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Rachel's Farewell

Type:
albums (bound) & books
Book
Object Name:
Book
Made in:
France
Date:
ca. 1855
Accession Number:
1947-130-1
See more items in:
Cooper Hewitt, Smithsonian Design Museum Collection
Drawings, Prints, and Graphic Design Department
Data Source:
Cooper Hewitt, Smithsonian Design Museum
EDAN-URL:
edanmdm:chndm_1947-130-1

John White Alexander papers

Creator:
Alexander, John White, 1856-1915  Search this
Names:
MacDowell Club of New York  Search this
Abbey, Edwin Austin, 1852-1911  Search this
Alexander, Elizabeth A., d. 1947  Search this
Carnegie, Andrew, 1835-1919  Search this
Chase, William Merritt, 1849-1916  Search this
Gibson, Charles Dana, 1867-1944  Search this
James McNeill Whistler, 1834-1903  Search this
James, Henry, 1843-1916  Search this
La Farge, John, 1835-1910  Search this
Levy, Florence N. (Florence Nightingale), 1870-1947  Search this
Millet, Francis Davis, 1846-1912  Search this
Remington, Frederic, 1861-1909  Search this
Stevenson, Robert Louis, 1850-1894  Search this
Extent:
11.9 Linear feet
Type:
Collection descriptions
Archival materials
Awards
Interviews
Photographs
Sketchbooks
Scrapbooks
Medals
Date:
1775-1968
bulk 1870-1915
Summary:
The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.
Scope and Contents:
The papers of the painter, muralist, and illustrator John White Alexander measure 11.9 linear feet and date from 1775 to 1968, with the bulk of materials dating from 1870 to 1915. Papers document Alexander's artistic career and many connections to figures in the art world through biographical documentation, correspondence (some illustrated), writings, 14 sketchbooks, additonal artwork and loose sketches, scrapbooks, photographs, awards and medals, artifacts, and other records. Also found is a souvenir engraving of a Mark Twain self-portrait.

Biographical Information includes multiple essays related to Alexander, his family, and others in his circle. Also found is an extensive oral history of Alexander's wife Elizabeth conducted in 1928. Correspondence includes letters written by Alexander to his family from New York and Europe at the start of his career, and later letters from fellow artists, art world leaders, and portrait sitters of Alexander's. Significant correspondents include Charles Dana Gibson, Florence Levy, Frederick Remington, Robert Louis Stevenson, Henry James, John La Farge, Francis Davis Millet, and Andrew Carnegie. Correspondence includes some small sketches as enclosures and illustrated letters.

Certificates and records related to Alexander's career are found in Associations and Memberships, Legal and Financial Records, and Notes and Writings, which contain documentation of Alexander's paintings and exhibitions. Scattered documentation of Alexander's memberships in various arts association exists for the American Academy of Arts and Letters, the American Academy in Rome, the National Academy of Design, the Onteora Club in New York, the Royal Academy of Fine Arts in Munich, Germany, the Ministère de L'Instruction Publique et des Beaux-Arts, the Union Internationale des Beaux Arts et des Lettres, and the Metropolitan Museum of Art. Notes and Writings include speeches written by Alexander, short stories and essays written by his wife, and articles by various authors about Alexander. Extensive documentation of the planning and construction of the Alexander Memorial Studio by the MacDowell Club is found, along with other awards, medals, and memorial resolutions adopted by arts organizations after Alexander's death.

Artwork includes fourteen sketchbooks with sketches related to Alexander's commercial illustration and cartooning, murals, paintings, and travels. Dozens of loose drawings and sketches are also found, along with two volumes and several dozen loose reproductions of artwork, among which are found fine prints by named printmakers. Many sketches are also interspersed throughout the correspondence. Eight Scrapbooks contain mostly clippings, but also scattered letters, exhbition catalogs, announcements, invitations, and photographs related to Alexander's career between 1877 and 1915. Additional Exhibition Catalogs and later clippings, as well as clippings related to the career of his wife and other subjects, are found in Printed Materials.

Photographs include many portraits of Alexander taken by accomplished photographers such as Zaida Ben-Yusuf, Aimé Dupont, Curtis Bell, Elizabeth Buehrmann, and several signed Miss Huggins, who may have been Estelle Huntington Huggins, a New York painter and photographer. Portraits of others include Alexander's friends William Merritt Chase and Edward Austin Abbey. Also found are photographs of groups, juries, family, friends, and studios in New York, Paris, and New Jersey, and a handful of scenic photographs of Polling, Bavaria, where Alexander had an early studio. A large number of photographs of works of art are found, many with annotations. Among the photographs of murals are a small collection of snapshots of the Carnegie Institute murals in progress. Miscellaneous artifacts include a palette, several printing plates, and an inscribed souvenir engraving of a self-portrait caricature of Mark Twain.
Arrangement:
The collection is arranged into 11 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Information, circa 1887-1968 (Box 1, OV 23; 0.1 linear feet)

Series 2: Correspondence, circa 1870-1942 (Box 1; 0.7 linear feet)

Series 3: Associations and Memberships, circa 1897-1918 (Box 1; 2 folders)

Series 4: Legal and Financial Records, 1775, 1896-1923 (Box 1; 5 folders)

Series 5: Notes and Writings, circa 1875-1943 (Boxes 1-2; 0.3 linear feet)

Series 6: Awards and Memorials, circa 1870-1944 (Box 2, OV 24; 0.8 linear feet)

Series 7: Artwork, circa 1875-1915 (Boxes 2-3, 6, 14-16, OV 23; 1.5 linear feet)

Series 8: Scrapbooks, circa 1877-1915 (Boxes 17-22; 1.8 linear feet)

Series 9: Printed Materials, circa 1891-1945 (Boxes 3-4, OV 23; 1.5 linear feet)

Series 10: Photographs, circa 1870-1915 (Boxes 4-8, MGP 1-2, OV 25-43, RD 44-45; 4.2 linear feet)

Series 11: Artifacts, circa 1899-1915 (Box 6, artifact cabinet; 0.4 linear feet)
Biographical / Historical:
John White Alexander was born in 1856 in Allegheny City, Pennsylvania. He was orphaned at age five and taken in by relatives of limited means. When Alexander left school and began working at a telegraph company, the company's vice-president, former civil war Colonel Edward Jay Allen, took an interest in his welfare. Allen became his legal guardian, brought him into the Allen household, and saw that he finished Pittsburgh High School. At eighteen, he moved to New York City and was hired by Harper and Brothers as an office boy in the art department. He was soon promoted to apprentice illustrator under staff artists such as Edwin A. Abbey and Charles Reinhart. During his time at Harpers, Alexander was sent out on assignment to illustrate events such as the Philadelphia Centennial celebration in 1876 and the Pittsburgh Railroad Strike in 1877, which erupted in violence.

Alexander carefully saved money from his illustration work and traveled to Europe in 1877 for further art training. He first enrolled in the Royal Art Academy of Munich, Germany, but soon moved to the village of Polling, where a colony of American artists was at its peak in the late 1870s. Alexander established a painting studio there and stayed for about a year. Despite his absence from the Munich Academy, he won the medal of the drawing class for 1878, the first of many honors. While in Polling, he became acquainted with J. Frank Currier, Frank Duveneck, William Merritt Chase, and other regular visitors to the colony. He later shared a studio and taught a painting class in Florence with Duveneck and traveled to Venice, where he met James Abbott McNeill Whistler.

Alexander returned to New York in 1881 and resumed his commercial artwork for Harpers and Century. Harpers sent him down the Mississippi river to complete a series of sketches. He also began to receive commissions for portraits, and in the 1880s painted Charles Dewitt Bridgman, a daughter of one of the Harper brothers, Parke Godwin, Thurlow Weed, Walt Whitman, and Oliver Wendell Holmes. Alexander met his wife Elizabeth, whose maiden name was also Alexander, through her father, James W. Alexander, who was sometimes mistaken for the artist. Elizabeth and John White Alexander married in 1887 and had a son, James, in 1888.

Alexander and his family sailed for France in 1890, where they became a part of the lively literary and artistic scene in Paris at the time. Among their many contacts there were Puvis de Chavannes, Auguste Rodin, and Whistler, who arrived in Paris shortly thereafter. Alexander absorbed the new aesthetic ideas around him such as those of the symbolists and the decorative style of art nouveau. Critics often note how such ideas are reflected in his boldly composed paintings of women from this period, who titles drew attention to the sensual and natural elements of the paintings. His first exhibition in Paris was three paintings at the Société Nationale des Beaux Arts in 1893, and by 1895 he has become a full member of the Société.

Independent and secession artist societies emerged throughout Europe during this period, and Alexander exhibited with several of them, including the Société Nouvelle in Paris, the Munich Secession, and the Vienna Secession. He was also elected an honorary member of the Royal Society of Belgian Artists and the Royal Society of British Painters in London. His exhibited works sold well, and his influence began to be felt back in the United States. Andrew Carnegie and John Beatty of the Carnegie Institute consulted closely with Alexander in the planning and execution of the first Carnegie International Exhibitions. Alexander also became active in supporting younger American artists who wanted to exhibit in Europe, a stance which resulted in his resignation from the Society of American Artists in Paris, which he felt had become a barrier to younger artists. His promotion of American art became an central aspect of his career for the remainder of his life, most visibly through his presidency of the National Academy of Design from 1909 until shortly before his death in 1915. He also served frequently on juries for high-profile exhibitions, and was a trustee at the Metropolitan Museum of Art, the New York Public Library, and the national Institute of Arts and Letters. Around 1912, he helped to form the School Art League in New York, which provided art instruction to high school students.

Alexander returned to the United States nearly every summer while based in Paris, and among his commissioned paintings were murals for the newly-constructed Library of Congress, completed around 1896. In 1901, the Alexanders returned to New York permanently. The demand for portraits continued, and he had his first solo exhibition at the Durand-Ruel Galleries in 1902. Around 1905 he received a commission for murals at the new Carnegie Institute building in Pittsburgh for the astounding sum of $175,000. He created 48 panels there through 1908. During this period, the Alexanders spent summers in Onteora, New York, where Alexander painted his well-known "Sunlight" paintings. There they became friends and collaborators with the actress Maude Adams, with Alexander designing lighting and stage sets, and Elizabeth Alexander designing costumes for Adams' productions such as Peter Pan, the Maid of Orleans, and Chanticleer. The couple became known for their "theatricals" or tableaux, staged at the MacDowell Club and elsewhere, and Elizabeth Alexander continued her design career when her husband died in 1915.

Alexander left several commissions unfinished upon his death at age 59, including murals in Wisconsin, Ohio, and Harrisburg, Pennsylvania. Elizabeth Alexander held a memorial exhibition at Arden Galleries a few months after his death, and a larger memorial exhibition was held by the Carnegie Institute in 1916. Alexander won dozens of awards for artwork in his lifetime, including the Lippincott Prize at the Pennsylvania Academy of the Fine Arts in 1899, the Gold Medal of Honor at the Paris Exposition Universelle in 1900, the Gold Medal at the Panama Pacific Exposition of 1901, and the Medal of the First Class at the Carnegie Institute International Exhibition in 1911. In 1923, the Alexander Memorial Studio was built at the MacDowell colony in New Hampshire to honor his memory.
Provenance:
Papers were donated in 1978 and 1981 by Irina Reed, Alexander's granddaughter and in 2017 by Elizabeth Reed, Alexander's great grandaughter.
Restrictions:
Use of the original papers requires an appointment. Glass plate negatives are housed separately and closed to researchers.
Rights:
The John White Alexander papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Muralists -- New York (State) -- New York  Search this
Portrait painters -- New York (State) -- New York  Search this
Works of art  Search this
Portrait painting -- 20th century  Search this
Portrait painting -- 19th century  Search this
Illustrators -- New York (State) -- New York  Search this
Portrait painting, American  Search this
Genre/Form:
Awards
Interviews
Photographs
Sketchbooks
Scrapbooks
Medals
Citation:
John White Alexander papers, 1775-1968, bulk 1870-1915. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.alexjohn
See more items in:
John White Alexander papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-alexjohn
Online Media:

Pete Claussen Collection of American Flag Magazine Covers

Creator:
Claussen, Pete  Search this
Extent:
7 Cubic feet (21 boxes)
Type:
Collection descriptions
Archival materials
Magazines (periodicals)
Date:
1941-1943
Summary:
American magazines and magazine covers dating from 1941 through 1943 with illustrations of the American flag collected and donated by Pete Claussen.
Scope and Contents:
This collection contains American periodicals and periodical covers dating from 1941 through 1943 that depict the American flag. There is one cover dating from 1941. Series one consists of the periodicals and periodical covers. Oversized materials are located at the end of the collection but are alphabetized in the container list. Series two is composed of period ephemera related to the flag.

The artwork on the covers illustrates the flag in a variety of styles, from a small inset on an unrelated image to a color spread encompassing nearly the entire cover. In some instances, the flag appears in patriotic scenes of American life on the home front while in others it appears in battle or in close proximity to specific factories or consumer products.

Beyond their covers, the periodicals contain a snapshot of American life during the middle years of the Second World War. They include an extremely broad range of interests and topics ranging from embalming practices to railroad employee journals. War-related themes are conveyed in the form of patriotic articles, practical advice and knowledge, jokes, and caricatures of enemies. Photographs provide a visual depiction of day-to-day life during the period. Periodicals in the collection include magazines, comic books, community newspapers, and story collections. Most are imprinted with a date of publication or copyright and many include the "United We Stand" slogan. Non-periodical materials in the collection include a "United We Stand" postcard, an Indiana public schools syllabus entitled "Character Education," and a booklet entitled "Make and Mend for Victory" with instructions for making clothing wear longer. A reprint of a letter of appreciation for high achievement in the production of war equipment sent to the White Motor Company by the Under Secretary of War is included, along with a similar letter to the Hoover Company. Also part of this series is a 1942 magazine which captures the patriotic spirit of the time but does not depict the American flag.

This collection represents a contribution to the understanding of American patriotism and patriotic symbolism in American life, as well as mutually beneficial collaboration between the United States government and private industry.

In July 2002, Mr. Pete Claussen, a member of the Museum's National Board, viewed the exhibit July 1942: United We Stand (http://www.americanhistory.si.edu). The exhibition featured American flag cover art. Most of the covers in the exhibition were loaned to the Museum. Mr. Claussen became so interested in the covers that he began collecting them and donating them to the Museum.
Arrangement:
The collection is arranged in two series.

Series 1, Magazine Flag Covers, 1941-1943

Series 2, Ephemera, 1942-1943
Biographical / Historical:
The National Publishers Association coordinated a campaign with the United States Department of the Treasury in the summer of 1942 to feature the American flag on magazine covers. Paul MacNamara, a publicist with the Hearst Corporation in New York, conceived of the campaign. The magazine industry could demonstrate its patriotism and the importance of magazines to American morale and at the same time justify its use of paper and other resources in the face of rationing. The Treasury Department endorsed the program and assisted magazine publishers by organizing store displays designed to show off the covers to the public. The federal government benefited from the campaign as many magazines, at the request of the Treasury Department, ran advertisements for war bonds. About five hundred magazines participated in this campaign.

The campaign rules required that the flag was not to have any overprinting, was to be displayed according to flag protocol, and was to appear with the motto "United We Stand." The motto, long a part of American history, came from the 1768 ballad The Liberty Song by John Dickenson. The United States Flag Association, in support of the "United We Stand" campaign, selected winning cover designs and awarded its Patriotic Service Cross to eight magazines and the Cross of Honor to the grand prize winner. Harper's Bazzar, House and Garden, Infantry Journal, The Merck Report, Modern Industry, NYLIC Review, This Week and Time earned the Patriotic Service Cross. The House and Garden cover, as the grand prizewinner, also was awarded the Cross of Honor.

The Treasury Department attempted to reprise the campaign again in 1943, but participation was scattered and not on the same level as the original 1942 campaign.
Related Materials:
Materials in the Archives Center

Ivory Soap Advertising Collection, 1883-1998 (AC0791)

Warshaw Collection of Business Americana (AC0060)

Fred S. Rosenau Papers, 1944-1945 (AC0478)

Jes Wilhelm Schlaikjer Poster Collection, 1942-1952 (AC0546)

Some of the magazines in this collection are in bound editions in the Smithsonian Institution Libraries.
Provenance:
Donated by Pete Claussen in May 2004 and January 2007.
Restrictions:
The collection is open for research use.

Physical Access: Researchers must handle unprotected photographs with gloves.
Rights:
Copyright held by the Smithsonian Institution. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Reproduction permission from Archives Center: fees for commercial use.
Topic:
Flags -- United States  Search this
Patriotism  Search this
World War, 1939-1945  Search this
Genre/Form:
Magazines (periodicals) -- 1940-1950
Citation:
Pete Claussen Collection of American Flag Magazine Covers, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0860
See more items in:
Pete Claussen Collection of American Flag Magazine Covers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0860
Online Media:

Martin M. Branner Collection of the "Winnie Winkle" Comic Strip

Creator:
Branner, Martin M.  Search this
Source:
Graphic Arts, Division of (NMAH, SI).  Search this
Former owner:
Graphic Arts, Division of (NMAH, SI).  Search this
Extent:
8 Cubic feet (20 boxes)
Type:
Collection descriptions
Archival materials
Scrapbooks
Clippings
Reproductions
Comics
Date:
1920-1961
Scope and Contents note:
28 scrapbooks containing proofs and newspaper clippings (i.e., reproductions) of the comic strip "Winnie Winkle" from 37 complete years (1920, 1922-45, 1950-61) of daily black-and-white strips and color Sunday editions. Evidently, the clippings from 1946 1949 were lost at some point prior to the acquisition of this collection by the Smithsonian. This material is of significance as the cartoonist's own collection of his work.
Biographical/Historical note:
"Winnie Winkle, the Breadwinner" was a comic strip written and drawn by Martin M. Branner. The main character is Winnie Winkle, "a poor, but pretty working goil, [who] is struggling to support her little family." The concept was an untraditional one at the time of the strip's first appearance in 1920. The strip lasted in daily and Sunday newspapers until 1961.
Related Archival Materials:
Original pen drawings by Branner in Graphic Arts collections, NMAH (part of same accession).
Provenance:
This collection was donated by Martin M. Branner, October 1967.
Restrictions:
The collection is open for research use.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Caricatures and cartoons -- 1920-1970  Search this
Cartoonists  Search this
Cartoon characters -- 1920-1970  Search this
Comic books, strips, etc. -- 1920-1970  Search this
Genre/Form:
Scrapbooks -- 20th century
Clippings -- 20th century
Reproductions
Comics -- 1920-1970
Citation:
Item title and date, Martin M. Branner Collection of the "Winnie Winkle" Comic Strip, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0265
See more items in:
Martin M. Branner Collection of the "Winnie Winkle" Comic Strip
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0265
Online Media:

Richard E. Norman and race filmmaking Barbara Tepa Lupack ; foreword by Michael T. Martin

Author:
Lupack, Barbara Tepa http://id.loc.gov/vocabulary/relators/aut http://id.loc.gov/authorities/names/n89615135 http://viaf.org/viaf/114062407  Search this
Author:
Martin, Michael T http://viaf.org/viaf/65207997  Search this
Subject:
Norman, Richard E. 1891-1961 Criticism and interpretation http://viaf.org/viaf/19327098  Search this
Norman, Richard E. 1891-1961 http://id.worldcat.org/fast/00462870 http://viaf.org/viaf/19327098  Search this
Physical description:
1 online resource (400 pages) portrait
Type:
Electronic resources
Electronic book
Electronic books
Criticism, interpretation, etc
Date:
2014
Topic:
Race films  Search this
African Americans in motion pictures  Search this
PERFORMING ARTS--Reference  Search this
PERFORMING ARTS--Film & Video--History & Criticism  Search this
Music, Dance, Drama & Film  Search this
Film  Search this
Call number:
PN1998.3.N66 L87 2014 (Internet)
Restrictions & Rights:
Unlimited users
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1145366

Emily Nathan papers

Creator:
Nathan, Emily  Search this
De Creeft, José, 1884-1982  Search this
Lerner, Abram, first director and curator  Search this
Names:
Archives of American Art  Search this
Smithsonian Institution -- Public relations.  Search this
Towle Mfg. Company -- Public relations  Search this
De Creeft, José, 1884-1982  Search this
Hirshhorn, Joseph H.  Search this
Johns, Jasper, 1930-  Search this
McLanathan, Richard B. K.  Search this
Rothko, Mark, 1903-1970  Search this
Smith, Tony, 1912-1980  Search this
Spyropoulous, Jannis, 1912-  Search this
Woolfenden, William E. (William Edward), 1918-1995  Search this
Photographer:
Namuth, Hans  Search this
Extent:
1 Linear foot
5 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
[ca. 1935-1985]
Scope and Contents:
Correspondence and files relating to several art projects planned for the public relations programs of industries and museums, particularly Nathan's work with Towle Manufacturing and its gallery, the Smithsonian Institution, and the Archives of American Art.
1973 DONATION (1.0 ft.): Correspondence and project files for various clients. Of note are two photographs of Jasper Johns, and one each of Mark Rothko and Tony Smith, all taken by Hans Namuth, 1960.
ADDITION: Files relating to Nathan's work as public relations consultant for the silver company,Towle Manufacturing and its gallery, (ca.1951-ca.1957), include photographs of exhibits, silversmiths at work and Towle executives, as well as correspondence, writings, notes on silversmithing and its history, and newsletters. Files relating to Nathan's work at the Smithsonian Institution's museums and exhibitions, 1960's-ca. 1985, consist of subject files, clippings, catalogs, articles, press releases, newsletters, and reports. Publicity files also cover the opening of the National Portrait Gallery and its inaugural exhibition. Nathan's work for the Archives of American Art, from its first becoming a bureau of the Smithsonian in 1970, is documented through subject files, membership lists, reports to trustees and the director, newsletters, clippings, catalogs, budgets and statistics. Correspondence consists of letters to Georgia O'Keeffe regarding a pending oral history with the sculptors Dorothy Dehner and David Smith. The majority of the photographs are of personalities long associated with the Archives of American Art.
Letter from museum administrator and lecturer daniel Catton Rich expresses his pleasure at having met Jannis and Zoe Spyropoulous in Athens, Greece and describes the painting by Jannis that he purchased for the Worcester Art Museum.
Also found are interviews conducted by Nathan for Radio Smithsonian, including an interview of New York, N.Y. cartoonist and inventor Rube Goldberg (1883-1970) conducted in 1970 (Originally recorded on 1 sound cassette tape. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 39 min.; 33 p. transcript; an interview of art historian and writer Richard B. K. McLanathan , 1970; an interview of the Director of the Archives of American Art William E. Woolfenden conducted in 1970, an interview of Abram Lerner, Director of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, and art collector Joseph Hirshhorn, 1969 (sound cassette); Also found is an interview of William Woolfenden by Nathan conducted May 6, 1983 upon his retirement as Director of the Archives of American Art.
Also found is a folder of material assembled by Nathan regarding Jose de Creeft's story, as told to Nathan, of his pet rooster, intended by Nathan to be submitted for publication under the title "Roosty Was My Friend." Included are an introduction by Nathan, providing biographical information on de Creeft; sample text for the story (2 pages) and an outline for the remainder (3 pages), 24 drawings by de Creeft illustrating the story; and a photograph of de Creeft with a wire sculpture of Roosty, 1957, taken by Budd studio.
Biographical / Historical:
Emily Nathan was a public relations consultant and journalist, had many contacts in the art world. De Creeft was a sculptor; born 1884 in Spain. He eventually settled in New York. He died in 1982.
Public relations consultant and journalist.
Provenance:
Donated 1973-1988 by Emily Nathan and in 2000 by the Emily Nathan estate, via Edgar S. Nathan, III, executor. The letter to Nathan from Daniel Catton Rich was donated by Rich, 1977.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Public relations consultants  Search this
Topic:
Roosters -- Pictorial works  Search this
Roosters -- Anecdotes  Search this
Caricatures and cartoons  Search this
Art, American  Search this
Cartoonists -- Interviews  Search this
Inventors -- Interviews  Search this
Archives -- Public relations  Search this
Museums -- Public relations  Search this
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Art and industry  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.nathemil2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nathemil2

Duke Ellington caricatures

Collection Creator:
Boatwright, Ruth Ellington, 1914-2004  Search this
Container:
Box 68, Folder 13
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research. Researchers must handle unprotected photographs with gloves. Copyright restrictions. Contact staff for information. Only reference copies of audiovisual materials are available for use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ruth Ellington Collection, 1923-1992, Archives Center, National Museum of American History.
See more items in:
Ruth Ellington Collection of Duke Ellington Materials
Ruth Ellington Collection of Duke Ellington Materials / Series 8: Family Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0415-ref2916

Caricature of Duke Ellington

Collection Creator:
Boatwright, Ruth Ellington, 1914-2004  Search this
Container:
Box 57, Folder 16
Type:
Archival materials
Date:
undated
Collection Restrictions:
Collection is open for research. Researchers must handle unprotected photographs with gloves. Copyright restrictions. Contact staff for information. Only reference copies of audiovisual materials are available for use.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Collection Citation:
Ruth Ellington Collection, 1923-1992, Archives Center, National Museum of American History.
See more items in:
Ruth Ellington Collection of Duke Ellington Materials
Ruth Ellington Collection of Duke Ellington Materials / Series 8: Family Papers
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0415-ref3097

Oral history interview with Tony Natsoulas

Interviewee:
Natsoulas, Tony, 1959-  Search this
Interviewer:
Kirwin, Liza  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Penland School of Handicrafts (Penland, N.C.) -- Faculty  Search this
Extent:
54 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 August 9-11
Scope and Contents:
An interview of Tony Natsoulas conducted 2004 August 9-11, by Liza Kirwin, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Sacramento, California.
Natsoulas speaks of growing up in Davis, California.; visiting museums as a child; early memories of working with clay; school art projects; taking art classes at the University of California, Davis while in high school; going to college at Sacramento State College and UC Davis; studying at Maryland Institute College of Art; attending art summer schools such as the Skowhegan School of Painting & Sculpture; making life-sized clay figures; exhibiting his work; making caricature heads of famous people; including humor and nostalgia in his work; how his work has changed during his career; teaching at Penland School of Crafts; being part of the Funk art movement; choosing themes for his figures; his home studio; his working process and materials; the influence of art periodicals; working on public and private commissions; his teaching philosophy; collaborating with artist Fred Babb; influential art exhibitions; his Greek heritage; his friendship with artist Clayton Bailey; his recent solo exhibition at the Crocker Museum; titling and pricing his work; his art collection; and making artist websites. Natsoulas also recalls Robert Arneson, David Gilhooly, Francesco Clemente, Peter Voulkos, Viola Frey, Roy De Forest, and others.
Biographical / Historical:
Tony Natsoulas (1959- ) is a ceramicist from Sacramento, California. Liza Kirwin is the Curator of Manuscripts, Archives of American Art, Washington, D.C.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 3 hrs., 59 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Ceramicists -- California -- Interviews  Search this
Art -- Philosophy  Search this
Art -- Technique  Search this
Art commissions  Search this
Artists' materials  Search this
Art -- Periodicals  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.natsou04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-natsou04

Leutze [graphic] / F.O.C. Darley

Creator:
Darley, Felix Octavius Carr, 1822-1888  Search this
Names:
Leutze, Emanuel, 1816-1868  Search this
Extent:
1 Drawing (pencil on paper, 8.8 x 8.2 cm., mounted on sheet 12.5 x 10.2 cm. In hinged mat, 25.5 x 20.3 cm.)
Type:
Collection descriptions
Archival materials
Drawings
Date:
between 1840 and 1880
Scope and Contents:
Caricature portrait profile of Emanuel Leutze.
Biographical / Historical:
Illustrator; New York, N.Y. Born in Philadelphia.
General:
Inscribed on sheet, below drawing: Leutze. Inscribed on support, top: Leutze - Painted "Washington Crossing the Delaware" Signed on support, bottom: F.O.C. Darley.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Illustrators -- New York (State) -- New York  Search this
Identifier:
AAA.darlfell
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-darlfell

Eugene Zimmerman papers

Creator:
Zimmerman, Eugene, 1862-1935  Search this
Extent:
0.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1932-1970
Scope and Contents:
Xerox copies of clippings; reproductions of cartoons; Zimmerman's book, "In Dairyland"; a printed article on the Zim Memorial; and one photo of Zimmerman.
Biographical / Historical:
Eugene Zimmerman (1862-1935) was a cartoonist. Born May 25, 1862 in Basel, Switzerland. Died March 26, 1935 in Elmira, New York. Worked as a cartoonist for Puck and Judge magazines. Nickname "Zim".
Provenance:
Donated August 1970 by John Appel.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Cartoonists -- United States  Search this
Topic:
Caricatures and cartoons -- United States  Search this
Identifier:
AAA.zimmeuge
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zimmeuge

S. J. Woolf papers

Creator:
Woolf, S. J. (Samuel Johnson), 1880-1948  Search this
Names:
Woolf, Benjamin E.  Search this
Woolf, Edith Truman  Search this
Woolf, Edward  Search this
Extent:
3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Place:
United States -- Biography -- Portraits
Date:
1835-1986
bulk 1880-1948
Scope and Contents:
Biographical material, letters, art works, 2 contracts, notes, writings, subject files, scrapbooks, printed material, and photographs document the journalism and portraiture of S.J. Woolf. His subjects included many of the twentieth century's most influential figures.
Scrapbook I contains circa 400 photographs of charcoal portraits of noted figures in politics, business, science, and the arts, drawn by Woolf between 1918 and 1948 for the "New York Times" magazine series "Drawings from Life." The other three scrapbooks contain clippings, 1923-1948, of the brief biographies, written by Woolf from his conversations with his subjects as he drew them, which were published with the drawings. The third scrapbook also includes an original drawing of Alfred E. Smith and Woolf's obituaries.
Birth announcements for Woolf, 1880; a passport, 1929; documents relating to Woolf's work as a war correspondent, 1942-1944; letters, 1847-1903, mentioning musical and theatrical activities of Woolf's relatives including his grandfather Edward Woolf and his great-uncle Benjamin Woolf; letters to Woolf concerning his work, 1910-1949; an essay "My Brownstone Aunts" by Woolf's wife Edith Truman Woolf; 2 essays by Woolf on his career; 5 drawings by Woolf, including portraits of Calvin Coolidge and Alfred Sloan; a caricature of Woolf by "V.D.S."; a cariacture of English actor Farren by Edward Woolf, 1835; a design to decorate a bar by Muriel Hobson; 350 subject files, 1904-1986, containing letters, clippings, and typescripts concerning noted figures in politics, business, science, and the arts, such as Irving Berlin, Albert Einstein, Franklin D. Roosevelt, and Mark Twain; and files on the Snyder-Grey trial, 1927, the Bruno Hauptmann execution, 1936, Woolf's book, "Here Am I," 1941-1942, and Woolf's work at the front during both World Wars; 4 scrapbooks, 1900-1948, containing clippings, letters, drawings, war zone passes, and Woolf's birth certificate and photograph; clippings, 1903-1980, including articles about Benjamin Woolf and Edith Truman Woolf; 2 exhibition catalogs, 1919 and 1935; photographs, 1890-1941, of Woolf, his family and colleagues, an art class, an exhibition installation, and works of art.
Biographical / Historical:
S. J. Woolf (1880-1948) was a graphic artist, journalist, illusrator in New York, N.Y. Born into a family long active in the arts, Woolf studied at the Art Students League and at the National Academy of Design. He developed a reputation as a portraitist, primarily drawing celebrities for "Collier's", and, beginning in 1923, combining his portraits with his written accounts of his "personality interviews" for the "New York Times." Woolf also served as a special correspondent during both world wars.
Provenance:
Scrapbooks on reels 4065-4066 lent for microfilming, and remainder donated by Dr. Deborah Hobson, Woolf's granddaughter, through the National Portrait Gallery, which received the papers along with 107 drawings by Woolf of prominent Americans. The papers were transferred to the Archives of American Art, 1988 and 1992.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Illustrators -- United States  Search this
Portrait painters -- United States  Search this
Actors -- United States  Search this
Journalists -- United States  Search this
Topic:
Journalism, Pictorial  Search this
Journalists as artists -- United States  Search this
Portrait painting, American  Search this
Art and war  Search this
Genre/Form:
Drawings
Identifier:
AAA.woolsj
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woolsj

Sonia Wolfson papers

Creator:
Wolfson, Sonia, 1903-1997  Search this
Extent:
0.3 Linear feet ((10 items))
Type:
Collection descriptions
Archival materials
Date:
1924-[194-]
Scope and Contents:
A scrapbook, 1924-1927, containing clippings of Wolfson's reviews and articles in CALIFORNIA GRAPHIC (PICTORIAL) magazine; seven caricatures by various artists and two photographs of Wolfson, ca. 1940.
Biographical / Historical:
Art critic; Los Angeles, Calif.
Provenance:
Donated by Sonia Wolfson, 1990.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art critics -- California -- Los Angeles  Search this
Topic:
Women art critics -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California, Southern  Search this
Identifier:
AAA.wolfsoni
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wolfsoni

J. Fred Woell papers

Creator:
Woell, J. Fred, 1934-  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Interviewer:
Renshaw, Wendy  Search this
Extent:
24.5 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Date:
1943-2016
Scope and Contents:
The papers of jeweler and metalsmith J. Fred Woell measure 24.5 linear feet and date from 1943-2016. Included are biographical material; personal and professional correspondence; writings by Woell; teaching and worskshop files; gallery, exhibition and commission files; artists' files; printed material; photographs and a photograph album; a VHS video recording and a digital hard drive.
Biographical / Historical:
J. Fred Woell (1934-2015) was a metalsmith and jeweler on Deer Isle, Maine.
Provenance:
A majority of the collection donated 2018 by Patricia Wheeler, Woell's widow and executor. An interview, printed material, writings, and a photograph (0.2 linear feet) donated 2003 by J. Fred Woell as a part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of audio visual recordings and born digital records with no duplicate copy requires advance notice.
Occupation:
Metal-workers -- Maine  Search this
Jewelers -- Maine  Search this
Topic:
Poetry  Search this
Caricatures and cartoons  Search this
Decorative arts  Search this
Genre/Form:
Interviews
Identifier:
AAA.woelj
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-woelj

Rudolph Weisenborn papers

Creator:
Weisenborn, Rudolph, b. 1881  Search this
Names:
Chicago No-Jury Society of Artists  Search this
Weisenborn, Fritzi  Search this
Extent:
2.3 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Sketchbooks
Date:
1919-1977
Scope and Contents:
Biographical material, letters, business records, notes, writings, art works, scrapbooks, printed material, and photographs.
REEL 856: Biographical sketches; eighteen letters from colleagues, 1948-1965; records of expenditures, 1956-57; a travel log from a trip to Arizona; essays "The Freedom of the Artist" and "Diorama on Soil Erosion and Soil Conservation for the Tennessee Valley Administration" by Weisenborn, a poem "Fritzi and Rudolph"; 2 typed drafts of "Weisenborn and the American Vision" by John Thwaites (1946); notes from an exhibition at the Werner's Books Gallery.
16 sketchbooks, undated and 1947, and 15 sketches by Weisenborn; three scrapbooks, 1921-1956, containing clippings and art reviews written by Weisenborn's wife, Fritzi, exhibition announcements and catalogs, letters, and an autographed guest list from a party; clippings, 1937-1965; catalogs from 10 No-Jury Society exhibitions, 1922-1941; lecture announcements 1934, brochures; and photographs of Weisenborn, his studio, art-related events, and his works of art.
UNMICROFILMED: 4 biographical sketches and his marriage certificate; letters, 1919-1977; business and financial records, 1931-1972; 3 address books; essays by and about Weisenborn, including sections of "Weisenborn and the American Vision" by John Thwaites (1946); 2 children's drawings, a caricature sketch, and a print by Weisenborn; scrapbooks and scrapbook pages, containing clippings and reviews by his wife, 1938 and 1945-1946; clippings, 1920-1973; exhibition announcements and catalogs, 1922-1965, and other printed material; photographs and a photo album of Weisenborn, his family, studio, and works of art, including designs for department store windows; and a metal printing plate showing a newspaper photograph of Weisenborn and his wife.
Biographical / Historical:
Painter and art instructor; Chicago, Illinois. Died 1974. Taught at the Chicago Academy of Fine Arts, 1922-1934. Co-founder of Chicago No-Jury Society of Artists. Weisenborn's wife Fritzi, was art critic for Chicago's Sunday Times.
Provenance:
Material on reel 856 was lent for microfilming in 1974 and subsequently donated 1985 by Gordon Weisenborn with additional unmicrofilmed material. (Several items from 2 of the scrapbooks were not returned.)
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art critics -- Illinois -- Chicago  Search this
Art teachers -- Illinois -- Chicago  Search this
Painters -- Illinois -- Chicago  Search this
Topic:
Artists' studios -- Illinois -- Chicago -- Photographs  Search this
Art -- Study and teaching -- Illinois -- Chicago  Search this
Painting, Abstract -- Illinois -- Chicago  Search this
Women art critics -- Illinois -- Chicago  Search this
Genre/Form:
Drawings
Sketchbooks
Identifier:
AAA.weisrudo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weisrudo

Judith Wechsler papers

Creator:
Wechsler, Judith  Search this
Names:
Museum at Large Ltd.  Search this
Universal Limited Art Editions (Firm)  Search this
Adams, Ansel, 1902-1984  Search this
Albers, Josef  Search this
Cage, John, 1912-1992  Search this
Callahan, Harry M.  Search this
Cohen, John, 1932-  Search this
Falkenberg, Paul  Search this
Hockney, David  Search this
Hopps, Walter  Search this
Johns, Jasper, 1930-  Search this
Menil, Dominique de  Search this
Meyerowitz, Joel, 1938-  Search this
Namuth, Hans  Search this
Pearlstein, Philip, 1924-  Search this
Siskind, Aaron  Search this
Steichen, Edward, 1879-1973  Search this
Stella, Frank  Search this
Stieglitz, Alfred, 1864-1946  Search this
Extent:
17.4 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Motion pictures (visual works)
Sound recordings
Date:
circa 1940-2003
bulk 1971-1994
Summary:
The papers of filmmaker and art historian Judith Wechsler measure 17.4 linear feet and consist of film production material from several of Wechsler's documentary films released between 1989 and 1994. Most of the collection consists of sound recordings and motion picture film. Notable content includes interviews with Jasper Johns, Frank Stella, David Hockney, Philip Pearlstein, Joel Meyerowitz, Jo Spence, Yolanda Sonnabend, Dominique de Menil, Walter Hopps, Aaron Siskind, and Harry Callahan, as well as footage of artists working in their studios. Production elements found include original sound recordings, original camera negative outtakes, work print picture and soundtrack, trims, various pre-print master material, and video copies of completed works.
Scope and Contents:
The papers of filmmaker and art historian Judith Wechsler measure 17.4 linear feet and consist of film production material from several of Wechsler's documentary films released between 1989 and 1994. Most of the collection consists of sound recordings and motion picture film. Notable content includes interviews with Jasper Johns, Frank Stella, David Hockney, Philip Pearlstein, Joel Meyerowitz, Jo Spence, Yolanda Sonnabend, Dominique de Menil, Walter Hopps, Aaron Siskind, and Harry Callahan, as well as footage of artists working in their studios. Production elements found include original sound recordings, original camera negative outtakes, work print picture and soundtrack, trims, various pre-print master material, and video copies of completed works.

Documentaries with production material in the collection include Jasper Johns: Take An Object, produced with Hans Namuth, Harry Callahan (1994), Aaron Siskind: Making Pictures (1991), and five episodes of The Painter's World: Changing Constants of Art from the Renaissance to the Present (1989), a six-part television series produced by WGBH in Boston. Episodes of the series for which records are found include "The Training of Painters," "The Arrested Moment," "Portraits," "Abstraction," and "Painting and the Public". Also found are two reels of soundtrack labeled "Two Photographers," a title for which no other documentation is found.

The Painter's World episodes "Abstraction," "The Arrested Moment," and "Portraits" address the evolution of painting style and traditions, and the "Painting and the Public" episode addresses the role of patronage and the evolution of art museums. Footage found for "The Training of Painters" consists of footage of Josef Albers teaching at Yale University shot around 1955, likely shot by John Cohen.

Jasper Johns: Take An Object was a collaborative project between Wechsler, Hans Namuth, and Paul Falkenberg, who worked together under the corporate name of Museum at Large. Footage consists of multiple interviews with Johns, a 1971 session of Johns working in his Houston Street studio, and a 1989 session of Johns working at Universal Limited Art Editions, as well as additional material of John Cage and others speaking about Johns' work.

In Harry Callahan, Callahan discusses the inspiration behind his work and recollects about his time with Ansel Adams, Alfred Stieglitz, Edward Steichen, and Aaron Siskind. For Aaron Siskind: Making Pictures, Siskind covers the beginning of his career, and the inspiration and methods behind his work. The "Two Photographers" content and relationship to the collection is unknown.
Arrangement:
The collection is arranged as 5 series.

Series 1: -- The Painters World: Changing Constants of Art from the Renaissance to the Present -- Production Records, 1985-1989 (5.5 linear feet; Boxes 1, 3-6, 15, 20)

Series 2: -- Jasper Johns: Take an Object -- Production Records, 1971-1972, 1989-1990 (5.9 linear feet, Boxes 2, 7-11, 20-24)

Series 3: -- Aaron Siskind: Making Pictures -- Production Records, 1990-2003 (2.5 linear feet; Boxes 2, 11-12, 16-18, 21)

Series 4: -- Harry Callahan -- Production Records, 1992-1994 (3.3 linear feet; Boxes 2, 12-14, 18-19, 21)

Series 5: Unidentified Program Material, circa 1940-1994 (0.3 linear feet; Boxes 2, 14, FC 147)
Biographical / Historical:
Judith Wechsler is an art historian, professor, and filmmaker. Wechsler studied at Brandeis University, Columbia University, and earned her Ph.D. at Univeristy of California, Los Angeles in 1972. She published On Aesthetics in Science in 1978 and A Human Comedy: Physiognomy and Human Caricature in 19th Century Paris, focusing on the work of Honoré Daumier, in 1982. She edited the memoirs of her father, literary scholar Nahum N. Glatzer, published in 1998, and has published dozens of articles, reviews, and catalog essays for American and European institutions and publications.

She has taught at Brown University, Harvard University, Massachusetts Institute of Technology, Hebrew University, and Rhode Island School of Design and joined the faculty at Tufts University in 1989, where she remained until her retirement in 2011.

Wechsler first worked on films with designer Charles Eames, co-directing films on her early scholarly subjects, Daumier and Cézanne. In the mid-1980s, she wrote and directed a series of art documentaries for television with the series title The Painter's World: Changing Constants of Art from the Renaissance to the Present. Since that time, Wechsler has directed dozens of films, primarily on artists and photographers, and in recent years has focused on the history of ideas in early twentieth century Europe, with films on Nahum Glatzer, Walter Benjamin, Aby Warburg, and Svetlana Boym.

Wechsler received a Chevalier dans l'Ordre des Arts et des Lettres from the French government in 2007, and became professor emerita at Tufts in 2011. She lives and works in Massachusetts.
Related Materials:
Release prints of each of the titles represented in the collection are held by the Harvard Film Archive. Digital video copies of edited films are available on Judith Wechsler's website (http://www.judithwechsler.com/films, accessed 2017).
Provenance:
Donated 2008, 2017, and 2019 by Judith Wechsler.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Judith Wechsler papers are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote, publish or reproduce requires written permission from Judith Wechsler, Tufts University Art History Department. The Painter's World Copyright retained by Judith Wechsler.
Topic:
Art historians -- Massachusetts -- Boston  Search this
Art patronage  Search this
Art museums  Search this
Artists -- United States  Search this
Filmmakers--Massachusetts--Boston  Search this
Genre/Form:
Interviews
Motion pictures (visual works)
Sound recordings
Citation:
Judith Wechsler papers, 1940-2003, bulk 1971-1994. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wechjudi
See more items in:
Judith Wechsler papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-wechjudi

William Henry Walker papers

Creator:
Walker, William Henry, 1871-1938  Search this
Names:
Dutch Treat Club  Search this
Extent:
0.8 Linear feet ((partially microfilmed on 1 reel))
Type:
Collection descriptions
Archival materials
Date:
1892-1937
Scope and Contents:
Printed material; art works; and portrait sketches.
REEL 4386: 226 portrait sketches and caricatures, 1919-1937, of members of the Dutch Treat Club, Walker's friends, notable artists, musicians, actors, politicians, and writers of the day. Sketches are signed by the sitters.
UNMICROFILMED: Proofs, offprints, clippings of cartoons, and illustrations made primarily for LIFE magazine; and two pen and ink drawings, 1892.
Biographical / Historical:
Cartoonist, illustrator; New York, N.Y. His professional career was as a hospital administrator. Contributed political and satirical cartoons to LIFE, HARPER'S, NEW YORK EVENING POST, and NEW YORK HERALD. He was the first to use the lithographer's crayon for cartoons.
Provenance:
Material on reel 4386 lent for microfilming and unmicrofilmed materials donated, 1989 by Walker's daughter-in-law, Alice Smith (Mrs. Robert Miller) Walker. Her husband had collected and annotated his father's papers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Caricaturists -- New York (State) -- New York  Search this
Cartoonists -- New York (State) -- New York  Search this
Graphic artists -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Topic:
World politics -- Caricatures and cartoons  Search this
Magazine illustration -- 20th century -- New York (State) -- New York  Search this
Newspapers -- Illustration  Search this
Identifier:
AAA.walkwill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-walkwill

Edward C. Volkert papers

Creator:
Volkert, Edward C., 1871-1935  Search this
Extent:
1 microfilm reel
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1890-1951
Scope and Contents:
Twelve black & white lithographs, oil sketches, original poster designs, caricatures, watercolor sketches, and pen and pencil sketches; a plastic plate and a proof; 3 sketchbooks, including one with a price list; correspondence; Volkert's will; 170 photographs of Volkert and his art work; and clippings and articles.
Biographical / Historical:
Painter; Houston, Texas.
Provenance:
Lent for microfilming, 1984, by Edward C. Volkert II, Volkert's grandson, as part of the Archives of American Art's Texas project.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Texas -- Houston  Search this
Topic:
Art, American -- Texas -- Houston  Search this
Identifier:
AAA.volkedwa
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-volkedwa

Stuyvesant Van Veen papers

Creator:
Van Veen, Stuyvesant  Search this
Names:
New York World's Fair (1939-1940 : New York, N.Y.)  Search this
United States Information Agency  Search this
Avery, Frances  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Date:
circa 1926-1988
Scope and Contents:
Biographical material, correspondence, photographs, works of art, writings, project files, a scrapbook, and printed material relating to painter, illustrator, and cartoonist, Stuyvesant Van Veen.
Biographical information includes resumes, curriculum vitae, artist statements and profiles, membership cards, certificates, and awards. Correspondence is both professional and personal, and is with art galleries, artists and the U.S. Information Agency about exhibition exchanges with the U.S.S.R. Photographs are of Van Veen, his works of art, and works of art by Frances Avery. Artwork (portions filmed on microfilm reel 2026) includes numerous sketchbooks and sketches of artists, writers, musicians, scientists, and celebrities, caricatures and finished works by Van Veen, cartoons, illustrations, posters, Christmas cards, and book jackets. Writings include diaries,1928-1955, recording Van Veen's daily activities and notes and fragments of writings by Van Veen, including "My diary in sketches for 1942" with seven entries for January 1942.
Project files include the 1939 New York World's Fair mural for Hall of Pharmacy, the mural series Memorial to Brooklyn Dodgers at Ebbets Field Apartment Houses, New York, 1963, and the New York City public school murals at PS 8, The Bronx, New York. A scrapbook contains letters, photographs, and clippings. Printed material includes 72 photographic postcards featuring murals and sculptures of the 1939 World's Fair, catalogs, exhibition announcements, clippings, and off-prints. Also included are four comic books which contain illustrations by Van Veen under the pseudonymns Joe Lozen, Jack Camden, and Lester Raye.
Biographical / Historical:
Stuyvesant Van Veen (1910-1988) was a painter, illustrator, cartoonist, and printmaker in New York, New York. Van Veen was the illustrator for "The Fairy Fleet"; literary satires, Nation and New Masses magazine, and a WPA muralist.
Related Materials:
Also in the Archives are papers that were lent for microfilming on reels 621, 922-924 that include biographical information, correspondence, sketchbooks, photographs, a scrapbook, 1927-1941, designs for book jacket, exhibition catalogs and announcements, magazine articles and comic strips, press clippings, 1926-1966, miscellaneous, and sketches (some may be completed works).
Provenance:
Donated 1964 through 1986 by Van Veen and in 2010 by the New York Artists Equity Association via Regina Stewart, who found the material in Van Veen's apartment after his death. Among the donation are papers Van Veen lent for microfilming in 1969 and 1973. "My diary in sketches for 1942" donated 2016 by art historian Christine I. Oaklander who purchased the material at auction.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Cartoonists -- New York (State) -- New York  Search this
Illustrators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Caricatures and cartoons -- New York (State) -- New York  Search this
Graphic arts -- New York (State) -- New York  Search this
Mural painting and decoration -- New York (State) -- New York  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Identifier:
AAA.vanveen
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-vanveen

Guide to the literature on an American 20th century cartoonist Alan Dunn / by Marjorie Parrott Tepper

Creator:
Tepper, Marjorie Parrott  Search this
Names:
Dunn, Alan, 1900-  Search this
Extent:
63 Pages ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Pages
Date:
1979
Scope and Contents:
Paper prepared for the School of Information Studies, Syracuse University, January 1979.
Biographical / Historical:
Dunn was an American cartoonist, illustrator, painter and printmaker; b. 1900 Belmar, N.J.; died 1974.
Provenance:
Donated 1979 by Syracuse University.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Cartoonists  Search this
Topic:
Cartooning  Search this
Caricatures and cartoons  Search this
Identifier:
AAA.teppmarj
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-teppmarj

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