Letters received, mainly from artists, Sept. 27, 1885-June 3, 1936, and undated, about works of art, invitations, exhibitions, art, travels and other art related subjects.
The letters are from: F.R.S. Balfour, Belfer?, Salvatore F. Bilotti, Carle Joan Blenner, Adolphe Borie, Frederick Andrew Bosley, Lewis D. Brandeis, Hugh Henry Breckenridge, Benjamin Nathan Cardozo, Walter Clark, William Anderson Coffin, Timothy Cole, Morgan Colt, Thomas H. Grattan Esmonds, William Bailey Faxon, D. Newlin Fell, John S.H. Fogg, Paul Leicester Ford, Charles Allan Grafly, Simon Gratz (13 letters), Sadakichi Hartmann, Jean A.A.J. Jusserand, Burton Alva Konkle, Hermann Dudley Murphy, New York Etching Club, William Ordway Partidge, William McGregor Paxton, Samuel Pennypacker (22 letters), M. Elizabeth Price, Edward Willis Redfield, Fred T. Richards, Henry R. Rittenberg, Alexander Charles Robinson, S. M. Rosenbach,
Chauncey Foster Ryder, Leopold G. Seyffert, John Simon, William H. Staake, Abby Weld Stevens, Mayer Sulzberger (14 letters), Henry Ossawa Tanner, Bernhard Uhle, Devitt Welsh, Anne Hollingsworth Wharton, and Frederick Ballard Williams. Also included are a letter from Rosenthal to S.T. Lowrie, a letter from J.W. Dunsmore to H.B. Snell, regarding hanging Rosenthal's portrait of Snell at the Salmagundi Club, and a notice of a sale of etchings by Robert Morris, 1899.
Biographical / Historical:
Painter, portrait painter, lithographer, art collector; New Hope, Pa.
Microfilmed by the Historical Society of Pennsylvania for the Archives of American Art, 1955.
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
An interview of Elizabeth Saltonstall conducted 1981 November 18, by Robert F. Brown, for the Archives of American Art.
Saltonstall discusses her experiences with art as a child in Boston (mentioning Frank Weston Benson as an influence) and her subsequent art education at the Winsor School, the art school of the Museum of Fine Arts, Boston, and independent study in Paris. She remembers the various teaching styles of the Museum School faculty (Frederick A. Bosley, Henry Hunt Clark, Anson K. Cross, Philip Leslie Hale, Alexander James, and Leslie P. Thompson), especially as they contrasted with French teaching methods. She also speaks of her teachers in France and on Martha's Vineyard and Nantucket (including Frank Swift Chase), and recalls some of her co-students (including Josef Presser). Particular mention is made of a lithography workshop taught by Stow Wengenroth, and of George C. Miller, who printed her lithography stones. Her cousin, Nathaniel Saltonstall, is discussed as a patron of the arts, especially his contributions to the establishment of the Institute of Modern Art [Institute of Contemporary Art] in Boston. She touches also on her own teaching career at Winsor School and Milton Academy, and her involvement with the Boston Society of Independent Artists and the Grace Horn Gallery.
Biographical / Historical:
Elizabeth Saltonstall (1900-1990) was a painter, printmaker, and instructor of Chestnut Hill, Mass.
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 25 min.
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.