Administered by Washington State Arts Commission Art in Public Places Program 110 9th & Columbia Bldg., Mail Stop G-H11 Olympia Washington 98504 Accession Number: WSAC89.002.00a
Located at University of Washington University of Washington Medical Center Seattle Washington 98105
John Buck : iconography : from the collections of Jordan D. Schnitzer and his family foundation / with essays by Eleanor Heartney, John Yau, Bud Shark ; organized and curated by Ben Mitchell
Title:
Iconography : from the collections of Jordan D. Schnitzer and his family foundation
An interview of John Buck conducted 2008 September 13-14 and December 13, by Lynn R. Matteson, for the Archives of American Art, at Buck's homes and studio, in Bozeman, Montana and Palm Desert, California.
Biographical / Historical:
John Buck (1946- ) is a sculptor and printmaker who lives and works in Bozeman, Montana and Hawaii.
General:
Originally recorded on 1 sound disc. Reformatted in 2010 as 6 digital wav files. Duration is 2 hr., 56 min.
Originally recorded as 5 digital wav files. Duration is 2 hrs., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Stoddard-Fleischman History of Rocky Mountain Area Artists project Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with John Buck, 2008 September 13-December 13. Archives of American Art, Smithsonian Institution.
An interview of Robert David Brady conducted 2008 March 10-12, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, in Berkeley, California.
Brady speaks of growing up in Reno, Nevada and developing a fondness for the desert and mountain environment around him; his first discovery and fascination with clay during junior high; a deep interest in symbols and the abstraction of language and how he has incorporated that into his work; studying art at California College of Arts and Crafts; continuing on to Mills College for graduate school; being drafted into the war and having to postpone his attendance to Mills College; finishing a Master of Fine Arts degree at the University of California, Davis; wanting to become a college professor; teaching at California State University in Sacramento; wanting to depart from dependency on the vessel; exploring with figurative objects; abandoning the vessel and adapting an interest in object making and mixed media; the influence of Mexico, in particular, the imagery of the Day of the Dead, on his work; firing techniques he learned in Mexico; the influence from Hal Riegger toward his education and development; specific works and the inspiration and process behind them; his departure from clay and experimenting with wood; various shows and his experiences working with different galleries and curators; his trip to Guatemala and the emergence of angels and other religious motif in his work; other traveling experiences and the influence each had on his work; his desire to return to clay and continue making pots; the craft community; the influence of Japanese pots; his personal beliefs toward academically trained and non-academically trained artists; and his opinion toward various art and craft magazines. Brady also recalls Vernon Coykendall, Robert Arneson, William Wiley, Manuel Neri, Debbie Butterfield, John Buck, Dick Notkin, Nancy Rubins, Roy de Forest, Hal Riegger, Dale Chihuly, and others.
Biographical / Historical:
Robert David Brady (1946- ) is a sculptor of wood and ceramics and a teacher from Berkeley, California. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 14 digital wav files. Duration is 6 hr., 47 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Sculptors -- California -- Berkeley -- Interviews Search this
