Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research facility. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Lantern slides and glass plate negatives are housed separately and not served to researchers.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alexander Archipenko papers, 1904-1986, bulk 1930-1964. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Miscellaneous subjects include caricatures of Archipenko and his art, articles, a poem, and a cover of an exhibition catalog.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research facility. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Lantern slides and glass plate negatives are housed separately and not served to researchers.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alexander Archipenko papers, 1904-1986, bulk 1930-1964. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee.
Architectural drawings and floor plans include some that appear to be for the Dorothy Liebes studio and for Liebes's apartment home. Designs by Lawrence J. Colwell are for interiors, furniture, and product packaging. Researchers should note that additional loose pages from a Colwell scrapbook can be found in Series 7: Scrapbooks. Also found here are painted sketches of clothing designs by Daren Pierce.
Items featuring caricatures and sketches of Liebes and studio include a whimsical series of drawings entitled "From the Architects Notebook" with a memorandum of notes depicting a "Conference with D. L. March April 1938," a booklet entitled "Impressions of San Francisco 1938," and a page of hand colored sketches of Liebes in an office setting. These are probably by the same artist, possibly K. Walker or Lawrence J. Colwell. Also found is a 1948 photo reproduction of a valentine with humorous drawings of Liebes's studio staff.
Other artwork in this subseries includes a kokemono screen, paintings, a pastel, prints, and posters. There are two prints by Dorr Bothwell, a print by Jennie Lewis, lithographs by Edith Bry and Jules Vargo, a painting by K. Walker, a poster with original art by Bonnie Cashin, and artwork by unidentified artists.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Liebes papers, circa 1850-1973. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the Dorothy Liebes papers was provided by the Terra Foundation for American Art. Funding for the digitization of the collection was provided by the Coby Foundation.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Liebes papers, circa 1850-1973. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the Dorothy Liebes papers was provided by the Terra Foundation for American Art. Funding for the digitization of the collection was provided by the Coby Foundation.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy Liebes papers, circa 1850-1973. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of the Dorothy Liebes papers was provided by the Terra Foundation for American Art. Funding for the digitization of the collection was provided by the Coby Foundation.
Artwork contains sketch pads with caricatures and doodles, drawings for projects, designs for fabrics, and prints by Bohrod. Also included are etchings and lithographs by Philip Evergood, Philip Pearlstein, and M. Waldman; and a woodcut book illustration from the 16th-Century attributed to A. Dürer.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Aaron Bohrod papers, 1507-1994, bulk circa 1930-1994. Archives of American Art, Smithsonian
Institution.
Xerox copies of clippings; reproductions of cartoons; Zimmerman's book, "In Dairyland"; a printed article on the Zim Memorial; and one photo of Zimmerman.
Biographical / Historical:
Cartoonist Eugene Zimmerman (1862-1935) worked for Puck and Judge magazines. Zimmerman, whose nickname was Zim, was born May 25, 1862 in Basel, Switzerland. He died March 26, 1935 in Horseheads, New York where his home, known as Zim House, is on the National Register of Historic Places. Zimmerman designed the house in 1890.
Provenance:
Donated August 1970 by John Appel.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.