plastic safety negatives were produced by the Smithsonian Archives of American Art from nitrate negatives no longer with the collection. Photographs include Emil Carlsen and his family, landscapes and animals, buildings and industrial exteriors, and artwork.

One third of the collection is made up of photographs of the artist and his family. Images of Emil Carlsen show the artist at work in his studio, painting outdoors, and enjoying time with his wife, Luella May Carlsen, and his son, Dines Carlsen. Also included are many photographs of Luella May and Dines over the years, alone and together. Additionally, Windham is listed as the town where several photographs of a very young Dines and Luella May were taken. The location of the rest of the photographs, when provided, is Port Washington.

Over half of the glass plate negatives depict landscapes, mostly of trees and various interiors and exteriors of the woods of Port Washington, New York. Landscape photographs also depict cornfields, a meadow, fences and roads, hills and mountains, boats and a marina, horses, and cattle.

Buildings and industrial exteriors contain multiple views of the exteriors of several houses and barns; cityscapes; a sand pit and quarry containing wooden building structures, equipment, and wagons.

Photographs of artwork include images of Emil Carlsen's painted landscapes, still-lifes, a single self-portrait, and two seascapes.
Arrangement:
The collection is arranged as 6 series. Photographs are arranged by subject. Cross reference numbers have been provided to match copy prints with with their respective glass plate negative originals housed separately in Series 6.

Series 1: Photographs of People, circa 1890s-circa 1920s (31 folders; Box 1)

Series 2: Photographs of Buildings and Industrial Exteriors, circa 1885-circa 1930 (7 folders; Box 1)

Series 3: Photographs of Landscapes and Animals, circa 1885-circa 1930 (20 folders; Boxes 1-2)

Series 4: Photographs of Artwork, circa 1885-circa 1930 (18 folders linear feet; Box 2)

Series 5: Miscellaneous Notes, circa 1920s (1 folder; Box 2)

Series 6: Glass Plate Negatives, circa 1885-circa 1930 (1 linear foot; Boxes 3-4)
Biographical / Historical:
Painter Emil Carlsen (1853-1932) was born Soren Emil Carlsen in Copenhagen, Denmark in 1853. He studied architecture at the Danish Royal Academy for four years, and also painted alongside cousin and painter Viggo Johansen, one of Denmark's most notable painters. In 1872, he immigrated to the United States where he worked as an architectural assistant and as an assistant for Danish marine painter Laurits Bernhard Holst (1848-1934) in Chicago, Illinois. After studying in Paris for several years, he set up a painting studio in New York and then Boston, then spending two years (1887-1889) as the Director of the San Francisco Arts Association School. In 1891, he moved back to New York and taught at the National Academy of Design until 1918. He spent most of his time with his family at their vacation home in Falls Village, Connecticut when he didn't have teaching commitments in New York, where they also kept an apartment. In 1904, after struggling to become known for his work for many years, he was elected as an associate of the New York National Academy; he won the Shaw Prize from the Society of American Artists; and was awarded the Gold Medal at the 1904 World's Fair in St. Louis for his still-life "Blackfish and Clams". Carlsen is best known for his still-life paintings and has been called "The American Chardin." Before purchasing his own property in Falls Village, Carlsen stayed often with friend and painter J. Alden Weir (1852-1919) at his farm, painting landscapes.

After deciding to make a career in painting rather than architectural design, Carlsen spent many years experimenting and finding his style. His paintings during 1872-1874 reflected his time spent assisting Laurits Bernhard Holst, and were in the style of traditional Danish marine paintings. Struggling financially, Holst arranged for Carlsen to receive his studio when Holst moved back to Denmark in 1874. At the recommendation of Chicago sculptor Leonard Wells Volk, Carlsen became an art instructor at the now Chicago Arts Institute, though he left for an opportunity to study classical painting for 6 months in Paris, where he spent time studying the painting of Jean-Baptiste-Simeon Chardin.

After Paris, he moved to a boarding house in New York, and then spent several years in Boston where he had his first exhibit at the Boston Art Club. In 1879 he moved back to New York and set up a studio, supplementing his painting with work as an engraver. During the 1880s Carlsen began becoming known for his still-life paintings, and commission work sent him to Paris again, this time for two years. He was commissioned by T. J. Blakeslee to produce bright flower paintings which were popular at the time, creating about one per month. Other American dealers began wanting his flower paintings as well, but Carlsen soon grew bored and returned to New York, refusing to paint any more flowers for Blakeslee, in 1887. It was during this time that Carlsen developed an interest in still-lifes with Chinese porcelain. His time in Paris also saw a brightening of his landscapes, as was the European style of the time. In the late 1800s he also became interested in painting white objects, such as porcelain, ceramics, garlic cloves, clothing, etc.

He married Luella May Ruby, a young model, in 1896, and his son Dines Carlsen was born in 1901. From 1900-1932, Carlsen favored a subdued color palette in his work. As still-life paintings fell out of vogue, he also painted more landscapes and marines, favoring Falls Village, Connecticut; Windham, Maine; and Port Washington, New York.

He died in New York at the age of 78, in 1932.
Provenance:
The Emil Carlsen and Carlsen family photographs were donated to the Archives of American Art on June 28, 1995, by Elizabeth M. Campanile of Campanile Galleries, Inc., which were purchased from the Dines Carlsen Estate.
Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists at or with their work  Search this
Artists' studios -- Photographs  Search this
Genre/Form:
Glass plate negatives
Copy prints
Photographs
Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.carlemil
See more items in:
Emil Carlsen and Carlsen family photographs
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-carlemil
Online Media:

Woods, Waterfalls

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints
Container:
Box 2, Folder 7
Type:
Archival materials
Photographs [31027000547311]
Copy prints
Date:
circa 1885-circa 1930
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 3: Photographs of Landscapes and Animals
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref102

Paintings by Emil Carlsen, Still Life

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
3 copy prints
Container:
Box 2, Folder 11
Type:
Archival materials
Photographs [31027000547311]
Copy prints
Date:
circa 1890s
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 4: Photographs of Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref108

Painting by J. Alden Weir, Landscape

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints
Container:
Box 2, Folder 20
Type:
Archival materials
Photographs [31027000547311]
Copy prints
Date:
circa 1908
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 4: Photographs of Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref120

Paintings, Landscapes, Artist Unidentified

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
5 copy prints
Container:
Box 2, Folder 22
Type:
Archival materials
Photographs [31027000547311]
Copy prints
Date:
circa 1915-circa 1925
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 4: Photographs of Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref122

Painting, Still Life, Artist Unidentified

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints
Container:
Box 2, Folder 23
Type:
Archival materials
Photographs [31027000547311]
Copy prints
Date:
circa 1915-circa 1925
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 4: Photographs of Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref123

Paintings, Landscapes in Woods, Artist Unidentified

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
4 copy prints
Container:
Box 2, Folder 24
Type:
Archival materials
Photographs [31027000547311]
Copy prints
Date:
circa 1915-circa 1925
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 4: Photographs of Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref124

Paintings, Landscapes with Luella May Carlsen, Artist Unidentified

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
4 copy prints
Container:
Box 2, Folder 25
Type:
Archival materials
Photographs [31027000547311]
Copy prints
Date:
circa 1915-circa 1925
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 4: Photographs of Artwork
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref125

Luella May and Dines Carlsen

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
1 copy print
Container:
Box 1, Folder 7
Type:
Archival materials
Photographs [31027000570503]
Copy prints
Date:
circa 1901
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref29

Luella May and Dines Carlsen Laughing

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
1 copy print (Prints taken from nitrate negatives)
Container:
Box 1, Folder 10
Type:
Archival materials
Photographs [31027000570503]
Copy prints
Date:
circa 1909
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref34

Luella May and Dines Carlsen in Woods

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints (Prints taken from nitrate negatives)
Container:
Box 1, Folder 11
Type:
Archival materials
Photographs [31027000570503]
Copy prints
Date:
circa 1909
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref35

Luella May and Dines Carlsen

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints (Prints taken from nitrate negatives)
Container:
Box 1, Folder 12
Type:
Archival materials
Photographs [31027000570503]
Copy prints
Date:
circa 1909
Scope and Contents:
With boats

Looking in window
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref36

Luella May and Dines Carlsen with Boats

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
1 negatives (photographic) (Safety negative taken from nitrate negatives)
Container:
Box 1, Folder 13
Type:
Archival materials
Negatives [31027000570503]
Negatives (photographic)
Date:
circa 1909
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref38

Luella May and Dines Carlsen at Seaside

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
1 copy print (Prints taken from nitrate negatives)
Container:
Box 1, Folder 14
Type:
Archival materials
Photographs [31027000570503]
Copy prints
Date:
circa 1917
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref39

Dines Carlsen Portrait

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
2 copy prints (Prints taken from nitrate negatives)
Container:
Box 1, Folder 17
Type:
Archival materials
Photographs [31027000570503]
Copy prints
Date:
circa 1909
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref44

Dines Carlsen in City Feeding Pigeons

Collection Creator:
Carlsen, Emil, 1853-1932  Search this
Extent:
1 copy print
Container:
Box 1, Folder 18
Type:
Archival materials
Photographs [31027000570503]
Copy prints
Date:
circa 1909
Collection Restrictions:
Use of original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Collection Rights:
The Emil Carlsen and Carlsen family photographs are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Emil Carlsen and Carlsen family photographs, circa 1885-circa 1930, bulk 1910-1930. Archives of American Art, Smithsonian Institution.
See more items in:
Emil Carlsen and Carlsen family photographs
Emil Carlsen and Carlsen family photographs / Series 1: Photographs of People
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-carlemil-ref45

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