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Jan Butterfield papers

Creator:
Butterfield, Jan  Search this
Names:
Lapis Press  Search this
Pacific Enterprises  Search this
Bell, Larry, 1939-  Search this
Bischoff, Elmer, 1916-1991  Search this
Dugmore, Edward, 1915-  Search this
Francis, Sam, 1923-1994  Search this
Gehry, Frank O., 1929-  Search this
Goode, Joe, 1937-  Search this
Greene, George  Search this
Guston, Philip, 1913-1980  Search this
Harrison, Helen Mayer, 1929-  Search this
Harrison, Newton, 1932-  Search this
Hopkins, Henry, 1928-2009  Search this
Hudson, Robert, 1938-  Search this
Irwin, Robert, 1928-  Search this
Karp, Michael  Search this
Kienholz, Edward, 1927-  Search this
Nauman, Bruce, 1941-  Search this
Nordman, Maria  Search this
Orr, Eric, 1939-1998  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Resnick, Milton, 1917-2004  Search this
Roche, Jim  Search this
Ruscha, Edward  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Still, Clyfford, 1904-1980  Search this
Turrell, James  Search this
Wheeler, Douglas  Search this
Wortz, E.  Search this
Wortz, Melinda  Search this
Young, R. Joshua  Search this
Interviewee:
Cage, John, 1912-1992  Search this
Extent:
15 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Date:
1950-1997
Summary:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.
Scope and Contents:
The papers of Jan Butterfield measure 15 linear feet and date from circa 1950 to 1997. Papers contain hundreds of recorded interviews with and lectures by artists, panel discussions of artists and art historians, as well as extensive writings by Butterfield. Also found are project files, personal business records, printed materials, photographs, and additional sound and video recordings related to art subjects.

Interviews and Lectures include hundreds of interviews conducted by Butterfield between 1971 and 1987 with contemporary artists about whom she was writing at the time. The artists Robert Irwin and Sam Francis are represented particularly well. Also found are slide talks, class discussions, and lectures given by artists, which are assumed to have been recorded by Butterfield in most cases. Also among the recordings are recorded performances by John Cage, Joe Goode, Newton and Helen Harrison, Jim Roche, and George Greene. Panel discussions include two notable recordings involving Milton Resnick, one with the painter Edward Dugmore in 1959, and the other with the painter Ad Reinhardt at The Club in 1961, which was later dubbed "The Attack."

The bulk of the writings relate to Butterfield's published work The Art of Light and Space, represented here in multiple drafts, research, and photographs of works of art by the artists discussed in the work including Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. Also found are extensive drafts and research for catalog essays for exhibitions of Larry Bell, Richard Shaw, Robert Hudson, and Elmer Bischoff. Drafts of articles and publicity writing are mainly about artists but also some galleries and other art events. There are a few transcripts of recorded interviews, and it appears that many of the writings are based on Butterfield's interviews.

Project files include records relating to Butterfield's involvement with the production of a catalog for the corporate art collection of Pacific Enterprises. These also include additional artist interviews and artist files containing research and writing, mainly by her associate Michael Karp. Also found are photographs and sound recordings for the Waterfront Project at the San Francisco Art Institute, an interdisciplinary community-centered development project that involved Larry Bell, Robert Irwin, Melinda Wortz, Eric Orr, Dr. E. Wortz, Frank Gehry, Newton and Helen Harrison, Josh Young, and students at the Art Institute. And finally, project files include photographs, interviews, and printed material related to publications of Lapis Press, where Butterfield was Executive Director.

Personal business records include correspondence, price lists, financial records, notes, press releases, and career documentation of Butterfield. Printed materials include articles by Butterfield, articles about Butterfield, and articles by Henry Hopkins, most of which are photocopies. There are also clippings, exhibition catalogs, exhibition posters, and publicity. Of note is a disassembled scrapbook pertaining to the controversial Ed Kienholz exhibition at the Los Angeles County Museum of Art in 1966, and a directory of art spaces in Los Angeles from 1978.

Most of the photographs are of works of art by artists about whom Butterfield wrote. Also found are a few files of photographs of artists, some taken by Butterfield, including Philip Guston, Ed Kienholz, Henry Hopkins with Clyfford Still, Robert Irwin, Robert Rauschenberg, and James Turrell. Additional video and sound recordings include artist installations, a documentary on Sam Francis, and an acoustiguide for an Ed Ruscha exhibition.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Interviews and Lectures (Boxes 1-5; 4.2 linear feet)

Series 2: Writings (Boxes 5-7, 16, OV 17; 3.7 linear feet)

Series 3: Project Files (Boxes 8-10, 16; 1.6 linear feet)

Series 4: Personal Business Records (Boxes 10-11, OV 17-19; 1.1 linear feet)

Series 5: Printed Materials (Boxes 11-12, 16, OV 17-19; 1.8 linear feet)

Series 6: Photographs (Boxes 12-14, 16; 2.2 linear feet)

Series 7: Sound and Video Recordings (Box 15; 0.4 linear feet)
Biographical / Historical:
Jan Butterfield (1937-2000) was an art writer and critic of contemporary art who spent most of her career in California. She is best known for her writings on late twentieth century installation and craft artists, particularly those who worked in California and the American West.

Butterfield was born Jan Van Alstine in Los Angeles, California in 1937 and attended the Univeristy of California, Los Angeles. She received numerous fellowships and grants from the National Endowment for the Arts as an art critic, and contributed art writing to dozens of exhibition catalogs and art publications including Art International, Images and Issues, Art News, Art in America, and Flash Art. Her most ambitious work of writing was The Art of Light and Space (Abbeville Press: 1993), which profiles the work of contemporary artists Robert Irwin, James Turrell, Maria Nordman, Douglas Wheeler, Bruce Nauman, Eric Orr, Larry Bell, DeWain Valentine, Susan Kaiser Vogel, and Hap Tivey. She was also the author of a 1972 monograph of the Abstract Expressionist painter Sam Francis.

Butterfield held positions in public relations at the Los Angeles County Museum of Art from its opening until 1970, and at the Fort Worth Art Museum from 1970 to 1974. She taught at Northwood Experimental Art Institute in Dallas, Texas, the San Francisco Art Institute, San Jose State University, and Mills College in Oakland, California between 1973 and 1983. At the San Francisco Art Institute, she was Director of the extension program and Coordinator of the visiting artist program and the Waterfront Project between 1976 and 1978. In 1984, Butterfield and the artist Sam Francis co-founded the Lapis Press, where she served as Executive Director from its founding until 1988.

Butterfield was married twice, the second time to Henry Hopkins, Museum Director at LACMA, the Museum of Fine Art of Houston, and the San Francisco Museum of Modern Art. She died in 2000 after an extended illness.
Related Materials:
Also found among the collections of the Archives of American Art is a 1981 panel discussion on Bay area art criticism sponsored by the National Women's Caucus for Art, in which Butterfield participated, as well as an oral history interview Butterfield conducted with Helen Lundeberg for the Archives' Oral History Program in 1980.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming on reel 1042 including two volumes of scrapbooks. Loaned materials were returned to the lender and are not described in the collection container inventory.
Provenance:
Jan Butterfield lent material in 1975 for microfilming. She donated the Robert Irwin material in 1980 of and most of the interviews and audio tapes in 1989. An additional 12 feet of papers, including some material previously loaned and microfilmed, along with two additional audio tapes, were donated by Butterfield's brother, and Trustee of the Jan Butterfield Trust, Derek Van Alstine in 2002.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- San Francisco  Search this
Art historians -- California -- San Francisco  Search this
Authors -- California -- San Francisco  Search this
Topic:
Women art critics  Search this
Women art historians  Search this
Women authors  Search this
Genre/Form:
Photographs
Sound recordings
Video recordings
Transcripts
Interviews
Scrapbooks
Citation:
Jan Butterfield papers, 1959-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.buttjan
See more items in:
Jan Butterfield papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cc490739-2463-4f67-9f43-570692783628
EDAN-URL:
ead_collection:sova-aaa-buttjan
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Online Media:

Matt Mullican papers

Creator:
Mullican, Matt, 1951-  Search this
Names:
König, Kasper  Search this
Mullican, Lee, 1919-1998  Search this
Weiner, Lawrence  Search this
Extent:
27.8 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Sketchbooks
Notebooks
Diaries
Writings
Date:
circa 1968-2017
Summary:
The papers of New York City and Berlin, Germany based multi-media and conceptual artist Matt Mullican measure 27.8 linear feet and date from circa 1968-2017. The collection consists of biographical material, including a few interview transcripts; correspondence; over 100 notebooks; gallery and exhibition files; project and commission files; personal business records; printed material; and photographs. The notebooks document nearly five decades of Mullican's work process and illustrate his material and conceptual explorations. Large sequences of gallery and exhibition files, as well as project and commission files comprise the remaining bulk of the collection, providing detailed documentation of his professional career, particularly from the 1980s-2000s.
Scope and Contents:
The papers of New York City and Berlin, Germany based multi-media and conceptual artist Matt Mullican measure 27.8 linear feet and date from circa 1968-2017. The collection consists of biographical material, including a few interview transcripts; correspondence; over 100 notebooks; gallery and exhibition files; project and commission files; personal business records; printed material; and photographs. The notebooks document nearly five decades of Mullican's work process and illustrate his material and conceptual explorations. Large sequences of gallery and exhibition files, as well as project and commission files comprise the remaining bulk of the collection, providing detailed documentation of his professional career, particularly from the 1980s-2000s.

Biographical material includes address books, high school and college ephemera, papers and photographs relating to Mullican's family, identification cards, interview transcripts, a resume, and a few writings.

The small amount of correspondence arranged in Series 2 is with friends, artists, colleagues, fans, and museum professionals. Notable correspondents include artist Lawrence Weiner and museum director Kasper König. Additional professional correspondence is located in the Gallery and Exhibition Files, as well as the Project and Commission Files.

Over 100 notebooks document nearly five decades of Mullican's work process and artistic explorations from the time he was a student up to the present.

A large sequence of gallery and exhibition files encompass a variety of material documenting Mullican's extensive solo and group exhibition history throughout the United States, Europe, and Japan.

Extensive project and commission files contain documentation of international public and corporate commissions, academic engagements, performances, publishing projects, print editions, illustrations, grants, residencies, and other project based artwork. Public and corporate commissions include artworks and installations for banks, airports, office complexes, university buildings, public transit stations, and other spaces.

Personal business records relate to bookkeeping and sales, donations, inventories, publication, copyright, supplies, invoicing, recommendations, residences, storage of works, and studio administration.

Printed material includes announcements, posters, articles, reviews, exhibition catalogs, and periodicals related to Mullican's career.

One folder of photographs documents Mullican, his family, and installations of his work at various venues and exhibitions.
Arrangement:
The collection is arranged as eight series.

Missing Title

Series 1: Biographical Material, 1968-2002 (0.6 linear feet; Box 1)

Series 2: Correspondence, 1986-2000s (0.2 linear feet; Box 1)

Series 3: Notebooks, circa 1968-2017 (7.2 linear feet; Box 1-8)

Series 4: Gallery and Exhibition Files, 1985-2000s (6.1 linear feet; Box 9-13, OV and RD 23-25)

Series 5: Project and Commission Files, 1980-2000s (10.3 linear feet; Box 14-19, OV and RD 26-43)

Series 6: Personal Business Records, 1978-2000s (1.7 linear feet; Box 19-21)

Series 7: Printed Material, 1971-2000s (1.5 linear foot; Box 21-22, RD 44)

Series 8: Photographs, 1980s-1990s (1 folder; Box 22)
Biographical / Historical:
Matt Mullican (1951- ) is a multi-media and conceptual artist working in New York City and Berlin, Germany. Born in Santa Monica, he is the son of abstract surrealist painters Lee Mullican and Luchita Hurtado Mullican. Educated at the California Institute of the Arts (CalArts) in the early 1970s, and mentored by John Baldessari, Mullican moved to New York City after earning his BFA and became associated with the "Pictures Generation" artists, including friends Troy Brauntuch, Jack Goldstein, James Welling, and Robert Longo. His multi-disciplinary practice encompasses drawing, painting, collage, video, installation, and performance under hypnosis as his alter ego, 'That Person.' Through these media, Mullican explores systems of knowledge, the construction of reality, as well as meaning, language, and signs. Throughout his career, Mullican has participated in international solo and group exhibitions, and has undertaken dozens of public and corporate commissions.
Provenance:
Donated to the Archives of American Art in 2014-2017 by Matt Mullican.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of born-digital records requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conceptual artists -- Germany -- Berlin -- Interviews  Search this
Conceptual artists -- New York (State) -- New York -- Interviews  Search this
Topic:
Artists -- New York (State) -- New York -- Interviews  Search this
Multimedia (Art)  Search this
Genre/Form:
Interviews
Photographs
Sketchbooks
Notebooks
Diaries
Writings
Citation:
Matt Mullican papers, circa 1968-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mullmatt
See more items in:
Matt Mullican papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b03f0ef5-d634-41f3-a571-cf1f9ac4ff5c
EDAN-URL:
ead_collection:sova-aaa-mullmatt
Online Media:

CalArts (California Institute of the Arts)

Collection Creator:
Mullican, Matt, 1951-  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
circa 1971
1994
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of born-digital records requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Matt Mullican papers, circa 1968-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Matt Mullican papers
Matt Mullican papers / Series 1: Biographical Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95ba7498b-018f-49d6-a036-cd8ea6f13292
EDAN-URL:
ead_component:sova-aaa-mullmatt-ref12

Meet Eric Fischl

Creator:
Smithsonian American Art Museum  Search this
Type:
YouTube Videos
Uploaded:
2015-01-05T15:46:10.000Z
YouTube Category:
Education  Search this
Topic:
Art, American  Search this
See more by:
americanartmuseum
Data Source:
Smithsonian American Art Museum
YouTube Channel:
americanartmuseum
EDAN-URL:
edanmdm:yt_I7jTsTC5HnE

Newcomers 1976 Exhibition, Municipal Art Gallery

Collection Creator:
Nengudi, Senga, 1943-  Search this
Container:
Box 9, Folder 1
Type:
Archival materials
Date:
1976
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Senga Nengudi papers, 1947, circa 1962-2017. Archives of American Art, Smithsonian Institution.
See more items in:
Senga Nengudi papers
Senga Nengudi papers / Series 5: Professional Activities
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw995e372eb-ca1f-476b-a473-fee3081183cf
EDAN-URL:
ead_component:sova-aaa-nengseng-ref261
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The Aesthetics of Community-Based Art Making, Conference, Getty Center and the California Institute of the Arts

Collection Creator:
Ybarra-Frausto, Tomás, 1938-  Search this
Container:
Box 1, Folder 11
Type:
Archival materials
Date:
1991-1993
Scope and Contents note:
(clipping; events calendar; brochures; list of participants; letters to TYF from organizers of the conference re. his participation; copy of essay by Pedro Rodriguez, "The Changing Tides: Community-Based Cultural Arts in the USA"; program prospectus of "The Medocino People's Portrait Project, 1992-1994"; printed material relating to the production of the play "Windows...Mama, Why Is L.A. Burning?")
Collection Restrictions:
The collection is open for research. Use requires an appointment and is limited to the Washington, D.C. research facility.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Tomás Ybarra-Frausto research material, 1965-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Tomás Ybarra-Frausto research material
Tomás Ybarra-Frausto research material / Series 1: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4a2be31-adb6-440d-8325-94c7801ae722
EDAN-URL:
ead_component:sova-aaa-ybartoma-ref25

Gilliam, Sam

Collection Creator:
Byron Gallery  Search this
Container:
Box 5, Folder 9
Type:
Archival materials
Date:
1968
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Byron Gallery records, circa 1950s-1991, bulk 1960-1971. Archives of American Art, Smithsonian Institution.
See more items in:
Byron Gallery records
Byron Gallery records / Series 1: Artist/Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ff5401b9-d388-45a5-91bf-32c88c7152a3
EDAN-URL:
ead_component:sova-aaa-byrogall-ref164
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(AT HOME) ON ART AND SYSTEMS: ARTIST TALK WITH CHARLES GAINES

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2021-03-18T00:14:20.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_FkJrjFSUres

Luther, Judith. For the Working Artist: A Survival Guide for Artists. Valencia: California Institute of the Arts

Collection Creator:
Kiesler, Lillian, 1910?-2001  Search this
Container:
Box 16, Folder 5
Type:
Archival materials
Date:
1986
Scope and Contents:
Inscribed by author.
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Lillian and Frederick Kiesler papers, circa 1910s-2003, bulk 1958-2000. Archives of American Art, Smithsonian Institution.
See more items in:
Lillian and Frederick Kiesler papers
Lillian and Frederick Kiesler papers / Series 1: Lillian Kiesler papers / 1.9: Lillian Kiesler Library
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw984e5774d-f4a4-4ae1-8754-204286a20f92
EDAN-URL:
ead_component:sova-aaa-kieslill-ref318

Robert Fitzpartick, President, California Institute of the Arts and Vice President for Cultural Affairs, Los Angeles Olympic Committee

Collection Creator:
Bowman, Ruth, 1923-  Search this
Extent:
1 Sound cassette
Container:
Box 14, Folder 4
Type:
Archival materials
Sound cassettes
Date:
1981 August
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
Research material including correspondence, writings and notes, photographs, and printed material on Cezanne, Thomas Eakins, and Picasso: Authorization to publish, quote, or reproduce requires written permission from Ruth Bowman. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Ruth Bowman papers
Ruth Bowman papers / Series 5: Interviews / KUSC "Sounds of Seeing"
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw983ac6999-b7d0-4949-bc8c-f5c80d8e77ea
EDAN-URL:
ead_component:sova-aaa-bowmruth2-ref1322

The Outwin Boochever Portrait Competition 2019: Harry Gamboa, Jr. Juror Interview

Creator:
National Portrait Gallery  Search this
Type:
YouTube Videos
Uploaded:
2019-10-31T20:37:47.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_7ym3airwGq8

MS 1997-17 Buffalo Dream Pony by Gina Gray

Creator:
Gray, Gina, 1954-2014  Search this
Extent:
1 Print (22 x 21 inches)
Culture:
Osage  Search this
Indians of North America -- Great Plains  Search this
Type:
Collection descriptions
Archival materials
Prints
Date:
circa 1995
Scope and Contents:
This collection is comprised of a 22 x 21 inch color print on cloth made by Osage artist Gina Gray, circa 1995.
Biographical / Historical:
Gina Gray is a printmaker and painter whose work has been featured in a one-woman exhibit at the Wheelwright Museum in Santa Fe, New Mexico; in the collection of the Philbrook Museum of Art in Tulsa, Oklahoma; and in the Smithsonian Museum of the American Indian in Washington DC. She graduated from the Institute of American Arts in Santa Fe, New Mexico and attended the California Institute of the Arts, where she studied commercial art. A member of the Osage tribe, Gray currently operates a studio in Pawhuska, Oklahoma.
Local Numbers:
NAA MS 1997-17
Genre/Form:
Prints
Citation:
Manuscript 1997-17, National Anthropological Archives, Smithsonian Institution
Identifier:
NAA.MS1997-17
Archival Repository:
National Anthropological Archives
GUID:
https://n2t.net/ark:/65665/nw363a44f8a-d3dc-4162-86ed-ff58c25faf7e
EDAN-URL:
ead_collection:sova-naa-ms1997-17

Business Correspondence of Peter Hurd

Collection Creator:
Hurd, Peter, 1904-1984  Search this
Type:
Archival materials
Date:
1923-1989, undated
Scope and Contents note:
This subseries includes letters from Walter Annenberg, Julie Eisenhower, Alfred Eisenstaedt, Mrs. Douglas Fairbanks, and Prince Ranier of Monaco. Six letters from Pat Nixon include photographs of Henriette Wyeth Hurd finishing Mrs. Nixon's portrait.

See Appendix for a list of correspondents from Series 2.3.
Arrangement note:
Folders are arranged alphabetically by correspondent. Some of the folders contain letters from a single correspondent and some contain letters from a range of correspondents, all or whom are not listed in the folder title.
Appendix: Correspondents from Series 2:3:
Abell-Hanger Foundation, 1969-1970

Abilene Club, 1950

Abilene Fine Arts Museum, 1973-1974

Abrams: Harry N. Abrams, Inc., 1963-1971

Abrums, Mrs. John Denise, 1973

Academy Foundation, 1955-1971

Accademia Culturale Adriatica d'Italia, 1949

Achenbach, Col. H. F., 1967

Acosta, Manuel G., 1961-1971

Addison Gallery of American Art, 1968-1969

Addison-Wesley Publishing Company, 1968

Adkins, Eugene B., 1965-1975

Admirals Club, 1962-1972

Ainsworth, Mrs. Ed, 1967-1969

Air Force: see Academy Foundation; see Headquarters [U. S. Air Force] see Headquarters of Fifteenth Air Force

Albert, Harry B., 1954-1969

Albuquerque National Bank, 1963-1969

Alexander, George W., 1974

Alford, J. R. T., 1971

Allen, David, 1967-1968

Allen, Douglas, 1971-1972

Allen, Evelyn, 1967

Aller, Robert, 1974

Alley Book Stall, 1951-1968

Allred, Dr. E. C., 1974

Amarillo Art Center, 1973-1974

Amarillo Public Schools, 1951

America The Beautiful Fund, 1965-1973

American Artist, 1962-1974

American Artists Group, Inc., 1937-1946

American Association of Museums, 1969

American Broadcasting Company, 1966

American Embassy in Mexico, 1965-1966

American Factors, Limited: see AMFAC

American Federation of Arts, 1938-1947

American Heritage, 1964-1975

American Institute of Architects, 1959

American Medical Association, 1965

American Museum of Natural History, 1969-1970

American Orchid Society, Inc., 1951

American Watercolor Society, 1962-1973

AMFAC (American Factors, Ltd.), 1949-1969

Amick, L. D., 1960

Anderman, George G., 1970-1971

Anderson, Clinton P., 1941-1971

Anderson, Donald B., 1962-1967

Anderson, Donald James, undated

Anderson, Mildred K., 1968

Anderson, Robert O., 1954-1972

Andrews/Nelson/Whitehead, Inc., 1964

Annala, Ronald, 1969

Annenberg, Walter H., 1967-1973

Architectural Digest, 1973

Arizona: see Babbitt, Bruce

Arizona Bank, 1973

Arizona Highways, 1952-1974

Arizona State Fair, 1954

Arizona State University, 1965

Armstrong, 1963

Artesia: College of Artesia, 1967-1971

Arthur, Zinn, 1954

Art in America, 1963

Art Institute of Chicago, 1935-1941

Artists Equity Association, Inc., 1965-1974

Artists Showroom, 1973

Artists/USA, Inc., 1970

Ash, Frances and Bob, 1969

Asia Foundation, 1959

Aspen Institute for Humanistic Studies, 1962-1974

Associated American Artists, 1936-1975

Aston, Rogers, 1972-1973

Atlantic Monthly Press, 1955-1968

Atwood, Bob, 1967

Austin, Flavius, 1973-1974

Ayer: N. W. Ayer & Son, Inc., 1942-1950

Ayers, Thomas G., 1972-1973

Aylward, Nell, undated

Babbitt, Bruce, 1982

Bacon, Ernst, 1965-1969

Bailey, Kenneth, 1967-1974

Bailey, William S., 1963-1968

Baker Company, 1969

Baker, Frederick, 1970

Baker, Straus, 1964-1968

Bales, Bob, 1962-1966

Balis, C. Wanton, 1950-1951

Ball, Eve, 1966

Ball, Ralph, 1974

Ball, Robert L., 1947

Ballantine, Bill, 1969

Ballin, Hugo, 1937

Barbee Welding Supply Co., 1984

Barnard, Jacqueline, 1968

Barnes, Courtlandt D., 1968-1969

Barnes, Katrina M., undated

Barnes, W. U., 1966-1968

Barry, Claude and Dana, 1974

Bass, Perry, R., 1958-1978

Bates, Jack, 1951-

Beal, Carlton, 1968-1970

Beam: Jim Beam Bottle Project, 1969-1970

Beitz, Lester, 1946

Bell, Carol Ann, 1967

Bencsik Gallery, 1974

Bennett, Fred, 1967

Berger, Tom, 1974

Bergman, B., 1970

Betancourt, Romulo, 1964-1967

Biddle, Francis, 1966

Biddle, John H., 1971

Biggs, John, 1937-1981

Bishop, John, 1950-1951

Bishop Printing & Litho Co., 1971

Bissell, Mrs. Alfred, undated

Black, D. Eric, 1969

Black, Vance, 1972

Blair Galleries, 1966-1970

Blake, Dorothy, undated

Blakenship, W. B., 1968-1969

Blaustein, Julian, 1957-1958

Blue Lake Project, 1969-1972

Blumenstock, Mrs. George, 1972

Bockius, R. W., 1967

Bogle, Dorothy, 1951-1966

Bohemian Club, 1967-1969

Boise Art Association, 1964

Bolt, Reggie, 1966

Bonfoey, Kay, 1973

Bonney, Cecil, 1965

Bonney, William, 1976

Book of the Month Club, Inc., 1971-1972

Book Stall, 1969

Boren, James, 1968

Borton, Hugh, 1970-1980

Bouldin, Marshall, 1968

Bowden, A. J., 1971

Bowers: Charles W. Bowers Memorial Museum, 1964-1965

Bowlin's Mesilla Book Center, 1967

Bowman, Frank, 1950-1963

Bradford, Dewey C., 1961-1965

Bradley, Palmer, 1965

Branch, Hampton, 1964

Brandywine Galleries, Ltd., 1970-1973

Brandywine River Museum, 1979

Branham, Mary, 1961

Brantley, Alexandra, 1974

Brass Door Galleries, 1974

Breck, Louis W., 1960-1965

Breese, E. W., 1967

Breidster, W. Fritz, 1967

Brenton, Daniel, 1969

Brewer, Mike, 1961

Brice, Charles R., 1956

Briggs, James, 1961

Briggs, Randall W., 1960-1974

British Broadcasting Corp., 1942

Brook, A., 1965

Brown, Arthur, 1964

Brown, John F., 1969-1970

Brown, Raymond, 1969

Browne, Mrs. Spencer, 1961

Browser's Magazine, 1972

Brusher, Hal, 1973

Buckingham, L. J., 1969

Bunting, Mrs. Frederick W., 1965-1966

Bureau of Reclamation, 1969-1974

Burgess, Ryk, 1971

Burnham, Alice, 1971

Burress, Mary, 1972

Busch, Niven, 1946-1973

Business Men's Assurance, 1962-1972

Butcher, Mrs. Cary P., 1964-1965

Butler, Charles, 1969

Butler Institute of American Art, 1967

Butoler, Olivia, undated

Bynner, Witter, 1940-1975

Byrom, Gilliam, 1973

Cabell, Charles P., 1953-1967

California Institute of the Arts: see Bales, Bob

Carlin Galleries, 1981

Carroll, John M., 1969-1971

Carter, Jimmy, undated envelope fragment

Chester Art Guild: see Dawson, James

Chicago: see Art Institute of Chicago

Circle Gallery, Ltd., 1972-1974

Coe Kerr Gallery, Inc.: see Busch, Niven

Colorado: University of Colorado, undated

Copley, James S., 1967-1973

Cosmos Club, 1960-1967

Country Gentleman, 1941-1952

Coward-McCann, Inc., 1944-1957

Craver Farms, 1982

Daeuble: Carroll, Daeuble, Du Sang and Rand, 1967

Dahl, Bjarne B., 1973

Dailey, Fred, 1972

Dakota Artists Guild, 1969

Dale, Mrs. Chester, 1966

Dall Smith, Inc., 1963-1967

Dallas Museum of Fine Arts, 1937-1960

Dallas Terminal Annex, 1938-1978

Dalrymple, Mrs. Glen, 1965

Daniels, Charles E., undated

Darlington, Carol S., 1964

Darlington, Jack, 1967

Darnell, Casey and Blair, 1965

Dartmouth College, 1960-1961

Datsun endorsement, 1972-1979

Daughtery, Frank, 1959

Davenport, Mrs. O. H., undated

Davey, Danny, 1969-1971

Davidson, Barbara, 1968-1969

Davidson, Harry M., 1967

Davis, John, 1956

Davis, Larry, 1967-1968

Davis, Morgan J., 1961-1969

Davis, Mrs. Ray V., 1954-1966

Davis, W. B., 1967

Dawley, David G., 1967

Dawson, James, 1970

Day, Fred, 1951

Dean, Susan, 1965-1967

Deane, Martha, 1968

Decorators' Showcase, 1967

Deere & Company, 1972

Delaware: University of Delaware, 1978

Dena, Benito Palomino, 1967-1970

Denkhoff, Ray, 1967

Denman, Franklin & Denman, 1967

Dent: J. M. Dent & Sons, 1965

Dent, Mrs. John, 1966

Desert Magazine, undated

Desert Magazine Art Gallery, 1962-1963

Dietz, Mrs. Robert, 1965

Diggdon, Philip D., 1974

Dillon, Austin, H., 1969-1971

Dixon, Don, 1968

Dixon, George, 1959

Dobie-Paisano Project, 1965-1966

Dobson, B. C., 1967

Dodds, R. W., 1949

Dohanos, Stevan, 1963

Dolan, Eugene, 1969

Donald Art Company, Inc., 1964

Donti, Jerrold, 1968

Doornbos, E., 1966

Dougherty, Dudley T., 1967

Douglas Art Association, 1972

Dow, James, 1961-1968

Dow: Louis F. Dow Co., 1955-1956

Drake, Blaine, 1963-1967

Drankow, Mrs. Matty, 1966

Dressel & Altman, 1967

Driskell, Mrs. Joseph, 1967-1968

Dunn, Fern, 1968

Dunn, Helen, 1967

Dupre, Grace D., 1965-1972

Dysart, Cabot, 1963-1967

Easter, Sister Claretta, 1966-1967

Easterling, Ross, 1969

Eastern New Mexico University, 1963-1979

Eastern Washington State Historical Society, 1964

East Texas State University, 1961-1970

Eaton, Bonnie, 1968

Eaton, L.?, 1952

Eaton, Nan and Bob, 1965-1970

Eckman, Mary, 1966

Edinburgh Regional College, 1951-1952

Editions Press, 1973

Edwards, J. W., 1969

Egri, Ted, 1959

Ehrt, Herbert A., 1951

Eiseman, Douglass W., 1961

Eisenhower, Julie: see Nixon, Pat

Eisenstaedt, Alfred, 1968

Eliot, Alexander, 1970

Elliott, Ben, 1965

Elliott, George, 1951-1972

Elliott, Hazel, 1967

Elliott, Will, 1941

Elliston, Lura Duff, undated

Elms Gallery, 1964

El Paso Museum of Art, 1961-1978

Embry, W. Glenn, 1953-1966

Emmet, Barton, 1965-1966

Emmet, John, 1966-1967

Encyclopaedia Britannica, 1944-1977

English, Frances Bonnell, 1969

Ericson, Andrea, undated

Espinoza, Noel, 1969

Esty: William Esty Company, 1962

Evans, Annie Mae, 1962

Evans, Dorothy T., 1965-1973

Evans, Elinor, 1972

Evans, Ernestine, 1968

Evans, G. W., 1960-1961

Evans, Ira K., undated

Evans, Joe M., undated

Evans, Louise, 1955-1967

Evans, Truett, 1962-1970

Ewbank, H. R., 1954

Ezell, James Kerry, 1970

Fairbanks, Mrs. Douglas, 1971

Falkner, Mrs. Herbert, 1970

Fall, Hugh V., 1936

Faltermeier, Robert, 1973

Family Circle Magazine, 1954

Farm Journal, 1950-1970

Farnsworth Television & Radio Corp., 1942-1948

Farr, R., 1965

Farrar & Rinehart, 1940

Farrington, Mrs. L. H., 1946

Faude, Susan, 1967-1968

Faudree, William, 1977

Fauntleroy, O. W., 1959-1960

Faver, Robert M., 1974-1975

Feather, G. A., 1951

Fedway [Department Store], 1965

Feist, Herbert E., 1971

Felpes, undated

Ferargil, Inc., 1950

Ferguson, Tana, undated

Ferguson, Thomas, 1967

Fergusson, Erna, 1951

Ferroni, Brimo, 1947

Ferrucci, Mario, 1968

Fideler Company, 1952

Field Enterprises Corp., 1965-1975

Fielding, William, 1967

Film Enterprises, 1972-1973

Fine Arts Commission, 1959-1962

Finley, David Edward, 1965-1969

Fireman's Fund, 1967

First National Bank of Albuquerque, 1970

First National Bank of Chicago, 1962-1974

Flannery, Vaughan, undated

Flannery, W. E., 1954

Fleetwood, Charles, 1969

Fleischmann, Justin and Lillian, 1966-1971

Fleming, Joseph, 1970

Fleming, Pat, 1968

Flynn, J. Walter, 1960-1966

Fogg Art Museum, 1940-1971

Foote, Cone, & Belding, 1949-1955

Ford, Jesse Hill, 1965

Ford Motor Company, 1950-1969

Ford, Merrill, 1965-1968

Fort, Tomlinson, 1961-1973

Fortune, Cedric, 1973

Foster, Mrs. Maurice, 1969

Foster, Robert, 1971-1973

Foust, Chester, 1955-1961

Fowler, Frank N., 1973-1974

Fox, Chris, 1966-1967

Francis, Helen, 1974

Frank, Paul A., 1946

Franklin Mint, 1970-1973

Franklin Pierce College, 1968

Frauwirth, Sidney, 1964-1965

Friedberg, Opal, 1967

Friends Magazine, 1962-1964

Frison, Don, 1969-1970

Fuller, Charles D., 1968

Fulton, R. H., 1969

Fundingsland, Mrs. S. E., 1974

Georgia: University of Georgia, 1980

Goddard, Robert H., 1964-1971

Golden Anniversary Friendship Flight, 1962

Grant, W. D.: see Business Men's Assurance

Guelph: University of Guelph (Ontario, Canada), 1977

Hacker, George, 1951

Hackley Art Gallery, 1949-1954

Hadley, John M., 1970

Haeberle, Peter, 1970-1971

Hagberg, Peter, 1967

Hagerman First National Bank, 1962

Hale, Mrs. D. L., 1978

Hall Brothers, Inc., 1951

Hall, Walter B., 1969

Halliburton, Erle, 1968

Hallmark Cards, Inc., 1949-1962

Halsey, Admiral, 1945 (letter signed by secretary)

Halteman, Theodore, 1968

Hamilton, Donald W., 1969-1970

Hamilton, Jim, 1970

Hamilton, John, 1966

Hamilton, Minard, 1961

Hammer Galleries, 1962

Hammer, Mrs., 1964

Hamner, Laura, 1939-1965

Hanna, Mrs. Dan R., 1966

Hanrahan, James S., 1961

Hanes, Mabel, 1964

Hardcastle: George Hardcastle and Son, Inc., 1962

Hardy, Gladys E., 1970

Harman, Fred, 1969

Harmon, H. R., 1955-1956

Harper, Mrs. Gerald, 1973

Harris, Mrs. Charles Lee, 1971

Harris, Mrs. Henry B., 1975

Harris, W. T., 1965-1968

Harrison, John R., 1966-1970

Harrison, Milton, 1964-1967

Harvard Art Review, 1969

Haswell, Anthony, 1964

Hatch, Francis W., 1967-1970

Hathaway, C., 1966

Haverford College, 1951-1981

Hawkins, Gardiner, 1972-1974

Hawkins, H. H., 1967

Hawks, John, 1967

Haynsworth, Mrs. R. F., 1971

Headquarters [U. S. Air Force], 1942-1976

Headquarters of Fifteenth Air Force, 1955-1966

Healey, Giles Greville, 1964

Heard, John F., 1965

Heart Association of Broward County, 1966-1969

Heath, Robert and Jean, 1976-1980

Heckman: W. L. Heckman Co., 1967

Heineman, Ben W., 1966-1976

Helbis, John and Shirley, 1966

Hemmle, Agnes and Gene, 1967

Henderson, undated

Henderson, Charles, 1950-1965

Hensley, Gene, 1970

Hensley, Jackson, 1967-1968

Hercules Powder Company, 1953-1974

Hergesheimer, Joseph, 1925-1941

Heron, Clyde, 1969

Herrin, Lex, 1967

Heston, Loomis, 1969-1970

Hettinger: H. I. Hettinger & Co., 1953

Hevenor, Richard K., 1969

Heyser, Estill S., 1950

Heywood, Barrett H., 1975

Hickman, Charles S., 1973

High Mesa College, 1968

Hightower, Frank, 1971

Hildebrand, Ira, 1967-1971

Hilliard, H. T., 1966-1969

Hinkle, Clarence E., 1959-1972

Hirsch, Peter, 1966

Hirschi & Adler, 1967-1968

Hissom, R. J. 1967-1971

Hitch, Henry C., 1968-1970

Hoard, Mary C., 1973-1974

Hodson, R. J., 1968

Hoffer, Clarence W., 1961

Hogg, Eleanor H., 1963

Hogsett, Glade C., 1959

Holden, W. Curry, 1950-1977

Holle, Charles G., 1968-1969

Holliday: W. J. Holliday & co., 1951

Hollister, Paul, 1971

Holman, Herschel E., 1960

Holmes, Myrtle, 1972

Holt: Henry Holt and Company, Inc., 1956

Holt, Robert B., 1968-1971

Homer, Jack, 1951

Hondo Valley Traffic Safety, 1963

Honolulu Art Association, 1971

Hoopes, Clement R., 1971

Hoover, Mrs. Thomas B., 1964

Hopwell, Mrs., undated

Hopwood, Mrs. W. J., 1975

Horgan, Ed, 1950-

Horwitz, Mary Lou, undated

Horgan, Paul: see Correspondence, Letters to and from Paul Horgan

Hosford, Penny, 1965

Hotton, Esther H., 1964-1965

Houghton Mifflin Company, 1943-1972

House & Garden, 1955-1975

Houston Chronicle, 1966

Houston Post, 1954

Howard, Eldon B., 1967-1968

Howard Roy, 1963

Hubbard, Jere, 1967-1968

Hughes, Ruth, 1972

Huling, Ray G., 1974

Hulse, Max D., 1968-1970

Humble Oil & Refining Company, 1955-1961

Hunsaker, Joe Ben, 1968

Hunt, Robert N., 1948

Hunter Gallery, 1969

Hunter, Pamela, 1972

Hurley, Norma, 1971

Hurley, Wilson D., 1968

Hutchins, Susan, 1923-1928

Interior: Department of the Interior: see Bureau of Reclamation

MacNider, Jack, 1972

McKee, John J., 1971-1982

Mesilla Design Center: see Bowlin

Mexico: see American Embassy in Mexico

National Academy of Design, 1982-1989

New Mexico: Office of the Governor, 1981

New Mexico State University: see Anderson, Clinton P.

New Mexico: University of New Mexico, Albuquerque, 1975-1978

Nixon, Pat, 1978-1980

Oklahoma: University of Oklahoma Press, 1975-1977

Quivira Bookshop: see Dietz, Mrs. Robert

Rainier: Prince Rainier of Monaco, 1976

Reagan, President and Mrs., 1981 and 1984 (Christmas cards designed by Jamie Wyeth)

Rockefeller, Mrs. John D., III, 1978

Rummell, Mrs. W. B., 1983

St. John's College, 1963-1977

St. Vincent Hospital, 1979

Schumpert, Billy, 1968

Scripps College, 1977

Smithsonian Institution, 1978

Suzette International, 1981

Swallow Press, Inc., 1969-1977

Tankersley, Mrs. Garvin, 1975-1978

Taylor, Robert, 1976

Texaco, 1977-1982

Texas A&M University, 1980-1982

Texas Centennial Exposition, 1936

Texas-New Mexico Library Association, 1976-1977

Texas: University of Texas, Austin, 1964-1979

Thompson, Daniel V., 1975

Treidel, Mrs. Walter, 1974-1975

Trigg, Mrs., undated

Twaddell, Kristie, 1975

United States Information Agency, 1975-1976

Vance, Mrs, Alex, 1975-1978

Vance, "Monk", 1975

Vinson, Bailie, 1959-1978

Vollum, Orville, 1973-1975

Wagley, Philip F., 1977

Walbridge, Norton S., 1976

Walker Air Force Base, 1954-1967

Walters, Richard H., 1975

Waltrip, Rufus, 1972

Watson-Guptill Publications, 1969-1975

Watson, Jo Ann, 1974-1975

Waxman, Lilo, undated

Webster, Jack, 1976-1980

Weitzenhoffer, Mrs. Aaron M., 1976

West, W. F., 1979

Western Fine Arts Foundation, 1974-1977

Whetstone Fine Framing, 1980

Wiggins, Walt, 1978

Wilkerson, Tom, 1975-1977

Wilkinson, Kirk C., 1979

Willis, Ken, 1978-1979

Willner, Catherine, 1979

Wilmington Savings Fund, 1973-1975

Wilmot, Paul D., 1977

Wilson: Sandra Wilson Galleries, 1977

Wilson: Woodrow Wilson Fine Arts, 1980

Wood, Dennis, 1975

Woods, Carol R., 1980

Woodsmall, Warren O., 1976

Woodson, Weldon D., 1977

Woodward, Daniel E., 1975

Woodworth, Charlie H., 1978

Woolfitt, Adam, 1969

Woolley, Bennett L., 1972

Woolvin, Sam, 1976

Wyeth, Betsy, 1976

Wyeth: Nicholas Wyeth, Inc., 1978

Wyoming: University of Wyoming, 1976
Collection Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Peter Hurd and Henrietta Wyeth Hurd papers, 1917-1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hurdpete, Subseries 2.3
See more items in:
Peter Hurd and Henriette Wyeth Hurd papers
Peter Hurd and Henriette Wyeth Hurd papers / Series 2: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94bb9b7dd-7506-44e6-bf1f-102333b83469
EDAN-URL:
ead_component:sova-aaa-hurdpete-ref25

Ralph Bacerra papers

Creator:
Bacerra, Ralph, 1938-2008  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Otis Art Institute  Search this
Heino, Vivika, 1910-1995  Search this
Moore, Eudorah M.  Search this
Extent:
3.4 Linear feet
Type:
Collection descriptions
Archival materials
Drawings
Diaries
Sketchbooks
Date:
1957-2015
Summary:
The papers of Los Angeles ceramic artist and educator Ralph Bacerra measure 3.4 linear feet and date from 1957 to 2015. The collection documents Bacerra's career through correspondence, professional activity files including teaching files from Chouinard Art Institute and Otis Art Institute, exhibition files, writings and notes including the artist's ceramic formulas and a diary, artwork including sketchbooks and drawings, photographs including images of Bacerra and his work, and printed material relating to Bacerra's career.
Scope and Contents:
The papers of Los Angeles ceramic artist and educator Ralph Bacerra measure 3.4 linear feet and date from 1957 to 2015. The collection comprises correspondence with the Decorative Arts Council, Los Angeles County Museum of Art, the Theo Portnoy Gallery, and others; professional activity files including teaching files from Chouinard Art School and Otis College of Art, exhibition files, and a file for his National Council on Education for the Ceramic Arts award. Also found are writings and notes containing ceramic formulas, Bacerra's student notes, and a diary record of his road trip with Vivika Heino in 1959; artwork consisting of sketchbooks and drawings from Chouinard, the Shoji Hamada workshop at the University of Southern California, and other sketches of ceramic designs; photographic materials of Bacerra and his work, personal photographs, Asian art, sculptures, and travel; and printed materials relating to Bacerra's career.
Arrangement:
The collection is arranged as 6 series.

Series 1: Correspondence, 1959-2002 (0.2 linear feet; Box 1)

Series 2: Professional Activity Files, 1959-2013 (0.4 linear feet; Boxes 1, 4, OV 5)

Series 3: Writings and Notes, 1957-circa 1990s (0.4 linear feet; Box 1)

Series 4: Artwork, circa 1959-circa 1970s (0.2 linear feet; Boxes 1, 4)

Series 5: Photographic Material, 1958-2001 (1.8 linear feet; Boxes 2-4)

Series 6: Printed Material, 1958-2015 (0.4 linear feet; Box 4, OV 5)
Biographical / Historical:
Ralph Bacerra (1938-2008) was a ceramic artist and educator in Los Angeles, California.

Born to a Filipino father and mother from Montana, Bacerra grew up on a farm in Garden Grove, California where his parents settled before he was born. Bacerra began studying art in high school and later went onto study commercial art and ceramics with Bill Payne at Orange Coast Junior College. Bacerra planned on continuing his commercial art studies when he enrolled in Chouinard Art Institute, now the California Institute of the Arts, but changed his major to ceramics after taking a class with Vivika Heino, who became his mentor. Heino and her husband Otto were respected figures in the ceramics field. In 1959, on a road trip from Los Angeles to New Hampshire, Heino introduced Bacerra to prominent artists across the country.

After graduating with a Bachelor of Fine Arts, Bacerra joined the Army and served for two years. Upon his return to Los Angeles, he began teaching at Chouinard. Heino, who headed the ceramics department at the time, left the school to teach at the Rhode Island School of Design, leaving the department in the hands of Bacerra and John Fassbinder. A few years later, Bacerra became the department head. In 1971, when Chouinard became the California Institute of Art, the ceramics department was discontinued. Over the next decade, Bacerra focused on studio work and travel to Asia, and the influence of Japanese Imari and celadon can be seen in Bacerra's work. Bacerra also did commercial work for the Induction Stove Corporation and developed an advanced ceramics technique using electromagnetic induction. From 1983 to 1997, Bacerra taught at the Otis Art Institute. After retiring, he devoted his time to studio work.

Bacerra's work is in the permanent collections of the Smithsonian Institution and the Los Angeles County Museum of Art, among others. His work has been exhibited throughout the United States and abroad. In 1998, he was awarded honorary membership by the National Council on Education for the Ceramic Arts.

Bacerra died in Eagle Rock, California in 2008.
Related Materials:
Also in the Archives of American Art is an oral history interview of Ralph Bacerra conducted on April 7-19, 2004 by Frank Lloyd, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Los Angeles, California.
Provenance:
The Ralph Bacerra papers were donated in 2003 by Ralph Bacerra, in 2016 by Cindy Bass, Bacerra's niece and executor, and in 2017 by Jo Lauria Fargo on behalf of Bass as part of the Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Ceramicists -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Topic:
Asian American artists  Search this
Filipino American artists  Search this
American studio craft movement  Search this
Genre/Form:
Drawings
Diaries
Sketchbooks
Citation:
Ralph Bacerra papers, 1957-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.baceralp
See more items in:
Ralph Bacerra papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f35b9309-aa9b-4f11-86b6-c16d70fb2d93
EDAN-URL:
ead_collection:sova-aaa-baceralp

Printed Material

Collection Creator:
De Kooning, Elaine  Search this
Extent:
5 Folders (Boxes 2-3)
Type:
Archival materials
Date:
1961-1982
Scope and Contents:
Printed material primarily concerns the exhibition of de Kooning's John F. Kennedy portraits, including exhibition publications and posters, as well as many news clippings about the Kennedy family. Also found is a portfolio of published serigraphs from the California Institute of the Arts.
Collection Restrictions:
Use of original materials requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elaine de Kooning papers, circa 1959-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dekoelas, Series 4
See more items in:
Elaine de Kooning papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c7b4d1af-482f-48e9-9db1-3c63402f50b1
EDAN-URL:
ead_component:sova-aaa-dekoelas-ref67

Portfolio, California Institute of the Arts

Collection Creator:
De Kooning, Elaine  Search this
Container:
Box 3, Folder 2
Type:
Archival materials
Date:
1960s
Collection Restrictions:
Use of original materials requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Elaine de Kooning papers, circa 1959-1989. Archives of American Art, Smithsonian Institution.
See more items in:
Elaine de Kooning papers
Elaine de Kooning papers / Series 4: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95e17d5ab-e3c3-411e-947c-09193a72c9db
EDAN-URL:
ead_component:sova-aaa-dekoelas-ref72

Oral history interview with Lyle Ashton Harris, 2017 March 27-29

Interviewee:
Harris, Lyle Ashton 1965-  Search this
Interviewer:
Fialho, Alex 1989-  Search this
Subject:
Baker, Houston A. Jr. 1943-  Search this
Barton, Nancy (Artist)  Search this
Basquiat, Jean-Michel 1960-1988  Search this
Butler, Cornelia H  Search this
Carby, Hazel V  Search this
Collier, Jim  Search this
Gates, Henry Louis Jr  Search this
Geer, Tommy  Search this
Goldin, Nan 1953-  Search this
Gonzalez-Torres, Felix 1957-1996  Search this
Gray, Todd 1954-  Search this
Grayson, John 1943-  Search this
Hemphill, Essex  Search this
Julien, Isaac  Search this
Lord, Catherine 1949-  Search this
Mapplethorpe, Robert  Search this
Mays, Vickie M  Search this
O'Dench, Ellen  Search this
O'Meally, Jackie  Search this
O'Meally, Robert G. 1948-  Search this
Riggs, Marlon T  Search this
Seeley, J  Search this
Sekula, Allan  Search this
Tate, Greg  Search this
Tilton, Jack  Search this
Watson, Simon  Search this
Wilson, Millie  Search this
Woodman, Francesca 1958-1981  Search this
American Academy in Rome Students  Search this
California Institute of the Arts Students  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Wesleyan University (Middletown, Conn.) Students  Search this
Whitney Museum of American Art  Search this
Physical description:
Sound recording: 6 sound files (8 hr., 6 min.) digital, wav
Transcript: 95 pages
Type:
Interviews
Sound recordings
Place:
New York (State)
New York
England
London
Ghana
Netherlands
Amsterdam
New York (N.Y.)
Tanzania
Date:
2017
2017-2017
2017 March 27-29
Topic:
African American artists  Search this
AIDS activists  Search this
AIDS (Disease) and art  Search this
Art--Study and teaching  Search this
Gay artists  Search this
Performance artists  Search this
Photographers  Search this
Photography--Study and teaching  Search this
Racism  Search this
Video artists--Interviews  Search this
Description and travel  Search this
Local number:
aaa
AAA harris17
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_387759

Oral history interview with Lyle Ashton Harris

Interviewee:
Harris, Lyle Ashton, 1965-  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Names:
American Academy in Rome -- Students  Search this
California Institute of the Arts -- Students  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Wesleyan University (Middletown, Conn.) -- Students  Search this
Whitney Museum of American Art  Search this
Baker, Houston A., Jr., 1943-  Search this
Barton, Nancy, (Artist)  Search this
Basquiat, Jean-Michel, 1960-1988  Search this
Butler, Cornelia H.  Search this
Carby, Hazel V.  Search this
Collier, Jim  Search this
Gates, Henry Louis, Jr.  Search this
Geer, Tommy  Search this
Goldin, Nan, 1953-  Search this
Gonzalez-Torres, Felix, 1957-1996  Search this
Gray, Todd, 1954-  Search this
Grayson, John, 1943-  Search this
Hemphill, Essex  Search this
Julien, Isaac  Search this
Lord, Catherine, 1949-  Search this
Mapplethorpe, Robert  Search this
Mays, Vickie M.  Search this
O'Dench, Ellen  Search this
O'Meally, Jackie  Search this
O'Meally, Robert G., 1948-  Search this
Riggs, Marlon T.  Search this
Seeley, J.  Search this
Sekula, Allan  Search this
Tate, Greg  Search this
Tilton, Jack  Search this
Watson, Simon  Search this
Wilson, Millie  Search this
Woodman, Francesca, 1958-1981  Search this
Extent:
6 Items (Sound recording: 6 sound files (8 hr., 6 min.), digital, wav)
95 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
England -- London -- Description and Travel
Ghana -- Description and Travel
Netherlands -- Amsterdam -- Description and Travel
New York (N.Y.) -- Description and Travel
Tanzania -- Description and Travel
Date:
2017 March 27-29
Scope and Contents:
An interview with Lyle Ashton Harris, conducted 2017 March 27 and 29, by Alex Fialho, for the Archives of American Art's Visual Arts and the AIDS Epidemic: An Oral History Project, at Harris's studio and home in New York, New York.
Harris speaks of his childhood in the Bronx; his family's influence on his race-consciousness; living in Tanzania for two years as a child and the effects on his understanding of race and sexuality; his grandfather's extensive photographic archive; contact with the South African diaspora through his step-father; attending Wesleyan University; formative experiences in London, Amsterdam, and New York in the mid-1980s; his education and development as a photographer; attending CalArts and encountering West Coast AIDS activism; encountering systemic racism in Los Angeles; close friendships with Marlon Riggs and Essex Hemphill; exhibitions of his work in New York in the early 1990s; the production of his Ektachrome Archive and his impulse to photograph daily life; his work on the Black Community AIDS Research and Education (Black C.A.R.E.) project in Los Angeles; participating in the Whitney Museum's Independent Study Program; being diagnosed with HIV and remaining asymptomatic; attending the Dia Black Popular Culture Conference in 1992; photographing and mounting "The Good Life" in 1994 and "The Watering Hole" in 1996; issues of blackness and queerness in his photographic work; his residency at the American Academy in Rome in 2000; moving to Accra, Ghana for seven years in 2005; his pedagogy as an art professor; his thoughts on the lack of voices of color in the Visual Arts and the AIDS Epidemic Oral History Project and in the larger power structures of the art world; and his hope that his artistic legacy will be evaluated in its proper context. Harris also recalls Jackie and Robert O'Meally, Jay Seeley, Ellen O'Dench, Francesca Woodman, Jean-Michel Basquiat, Jim Collier, Robert Mapplethorpe, Allan Sekula, Hazel Carby, Isaac Julien, Catherine Lord, Millie Wilson, Todd Gray, John Grayson, Tommy Gear, Marlon Riggs, Essex Hemphill, Felix Gonzalez-Torres, Nancy Barton, Vickie Mays, Connie Butler, Greg Tate, Henry Louis Gates, Houston Baker, Nan Goldin, Jack Tilton, Simon Watson, and others.
Biographical / Historical:
Lyle Ashton Harris (1965- ) is an artist who works in video, photography, and performance in New York, New York. Alex Fialho (1989- ) is a curator and arts writer and works as Programs Director for Visual AIDS in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Performance artists -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Video artists -- New York (State) -- New York  Search this
Topic:
AIDS activists  Search this
AIDS (Disease) and the arts  Search this
Racism  Search this
African American artists  Search this
Artists (LGBTQ)  Search this
Gay artists  Search this
African American art -- African influences  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.harris17
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9559d7597-04b4-4644-b6ae-bca2bdb27f88
EDAN-URL:
ead_collection:sova-aaa-harris17
Online Media:

Oral history interview with Lyle Ashton Harris, 2017 March 27-29

Interviewee:
Harris, Lyle Ashton, 1965-  Search this
Harris, Lyle Ashton, 1965-  Search this
Interviewer:
Fialho, Alex, 1989-  Search this
Subject:
Baker, Houston A., Jr.  Search this
Barton, Nancy, (Artist)  Search this
Basquiat, Jean-Michel  Search this
Butler, Cornelia H.  Search this
Carby, Hazel V.  Search this
Collier, Jim  Search this
Gates, Henry Louis, Jr.  Search this
Geer, Tommy  Search this
Goldin, Nan  Search this
Gonzalez-Torres, Felix  Search this
Gray, Todd  Search this
Grayson, John  Search this
Hemphill, Essex  Search this
Julien, Isaac  Search this
Lord, Catherine  Search this
Mapplethorpe, Robert  Search this
Mays, Vickie M.  Search this
O'Dench, Ellen  Search this
O'Meally, Jackie  Search this
O'Meally, Robert G.  Search this
Riggs, Marlon T.  Search this
Seeley, J.  Search this
Sekula, Allan  Search this
Tate, Greg  Search this
Tilton, Jack  Search this
Watson, Simon  Search this
Wilson, Millie  Search this
Woodman, Francesca  Search this
American Academy in Rome  Search this
California Institute of the Arts  Search this
Visual Arts and the AIDS Epidemic: An Oral History Project  Search this
Wesleyan University (Middletown, Conn.)  Search this
Whitney Museum of American Art  Search this
Type:
Interviews
Sound recordings
Place:
England -- London -- Description and travel
Ghana -- Description and travel
Netherlands -- Amsterdam -- Description and travel
New York (N.Y.) -- Description and travel
Tanzania -- Description and travel
Topic:
AIDS activists  Search this
AIDS (Disease) and the arts  Search this
Racism  Search this
African American artists  Search this
Artists (LGBTQ)  Search this
Gay artists  Search this
African American art -- African influences  Search this
Theme:
African American  Search this
Record number:
(DSI-AAA_CollID)17456
(DSI-AAA_SIRISBib)387759
AAA_collcode_harris17
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_387759
Online Media:

Oral history interview with Allan Sekula, 2011 August 20-2012 February 14

Interviewee:
Sekula, Allan  Search this
Interviewer:
Panzer, Mary  Search this
Subject:
Altoon, John 1925-  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Ascott, Roy  Search this
Braderman, Joan  Search this
Baldessari, John 1931-  Search this
Barthes, Roland  Search this
Becker, Howard  Search this
Bercovitch, Sacvan  Search this
Beveridge, Karl  Search this
Bo Diddley 1928-2008  Search this
Brach, Paul 1924-  Search this
Burch, Noël 1932-  Search this
Burn, Ian 1939-1993  Search this
Captain Beefheart  Search this
Charlesworth, Sarah 1947-2013  Search this
Chayefsky, Paddy 1923-1981  Search this
Conde, Carol  Search this
Connell, Brian  Search this
Evans, Walker 1903-1975  Search this
Farber, Manny  Search this
Feldman, Ronald 1938-  Search this
Folks, Homer 1867-1963  Search this
Fox, Terry 1943-  Search this
Fried, Howard 1946-  Search this
Ginsberg, Allen 1926-1997  Search this
Graham, Dan 1942-  Search this
Graves, Michael 1934-2015  Search this
Halleck, DeeDee  Search this
Hanhardt, John G  Search this
Hassan, Ihab 1925-2015  Search this
Hayes, Woody 1913-1987  Search this
Heinecken, Robert 1931-  Search this
Higgins, Dick 1938-1998  Search this
Hine, Lewis Wickes 1874-1940  Search this
Kienholz, Edward 1927-  Search this
Kirschenbaum, Baruch David 1931-  Search this
Knowles, Alison 1933-  Search this
König, Kasper  Search this
Kosuth, Joseph  Search this
Kozloff, Max  Search this
Kramer, Hilton  Search this
Krauss, Rosalind E  Search this
Liebling, Jerome  Search this
Lifson, Ben  Search this
Little Richard 1932-  Search this
Lonidier, Fred  Search this
Lord, Catherine 1949-  Search this
Lunn, Harry 1933-1998  Search this
Mac Low, Jackson  Search this
Mandel, Mike  Search this
Matta 1912-2002  Search this
Mayer, Grace M  Search this
Michelson, Annette  Search this
O'Doherty, Brian  Search this
Pommer, Richard  Search this
Ramsden, Mel  Search this
Raskin, Jef  Search this
Reagan, Ronald  Search this
Rosler, Martha  Search this
Ross, David A. 1949-  Search this
Ruby, Jay  Search this
Ruscha, Edward  Search this
Salle, David 1952-  Search this
Salvesen, Britt  Search this
Schimmel, Paul  Search this
Segalove, Ilene 1950-  Search this
Stein, Sally  Search this
Steinmetz, Philip  Search this
Sultan, Larry  Search this
Van Riper, Peter  Search this
Wakoski, Diane  Search this
Wall, Jeff 1946-  Search this
Artforum  Search this
California Institute of the Arts  Search this
Ohio State University Faculty  Search this
Rhode Island School of Design  Search this
Students for a Democratic Society (U.S.)  Search this
University of California, San Diego  Search this
Physical description:
Sound recording: 12 sound files (6 hr.,14 min.) digital, wav
Transcript: 143 pages
Type:
Interviews
Sound recordings
Place:
New York (State)
New York
Date:
2011
2011-2012
2011 August 20-2012 February 14
20th century
Topic:
Activism  Search this
Antisemitism  Search this
Architecture  Search this
Art--Exhibitions--Economic aspects  Search this
Art--History  Search this
Art, Modern  Search this
Art--Study and teaching  Search this
Conceptual art  Search this
Documentary photography  Search this
Korean War, 1950-1953  Search this
Music  Search this
Photographers  Search this
Photography  Search this
Realism  Search this
World War, 1914-1918  Search this
Local number:
aaa
AAA sekula11
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_370420

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