Skip to main content Smithsonian Institution

Search Results

Collections Search Center
737 documents - page 1 of 37

Rudy Burckhardt papers

Creator:
Burckhardt, Rudy, 1914-1999  Search this
Names:
Leo Castelli Gallery  Search this
Richard Green Gallery (New York, N.Y.)  Search this
Cornell, Joseph -- Photographs  Search this
De Kooning, Willem, 1904-1997 -- Photographs  Search this
Flavin, Dan, 1933- -- Photographs  Search this
Frankenthaler, Helen, 1928-2011 -- Photographs  Search this
Gross, Chaim, 1904-1991 -- Photographs  Search this
Judd, Donald, 1928- -- Photographs  Search this
Kline, Franz, 1910-1962 -- Photographs  Search this
Lichtenstein, Roy, 1923-1997 -- Photographs  Search this
Nevelson, Louise, 1899-1988 -- Photographs  Search this
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Pettet, Simon  Search this
Rockefeller, David, 1915-  Search this
Stella, Frank -- Photographs  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Negatives
Date:
1934-2015
Summary:
The papers of photographer, filmmaker, and painter Rudy Burckhardt measure 5.6 linear feet and date from 1934 to 2015. A bulk of the collection consists of black and white negatives which document over 260 mid-to-late twentieth century modern artists, their work, studios, and/or exhibitions. Notable artists include Willem de Kooning, Dan Flavin, Joseph Cornell, Helen Frankenthaler, Donald Judd, Franz Kline, Roy Lichtenstein, Louise Nevelson, Isamu Noguchi, Frank Stella, and many others. Burckhardt was hired to photograph for a number of New York art galleries such as the Leo Castelli Gallery and Green Gallery; art collectors including Chaim Gross and David Rockefeller; and art magazines such as ARTnews. Personal papers include announcements and an exhibition catalog; clippings; photographs on postcards; and a book, entitled Conversations with Rudy Burckhardt About Everything, by Simon Pettet, 1987. A small but rich addition to the collection dates from 1941-2015 and contains a curriculum vitae; letters from Joe Brainard, Harold Schimmel, and others; writings; one scrapbook dating from World War II containing letters Burckhardt wrote to Edwin Denby; printed announcements and clippings; and one photograph of Burckhardt taken by Yvonne Jacquette.
Scope and Contents:
The papers of photographer, filmmaker, and painter Rudy Burckhardt measure 5.6 linear feet and date from 1934 to 2015. A bulk of the collection consists of black and white negatives which document over 260 mid-to-late twentieth century modern artists, their work, studios, and/or exhibitions. Notable artists include Willem de Kooning, Dan Flavin, Joseph Cornell, Helen Frankenthaler, Donald Judd, Franz Kline, Roy Lichtenstein, Louise Nevelson, Isamu Noguchi, Frank Stella, and many others. Burckhardt was hired to photograph for a number of New York art galleries such as the Leo Castelli Gallery and Green Gallery; art collectors including Chaim Gross and David Rockefeller; and art magazines such as ARTnews. Personal papers include announcements and an exhibition catalog; clippings; photographs on postcards; and a book, entitled Conversations with Rudy Burckhardt About Everything, by Simon Pettet, 1987. A small but rich addition to the collection dates from 1941-2015 and contains a curriculum vitae; letters from Joe Brainard, Harold Schimmel, and others; writings; one scrapbook dating from World War II containing letters Burckhardt wrote to Edwin Denby; printed announcements and clippings; and one photograph of Burckhardt taken by Yvonne Jacquette.
Arrangement:
The collection is arranged as 3 series:

Missing Title

Series 1: Personal Papers, 1934-1990 (Box 1; 0.2 linear feet)

Series 2: Photographic Materials, circa 1950-1975 (Boxes 2-13; 4.8 linear feet)

Series 3: Addition to the Rudy Burckhardt Papers, 1941-2015 (Box 14-15; 0.6 linear feet)
Biographical / Historical:
Rudy Burckhardt (1914-1999) was a Swiss-American photographer, filmmaker, and painter based in New York, N.Y. during the post-World War II era. Originally from Basel, Switzerland, Burckhardt relocated to New York in 1935 at the age of 21. Burckhardt shared a loft in Chelsea with American dance critic and poet, Edwin Denby, next-door to Willem and Elaine de Kooning.

After completing his service in the U.S. Army Signal Corps in 1944, Burckhardt pursued an education in painting. He studied with French painter and writer, Amédéé Ozenfant in New York, circa 1948-1949; Italian painter and professor Giuseppe (Beppe) Guzzi in Rome; and the Academy of Naples, circa 1950-1951.

Burckhardt married painter and collagist, Edith Schloss in 1947 and in 1949 their son Jacob, a filmmaker, was born. The two separated and in 1964, Burckhardt married American painter, Yvonne Jacquette and the same year the couple's son Thomas (Tom), a painter, was born.

Throughout his career, Burckhardt collaborated with a number of notable post-war visual artists such as Joseph Cornell, Larry Rivers, Jane Freilicher, Alex Katz, Nell Blaine, Lois Dodd, and Red Grooms as well as writers and poets including Edwin Denby, John Ashbery, Phillip Lopate, and Kenneth Kock.

Burckhardt was hired to photograph New York-based visual artists, their work, studios, and exhibitions. A bulk of the black and white negatives that make up the collection were produced circa 1950 to 1975. Burckhardt photographed for the Leo Castelli Gallery for approximately 20 years. He also frequently photographed for Thomas B. Hess, editor of ARTnews.

Early exhibitions of Burckhardt's street photography include Photo League, 1948; Limelight Gallery, 1954; and Gotham Bookmart, 1972 and 1980. Painting exhibitions include the Tanager Gallery, 1959; Green Mountain Gallery, 1971, 1974, and 1978; and Blue Mountain Gallery, 1981; Brooke Alexander Gallery 1976 and 1978. A number of his films have been collected by and shown at the Museum of Modern Art, 1987 and circa 1993.
Related Materials:
Available in the Archives of American Art is an oral history interview with Rudy Burckhardt conducted by Martica Sawin on January 14, 1993.
Provenance:
The first accession of biographical material was donated to the Archives of American Art by Rudy Burckhardt in 1993. A second installment of photographic material was donated by Yvonne Jacquette Burckhardt, Burckhardt's widow, in 2011. A third addition was donated by Yvonne Jacquette Burckhardt in 2016.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The donor has retained all intellectual property rights, including copyright, that she may own in the following material: photographs taken by Rudy Burckhardt.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters  Search this
Topic:
Photographers  Search this
Artists' studios -- Photographs  Search this
Filmmakers  Search this
Genre/Form:
Photographs
Negatives
Citation:
Rudy Burckhardt papers, 1934-2015. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.burcrudy
See more items in:
Rudy Burckhardt papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99a754b4b-96d7-435c-8d6d-ada4d8feac61
EDAN-URL:
ead_collection:sova-aaa-burcrudy

Dark Lady

Artist:
Alexander Brook, 14 Jul 1898 - 2 Feb 1980  Search this
Sitter:
Unidentified Woman  Search this
Medium:
Oil on canvas
Dimensions:
19.7cm x 14.5cm (7 3/4" x 5 11/16"), Sight
Type:
Painting
Date:
c. 1929-30
Topic:
Unidentified Woman: Female  Search this
Portrait  Search this
Credit Line:
Owner: [UNLOCATED]
Object number:
1964:237
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4474bf6bd-2405-4030-a191-a4df7f294123
EDAN-URL:
edanmdm:npg_1964_237

Raphael Soyer

Artist:
Alexander Brook, 14 Jul 1898 - 2 Feb 1980  Search this
Sitter:
Raphael Soyer, 25 Dec 1899 - 4 Nov 1987  Search this
Medium:
Pencil on paper
Dimensions:
Sight: 50.2 x 37.3cm (19 3/4 x 14 11/16")
Type:
Drawing
Date:
c. 1940-50
Topic:
Raphael Soyer: Male  Search this
Raphael Soyer: Visual Arts\Artist\Painter  Search this
Raphael Soyer: Visual Arts\Founder  Search this
Raphael Soyer: Education and Scholarship\Educator\Teacher  Search this
Raphael Soyer: Literature\Writer\Art  Search this
Portrait  Search this
Credit Line:
Owner: American Academy of Arts and Letters
Object number:
NY NEW YORK.DUP5
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm47e54f55e-1f8d-409a-b215-0acd6d14cd7c
EDAN-URL:
edanmdm:npg_NY_NEW_YORK.DUP5

Abraham Walkowitz

Artist:
Alexander Brook, 14 Jul 1898 - 2 Feb 1980  Search this
Sitter:
Abraham Walkowitz, 28 Mar 1880 - Jan 1965  Search this
Medium:
Not recorded
Dimensions:
Not recorded
Type:
Painting
Date:
c. 1943-44
Topic:
Interior  Search this
Home Furnishings\Furniture\Seating\Chair  Search this
Abraham Walkowitz: Visual Arts\Artist  Search this
Abraham Walkowitz: Male  Search this
Abraham Walkowitz: Visual Arts\Artist\Printmaker\Etcher  Search this
Abraham Walkowitz: Visual Arts\Artist\Painter  Search this
Portrait  Search this
Credit Line:
Owner: [UNLOCATED]
Object number:
UNL00344
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4bac08613-968b-46b6-8fde-0cb9832da721
EDAN-URL:
edanmdm:npg_UNL00344

Alexander Brook papers, 1900-1982

Creator:
Brook, Alexander, 1898-1980  Search this
Subject:
Bacon, Peggy  Search this
Biddle, George  Search this
Brett, Catherine  Search this
Covarrubias, Miguel  Search this
Pollock, Jackson  Search this
Spencer, Niles  Search this
Knee, Gina  Search this
Bouché, Louis  Search this
Type:
Photographs
Watercolors
Sketches
Transcriptions
Scrapbooks
Sketchbooks
Interviews
Etchings
Illustrations
Citation:
Alexander Brook papers, 1900-1982. Archives of American Art, Smithsonian Institution.
Topic:
Post-impressionism (Art)  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)6833
(DSI-AAA_SIRISBib)208960
AAA_collcode_brooalex
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208960
Online Media:

Oral history interview with Peggy Bacon, 1973 May 8

Interviewee:
Bacon, Peggy, 1895-1987  Search this
Interviewer:
Cummings, Paul, 1933-1997  Search this
Subject:
Bellows, George  Search this
Brook, Alexander  Search this
Dasburg, Andrew  Search this
Halpert, Edith Gregor  Search this
Hawthorne, Charles Webster  Search this
Lie, Jonas  Search this
Miller, Kenneth Hayes  Search this
Art Students League (New York, N.Y.)  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Peggy Bacon, 1973 May 8. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women authors  Search this
Women printmakers  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12376
(DSI-AAA_SIRISBib)211938
AAA_collcode_bacon73
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_211938
Online Media:

Brooke Alexander, Inc., New York, N.Y.

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 79, Folder 11-13
Type:
Archival materials
Date:
1977-1991, undated
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 6: Subject Files / Fine Art Printers & Publishers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90e2f23f9-58fe-460e-932d-35fabaf0d19e
EDAN-URL:
ead_component:sova-aaa-fendgall-ref1158

Brooke Alexander, Inc., New York, N.Y.

Collection Creator:
Fendrick Gallery  Search this
Container:
Box 68, Folder 36-37
Type:
Archival materials
Date:
1979-1991, undated
Collection Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Fendrick Gallery records
Fendrick Gallery records / Series 5: Museums and Galleries Files / 5.1: Domestic Museums and Galleries / New York
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9beae040a-9bb3-4c71-b040-c19e763c58cb
EDAN-URL:
ead_component:sova-aaa-fendgall-ref929

Brooke Alexander Editions

Collection Creator:
Castelli Graphics (Firm)  Search this
Container:
Box 24, Folder 14
Type:
Archival materials
Date:
1989-1994
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Collection Citation:
Castelli Graphics records, 1965-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Castelli Graphics records
Castelli Graphics records / Series 5: Client and Collector Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b93745ef-3374-4237-9269-640b260078ce
EDAN-URL:
ead_component:sova-aaa-castgrap-ref228

Oral history interview with Peggy Bacon

Interviewee:
Bacon, Peggy, 1895-1987  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Bellows, George, 1882-1925  Search this
Brook, Alexander, 1898-1980  Search this
Dasburg, Andrew, 1887-1979  Search this
Halpert, Edith Gregor, 1900-1970  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Lie, Jonas, 1880-1940  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Extent:
2 Sound tape reels (Sound recording, analog, 5 in.)
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1973 May 8
Scope and Contents:
Interview of Peggy Bacon conducted 1973 May 8, by Paul Cummings, for the Archives of American Art, in Cape Porpoise, Maine. Bacon speaks of her family and educational background; summer art classes in Provincetown, Massachusetts and Woodstock, New York; the Art Students League; the Provincetown Players; working in black and white; her drawings, drypoints, etchings, and caricatures; her illustrated books including, "Off With Their Heards"; cats as subjects; and her husband Alexander Brook. She recalls George Bellows, Andrew Dasburg, Edith Gregor Halpert, Charles Webster Hawthorne, Jonas Lie, Kenneth Hayes Miller, and others.
Biographical / Historical:
Peggy Bacon (1895-1987) was a printmaker from Cape Porpoise, Maine.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hr., 9 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Printmakers -- New York (State) -- Woodstock  Search this
Illustrators -- New York (State) -- Woodstock  Search this
Caricaturists -- New York (State) -- Woodstock  Search this
Authors -- New York (State) -- Woodstock  Search this
Topic:
Women artists  Search this
Women authors  Search this
Women printmakers  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bacon73
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92e25c184-dfa9-43ef-b2b6-00ad02457bcc
EDAN-URL:
ead_collection:sova-aaa-bacon73
Online Media:

Brooke Alexander Editions

Collection Creator:
Leo Castelli Gallery  Search this
Container:
Box 154, Folder 134
Type:
Archival materials
Date:
1973-1979, 1988-1994
Collection Restrictions:
Use of original records requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. Archives of American Art, Smithsonian Institution.
See more items in:
Leo Castelli Gallery records
Leo Castelli Gallery records / Series 7: Castelli Graphics / 7.1: Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96582d607-7d76-4ee1-8f4c-92510452ca51
EDAN-URL:
ead_component:sova-aaa-leocast-ref13037

Oral history interview with Molly Luce, 1981 Mar. 10-June 18

Interviewee:
Luce, Molly, 1896-1986  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Bacon, Peggy  Search this
Bishop, Isabel  Search this
Brook, Alexander  Search this
Burroughs, Alan  Search this
Forbes, Edward Waldo  Search this
Goodrich, Lloyd  Search this
Miller, Kenneth Hayes  Search this
Schmidt, Katherine  Search this
Hopper, Jo N. (Josephine Nivison)  Search this
Art Students League (New York, N.Y.)  Search this
Wheaton College (Ill.)  Search this
Type:
Interviews
Sound recordings
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Molly Luce, 1981 Mar. 10-June 18. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)11987
(DSI-AAA_SIRISBib)212264
AAA_collcode_luce81
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212264
Online Media:

Oral history interview with Molly Luce

Interviewee:
Luce, Molly, 1896-1986  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Wheaton College (Ill.) -- Students  Search this
Bacon, Peggy, 1895-1987  Search this
Bishop, Isabel, 1902-1988  Search this
Brook, Alexander, 1898-1980  Search this
Burroughs, Alan  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Goodrich, Lloyd, 1897-1987  Search this
Hopper, Jo N. (Josephine Nivison), 1883-1968  Search this
Miller, Kenneth Hayes, 1876-1952  Search this
Schmidt, Katherine, 1898-1978  Search this
Extent:
44 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1981 Mar. 10-June 18
Scope and Contents:
An interview of Molly Luce conducted 1981 Mar.10-1981 June 18, by Robert F. Brown, for the Archives of American Art.
Luce speaks of her childhood; her early interested in drawing and botany; her two years of study at Wheaton College; her training at Art Students League; her acquaintances from the League including Anne Rector, Katherine Schmidt, Kenneth Hayes Miller; her travels in Europe with her first husband, Alan Burroughs; her residences in Minneapolis, Boston, and finally Little Compton; and observations on a range of her own paintings. She recalls Lloyd Goodrich, Dennis Miller, Kenneth Hayes Miller, Peggy Bacon, Isabel Bishop, Dorothy Varian, Alexander Brook, Edward Forbes, and many others.
Biographical / Historical:
Molly Luce (1896-1986) was a painter in Little Compton, R.I.
General:
Originally recorded on 2 tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 2 hrs., 27 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Painters -- Interviews  Search this
Topic:
Women artists  Search this
Women painters  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.luce81
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9eebef8c5-9c80-4bd2-89ae-c1ce6364b46f
EDAN-URL:
ead_collection:sova-aaa-luce81
Online Media:

Louis Bouché papers

Creator:
Bouché, Louis, 1896-1969  Search this
Names:
Penguin Club (New York, N.Y.)  Search this
Wanamaker Gallery  Search this
Bacon, Peggy, 1895-1987  Search this
Bouché, Ernest  Search this
Bouché, Henri L.  Search this
Bouché, Jane  Search this
Bouché, Marian Wright, 1895-1975  Search this
Brook, Alexander, 1898-1980  Search this
Davidson, Jo, 1883-1952  Search this
Marsh, Reginald, 1898-1954  Search this
Pène du Bois, William, 1916-1993  Search this
Schmidt, Katherine, 1898-1978  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Scrapbooks
Travel diaries
Drawings
Date:
1880-2007
Summary:
The papers of painter and muralist Louis Bouché measure 5.9 linear feet and date from 1880 to 2007. Found within the papers are biographical material; personal correspondence, including correspondence from the extended Bouché family; writings; financial records; printed material; four scrapbooks; artwork; and photographs of Bouché, his family and friends, and his work.
Scope and Contents:
The papers of painter and muralist Louis Bouché measure 5.9 linear feet and date from 1880 to 2007. Found within the papers are biographical material; personal correspondence, including correspondence from the extended Bouché family; writings; financial records; printed material; four scrapbooks; artwork; and photographs of Bouché, his family and friends, and his work.

Biographical material consists of family certificates and Bouché's curriculum vitae.

The bulk of the correspondence consists of letters from Bouché 's father to his mother, and of letters addressed to his daughter, Jane. These include letters Louis and Marian wrote to Jane, along with letters from her first husband, William Pène du Bois, during the early days of their courtship and marriage. The handful of letters directly addressed to Louis and Marian include correspondence from Peggy Bacon and Katherine Schmidt.

Writings include drafts of Bouché's autobiography, eight journals kept by Marian Bouché detailing their travels in the United States and abroad, four reminiscences of Bouché written by others, and a poem written by Peggy Bacon.

Personal business records consist of two ledger books, lists, and receipts documenting inventory and records of sales.

Printed material consists of clippings, exhibition announcements and catalogs, and periodicals related to Bouché's work. There are also three books from Bouché's personal library and exhibition announcements and catalogs from Walt Kuhn's Penguin Club and Wanamaker's Gallery.

Two scrapbooks include clippings, photographs, and printed material related to Bouché 's career. One scrapbook includes material related to the extended Bouché family, and one scrapbook consists of reproductions of works of art by modern French artists.

Photographic materials include ten photograph albums. Three are of Louis, Marian, and Jane, three are of Jane and her family, and four are of Louis' parents and sister's family. There are also loose prints and negatives of Bouché, his family and friends, and works of art.

Artwork consists of sketches and drawings by Louis, Jane, Henri, and Ernest Bouché. Additional sketches by Peggy Bacon, Alexander Brook, Jo Davidson, and Reginald Marsh are also included.
Arrangement:
This collection is arranged as 8 series.

Missing Title

Series 1: Biographical Materials, 1880-1964 (2 folders, Box 1)

Series 2: Correspondence, 1880-2003 (1.2 linear feet; Boxes 1-2)

Series 3: Writings, 1933-1995 (.9 linear feet, Boxes 2-3)

Series 4: Personal Business Records, 1930-1974 (4 folders, Box 3)

Series 5: Printed Material, 1900-1997 (.5 linear feet; Boxes 3, 6)

Series 6: Scrapbooks, 1880-1969 (.8 linear feet; Boxes 3, 7-8)

Series 7: Photographic Materials, 1890-1994 (2.3 linear feet; Boxes 3-5, 9-10)

Series 8: Artwork, 1870-1965 (10 folders; Boxes 5, 10)
Biographical / Historical:
Louis Bouché (1896-1969) was a painter, muralist, and educator who lived and worked in New York City.

Bouché was born in New York City to Henri and Marie Bouché. His father was an interior designer who worked with Stanford White and for Tiffany, and his grandfather, Ernest Louis Bouché, was a Barbizon school painter. After his father's death in 1909, his mother moved the family to Paris where Bouché attended art school at La Grand Chaumère. When the family moved back to America in 1915, Bouché enrolled at the Art Students League where he met fellow student and lifelong friend Alexander Brook. In 1916, Bouché was invited to become a member of Walt Kuhn's Penguin Club, and in 1918, he joined the stable of Charlie Daniel's Daniel Gallery. At this time, Bouché began exhibiting in shows organized by Julianna Force for the Whitney Studio Club, which later evolved into the Whitney Museum. In 1920, he was introduced to the Woodstock artist community and was a frequent summer resident at the colony.

Bouché met Marian Wright while they were both members of the Penguin Club, and they were married in 1921. Upon returning from their honeymoon, Bouché accepted a position managing exhibitions for Wanamaker's Belmaison Galleries, the first modern art gallery in a department store in New York. Their daughter Jane would later marry William Pène du Bois, son of Guy Pène du Bois, whom the Bouchés had known from their days in the Penguin Club. In 1926, Bouché separated from Wanamaker's and began taking commissions for mural and design work, eventually completing murals for the U.S. Department of the Interior, Radio City Music Hall, and the Pennsylvania Railroad. In addition to murals, Bouché did illustrative advertising work for various publications, including Condé Nast and Town and Country.

In 1936, Bouché joined the stable at Kraushaar Gallery, where he eventually exhibited a series of ten one-man shows. Bouché also held solo exhibitons at the Valentine Gallery, Staten Island Institute, Century Association, and Albany Institute. Beginning in 1943, Bouché taught for many years at the Art Students League and began teaching at the National Academy of Design in 1951. He received a Guggenheim Fellowship in 1936 and was the American Academy in Rome's artist in residence in 1960.

Louis Bouché died in Pittsfield, Massachusetts, on August 7, 1969.
Related Materials:
Also found in the Archives of American Art are two oral history interviews with Louis Bouché, one conducted by John Morse, August 7, 1959, and another by William Woolfenden on March 13, 1963.
Provenance:
A portion of the Louis Bouché papers were loaned for microfilming and subsequently donated by the artist and his wife in 1963 and from 1972 to 1973. Additions were donated by Bouché's daughter, Jane Bouché Strong, in several accretions dating from 1978 to 1988. In 2011, Anne Strong, Jane B. Strong's executor, donated additional materials to the Archives of American Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Muralists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sketches
Scrapbooks
Travel diaries
Drawings
Citation:
Louis Bouché papers, 1880-2007. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.boucloui
See more items in:
Louis Bouché papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96b0e025d-f378-40d7-8da6-c3f9f948b077
EDAN-URL:
ead_collection:sova-aaa-boucloui
Online Media:

Eloise and Otto Spaeth papers

Creator:
Spaeth, Eloise  Search this
Spaeth, Otto, d. 1966  Search this
Names:
American Federation of Arts  Search this
Dayton Art Institute  Search this
Spaeth Foundation  Search this
UNESCO  Search this
Brook, Alexander, 1898-1980  Search this
Calder, Alexander, 1898-1976  Search this
Congdon, William, 1912-1998  Search this
Girard, André  Search this
Hopper, Edward, 1882-1967  Search this
Kennedy, John F. (John Fitzgerald), 1917-1963  Search this
Kuhn, Walt, 1877-1949  Search this
Lipchitz, Jacques, 1891-1973  Search this
Merton, Thomas, 1915-1968  Search this
Onassis, Jacqueline Kennedy, 1929-1994  Search this
Extent:
2.9 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1937-1983
Scope and Contents:
Scrapbooks, correspondence, exhibition files, photographs, and printed materials.
REEL D181: Scrapbooks containing correspondence, clippings, reviews, and photographs relating to the Dayton Art Institute and to the Religious Art Exhibition held there in 1944.
REEL 63: Correspondence concerning a Spaeth Foundation commission to Jacques Lipchitz for a bronze bust of John F. Kennedy. Correspondents include Lipchitz, Jacqueline Kennedy, and Arthur Schlesinger, Jr.
REEL 1201: Correspondence concerning the Spaeth Foundation Religious Art Information Center; a Foundation prospectus; letters from Thomas Merton concerning his book on sacred art; correspondence dealing with the Annual Liturgical Congress Architectural Competition, an exhibition of architectural students' work, the Woodstock Center for Religion and Worship, and other aspects of art and religion.
REEL 1817 and scanned: Photograph of Alexander Brook taken by Peter A. Juley and Son.
UNMICROFILMED: Letters from Alexander Brook, Alexander Calder, William Congdon, Andre Girard, Edward Hopper, Walt Kuhn, Grant Wood, and others; correspondence concerning the American Federation of Arts, the Archives of American Art, Guild Hall, the Spaeth Foundation, UNESCO, and other art organizations; exhibition files of the AFA containing correspondence, printed material, and photographs; files on the "Films on Art" project developed by Otto Spaeth; correspondence and a scrapbook of Otto Spaeth concerning the Liturgical Arts Society; a scrapbook on the Spaeth's art collection; printed material and photographs used in AMERICAN ART MUSEUMS; photographs of paintings by John Singleton Copley, and other works of art and exhibition installations; Correspondence with Daniel Longwell, Harris K. Prior, and Thomas Brown Rudd regarding activities of the American Federation of Arts; Correspondence and clippings, 1963-1966, regarding the Lipchitz bust of JFK; letters, 1981-1983, from critic John Russell, and art collectors, Gertrude Schweitzer, Robert Osborn and Jean de Menil; and an exhibition catalog on Rico Lebrun, 1950; a letter to Otto Spaeth from Gala Dali regarding a loan of the painting "La Naissance du Noveau Monde," 1943; writings about Walt Kuhn, and an illustrated letter to Spaeth from Walt Kuhn.
Biographical / Historical:
Eloise O. Spaeth (1902-1998) was an art collector, writer and art patron from New York, N.Y. She and husband Otto Spaeth founded the Spaeth Foundation.
Provenance:
Material on reels 63 and 1201 lent for microfilming 1971 and 1977 by Eloise Spaeth. Unmicrofilmed material donated 1966-1988 by Spaeth. Material on reel D181 lent for filming 1965 and subsequently donated in 1977.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art and religion -- United States  Search this
Art patronage -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Busts  Search this
Identifier:
AAA.spaeeloi
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw921be0383-26c1-4a5d-b7a8-0ba9d670a723
EDAN-URL:
ead_collection:sova-aaa-spaeeloi

Wilbur D. Peat correspondence

Creator:
John Herron Art Institute  Search this
Names:
Albinson, Dewey, 1898-1971  Search this
Baylinson, A. S., 1882-1950  Search this
Bell, Wenona Day  Search this
Benton, Thomas Hart, 1889-1975  Search this
Biddle, George, 1885-1973  Search this
Blume, Peter, 1906-1992  Search this
Blumenschein, Ernest Leonard, 1874-1960  Search this
Bohm, C. Curry, 1894-  Search this
Borie, Adolphe, 1877-1934  Search this
Borst, George H., 1889-  Search this
Brackman, Robert, 1898-  Search this
Brecher, Samuel, 1897-  Search this
Brook, Alexander, 1898-1980  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Carian, Varaldo J., 1891-  Search this
Carpenter, E. F., Mrs  Search this
Carroll, John, 1892-1959  Search this
Cikovsky, Nicolai, 1894-  Search this
Cirino, Antonio, 1889-  Search this
Clear, Charles Val, d. 1967?  Search this
Cohen, Max B.  Search this
Curry, John Steuart, 1897-1946  Search this
Davey, Randall, 1887-1964  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Dickinson, Edwin Walter, 1891-1978  Search this
Dougherty, Paul, 1877-1947  Search this
Eakins, Susan Macdowell  Search this
Eddy, Henry S. (Henry Stephens), 1878-1944  Search this
Evans, Virginia Bargar  Search this
Fabrick, Anton Piers  Search this
Farnsworth, Jerry, 1895-1982  Search this
Fiene, Ernest, 1894-  Search this
Fitzpatrick, Kelly (John Kelly)  Search this
Folinsbee, John Fulton, 1892-1972  Search this
Gailor, Charlotte  Search this
Garber, Daniel, 1880-  Search this
Gilder, Robert F. (Robert Fletcher), 1856-1940  Search this
Glackens, William J., 1870-1938  Search this
Grabach, John R.  Search this
Greener, Charles T. (Charles Theodore), 1870-1935  Search this
Gruppe, Charles Paul, 1860-1940  Search this
Higgins, Eugene, 1874-1958  Search this
Hofmeier, Miriam McKinnie, 1906-  Search this
Hopper, Edward, 1882-1967  Search this
Hunger, Bernard A.  Search this
Keller, Henry G., 1869-1949  Search this
King, Fanny Mahon, b. 1865  Search this
Klitgaard, Georgina, 1889-1977  Search this
Kroll, Leon, 1884-1974  Search this
Kuehne, Max, 1880-1968  Search this
La Chance, Georges, 1888-  Search this
Lucioni, Luigi, 1900-1988  Search this
Marsh, Reginald, 1898-1954  Search this
Mattson, Henry E. (Henry Elis), 1887-1971  Search this
McFee, Henry Lee, 1886-1953  Search this
Millet, Clarence, 1897-1959  Search this
Moffett, Ross  Search this
Mora, F. Luis (Francis Luis), 1874-1940  Search this
Mulhaupt, Frederick J., 1871-1938  Search this
Myers, Jerome, 1867-1940  Search this
Nayland, Watson  Search this
Newcombe, Warren, b. 1894  Search this
Peat, Wilbur David, 1898-1966  Search this
Peirce, Waldo, 1884-1970  Search this
Perrine, Van Dearing, 1869-1955  Search this
Philipp, Robert, 1895-1981  Search this
Phillips, Marjorie, 1895-1985  Search this
Plaschke, Paul Albert, 1880-1954  Search this
Redfield, Edward Willis, 1869-1965  Search this
Reed, Doel, b. 1894  Search this
Rosen, Charles, 1878-1950  Search this
Rowan, Edward Beatty, 1898-1946  Search this
Rush, Olive, 1873-1966  Search this
Ryder, Chauncey F., 1868-1949  Search this
Savage, Eugene F., 1883-1978  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Sewall, Edward  Search this
Seyffert, Leopold  Search this
Sheets, Nan  Search this
Simkhovitch, Simka, 1893-1949  Search this
Singer, Clyde, 1908-  Search this
Smith, Judson, 1880-1962  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Speight, Francis, 1896-1989  Search this
Sterne, Maurice, 1878-1957  Search this
Stieglitz, Alfred, 1864-1946  Search this
Tromka, Abram, 1896-1954  Search this
Verner, Elizabeth O'Neill, 1883-1979  Search this
Warren, Ferdinand E., b. 1899  Search this
Waugh, Frederick Judd, 1861-1940  Search this
Weber, Max, 1881-1961  Search this
Wilcox, Lois, b. 1889  Search this
Wiltz, Arnold, 1889-1937  Search this
Wood, Grant, 1891-1942  Search this
Wrenn, Harold Holmes, 1887-1967  Search this
Extent:
0.2 Linear feet ((on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1929-1936
Scope and Contents:
Correspondence of director Wilbur D. Peat. Many of the letters are from well-known artists of the 1920s and 1930s relating to their contributions to an exhibition of American paintings which Peat was assembling in 1932-1933. [Microfilm title: The Herron Museum of Art]
Correspondents include: Dewey Albinson, A. S. Baylinson, Wenona Day Bell, Thomas H. Benton, George Biddle, Peter Blume, Ernest Blumenschein, C. Curry Bohm, Adolphe Borie, George H. Borst, Robert Brackman, Samuel Brecher, Alexander Brook, Charles E. Burchfield, Varaldo J. Carian, Mrs. E. F. Carpenter, John Carroll, Nicolai Cikovsky, Antonio Cirino, Charles Val Clear, Max B. Cohen, John S. Curry, Randall Davey, Charles H. Davis, Edwin Dickinson, Paul Dougherty, Susan M. Eakins, Henry S. Eddy, Virginia B. Evans, Jerry Farnsworth, Ernest Fiene, John K. Fitzpatrick, John F. Folinsbee, Anton P. Fabrick, Charlotte Gailor, Daniel Garber, Robert F. Gilder, William J. Glackens, John R. Grabach, Charles T. Greener, Charles P. Gruppe,
Eugene Higgins, Edward Hopper, Bernard A. Hunger, Henry G. Keller, Fanny M. King, Georgina Klitgaard, Leon Kroll, Max Kuehne, Georges La Chance, Luigi Lucioni, Reginald Marsh, Henry E. Mattson, Henry Lee McFee, Miriam McKinnie, Clarence Millet, Ross E. Moffett, Francis Mora, Frederick Mulhaupt, Jerome Myers, Watson Nayland, Warren Newcombe, Waldo Peirce, Van Dearing Perrine, Robert Philipp, Abraham Phillips (Tromka), Majorie Phillips, Paul A. Plaschke, Edward Redfield, Doel Reed, Charles Rosen, Edward B. Rowan, Olive Rush, Chauncey Ryder, Eugene F. Savage, Henry Schnakenberg, Zoltan Sepeshy, Edward Sewall, Leopold Seyffert, Nan Sheets, Simka Simkhovitch, Clyde J. Singer, Judson Smith,
Eugene Speicher, Francis Speight, Maurice Sterne, Alfred Stieglitz (letter written on the back of Peat's letter to Georgia O'Keeffe and written for her), Elizabeth O'Neill Verner, Ferdinand E. Warren, Frederick Judd Waugh, Max Weber, Lois Wilcox, Arnold Wiltz, Grant Wood, and Harold Holmes Wrenn.
Biographical / Historical:
The John Herron Art Institute became the Indianapolis Museum of Art ca. 1969-1970. Peat was director 1929-1965.
Other Title:
Herron Museum of Art [microfilm title, reel D131]
Provenance:
Donated 1962 by the John Herron Museum of Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Topic:
Art, American -- Exhibitions  Search this
Function:
Art museums -- Indiana -- Indianapolis
Identifier:
AAA.johnherr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91db490fb-3ad5-435f-b574-2a7a4de1dec2
EDAN-URL:
ead_collection:sova-aaa-johnherr

Mail List

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 63, Folder 1
Type:
Archival materials
Date:
1936-1939
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw984625aa5-4c66-4eed-befd-8e848221c7ea
EDAN-URL:
ead_component:sova-aaa-jacqself-ref10486
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Mail List digital asset number 1

Brook, Alexander

Collection Creator:
Bulliet, C. J. (Clarence Joseph), 1883-1952  Search this
Container:
Box 7, Folder 86
Type:
Archival materials
Date:
1930-1931
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
The C. J. Bulliet papers, circa 1888-1959. Archives of American Art, Smithsonian Institution.
See more items in:
C. J. (Clarence Joseph) Bulliet papers
C. J. (Clarence Joseph) Bulliet papers / Series 4: Artist Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw950d94c2a-40a0-4eae-b2b9-2e66a0d5f50b
EDAN-URL:
ead_component:sova-aaa-bullclar-ref572

Peggy Bacon papers

Creator:
Bacon, Peggy, 1895-1987  Search this
Names:
Art Students League (New York, N.Y.) -- Students  Search this
Kraushaar Galleries  Search this
Alder, Jules  Search this
Bacon, Charles Roswell, 1868-1913  Search this
Brook, Alexander, 1898-1980  Search this
Bunner, Rudolph Francis  Search this
Lay, Charles Downing, 1877-1956  Search this
Remsen, Ira, 1846-1927  Search this
Schmidt, Katherine, 1898-1978  Search this
Varian, Dorothy, 1895-1985  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Drawings
Date:
1893-1973
bulk 1900-1936
Summary:
The papers of printmaker, illustrator, caricaturist, and writer Peggy Bacon measure 3.6 linear feet and date from 1893 to 1973, with the bulk of materials dating from 1900 to 1936. Much of the collection consists of family correspondence, although writings, photographs, artwork, and personal business records from Bacon's late career are also found.
Scope and Content Note:
The papers of printmaker, illustrator, caricaturist, and writer Peggy Bacon measure 3.6 linear feet and date from 1893 to 1973, with the bulk of materials dating from 1900 to 1936. Much of the collection consists of family correspondence, although writings, photographs, artwork, and personal business records from Bacon's late career are also found.

Correspondence is found between Peggy Bacon and her parents, Elizabeth and Charles Roswell Bacon. Letters to her mother describe in detail her life as an art student and artist at the Art Students League; summer schools in Port Jefferson, Long Island and Provincetown, Massachusetts; the Woodstock artists' colony; and her early years in New York City. Letters from her husband, Alexander Brook, to her mother are also present. Letters to Bacon include letters from her early teacher Jonas Lie, and from friends and fellow artists Catherine Wiley, Dorothy Varian, Katherine Schmidt, Anne Rector Duffy, and others. Her parents' extensive correspondence includes letters to her father from the artists Jules Adler, Rudolph Bunner, Ira Remsen, and Charles Downing Lay.

The collection also contains Peggy Bacon's school reports and writing assignments, a marriage certificate, scattered poetry manuscripts and notes by Peggy Bacon, and fiction manuscripts by Charles Roswell Bacon. Personal business records date from the 1960s and 1970s and include publisher's royalty statements, gallery sales statements, and scattered business correspondence with Antoinette Kraushaar and other staff at the Kraushaar Galleries. Photographs depict Bacon and her family, friends, homes, and works of art. Artwork includes several original drawings and sketches by Bacon, as well as artwork by Alexander Brook, Charles Roswell Bacon, and others.
Arrangement:
The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Materials, 1893-1913 (Box 1; 2 folders)

Series 2: Correspondence, 1893-1939, 1969-1972 (Boxes 1-3; 3 linear feet)

Series 3: Personal Business Records, 1897-1934, 1963-1972 (Box 4; 0.2 linear feet)

Series 4: Writings, 1905-1920 (Boxes 4-5; 0.3 linear feet)

Series 5: Printed Material, 1905-1935, 1973 (Box 5; 3 folders)

Series 6: Photographs, circa 1900-1963 (Box 5, OV 6; 4 folders)

Series 7: Artwork, undated (Box 5, OVs 6-8; 9 folders)
Biographical Note:
Peggy Bacon was born in 1895 in Ridgefield, Connecticut, and grew up an only child after the death of two younger brothers in infancy. Her parents, Charles Roswell Bacon and Elizabeth Chase Bacon, had met at the Art Students League, where her father had studied with Robert Henri. Her father pursued a career in painting and writing until his suicide in 1913, and her mother painted miniatures.

A child of artists, Bacon began to draw at a very early age, and by age ten she was already earning money for her illustrations, drawings of literary characters made for dinner place cards. She did not attend school until 1909, when her parents sent her to a boarding school in Summit, New Jersey. She began her formal art training shortly after her father's death, enrolling in the School of Applied Arts for Women at the end of 1913. In the summer of 1914, she attended Jonas Lie's landscape class in Port Jefferson, Long Island, and continued private studies with him in New York City. Lie gave Bacon her first solo exhibition in 1915. From 1915 until 1920, she studied at the Art Students League under John Sloan, Kenneth Hayes Miller, George Bellows, Mahroni Young, and others. In the summers, she took classes first in Provincetown, Massachusetts, and then in Woodstock, New York, where she studied with Andrew Dasburg.

Bacon's circle was formed at the Art Students League, and the League's summer school in Woodstock. She met her husband, Alexander Brook, in Woodstock, and they were married in 1920. Both were active in the Woodstock Artists Association. Other artists in their close-knit group included Dorothea Schwarz (Greenbaum), Anne Rector (Duffy), Betty Burroughs (Woodhouse), Katherine Schmidt (Kuniyoshi Shubert), Yasuo Kuniyoshi, Molly Luce, Dorothy Varian, Edmund Duffy, Dick Dyer, David Morrison, and Andrew Dasburg. Many from this group were involved in the short-lived satirical magazine at the League called Bad News, published in 1918 with several of Bacon's earliest satirical drawings. Her first book, The True Philosopher and Other Cat Tales, was published in 1919. Brook and Bacon traveled to England in 1920, where their daughter Belinda was born. A son, Sandy, was born in Woodstock in 1922. In the early 1920s, Brook worked with Juliana Force at the Whitney Studio Club, and they were involved in the cultural life that sprang up around the gallery, which featured up-and-coming artists. For many years, Bacon and her family split their time between New York and Woodstock, and later summered in Cross River, NY. After divorcing Brook in 1940, Bacon spent summers in Ogunquit, Maine.

Though she initially thought of herself as a painter, she built her reputation on her drawings and prints, which often satirized the people around her in their natural habitats - artists in life classes, at dances, and in social situations, or a throng of people in a museum, on a city sidewalk, or a ship's deck. She became sought after for her illustrations and witty, topical verse in magazines such as Dial, Delineator, The New Yorker, New Republic, Fortune, and Vanity Fair. She helped to establish the American Print Makers, an artists' organization based in the Downtown Gallery which sought greater exhibition opportunities for printmakers. Bacon illustrated over sixty books, nineteen of which she also wrote, between 1919 and 1966, including many children's books and a successful mystery novel called The Inward Eye (1952). In 1933 she received a Guggenheim Fellowship and used it to complete a collection of caricatures of art world figures called Off With Their Heads (1934), the success of which prompted a spate of commissions for caricatures. Bacon stopped making caricatures in 1935, but they include some of her best-known work.

Bacon exhibited frequently, in New York and in major museum exhibitions nationally, showing her prints, drawings, pastels, and watercolors. She had over thirty solo exhibitions at such venues as Montross Gallery, Alfred Stieglitz's Intimate Gallery, and the Downtown Gallery, and was represented by Rehn Galleries and later Kraushaar Galleries. Bacon also taught extensively in the 1930s and 1940s, at the Fieldston School, Art Students League, Hunter College, Temple University, the Corcoran Gallery, and other places. In the 1950s, she returned to painting. She made her last prints in 1955. In the early 1970s, Bacon's eyesight failed, and she eventually went to live with her son in Cape Porpoise, Maine. She died in 1987.
Related Material:
Among the other resources relating to Peggy Bacon in the Archives of American Art is an oral history interview with Bacon, May 8, 1973; and letters to Bernice and Harry Lurie from Peggy Bacon, 1969-1977. Additional Peggy Bacon papers are available at Syracuse University.
Provenance:
The collection was donated by Peggy Bacon in 1973 and Kraushaar Galleries in 2008.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- New York (State) -- Woodstock  Search this
Illustrators -- New York (State) -- Woodstock  Search this
Caricaturists -- New York (State) -- Woodstock  Search this
Authors -- New York (State) -- Woodstock  Search this
Topic:
Art -- Study and teaching  Search this
Works of art  Search this
Women artists  Search this
Women authors  Search this
Women printmakers  Search this
Genre/Form:
Photographs
Drawings
Citation:
Peggy Bacon papers, 1893-1972. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bacopegg
See more items in:
Peggy Bacon papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw90c2a3bfc-4dd1-4ec7-8a53-a42044f90398
EDAN-URL:
ead_collection:sova-aaa-bacopegg
Online Media:

Photographs of Friends, Brook, Alexander

Collection Creator:
Bouché, Louis, 1896-1969  Search this
Container:
Box 4, Folder 17
Type:
Archival materials
Date:
circa 1960
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Louis Bouché papers, 1880-2007. Archives of American Art, Smithsonian Institution.
See more items in:
Louis Bouché papers
Louis Bouché papers / Series 7: Photographic Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9737f5b1f-5bb2-42ab-bc87-030f0933fdf0
EDAN-URL:
ead_component:sova-aaa-boucloui-ref137

Modify Your Search







or


Narrow By