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Ilse Martha Bischoff papers

Creator:
Bischoff, Ilse, 1901-1990  Search this
Names:
Cadmus, Paul, 1904-1999  Search this
French, Jared, 1905-1988  Search this
Extent:
1.2 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Writings
Photographs
Date:
1893-1981
Summary:
The papers of illustrator, writer and collector Ilse Martha Bischoff measure 1.2 linear feet and date from 1893-1981. Found are scattered personal and business records, correspondence, pencil and watercolor sketches, notes and writings, printed material and photographs. Correspondence is primarily with family members and colleagues including Paul Cadmus and Jared French. Photographs are of Bischoff, her family, and colleagues including Paul Cadmus and Jared French.
Scope and Content Note:
The papers of illustrator, writer and collector Ilse Martha Bischoff measure 1.2 linear feet and date from 1893-1981. Found are scattered personal and business records, correspondence, pencil and watercolor sketches, notes and writings, printed material and photographs.

Correspondence is primarily with family members and colleagues including Paul Cadmus and Jared French. Artwork includes pencil and watercolor sketches, and notes and writings consist primarily of typescripts of Bischoff's short stories. Printed material includes clippings, exhibition announcements and catalogs, and miscellaneous printed material relating to Bischoff's European travel. Of special interest are photographs of Bischoff, her family, and colleagues including Paul Cadmus and Jared French.
Arrangement:
The collection is arranged as 6 series:

Series 1: Personal Records, 1934-1938, 1955-1968 (Box 1; 3 folders)

Series 2: Correspondence, 1922-1981 (Box 1; 47 folders)

Series 3: Artwork, circa 1920-circa 1959 (Box 1; 1 folder)

Series 4: Notes and Writings, 1929-1975 (Box 1; 33 folders)

Series 5: Printed Material, 1929-1976 (Box 1; 15 folders)

Series 6: Photographs, 1893-1971 (Box 2; 20 folders)
Biographical Note:
Ilse Martha Bischoff was born on November 21, 1901 in New York City, to Adele Maria Timme Bischoff and Ernst Bischoff, founder of the Ernst Bischoff (pharmaceuticals) Company of Ivoryton, Connecticut.

Bischoff began her education at the Horace Mann School, later studying costume design at the Parson's School of Design. At the Art Students League, she studied painting under Frank Du Mond and etching with Joseph Pennell. While at the Art Students League, Bischoff befriended painters Paul Cadmus and Jared French. She also studied art in Paris, France, and Munich, Germany.

From 1928 to 1946, Bischoff illustrated 12 books and wrote two novels about George Washington's Portraitist, Gilbert Stuart: Painter's Coach in 1943, and Proud Heritage in 1949. Her autobiography, Drive Slowly: Six Dogs, was published in 1953. She was also an avid collector of Meissen porcelain.

Bishoff's artwork is represented in the collections of the Metropolitan Museum of Art, the New York Public Library, the Museum of Fine Arts in Boston and the Hood Museum at Dartmouth.

Ilse Martha Bischoff died December 5, 1990, in Hartland, Vermont.
Provenance:
The Ilse Martha Bischoff papers were donated in 1980-1981 by the artist.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Ilse Martha Bischoff papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Collectors and collecting  Search this
Authors -- Vermont  Search this
Illustrators -- Vermont  Search this
Genre/Form:
Sketches
Writings
Photographs
Citation:
Ilse Martha Bischoff papers, 1893-1981. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.biscilse
See more items in:
Ilse Martha Bischoff papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-biscilse

Henry Ernest Schnakenberg papers

Creator:
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Names:
American Academy of Arts and Letters  Search this
Artists Equity Association  Search this
Angel, John, 1881-1960  Search this
Bacon, Peggy, 1895-1987  Search this
Barye, Antoine-Louis, 1796-1875  Search this
Beal, Gifford, 1879-1956  Search this
Bierstadt, Albert, 1830-1902  Search this
Billings, Henry, 1901-  Search this
Bishop, Isabel, 1902-1988  Search this
Blume, Peter, 1906-1992  Search this
Bouché, Louis, 1896-1969  Search this
Brooks, Van Wyck, 1886-1963  Search this
Buller, Audrey, 1902-  Search this
Cadmus, Paul, 1904-1999  Search this
Calder, Alexander, 1898-1976  Search this
Catherwood, Frederick  Search this
Congdon, William, 1912-  Search this
Day, Horace Talmage, 1909-1984  Search this
Dows, Olin, 1904-1981  Search this
Duchamp, Marcel, 1887-1968  Search this
Etting, Emlen, 1905-1993  Search this
Evergood, Philip, 1901-1973  Search this
Faulkner, Barry, 1881-1966  Search this
Fiene, Ernest, 1894-  Search this
Goff, Lloyd Lozés, 1919-  Search this
Guys, Constantin, 1805-1892  Search this
Hardy, Thomas, 1921-  Search this
Harnett, William Michael, 1848-1892  Search this
Hartl, Léon, 1889-  Search this
Homer, Winslow, 1836-1910  Search this
Hoyt, Whitney Ford, 1910-1980  Search this
Inness, George, 1825-1894  Search this
Ivins, William Mills, 1881-1961  Search this
Johnson, Eastman, 1824-1906  Search this
Kirstein, Lincoln, 1907-  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laning, Edward, 1906-  Search this
Lasker, Joe  Search this
Leighton, Clare, 1899-  Search this
Locke, Charles, 1899-  Search this
Low, Sanford B. D. (Sanford Ballard Dole), 1905-1964  Search this
Lucioni, Luigi, 1900-1988  Search this
Marsh, Reginald, 1898-1954  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Parsons, Betty  Search this
Robus, Hugo, 1885-1964  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Savery, Rockland  Search this
Schmidt, Katherine, 1898-1978  Search this
Shahn, Ben, 1898-1969  Search this
Sheeler, Charles, 1883-1965  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Stamos, Theodoros, 1922-1997  Search this
Tait, Arthur Fitzwilliam, 1819-1905  Search this
Watkins, Franklin Chenault, 1894-1972  Search this
Watson, Forbes, 1880-1960  Search this
Watson, Nan, 1876-1966  Search this
Weisgard, Leonard, 1916-  Search this
Extent:
5.1 Linear feet ((partially microfilmed on 6 reels))
Type:
Collection descriptions
Archival materials
Date:
1905-1969
Scope and Contents:
Photographs, correspondence, appointment books, etchings, a scrapbook, printed materials, writings, and posters.
REEL D113: Primarily letters received from artists, 1940s-50s; background material for Ft.Lee and Amsterdam (N.Y.) murals; and miscellaneous printed material and photographs.
Correspondents include John Angel, Artists Equity, Peggy Bacon, Gifford Beal, Henry Billings, Isabel Bishop, Peter Blume, Louis Bouche, Van Wyck Brooks, Audrey Buller, Paul Cadmus, Alexander Calder, William Congdon, Horace T. Day, Olin Dows, Marcel Duchamp, Emlen P. Etting, Philip Evergood, Barry Faulkner, Ernest Fiene, Leon Hartl, Whitney F. Hoyt, William M. Ivins, Jr., Lincoln E. Kirstein, Leon Kroll, Yasuo Kuniyoshi, Edward Laning, Joseph L. Lasker, Clare Leighton, Charles W. Locke, Sanford B.D. Low, Luigi Lucioni, Reginald Marsh, Kenneth H. Miller, Nat'l Institute of Arts and Letters, Betty Parsons, Hugo Robus, Homer Saint-Gaudens, Katherine Schmidt, Ben Shahn, Charles Sheeler, Eugene Speicher, Theodoros Stamos, Franklin C. Watkins, Forbes and Nan Watson, and Leonard Weisgard.
REEL 847: Photographs, including 67 of Schnakenberg and friends, 1 of a portrait of him by Lloyd Goff, 95 of his oil paintings, 33 of his watercolors, 25 of his works in unidentified media, 29 of works by other artists, and 46 of pre-Columbian art from Central and South America. Among artists whose works are included are Antoine Louis Barye, Albert Bierstadt, Frederick Catherwood, Constantin Guys, Thomas Hardy, William Harnett, Winslow Homer, George Inness, Eastman Johnson, Yasuo Kuniyoshi, Reginald Marsh, Rockland Savery, Theodoros Stamos, and Arthur Fitzwilliam Tait.
REELS 850-853: Biographical information; personal and business correspondence; 17 diaries, mainly about Schnakenberg's travels, 1905-1960; appointment calendars, 1963-1969; 70 etchings by Schnakenberg; a scrapbook containing clippings, catalogs, and other printed material; a book published by G. Alan Chidsey on Schnakenberg; clippings, catalogs, and announcements; papers relating to gifts and acquisitions of works of art; receipts for Schnakenberg paintings from C.W. Kraushaar Galleries; a 650-page typescript for a book "The Background of Painting" by Schnakenberg; and drafts of speeches.
UNMICROFILMED: Six World War I posters designed by Schnakenberg; Christmas cards from artists and other friends; printed material; and a photograph of Lloyd Goff, inscribed to Schnakenberg, in front of one of his paintings, 1939.
Biographical / Historical:
Painter, etcher; Newton, Conn.
Provenance:
Material donated 1963-1971 by Schnakenberg and, after his death, by his estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Etchers -- Connecticut -- Newton  Search this
Painters -- Connecticut -- Newton  Search this
Topic:
Art, Prehistoric  Search this
Painting, Modern -- 20th century  Search this
Etching  Search this
Identifier:
AAA.schnh
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schnh

Jacob Getlar Smith papers

Creator:
Smith, Jacob Getlar, 1898-1958  Search this
American Artists' Congress  Search this
Names:
Benton, Thomas Hart, 1889-1975  Search this
Cadmus, Paul, 1904-1999  Search this
Chain, Jack  Search this
Criss, Francis, 1901-1973  Search this
Edie, Stuart, 1908-1974  Search this
Evergood, Philip, 1901-1973  Search this
Fiene, Ernest, 1894-  Search this
Genauer, Emily, 1910-2002  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Gross, Chaim, 1904-1991  Search this
Halper, Nathan  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
Marsh, Reginald, 1898-1954  Search this
Matulka, Jan, 1890-1972  Search this
Prestopino, Gregorio  Search this
Scaravaglione, Concetta, 1900-1975  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Soyer, Moses, 1899-1974  Search this
Soyer, Raphael, 1899-1987  Search this
Stone, Irving, 1903-  Search this
Tamotsu, Chūzō, 1888-1975  Search this
Zorach, William, 1887-1966  Search this
Extent:
2.5 Linear feet ((partially microfilmed on 2 reels))
Type:
Collection descriptions
Archival materials
Drawings
Date:
1919-1966
Scope and Contents:
Drawings, caricatures, scrapbooks, correspondence, photographs, writings, and printed material.
REELS 723-724: Two scrapbooks, 1919-1935 and 1935-1966, containing clippings, exhibition catalogs, and printed materials; and 128 letters from artists, galleries, and art organizations, including American Artists Congress, Associated American Artists Gallery, Thomas Hart Benton, Paul Cadmus, Philip Evergood, Emily Genauer, Julian Levi, Gregorio Prestopino, Zoltan Sepeshy, Moses Soyer, Raphael Soyer, William Zorach, and others.
UNMICROFILMED: Caricatures and portrait drawings by Smith of Jack Chain, Francis Criss, Stuart C. Edie, Philip Evergood, Ernest Fiene, Eugenie Gershoy, Chaim Gross, Nathan Halper, [?] Hunt, Yasuo Kuniyoshi, Julian Levi, Reginald Marsh, Jan Matulka, Concetta Scaravaglione, Irving Stone, Chuzo Tamotzu, and unidentified others. Also included is a self-portrait.
ADDITION: Ca. 40 letters; photographs, including Smith, other artists, and Woodstock, NY; draft manuscript for Smith's book, "Art and the Artist and You" (includes copy photographs of illustrations for the book); writings; exhibition catalogs and related printed material; and clippings. Ca. 35 of the letters were previously lent and microfilmed on reels 723-724.
Biographical / Historical:
Watercolor painter; New York, N.Y.
Provenance:
Material on reels 723-724 lent for microfilming 1974 by David Loeffler Smith, Smith's son. He subsequently donated the 2 scrapbooks and some correspondence from the loan, along with additional unmicrofilmed material, in 1983 and 1994.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Watercolorists -- New York (State) -- New York  Search this
Topic:
Watercolor painting  Search this
Drawing -- New York (State) -- New York  Search this
Genre/Form:
Drawings
Identifier:
AAA.smitjaco
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smitjaco

Marlene Park and Gerald E. Markowitz research materials on New Deal Art

Creator:
Park, Marlene, 1931-  Search this
Names:
National Personnel Records Center (U.S.)  Search this
United States. Work Projects Administration  Search this
Alston, Charles Henry, 1907-1977  Search this
Barnet, Will, 1911-  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Bouché, Louis, 1896-1969  Search this
Brooks, James, 1906-1992  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Cadmus, Paul, 1904-1999  Search this
Citron, Minna Wright, 1896-1991  Search this
Cronbach, Robt.(Robert M.), 1908-  Search this
Gellert, Hugo, 1892-1985  Search this
Gottlieb, Adolph, 1903-1974  Search this
Katz, Leo, 1887-1982  Search this
King, Roy E., 1903-  Search this
Kotin, Albert, 1907-1980  Search this
Lanning, Edward P.  Search this
Magafan, Ethel, 1915 or 6-1993  Search this
Markowitz, Gerald E.  Search this
Palmer, William, 1906-1987  Search this
Refregier, Anton, 1905-  Search this
Reisman, Philip, 1904-  Search this
Rothschild, Lincoln, 1902-  Search this
Solman, Joseph, 1909-2008  Search this
Sternberg, Harry, 1904-2001  Search this
Van Veen, Stuyvesant  Search this
Walton, Marion, b. 1899  Search this
Extent:
5.8 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Transcripts
Photographs
Date:
1931-1999
Summary:
The Marlene Park and Gerald E. Markowitz research files on New Deal art are dated 1931-1999 and measure 5.8 linear feet. The research files document New Deal art projects and artists through some original correspondence with artists, printed material, interview transcripts, and several sound recordings of interviews with artists of the period. Subject files relate to WPA era art and art projects; many contain numerous photocopies of records from the Personnel Records Center and the U. S. Treasury Relief Arts Projects now in the custody of the National Archives and Records Administration.
Scope and Content Note:
The Marlene Park and Gerald E. Markowitz research files on New Deal art are dated 1931-1999 and measure 5.8 linear feet. The research files document New Deal art projects and artists through some original correspondence with artists, printed material, interview transcripts, and several sound recordings of interviews with artists of the period. Subject files relate to WPA era art and art projects; many contain numerous photocopies of records from the Personnel Records Center and the U. S. Treasury Relief Arts Projects now in the custody of the National Archives and Records Administration.

The collection consists primarily of artists' files documenting the WPA, The National Personnel Records Center, the Public Art Preservation Committee, and the U.S. Treasury Relief Art Project. Also found are lists of artists arranged by category, correspondence, transcripts of interviews, printed material, exhibition catalogs, monographs, photographs, slides, and sound recordings. Among the artists are: Charles Alston, Will Barnet, Ilya Bolotowsky, Louis Bouche, James Brooks, Charles Burchfield, Paul Cadmus, Minna Citron, Robert Cronbach, Hugo Gellert, Adloph Gottlieb, Leo Katz, Roy King, Albert Kotin, Edward Lanning, Ethel Magafan, William Palmer, Anton Refregier, Philip Reisman, Lincoln Rothschild, Joseph Solman, Harry Sternberg, Stuyvesant Van Veen, and Marion Walton.
Arrangement:
The collection is arranged as 4 series:

Series 1: Artists' Files, 1931-1999 (Boxes 1-5, 7, OV 8-10; 4.8 linear feet)

Series 2: Subject Files, 1934-1999 (Boxes 5, 7, OV 10; 0.5 linear feet)

Series 3: Printed Material, 1977-1989 (Box 5; 0.2 linear ft.)

Series 4: Sound Recordings, 1974-1976 (Boxes 5-6; 0.3 linear ft.)
Biographical Note:
Art historians Marlene Park and husband Gerald E. Markowitz conducted research on New Deal art projects. Their work resulted in an exhibition "New Deal for Art: The Government Projects of the 1930's with Examples from New York City and State" (1977) and a catalog with the same title. 7), and a book, Democratic Vistas: Post Offices and Public Art in the New Deal (1984). Both were on the faculty of the John Jay College of Criminal Justice. Marlene Park served on the Public Art Preservation Committee from 1979-1982.
Provenance:
The Marlene Park and Gerald E. Markowitz research materials on New Deal Art were donated to the Archives in 1999 by art historians Marlene Park and Gerald E. Markowitz.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Marlene Park and Gerald E. Markowitz research materials on New Deal art are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Federal aid to the arts  Search this
Genre/Form:
Sound recordings
Interviews
Transcripts
Photographs
Citation:
Marlene Park and Gerald E. Markowitz research material on New Deal art, circa 1974-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.parkmarl
See more items in:
Marlene Park and Gerald E. Markowitz research materials on New Deal Art
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parkmarl

Paul Cadmus letters to Webster Aitken, 1945-1979

Creator:
Cadmus, Paul, 1904-1999  Search this
Subject:
Kirstein, Lincoln  Search this
Kirstein, Fidelma  Search this
Aitken, Webster  Search this
Topic:
Pianists  Search this
Painters -- New York (State)  Search this
Art -- Technique  Search this
Musicians  Search this
Record number:
(DSI-AAA_CollID)5622
(DSI-AAA_SIRISBib)208456
AAA_collcode_cadmpaul
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208456
Online Media:

Whitney Museum of American Art artists' files and records

Creator:
Whitney Museum of American Art  Search this
Names:
Whitney Studio Club  Search this
Whitney Studio Galleries  Search this
Baziotes, William, 1912-1963  Search this
Bellows, George, 1882-1925  Search this
Benton, Thomas Hart, 1889-1975  Search this
Bloom, Hyman, 1913-  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Burlin, Paul, 1886-1969  Search this
Cadmus, Paul, 1904-1999  Search this
Cassatt, Mary, 1844-1926  Search this
Curry, John Steuart, 1897-1946  Search this
Davis, Stuart, 1892-1964  Search this
De Creeft, José, 1884-1982  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Evergood, Philip, 1901-1973  Search this
Feininger, Lyonel, 1871-1956  Search this
Gatch, Lee, 1902-1968  Search this
Glackens, William J., 1870-1938  Search this
Gorky, Arshile, 1904-1948  Search this
Graves, Morris, 1910-  Search this
Gross, Chaim, 1904-1991  Search this
Grosz, George, 1893-1959  Search this
Harnett, William Michael, 1848-1892  Search this
Hartley, Marsden, 1877-1943  Search this
Henri, Robert, 1865-1929  Search this
Hofmann, Hans, 1880-1966  Search this
Hopper, Edward, 1882-1967  Search this
Inness, George, 1825-1894  Search this
Karfiol, Bernard, 1886-1952  Search this
Kuhn, Walt, 1877-1949  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lachaise, Gaston, 1882-1935  Search this
Lawson, Ernest, 1873-1939  Search this
MacIver, Loren, 1909-1998  Search this
Marin, John, 1870-1953  Search this
Marsh, Reginald, 1898-1954  Search this
Motherwell, Robert  Search this
Mount, William Sidney, 1807-1868  Search this
Nevelson, Louise, 1899-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Pollock, Jackson, 1912-1956  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Pène Du Bois, Guy , 1884-1958  Search this
Reder, Bernard, 1897-1963  Search this
Rimmer, William, 1816-1879  Search this
Rivers, Larry, 1925-2002  Search this
Rothko, Mark, 1903-1970  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sheeler, Charles, 1883-1965  Search this
Sloan, John, 1871-1951  Search this
Smith, David, 1906-1965  Search this
Stella, Joseph, 1877-1946  Search this
Tobey, Mark  Search this
Twachtman, John Henry, 1853-1902  Search this
Tworkov, Jack  Search this
Walkowitz, Abraham, 1880-1965  Search this
Weber, Max, 1881-1961  Search this
Wyant, A. H. (Alexander Helwig), 1836-1892  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Zorach, William, 1887-1966  Search this
Extent:
78 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1914-1966
Scope and Contents:
REELS N591-N597: Photographs of the Museum, Juliana Force, Herman Moore; scrapbooks on the Whitney Studio Club, Whitney Studio Galleries and the Museum, 1927-1965.
REELS N599-N604: Notebooks of Edwin W. Dickinson; photographs and provenance information for works by Philip Evergood; a catalog of information and some photographs of Chinese ink drawings and other works by Reginald Marsh; and photographs and information on Bernard Reder, Jack Tworkov, Max Weber (portions also microfilmed on reel NY59-8 (fr. 497-658), reel NY59-9 (fr. 1-51), and William Zorach.
REELS N604-N609: Exhibition catalogs, 1946-1966, for artists and groups shows at the Museum, including Robert Feke, William Rimmer, Ralph Blakelock, Albert Maurer, Albert Pinkham Ryder, Yasuo Kuniyoshi, Thomas Cole, Max Weber, Arshile Gorky, Mark Tobey, John Sloan, Loren MacIver, I. Rice Pereira, George Grosz, Reginald Marsh, Charles Burchfield, Morris Graves, Theodore Roszak, John Marin, Hans Hofmann, Bradley Tomlin, Stuart Davis, Milton Avery, Lee Gatch, Jose De Creeft, Maurice Prendergast, Edward Hopper, Hyman Bloom, Robert E. Jones, Balcomb Greene, Karl Zerbe, Arthur G. Dove, William Zorach, Philip Evergood, Bernard Reder, Herbert Feber, Oliver O'Connor Barrett,Arthur B. Davies, Jose De Rivera, Paul Burlin, Joseph Stella, Jack Tworkov, Ivan Albright, Stuart Davis, Edwin Dickinson, John Quidor, and Niles Spencer.
REELS N646-N694: Artists' files on: Oliver O'Connor Barrett,William Baziotes, George Bellows, Thomas Hart Benton, Peter Blume, James Brooks, Patrick Henry Bruce, Charles Burchfield, Paul Burlin, David Burliuk, Paul Cadmus, Mary Cassatt, Thomas Cole, Glenn Coleman, Jon Corbino, John Steuart Curry, Jo Davidson, Arthur B. Davies, Jose DeCreeft, Charles Demuth, Jose De Rivera, Arthur Dove, Guy Pène du Bois, Stuart Davis, Frank Duveneck, Ralph Earl, Eastman Johnson, The Eight, Philip Evergood, Robert Feke, Lyonel Feininger, Ernest Fiene, George Fuller, Lee Gatch, William Glackens, Arshile Gorky, Balcomb Greene, Chaim Gross, George Grosz, William Harnett, Marsden Hartley, Childe Hassam, John Heliker, Robert Henri, Hans Hofmann, George Inness, Leon Kelly, Franz Kline, Karl Knaths, Leon Kroll, Walt Kuhn, Yasuo Kuniyoshi, Gaston Lachaise, Robert Laurent, Ernest Lawson, Jack Levine, Seymour Lipton, George B. Luks,
Stanton Macdonald-Wright, Loren MacIver, John Marin, Reginald Marsh, Alfred Maurer, K. H. Miller, Robert Motherwell, William Mount, Jerome Myers, Louise Nevelson, Georgia O'Keeffe (portions also microfilmed on reels NY59-13 (fr. 98-115, 406-424, 586-685), reel NY59-14 (entire), and reel NY59-15 (fr. 1-140, 145-153), I. Rice Pereira, Bernard Perlin, Joseph Pollett, Jackson Pollock, Reginald Pollack, Henry V. Poor, Richard Pousette-Dart, Maurice Prendergast, Abraham Rattner, Bernard Reder, Ad Reinhardt, William Rimmer, Larry Rivers, Hugo Robus, Theodore Roszak, Mark Rothko, Concetta Scarvaglione, Henry Schnakenberg, Ben Shahn, John Sloan, David Smith, Eugene Speicher, Theodoros Stamos, Joseph Stella, Maurice Sterne, Mark Tobey, Bradley Tomlin,Trajan, Allen Tucker, John Twachtman, Jack Tworkov, Abraham Walkowitz (also on reel NY/59-15) , Max Weber, James M. Whistler, Gertrude Whitney, Grant Wood, Alexander Wyant, Mahonri Young, and William Zorach.
REELS NWH 1-NWH 7: Artist files on Charles Sheeler, Bernard Karfiol, Louis Eilshemius; scatterred records of the Whitney Studio Club and Museum, 1914-1945, including minutes, Oct. 15, 1930, and Whitney Studio ledgers, 1928-1931; catalogs of one-man shows, 1932-1945; catalogs of annual painting exhibitions, 1932-1940, sculpture, watercolor and drawing exhibitions, 1933-1945, and group exhibitions, 1932-1945; and clippings, Oct. 1935-1936.
REELS NY59/8 (fr. 256-end)-NY59/10: Files on Max Weber, including biographical material, lists of work, and miscellany. Also found (NY59/8 frames 354-383) are ca.20 letters from Weber to Abraham Walkowitz, 1907-1924.
Biographical / Historical:
Whitney Museum of American Art is an American art museum in New York, New York. Founded by Gertrude Vanderbilt Whitney and formally opened in 1931. Previous to its opening as a museum it was known as the Whitney Studio Club (1914-28) and Whitney Studio Galleries (1928-30).
Provenance:
The Weber files on reels NY59/8-10 were lent for microfilming 1959 by the Whitney Museum of American Art; the remainder was lent 1964-1967; additional material from the Museum was lent at the same time, and subsequently donated, including the papers of Lloyd Goodrich, Juliana Force, Thomas B. Clarke, the American Art Research Council, and Gertrude Vanderbilt Whitney; these have each been cataloged separately. Portions of Weber, and O'Keeffe material that was microfilmed in 1959 were refilmed in 1967.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, Modern -- 20th century -- United States  Search this
Artists -- Exhibitions -- New York (State) -- New York  Search this
Art, American  Search this
Function:
Art museums -- New York (State) -- New York
Identifier:
AAA.whitmuse
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whitmuse

Oral history interview with Mary Frank

Interviewee:
Frank, Mary, 1933-  Search this
Interviewer:
Richards, Judith Olch  Search this
Names:
Martha Graham Dance Company  Search this
New School for Social Research (New York, N.Y.) -- Faculty  Search this
Queens College (New York, N.Y.)  Search this
Zabriskie Gallery  Search this
Cadmus, Paul, 1904-1999  Search this
De Kooning, Willem, 1904-1997  Search this
Kaprow, Allan  Search this
Nakian, Reuben, 1897-1986  Search this
Snyder, Joan, 1940-  Search this
Extent:
8 Items (Sound recording: 8 memory cards (6 hr., 43 min.), secure digital, 1.25 in.)
135 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2010 Jan. 10- Feb. 3
Scope and Contents:
An interview interview with Mary Frank conducted 2010 Jan. 10, 11, and Feb. 3, by Judith Olch Richards, for the Archives of American Art, at Frank's home and studio, in New York, N.Y.
Ms. Frank speaks of her childhood in England and her evacuation to Brooklyn during WWII; her initial intention of becoming a professional dancer and studying with the Martha Graham Dance Company; her marriage and travels with photographer Robert Frank; the difficulties of women teaching art; teaching methods; her time at The New School and Queens College; western and non-Western influences; mushroom hunting; solar cookers; her works in clay, sculpture, painting, drawing, monoprint, and triptych installations; her relationships with the galleries Zabriskie, Midtown Payton and DC Moore; Frank also recalls Willem de Kooning, Ruben Nakian, Allan Kaprow, Marjorie Ponce Israel, Joe Chaikin, Paul Cadmus, Henrietta Mantooth Bagley, Joan Snyder, Elanor Munro, Jean-Louise Bourgeois, and others.
Biographical / Historical:
Interviewee Mary Frank (1933- ) is a figurative sculptor and painter in New York, N.Y. She is married to musicologist Leo Treitler. Interviewer Judith Olch Richards (1947- ) is former Executive director of iCI in New York, N.Y.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Painters -- New York (State) -- New York -- Interviews  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Women art teachers  Search this
Women artists -- New York (State) -- New York -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.frank10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-frank10

Oral history interview with Paul Cadmus, 1988 March 22-May 5

Interviewee:
Cadmus, Paul, 1904-1999  Search this
Interviewer:
Tully, Judd  Search this
Subject:
Auden, W. H. (Wystan Hugh)  Search this
Forster, E. M. (Edward Morgan)  Search this
French, Jared  Search this
Kirstein, Lincoln  Search this
Tooker, George  Search this
Type:
Sound recordings
Interviews
Topic:
Painters -- Interviews  Search this
Art -- Study and teaching -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Record number:
(DSI-AAA_CollID)12619
(DSI-AAA_SIRISBib)216617
AAA_collcode_cadmus88
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216617
Online Media:

Selections from the Philadelphia Museum of Art's Archives of American Art collection

Creator:
Philadelphia Museum of Art  Search this
Names:
Milch Galleries  Search this
Abbe, Robert  Search this
Arms, John Taylor, 1887-1953  Search this
Bartlett, Paul, 1881-1965  Search this
Beal, Gifford, 1879-1956  Search this
Beaux, Cecilia, 1855-1942  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Cadmus, Paul, 1904-1999  Search this
Chagall, Marc, 1887-1985  Search this
Cortissoz, Royal, 1869-1948  Search this
Cox, Kenyon, 1856-1919  Search this
Curran, Charles C. (Charles Courtney), 1861-1942  Search this
De Creeft, José, 1884-1982  Search this
Dehn, Adolf, 1895-1968  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Eakins, Susan Macdowell  Search this
Eakins, Thomas, 1844-1916  Search this
Eilshemius, Louis M. (Louis Michel), 1864-1941  Search this
Evergood, Philip, 1901-1973  Search this
Force, Juliana, 1876-1948  Search this
Graham, John, 1887-1961  Search this
Haskell, Ernest, 1876-1925  Search this
Hassam, Childe, 1859-1935  Search this
Ingersoll, R. Sturgis (Robert Sturgis), b. 1891  Search this
Lipchitz, Jacques, 1891-1973  Search this
Marsh, Reginald, 1898-1954  Search this
McCarter, Henry, 1866-1942  Search this
Mechlin, Leila, 1874-1949  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Mullikin, Mary Augusta, 1874-1964  Search this
Pennell, Joseph, 1857-1926  Search this
Roberts, George B., Mrs  Search this
Sartain, William, 1843-1924  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sloan, John, 1871-1951  Search this
Valentin, Curt, 1902-1954  Search this
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Zigrosser, Carl, 1891-  Search this
Extent:
4 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Place:
China -- Description and Travel
Date:
1866-1968
Scope and Contents:
Correspondence, printed material, writings, and other personal papers collected by Carl Zigrosser and Leila Mechlin and later added to by others, all relating to American art.
REELS P10-P11 and P14: Letters to Leila Mechlin, Henry Schnakenberg and Hudson Walker. Correspondents include Robert Abbe, John Taylor Arms, Cecelia Beaux, Paul Bartlett, Gifford Beal, Paul Cadmus, Charles Curran, Royal Cortissoz, Kenyon Cox, Philip Evergood, John David Graham, Reginald Marsh, Joseph Pennell, John Sloan and many others. Some letters include printed material and photographs. Mechlin material includes writings, photographs and letters from Mary Augusta Mullikin describing her life and travels in China, 1933. Also included are letters from Adolph Dehn and Jose de Creeft to Juliana Force; from Ernest Haskell and Kenneth Hayes Miller to Carl Zigrosser; miscellaneous letters from Marc Chagall, Thomas Wilmer Dewing, Louis Eilshemius and Childe Hassam; an autobiography of William Sartain; and material on Thomas Eakins, including letters, a list of expenses, 1867, and motion study material,including writings, sketches and photographs taken with a camera invented by Eakins.
REEL 4547: Charles Burchfield letters; Susan and Thomas Eakins material; Jacques Lipchitz correspondence; Henry McCarter letters; and Carl Zigrosser correspondence. The Burchfield letters consist of 41 items, 1929-1947, from Burchfield regarding exhibitions, sales, and his paintings. The Eakins material includes letters from Susan Eakins to the Milch Galleries, 1933-1935, regarding the sale of Thomas Eakins' work, receipts from the Milch Galleries, Thomas' expense book, ca. 1866, for daily living in Paris and Switzerland and an autographed account of expenses while at school in Paris, April 12, 1867, a photograph of Susan Eakins by Carl van Vechten, a photograph of Eakins, and 71 engraved portraits from the collection of Thomas Eakins.
The Lipchitz correspondence is with R. Sturgis Ingersoll regarding Lipchitz's commission for the sculpture "Prometheus." Also included are 8 letters from Curt Valentin to Ingersoll regarding Lipchitz. The McCarter material includes 66 letters, 1933-1942, some containing sketches, from McCarter to Mrs. George B. Roberts regarding paintings, frames, exhibitions, and offering painting advice. The Zigrosser correspondence is regarding the purchase of prints from the regional projects of the WPA for the Philadelphia Museum of Art, and later included in the exhibition "Between Two Wars" at the Whitney Museum of American Art. Included are invoices and inventories of the prints from the various offices.
Provenance:
Material on reels P10-P11 and P14 lent for microfilming, 1954, by the Philadelphia Museum of Art. Additional material on reel 4547 was microfilmed in 1991 as part of AAA's Philadelphia Arts Documentation Project. The idea for the archives originated with Carl Zigrosser, who donated material, solicited it from others (mainly Henry Schnakenberg, Leila Mechlin and Hudson Walker), or pulled it from the files of the Philadelphia Museum of Art. The Museum continues to add to the collection. It is not connected to the Archives of American Art at the Smithsonian Institution.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce must be obtained from the Philadelphia Museum of Art Archives.
Occupation:
Artists -- United States  Search this
Topic:
Art, American  Search this
Artists' writings  Search this
Motion study -- Photographs  Search this
Identifier:
AAA.philmuss
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-philmuss

Jack Levine papers

Creator:
Levine, Jack, 1915-2010  Search this
Names:
American Academy and Institute of Arts and Letters  Search this
Jewish Museum (New York, N.Y.)  Search this
Arms, John Taylor, 1887-1953  Search this
Barnet, Will, 1911-2012  Search this
Bloom, Hyman, 1913-  Search this
Bocour, Leonard, 1910-1993  Search this
Cadmus, Paul, 1904-1999  Search this
Close, Chuck, 1940-  Search this
Coen, Eleanor, 1916-  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Dobkin, Alexander, 1908-  Search this
Fleischman, Lawrence A. (Lawrence Arthur), 1925-1997  Search this
Friedan, Betty  Search this
Gikow, Ruth, 1915-1982  Search this
Goodrich, Lloyd, 1897-1987  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hirsch, Joseph, 1910-1981  Search this
Lasansky, Mauricio, 1914-  Search this
Lawrence, Jacob, 1917-2000  Search this
Lee, Gypsy Rose, 1914-1970  Search this
Levine, David, 1926-2009  Search this
Paul VI, Pope, 1897-1978  Search this
Peterdi, Gabor  Search this
Probst, Joachim  Search this
Saint-Gaudens, Homer, b. 1880  Search this
Simon, Sidney, 1917-  Search this
Sorini, Emiliano  Search this
Soyer, Raphael, 1899-1987  Search this
Terkel, Studs, 1912-2008  Search this
Tooker, George  Search this
Updike, John  Search this
Weber, Max, 1881-1961  Search this
Yevtushenko, Yevgeny Aleksandrovich, 1933-  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Student drawings
Photographs
Scrapbooks
Drawings
Date:
1923-1999
Summary:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.
Scope and Contents:
The papers of New York social realist painter and printmaker Jack Levine date from 1923-1999, and measure 3.2 linear feet. Levine's career is documented through biographical material, scattered letters, notes and a speech, writings, student drawings, three scrapbooks, printed material and nearly one linear foot of photographs of Levine, his family, and his colleagues.

Found within the papers are two driver's licenses and several biographical accounts, and scattered letters from colleagues including one each from John Taylor Arms, Hyman Bloom, Leonard Bocour, René d'Harnoncourt, Lloyd Goodrich, Jacob Lawrence, and Homer Saint-Gaudens discussing various art-related events. There is only one carbon copy of a letter written by Levine. The correspondence includes oversized photographs of the members of the American Academy of Arts and Letters. Additional photographs of the members are found in the Photograph series.

Notes and writings are primarily typescripts about Jack Levine written by others. There is also a transcript of one speech, "Jack Levine Speaks Regarding the Donation of 108 of his Drawings to the Archives" delivered by Levine at the Fogg Art Museum.

Artwork consists entirely of Levine's student drawings including anatomical studies, neighborhood genre scenes, copies of Old Masters, and a series of images of symphony musicians. Some of the drawings display themes that are reflected in his later paintings.

Three scrapbooks contain clippings that document Levine's career and reflect his political interests. Additional printed material consists of a comprehensive collection of clippings and exhibition announcements and catalogs. There is also an announcement for a lecture by Levine, press releases, calendars of events, reproductions of artwork, programs, brochures including one for Facing East, a portfolio of Levine's prints, and three books.

Photographs include numerous photographs of Levine throughout his artistic career, including images of his wife, painter Ruth Gikow, their daughter Susanna, and colleagues including Hyman Bloom, Leonard Bocour, Alexander Dobkin, Joachim Probst, and Russian poet Yevgeny Yevtushenko. Especially notable is a series of photographs of Levine printmaking with Emiliano Sorini and Ruth Gikow.

There are photographs of Levine serving on art juries and panels with Eleanor Coen, Joseph Hirsch, Gabor Peterdi, Studs Terkel, and Max Weber, and attending events with Lawrence Fleischman, Betty Friedan, Edith Halpert, Mauricio Lasansky, Gypsy Rose Lee, Pope Paul VI, and Raphael Soyer. A small album contains photographs of Levine and various buildings in Boston. There are also photographs of miscellaneous exhibition installations including Levine's retrospective at the Jewish Museum, and of artwork by Levine and others.

Group photographs of the members of the American Academy of Arts and Letters are found here, and include Will Barnet, Paul Cadmus, Chuck Close, David Levine, George Tooker, and John Updike. Additional group photographs of the members that were originally enclosed with letters are found in the correspondence series.
Arrangement:
The collection is arranged as 7 series:

Series 1: Biographical Material, 1953-1955 (Box 1; 1 folder)

Series 2: Letters, 1946-1996 (Boxes 1, 5; 12 folders)

Series 3: Notes and Writings, 1961-1974 (Box 1; 6 folders)

Series 4: Artwork, 1923-1931 (Boxes 1, 5, OV 6; 11 folders)

Series 5: Scrapbooks, 1936-1962 (Boxes 1, 5; 16 folders)

Series 6: Printed Material, 1938-1999 (Boxes 1-3, 5, OV 6; 1.9 linear feet)

Series 7: Photographs, 1940-1998 (Boxes 3-5, OV 6; 52 folders)
Biographical / Historical:
Jack Levine (1915-2010) was born in Boston, Massachusetts and worked as painter and printmaker primarily in New York City. Levine was one of the leading painters and advocates of the Social Realism School of the late 1930s.

Jack Levine was the youngest of the eight children of Lithuanian Jewish parents, Mary Grinker and Samuel Levine. After the family moved from the South End of Boston to Roxbury in 1923, Levine began to study drawing under Harold Zimmerman at the School of the Boston Museum of Fine Arts. By 1929, Levine was studying painting under Denman Ross of the Fogg Art Museum.

From 1935-1940, Levine received U.S. government support from the federal Works Progress Administration. His first exhibition of paintings in New York City was at the Museum of Modern Art. In 1937, he painted The Feast of Pure Reason, a satire of Boston political power. Together with Ben Shahn, Levine became a leading exponent of the Social Realism School of the late 1930s. His first one-man show was held at the Downtown Gallery in New York City in 1938.

After serving in the U.S. Army during World War II, Levine was awarded a Guggenheim Fellowship in 1945, and a grant from the American Academy of Arts and Letters the following year. Also in 1946, Levine married painter Ruth Gikow and moved to New York City. Between 1950 and 1951, he was a Fulbright Fellow working in Rome where he was inspired by Old Master paintings. In the 1960s Levine's interest in printmaking intensified and he was instructed in creating intaglio prints by Emiliano Sorini, and was introduced to Abe Lublin who was associated with the New York Graphic Society.

Levine taught at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, the American Art School in New York, and the Skowhegan School of Painting and Sculpture. His work is in the collections of the Metropolitan Museum, the Museum of Modern Art, the Whitney Museum of American Art, Boston Museum of Fine Arts, and the Fogg Art Museum. He was a member of the American Academy of Arts and Letters from 1956 on.

The D.C. Moore Gallery in New York City currently represents the Estate of Jack Levine.
Provenance:
Jack Levine donated his papers to the Archives in 1962, 1978, and 1999.
Restrictions:
Use of original papers requires an appointment and limited to the Washington, D.C. Reference Center.
Rights:
The Jack Levine papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painting, American  Search this
Social realism  Search this
Painters -- Massachusetts -- Boston  Search this
Jewish artists  Search this
Painters -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- United States  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Student drawings
Photographs
Scrapbooks
Drawings
Citation:
Jack Levine papers, 1923-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.levijack
See more items in:
Jack Levine papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-levijack
Online Media:

Oral history interview with Paul Cadmus

Interviewee:
Cadmus, Paul, 1904-1999  Search this
Interviewer:
Tully, Judd  Search this
Names:
Auden, W. H. (Wystan Hugh), 1907-1973  Search this
Forster, E. M. (Edward Morgan), 1879-1970  Search this
French, Jared, 1905-1988  Search this
Kirstein, Lincoln, 1907-  Search this
Tooker, George  Search this
Extent:
183 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1988 March 22-May 5
Scope and Contents:
An interview of Paul Cadmus conducted 1988 March 22-May 5, by Judd Tully, for the Archives of American Art. Cadmus speaks of his childhood and family background; his early interest in art; studying at the National Academy of Design; his early career; traveling to Europe in the 1930s; getting on the WPA Federal Art Project; controversies involving some of his paintings; changes in technique; his inspirations; his affiliation with Midtown Galleries. He recalls Jared French, Lincoln Kirstein, George Tooker, E.M. Forster, and W.H. Auden.
Biographical / Historical:
Paul Cadmus (1904-1999) was a painter from Weston, Connecticut.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 5 hr., 59 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Painters -- Interviews  Search this
Art -- Study and teaching -- New York (State) -- New York  Search this
Painting -- Technique  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cadmus88
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cadmus88

Art: [videorecording] theme and variations / produced by Bonnie Behar; camera and editing by Victor Cromwell; interviewer, Lisa Lindsay Daugherty

Creator:
Westport-Weston Arts Council (Westport, Conn.)  Search this
Names:
Behar, Bonnie  Search this
Cadmus, Paul, 1904-1999  Search this
Cadmus, Paul, 1904-1999 -- Interviews  Search this
Chernow, Ann, 1936-  Search this
Chernow, Ann, 1936- -- Interviews  Search this
Cromwell, Victor  Search this
Daugherty, Lisa Lindsay  Search this
Howard, Lila  Search this
Howard, Lila -- Interviews  Search this
Nakian, Reuben, 1897-1986  Search this
Nakian, Reuben, 1897-1986 -- Interviews  Search this
Woodham, Jean, 1925-  Search this
Woodham, Jean, 1925- -- Interviews  Search this
Extent:
5 Items (videocassettes (VHS) (ca. 2 hrs. each), sd., col., 1/2 in.)
Type:
Collection descriptions
Archival materials
Date:
1984
Scope and Contents:
Interviews of five artists living and working in the Fairfield, Conn. area, including Paul Cadmus, Reuben Nakian, Lila Howard, Ann Chernow and Jean Woodham. The interviews were conducted in the artists' studios; some show their exhibitions.
Publication, Distribution, Etc. (Imprint):
Westport, Conn. : Westport-Weston Arts Council TV Committee, 1984.
Provenance:
Donated 1985 by the Westport-Weston Arts Council via Lisa Daugherty. Art: Theme and Variations was a monthly series of interviews of artists conceived and conducted by Daugherty, a sculptor, for the Council. The tapes aired aired on Cablevision Channel 27.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Artists -- Connecticut -- Interviews.  Search this
Function:
Artists' studios -- Connecticut
Identifier:
AAA.westarts
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-westarts

George Tooker papers

Creator:
Tooker, George, 1920-2011  Search this
Names:
Bachinski, Walter  Search this
Bishop, Isabel, 1902-1988  Search this
Cadmus, Paul, 1904-1999  Search this
Christopher, William R, 1924-1973  Search this
Dix, Otto, 1891-1969  Search this
French, Jared, 1905-1988  Search this
French, Margaret  Search this
Ginzburg, Ralph  Search this
Gonzalez, Xavier, 1898-1993  Search this
Isaacson, Robert  Search this
Kirstein, Fidelma  Search this
Kirstein, Lincoln, 1907-  Search this
Laning, Edward, 1906-  Search this
Lynes, George Platt, 1907-1955  Search this
Nordness, Lee  Search this
Perlin, Bernard, 1918-  Search this
Peterson, Joan, 1933-  Search this
Stamos, Theodoros, 1922-1997  Search this
Wescott, Glenway, 1901-  Search this
Wheeler, Monroe, 1899-  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Drawings
Scrapbooks
Date:
circa 1851-2010
Summary:
The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.
Scope and Contents:
The papers of painter George Tooker measure 5.1 linear feet and date from circa 1851 to 2010. The papers document Tooker's personal and professional life through biographical material, correspondence, project files, gallery files, exhibition files, printed material, artwork and one sketchbook, and numerous photographs, including some taken by noted photographer George Platt Lynes.

Biographical material consists of membership and travel documents, writings on and by Tooker on his circle, an address book, resume, and papers regarding Tooker's education. Also included are biographical material related to Tooker's partner William Christopher who passed in 1973. A 1978 interview with Vermont Public radio on two sound reels is also featured.

Correspondence is with friends, colleagues, and organizations. Correspondents include Isabel Bishop, Paul Cadmus, Walter Bachinski, William Christopher, Otto Dix, Jared and Margaret French, Ralph Ginzburg, Xavier Gonzalez, Robert Isaacson, Edward Laning, Lincoln Kirstein, Lee Nordness, Bernard Perlin, Joan Peterson, Theodore Stamos, Bridget Tichenor, and others. Also included are family correspondence and correspondence regarding the Estate of William Christopher.

Project files document Tooker's commissions including the set and costume design for Gian-Carlo Menotti's opera The Saint of Bleecker Street and Tooker's participation in the selection of candidates for the Vestris Prize for Choreography. Files contain correspondence, business documents, printed ephemera, sketches, photographs, three volumes of vocal scores, and textile samples.

Gallery records include business correspondence and consignments with various key galleries in Tooker's career spanning the 1960s to the end of his career including D.C. Moore Gallery, Marisa Del Re Gallery, and Durlacher Bros..

Exhibition records include documents regarding the organization of several select exhibitions in Tooker's career incuding an early retrospective at the Fine Arts Museums of San Francisco (1974) and a later traveling retrospective from 2008-2009.

Printed material consists of invitations, press releases, news clippings and exhibition catalogs documenting the careers of both George Tooker and William Christopher.

Artwork includes numerous sketchbooks, loose drawings, and sketches from Tooker's studies at the Art Students' League in the mid 1940s, in addition to an early ex-libris print created by Tooker in his youth. Also included is a sketchbook by William Christopher, as well as a study for the work The Subway, in the collection of the Whitney Museum of American Art.

Photographic materials depict Tooker's family life as well as his early artistic collaborations depicted in a number of black and white photographs taken by George Platt Lynes and PaJaMa in the mid to late 1940s. A majority of the photographs depict artists and friends, among them: George Tooker and his companion William Christopher, Paul Cadmus, Jared and Margaret French, Lincoln and Fidelma Kirstein, Glenway Wescott, Monroe Wheeler, and Bridget Tichenor. Other photographs are of Tooker building his home, gardening, and working in his studio in Hartland, Vermont. Also included are installation views from the exhibition Painting in the United States (1949) at the Carnegie Institute in Pennsylvania. There are also a fair amount of photographs, transparencies, slides and negatives documenting artwork from both the studios of George Tooker and his late partner William Christopher.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Material, circa 1920-2005 (0.7 linear feet; Boxes 1, 5)

Series 2: Correspondence, circa 1932-2010 (1.2 linear feet; Boxes 1-2, Oversize 7)

Series 3: Project Files, circa 1935-1968 (0.3 linear feet; Boxes 2-3, 6)

Series 4: Gallery Records, circa 1960-2009 (0.3 linear feet; Box 3)

Series 5: Exhibition Files, circa 1967-2009 (0.3 linear feet; Boxes 1, 3)

Series 6: Printed Material, circa 1851-2010 (0.5 linear feet; Boxes 3, 5)

Series 7: Artwork and Sketchbook, circa 1932-2009 (0.7 linear feet; Boxes 3, 5, 8)

Series 8: Photographs, circa 1900-2010 (1.1 linear feet; Boxes 4-5, 8)
Biographical / Historical:
George Tooker (1920-2011) was a painter based in Hartland, Vermont and New York, New York. Tooker was born in Brooklyn, New York on August 5, 1920 to George Clair Tooker and Angela Montejo Roura. He graduated from preparatory school at Phillips Academy, Andover in 1938 and received a Bachelor of Arts in English from Harvard University in 1942. Tooker studied drawing and painting under Reginald Marsh, Kenneth Hayes Miller, and Harry Sternberg at the Art Students' League from circa 1944 to 1945.

Tooker became acquainted with American painter Paul Cadmus while studying at the Art Students' League. Cadmus introduced Tooker to a circle of artists and writers living and working in New York and Europe in the mid to late 1940s that included George Platt Lynes, Jared and Margaret French, Monroe Wheeler, Glenway Westcott, and Lincoln and Fidelma Kirstein. He lived and worked with his partner and fellow artist William Christopher in New York City and later Hartland, VT.

In 1953, Tooker was commissioned by writer and philanthropist Lincoln Kirstein to design the sets and costumes for The Saint of Bleecker Street, an opera by Gian-Carlo Menotti. In 1966, the Wasemquia Charitable Trust sponsored the Vestris Prize for Choreography in cooperation with the Boston Ballet Company and Tooker was invited by trustee Henry H. Crapo to participate on the Committee of Judges for the Vestris Prize. In 1968, NASA commissioned Tooker to produce drawings and one painting documenting the development of spacecraft at the Goddard Space Flight Center located in Greenbelt, Maryland.

Tooker's paintings are found in numerous art museums and galleries including the Whitney Museum of Art, Metropolitan Museum of Art, Museum of Modern Art, DC Moore Gallery, Robert Isaacson Gallery, and the Venice Biennale. In 1968, Tooker's paintings were featured in the art magazine, Avant-Garde.
Related Materials:
Available in the Archives of American Art is an oral history interview with George Tooker conducted in 1966 by Grace G. Alexander for radio station WNYC, New York City.

Materials related to the George Tooker papers can be found the William Christopher papers at the Archives of American Art.
Provenance:
George Tooker donated his papers to the Archives of American Art in 1973. A subsequent addition was donated in 2018 by Aaron Watkins, the executor to George Tooker's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The George Tooker papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters -- Vermont  Search this
Printmakers -- Vermont  Search this
Genre/Form:
Sketchbooks
Drawings
Scrapbooks
Citation:
George Tooker papers, circa 1851-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.tookgeor
See more items in:
George Tooker papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-tookgeor

David Sutherland motion picture films relating to Paul Cadmus

Creator:
Sutherland, David Russell, 1945-  Search this
Names:
Cadmus, Paul, 1904-1999  Search this
Extent:
10.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1980-1984
Scope and Contents:
Approximately 10 hours of 16mm motion picture and soundtrack outtakes for Sutherland's 1986 film PAUL CADMUS: ENFANT TERRIBLE AT 80, including interviews, footage of Cadmus painting and drawing, and footage from a 1981 retrospective exhibition in Oxford, Ohio. Also found in the collection is a black and white photograph of Cadmus taken by either Sutherland or George Petrakes, June 1980, and a publicity file for the released film.
Biographical / Historical:
Filmmaker; Newton, Mass.
Provenance:
Donated 1984 by David Sutherland.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
Motion picture film and sound footage: Authorization to quote or reproduce for purposes of publication must be obtained from David Sutherland.
Occupation:
Filmmakers -- Massachusetts -- Newton  Search this
Topic:
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Figurative painting, American -- New York (State) -- New York  Search this
Identifier:
AAA.suthdavi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-suthdavi

Paul Cadmus letters to Edgar Munhall

Creator:
Munhall, Edgar  Search this
Names:
Oklahoma City Art Museum  Search this
Cadmus, Paul, 1904-1999  Search this
French, Jared, 1905-1988  Search this
Poussin, Nicolas, 1594?-1665  Search this
Extent:
3 Items
Type:
Collection descriptions
Archival materials
Date:
1997
Scope and Contents:
Two cards from Paul Cadmus to acquaintance Edgar Munhall. Topics include Nicolas Poussin's work, "The Arcadian Shepherds," artist Jared French, and the Oklahoma City Art Museum. Enclosed with one letter is a copy of a letter from Cadmus to Carolyn Hill, Director the of the Oklahoma City Art Museum. Also included is a brochure on "The Arcadian Shepherds" with text by Munhall.
Biographical / Historical:
Edgar Munhall is a curator emeritus at the Frick Collection, New York, N.Y. Munhall specialized in French art, including the work of Nicolas Poussin.
Provenance:
Donated 2013 by Edgar Munhall.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Identifier:
AAA.munhedga
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-munhedga

George Platt Lynes photographs

Creator:
Lynes, George Platt, 1907-1955  Search this
Names:
Bacon, Peggy, 1895-1987 -- Photographs  Search this
Berman, Eugene, 1899-1972 -- Photographs  Search this
Biddle, George, 1885-1973 -- Photographs  Search this
Billings, Henry, 1901- -- Photographs  Search this
Brook, Alexander, 1898-1980 -- Photographs  Search this
Cadmus, Paul, 1904-1999 -- Photographs  Search this
Chagall, Marc, 1887- -- Photographs  Search this
Chaliapin, Boris, 1904- -- Photographs  Search this
Dunoyer de Segonzac, André, 1884-1974 -- Photographs  Search this
French, Jared, 1905-1988 -- Photographs  Search this
Hartley, Marsden, 1877-1943 -- Photographs  Search this
Hopper, Edward, 1882-1967 -- Photographs  Search this
Kokoschka, Oskar, 1886- -- Photographs  Search this
Lachaise, Gaston, 1882-1935 -- Photographs  Search this
Lurçat, Jean, 1892-1966 -- Photographs  Search this
Lynes, George Platt, 1907-1955 -- Art collections -- Photographs  Search this
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Perlin, Bernard, 1918- -- Photographs  Search this
Pène Du Bois, Guy , 1884-1958 -- Photographs  Search this
Roy, Pierre -- Photographs  Search this
Saint-Gaudens, Homer, b. 1880 -- Photographs  Search this
Tanguy, Yves, 1900-1955 -- Photographs  Search this
Tchelitchew, Pavel, 1898-1957 -- Photographs  Search this
Tooker, George -- Photographs  Search this
Zadkine, Ossip -- Photographs  Search this
Zorach, William, 1887-1966 -- Photographs  Search this
Extent:
1.4 Linear feet ((microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1926-1950
Scope and Contents:
Photographs of artists and art works taken by Lynes.
REEL 57: A photograph album, 1926-1942, containing photos of paintings and drawings in Lynes's collection. Paul Cadmus, Jared French, Marsden Hartley, Paul Klee, Pierre Roy, Pavel Tchelitchew, and Yves Tanguy are represented.
REEL 153: Photographs of artists, 1932-1950, and others (printed posthumously) including: Peggy Bacon, Eugene Berman, George Biddle, Henry Billings, Alexander Brook, Paul Cadmus, Marc Chagall, Boris Chaliapin, A. Dunoyer De Segonzac, Guy Pène du Bois, Jared French, Edward Hopper, Oskar Kokoschka, Gaston Lachaise, Jean Lurcat, Isamu Noguchi, Bernard Perlin, Pierre Roy, Homer St. Gaudens, Yves Tanguy, Pavel Tchelitchew, George Tooker, Ossip Zadkine, and William Zorach. Also included is a group photograph (numerous shots in varying poses) of a group of artists including Matta, Ossip, Zadkine, Yves Tanguu, Max Ernst, Marc Chagall, Fernand Léger, André Breton, Piet Mondrian, André Masson, Amédée Ozenfant, Jacques Lipcitz, Pavel Tchelitchev, Kurt Seligman and Eugene Berman taken on the occasion of the Exhibition Artists in Exile at the Pierre Matisse Gallery, New York, 1942.
REEL 2077: Fifteen photographs of Marsden Hartley, February 4, 1943, and printed posthumously.
Biographical / Historical:
George Platt Lynes (1907-1955) was a photographer from New York, N.Y. Best known for his portraits of Hollywood stars, ballet dancers, writers, and male nudes.
Provenance:
Material on reel 57 lent for microfilming 1971 by Russell Lynes, brother of George Platt Lynes; material on reels 153 & 2077 donated 1967-1971 by Russell Lynes.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Reel 57: ACCESS RESTRICTED: written permission required.
Rights:
Reels 153 & 2077: Authorization to publish, or reproduce must be obtained from Joshua Lynes. Credit should include Copyright Estate of George Platt Lynes
Occupation:
Photographers -- New York (State) -- New York  Search this
Topic:
Photography, Modern -- 20th century -- New York (State) -- New York  Search this
Artists -- Photographs  Search this
Portrait photography  Search this
Identifier:
AAA.lynegeor
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lynegeor

Augustus Goertz papers

Creator:
Goertz, Augustus F. (Augustus Frederick), 1909-1995  Search this
Names:
New York City WPA Artists, Inc.  Search this
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Cadmus, Paul, 1904-1999  Search this
Krasner, Lee, 1908-1984  Search this
Lassaw, Ibram, 1913-2003  Search this
Meyerowitz, William, 1887-1981  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1931-1993
bulk 1977-1984
Scope and Contents:
Papers mainly documenting Goertz's invlovement with the 1977 exhibition "New York City WPA Art: Then 1934-1943 and... Now 1966-1977" and the New York City WPA Artists, Inc. organization. Included are correspondence with Lee Krasner, Ibram Lassaw, Paul Cadmus, and William Meyerowitz; artist files; minutes of meetings and administrative files of the organization; installation photographs and photographs of works of art; guest books; and printed material including an exhibition catalog and poster pertaining to the exhibition. Also included are scattered personal papers including biographical information, photographs of Goertz and his family, and sketches by Goertz.
Biographical / Historical:
Augustus Goerts was an abstract painter and WPA muralist in New York, N.Y. He organized the 1977 exhibition "New York City WPA Art: Then 1934-1943 and... Now 1966-1977," and subsequently founded the New York City WPA Artists, Inc.
Provenance:
This collection was donated in 2007 and in 2008 by Yvette Goertz Janssen, Goertz's daughter.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art -- Exhibitions -- New York (State) -- New York  Search this
Federal aid to the arts -- United States  Search this
Identifier:
AAA.goeraugu
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-goeraugu

Paul Cadmus : Life and work

Creator:
Eliasoph, Philip  Search this
Names:
Cadmus, Paul, 1904-1999  Search this
Extent:
1 Item
Type:
Collection descriptions
Archival materials
Date:
1978
Scope and Contents:
Dissertation.
Biographical / Historical:
Art historian; Bridgeport, Connecticut.
Provenance:
Donated 1979 by Philip Eliasoph.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
Authorization to publish, quote or reproduce must be obtained from Philip Eliasoph.
Occupation:
Art historians  Search this
Painters  Search this
Identifier:
AAA.eliaphil
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-eliaphil

Paul Cadmus letters to Webster Aitken

Creator:
Cadmus, Paul, 1904-1999  Search this
Names:
Aitken, Webster, 1904-  Search this
Kirstein, Fidelma  Search this
Kirstein, Lincoln, 1907-  Search this
Extent:
0.02 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1945-1979
Summary:
The letters of Paul Cadmus to Webster Aitken measure 0.02 linear feet and date from 1945-1979. Found within the collection are letters, notes, and postcards from Cadmus to Aitken regarding music, composers, musicians, mutual friends, Cadmus's sister and brother-in-law Mr. and Mrs. Lincoln Kirstein, travels, and Cadmus's work, art processes, and personal reflections on life events.
Scope and Contents:
The letters of Paul Cadmus to Webster Aitken measure 0.02 linear feet and date from 1945-1979. Found within the collection are 49 letters, notes, and postcards from Cadmus to Aitken regarding classical music, composers, musicians, mutual friends, Cadmus's sister and brother-in-law Mr. and Mrs. Lincoln Kirstein, travels, and Cadmus's work, art processes, and personal reflections on life events.
Arrangement:
The collection is arranged as 1 series:

Series 1: Paul Cadmus Letters to Webster Aitken, 1945-1979 (0.2 linear feet; Box 1)
Biographical / Historical:
Painter Paul Cadmus (1904-1999) lived and worked in New York, N.Y. and Weston, Connecticut and was known for realist works of New York public life and the social lives of men. Cadmus was born in New York City to lithographer and watercolorist Egbert Cadmus and his wife, Maria Latasa, a fellow artist and book illustrator. With the support of his family, Cadmus entered the National Academy of Design at the age of 15 where he excelled in life drawing and printmaking classes. After graduating from the Academy in 1926, he continued his studies at the Art Students League where he met fellow artists Jared French and George Tooker. Throughout the 1920s, Cadmus found work as a commercial illustrator and layout artist for various agencies, including the New York Herald-Tribune.

In 1933, after two years of travel through France and Spain with Jared French, Cadmus returned to New York and was one of the first artists to be accepted into the federal Public Works of Art Project. Throughout the 1930s, his depictions of sailors and New Yorkers in public life were seen as controversial, beginning with the 1934 ejection of his painting The Fleet's In! from the Corcoran Gallery and continuing into 1940 with objections to the showing of Sailors and Floozies at the San Francisco Golden Gate International Exposition. Cadmus met his partner Jon Anderson in 1964 and featured him as a model for many of his subsequent works. Cadmus was a member of the National Academy of Design and the American Academy of Arts and Letters and died in his home in 1999.

Pianist and educator Webster Aitken (1908-1981) lived and worked in Santa Fe, New Mexico. A student of Emil Sauer and Artur Schnabel, Aitken studied at the Curtis Institute and had his recital debut in Vienna in 1929 and his American debut in New York's Town Hall in 1935. He is known for his 1938 London and New York performances of Schubert's sonatas, and a series of programs on the late works of Beethoven performed at American universities. Aitken taught at the Carnegie Institute, the University of Illinois, and the University of Texas. He died in his home in 1981.
Related Materials:
Also found in the Archives of American Art are the Paul Cadmus letters to Edgar Munhall and an oral history interview with Paul Cadmus conducted by Judd Tully, March 22, 1988. The University of Texas at Austin holds the Webster Aitken Collection, 1899-1985.
Provenance:
The letters were donated in 1981 by Cadmus' long-time friend and Aitken's wife, Lilian Gilbert Aitken.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Paul Cadmus letters to Webster Aitken are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Pianists  Search this
Painters -- New York (State)  Search this
Art -- Technique  Search this
Musicians  Search this
Citation:
Paul Cadmus letters to Webster Aitken, 1945-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.cadmpaul
See more items in:
Paul Cadmus letters to Webster Aitken
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cadmpaul
Online Media:

Oral history interview with Ilse Bischoff

Interviewee:
Bischoff, Ilse, 1901-1990  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Parsons School of Design -- Students  Search this
Cadmus, Paul, 1904-1999  Search this
French, Jared, 1905-1988  Search this
Read, Helen Appleton, 1897-1974  Search this
Zorach, William, 1887-1966  Search this
Extent:
26 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1982 January 27
Scope and Contents:
An interview of Ilse Bischoff conducted 1982 January 27, by Robert F. Brown, for the Archives of American Art.
Bischoff speaks of her upbringing in a wealthy German family in New York; her study of costume design in Paris and at the Parsons School of Design, New York City; her training at the Art Students League, and with William Zorach. She recalls her friendships with Helen Appleton Read, Paul Cadmus and Jared French.
Biographical / Historical:
Ilse Bischoff (1901-1990) was an illustrator, painter, and collector. Birthdate also cited as 1903. Full name Ilse Marthe Bischoff. Born in New York City, Bischoff studied at the Art Students League and in Europe. Later, she worked as an illustrator of childrens' books and collected German porcelain.
General:
Originally recorded 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Painters -- Vermont -- Interviews  Search this
Women artists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bischo82
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bischo82

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