Skip to main content Smithsonian Institution

Search Results

Collections Search Center
43 documents - page 1 of 3

Ghost Town [Edgar Bergen television show]

Creator:
American Film Institute. National Center for Film and Video Preservation  Search this
Advertiser:
Coca-Cola Company  Search this
Names:
Bergen, Edgar  Search this
McCarthy, Charlie  Search this
Extent:
1 Item (film)
Type:
Archival materials
Commercials
Motion pictures (visual works)
Date:
1951
Scope and Contents:
Duplicate of print in AFI collection: black-and-white 16mm film of the television show "Ghost Town" featuring Edgar Bergen with Charlie McCarthy and other guests. Sponsored by Coca Cola and featuring some Coca Cola commercials.
Local Numbers:
2002.3080 (NMAH Acc.)
Collection Restrictions:
Collection is open for research. Only reference copies may be used.
Collection Rights:
Reproduction may be restricted due to copyright or trademark. Contact Archives Center staff for more information.
Topic:
Broadcast advertising  Search this
Television programs -- 1950-1960  Search this
Television advertising -- 1950-1960 -- United States  Search this
Television  Search this
Genre/Form:
Commercials
Motion pictures (visual works)
Collection Citation:
Archives Center Miscellaneous Film and Videotape Collection, 1930-1978, Archives Center, National Museum of American History.
See more items in:
Archives Center Miscellaneous Film and Videotape Collection
Archives Center Miscellaneous Film and Videotape Collection / Edgar Bergen Show
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep828cfccd5-6b14-466c-b05e-81f17e9fe441
EDAN-URL:
ead_component:sova-nmah-ac-0358-ref548

International Broadcasting Award honoring the World's Best Broadcast Advertisements: "Wanted," Call for Volunteers, Kenyon and Eckhardt

Collection Creator:
Jones, Caroline Robinson, 1942-2001 (advertising executive)  Search this
Container:
Box 124, Folder 27
Type:
Archival materials
Date:
1973
Collection Restrictions:
Collection is open for research.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
See more items in:
Caroline R. Jones Papers
Caroline R. Jones Papers / Series 2: Business Papers / 2.7: Awards, Committees, Judgeships, and Invitations
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep818268be6-d311-42fa-8053-31f67985f38c
EDAN-URL:
ead_component:sova-nmah-ac-0552-ref214

Western Union Telegraph Company Records

Creator:
United Telegraph Workers.  Search this
Western Union Telegraph Company  Search this
Extent:
452 Cubic feet (871 boxes and 23 map folders)
Type:
Collection descriptions
Archival materials
Administrative records
Articles
Books
Clippings
Contracts
Drawings
Photographs
Patents
Newsletters
Photograph albums
Scrapbooks
Specifications
Technical documents
Date:
circa 1820-1995
Summary:
The collection documents in photographs, scrapbooks, notebooks, correspondence, stock ledgers, annual reports, and financial records, the evolution of the telegraph, the development of the Western Union Telegraph Company, and the beginning of the communications revolution. The collection materials describe both the history of the company and of the telegraph industry in general, particularly its importance to the development of the technology in the nineteenth and twentieth centuries. The collection is useful for researchers interested in the development of technology, economic history, and the impact of technology on American social and cultural life.
Scope and Contents:
The collection is divided into twenty-six (26) series and consists of approximately 400 cubic feet. The collection documents in photographs, scrapbooks, notebooks, correspondence, stock ledgers, annual reports, and financial records, the evolution of the telegraph, the development of the Western Union Telegraph Company, and the beginning of the communications revolution. The collection materials describe both the history of the company and of the telegraph industry in general, particularly its importance to the development of the technology in the nineteenth and twentieth centuries. The collection is useful for researchers interested in the development of technology, economic history, and the impact of technology on American social and cultural life.
Arrangement:
The collection is divided into twenty-seven series.

Series 1: Historical and Background Information, 1851-1994

Series 2: Subsidiaries of Western Union, 1844-1986

Series 3: Executive Records, 1848-1987

Series 4: Presidential Letterbooks and Writings, 1865-1911

Series 5: Correspondence, 1837-1985

Series 6: Cyrus W. Field Papers, 1840-1892

Series 7: Secretary's Files, 1844-1987

Series 8: Financial Records, 1859-1995

Series 9: Legal Records, 1867-1968

Series 10: Railroad Records, 1854-1945

Series 11: Law Department Records, 1868-1979

Series 12: Patent Materials, 1840-1970

Series 13: Operating Records, 1868-1970s

Series 14: Westar VI-S, 1974, 1983-1986

Series 15: Engineering Department Records, 1874-1970

Series 16: Plant Department Records, 1867-1937, 1963

Series 17: Superintendent of Supplies Records, 1888-1948

Series 18: Employee/Personnel Records 1852-1985

Series 19: Public Relations Department Records, 1858-1980

Series 20: Western Union Museum, 1913-1971

Series 21: Maps, 1820-1964

Series 22: Telegrams, 1852-1960s

Series 23: Photographs, circa 1870-1980

Series 24: Scrapbooks, 1835-1956

Series 25: Notebooks, 1880-1942

Series 26: Audio Visual Materials, 1925-1994

Series 27: Addenda
Biographical / Historical:
In 1832 Samuel F. B. Morse, assisted by Alfred Vail, conceived of the idea for an electromechanical telegraph, which he called the "Recording Telegraph." This commercial application of electricity was made tangible by their construction of a crude working model in 1835-36. This instrument probably was never used outside of Professor Morse's rooms where it was, however, operated in a number of demonstrations. This original telegraph instrument was in the hands of the Western Union Telegraph Company and had been kept carefully over the years in a glass case. It was moved several times in New York as the Western Union headquarters building changed location over the years. The company presented it to the Smithsonian Institution in 1950.

The telegraph was further refined by Morse, Vail, and a colleague, Leonard Gale, into working mechanical form in 1837. In this year Morse filed a caveat for it at the U.S. Patent Office. Electricity, provided by Joseph Henry's 1836 "intensity batteries", was sent over a wire. The flow of electricity through the wire was interrupted for shorter or longer periods by holding down the key of the device. The resulting dots or dashes were recorded on a printer or could be interpreted orally. In 1838 Morse perfected his sending and receiving code and organized a corporation, making Vail and Gale his partners.

In 1843 Morse received funds from Congress to set-up a demonstration line between Washington and Baltimore. Unfortunately, Morse was not an astute businessman and had no practical plan for constructing a line. After an unsuccessful attempt at laying underground cables with Ezra Cornell, the inventor of a trench digger, Morse switched to the erection of telegraph poles and was more successful. On May 24, 1844, Morse, in the U.S. Supreme Court Chambers in Washington, sent by telegraph the oft-quoted message to his colleague Vail in Baltimore, "What hath God wrought!"

In 1845 Morse hired Andrew Jackson's former postmaster general, Amos Kendall, as his agent in locating potential buyers of the telegraph. Kendall realized the value of the device, and had little trouble convincing others of its potential for profit. By the spring he had attracted a small group of investors. They subscribed $15,000 and formed the Magnetic Telegraph Company. Many new telegraph companies were formed as Morse sold licenses wherever he could.

The first commercial telegraph line was completed between Washington, D.C., and New York City in the spring of 1846 by the Magnetic Telegraph Company. Shortly thereafter, F. O. J. Smith, one of the patent owners, built a line between New York City and Boston. Most of these early companies were licensed by owners of Samuel Morse patents. The Morse messages were sent and received in a code of dots and dashes.

At this time other telegraph systems based on rival technologies were being built. Some companies used the printing telegraph, a device invented by a Vermonter, Royal E. House, whose messages were printed on paper or tape in Roman letters. In 1848 a Scotch scientist, Alexander Bain, received his patents on a telegraph. These were but two of many competing and incompatible technologies that had developed. The result was confusion, inefficiency, and a rash of suits and counter suits.

By 1851 there were over fifty separate telegraph companies operating in the United States. This corporate cornucopia developed because the owners of the telegraph patents had been unsuccessful in convincing the United States and other governments of the invention's potential usefulness. In the private sector, the owners had difficulty convincing capitalists of the commercial value of the invention. This led to the owners' willingness to sell licenses to many purchasers who organized separate companies and then built independent telegraph lines in various sections of the country.

Hiram Sibley moved to Rochester, New York, in 1838 to pursue banking and real estate. Later he was elected sheriff of Monroe County. In Rochester he was introduced to Judge Samuel L. Selden who held the House Telegraph patent rights. In 1849 Selden and Sibley organized the New York State Printing Telegraph Company, but they found it hard to compete with the existing New York, Albany, and Buffalo Telegraph Company.

After this experience Selden suggested that instead of creating a new line, the two should try to acquire all the companies west of Buffalo and unite them into a single unified system. Selden secured an agency for the extension throughout the United States of the House system. In an effort to expand this line west, Judge Selden called on friends and the people in Rochester. This led, in April 1851, to the organization of a company and the filing in Albany of the Articles of Association for the "New York and Mississippi Valley Printing Telegraph Company" (NYMVPTC), a company which later evolved into the Western Union Telegraph Company.

In 1854 there were two rival systems of the NYMVPTC in the West. These two systems consisted of thirteen separate companies. All the companies were using Morse patents in the five states north of the Ohio River. This created a struggle between three separate entities, leading to an unreliable and inefficient telegraph service. The owners of these rival companies eventually decided to invest their money elsewhere and arrangements were made for the NYMVPTC to purchase their interests.

Hiram Sibley recapitalized the company in 1854 under the same name and began a program of construction and acquisition. The most important takeover was carried out by Sibley when he negotiated the purchase of the Morse patent rights for the Midwest for $50,000 from Jeptha H. Wade and John J. Speed, without the knowledge of Ezra Cornell, their partner in the Erie and Michigan Telegraph Company (EMTC). With this acquisition Sibley proceeded to switch to the superior Morse system. He also hired Wade, a very capable manager, who became his protege and later his successor. After a bitter struggle Morse and Wade obtained the EMTC from Cornell in 1855, thus assuring dominance by the NYMVPTC in the Midwest. In 1856 the company name was changed to the "Western Union Telegraph Company," indicating the union of the Western lines into one compact system. In December, 1857, the Company paid stockholders their first dividend.

Between 1857 and 1861 similar consolidations of telegraph companies took place in other areas of the country so that most of the telegraph interests of the United States had merged into six systems. These were the American Telegraph Company (covering the Atlantic and some Gulf states), The Western Union Telegraph Company (covering states North of the Ohio River and parts of Iowa, Kansas, Missouri, and Minnesota), the New York Albany and Buffalo Electro-Magnetic Telegraph Company (covering New York State), the Atlantic and Ohio Telegraph Company (covering Pennsylvania), the Illinois & Mississippi Telegraph Company (covering sections of Missouri, Iowa, and Illinois), and the New Orleans & Ohio Telegraph Company (covering the southern Mississippi Valley and the Southwest). All these companies worked together in a mutually friendly alliance, and other small companies cooperated with the six systems, particularly some on the West Coast.

By the time of the Civil War, there was a strong commercial incentive to construct a telegraph line across the western plains to link the two coasts of America. Many companies, however, believed the line would be impossible to build and maintain.

In 1860 Congress passed, and President James Buchanan signed, the Pacific Telegraph Act, which authorized the Secretary of the Treasury to seek bids for a project to construct a transcontinental line. When two bidders dropped out, Hiram Sibley, representing Western Union, was the only bidder left. By default Sibley won the contract. The Pacific Telegraph Company was organized for the purpose of building the eastern section of the line. Sibley sent Wade to California, where he consolidated the small local companies into the California State Telegraph Company. This entity then organized the Overland Telegraph Company, which handled construction eastward from Carson City, Nevada, joining the existing California lines, to Salt Lake City, Utah. Sibley's Pacific Telegraph Company built westward from Omaha, Nebraska. Sibley put most of his resources into the venture. The line was completed in October, 1861. Both companies were soon merged into Western Union. This accomplishment made Hiram Sibley leader of the telegraph industry.

Further consolidations took place over the next several years. Many companies merged into the American Telegraph Company. With the expiration of the Morse patents, several organizations were combined in 1864 under the name of "The U.S. Telegraph Company." In 1866 the final consolidation took place, with Western Union exchanging stock for the stock of the other two organizations. The general office of Western Union moved at this time from Rochester to 145 Broadway, New York City. In 1875 the main office moved to 195 Broadway, where it remained until 1930 when it relocated to 60 Hudson Street.

In 1873 Western Union purchased a majority of shares in the International Ocean Telegraph Company. This was an important move because it marked Western Union's entry into the foreign telegraph market. Having previously worked with foreign companies, Western Union now began competing for overseas business.

In the late 1870s Western Union, led by William H. Vanderbilt, attempted to wrest control of the major telephone patents, and the new telephone industry, away from the Bell Telephone Company. But due to new Bell leadership and a subsequent hostile takeover attempt of Western Union by Jay Gould, Western Union discontinued its fight and Bell Telephone prevailed.

Despite these corporate calisthenics, Western Union remained in the public eye. The sight of a uniformed Western Union messenger boy was familiar in small towns and big cities all over the country for many years. Some of Western Union's top officials in fact began their careers as messenger boys.

Throughout the remainder of the nineteenth century the telegraph became one of the most important factors in the development of social and commercial life of America. In spite of improvements to the telegraph, however, two new inventions--the telephone (nineteenth century) and the radio (twentieth century)--eventually replaced the telegraph as the leaders of the communication revolution for most Americans.

At the turn of the century, Bell abandoned its struggles to maintain a monopoly through patent suits, and entered into direct competition with the many independent telephone companies. Around this time, the company adopted its new name, the American Telephone and Telegraph Company (AT&T).

In 1908 AT&T gained control of Western Union. This proved beneficial to Western Union, because the companies were able to share lines when needed, and it became possible to order telegrams by telephone. However, it was only possible to order Western Union telegrams, and this hurt the business of Western Union's main competitor, the Postal Telegraph Company. In 1913, however, as part of a move to prevent the government from invoking antitrust laws, AT&T completely separated itself from Western Union.

Western Union continued to prosper and it received commendations from the U.S. armed forces for service during both world wars. In 1945 Western Union finally merged with its longtime rival, the Postal Telegraph Company. As part of that merger, Western Union agreed to separate domestic and foreign business. In 1963 Western Union International Incorporated, a private company completely separate from the Western Union Telegraph Company, was formed and an agreement with the Postal Telegraph Company was completed. In 1994, Western Union Financial Services, Inc. was acquired by First Financial Management Corporation. In 1995, First Financial Management Corporation merged with First Data Corporation making Western Union a First Data subsidiary.

Many technological advancements followed the telegraph's development. The following are among the more important:

The first advancement of the telegraph occurred around 1850 when operators realized that the clicks of the recording instrument portrayed a sound pattern, understandable by the operators as dots and dashes. This allowed the operator to hear the message by ear and simultaneously write it down. This ability transformed the telegraph into a versatile and speedy system.

Duplex Telegraphy, 1871-72, was invented by the president of the Franklin Telegraph Company. Unable to sell his invention to his own company, he found a willing buyer in Western Union. Utilizing this invention, two messages were sent over the wire simultaneously, one in each direction.

As business blossomed and demand surged, new devices appeared. Thomas Edison's Quadruplex allowed four messages to be sent over the same wire simultaneously, two in one direction and two in the other.

An English automatic signaling arrangement, Wheatstone's Automatic Telegraph, 1883, allowed larger numbers of words to be transmitted over a wire at once. It could only be used advantageously, however, on circuits where there was a heavy volume of business.

Buckingham's Machine Telegraph was an improvement on the House system. It printed received messages in plain Roman letters quickly and legibly on a message blank, ready for delivery.

Vibroplex, c. 1890, a semi-automatic key sometimes called a "bug key," made the dots automatically. This relieved the operator of much physical strain.
Related Materials:
Materials in the Archives Center

Additional moving image about Western Union Telegraph Company can be found in the Industry on Parade Collection (AC0507). This includes Cable to Cuba! by Bell Laboratory, AT & T, featuring the cable ship, the C.S. Lord Kelvin, and Communications Centennial! by the Western Union Company.

Materials at Other Organizations

Hagley Museum and Library, Wilmington, Delaware.

Western Union International Records form part of the MCI International, Inc. Records at the First Data Corporation, Greenwood Village, Colorado.

Records of First Data Corporation and its predecessors, including Western Union, First Financial Management Corporation (Atlanta) and First Data Resources (Omaha). Western Union collection supports research of telegraphy and related technologies, and includes company records, annual reports, photographs, print and broadcast advertising, telegraph equipment, and messenger uniforms.

Smithsonian Institution Archives

Western Union Telegraph Expedition, 1865-1867

This collection includes correspondence, mostly to Spencer F. Baird, from members of the Scientific Corps of the Western Union Telegraph Expedition, including Kennicott, Dall, Bannister, and Elliott; copies of reports submitted to divisional chiefs from expedition staff members; newspaper clippings concerning the expedition; copies of notes on natural history taken by Robert Kennicott; and a journal containing meteorological data recorded by Henry M. Bannister from March to August, 1866.
Separated Materials:
Artifacts (apparatus and equipment) were donated to the Division of Information Technology and Society, now known as the Division of Work & Industry, National Museum of American History.
Provenance:
The collection was donated by Western Union in September of 1971.
Restrictions:
Collection is open for research but Series 11 and films are stored off-site. Special arrangements must be made to view some of the audiovisual materials. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Communications equipment  Search this
Communication -- International cooperation  Search this
Electric engineering  Search this
Electric engineers  Search this
Electrical equipment  Search this
Electrical science and technology  Search this
Telegraphers  Search this
Telegraph  Search this
Genre/Form:
Administrative records
Articles
Books
Clippings
Contracts
Drawings
Photographs -- 19th century
Patents
Photographs -- 20th century
Newsletters
Photograph albums
Scrapbooks -- 19th century
Scrapbooks -- 20th century
Specifications
Technical documents
Citation:
Western Union Telegraph Company Records, Archives Center, National Museum of American History
Identifier:
NMAH.AC.0205
See more items in:
Western Union Telegraph Company Records
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8b72e8493-288c-4bd0-84d5-011155da30a7
EDAN-URL:
ead_collection:sova-nmah-ac-0205
Online Media:

Nike Advertising Oral History and Documentation Collection

Interviewer:
Center for Advertising History, Archives Center  Search this
Ellsworth, Scott, Dr.  Search this
Creator:
Nike, Inc.  Search this
Names:
Adidas  Search this
Asics  Search this
Nike, Inc.  Search this
Wieden & Kennedy  Search this
Interviewee:
Onitsuka  Search this
Bedbury, Scott  Search this
Bowerman, William  Search this
Brown, John A.  Search this
Champ, Janet  Search this
Clarke, Tom  Search this
Clow, Lee  Search this
Conlon, Jerry  Search this
Davenport, Bill  Search this
Dolan, Liz  Search this
Donohue, Richard  Search this
Farris, Nelson  Search this
Hale, Cindy  Search this
Hoffman, Susan  Search this
Jackson, Bo  Search this
Jaqua, John  Search this
Johnson, Jeff  Search this
Kitami, Shoji  Search this
Knight, Phillip  Search this
McConnell, Pam  Search this
Moore, Charlotte  Search this
Moore, Kenny  Search this
Moore, Peter  Search this
Onitsuka, Kimachiro  Search this
Parker, Mark  Search this
Riswold, Jim  Search this
Robinson, Charles  Search this
Sakaguchi, Tokio  Search this
Stobie, Patsy Mest  Search this
Strasser, Robert (marketing executive)  Search this
Thomashow, Mark  Search this
Wieden, Dan  Search this
Extent:
12 Cubic feet (25 boxes)
Type:
Collection descriptions
Archival materials
Oral history
Videotapes
Tear sheets
Clippings
Audiotapes
Fliers (printed matter)
Advertising fliers
Commercials
Interviews
Place:
Beaverton (Or.)
Portland (Oregon)
Date:
1958 - 1992
Summary:
The Nike Advertising Oral History and Documentation Collection is the result of a two-year study of advertising of Nike athletic shoes. The effort was supported in part by a grant from Nike, Inc. Thirty-one oral history interviews were conducted with advertising, marketing and product development executives at Asics, Nike, John Brown & Co., Chiat/Day/Mojo and Wieden & Kennedy. A variety of related materials were gathered by the Center for Advertising History staff. The objective of the project was to create a collection that documents, in print and electronic media, the history and development of the company and its advertising campaigns.
Scope and Contents:
This collection consists of thirty-one oral history interviews conducted by historian Scott Ellsworth with advertising, marketing and product development executives at Asics, Nike, John Brown & Co., Chiat/Day/Mojo and Wieden & Kennedy and related materials collected by the Center for Advertising History staff. There are audiocassettes (original and reference), 1/4" open reel audiotape (master), 3/4" videotapes, and VHS videotapes.
Arrangement:
The collection is rganized into seven series.

Series 1, Research Files, 1979-1992

Subseries 1.1, Materials Compiled by the Center for Advertising History, 1979-1992

Subseries 1.2, Material Compiled by Nike, 1982-1992

Series 2, Interviewee Files, 1990-1992

Series 3, Oral History Interviews, 1990-1992

Subseries 3.1, Original Audiotapes (audio cassette), 1990-1992

Subseries 3.2, Researcher copies (audio cassette), 1990-1992

Subseries 3.3, Preservation masters (1/4 inch audiotape), 1990-1992

Series 4, Television Commercials, 1977-1990 and undated

Subseries 4.1, Master Copies, 1977-1990 and undated

Subseries 4.2, Researcher copies, 1977-1990 and undated

Series 5, Print Advertisements, 1985-1993

Subseries 5.1, Ad Slicks, 1985-1993

Subseries 5.2, Slides, 1989 and undated

Series 6, Trade Catalogues and Photographs, 1958-1982

Series 7, Administrative Files, 1982-1990
Biographical / Historical:
The Nike Advertising Oral History and Documentation Collection is the result of a two-year study of advertising of Nike athletic shoes. The effort was supported in part by a grant from Nike, Inc. Thirty-one oral history interviews were conducted with advertising, marketing and product development executives at Asics, Nike, John Brown & Co., Chiat/Day/Mojo and Wieden & Kennedy. A variety of related materials were gathered by the Center for Advertising History staff. The objective of the project was to create a collection that documents, in print and electronic media, the history and development of the company and its advertising campaigns.

The consistently high quality of this advertising, its award-winning artistic and creative innovations, and its contribution to the fitness movement in America combine to make this a significant chapter in the history of contemporary American advertising.

One aim of the project was to record the process of decision-making in the creation of successful ad campaigns, a process not often documented in the surviving records. Topics addressed in the oral history interviews include the origins of Nike and Nike advertising, the relationship between corporate culture and advertising, the place of advertising in overall marketing strategy, the development of brand image and identity, the nature of the creative process in producing effective advertising images, the use of athletes as endorsers, and Nikes'simpact on the popular culture. Well-known campaigns are examined in depth, including Nikes's, use of the Beatles tune "Revolution", the "I Love L.A Spots" produced in conjunction with the 1984 Olympics, the controversial billboards campaign, the award-winning "Bo Knows" spots, and a series of commercials directed by African-American filmmaker Spike Lee. The collection is also a rich source of visual imagery for researchers interested in the portrayal of athletes, women and African-Americans.
Related Materials:
Materials in the Archives Center

Alka-Seltzer Documentation and Oral History Collection, 1953-1986 (AC0184)

N. W. Ayer Advertising Agency Records, 1849-1851, 1869-1996 (AC0059)

Campbell Soup Advertising Oral History and Documentation Project, 1904-1989 (AC0367)

Cover Girl Make-Up Advertising Oral History and Documentation Project, 1959-1990 (AC04374)

Federal Express Oral History and Documentation Project Collection, 1972-1987 (AC0306)

Caroline R. Jones Collection, circa 1942-1996 (AC0552)

Marlboro Oral History and Documentation Project, circa 1926-1986 (AC0198)

Pepsi Generation Oral History and Documentation Collection, 1938-1986 (AC0092)

Rob and Julie Strasser Collection, 1970-1990 (AC0525)
Provenance:
The collection was donated by Nike, Inc. in 1991 and 1992.
Restrictions:
Collection is open for research but the master (preservation) tapes are stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Women in the advertising industry  Search this
Sports for women  Search this
Sports  Search this
Women in advertising  Search this
Television advertising  Search this
Signs and signboards -- 1970-2000  Search this
Slogans  Search this
Marketing  Search this
Music in advertising  Search this
Commercial art  Search this
Endorsements in advertising  Search this
Broadcast advertising  Search this
Business -- History  Search this
Basketball  Search this
advertising -- History  Search this
Track and field  Search this
Copy writers  Search this
Athletes  Search this
Shoes -- 1970-2000  Search this
Motion picture producers and directors  Search this
African American athletes  Search this
Running -- 1970-2000  Search this
Running shoes -- 1970-2000  Search this
Athletic shoes -- 1970-2000  Search this
Shoe industry -- 1970-2000  Search this
Genre/Form:
Oral history
Videotapes
Tear sheets
Clippings
Audiotapes
Fliers (printed matter)
Advertising fliers
Commercials
Interviews -- 1970-1990
Citation:
Nike Advertising Oral History and Documentation Collection, 1958-1992, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0448
See more items in:
Nike Advertising Oral History and Documentation Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep82f2adbe0-ae8f-4849-bac5-19e0e1848c55
EDAN-URL:
ead_collection:sova-nmah-ac-0448
Online Media:

Southern Belle Marionette

User:
Rollins, Hazelle H.  Search this
Southern Comfort Company  Search this
Maker:
Rollins, Hazelle H.  Search this
Physical Description:
plastic (overall material)
wood (overall material)
fabric (overall material)
silk (overall material)
Measurements:
overall: 16 1/2 in x 4 in; 41.91 cm x 10.16 cm
Object Name:
puppet
Place made:
United States: Missouri, Kansas City
Date made:
1957
Subject:
Puppetry  Search this
Radio and television broadcasting  Search this
Television broadcasts  Search this
Consumerism  Search this
Drinking  Search this
Television  Search this
Credit Line:
Hazelle H. and J. Woodson Rollins
ID Number:
1982.0362.02
Accession number:
1982.0362
Catalog number:
1982.0362.02
See more items in:
Cultural and Community Life: Entertainment
Puppets
Advertising
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-3824-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_662183
Online Media:

Southern Gentleman Marionette

User:
Rollins, Hazelle H.  Search this
Southern Comfort Company  Search this
Maker:
Rollins, Hazelle H.  Search this
Physical Description:
plastic (overall material)
wood (overall material)
fabric (overall material)
metal (overall material)
Measurements:
overall: 16 1/2 in x 4 in; 41.91 cm x 10.16 cm
Object Name:
puppet
Place made:
United States: Missouri, Kansas City
Date made:
1957
Subject:
Puppetry  Search this
Radio and television broadcasting  Search this
Television broadcasts  Search this
Consumerism  Search this
Drinking  Search this
Television  Search this
Credit Line:
Hazelle H. and J. Woodson Rollins
ID Number:
1982.0362.01
Accession number:
1982.0362
Catalog number:
1982.0362.01
See more items in:
Cultural and Community Life: Entertainment
Puppets
Advertising
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-3823-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_662184
Online Media:

Pop Hand Puppet

User:
Rollins, Hazelle H.  Search this
Rollins, Hazelle H.  Search this
Physical Description:
felt (overall material)
rubber (overall material)
Measurements:
overall: 8 1/2 in x 11 in; 21.59 cm x 27.94 cm
Object Name:
puppet
Place made:
United States: Missouri, Kansas City
Associated Place:
United States: New York, New York
Date made:
1950 - 1959
Subject:
Puppetry  Search this
Radio and television broadcasting  Search this
Television broadcasts  Search this
Consumerism  Search this
Toys  Search this
Credit Line:
Anne W. and John W. Rollins, Jr.
ID Number:
1980.0910.08
Accession number:
1980.0910
Catalog number:
1980.0910.08
See more items in:
Cultural and Community Life: Entertainment
Puppets
Advertising
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-4fe1-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_662702
Online Media:

Crackle Hand Puppet

User:
Rollins, Hazelle H.  Search this
Rollins, Hazelle H.  Search this
Physical Description:
felt (overall material)
rubber (overall material)
Measurements:
overall: 8 1/2 in x 11 1/2 in; 21.59 cm x 29.21 cm
Object Name:
puppet
Place made:
United States: Missouri, Kansas City
Associated Place:
United States: New York, New York
Date made:
1950 - 1959
Subject:
Puppetry  Search this
Radio and television broadcasting  Search this
Television broadcasts  Search this
Consumerism  Search this
Toys  Search this
Credit Line:
Anne W. and John W. Rollins, Jr.
ID Number:
1980.0910.07
Accession number:
1980.0910
Catalog number:
1980.0910.07
See more items in:
Cultural and Community Life: Entertainment
Puppets
Advertising
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a4-db93-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_662703
Online Media:

Snap Hand Puppet

User:
Rollins, Hazelle H.  Search this
Rollins, Hazelle H.  Search this
Physical Description:
felt (overall material)
rubber (overall material)
cotton (overall material)
Measurements:
overall: 8 1/2 in x 11 in; 21.59 cm x 27.94 cm
Object Name:
puppet
Place made:
United States: Missouri, Kansas City
Associated Place:
United States: New York, New York
Date made:
1950 - 1959
Subject:
Puppetry  Search this
Consumerism  Search this
Radio and television broadcasting  Search this
Television broadcasts  Search this
Toys  Search this
Credit Line:
Anne W. and John W. Rollins, Jr.
ID Number:
1980.0910.06
Accession number:
1980.0910
Catalog number:
1980.0910.06
See more items in:
Cultural and Community Life: Entertainment
Puppets
Advertising
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746aa-4fe0-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_662704
Online Media:

Pilgrim Man Marionette

User:
Rollins, Hazelle H.  Search this
Maker:
Rollins, Hazelle H.  Search this
Physical Description:
plastic (overall material)
wood (overall material)
fabric (overall material)
paint (overall material)
string (overall material)
Measurements:
overall: 16 in x 5 1/2 in; 40.64 cm x 13.97 cm
Object Name:
puppet
Place made:
United States: Missouri, Kansas City
Subject:
Puppetry  Search this
Radio and television broadcasting  Search this
Television broadcasts  Search this
Consumerism  Search this
Pilgrims  Search this
Credit Line:
Anne W. and John W. Rollins, Jr.
ID Number:
1980.0910.03
Accession number:
1980.0910
Catalog number:
1980.0910.03
See more items in:
Cultural and Community Life: Entertainment
Puppets
Advertising
Exhibition:
Artifact Wall
Exhibition Location:
National Museum of American History
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-7e29-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_662705
Online Media:

Pilgrim Woman Marionette

User:
Rollins, Hazelle H.  Search this
Maker:
Rollins, Hazelle H.  Search this
Manufacturer:
Hazelle Inc. Airplane Control  Search this
Physical Description:
plastic (overall material)
fabric (overall material)
wood (overall material)
paint (overall material)
string (overall material)
Measurements:
overall: 15 in x 7 in; 38.1 cm x 17.78 cm
Object Name:
puppet
Place made:
United States: Missouri, Kansas City
Subject:
Puppetry  Search this
Radio and television broadcasting  Search this
Television broadcasts  Search this
Consumerism  Search this
Immigration  Search this
Pilgrims  Search this
Christianity  Search this
Pilgrims  Search this
Credit Line:
Anne W. and John W. Rollins, Jr.
ID Number:
1980.0910.04
Accession number:
1980.0910
Catalog number:
1980.0910.04
See more items in:
Cultural and Community Life: Entertainment
Puppets
Advertising
Religion
Exhibition:
Artifact Wall
Exhibition Location:
National Museum of American History
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ab-75ac-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_662706
Online Media:

The "Pepsi Generation" Oral History and Documentation Collection

Topic:
Pepsi-Cola World
Pepsi-Cola (soft drink)
Creator:
Ellsworth, Scott, Dr.  Search this
Extent:
7.7 Cubic feet (32 boxes)
Type:
Collection descriptions
Archival materials
Audiocassettes
Commercials
Interviews
Oral history
Videotapes
Date:
1938-1986
Summary:
The Pepsi Generation Collection is the result of an oral history and documentation project conducted in 1984 and 1985 by the Center for Advertising History and supported in part by a grant from the Pepsi Cola Company.
Scope and Contents:
At the core of the "Pepsi Generation" Oral History and Documention Collection are oral history interviews with individuals involved with Pepsi-Cola and its advertising campaigns. In addition to the oral histories there are research files which include an almost complete run of Pepsi-Cola World, interview abstracts, print advertising, and television commercials from Pepsi's best-known advertising campaigns.
Arrangement:
The collection is arranged into five series

Series 1: Research Files, 1943-1985

Series 2: Interviewee Files, 1984-1985

Series 3: Oral History Interviews, 1984-1985

Subseries 3.1: Reference Copies, 1984-1985

Subseries 3.2: Master Tapes,1984-1985

Subseries 3.3: Original Tapes, 1984-1985

Series 4: Pepsi-Cola Video, 1946-1988

Subseries 4.1: Reference videos

Subseries 4.2: Master Copies

Series 5: Pepsi Cola Audio, circa 1970, undated
Biographical / Historical:
In 1983, as part of the 20th anniversary of the "Pepsi Generation" advertising campaign, Pepsi-Cola donated to the Archives Center approximately 200 advertising and promotional items (see collection AC0092). The Archives Center accepted these items and proposed an oral history project to document the "Pepsi Generation" story.

The Archives Center embarked upon this project in the spring of 1983. A professional oral historian, Dr. Scott Ellsworth, conducted twenty-nine interviews during 1984 and 1985 with twenty-six people involved in Pepsi advertising, including bottlers, advertising executives, producers, directors, a songwriter, a performer, a publisher, the president of Pepsi, the chairman of the board, and two former Pepsi presidents.

The interviews focus primarily on the "Come Alive, You're In The Pepsi Generation" advertising campaign, Pepsi's adoption of youth-oriented advertising, campaign execution, television commercial production, background of the idea for the "Think Young" campaign, and the company's response to the "Pepsi Generation"campaign.

The Pepsi Generation Collection is the result of this oral history and documentation project conducted in 1984 and 1985 by the Center for Advertising History and supported in part by a grant from the Pepsi Cola Company.
Related Materials:
Materials in the Archives Center

Warshaw Collection of Business Americana, Beverages

N.W. Ayer Advertising Agency Records

Pepsi-Cola Advertising Collection
Provenance:
Collection donated by Pepsi-Cola Company through Rebecca Madiera in 1983. Interviews made for the Smithsonian Institution in 1984 and 1985.
Restrictions:
Collection is open for research. One oral history is restricted. Only reference copies of the audiovisual materials may be used. Several reels of television commercials have been digitized and are available in the Smithsonian Institution's Digital Asset Management System (DAMS).
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Advertising agencies  Search this
Ambiguity in advertising  Search this
Marketing  Search this
Music in advertising  Search this
Prize contests in advertising  Search this
Broadcast advertising  Search this
advertising -- Beverages -- 1930-1990  Search this
Advertising writing  Search this
Television advertising  Search this
Product demonstrations  Search this
Youth-oriented advertising  Search this
Slogans  Search this
Genre/Form:
Audiocassettes
Commercials
Interviews -- 1980-2000
Oral history
Videotapes
Citation:
The "Pepsi Generation" Oral History and Documentation Collection, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0111
See more items in:
The "Pepsi Generation" Oral History and Documentation Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8642412ae-81a3-4bd2-8080-c1a3ce4f732f
EDAN-URL:
ead_collection:sova-nmah-ac-0111
Online Media:

Warshaw Collection of Business Americana Subject Categories: Television

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
0.74 Cubic feet (consisting of 1.5 boxes, 2 oversize folders, 1 map case folder.)
Type:
Collection descriptions
Archival materials
Ephemera
Publications
Printed ephemera
Advertising mail
Manuals
Print advertising
Posters
Business ephemera
Advertising
Advertisements
Technical manuals
Technical literature
Advertising cards
Advertising fliers
Date:
1938-1966
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Television forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
Contains promotional material, advertisements, and publications related to both the manufacture and use of television equipment, parts, and program. Includes major brands and well-known broadcasters. The Technology folder has several B&W photos depicting towers and manufacturing. A few books are present covering general "age of television" to more technical and engineering aspects. No extensive runs or complete records exist for any single company, brand, and no particular depth is present for any singular subtopic though some publications may provide general and historical overviews of a person, company, or facet of industry.
Arrangement:
Television is arranged in two subseries.

Genre

Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Television is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Television broadcasting -- Special effects  Search this
Television programs -- 1950-1960  Search this
Television stations  Search this
Televisions -- advertising  Search this
Broadcasting -- 1940-1950  Search this
Television -- History  Search this
Television advertising -- 1950-1960 -- United States  Search this
Consumer goods -- Catalogs  Search this
Television broadcasting  Search this
Television cameras  Search this
Culture change  Search this
Television programs  Search this
Broadcasting  Search this
Broadcast advertising  Search this
Television advertising  Search this
Television  Search this
Broadcasting -- United States  Search this
Color television  Search this
Television studios  Search this
Genre/Form:
Ephemera
Publications
Printed ephemera
Advertising mail
Manuals
Print advertising
Posters
Business ephemera
Advertising
Advertisements
Technical manuals -- 20th century
Technical literature
Advertising cards
Advertising fliers
Citation:
Warshaw Collection of Business Americana Subject Categories: Television, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Television
See more items in:
Warshaw Collection of Business Americana Subject Categories: Television
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8f239277b-887e-4d45-add9-7fb4060a6819
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-television

Warshaw Collection of Business Americana Subject Categories: Radios

Creator:
Warshaw, Isadore, 1900-1969  Search this
Extent:
2.44 Cubic feet (consisting of 4.5 boxes, 1 folder, 5 oversize folders, 2 flat boxes (partial), 1 map case folder.)
Type:
Collection descriptions
Archival materials
Business ephemera
Business letters
Publications
Receipts
Business cards
Trade literature
Logs (records)
Sales catalogs
Print advertising
Ephemera
Catalogs
Advertising mail
Commercial catalogs
Invoices
Trade cards
Technical reports
Trade catalogs
Advertising
Manuals
Reports
Manufacturers' catalogs
Commercial correspondence
Catalogues
Printed materials
Illustrations
Bulletins
Technical manuals
Printed material
Transcripts
Letterheads
Printed ephemera
Advertisements
Advertising cards
Radio scripts
Correspondence
Advertising fliers
Business records
Date:
1893-1992
Summary:
A New York bookseller, Warshaw assembled this collection over nearly fifty years. The Warshaw Collection of Business Americana: Accounting and Bookkeeping forms part of the Warshaw Collection of Business Americana, Subseries 1.1: Subject Categories. The Subject Categories subseries is divided into 470 subject categories based on those created by Mr. Warshaw. These subject categories include topical subjects, types or forms of material, people, organizations, historical events, and other categories. An overview to the entire Warshaw collection is available here: Warshaw Collection of Business Americana
Scope and Contents:
The radio category contains material primarily related to radio company products, radio broadcasts and programs, technical documentation on the use of radios, and material documenting the effect of radio on modern life. The bulk of the material covers sales catalogues and advertisements, though no complete records for single companies are present.

The radio broadcast transcripts and programs include fictional or anecdotal stories, transcripts of contests, interviews, or speeches, and notifications about future broadcasts.

Literature concerning the effect of radio on modern life includes brief radio historiographies, discussions about the need for advanced education for the radio field, and documentation of the use of radio in leisure time or in rural life. Additional publications address the uses and effects of radio during times of war. While no extensive documentation exists on any one topic, the publications may provide general histories of the radio with snapshots of specific facets of radio history.
Arrangement:
Radio is arranged in three subseries.

Missing Title

Business Records and Marketing Material

Genre

Subject
Forms Part Of:
Forms part of the Warshaw Collection of Business Americana.

Missing Title

Series 1: Business Ephemera

Series 2: Other Collection Divisions

Series 3: Isadore Warshaw Personal Papers

Series 4: Photographic Reference Material
Provenance:
Radio is a portion of the Business Ephemera Series of the Warshaw Collection of Business Americana, Accession AC0060 purchased from Isadore Warshaw in 1967. Warshaw continued to accumulate similar material until his death, which was donated in 1971 by his widow, Augusta. For a period after acquisition, related materials from other sources (of mixed provenance) were added to the collection so there may be content produced or published after Warshaw's death in 1969. This practice has since ceased.
Restrictions:
Collection is open for research. Some items may be restricted due to fragile condition.
Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Radio -- History  Search this
Radio -- Receivers and reception  Search this
Radio  Search this
Radio -- Transmitters and transmission  Search this
Radio -- Apparatus and supplies  Search this
Radio broadcasting  Search this
Radio broadcasts  Search this
Radio in politics  Search this
Radio advertising  Search this
Radio -- Receivers and reception -- Design and construction  Search this
Radio audiences  Search this
advertising -- Business ephemera  Search this
Consumer goods -- Catalogs  Search this
Periodicals  Search this
Broadcast advertising  Search this
Radio comedies  Search this
Broadcasting  Search this
Broadcasting -- United States  Search this
War  Search this
Retail trade  Search this
Radio programs  Search this
Transmission of culture  Search this
Radio -- 1930-1940  Search this
Radio -- Antennas  Search this
Genre/Form:
Business ephemera
Business letters
Publications -- Business
Receipts
Business cards
Trade literature
Logs (records)
Sales catalogs
Print advertising
Ephemera
Catalogs
Advertising mail
Commercial catalogs
Invoices
Trade cards
Technical reports
Trade catalogs
Advertising
Manuals
Reports
Manufacturers' catalogs
Commercial correspondence
Catalogues
Printed materials
Illustrations
Bulletins
Technical manuals -- 20th century
Printed material
Transcripts
Letterheads
Printed ephemera
Publications
Advertisements
Advertising cards
Radio scripts
Correspondence
Advertising fliers
Business records
Citation:
Warshaw Collection of Business Americana Subject Categories: Radios, Archives Center, National Museum of American History, Smithsonian Institution
Identifier:
NMAH.AC.0060.S01.01.Radios
See more items in:
Warshaw Collection of Business Americana Subject Categories: Radios
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep805ffaf5e-f3b1-4f2a-9714-a4f2c6774754
EDAN-URL:
ead_collection:sova-nmah-ac-0060-s01-01-radios

Tums for Acid Indigestion

Referenced:
Heidt, Horace  Search this
Maker:
Lewis-Howe Company  Search this
Measurements:
overall: 5.7 cm x 1.8 cm; 2 1/4 in x 11/16 in
overall: 2 1/4 in x 7/8 in; 5.715 cm x 2.2225 cm
Object Name:
otc preparation
Other Terms:
Patent Medicines; Drugs; Non-Liquid
Place Made:
United States: Missouri, Saint Louis
Date made:
ca 1940
Subject:
Indigestion & Nausea Drugs  Search this
Radio broadcasts  Search this
Advertising Devices  Search this
Credit Line:
Gift of Gary P. and Sandra Baden
ID Number:
1979.0798.334
Accession number:
1979.0798
Catalog number:
1979.0798.334
See more items in:
Medicine and Science: Medicine
Health & Medicine
Balm of America
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746a5-2858-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_718642
Online Media:

Radio Advertising Blotter, 1941

Referenced:
Heidt, Horace  Search this
Dorsey, Tommy  Search this
Physical Description:
ink (overall material)
paper (overall material)
Measurements:
overall: 4 in x 9 in; 10.16 cm x 22.86 cm
Object Name:
Blotter
Date made:
1941
Subject:
Radio broadcasts  Search this
Radio  Search this
Patent Medicine  Search this
Credit Line:
Jay Dee and Joan Yearous
ID Number:
1984.0523.01
Accession number:
1984.0523
Catalog number:
1984.0523.01
See more items in:
Cultural and Community Life: Entertainment
Advertising
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ae-21a4-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_681004

NA-ALD model 429 socket adapter

Maker:
Alden Co.  Search this
Measurements:
box: 2 1/2 in x 2 1/2 in x 1 3/4 in; 6.35 cm x 6.35 cm x 4.445 cm
unit: 1 3/4 in x 1 1/2 in; 4.445 cm x 3.81 cm
Object Name:
tube socket adapter
Date made:
ca 1923
Credit Line:
from Franklin Wingard
ID Number:
EM.322060.02
Catalog number:
322060.02
Accession number:
241556
See more items in:
Work and Industry: Electricity
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng4be00e1fa-94c5-54bc-e053-15f76fa042fc
EDAN-URL:
edanmdm:nmah_2001561

NA-ALD model 429 socket adapter

Maker:
Alden Co.  Search this
Measurements:
box: 2 1/2 in x 2 1/2 in x 1 3/4 in; 6.35 cm x 6.35 cm x 4.445 cm
unit: 1 3/4 in x 1 1/2 in; 4.445 cm x 3.81 cm
Object Name:
tube socket adapter
Date made:
ca 1923
Credit Line:
from Franklin Wingard
ID Number:
EM.322060.03
Catalog number:
322060.03
Accession number:
241556
See more items in:
Work and Industry: Electricity
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng4be00e1fa-94c7-54bc-e053-15f76fa042fc
EDAN-URL:
edanmdm:nmah_2001563

NA-ALD model 429 socket adapter

Maker:
Alden Co.  Search this
Measurements:
box: 2 1/2 in x 2 1/2 in x 1 3/4 in; 6.35 cm x 6.35 cm x 4.445 cm
unit: 1 3/4 in x 1 1/2 in; 4.445 cm x 3.81 cm
Object Name:
tube socket adapter
Date made:
ca 1923
Credit Line:
from Franklin Wingard
ID Number:
EM.322060.04
Catalog number:
322060.04
Accession number:
241556
See more items in:
Work and Industry: Electricity
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng4be00e1fa-94c9-54bc-e053-15f76fa042fc
EDAN-URL:
edanmdm:nmah_2001565

NA-ALD model 429 socket adapter

Maker:
Alden Co.  Search this
Measurements:
box: 2 1/2 in x 2 1/2 in x 1 3/4 in; 6.35 cm x 6.35 cm x 4.445 cm
unit: 1 3/4 in x 1 1/4 in; 4.445 cm x 3.175 cm
Object Name:
tube socket adapter
Date made:
ca 1923
Credit Line:
from Franklin Wingard
ID Number:
EM.322060.05
Catalog number:
322060.05
Accession number:
241556
See more items in:
Work and Industry: Electricity
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng4be00e1fa-94cb-54bc-e053-15f76fa042fc
EDAN-URL:
edanmdm:nmah_2001567

Modify Your Search







or


Narrow By