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Diana Fuller papers and gallery records, 1958-2004

Creator:
Fuller, Diana Burgess, 1937-  Search this
Subject:
Wiley, William T.  Search this
De Forest, Roy  Search this
Levine, Marilyn  Search this
Holland, Tom  Search this
Brown, Joan  Search this
Fuller Goldeen Gallery  Search this
Hansen Fuller Goldeen Gallery  Search this
Hansen-Fuller Gallery  Search this
Fuller Gross Gallery  Search this
Hansen Galleries  Search this
Citation:
Diana Fuller papers and gallery records, 1958-2004. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- California -- San Francisco  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)10403
(DSI-AAA_SIRISBib)213779
AAA_collcode_fulldian
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213779

Diana Fuller papers and gallery records

Creator:
Fuller, Diana Burgess  Search this
Names:
Fuller Goldeen Gallery  Search this
Fuller Gross Gallery  Search this
Hansen Fuller Goldeen Gallery  Search this
Hansen Galleries  Search this
Hansen-Fuller Gallery  Search this
Brown, Joan, 1938-1990  Search this
De Forest, Roy, 1930-2007  Search this
Holland, Tom, 1936-  Search this
Levine, Marilyn, 1935-2005  Search this
Wiley, William T., 1937-2021  Search this
Extent:
67.9 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1958-2004
Summary:
The Diana Fuller papers and gallery records measure 67.9 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.
Scope and Contents:
The Diana Fuller papers and gallery records measure 67.9 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.

Administrative files include job descriptions, inventories of artwork, addresses, and contact lists; papers relating to foundries, photographers, framers, and printers; advertising records, property records, travel files, and one gallery guestbook. Correspondence files document the galleries' relationship with collectors, clients, art organizations, and consultants. The files include some sales records, agreements, printed material, and photos of artwork as well. Artists' files include biographical information, artist statements, correspondence, client lists, exhibition materials, loan and consignment records, and more. Among the artists featured extensively is Beth Van Hosen, William T. Wiley, Roy DeForest, Robert Arneson, Tom Holland, Robert Hudson, Marilyn Levine, and Joan Brown.

Exhibition and event files shed light on solo and group shows held at Fuller galleries, Art Unlimited and Hansen Gallery, and outside galleries, museums, and institutions; art fairs held in the U.S. and abroad, and auctions. Files related to film screenings, tours, luncheons, and other special events held at Fuller galleries are also present. Dealer and institution files consist of correspondence, loan and consignments records, bills of sale, commission agreements and contracts, printed material, price lists, and some photographic materials. Financial records contain account ledgers, invoices and receipts, gallery checks, and sales records. Also present are donation records, appraisal reports, and some financial records from Arts Unlimited and Hansen Gallery.

Diana Fuller's papers include project files, appraisal records, membership records, correspondence, and photographic materials. Records related to the Bay Area Consortium for the Visual Arts consist of administrative records, project files, grant applications, 1989 earthquake disaster relief material, and organization finances. Files relating toParallels and Intersections and its accompanying exhibition contain artist files, author files, correspondence, publishing agreements, drafts, cassette tapes, DVDs, and more.
Arrangement:
The collection is arranged as 7 series.

Series 1: Administrative Records, 1969-1992 (Box 1-3; 2.2 linear feet)

Series 2: Correspondence Files, 1963-1993 (Box 3-8; 5.5 linear feet)

Series 3: Artists' Files, 1959-1993 (Box 8-37; 28.5 linear feet)

Series 4: Exhibition and Event Files, 1967-1993, 2001 (Box 37-45; 8.3 linear feet)

Series 5: Dealer and Institution Files, 1965-1992 (Box 45-51; 6.3 linear feet)

Series 6: Financial Records, 1958-1990 (Box 51-58, 68-70; 7.9 linear feet)

Series 7: Diana Fuller Personal and Professional Papers, 1970s-2004 (Box 58-67; 9.2 linear feet)
Biographical / Historical:
The Diana Fuller galleries were contemporary art galleries in San Francisco, California, from 1969 to 1990. During this period, the gallery changed name and ownership on several occasions: Hansen-Fuller Gallery (1969-1979), Hansen-Fuller-Goldeen Gallery (1979-1982), Fuller-Goldeen Gallery (1982-1986), and Fuller-Gross Gallery (1987-1990). The three gallerists who partnered with Fuller were Wanda Hansen, Dorothy Goldeen, and Brian Gross. Among the artists represented by Fuller galleries were Beth Van Hosen, William T. Wiley, Roy DeForest, Robert Arneson, Tom Holland, Robert Hudson, Marilyn Levine, and Joan Brown. Fuller galleries held performance and conceptual art exhibitions, music performances, screened films, and rented its space out for luncheons and other special events. The gallery also exhibited at art fairs in the U.S. and Europe.

Diana Burgess Fuller is a curator, editor, and filmmaker who was previously a gallerist and art dealer. Diana Burgess worked at Saks Fifth Avenue when she married author Blair Fuller in 1965. Around 1967, she began working for Wanda Hansen's contemporary art gallery, which changed names from Art Unlimited to Hansen Galleries (sometimes Gallery). In 1969, Fuller and Hansen opened the Hansen-Fuller Gallery. That same year, Blair Fuller and novelist Oakley Hall started the Community of Writers at Squaw Valley. Diana Fuller has been involved with Squaw Valley since its inception, and currently serves as director of its screenwriting program. Fuller continued in the retail art business for a short period after closing the gallerey in 1990. In the late 1990s, Fuller began working on the seminal exhibition and book catalog, Art/Women/California, 1950-2000: Parallels and Intersections (2002), documenting more than 90 women artists working in California in the second half of the twentieth century. Fuller was the former president of the Film Arts Foundation and former chair of the Roxie Theater; she currently serves on the board of Artists in Residence Program at Recology.
Related Materials:
Also found in the Archives of American Art is the Dorothy Goldeen Gallery records.
Provenance:
The collection was donated by Diana Fuller, 1991-1995 and 2022.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- California -- San Francisco  Search this
Function:
Art galleries, Commercial -- California
Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fulldian
See more items in:
Diana Fuller papers and gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw990eb0854-d635-4089-b6e7-735e8b68cb2d
EDAN-URL:
ead_collection:sova-aaa-fulldian

Joan Brown papers, 1955-1974

Creator:
Brown, Joan, 1938-1990  Search this
Citation:
Joan Brown papers, 1955-1974. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women educators  Search this
Theme:
Women  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)6843
(DSI-AAA_SIRISBib)208970
AAA_collcode_browjoan
Theme:
Women
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208970

[Photographs of artists taken by Mimi Jacobs, photographer], 1971-1981

Creator:
Jacobs, Mimi, 1911-1999  Search this
Subject:
Adams, Ansel  Search this
Adams, Mark  Search this
Allan, William George  Search this
Anderson, Jeremy  Search this
Armer, Ruth  Search this
Arneson, Robert  Search this
Arnoldi, Charles  Search this
Asawa, Ruth  Search this
Beall, Dennis Ray  Search this
Beasley, Bruce  Search this
Bechtle, Robert  Search this
Bengston, Billy Al  Search this
Benton, Fletcher  Search this
Berlant, Anthony  Search this
Bischoff, Elmer  Search this
Blunk, J. B.  Search this
Brice, William  Search this
Brown, Joan  Search this
Celmins, Vija  Search this
Chicago, Judy  Search this
Conner, Bruce  Search this
Cunningham, Imogen  Search this
DeFeo, Jay  Search this
De Forest, Roy  Search this
DeLap, Tony  Search this
Dickinson, Eleanor  Search this
Diebenkorn, Richard  Search this
Dill, Guy  Search this
Falkenstein, Claire  Search this
Francis, Sam  Search this
Gilhooly, David  Search this
Goldyne, Joseph R.  Search this
Graham, Robert  Search this
Gooch, Gerald  Search this
Gordon, Russell Talbert  Search this
Hedrick, Wally  Search this
Holland, Tom  Search this
Hopkins, Henry  Search this
Howard, Robert Boardman  Search this
Hudson, Robert  Search this
Ihle, John Livingston  Search this
Irwin, Robert  Search this
Johnson, Robert E. (Robert Emory)  Search this
Kauffman, Craig  Search this
Light, Alvin  Search this
Lobdell, Frank  Search this
Martin, Bill  Search this
McLean, Richard Thorpe  Search this
Mullican, Lee  Search this
Nauman, Bruce  Search this
Neri, Manuel  Search this
Noguchi, Isamu  Search this
Oliveira, Nathan  Search this
Paris, Harold  Search this
Raffael, Joseph  Search this
Ramos, Mel  Search this
Reichman, Fred  Search this
Richardson, Sam  Search this
Ruscha, Edward  Search this
Saar, Betye  Search this
Saunders, Raymond  Search this
Shaw, Richard  Search this
Siegriest, Louis B.  Search this
Sinton, Nell  Search this
Thiebaud, Wayne  Search this
Todd, Mike  Search this
Valledor, Leo  Search this
Villa, Carlos  Search this
Voulkos, Peter  Search this
Wasserstein, Julius  Search this
Wiley, William T.  Search this
Woelffer, Emerson  Search this
Wonner, Paul  Search this
Zammitt, Norman  Search this
Citation:
[Photographs of artists taken by Mimi Jacobs, photographer], 1971-1981. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- California -- Portraits  Search this
Artists -- California -- Photographs  Search this
Theme:
Photography  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9285
(DSI-AAA_SIRISBib)211480
AAA_collcode_jacomimi
Theme:
Photography
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211480

Marcia Tucker papers, 1973-1994

Creator:
Tucker, Marcia, 1940-2006  Search this
Subject:
Melamid, Bruce  Search this
Johnson, James W.  Search this
Brown, Joan  Search this
Bourgeois, Louise  Search this
Allen, Richard  Search this
Weber, Idelle  Search this
Staley, Earl  Search this
Staley, Suzanne  Search this
Ratz, Markus  Search this
Snyder, Joan  Search this
Pindell, Howardena  Search this
New Museum of Contemporary Art (New York, N.Y.)  Search this
Type:
Photographs
Citation:
Marcia Tucker papers, 1973-1994. Archives of American Art, Smithsonian Institution.
Topic:
Museum directors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Women museum curators  Search this
Women educators  Search this
Women authors  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)6317
(DSI-AAA_SIRISBib)224631
AAA_collcode_tuckmarc
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_224631
Online Media:

Charles Campbell Gallery records, 1960-2001

Creator:
Charles Campbell Gallery  Search this
Subject:
Brown, Joan  Search this
Brown, William Theo  Search this
Thiebaud, Wayne  Search this
Felix Landau Gallery  Search this
Olivera, Nathan  Search this
Villa, Carlos  Search this
Mattox, Charles  Search this
Rustin, Jean  Search this
Farr, Charles Griffin  Search this
Graves, Morris  Search this
Van Hoesen, Beth  Search this
Cook, Gordon  Search this
Wonner, Paul  Search this
Bellocq, E. J.  Search this
Battenberg, John N.  Search this
Allagaert, Peter  Search this
Asawa, Ruth  Search this
Hattis, Phyllis  Search this
Guest, Barbara  Search this
Sanchez, Stephani  Search this
Morton, Geer  Search this
Bischoff, Elmer  Search this
Berlind, Robert  Search this
Harvey, Robert  Search this
Ghent, Henri  Search this
Reichman, Fred  Search this
Qualters, Robert  Search this
Goray, John  Search this
Canfield Gallery  Search this
Forum Gallery (New York, N.Y.)  Search this
San Francisco Art Dealers Association  Search this
Bryce Bannatyne Gallery  Search this
Allan Stone Gallery  Search this
Trini Gallery  Search this
Type:
Visitors' books
Sketches
Citation:
Charles Campbell Gallery records, 1960-2001. Archives of American Art, Smithsonian Institution.
Topic:
Artists' studios -- Photographs  Search this
Figurative art  Search this
Travel  Search this
Jazz  Search this
Law and art  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)5991
(DSI-AAA_SIRISBib)229525
AAA_collcode_campgall
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_229525
Online Media:

Staempfli Gallery records, 1958-1992

Creator:
Staempfli Gallery (New York, N.Y.)  Search this
Subject:
Staempfli, George W.  Search this
Brown, Joan  Search this
Bischoff, Elmer  Search this
Park, David  Search this
Bruno, Phillip A.  Search this
Peterson, Roland  Search this
Type:
Financial records
Tax records
Citation:
Staempfli Gallery records, 1958-1992. Archives of American Art, Smithsonian Institution.
Topic:
Sculptors  Search this
Art, Modern  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)15811
(DSI-AAA_SIRISBib)289742
AAA_collcode_staegall2
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_289742
Online Media:

Mary Fuller McChesney papers, 1949-2011

Creator:
McChesney, Mary Fuller, 1922-2022  Search this
Subject:
Anderson, Jeremy  Search this
Bothwell, Dorr  Search this
Briggs, Ernest  Search this
Brown, Joan  Search this
Calcagno, Lawrence  Search this
Corbett, Edward  Search this
Dixon, James Budd  Search this
Dugmore, Edward  Search this
Goya, Jorge  Search this
Grachis, Dimitri  Search this
Grillo, John  Search this
Hultberg, John  Search this
Jefferson, Jack  Search this
Kelly, James  Search this
Kuhlman, Walter  Search this
Locks, Seymour  Search this
MacAgy, Douglas  Search this
Martin, Madeline  Search this
Morehouse, William  Search this
Parker, Raymond  Search this
Pollakoff, Leonard  Search this
Reinhardt, Ad  Search this
Remington, Deborah  Search this
Roeber, Phil  Search this
Saccaro, John M.  Search this
Schueler, Jon  Search this
Shoemaker, Peter  Search this
Smith, Hassel  Search this
Spohn, Clay Edgar  Search this
Varda, Jean  Search this
Weeks, James  Search this
Type:
Interviews
Sound recordings
Citation:
Mary Fuller McChesney papers, 1949-2011. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Theme:
Research and writing about art  Search this
Record number:
(DSI-AAA_CollID)6528
(DSI-AAA_SIRISBib)370975
AAA_collcode_mcchmary
Theme:
Research and writing about art
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_370975

Illustrations (photographs of artists and art work)

Collection Creator:
Gray, Cleve  Search this
Container:
Box 2, Folder 23
Type:
Archival materials
Date:
circa 1960-1961
Scope and Contents note:
Blaine, Nell

Bontecou, Lee

Brown, Joan

de Kooning, Elaine

Frankenthaler, Helen

Grechtoff, Sonia

Hartigan, Grace

Magafan, Ethel

Nevelson, Louise

O'Keeffe, Georgia
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordigs with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Cleve Gray papers, 1933-2005. Archives of American Art, Smithsonian Institution.
See more items in:
Cleve Gray papers
Cleve Gray papers / Series 2: Alphabetical Files / Cosmopolitan Article, "Women-Leaders of Modern Art" (
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw936e8900c-6924-471b-bb4a-028740df305b
EDAN-URL:
ead_component:sova-aaa-grayclev-ref96

Self-Portrait with Fish and Cat

Artist:
Joan Brown, 1938 - 1990  Search this
Sitter:
Joan Brown, 1938 - 1990  Search this
Medium:
Oil enamel on Masonite
Dimensions:
Stretcher: 243.8 x 121.9cm (96 x 48")
Type:
Painting
Date:
1970
Topic:
Nature & Environment\Animal\Cat  Search this
Nature & Environment\Animal\Fish  Search this
Self-portrait  Search this
Joan Brown: Visual Arts\Artist  Search this
Joan Brown: Female  Search this
Portrait  Search this
Credit Line:
Owner: George Adams Gallery
Object number:
EXH.FF.16
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Joan Brown
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm464dab046-95c9-4841-a11e-cb0cc6db87da
EDAN-URL:
edanmdm:npg_EXH.FF.16

Joan Brown

Artist:
Robert Carston Arneson, 1930 - 1992  Search this
Sitter:
Joan Brown, 1938 - 1990  Search this
Medium:
Oil pastel on paper
Dimensions:
129.5 × 76.2 cm (51 × 30")
Type:
Painting
Date:
1970-84
Topic:
Costume\Jewelry\Earring  Search this
Architecture\Pedestal  Search this
Joan Brown: Visual Arts\Artist  Search this
Joan Brown: Female  Search this
Portrait  Search this
Credit Line:
Owner: Franklin and Struve Gallery
Object number:
DLR02209
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4d80430b8-06f9-40fd-8101-7e1913dbe0d3
EDAN-URL:
edanmdm:npg_DLR02209

Oral history interview with Fletcher Benton, 1989 May 2-4

Interviewee:
Benton, Fletcher Chapman, 1931-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
McLaughlin, John  Search this
Brown, Joan  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Fletcher Benton, 1989 May 2-4. Archives of American Art, Smithsonian Institution.
Topic:
Sculpture, Modern -- 20th century -- United States  Search this
Kinetic sculpture, American. -- California -- San Francisco  Search this
Painters -- California -- San Francisco -- Interviews  Search this
Sculptors -- California -- San Francisco -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12535
(DSI-AAA_SIRISBib)212473
AAA_collcode_benton89
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212473
Online Media:

Oral history interview with Phillip A. Bruno, 2009 January 13-21

Interviewee:
Bruno, Phillip A.  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Avery, Milton  Search this
Bacon, Francis  Search this
Baskin, Leonard  Search this
Bertoia, Harry  Search this
Bravo, Claudio  Search this
Brown, Joan  Search this
Calder, Alexander  Search this
Clews, Henry  Search this
Crawford, Ralston  Search this
Cuevas, José Luis  Search this
Ernst, Max  Search this
Estes, Richard  Search this
Giacometti, Alberto  Search this
Hefner, Hugh M. (Hugh Marston)  Search this
Hirshhorn, Joseph H.  Search this
Katz, Alex  Search this
Koenig, Fritz  Search this
Kubach-Wilmsen, Anna Maria  Search this
Kubach, Wolfgang  Search this
Matisse, Henri  Search this
Morgan, Randall  Search this
Nagare, Masayuki  Search this
Neuberger, Roy R.  Search this
Nevelson, Louise  Search this
Park, David  Search this
Peterdi, Gabor  Search this
Rothko, Mark  Search this
Schapiro, Meyer  Search this
Staempfli, George W.  Search this
Willard, Charlotte  Search this
Barnes Foundation  Search this
Columbia University  Search this
Grace Borgenicht Gallery  Search this
La Napoule Art Foundation, Henry Clews Memorial  Search this
Marlborough Gallery  Search this
Weyhe Gallery  Search this
World House Galleries  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Phillip A. Bruno, 2009 January 13-21. Archives of American Art, Smithsonian Institution.
Topic:
Collectors and collecting -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)15648
(DSI-AAA_SIRISBib)282216
AAA_collcode_bruno09
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_282216
Online Media:

Oral history interview with Phillip A. Bruno

Interviewee:
Bruno, Phillip A.  Search this
Creator:
McElhinney, James Lancel, 1952-  Search this
Names:
Barnes Foundation  Search this
Columbia University -- Students  Search this
Exposition universelle et internationale (1958 : Brussels, Belgium)  Search this
Grace Borgenicht Gallery  Search this
La Napoule Art Foundation, Henry Clews Memorial  Search this
Marlborough Gallery  Search this
Weyhe Gallery  Search this
World House Galleries  Search this
Avery, Milton, 1885-1965  Search this
Bacon, Francis, 1909-1992  Search this
Baskin, Leonard, 1922-2000  Search this
Bertoia, Harry  Search this
Bravo, Claudio, 1936-2011  Search this
Brown, Joan, 1938-1990  Search this
Calder, Alexander, 1898-1976  Search this
Clews, Henry, 1876-1937  Search this
Crawford, Ralston, 1906-1978  Search this
Cuevas, José Luis, 1934-  Search this
Ernst, Max, 1891-1976  Search this
Estes, Richard, 1932-  Search this
Giacometti, Alberto, 1901-1966  Search this
Hefner, Hugh M. (Hugh Marston), 1926-  Search this
Hirshhorn, Joseph H.  Search this
Katz, Alex, 1927-  Search this
Koenig, Fritz, 1924-  Search this
Kubach, Wolfgang, 1936-  Search this
Kubach-Wilmsen, Anna Maria, 1937-  Search this
Matisse, Henri, 1869-1954  Search this
Morgan, Randall, 1920-  Search this
Nagare, Masayuki, 1923-  Search this
Neuberger, Roy R.  Search this
Nevelson, Louise, 1899-1988  Search this
Park, David, 1911-1960  Search this
Peterdi, Gabor  Search this
Rothko, Mark, 1903-1970  Search this
Schapiro, Meyer, 1904-  Search this
Staempfli, George W.  Search this
Willard, Charlotte  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2009 January 13-21
Scope and Contents:
An interview of Phillip A. Bruno conducted 2009 January 13-21, by James McElhinney, for the Archives of American Art, at the Archives of American Art, in New York, New York.
Bruno speaks of some his earliest impressions of art while growing up in New York and Paris; attending Columbia University, where he majored in the history of painting and architecture and studied under Meyer Schapiro; his first job at the Weyhe Gallery as a gallery assistant; helping create the Grace Borgenicht Gallery, where he served as director for five years; traveling to Mexico, meeting Jose Cuevas and exhibiting his work at the Edward Loeb Gallery in Paris; traveling to Brazil and meeting a family of naturalist painters who emphasized the importance of painting outdoors, unlike many painters from the New York school; working with Henry Clews and the La Napoule Art Foundation; selling a piece of Salvador Dali jewelry made by Carlos Alamanni to Hugh Hefner, founder of Playboy Magazine; working as director of The World House Gallery and selling works by Fancis Bacon and Max Ernst to clients such as Joseph Hirshhorn and Roy Neuberger; organizing a exhibition of artists shown at the Brussels World Fair in 1958 at World House and meeting George Staempfli through the artist Joan Brown; moving from World House to the Staempfli Gallery in 1960 to work as co-director; the Staempfli Gallery's role in the international art world; an original drawing by Leonard Baskin inscribed to Phillip in 1954; selling the work of artists such as Harry Bertoia, Fritz Koening, and David Park; meeting Henri Matisse in Paris at the age of 21; visiting the studios of Alexander Calder and Mark Rothko; the difference between galleries that can spot new talent and galleries that sell certain artists well; the art market becoming less idealistic and more commercial; the rising importance of auction houses and the possibility of their taking the place of traditional art galleries; the move of the Staempfli Gallery to the SoHo neighborhood and soon after, leaving Staempfli for Marlborough, where he was one of the New York directors for 18 years; his appreciation for the creativity of others, retirement and current plans to write his memoirs. Bruno also recalls Milton Avery, Gabor Peterdi, Hans Muller, Ralston Crawford, Randall Morgan, Charlotte Willard, Dorthy Satterlee, Masayuki Nagare, Claude Bemardin, Kubach-Wilmsen, Louise Nevelson, Cladio Bravo, Lopez Garcia, Alberto Giacometti, The Barnes Foundation, Richard Estes, Alex Katz, and Neil Wlliver.
Biographical / Historical:
Phillip A. Bruno (1930- ) is an art collector and director of Marlborough Gallery, New York, New York.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 45 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Topic:
Collectors and collecting -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bruno09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bf4b64eb-4ca4-4b97-b4b0-e6ec495fe004
EDAN-URL:
ead_collection:sova-aaa-bruno09
Online Media:

Oral history interview with Fletcher Benton

Interviewee:
Benton, Fletcher, 1931-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Brown, Joan, 1938-1990  Search this
McLaughlin, John, 1898-1976  Search this
Extent:
150 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1989 May 2-4
Scope and Contents:
An interview of Fletcher Benton conducted 1989 May 2-4, by Paul J. Karlstrom, for the Archives of American Art, at the artist's studio, in San Francisco, California.
Benton speaks of his education in the Midwest and the decision to pursue an art career in California, and the problems of regionalism and provincialism in art. He describes the art scene in San Francisco in the 1950s, and talks about the effect of the San Francisco environment on him. He also speaks of art dealers and their methods, art criticism and museum politics. He discusses his methods and materials, his early ventures into sculpture, his involvement with kinetic sculpture, his work in watercolor. He recalls his acquaintance with John McLaughlin and discusses the influence of Joan Brown's work on his own.
Biographical / Historical:
Fletcher Benton (1931-2019) was a painter and sculptor from San Francisco, California.
General:
Originally recorded on 7 sound cassettes. Reformatted in 2010 as 14 digital wav files. Duration is 7 hr., 9 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Sculpture, Modern -- 20th century -- United States  Search this
Kinetic sculpture, American. -- California -- San Francisco  Search this
Painters -- California -- San Francisco -- Interviews  Search this
Sculptors -- California -- San Francisco -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.benton89
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw955409c03-3f94-4b9f-9a0b-83d9eff1a9a4
EDAN-URL:
ead_collection:sova-aaa-benton89
Online Media:

Brown, Joan

Collection Creator:
Munro, Eleanor, 1928-  Search this
Container:
Box 27, Folder 27
Type:
Archival materials
Date:
1974
1998-1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Eleanor Munro papers, circa 1880-2011, bulk 1950-2011. Archives of American Art, Smithsonian Institution.
See more items in:
Eleanor Munro papers
Eleanor Munro papers / Series 5: Subject and Research Files / Women Artists
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw992f67947-50fe-42fb-8a74-e5c7f179fac0
EDAN-URL:
ead_component:sova-aaa-munrelea-ref782

Oral history interview with Clark Richert, 2013 August 20-21

Interviewee:
Richert, Clark, 1941-  Search this
Interviewer:
Auther, Elissa, 1966-  Search this
Subject:
Bernofsky, Gene  Search this
Brown, Joan  Search this
Conner, Bruce  Search this
DeFeo, Jay  Search this
Fleming, Dean  Search this
Fleming, Linda  Search this
Fudge, John  Search this
Fuller, R. Buckminster (Richard Buckminster)  Search this
Kallweit, Richard  Search this
Kaprow, Allan  Search this
McClure, Michael  Search this
Rauschenberg, Robert  Search this
Rothko, Mark  Search this
Sands, Nick  Search this
Rocky Mountain College of Art and Design  Search this
Stoddard-Fleischman History of Rocky Mountain Area Artists project  Search this
University of Kansas  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Clark Richert, 2013 August 20-21. Archives of American Art, Smithsonian Institution.
Topic:
Arts administrators -- Colorado -- Denver -- Interviews  Search this
Art and computers  Search this
Art -- Study and teaching  Search this
Geodesic domes  Search this
Record number:
(DSI-AAA_CollID)16129
(DSI-AAA_SIRISBib)363610
AAA_collcode_richer13
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_363610
Online Media:

Oral History interview with Carlos Villa

Interviewee:
Villa, Carlos, 1936-2013  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Park Place Gallery Art Research, Inc.  Search this
University of California, San Francisco. School of Fine Arts  Search this
Berman, Wallace, 1926-1976  Search this
Bischoff, Elmer, 1916-1991  Search this
Brown, Joan, 1938-1990  Search this
Diebenkorn, Richard, 1922-1993  Search this
Garcia, Rupert, 1941-  Search this
Hudson, Robert, 1938-  Search this
Neri, Manuel, 1930-  Search this
Valledor, Leo, 1936-1989  Search this
Wiley, William T., 1937-2021  Search this
Extent:
134 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1995 June 20-July 10
Scope and Contents:
An interview of Carlos Villa conducted 1995 June 20-July 10, by Paul Karlstrom, for the Archives of American Art.
Villa discusses his "progress" from Filipino background to his art world identity; the phenomena and individuals who contributed to the new awareness in the mid-1970s: "El Movimiento," Chicano "Rasquache," Rupert Garcia, Amalia Mesa-Baines; the idea of "recuperation," and the sense of Asian-American identity and community as a basis for his art. Villa recalls growing up in San Francisco; his early life; living in the Tenderloin district and his exposure to racism; the influence of his cousin, artist Leo Valledor; growing up Filipino in California and the difficulties that accompanied it. Villa discusses popular (black) culture, jazz "guapo," zoot-suit style as role models and basis for aesthetic/art; his admiration for black self-esteem; his aesthetics; viewing art as a way out of the ghetto and an escape from racism.
Villa discusses his introduction to the California School of Fine Arts (soon thereafter the San Francisco Art Institute); his need to be part of the artist community; CSFA and other students and teachers; and his self-conception as a modernist. He discusses the technical aspects of his art; the influence of various Bay Area artists on his work; his investigation of Filipino art history and his role models; the role of the women at the CSFA and women as role models. Villa recalls his first show at Pointdexter in New York; his associations with minimalists and the Park Place Gallery group; his New York minimalist phase and his need to escape the New York environment after six years. He discusses his return to the Bay Area and his use of identity/politics as subjects for his art.
Villa recalls or mentions Rupert Garcia, Leo Valledor, Manuel Neri, Joan Brown, Bill Morehouse, David Stone Martin, Wallace Berman, William Wiley, Bob and Dona Hudson, Bill Allen, Elmer Bischoff, Richard Diebenkorn, Ralph DuCass, Walter Kuhlman, Wally Hedrick, Bruce Conner, Alvin Light, Claire Falkenstein, Bob McFarlane, Hayter, Tapies, Fred Martin, Nathan Oliveira, Jennifer Bartlett, Dick Maclean, Elizabeth Murray, Alfred Neumeyer, Mark Rothko, Kenneth Noland, Sol Lewitt, Mark di Suvero, Robert Grovesnor, Tom Seligman, Kurt Schwitters, Robert Rauschenberg, Angela Davis, and Moira Roth.
Biographical / Historical:
Carlos Villa (1936-2013) was a Filipino American painter, curator, and educator in San Francisco, California.
General:
Originally recorded on 8 sound cassettes. Reformatted in 2010 as 15 digital wav files. Duration is 7 hr., 40 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- California -- San Francisco  Search this
Sculptors -- California -- San Francisco  Search this
Topic:
Modernism (Art)  Search this
Latino and Latin American artists  Search this
Asian American art  Search this
Asian American artists  Search this
Filipino American art  Search this
Filipino American artists  Search this
Asian American painters  Search this
Asian American curators  Search this
Asian American educators  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.villa95
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9568c3d5e-69b0-469a-a02b-20a978a5ad1d
EDAN-URL:
ead_collection:sova-aaa-villa95
Online Media:

Mary Fuller McChesney papers

Creator:
McChesney, Mary Fuller  Search this
Names:
Anderson, Jeremy, 1921-1982  Search this
Bothwell, Dorr  Search this
Briggs, Ernest, 1923-  Search this
Brown, Joan, 1938-1990  Search this
Calcagno, Lawrence, 1913-  Search this
Corbett, Edward, 1919-  Search this
Dixon, James Budd, 1900-1967  Search this
Dugmore, Edward, 1915-  Search this
Goya, Jorge, 1924-  Search this
Grachis, Dimitri, 1932-  Search this
Grillo, John, 1917-  Search this
Hultberg, John, 1922-  Search this
Jefferson, Jack, 1921-2000  Search this
Kelly, James, 1913-  Search this
Kuhlman, Walter  Search this
Locks, Seymour, 1919-  Search this
MacAgy, Douglas, 1913-  Search this
Martin, Madeline  Search this
Morehouse, William, 1929-1993  Search this
Parker, Raymond, 1922-  Search this
Pollakoff, Leonard  Search this
Reinhardt, Ad, 1913-1967  Search this
Remington, Deborah  Search this
Roeber, Phil, 1913-  Search this
Saccaro, John M., 1913-1981  Search this
Schueler, Jon, 1916-  Search this
Shoemaker, Peter, 1920-  Search this
Smith, Hassel, 1915-2007  Search this
Spohn, Clay Edgar, 1898-1977  Search this
Varda, Jean  Search this
Weeks, James, 1922-  Search this
Extent:
44.1 Linear feet
35 Sound tape reels (Sound recordings, 5 in.)
44.1 Linear feet
35 Sound tape reels (Sound recordings, 5 in.)
Type:
Collection descriptions
Archival materials
Sound tape reels
Interviews
Sound recordings
Date:
1949-2011
1949-2011
Scope and Contents:
The Mary Fuller McChesney papers measure 44.1 linear feet and date from 1949-2011. Included are biographical material, correspondence, writings, artists' files, financial records, photographs, artwork, printed material, and reel-to reel sound recordings documenting the career of sculptor, art historian, and author, Mary Fuller McChesney. A small portion of the papers includes material on painter, Edward Corbett.
Among the sound recordings are interviews conducted by McChesney between 1965 and 1966, and used as the primary research for her book. Interviewees include Jeremy Anderson, Dorr Bothwell, Ernest Briggs, Joan Brown (2), Lawrence Calcagno (2), Edward Corbett (2), James Budd Dixon, Edward Dugmore, Jorge Goya, Dimitri Grachis, John Grillo (1966, 1972), John Hultberg, Jack Jefferson, James Kelly, Walter Kuhlman, Seymour Locks, Douglas MacAgy, Madeleine Martin, William Morehouse, Raymond Parker, Leonard Pollakoff, Ad Reinhardt, Deborah Remington, Phil Roeber, John Saccaro, Jon Schueler, Peter Shoemaker, Hassel Smith, Clay Spohn, Jean Varda, and James Weeks.
Biographical / Historical:
Mary Fuller McChesney (1922-2022) was a sculptor, art historian, and author in San Francisco and Petaluma, California.
Provenance:
A majority of the collection donated 2015 by Mary Fuller McChesney. Photographs on reel 1329 donated 1973 and sound recordings donated 1994 by McChesney. Material on reel NDA 1 (fr. 728-741) lent for microfilming 1964 by Lewis Ferbrache; material on NDA 1 (fr. 930-943) lent 1964 by Mary F. McChesney.
Restrictions:
This collection is temporarily closed. Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Art historians -- California  Search this
Authors -- California  Search this
Sculptors -- California  Search this
Topic:
Women artists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mcchmary
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw957f18d05-e78e-47ce-b3e6-68feadc52d60
EDAN-URL:
ead_collection:sova-aaa-mcchmary

Oral history interview with Clark Richert

Interviewee:
Richert, Clark, 1941-  Search this
Interviewer:
Auther, Elissa, 1966-  Search this
Creator:
Stoddard-Fleischman History of Rocky Mountain Area Artists project  Search this
Names:
Rocky Mountain College of Art and Design  Search this
Stoddard-Fleischman History of Rocky Mountain Area Artists project  Search this
University of Kansas -- Students  Search this
Bernofsky, Gene  Search this
Brown, Joan, 1938-1990  Search this
Conner, Bruce, 1933-2008  Search this
DeFeo, Jay, 1929-1989  Search this
Fleming, Dean  Search this
Fleming, Linda  Search this
Fudge, John  Search this
Fuller, R. Buckminster (Richard Buckminster), 1895-1983  Search this
Kallweit, Richard  Search this
Kaprow, Allan  Search this
McClure, Michael  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rothko, Mark, 1903-1970  Search this
Sands, Nick  Search this
Extent:
4 Items (Sound recording: 4 sound files (2 hr., 55 min.), digital, wav)
52 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2013 August 20-21
Scope and Contents:
An interview with Clark Richert conducted 2013 August 20- 21, by Elissa Auther, for the Archives of American Art's, Stoddard-Fleischman Fund for the History of Rocky Mountain Area Artists, at the Museum of Contemporary Art in Denver, Colorado.
Richert speaks of deciding to become an artist; his influences; studying art at the University of Kansas; the Wichita Vortex; Droppings: working with geometric art; Drop City; geodesic domes; The Ultimate Painting; Zome Toy; Criss-Cross; using computers in art; being a teacher; the Armory Group; and A.R.E.A. Richert also recalls Bruce Conner, Richard Kallweit, Joan Brown, Gene Bernofsky, Buckminster Fuller, Michael McClure, Alan Kaprow, Nick Sands, Robert Rauschenberg, Mark Rothko, Jay Defeo, Dean Fleming, Linda Fleming, John Fudge, and others.
Biographical / Historical:
Clark Richert (1941-2021) was a painter in Denver, Colorado and is head of the painting and drawing department at Rocky Mountain College of Art and Design. Elissa Auther (1966- ) is associate professor of contemporary art in the Department of Visual and Performing Arts at the University of Colorado, Colorado Springs, Colorado.
General:
Originally recorded as 4 sound files. Duration is 2 hr., 55 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- Colorado -- Denver -- Interviews  Search this
Painters -- Colorado -- Denver -- Interviews  Search this
Topic:
Arts administrators -- Colorado -- Denver -- Interviews  Search this
Art and computers  Search this
Art -- Study and teaching  Search this
Geodesic domes  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.richer13
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f8355355-782b-4a94-96f9-0c340c069e83
EDAN-URL:
ead_collection:sova-aaa-richer13
Online Media:

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