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European Marquetry Furniture of the Late 17th Century

Creator:
Cooper Hewitt, Smithsonian Design Museum  Search this
Type:
YouTube Videos
Uploaded:
2015-10-22T00:24:47.000Z
YouTube Category:
Education  Search this
Topic:
Design  Search this
See more by:
cooperhewitt
Data Source:
Cooper Hewitt, Smithsonian Design Museum
YouTube Channel:
cooperhewitt
EDAN-URL:
edanmdm:yt_3RP80tq3zOE

Making a Traditional Chinese Drying Wall

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2018-10-03T18:57:10.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_8Rg12UXatZ0

Thomas Needham

Artist:
Charles Osgood, 1809 - 1890  Search this
Sitter:
Thomas Needham, 1780 - 1858  Search this
Medium:
Oil on panel
Dimensions:
68.6cm x 55.9cm (27" x 22"), Estimate
Type:
Painting
Date:
1845-55
Topic:
Thomas Needham: Male  Search this
Thomas Needham: Crafts and Trades\Furniture maker\Cabinetmaker  Search this
Portrait  Search this
Credit Line:
Owner: Peabody Essex Museum
Object number:
117,517
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm488d793f6-a0f1-4f31-a3f8-c74d13f172b8
EDAN-URL:
edanmdm:npg_117_517

David Alling

Artist:
Unidentified Artist  Search this
Possible attribution:
Rembrandt Peale, 22 Feb 1778 - 3 Oct 1860  Search this
Sitter:
David Alling, 1773 - 1855  Search this
Medium:
Oil on canvas
Dimensions:
76.5cm x 63.6cm (30 1/8" x 25 1/16"), Accurate
Type:
Painting
Date:
1825-35
Topic:
David Alling: Male  Search this
David Alling: Crafts and Trades\Furniture maker\Cabinetmaker  Search this
Portrait  Search this
Credit Line:
Owner: New Jersey Historical Society
Object number:
1931.1 NJHS
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4c3d1fb28-4728-407a-9dbd-9e63c7b3581c
EDAN-URL:
edanmdm:npg_1931.1_NJHS

Philip Archelarius

Artist:
John Paradise, 24 Oct 1783 - 26 Sep 1833  Search this
Sitter:
Philip Archelarius, 1760 - 1860?  Search this
Medium:
Oil on canvas
Dimensions:
72.6cm x 60.2cm (28 9/16" x 23 11/16"), Sight
Type:
Painting
Date:
c. 1810-20
Topic:
Philip Archelarius: Male  Search this
Philip Archelarius: Crafts and Trades\Furniture maker\Cabinetmaker  Search this
Portrait  Search this
Credit Line:
Owner: Pennsylvania Academy of the Fine Arts
Object number:
1952.3.1 PAFA
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm44896004b-971c-4417-9b15-2f9c54751b8d
EDAN-URL:
edanmdm:npg_1952.3.1_PAFA

Abijah Flagg

Artist:
Unidentified Artist  Search this
Sitter:
Abijah Flagg, 1790 - 1842  Search this
Medium:
Watercolor on ivory
Dimensions:
6.1cm x 4.9cm (2 3/8" x 1 15/16"), Sight
Type:
Painting
Date:
c. 1820-25
Topic:
Miniature  Search this
Abijah Flagg: Male  Search this
Abijah Flagg: Crafts and Trades\Furniture maker\Cabinetmaker  Search this
Portrait  Search this
Credit Line:
Owner: Connecticut Historical Society
Object number:
1958-43-0
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4693f23b5-9424-44e9-8c3f-15cc14eb9cb0
EDAN-URL:
edanmdm:npg_1958-43-0

John Horspool

Artist:
Unidentified Artist  Search this
Sitter:
John Horspool, 1775 - 1862?  Search this
Medium:
Oil on panel
Dimensions:
74.9cm x 61cm (29 1/2" x 24"), Accurate
Type:
Painting
Date:
c. 1815-35
Topic:
John Horspool: Male  Search this
John Horspool: Education and Scholarship\Scholar\Antiquary  Search this
John Horspool: Crafts and Trades\Furniture maker\Cabinetmaker  Search this
Portrait  Search this
Credit Line:
Owner: American Jewish Historical Society
Object number:
MA050071
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm49096067c-e47d-41cf-a04d-33b0a1998d09
EDAN-URL:
edanmdm:npg_MA050071

Oliver Wight

Attribution:
Beardsley Limner, active 1785 - 1805  Search this
Sitter:
Oliver Wight, 1765 - 1837  Search this
Medium:
Oil on canvas
Dimensions:
79.3cm x 64.8cm (31 1/4" x 25 1/2"), Accurate
Type:
Painting
Date:
1786-93
Topic:
Oliver Wight: Male  Search this
Oliver Wight: Crafts and Trades\Furniture maker\Cabinetmaker  Search this
Portrait  Search this
Credit Line:
Owner: Abby Aldrich Rockefeller Folk Art Center
Object number:
57.100.9
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm450027124-32f7-470c-b29a-c0bce06dbcdf
EDAN-URL:
edanmdm:npg_57.100.9

Oral history interview with James Krenov, 2004 August 12-13

Interviewee:
Krenov, James, 1920-2009  Search this
Interviewer:
Fitzgerald, Oscar P.  Search this
Subject:
Rochester Institute of Technology  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Woodstock School of Painting  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with James Krenov, 2004 August 12-13. Archives of American Art, Smithsonian Institution.
Topic:
Woodworkers -- California -- Interviews.  Search this
Decorative arts  Search this
Woodwork  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11905
(DSI-AAA_SIRISBib)249006
AAA_collcode_krenov04
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249006
Online Media:

Oral history interview with James Krenov

Interviewee:
Krenov, James  Search this
Interviewer:
Fitzgerald, Oscar P.  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Rochester Institute of Technology -- Faculty  Search this
Woodstock School of Painting  Search this
Extent:
38 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 August 12-13
Scope and Contents:
An interview of James Krenov conducted 2004 August 12-13, by Oscar Fitzgerald, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Fort Bragg, California.
Krenov speaks of immigrating to the United States; making things as a child; learning woodworking from Carl Malmsten; teaching workshops in England, Japan, and New Zealand; working as a cabinetmaker in Sweden; teaching at Rochester Institute of Technology; writing books on woodworking, including, "A Cabinetmaker's Notebook"; helping to found the Program in Artisanry at Boston University; teaching at the College of the Redwoods; using veneers; his teaching method; choosing the appropriate wood; the process of designing his pieces; choosing tools, and his opinion on computerized machinery; his favorite pieces; receiving awards; working for pleasure and working on commission; making joinery; pricing his work; choosing not to work with galleries; and his predictions for the future of woodworking. Krenov also recalls Soetsu Yanagi, Craig McArt, Wendell Castle, John Makepeace, Lois Moran, Yong Chen, and others.
Biographical / Historical:
James Krenov (1920-2009) was a woodworker of Fort Bragg, California. Oscar Fitzgerald is a writer and historian from Alexandria, Virginia.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 14 digital wav files. Duration is 2 hrs., 42 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Cabinetmakers -- California -- Interviews  Search this
Topic:
Woodworkers -- California -- Interviews.  Search this
Decorative arts  Search this
Woodwork  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.krenov04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw938144c01-9401-4891-828a-495a112b8430
EDAN-URL:
ead_collection:sova-aaa-krenov04
Online Media:

Minutes

Extent:
8.70 cu. ft. (9 document boxes) (7 12x17 boxes) (1 16x20 box)
Type:
Collection descriptions
Archival materials
Manuscripts
Date:
1846-1995
Descriptive Entry:
These records are the official minutes of the Board. They are compiled at the direction of the Secretary of the Smithsonian, who is also secretary to the Board, after approval by the Regents' Executive Committee and by the Regents themselves. The minutes are edited, not a verbatim account of proceedings. For reasons unknown, there are no manuscript minutes for the period from 1857 through 1890; and researchers must rely on printed minutes published in the Annual Report of the Smithsonian Institution instead. Minutes are transferred regularly from the Secretary's Office to the Archives. Minutes less than 15 years old are closed to researchers. Indexes exist for the period from 1907 to 1946 and can be useful.
Historical Note:
The Smithsonian Institution was created by authority of an Act of Congress approved August 10, 1846. The Act entrusted direction of the Smithsonian to a body called the Establishment, composed of the President; the Vice President; the Chief Justice of the United States; the secretaries of State, War, Navy, Interior, and Agriculture; the Attorney General; and the Postmaster General. In fact, however, the Establishment last met in 1877, and control of the Smithsonian has always been exercised by its Board of Regents. The membership of the Regents consists of the Vice President and the Chief Justice of the United States; three members each of the Senate and House of Representatives; two citizens of the District of Columbia; and seven citizens of the several states, no two from the same state. (Prior to 1970 the category of Citizen Regents not residents of Washington consisted of four members). By custom the Chief Justice is Chancellor. The office was at first held by the Vice President. However, when Millard Fillmore succeeded to the presidency on the death of Zachary Taylor in 1851, Chief Justice Roger Brooke Taney was chosen in his stead. The office has always been filled by the Chief Justice since that time.

The Regents of the Smithsonian have included distinguished Americans from many walks of life. Ex officio members (Vice President) have been: Spiro T. Agnew, Chester A. Arthur, Allen W. Barkley, John C. Breckenridge, George Bush, Schuyler Colfax, Calvin Coolidge, Charles Curtis, George M. Dallas, Charles G. Dawes, Charles W. Fairbanks, Millard Fillmore, Gerald R. Ford, John N. Garner, Hannibal Hamlin, Thomas A. Hendricks, Garret A. Hobart, Hubert H. Humphrey, Andrew Johnson, Lyndon B. Johnson, William R. King, Thomas R. Marshall, Walter F. Mondale, Levi P. Morton, Richard M. Nixon, Nelson A. Rockefeller, Theodore Roosevelt, James S. Sherman, Adlai E. Stevenson, Harry S. Truman, Henry A. Wallace, William A. Wheeler, Henry Wilson.

Ex officio members (Chief Justice) have been: Roger B. Taney, Salmon P. Chase, Nathan Clifford, Morrison R. Waite, Samuel F. Miller, Melville W. Fuller, Edward D. White, William Howard Taft, Charles Evans Hughes, Harlan F. Stone, Fred M. Vinson, Earl Warren, Warren E. Burger.

Regents on the part of the Senate have been: Clinton P. Anderson, Newton Booth, Sidney Breese, Lewis Cass, Robert Milledge Charlton, Bennet Champ Clark, Francis M. Cockrell, Shelby Moore Cullom, Garrett Davis, Jefferson Davis, George Franklin Edmunds, George Evans, Edwin J. Garn, Walter F. George, Barry Goldwater, George Gray, Hannibal Hamlin, Nathaniel Peter Hill, George Frisbie Hoar, Henry French Hollis, Henry M. Jackson, William Lindsay, Henry Cabot Lodge, Medill McCormick, James Murray Mason, Samuel Bell Maxey, Robert B. Morgan, Frank E. Moss, Claiborne Pell, George Wharton Pepper, David A. Reed, Leverett Saltonstall, Hugh Scott, Alexander H. Smith, Robert A. Taft, Lyman Trumbull, Wallace H. White, Jr., Robert Enoch Withers.

Regents on the part of the House of Representatives have included: Edward P. Boland, Frank T. Bow, William Campbell Breckenridge, Overton Brooks, Benjamin Butterworth, Clarence Cannon, Lucius Cartrell, Hiester Clymer, William Colcock, William P. Cole, Jr., Maurice Connolly, Silvio O. Conte, Edward E. Cox, Edward H. Crump, John Dalzell, Nathaniel Deering, Hugh A. Dinsmore, William English, John Farnsworth, Scott Ferris, Graham Fitch, James Garfield, Charles L. Gifford, T. Alan Goldsborough, Frank L. Greene, Gerry Hazleton, Benjamin Hill, Henry Hilliard, Ebenezer Hoar, William Hough, William M. Howard, Albert Johnson, Leroy Johnson, Joseph Johnston, Michael Kirwan, James T. Lloyd, Robert Luce, Robert McClelland, Samuel K. McConnell, Jr., George H. Mahon, George McCrary, Edward McPherson, James R. Mann, George Perkins Marsh, Norman Y. Mineta, A. J. Monteague, R. Walton Moore, Walter H. Newton, Robert Dale Owen, James Patterson, William Phelps, Luke Poland, John Van Schaick Lansing Pruyn, B. Carroll Reece, Ernest W. Roberts, Otho Robards Singleton, Frank Thompson, Jr., John M. Vorys, Hiram Warner, Joseph Wheeler.

Citizen Regents have been: David C. Acheson, Louis Agassiz, James B. Angell, Anne L. Armstrong, William Backhouse Astor, J. Paul Austin, Alexander Dallas Bache, George Edmund Badger, George Bancroft, Alexander Graham Bell, James Gabriel Berrett, John McPherson Berrien, Robert W. Bingham, Sayles Jenks Bowen, William G. Bowen, Robert S. Brookings, John Nicholas Brown, William A. M. Burden, Vannevar Bush, Charles F. Choate, Jr., Rufus Choate, Arthur H. Compton, Henry David Cooke, Henry Coppee, Samuel Sullivan Cox, Edward H. Crump, James Dwight Dana, Harvey N. Davis, William Lewis Dayton, Everette Lee Degolyer, Richard Delafield, Frederic A. Delano, Charles Devens, Matthew Gault Emery, Cornelius Conway Felton, Robert V. Fleming, Murray Gell-Mann, Robert F. Goheen, Asa Gray, George Gray, Crawford Hallock Greenwalt, Nancy Hanks, Caryl Parker Haskins, Gideon Hawley, John B. Henderson, John B. Henderson, Jr., A. Leon Higginbotham, Jr., Gardner Greene Hubbard, Charles Evans Hughes, Carlisle H. Humelsine, Jerome C. Hunsaker, William Preston Johnston, Irwin B. Laughlin, Walter Lenox, Augustus P. Loring, John Maclean, William Beans Magruder, John Walker Maury, Montgomery Cunningham Meigs, John C. Merriam, R. Walton Moore, Roland S. Morris, Dwight W. Morrow, Richard Olney, Peter Parker, Noah Porter, William Campbell Preston, Owen Josephus Roberts, Richard Rush, William Winston Seaton, Alexander Roby Shepherd, William Tecumseh Sherman, Otho Robards Singleton, Joseph Gilbert Totten, John Thomas Towers, Frederic C. Walcott, Richard Wallach, Thomas J. Watson, Jr., James E. Webb, James Clarke Welling, Andrew Dickson White, Henry White, Theodore Dwight Woolsey.
Topic:
Museums -- Administration  Search this
Museum trustees  Search this
Genre/Form:
Manuscripts
Citation:
Smithsonian Institution Archives, Record Unit 1, Smithsonian Institution, Board of Regents, Minutes
Identifier:
Record Unit 1
See more items in:
Minutes
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_collection:sova-sia-faru0001
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Minutes digital asset number 1

Oral history interview with Tom Eckert, 2007 June 19

Interviewee:
Eckert, Tom, 1942-  Search this
Interviewer:
Lauria, Jo, 1954-  Search this
Subject:
Stocksdale, Bob  Search this
Jordon, John  Search this
Reinsdorf, Martyle  Search this
Reinsdorf, Jerry  Search this
Krenov, James  Search this
Laitman, Nanette L.  Search this
Haas, Cervini  Search this
Himovitz, Michael  Search this
Rapp, Joanne  Search this
Rapp, James  Search this
Ellsworth, David  Search this
Dunning, William  Search this
Castle, Wendell  Search this
Arrowmont School of Arts and Crafts  Search this
Arizona State University  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Tom Eckert, 2007 June 19. Archives of American Art, Smithsonian Institution.
Topic:
Decorative arts  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)13620
(DSI-AAA_SIRISBib)271201
AAA_collcode_eckertt07
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_271201
Online Media:

Oral history interview with John Cederquist

Interviewee:
Cederquist, John  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
California State University -- Students  Search this
Franklin Parrasch Gallery  Search this
Museum of Fine Arts, Boston  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Oakland Museum  Search this
Saddleback College -- Faculty  Search this
Bennett, Garry Knox, 1934-  Search this
Clark, Garth, 1947-  Search this
Cooke, Edward S., 1954-  Search this
Danto, Arthur Coleman, 1924-  Search this
Gaines, Tom  Search this
Hughes, Robert, 1938-2012  Search this
Makepeace, John  Search this
Maruyama, Wendy, 1952-  Search this
Parrasch, Franklin  Search this
Smith, Roberta  Search this
Snidecor, John  Search this
Straight, Bob  Search this
Straight, Chris  Search this
Turnbull, George  Search this
Zuecher, Gary  Search this
Extent:
11 Items (Sound recording: 11 sound files (4 hr., 54 min.), digital, wav file)
111 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 April 14-15
Scope and Contents:
An interview of John Cederquist conducted 2009 April 14-15, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Cederquist's studio, in San Clemente, California.
John Cederquist speaks of his recent series Dollar Bill; his long-standing interest in perspective and use of tool imagery in his work; his childhood in Southern California; his early interest in art through custom car art; high school art instruction and focusing on craft; earning undergraduate and graduate degrees at California State University, Long Beach in the late 1960s and early 1970s; teaching at Saddleback College, Mission Viejo, California, starting in the early 1970s; work in wood and leather; other brief teaching jobs in Southern California universities; early exhibitions; exhibition and demonstrations at Parnham House, Beaminster, England, 1978; starting to teach perspective at Saddleback; Number One; the Egg and the Eye gallery/cafe, Los Angeles, California; Game Table [1982]; Auntie Macassar Goes West, 1987-88; philosophical and aesthetic differences between wood artists on the East and West coasts; exhibition: "Material Evidence: Master Craftsmen Explore ColorCore," Workbench: the Gallery, New York, New York, 1984; "California Woodworking," the Oakland Museum [of California, 1980; Thonet catalog as source material]; influence of animation in film and television; the perceptual and conceptual issues in translating two dimensions into three, and vice versa; the nature of illusion and perception; inclusion of work in an exhibition at the Museum of Fine Arts, Boston, 1989; the influence of How to Wrap Five Eggs: Traditional Japanese Packaging, Hideyuki Oka, Trumbull, Connecticut: Weatherhill, 1967; use of the Thomas Chippendale book (1754) as source material; subtle influence of cubism on Ghost Boy [1992] piece; his choice of furniture as the vehicle for his aesthetic exploration; series Furniture That Builds Itself (1991-2007), and continued influence of cartoons and animation; his choice of different kinds of wood; series How to Wrap Five Crates; series Kimonos and the influence of Japanese aesthetics; When Machines Dream of Hokusai [1995]: Road to Dreamland; series Wave (early to mid-1990s), and Tubular [1990], the first in the series; series Kosode; series This Is Not Lunch; historical Japanese tattoos as a source of inspiration; "Furniture That Builds Itself," Franklin Parrasch Gallery, New York, New York, 2003; sense of humor and "goofiness" in his work; Flat Foot Floogie Builds a Bench. [2003]; influence of photography on his work; his pieces as functional furniture and the artistic potential therein; social commentary in his recent Kosode pieces; Heavenly Victory; how his pieces get named; "The Art of John Cederquist: Reality of Illusion," Oakland Museum of California, 1999-2000; Breakthrough series: Steamer, early 1990s; Top Drawer (1985); Space Age Wave Machine (1999); use of thick wood instead of veneer; strengths and weaknesses of a university setting for art studies; the importance of being part of the craft movement; the role of Garth Clark's gallery in the movement; the importance of working with the Franklin Parrasch gallery; his admiration for art critic Robert Hughes; the role of online media in art journalism and criticism and journalism. He also recalls Gary Zuercher, Franklin Parrasch, John Snidecor, George Turnbull, John Makepeace, Edward S. Cooke, Garry Knox Bennett, Wendy Maruyama, Tom Gaines, Bob and Chris Straight, Arthur Danto, and Roberta Smith.
Biographical / Historical:
John Cederquist (1946- ) creates fine art furniture and wood sculpture. Cederquist is known for using trompe l'oeil in his work. He was educated at Long Beach State University and teaches at Saddleback College.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 11 digital wav files. Duration is 4 hr., 54 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Cabinetmakers -- California -- Interviews  Search this
Topic:
Art -- Study and teaching  Search this
Decorative arts  Search this
Furniture designers -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Woodworkers -- California -- Interviews.  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.cederq09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e6b8700a-8d69-4730-8c1b-fa580b376816
EDAN-URL:
ead_collection:sova-aaa-cederq09
Online Media:

Oral history interview with Tom Eckert

Interviewee:
Eckert, Tom, 1942-  Search this
Interviewer:
Lauria, Jo  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Arizona State University -- Faculty  Search this
Arizona State University -- Students  Search this
Arrowmont School of Arts and Crafts -- Faculty  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Castle, Wendell, 1932-2018  Search this
Dunning, William  Search this
Ellsworth, David, 1944-  Search this
Haas, Cervini  Search this
Himovitz, Michael  Search this
Jordon, John  Search this
Krenov, James  Search this
Laitman, Nanette L., 1924-  Search this
Rapp, James  Search this
Rapp, Joanne  Search this
Reinsdorf, Jerry  Search this
Reinsdorf, Martyle  Search this
Stocksdale, Bob, 1913-2003  Search this
Extent:
44 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2007 June 19
Scope and Contents:
An interview of Tom Eckert conducted 2007 June 19, by Jo Lauria, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio in Tempe, Arizona.
Eckert speaks of his childhood interest in drawing; his first art lessons as a child; working as a cabinetmaker after high school; the decision to attend Arizona State University (ASU); earning very poor grades at ASU and enrolling at Phoenix College, where his art teacher inspired him to pursue art more seriously; returning to ASU to earn his BFA and MFA.; being hired to teach at ASU; creating and heading a wood program there; and helping to design the wood studio at Arrowmont School of Arts and Crafts. He continues discussing his fascination with Flemish painting during his art history education; the sense of illusion present in much of his work; being drawn to wood as a medium because of its ability to be shaped into an infinite amount of forms his experience making a few large scale works of art; feeling a certain spirituality towards his studio and the tools and equipment related to his craft; the importance of first satisfying a personal creative drive, then of showing the work produced, and finally in selling the work; the ways in which galleries and museums assist in attaining those three goals; being invited to participate in a show at Galerie Lieve Hemel in Amsterdam; incorporating the Internet and new technology into the design process; mixing his own colors using pigments; his desire to create larger works in the future; and contentment with and excitement for his life as an artist. Eckert recalls William B. Dunning, James Krenov, Bob Stocksdale, Nanette L. Laitman, David Ellsworth, John Jordan, Wendell Castle, Martyle and Jerry Reinsdorf, Cervini Haas, Michael Himovitz, Joanne Rapp, James Rapp, and others.
Biographical / Historical:
Tom Eckert (1942- ) is a wood artist from Tempe, Arizona. Jo Lauria is a curator and arts writer from Los Angeles, California.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 44 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Woodworkers -- Arizona  Search this
Topic:
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.eckertt07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94003b5b2-3754-4842-85fb-0b0bd618ac50
EDAN-URL:
ead_collection:sova-aaa-eckertt07
Online Media:

Jack Brogan papers

Creator:
Brogan, Jack  Search this
Names:
Benglis, Lynda, 1941-  Search this
DeLap, Tony, 1927-2019  Search this
Irwin, Robert, 1928-  Search this
Therrien, Robert, 1947-  Search this
Turrell, James  Search this
Extent:
4.25 Linear feet
Type:
Collection descriptions
Archival materials
Designs
Drawings
Interviews
Photographs
Sketches
Transcripts
Date:
1968-2016
bulk 1971-2009
Summary:
The papers of technical artist, fabricator, and conservator Jack Brogan measure 4.25 linear feet and date from 1968 to 2016 with the bulk of the collection dating from 1971 to 2009. The collection documents Brogan's collaboration with many artists associated with Southern California Light and Space art to help realize their ideas. Papers include biographical material, project files, printed material, photographic material, and artwork. There is a 2.0 linear foot unprocessed addition to this collection donated in 2020 that includes files related to projects with Robert Irwin, Tony DeLap, Robert Therrien, Philip Aziz, Peter Alexander, Roy Lichtenstein, Lita Albuquerque and others. Some files relate to repairs to work by Lynda Benglis, Larry Bell, John McCracken, Hal Metzer. Several files relate to projects Brogan worked on for churches and synagogues, including First Baptiste Church, Pomona, California. Many contain multiple original drawings, sketches, and notes by artists. Material dates from 1973-2014.
Scope and Contents:
The papers of technical artist, fabricator, and conservator Jack Brogan measure 4.25 linear feet and date from 1968 to 2016 with the bulk of the collection dating from 1971 to 2009. The collection documents Brogan's collaboration with many artists associated with Southern California Light and Space art to help realize their ideas. Papers include biographical material, project files, printed material, photographic material, and artwork. There is a 2.0 linear foot unprocessed addition to this collection donated in 2020 that includes files related to projects with Robert Irwin, Tony DeLap, Robert Therrien, Philip Aziz, Peter Alexander, Roy Lichtenstein, Lita Albuquerque and others. Some files relate to repairs to work by Lynda Benglis, Larry Bell, John McCracken, Hal Metzer. Several files relate to projects Brogan worked on for churches and synagogues, including First Baptiste Church, Pomona, California. Many contain multiple original drawings, sketches, and notes by artists. Material dates from 1973-2014.

Biographical material includes resumes; correspondence; materials related to Jack Brogan's business, Design Concepts; interview drafts; and writings about Brogan.

Project files include research material related to companies and products, as well as files for fabrication and conservation projects in collaboration with artists, including Tony DeLap, James Turrell, Lynda Benglis, Robert Therrien, Robert Irwin, and others. These files typically include financial information, notes, and correspondence, and may also include photographic material, sketches, and printed material.

Printed material includes exhibition announcements and catalogs, press releases, magazines, newspaper and magazine clippings, published interviews, newsletters, and a transcript of the dedication ceremonies for the bicentennial sculpture, Flight, in Fullerton, California.

Photographic material includes contact sheets, negatives, photographs, slides, snapshots, and transparencies, primarily depicting works of art and installation. Also included are images of works of art in Brogan's studio and personal snapshots.

Artwork includes sketches and designs for unidentified projects.
Arrangement:
The collection is arranged in six series.

Series 1: Biographical Material, 1973-2011 (Box 1; 7 folders)

Series 2: Project Files, circa 1969-2016 (Boxes 1-2, OV 4; 1.2 linear feet)

Series 3: Printed Material, 1970-2012 (Box 2, OV 5; 0.3 linear feet)

Series 4: Photographic Material, circa 1969-circa 1990s, undated (Boxes 2-3; 1.1 linear feet)

Series 5: Artwork, 1988, undated (Box 2, OV 4; 0.1 linear feet)

Series 6: Unprocessed Addition (Boxes 6-7, 2.0 linear feet)
Biographical / Historical:
Jack Brogan (1930-) is a technical artist, fabricator, and conservator in Los Angeles, California. Born and raised in Tennessee, Brogan moved to Los Angeles in 1958, where he opened a cabinetmaking and furniture repair shop. After he met and began working with Robert Irwin, word spread of his expertise and other artists sought him out to work with on their own pieces. In 1965 Brogan founded his business, Design Concepts, to address the varying material and production needs of the artists, architects, and industrial designers he works with to fabricate prototypes and unique objects.

Brogan built prototypes for Lockheed, NASA, and has provided custom interior furnishings for numerous commercial and residential spaces. His ability to address projects that are technically challenging due to unconventional methods or limited production runs has also proved well-suited to the concerns and working methods of visual artists. Among his most noteworthy projects are those of Robert Irwin, including a series of prismatic acrylic columns from 1969-1970 and a major commission for the Central Garden of the Getty Center in Los Angeles.
Provenance:
The papers were donated to the Archives of American Art by Jack Brogan in 2017, 2018 and 2020.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Occupation:
Conservators -- California -- Los Angeles  Search this
Topic:
Artists -- California -- Los Angeles  Search this
Genre/Form:
Designs
Drawings
Interviews
Photographs
Sketches
Transcripts
Citation:
Jack Brogan papers, 1968-2016, bulk 1971-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.brogjack
See more items in:
Jack Brogan papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw996c244b9-60d9-4f4a-aacd-016a1b98ae7e
EDAN-URL:
ead_collection:sova-aaa-brogjack
Online Media:

Oral history interview with Garry Knox Bennett

Interviewee:
Bennett, Garry Knox, 1934-  Search this
Bennett, Sylvia  Search this
Interviewer:
Adamson, Glenn  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Extent:
157 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2002 February 1-2
Scope and Contents:
An interview of Garry Knox Bennett conducted 2002 February 1-2, by Glenn Adamson, in Oakland, California, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Bennett describes his childhood and being raised by his maternal grandparents; what high school was like, working in the wood and metal shops for three hours at a time; attending California College of Arts and Crafts where he discovered sculpture; his marriage to Sylvia Mangum; the A-frame house he built in Lincoln, California; living off the land in Lincoln and country life; being diagnosed with beri-beri, a vitamin deficiency; moving his family back to Alameda when they realized how much they missed living in town. Bennett describes his first studio in Alameda, a former lavatory in the shipyard; the beginnings of Squirkenworks [now known as Gold Seal Plating], and his business venture with Rick Street.
Bennett also discusses his relationship with current partner Gary Spencer and switching from the paraphernalia business to jewelry and plating; the first clock he produced and showing them at Gump's in San Francisco; the other galleries he was selling through including Zara Gallery [now Joseph Chowning], Snyderman Gallery, and Esther Saks; his friend and fellow furniture maker Don Braden, who introduced him to Art Carpenter; his involvement in the Baulines Guild with artists such as Grif Okie, Don Braden, and Tom D'Onofrio; and his first meeting with Wendell Castle and their collaborative work at Penland School of Crafts.
He discusses the significance of the piece "Nail Cabinet," and the numerous places it has traveled; the ColorCore show in 1984, "Material Evidence: Mater Craftsmen Explore Colorcore;" the first Workbench show and Warren Rubin, the first owner of Workbench; the Peter Joseph Gallery; the "100 Lamps" show and how he began by making 25 lamps; and the Furniture Society. Mr. Adamson then does a 10-minute exercise with Bennett; he names people and asks the associations Bennett has with them, including Howard Hack, Mel Ramos, J. B. Blunk, Merryll Saylan, Marvin Lipofsky, Bob Stocksdale, James Prestini, Wendy Maruyama, Gail Fredell, Tage Frid, and numerous others.
Sylvia Bennett discusses her "invaluable" participation in her husband Garry's career; she was instrumental in the numerous administrative aspects with which an artist must deal. The conversation then expands to include Garry and they discuss the book, "Made in Oakland: The Furniture of Garry Knox Bennett," which went through several phases. Sylvia's portion of the interview concludes with her involvement with the Oakland Museum. Mr. Bennett and Mr. Adamson then continue the interview, discussing the museums that have pieces of Bennett's work, including the Jewish Museum in San Francisco, the Boston Museum of Fine Arts, the Renwick, and others. The interview concludes with discussion of "Made in Oakland," and describing the pieces included and what kind of work they entailed.
Bennett also recalls the following people: Dale Nish, David Elsworth, Phil Hanes, Paul Sasso, Leon Paulos, Rosanne Somerson, William Harper, John Dunnigan, Tommy Simpson, Dennis Fitzgerald, Ned Cooke, Jack Hopkins, Donald Fortescue, Jim Krenov, Bernice Wollman, Judy Coady, and others.
Biographical / Historical:
Garry Knox Bennett (1934-2022) was a woodowrker from Oakland, California.
General:
Originally recorded 4 sound discs. Reformatted in 2010 as 20 digital wav files. Duration is 6 hr., 10 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Cabinetmakers -- California -- Interviews  Search this
Topic:
Woodworkers -- California -- Interviews.  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bennet02
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98d5f4a6a-0336-4fcd-8458-f461c4b3cc4a
EDAN-URL:
ead_collection:sova-aaa-bennet02
Online Media:

Oral history interview with Tommy Simpson

Interviewee:
Simpson, Tommy  Search this
Interviewer:
Cooke, Edward S., 1954-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Boston University. Program in Artisanry -- Faculty  Search this
Cranbrook Academy of Art -- Students  Search this
Museum of Arts and Design (New York, N.Y.)  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Northern Illinois University -- Students  Search this
University of Hartford -- Faculty  Search this
Castle, Wendell, 1932-2018  Search this
Maloof, Sam  Search this
Maruyama, Wendy, 1952-  Search this
McKie, Judy Kensley, 1944-  Search this
Newman, Richard, (Artist)  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Smith, Paul J., 1931-  Search this
Zucca, Edward  Search this
Extent:
6 Items (Sound recording: 6 sound files (3 hr., 54 min.), digital, wav)
89 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
China -- Description and Travel
Europe -- description and travel
Date:
2004 May 6-July 2
Scope and Contents:
An interview of Tommy Simpson conducted 2004 May 6-July 2, by Edward S. Cooke, Jr., for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America.
Simpson speaks of growing up in rural Illinois; making things as a child; discovering his interest in art at Northern Illinois University; getting an MFA in painting at Cranbrook Academy of Art; using the wood shop at Cranbrook; exhibiting at various galleries in New York City and moving to Connecticut; showing work in the "Fantasy Furniture" exhibit at the Museum of Arts & Design; visiting Europe; the New York studio furniture market in the 1960s; writing the book, "Fantasy Furniture"; exhibiting in "Objects USA;" working as artist in residence at the Fairtree Gallery; teaching at the University of Hartford; his work ethic and productivity; living and working in Greenwich, Connecticut; the constraints of being classified as a furniture maker; teaching briefly at the Program In Artisanry and other schools; the increased public interest in fine woodworking in the 1980s; changes in the craft market; writing the book, "Two Looks to Home"; the influence of events on his work; his current interest in making whole interiors; working on commission; the current public interest in craft; expressing themes in his work; his working process in his studio; the future of fine woodworking; the difficulties of working with galleries; designing rugs; and visiting China. Simpson also recalls Zoltan Sepeshy, Wendell Castle, Paul Smith, Sam Maloof, Edward Zucca, Wendy Maruyama, Richard Newman, Judy McKie, and others.
Biographical / Historical:
Tommy Simpson (1939- ) is a furniture maker and sculptor from Washington Depot, Connecticut. Edward S. Cooke, Jr. is a professor from Newtonville, Massachusetts.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 6 digital wav files. Duration is 3 hr., 54 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Cabinetmakers  Search this
Sculptors -- Connecticut  Search this
Topic:
Decorative arts  Search this
Furniture making -- Study and teaching  Search this
Painting -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.simpso04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95d21c644-be78-4a66-83ff-e67f648199b8
EDAN-URL:
ead_collection:sova-aaa-simpso04
Online Media:

Carl and Olga Milles papers

Creator:
Milles, Carl, 1875-1955  Search this
Milles, Olga Granner, 1874-1967  Search this
Names:
Milles, Ruth Anna Maria, 1873-1941  Search this
Mussolini, Benito, 1883-1945  Search this
Extent:
0.4 Linear feet ((on a partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1933-1951
Scope and Contents:
Letters received by Olga Milles, primarily from her family, the Granners, in Graz, Steiermark, Austria (1933-1951). Other correspondents include Kurt Messner (from prisoner of war camp), his father Adolf Messner (1944-1946), Carl Milles (1944-1951), his sister Ruth Milles (1940), and Signe Rutenskold (1944-1946). Three letters were written to Carl by Olga (1939). Other materials consist of a one-page essay on "Youth" by Frank Crane and 3 photographs, of Benito Mussolini (1936), relatives (1950), and a work of art.
Biographical / Historical:
Carl Milles was a sculptor. His wife, Olga, was also an artist. Milles was born in Lagga, Sweden, the son of Major Emil ("Mille") Andersson. He derived his name from the inversion of his father's nickname "Milles (Mille's) Carl". He was apprenticed to a cabinetmaker and studied for 3 years at the Technical School in Stockholm, during which time he befriended sculptor John Borjeson. Between 1897 and 1900, Milles studied at the Ecole des Beaux Arts. While in Paris, he met artist Olga Granner, whom he married in 1905. In 1902, Milles gained recognition in Sweden with his design for the Sten Sture monument. Milles also studied at the Cranbrook Academy of Art in Michigan and became a citizen of the United States in 1945.
Provenance:
The donor, Margueritte E. Kimball, was charged with clearing out and photographing the Milles' house and studio at Cranbrook in the early 1950s.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Educators  Search this
Sculptors  Search this
Identifier:
AAA.millecar
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b274f14f-ee2d-400a-b1a7-0fa383218bf1
EDAN-URL:
ead_collection:sova-aaa-millecar

Quinn, Mr. and Mrs. Charles H.

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 79, Folder 20
Type:
Archival materials
Date:
1928-1936
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw984703e9f-11ff-4223-b7a3-d500516aa7a0
EDAN-URL:
ead_component:sova-aaa-jacqself-ref10937
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Quinn, Mr. and Mrs. Charles H. digital asset number 1

Soegaard, L. P.

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 90, Folder 10
Type:
Archival materials
Date:
1949-1950
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9409fe517-288b-4385-85f7-43befb1d6205
EDAN-URL:
ead_component:sova-aaa-jacqself-ref11270
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Soegaard, L. P. digital asset number 1
  • View Soegaard, L. P. digital asset number 2

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