Collection is open for research but a portion of the collection is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
A small number of letters and photographs are restricted until the year 2031. Identification list in box.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
Collection Citation:
Minuteman ICBM Program Research Data [Stumpf], NASM.2020.0028 , National Air and Space Museum, Smithsonian Institution.
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Porter A. McCray Papers, 1936-1989. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.
An interview of Harlan W. Butt conducted 2009 July 27-28, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Butt's studio, in Ptarmigan Meadows, Colorado.
Harlan Butt speaks of the influence of Asian art on his work; the use of text and imagery in his work; the use of pattern in his work; his undergraduate minor in weaving; the influence of Asian religion and mythology; series The Earth Beneath Our Feet , Garden Anagogies, and Snakes in Heaven; his childhood growing up in Hopewell, New Jersey, near Princeton; undergraduate work at Tyler School of Art, Philadelphia, Pennsylvania; discovery of Buddhism and Eastern religions; his mother's death when he was 20; studying with Stanley Lechtzin and Elliot Pujol at Tyler; graduate school at Southern Illinois University, Carbondale; interest in Japanese tea ceremony; more exploration of Zen Buddhism; use of color in his work; studying with L. Brent Kington; reliquary series; move to Connecticut in 1974; second trip to Japan in 1984 to co-curate Kyoto Metal: An Exhibition of Contemporary Japanese Art Metalwork; introduction to Japanese system of artisan apprenticeship; early efforts as a writer and poet; the influence of poet Gary Snyder; summer teaching position at Rhode Island School of Design, Providence; teaching job at San Diego [California] State University in the mid-1970s; rattles and pipes series; exploring the Western landscape; the power of the snake image; taking a teaching position at University of North Texas, Denton (1976- ); first trip to Japan in 1980; differences in artisanal/metalworking practices in Japan and the United States; teaching workshops at various craft schools, Penland School of Crafts, Penland, North Carolina; Haystack School of Crafts, Deer Isle, Maine; and Arrowmont School of Arts and Crafts, Gatlinburg, Tennessee, compared with teaching in a university; the pros and cons of the gallery system; work with the Nancy Yaw Gallery, Birmingham, Michigan; the challenge of commission work; National Parks Project, Denton Center for the Visual Arts, Denton, Texas; the role of haiku and text in his pieces; series 1,001 Views of Mt. Mu; series Snakes in Heaven; the influence of his wife and children; trip to India and organizing Colour & Light: The Art and Craft of Enamel on Metal, National Gallery of Modern Art, Mumbai, 2001; trip to Australia; involvement with the Society of North American Goldsmiths, Enamelist Society, and American Craft Council; subtle issues of environmentalism in his work; his affinity for metalsmithing and enameling. He also recalls [Rudolf] Staffel, Robert Winokur, Italo Scanga, Jan Brooks, Mike Riegel, Rachelle Thiewes, Eleanor Moty, Albert Paley, Shumei Tanaka, Ken Glantz (Ken Chowder), Randy Thelma Coles, Sandy Green, Mickey McCarter, Gene Pijanowski, Hiroko Pijanowski, Toshihiro Yamanaka, Helen Shirk, Ana Lopez, and Sarah Perkins.
Biographical / Historical:
Harlan W. Butt (1950- ) is an artist, metalsmith, and educator in Denton, Texas. Mija Riedel (1958- ) is a writer and independent scholar in San Francisco, California.
General:
Originally recorded on 4 sound mini discs. Reformatted in 2010 as 7 digital wav files. Duration is 5 hr., 19 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Catalog of 14 photographs of Lang Jingshan to commemorate the centenary of Daguerre, sponsored by l'Association Photographique de l'Université l'Aurore, Shanghai, 1939. Fourteen monochrome photographs and one color print; forward by Lang, dated October 10, 1939. Also includes brief notes of appreciation by John C. Ferguson; J. Hernault S.J.; Hsia Ching-Kwen (Xia Jingguan) and Chen Chuan-Lin (Chen Zhuanlin).
郎靜山
Exhibition of Pictorial Photography, by Chin-san Long
Biographical / Historical:
Lang Jingshan was a pioneering Chinese photographer active from the 1920s until his death in 1995. He is most noted for incorporating Chinese traditional painting styles and themes into his photographs. He also was noted for exploring modernist subjects and techniques such as 'composite photography' and nudes.
Admission tickets and sales profits from this 1939 exhibition were donated to purchase medical photography equipment and for refugees of the Japanese invasion of China.
Local Numbers:
FSA A1999.33 3.10.1
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to reproduce and publish an item from the Archives is coordinated through the Freer Gallery of Art and Arthur M. Sackler Gallery's Rights and Reproductions department. Please contact the Archives in order to initiate this process.
Genre/Form:
Photographs
Collection Citation:
John Calvin Ferguson Family Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution. Washington, D. C., Gift of Peter Ferguson.
Sponsor:
Funding for the processing of this collection was provided by the
Smithsonian Institution Collections Care and Preservation Fund.
17 Items (gelatin silver photographic prints, 14 x 8.5 cm. each)
Container:
Box 297
Type:
Archival materials
Photographs
Place:
China
Date:
1910
Scope and Contents:
Photographs taken by Charles Lang Freer with a portable camera, at Longmen in Henan Province in October and November of 1911. The photographs show views of the caves and temples at Logmen, as well as the workers and soldiers that accompanied Freer. According to an inventory list of photographs transferred to the Smithsonian, there were originally 45 negatives and 112 photographs in this set.
龙门
Charles Lang Freer's own photographs taken at Longmen
Local Numbers:
FSA A.01 12.05FP
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
14 photographic prints of locations in China, taken by the Geologist Bailey Willis in 1903-1904 during a Carnegie institution funded geological expedition through China. Scenes include pagodas at Wutaishan and Tang dynasty Nestorian monuments outside of Xi'an. Documentation is sparse, but the photographs appear to have been sent to Charles L. Freer by Willis in November of 1908. At the time, Freer was considering purchase of a modern replica of the Nestorian Stele. His examination of Willis' original photograph of the stele confirmed that the replica was not worth acquisition.
大秦景教流行中國碑
Photographs of China by Bailey Willis
Biographical / Historical:
Bailey Willis (1857-1949) was a geological engineer who worked for the U.S. Geological Survey. He was born in New York and studied at Columbia University. Willis surveyed regions of Appalachia and the Northwestern U.S. He visited Mt. Rainier in 1882, and later contributed to its designation as a National Park. is publications on the region's geology garnered international attention from scientists. In 1903, he led an expedition funded by the Carnegie Institution to northern China, an area previously unexplored by geologists. In 1949, Willis published his recollections of the expedition in his book "Friendly China."
Local Numbers:
FSA A.01 12.05WP
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
39 postcards created by Yamanaka & Co., Beijing, showing views of famous Buddhist cave temples of China. Locations include Yungang, Tianlongshan, Longmen, and Gongxian. The postcards were likely presented by a Yamanaka representative to Charles Lang Freer, a profitable customer.
龙门 巩县 云冈 天龙山
Postcards of Chinese Buddhist cave temples
Biographical / Historical:
Yamanaka & Co., was the dominant purveyor of Chiense and Japanese art in the US in the early 20th century. Company head Yamanaka Sadajiro (1866-1936), traveled extensively in China, acquring artworks for their rapidly growing American and European clientele.
Local Numbers:
FSA A.01 12.05YA
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Glass plate negatives taken by Chinese photographer Yü Tai for Charles Lang Freer during his journey to the cave temples of Longmen in Henan Province, and a subsequent trip to Hangzhou in Zhejiang Province between October 1910 and February 1911. Freer spent 2 weeks at Longmen, making extensive notes and photographs of the Buddhist sculptures. Many cave features have been subsequently damaged, destroyed, or pilfered, hence, many of the photographs are unique documents of earlier states. Other Henan Province locations depicted include Kaifeng, Gongxian, and Luoyang; Sites and monuments include the Iron Pagoda in Kaifeng; the Gongxian Buddhist cave temples, and Song Dynasty Imperial Tombs. Hangzhou sites include West Lake; Leifeng Pagoda; Lingyin Temple; Feilaifeng, and the tomb of Yue Fei. A small number of negatives appear to be copies from books or prints.
鞏縣 杭州 龙门 洛阳 开封
Arrangement:
The negatives have been given individual numbers that roughly correspond chronologically to Freer's travels.
Local Numbers:
FSA A.01 12.05.GN
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Glass plate negative taken by Chinese photographers during a trip by Freer and friends to Hangzhou in Zhejiang Province in February 1911. In the lower right hand corner are member of the travelers, possibly including Charles Freer himself.
杭州
Arrangement:
The negatives have been given individual numbers that roughly correspond chronologically to Freer's travels.
Local Numbers:
FSA A.01 12.05.GN.183
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
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