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Naomi Huber Brown Papers (Documenting Duke Ellington's Concert Tour of Asia)

Creator:
Brown, Naomi Huber  Search this
Names:
Armstrong, Louis, 1900-1971  Search this
Ellington, Duke, 1899-1974  Search this
Extent:
0.15 Cubic feet (1 box)
Type:
Collection descriptions
Archival materials
Notes
Business records
Photographs
Place:
Asia -- Concerts -- 1960-1970
Date:
1960-1963.
Summary:
Records document the preparation and management of Duke Ellington's 1963 tour of Asia.
Scope and Contents:
The Naomi Huber Brown Papers contain black and white photographs, correspondence, business contracts, travel itineraries, list of band members, newspaper reviews, a concert program and Brown's personal diary documenting Duke Ellington's 1963 State Department tour of the Middle East and Asia. The material is arranged alphabetically. Of particular interest is a program from a November 1 and 3 Karachi, Pakistan concert, and photographs autographed by Ellington, Louis Armstrong, and Isaac Stern.
Arrangement:
Collection is arranged into one series.
Biographical/Historical note:
Naomi Huber Brown was the United States Foreign Service officer that was responsible for the administration of Duke Ellington's State Department tour of the Middle East and Asia in 1963. Her duties included scheduling travel and making arrangements for the members of the Ellington Orchestra, and the distribution of appropriate currencies to the band members as they toured each country.
Provenance:
Collection donated by Naomi Huber Brown, July 15, 1991.
Restrictions:
Collection is open for research.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz musicians -- 1960-1970 -- United States  Search this
Jazz -- 1960-1970 -- United States  Search this
Music -- 20th century -- United States  Search this
Genre/Form:
Notes -- 1960-1970
Business records -- 1950-2000
Photographs -- 1960-1970
Citation:
Naomi H. Brown Papers Documenting Duke Ellington's Concert Tour of Asia, 1963, Archives Center, National Museum of American History.
Identifier:
NMAH.AC.0429
See more items in:
Naomi Huber Brown Papers (Documenting Duke Ellington's Concert Tour of Asia)
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0429

Alla Nazimova in "The Wild Duck"

Artist:
Julie Brown, 1875 - 1975?  Search this
Sitter:
Alla Nazimova, 4 Jun 1878 - 13 Jul 1945  Search this
Type:
Drawing
Topic:
Alla Nazimova: Female  Search this
Alla Nazimova: Performing Arts\Performer\Actor\Theater  Search this
Alla Nazimova: Performing Arts\Performer\Actor\Movie  Search this
Alla Nazimova: Performing Arts\Performer\Dancer  Search this
Alla Nazimova: Performing Arts\Performer\Musician\Violinist  Search this
Portrait  Search this
Credit Line:
Owner: Museum of the City of New York, Theatre Collection
Website: www.mcny.org/
Object number:
36.397.39-43
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4e4e84d9d-7c27-49be-b8e7-f21379b4ef2b
EDAN-URL:
edanmdm:npg_36.397.39-43

John Barrymore

Artist:
Julie Brown, 1875 - 1975?  Search this
Sitter:
John Barrymore, 15 Feb 1882 - 29 May 1942  Search this
Medium:
Ink and wash on paper
Dimensions:
28cm x 14.8cm (11" x 5 13/16"), Accurate
Type:
Silhouette
Date:
c. 1900-1920
Topic:
John Barrymore: Male  Search this
John Barrymore: Visual Arts\Artist\Sculptor  Search this
John Barrymore: Performing Arts\Performer\Actor  Search this
John Barrymore: Performing Arts\Performer\Actor\Theater  Search this
John Barrymore: Performing Arts\Performer\Actor\Movie  Search this
Portrait  Search this
Credit Line:
Owner: Harvard University Theatre Collection
Website: https://library.harvard.edu/collections/harvard-theatre-collecti
Object number:
TWP.10.15
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4c1eeafbe-f086-4419-93a0-b772dc2a48fe
EDAN-URL:
edanmdm:npg_TWP.10.15

Brown, Julie K., FMP 2003

Collection Creator::
Smithsonian Center for Education and Museum Studies  Search this
Container:
Box 1 of 1
Type:
Archival materials
Collection Restrictions:
These records contain sensitive information and will be redacted by the Archives before use by researchers; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 06-237, Smithsonian Center for Education and Museum Studies, Fellowship Files
See more items in:
Fellowship Files
Fellowship Files / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa06-237-refidd1e280

Nathan Halper business records, 1952-1979

Creator:
Halper, Nathan, 1907-1983  Search this
Subject:
Kootz, Samuel Melvin  Search this
Hartley, Marsden  Search this
Hofmann, Hans  Search this
Motherwell, Robert Burns  Search this
Caro, Anthony  Search this
Gottlieb, Adolph  Search this
Avery, Milton  Search this
Stankiewicz, Richard  Search this
Smith, David  Search this
Cuddihy, John Murray  Search this
Botkin, Henry  Search this
Kootz Gallery (N.Y.)  Search this
National Association of Women Artists (U.S.)  Search this
H.C. Gallery (Provincetown, Mass.)  Search this
H.C.E. Gallery (Provincetown, Mass.)  Search this
Sun Gallery (Provincetown, Mass.)  Search this
Topic:
Art, Modern  Search this
Art  Search this
Record number:
(DSI-AAA_CollID)9671
(DSI-AAA_SIRISBib)211879
AAA_collcode_halpnath
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211879
Online Media:

Nathan Halper business records

Creator:
Halper, Nathan  Search this
Names:
H.C. Gallery (Provincetown, Mass.)  Search this
H.C.E. Gallery (Provincetown, Mass.)  Search this
Kootz Gallery (N.Y.)  Search this
National Association of Women Artists (U.S.)  Search this
Sun Gallery (Provincetown, Mass.)  Search this
Avery, Milton, 1885-1965  Search this
Botkin, Henry, 1896-1983  Search this
Brodie, Gandy, 1925-1975  Search this
Caro, Anthony, 1924-  Search this
Cuddihy, John Murray  Search this
Gottlieb, Adolph, 1903-1974  Search this
Hartley, Marsden, 1877-1943  Search this
Hofmann, Hans, 1880-1966  Search this
Kootz, Samuel Melvin, 1898-1982  Search this
Motherwell, Robert  Search this
Smith, David, 1906-1965  Search this
Stankiewicz, Richard, 1922-1983  Search this
Extent:
4.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Gallery records
Visitors' books
Date:
1952-1979
Summary:
Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.
Scope and Contents note:
Records of four of Nathan Halper's Provincetown galleries measure 4.2 linear feet and date from 1952-1979. The records relate to Kootz Gallery, H-C Gallery, HCE Gallery, and Sun Gallery - all based in Provincetown. The bulk of the collection consists of correspondence with artists, estate executors, collectors, galleries, and museums. There are also scattered business and financial records documenting operations and sales, photographs and slides, printed materials, and one poem. Correspondents include Milton Avery, Anthony Caro, John Murray Cuddihy, Marsden Hartley, Hans Hoffman, Samuel Kootz, Robert Motherwell, David Smith, Richard Stankeiwicz, and many others.

Biographical material consists of one literary poem.

The bulk of the collection consists of correspondence with many artists, estate executors, gallery partners, collectors, galleries, and museums regarding works of art, sales, account balances, requests for information, and general updates.

Scattered business records are found for all four galleries and include a Kootz Gallery guest register, address books, corporation and partnership agreements for the Kootz, H-C, HCE, and Sun galleries, insurance policies, and a Kootz Gallery employee file. Both the guest register and address books were also used as general business related notebooks.

Financial material consists of inventory stock books, price lists and sales, checkbook registers, and general expense invoices/receipts for the four galleries. The undated stock books list artists' names, general artwork identification information, and prices. Additional sales information is found in price lists, correspondence, sales notebooks, and checkbook registers. Invoices and receipts also document general operating expenses.

Printed material includes newspaper clippings on the Provincetown art scene and major artists represented by Halper, three exhibition catalogs, and an event calendar from the National Association of Women Artists.

Photographic material consists of prints and slides of the Kootz, H-C, and HCE galleries; black and white and color prints of exhibitions by Harry Botkin, Adolph Gottlieb, Robert Motherwell, and Hans Hofmann; and black and white prints, color slides, and transparencies of select works of art shown at the galleries.
Arrangement note:
The collection is arranged as 6 series:

Series 1: Biographical Material, circa 1953-1970 (Box 1; 1 folder)

Series 2: Correspondence, 1952-1979 (Boxes 1-2; 1.3 linear feet)

Series 3: Business Records, 1953-1970 (Box 2; .7 linear feet)

Series 4: Financial Material, 1953-1970 (Boxes 3-4; 2 linear feet)

Series 5: Printed Material, 1952-1976 (Box 5; 3 folders)

Series 6: Photographic Material, 1953-1969 (Box 5; 11 folders)
Biographical/Historical note:
Nathan Halper (1907-1983) worked in Provincetown, Massachusetts as a contemporary American art dealer, writer, and James Joyce scholar.

Nathan Halper first moved to Provincetown, Massachusetts in 1936 where he met and eventually married his wife, Helen Marjorie Windust Halper. During the late 1940s and early 1950s, their circle of friends included artists, writers, and academics drawn to the Provincetown art colony. Through friendships with Adolph Gottlieb and Fritz Bultman, Halper was introduced to Hans Hofmann, his students, and other abstract expressionist artists.

In 1949, Halper was invited to give a talk on James Joyce at Forum 49, a Provincetown summer lecture series on the future of art organized by Weldon Kees and held in a gallery at 200 Commercial Street. Speakers ranged from Jackson Pollock to poet laureate Howard Nemerov, and the series also presented one of the first major exhibitions of abstract expressionism in America. In 1952, Halper became the treasurer of the Provincetown Art Association (est. 1914), an influential social nexus that connected artists, galleries, patrons, and the public through memberships and annual events.

In 1953, he entered into a partnership with New York art dealer Sam Kootz and helped establish the Kootz Gallery in Provincetown. Their stable initially consisted of abstract expressionists Kootz represented in New York: Robert Motherwell, Hans Hofmann, Adolph Gottlieb, Fritz Bultman, and William Baziotes. Halper and Kootz mutually agreed to dissolve their partnership in 1954 and Halper opened the H-C Gallery with John Murray Cuddihy in 1955. After Cuddihy's departure at the end of the 1956 season, Halper opened the HCE Gallery (1957-1967), a name inspired by Joyce's Finnegan's Wake. In 1962, Halper entered into a one year partnership with Noah Goldowsky to help finance and run the Sun Gallery.

After the dissolution of the Kootz Gallery, Halper continued to represent Motherwell and, for a short time, Gottlieb in the Provincetown area, but quickly added other artists to the HCE stable. Through its relationship with New York dealers, such as Martha Jackson Gallery, Andre Emmerich Gallery, and Waddington Galleries, HCE was able to exhibit and sell works by Milton Avery, Gandy Brodie, Anthony Caro, Edwin Dickinson, Marsden Hartley, Hans Hoffman, Wolf Kahn, William King, Jan Muller, Elie Nadelman, David Smith, Richard Stankiewicz, Tal Streeter, and Anthony Vevers, among others.
Related Archival Materials note:
Also found in the Archives of American Art are the Kootz Gallery records and oral history interviews with Nathan Halper conducted by Dorothy Seckler, July 17, 1963 and by Robert Brown, July 8-August 14, 1980. Columbia University also holds Nathan Halper's papers concerning his literary scholarly work.
Provenance:
The Nathan Halper business records were donated by Nathan Halper in 1979. Additional materials were donated in 1983 and 1984 by his wife Helen Marjorie Windust Halper.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Nathan Halper business records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- Massachusetts -- Provincetown  Search this
Gallery directors  Search this
Art dealers  Search this
Art galleries, Commercial -- Massachusetts -- Provincetown  Search this
Art, Modern -- 20th century -- United States  Search this
Art -- Collectors and collecting -- Massachusetts -- Provincetown  Search this
Genre/Form:
Photographs
Gallery records
Visitors' books
Citation:
Nathan Halper business records, 1952-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.halpnath
See more items in:
Nathan Halper business records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halpnath
Online Media:

Brown, Julie (Miss)

Series Creator:
Scurlock, Addison N., 1883-1964  Search this
Scurlock, Robert S. (Saunders), 1917-1994  Search this
Scurlock Studio (Washington, D.C.)  Search this
Scurlock, George H. (Hardison), 1919-2005  Search this
Custom Craft  Search this
Container:
Box 2, Folder 23
Type:
Archival materials
Date:
1972 August 2
Series Restrictions:
Collection is open for research.

Gloves must be worn when handling unprotected photographs and negatives. Special arrangements required to view negatives due to cold storage. Using negatives requires a three hour waiting period. Contact the Archives Center at 202-633-3270.
Series Rights:
When the Museum purchased the collection from the Estate of Robert S. Scurlock, it obtained all rights, including copyright. The earliest photographs in the collection are in the public domain because their term of copyright has expired. The Archives Center will control copyright and the use of the collection for reproduction purposes, which will be handled in accordance with its standard reproduction policy guidelines. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Series Citation:
Scurlock Studio Records, Archives Center, National Museum of American History. Smithsonian Institution
See more items in:
Scurlock Studio Records, Series 2: Color Photographs
Scurlock Studio Records, Series 2: Color Photographs / 2.1: Clients
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0618-s02-ref91

Glenn L. Martin Nebraska Company Scrapbooks (Brown Collection)

Creator:
Brown, Julie  Search this
Names:
Glenn L. Martin Company  Search this
Brown, Julie  Search this
Extent:
0.7 Cubic feet (2 flatboxes)
Type:
Collection descriptions
Archival materials
Correspondence
Photographs
Newsletters
Articles
Clippings
Date:
1943-1945
Summary:
This collection consists of two scrapbooks. The smaller scrapbook contains certificates, newsletters, photographs, silhouettes, small paintings, correspondence, and articles regarding both Brown and the Martin-Nebraska plant. The larger scrapbook contains oversized photographs and drawings of the B-29. The drawings were drawn by Brown.
Scope and Contents:
This collection consists of two scrapbooks. The smaller scrapbook contains certificates, newsletters, photographs, silhouettes, small paintings, correspondence, and articles regarding both Brown and the Martin-Nebraska plant. The larger scrapbook contains oversized photographs and drawings of the B-29. The drawings were drawn by Brown.
Arrangement:
Each album is in its own box which has been selected based on size so that it can be safely housed.
Biographical / Historical:
Julie Brown was one of the artists in the Photo-Art Department at the Glenn L. Martin - Nebraska Company during World War II. Brown studied at both the Rhode Island School of Design and the Art Students' League in New York. During World War I, she worked in the American Red Cross' Hospital Hut Service in France. In this capacity, Brown made silhouettes of soldiers in the various hospitals. After returning to the United States, her art appeared in magazines, newspapers, shows and exhibitions. After World War II started, Brown completed engineering drawing courses at Omaha University and began work at the Martin-Nebraska Company in 1943 as a production illustrator. The Martin-Nebraska Company produced Martin B-26 and Boeing B-29 aircraft during the war.
Provenance:
Natalie Keller, Milford Sprecher, Gift, 1993, NASM.1993.0064
Restrictions:
No restrictions on access
Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Topic:
World War, 1939-1945  Search this
Martin B-26 Marauder Family  Search this
Boeing B-29 Superfortress  Search this
Aeronautics, Military  Search this
Aeronautics in art  Search this
Aeronautics, Commercial -- United States  Search this
Aeronautics, Commercial  Search this
Aeronautics  Search this
Aircraft industry -- United States  Search this
Aircraft industry  Search this
Works of art  Search this
Genre/Form:
Correspondence
Photographs
Newsletters
Articles
Clippings
Photographs
Citation:
Glenn L. Martin Nebraska Company Scrapbooks (Brown Collection), NASM.1993.0064, National Air and Space Museum, Smithsonian Institution.
Identifier:
NASM.1993.0064
See more items in:
Glenn L. Martin Nebraska Company Scrapbooks (Brown Collection)
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_collection:sova-nasm-1993-0064
Online Media:

["B-29 adventure" Scrapbook]

Collection Creator:
Brown, Julie  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1943-1945
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
Glenn L. Martin Nebraska Company Scrapbooks (Brown Collection), NASM.1993.0064, National Air and Space Museum, Smithsonian Institution.
See more items in:
Glenn L. Martin Nebraska Company Scrapbooks (Brown Collection)
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1993-0064-ref505

[Untitled Scrapbook, Boeing B-29 Superfortress (Model 345)]

Collection Creator:
Brown, Julie  Search this
Container:
Box 2, Folder 1
Type:
Archival materials
Date:
1943-1945
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests
Collection Citation:
Glenn L. Martin Nebraska Company Scrapbooks (Brown Collection), NASM.1993.0064, National Air and Space Museum, Smithsonian Institution.
See more items in:
Glenn L. Martin Nebraska Company Scrapbooks (Brown Collection)
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-1993-0064-ref506

Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives

Printer:
MacCormack, Forrest (intern)  Search this
Talman, Hugh (photographer)  Search this
Photographer:
Smillie, T. W. (Thomas William), 1843-1917  Search this
Johnston, Frances Benjamin, 1864-1952  Search this
Collector:
Domestic Life, Division of (NMAH, SI).  Search this
Domestic Life, Division of (NMAH, SI).  Search this
Names:
World's Columbian Exposition, Chicago, 1893 -- Photographs  Search this
Extent:
2 Cubic feet (7 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Contact prints
Place:
White House (Washington, D.C.)
Washington (D.C.) -- 1890-1900
Chicago Ill. -- 1890-1900
Date:
1993 - 1993
circa 1888-1899, 1906
Summary:
Twenty glass plate negatives and reference copy prints of the images taken between the late 1880s and the early 1900s by Frances Benjamin Johnston and Thomas W. Smillie. The images depict the skyline of Washington D.C., views from the 1893 World's Fair: Columbian Exposition, blueprints for the Smithsonian Arts and Industries Building, and an unidentified orchestra.
Scope and Contents:
The collection consists of twenty glass plate negatives and associated reference copy prints depicting scenes from the 1893 World's Fair: Columbian Exposition in Chicago, Illinois as well as images of the Washington D.C. skyline dating from between 1888 and 1899. The glass plate negatives range in size from 17" x 20" to 20" x 24" while the silver gelatin, resin-coated paper prints are all 20" x 24". All the images are black and white.

Series 1, Glass Plate Negatives, 1893, 1906, circa 1888-1899, is arranged by a numbering system, possibly assigned by the Smithsonian Office of Printing and Photographic Services (OPPS). The numbers were etched or written on the negatives, for example 3107. The series begins with the numbered images from Washington DC (#3101-#3107), followed by images without identifying numbers. The numbered images from the 1893 Columbian Exposition (non-inclusive #11302-11359) come next, followed by the images without identifying numbers.

The images of Washington D.C., when arranged in the following sequence, form a panorama of the Washington D.C. city: #3103, #3107, #3104, #3101, #3106, #3105, #3102. The images were taken from the tower of the Smithsonian Castle facing north, beginning with a view of the United States Capitol Building in the east (#3102) and ending with a view of the incomplete Washington Monument in the west (#3103). An unnumbered image of the United States Capitol taken after 1899 from the tower of the Old Post Office and Clock Tower looking down Pennsylvania Avenue is included. Two unnumbered blueprints dated July 19, 1906 show the second and third floor layouts of the Smithsonian Arts and Industries Building.

The images of the 1893 World's Fair: Columbian Exposition show various buildings built for the event as well as a replica of the Battleship Illinois which was constructed to illustrate advances in naval technology. Exterior views of the Administration Building, Government Building, Palace of Fine Arts, Manufactures and Liberal Arts Building as well as an interior view of the World's Fair Post Office in the Government Building are found among the negatives. A number of the images appear to have been taken from atop some of the buildings looking down.

One unnumbered and unidentified picture of a musical orchestra sitting on stage is included at the end of the series.

Series 2, Copy prints, 1993, include duplicate or, in some instances triplicate, photographic copy prints of the images from the glass plate negatives. In the case of #11311 and #11359, no copy prints exist. The silver gelatin prints on resin-coated paper were created in the fall of 1993.
Arrangement:
The collection is arranged in two series.

Series 1: Glass Plate Negatives, 1893, 1906, circa 1888-1899

Series 2: Copy prints (reference copies), 1993
Biographical / Historical:
While the origin and provenance of some of the glass plate negatives is uncertain, it is likely that the images were created by Smithsonian photographer and curator Thomas W. Smillie and by Frances Benjamin Johnston, a prominent female photographer who was a protege of Smillie's.

Thomas W. Smillie was born in Edinburgh, Scotland in 1843 and emigrated to the United States when he was five years old. He attended Georgetown University, where he studied medicine and chemistry. Shortly thereafter he became a photographer for the Smithsonian and remained with the institution until his death in 1917. In 1896 he was named "custodian" of photography for the Institution, in essence becoming its first photography curator. He staged photographic exhibits and actively collected both images and equipment related to photography.

Frances Benjamin Johnston was an early pioneer for women in the field of photography and photojournalism. Born in 1864 in Grafton, West Virginia, Johnston studied art in Maryland and later at the Académie Julien in Paris. Her high-profile family connection with the Eastman family as well as her insatiable appetite for knowledge about photographic processes quickly propelled her to a formidable professional career. Her work appeared in publications such as The Ladies' Home Journal, Harper's Weekly, and Cosmopolitan, among others. As an apprentice to Thomas W. Smillie, Johnston was engaged to photograph the 1893 World's Fair: Columbian Exposition in Chicago. She made Washington D.C. her home and had the opportunity to photograph a large number of high profile individuals and government officials, including five United States presidents. Her photography often documented mundane and commonplace aspects of life rather than spectacular or prominent ones. Later in her career she focused her photography on colonial architecture, with images of houses, barns, and other buildings that intentionally showed everyday life in the United States South rather than high profile structures which had already been well-documented. She moved to New Orleans in 1940 and died in 1952.
Related Materials:
Materials at the Smithsonian Institution

Smithsonian Institution Archives

Records, circa 1883-1984 (SIA RU000529)

Field Research Photographs, circa 1909-1924 (SIA Acc. 02-086)

Personnel Records, 1892-1952 (SIA Acc. 05-123)

Collected Registers, 1908-1912 and undated (SIA Acc. 06-138)

National Anthropological Archives

Glass Negatives of Indians (Collected by Bureau of American Ethnology)
Provenance:
Immediate source of acquisition unknown.
Restrictions:
The collection is open for research. Reference photograph copies should be used where possible. Gloves must be worn when handling unprotected photographs and negatives. Special care is required when handling the glass plate negatives both because of their large size and because some of the negatives are broken.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning intellectual property rights. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Washington Monument (Washington, D.C.)  Search this
Genre/Form:
Photographs -- Black-and-white negatives -- Glass -- 1890-1900
Contact prints -- 1950-2000
Citation:
Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives, 1888-1906, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0416
See more items in:
Frances Benjamin Johnston and Thomas W. Smillie Glass Plate Negatives
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_collection:sova-nmah-ac-0416

A – E

Type:
Archival materials
Date:
1867
Collection Restrictions:
Freedmen's Bureau Digital Collection, 1865–1872, is a product of and owned by the National Museum of African American History and Culture, Smithsonian Institution. Copyright for digital images is retained by the donor, FamilySearch International; permission for commerical use of the digital images may be requested from FamilySearch International, Intellectual Property Office, at: cor-intellectualproperty@ldschurch.org .
Collection Citation:
Courtesy of the U. S. National Archives and Records Administration, FamilySearch International, and the Smithsonian National Museum of African American History and Culture.
Identifier:
NMAAHC.FB.M1056, Subseries 6.3
See more items in:
Records of the Superintendent of Education for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872
Records of the Superintendent of Education for the District of Columbia, Bureau of Refugees, Freedmen, and Abandoned Lands, 1865–1872 / Series 6: Unregistered Letters Received
Archival Repository:
National Museum of African American History and Culture
EDAN-URL:
ead_component:sova-nmaahc-fb-m1056-ref25
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H. G. Dyar bluebook 213 - 270

Collection name:
Harrison G. Dyar Note books, Department of Entomology, 1882 - 1925
Physical Description:
1 field book
Physical Location:
National Museum of Natural History (U.S.). Dept. of Entomology
Sublocation:
Box 1 Folder 5
Record type:
Fieldbook record
Object Type:
Field notes
Sketches
Illustrations
Place:
United States
California
Yosemite National Park
New York
Ulster
Date Range:
1890-1896
Start Date:
1890
End Date:
1896
Topic:
Entomology  Search this
Accession #:
SIA Acc. 12-447
Access Information:
At least 24 hours advance notice is recommended to consult this collection. Contact the Department of Entomology at 202-633-0990 to make an appointment.
See more records from this collection:
Harrison G. Dyar Note books, Department of Entomology, 1882 - 1925
See more records associated with this person:
Dyar, Harrison G. (Harrison Gray), 1866-1929
Data Source:
Smithsonian Field Book Project
EDAN-URL:
edanmdm:fbr_item_MODSI5438
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  • View H. G. Dyar bluebook 213 - 270 digital asset number 1
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H. G. Dyar bluebook 474 - 491

Collection name:
Harrison G. Dyar Note books, Department of Entomology, 1882 - 1925
Physical Description:
1 field book
Physical Location:
National Museum of Natural History (U.S.). Dept. of Entomology
Sublocation:
Box 1 Folder 15
Record type:
Fieldbook record
Object Type:
Field notes
Place:
United States
New York
Keene Valley
Westport
Date Range:
1894-1897
Start Date:
1894
End Date:
1897
Topic:
Entomology  Search this
Accession #:
SIA Acc. 12-447
Access Information:
At least 24 hours advance notice is recommended to consult this collection. Contact the Department of Entomology at 202-633-0990 to make an appointment.
See more records from this collection:
Harrison G. Dyar Note books, Department of Entomology, 1882 - 1925
See more records associated with this person:
Dyar, Harrison G. (Harrison Gray), 1866-1929
Data Source:
Smithsonian Field Book Project
EDAN-URL:
edanmdm:fbr_item_MODSI5491
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
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Catalogue of collections, 1871-1872

Collection name:
William H. Dall Papers, circa 1839-1858, 1862-1927
Physical Description:
1 field book
Physical Location:
Smithsonian Institution Archives
Sublocation:
Box 26 Folder 8
Record type:
Fieldbook record
Object Type:
Field notes
Place:
Alaska
Date Range:
1871-1872
Start Date:
1871
End Date:
1872
Topic:
Zoology  Search this
Accession #:
SIA RU007073
Access Information:
Many of SIA's holdings are located off-site, and advance notice is recommended to consult a collection. Please email the SIA Reference Team at osiaref@si.edu.
See more records from this collection:
William H. Dall Papers, circa 1839-1858, 1862-1927
See more records associated with this person:
Dall, William Healey, 1845-1927
See more records associated with this expedition:
Western Union Telegraph Expedition (1865-1867)
Data Source:
Smithsonian Field Book Project
EDAN-URL:
edanmdm:fbr_item_MODSI553
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Catalogue of collections, 1871-1872 digital asset number 1
Online Media:

Connecting Health and Natural History A Failed Initiative at the American Museum of Natural History, 1909-1922

Author:
Brown, Julie K.  Search this
Object Type:
Smithsonian staff publication
Electronic document
Year:
2014
Topic:
American History  Search this
Data source:
Smithsonian Libraries
EDAN-URL:
edanmdm:SILSRO_128777

Brown, Julie: Church of St. Stephen and the Incarnation, Washington, D.C., 1984.

Collection Creator::
National Museum of American History. Division of Musical History  Search this
Container:
Box 42 of 75
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Record Unit 485, National Museum of American History. Division of Musical History, Records
See more items in:
Records
Records / Box 42
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-faru0485-refidd1e18391

Brown, Julie

Collection Creator:
Smithsonian Institution, Office of Fellowships and Internships  Search this
Type:
Archival materials
Collection Rights:
Restricted for 15 years; until Jan-01-2027. These records contain sensitive information and will be redacted by SIA before use by researchers. Boxes 38-54 contain materials restricted indefinitely; see finding aid; Transferring office; 8/19/2013 memorandum, Johnstone to Murphy; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 13-241, Smithsonian Institution, Office of Fellowships and Internships, Program Records
See more items in:
Program Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa13-241-refd1e7309

Brown, Julie K.

Collection Creator::
Smithsonian Institution. Office of Fellowships and Internships  Search this
Container:
Box 15 of 24
Type:
Archival materials
Collection Rights:
Restricted for 15 years; until Jan-01-2028. These records contain sensitive information and will be redacted by SIA before use by researchers. Boxes 6-11 contain materials restricted indefinitely; see finding aid. Transferring office; 8/19/2013 memorandum, Johnstone to Murphy; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 15-076, Smithsonian Institution. Office of Fellowships and Internships, Program Records
See more items in:
Program Records
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa15-076-refidd1e5211

Slides - School Group with Elephant House Keeper Melba Brown, July 1990

Collection Creator::
National Zoological Park  Search this
Container:
Box 49 of 80
Type:
Archival materials
Collection Citation:
Smithsonian Institution Archives, Accession 16-065, National Zoological Park, Photographs
See more items in:
Photographs
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa16-065-refidd1e24239

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