Correspondents include: John White Alexander, William H. Beard, Eugene Benson, Albert Bierstadt, William Bispham, Edward A. Brackett, George L. Brown, Henry Kirke Brown, John G. Brown, John G. Chapman, William A. Coffin, Frederick S. Cozzens, Christopher P. Cranch, Charles T. Dix, Francis W. Edmonds, John W. Ehninger, Regis F. Gignoux, Horatio Greenough, George H. Hall, Thomas Hicks, Alfred C. Howland, Daniel P. Huntington, Laurence Hutton, Joseph Jefferson, Eastman Johnson, John LaFarge, Louis Lang, Samuel Laurence, William H. Lippincott, Jervis McEntee, Frank B. Mayer, Charles H. Miller, Samuel F. B. Morse, Louis L. Noble, Thomas S. Noble, William R. O'Donovan, Johannes A. S. Oertel, Thomas A. Richards, Horace W. Robbins, John Rogers, Thomas P. Rossiter, Samuel W. Rowse, Napoleon Sarony, James D. Smillie, Bayard Taylor, Cephas G. Thompson, Launt A. Thompson, John Q. A. Ward, John F. Weir, Robert W. Weir, Edwin D. White, Worthington Whittredge, and Thomas W. Wood.
Reel N25: A calling card of Herbert Adams; a letter to Mrs. Frederic N. Goddard from Adams, returning photographs of Bryant; and a letter to Bryant from F. Tabbot about his painting of a forest.
Biographical / Historical:
Poet; New York City. Bryant's son-in-law, Parke Godwin, was an author, one of whose books was a biography of Bryant, THE LIFE AND WORKS OF WILLIAM CULLEN BRYANT, 1883.
Bryant-Godwin collection (NYPL microfilm title)
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Durivage, Francis A. (Francis Alexander), 1814-1881 Search this
Scope and Contents:
Notebook of painting instructions presented to E[dward] A[ugustus] Brackett by his sculptor friend, Durivage, signed and dated "Boston, November 10, 1845." The notes pertain to such topics as drawing from nature, perspective, shadows, head and figure painting, and proportions of figures. Sketches of the primary palette and of the head are also included. The last entry, in a different handwriting, is entitled, "Notes on Painting" and the last date appearing is 1888. A note in pencil on the front cover says "translation from French."
Biographical / Historical:
Edward Augustus Brackett was a portrait sculptor born in Vassalboro, Maine, who worked in Cincinnati, New York, and Boston.
A handwritten note in the front of the notebook indicates that it was "presented to the Worcester Art Museum by Frank D. Brackett son of E. A. Brackett."
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.