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Oral history interview with Seong Moy

Interviewee:
Moy, Seong  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Booth, Cameron, 1892-1980  Search this
Hayter, Stanley William, 1901-1988  Search this
Hofmann, Hans, 1880-1966  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Extent:
69 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1971 Jan. 18-28
Scope and Contents:
An interview of Seong Moy conducted 1971 Jan. 18-28, by Paul Cummings, for the Archives of American Art.
Moy speaks of his childhood in Canton, China; his immigration to Minnesota; the art scene in Minneapolis and Saint Paul in the 1930s; his education; the influence of his teachers, including Cameron Booth, Hans Hofmann, and Vaclav Vytlacil; the influence of Stanley William Hayter; being introduced to printmaking by the WPA art project in Minnesota; his service as a photographer in World War II; his teaching philosophy; and the art scene in Provincetown in the 1970s.
Biographical / Historical:
Seong Moy (1921-2013) was a Chinese American painter and printmaker based in New York City, New York and Provincetown, Massachusetts. Moy was born in Canton, China. He studied at the St. Paul School of Art, Hans Hofmann School of Art and the Art Students League. He was also the director of the Seong Moy School of Painting and Graphics, Provincetown, Massachusetts in the summer.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 3 digital wav files. Duration is 3 hrs., 19 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New York (State) -- New York  Search this
Printmakers -- New York (State) -- New York  Search this
Topic:
Art, American  Search this
Asian American art  Search this
Asian American artists  Search this
Chinese American art  Search this
Chinese American artists  Search this
Asian American painters  Search this
Asian American printmakers  Search this
Printmakers -- Massachusetts -- Provincetown  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.moy71
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-moy71

Oral history interview with Frank Lobdell

Interviewee:
Lobdell, Frank, 1921-  Search this
Interviewer:
St. John, Terry  Search this
Names:
Bischoff, Elmer, 1916-1991  Search this
Booth, Cameron, 1892-1980  Search this
Diebenkorn, Richard, 1922-1993  Search this
Falkenstein, Claire, 1908-1997  Search this
Francis, Sam, 1923-1994  Search this
Hatofsky, Jerry, 1922-  Search this
Hultberg, John, 1922-  Search this
MacAgy, Douglas, 1913-  Search this
Smith, Hassel, 1915-2007  Search this
Spohn, Clay Edgar, 1898-1977  Search this
Still, Clyfford, 1904-1980  Search this
Valvo, Ninfa, 1900-1993  Search this
Zogbaum, Wilfrid, 1915-1965  Search this
Extent:
7 Sound cassettes (Sound recording)
77 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1980 Apr. 9-May 7
Scope and Contents:
An interview of Frank Lobdell conducted 1980 Apr. 9-1980 May 7, by Terry St. John, for the Archives of American Art.
Lobdell speaks of his youth and family background; his early interest in art; his education; studying with Cameron Booth; his service in the U.S. Army; artist friends and influences; political influences on his work; the community of artists in San Francisco in the 1950s, including Elmer Bischoff and Clyfford Still; his "dark years"; teaching at Stanford; reviews by critics; and the avant-garde art of the 1960s. He recalls Ninfa Valvo, Douglas MacAgy, Hassel Smith, Richard Diebenkorn, Wilfred Zogbaum, Sam Francis, Jerry (Julian) Hatofsky, Claire Falkenstein, Clay Spohn, and John Hultberg.
Biographical / Historical:
Frank Lobdell (1921- ) is a painter, printmaker, and teacher of Stanford, Calif.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lobdel80
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lobdel80

Clement Haupers and Clara Gardner Mairs papers

Creator:
Haupers, Clement, 1900-  Search this
Mairs, Clara, 1878-1963  Search this
Names:
Federal Art Project (Minn.)  Search this
St. Paul Arts and Crafts Center  Search this
Booth, Cameron, 1892-1980  Search this
Boratko, Andre, 1912-  Search this
Brewer, Floyd  Search this
Flexer, Alida  Search this
Greenman, Frances Cranmer, 1890-1981  Search this
High, Patsy Reed  Search this
Neiman, LeRoy, 1921-2012  Search this
Oja, Alexander, 1903-  Search this
Rea, James Edward, 1910-  Search this
Smith, Erik Johan, d. 1939?  Search this
Extent:
2 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Drawings
Interviews
Date:
1918-1983
Scope and Contents:
Biographical material (1931-1982), correspondence (1920-1983), business records (1958-1973), subject files concerning the WPA's Federal Art Project (1934-1976) and printed material (1918-1981) reflect the activities and careers of Clement Haupers and Clara Mairs.
Biographical material concerning Clement Haupers consists of 2 portrait drawings, an autobiographical account, a biographical account written by Les Grunwald, 6 clippings (1974-1982), an essay "Clement Haupers: Art Appreciation, Arlington Library" by Romeo Gutsche, a transcript of an interview conducted by Peter Lewson, and a resume (1943). Biographical material for Clara Mairs includes 2 biographical accounts, 2 exhibition catalogs (undated and 1976), and a clipping of her obituary (1963).
Correspondence (1920-1983) consists of letters exchanged between Haupers, Mairs, their family members, and colleagues. Letters exchanged between Haupers and Mairs primarily concern the annual Minnesota State Fair exhibitions (1933-1936) and Haupers' involvement in the Federal Art Project in Washington, D.C. (1943). Other letters concern the couple's art-related activities and Haupers' teaching and art restoration work, and include magazine illustrations by Haupers and Mairs. Correspondents include artists Cameron Booth, Andre Boratko, Floyd E. Brewer, Alida Flexer, Frances Cranmer Greenman, Patsy Reed High, LeRoy Neiman, Alexander Oja, James E. Rea, and Erik Smith.
Business records (1958-1973), primarily Mairs' estate documents, include her will (1958), correspondence relating to her death, probate court documents and inheritance tax documents. Financial material consists of sales receipts for the sale of art work (1969-1973). Printed material consists of clippings (1918-1981) and exhibition catalogs (1929-1979).
A subject file on the St. Paul Arts and Crafts Center (1934-1935), which was supported by the State Emergency Relief Administration, contains a description of the Art Center, a list of classes, clippings, and photographs of classes and students' work. A second subject file on the Haupers' work for the Work Projects Administration's Federal Art Project (1937-1976) includes reports, an essay "Minnesota Artist" (1938), exhibition catalogs, brochures, and photographs.
Biographical / Historical:
Artists; St. Paul, Minn. Clement Bernard Haupers was born in St. Paul and was employed as a secretary by the Chicago, Milwaukee and St. Paul Railroad from 1917-1920. In 1918 he studied art and joined Clara Mairs' Art League of St. Paul. Clara Gardner Mairs was born in Hastings, Minn. and received art training at the Pennsylvania Academy of the Fine Arts. During the late 1920s, Haupers and Mairs traveled to Europe and studied in Paris and Northern Africa. In 1929, they returned to St. Paul and established studios. Between 1931-1943, Haupers was involved in many of the federal government's art programs, including teaching at the St. Paul Arts and Crafts Center. In 1935, he was appointed the Minnesota state director of the WPA-FAP. Haupers later returned to teaching and art restoration.
Provenance:
Microfilm purchased from the Minnesota Historical Society, 1988.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Rights:
Authorization to publish, quote or reproduce requires written permission from the Division of Library and Archives, Minnesota Historical Society. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators  Search this
Painters  Search this
Restorers  Search this
Topic:
Federal aid to the arts -- Minnesota  Search this
Function:
Art centers -- Minnesota -- Saint Paul
Genre/Form:
Drawings
Interviews
Identifier:
AAA.haupclem
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-haupclem

John and Monica Haley papers

Creator:
Haley, John, 1905-1991  Search this
Haley, Monica E., 1907-1997  Search this
Names:
Booth, Cameron, 1892-1980  Search this
Hein, Joan  Search this
Hofmann, Hans, 1880-1966  Search this
Jensen, Alfred, 1903-1981  Search this
Loran, Erle, 1905-1999  Search this
Peterson, Margaret, 1903-  Search this
Rupprecht, Edgar A.  Search this
Ryder, Worth, 1884-1960  Search this
Schoolcraft, Henry Rowe, 1793-1864  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Extent:
0.6 Linear feet ((on 3 microfilm reels))
2.4 Linear feet (Addition)
Type:
Collection descriptions
Archival materials
Date:
1927-1987
Scope and Contents:
Correspondence, writings, photographs, and exhibition catalogs, much of it relating to Hans Hofmann.
REELS 4178-4179: Correspondence between John and Monica Haley, 1937-1938 and 1987, and letters received from Earl and Clyta Loran, undated and 1950-1986, Vaclav Vytlacil, undated and 1966-1984, and Glen Wessels, undated and 1960-1982. Enclosed with a letter written by Vaclav Vytlacil in 1966 is a copy of a manuscript by him on Hans Hofmann. Correspondence from 1987 contains materials pertaining to the painter and teacher Margaret Peterson.
REEL 1355: Papers relating to Hans Hofmann, including five letters from Hofmann to Worth Ryder; three letters between Haley and Hofmann; two manuscripts, one in German, by Hofmann, "Creation in Form and Color - A Textbook for Instruction in Art" (1931); lecture by Hofmann; photographs taken in Germany (1927-1931) of Hofmann, Miz Hofmann, John Haley, Alfred Jensen, Ed and Isabell Rupprecht, Joan Hein, Cameron Booth, and the Hofmann School building in Munich; photographs of works by Hofmann students; brochures for the school; Hofmann exhibition catalogs; and miscellany.
ADDITION: Materials documenting Haley's studies with Hofmann, service in the Navy, and his many years teaching at UC Berkeley; letters from Haley to his wife sent from the South Pacific during World War II; sketchbooks; and photographs.
Biographical / Historical:
John: Painter, sculptor and educator. Monica: Art educator; San Francisco Bay Area, California. Haley studied with Cameron Booth and Hans Hofmann. He taught at the University of California at Berkeley with other "modernists" Worth Ryder, Hofmann, Erle Loran and Margaret Peterson. John Haley died in 1991; Monica in 1997.
Provenance:
Material on reel 1355 lent by John Haley, 1978. He and Monica donated the material on reels 4178-4179 in 1987; Monica donated the remainder in 1992.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Sculptors  Search this
Painters -- California  Search this
Art teachers -- California -- Berkeley  Search this
Topic:
Art, Modern -- 20th century -- California  Search this
Modernism (Art)  Search this
Identifier:
AAA.halejohn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halejohn

Hudson D. Walker papers

Creator:
Walker, Hudson D. (Hudson Dean), 1907-1976  Search this
Names:
American Federation of Arts  Search this
Artists Equity Association  Search this
Parke-Bernet Galleries  Search this
Walker Art Center  Search this
Benn, Ben, 1884-  Search this
Biberman, Edward  Search this
Blatas, Arbit  Search this
Booth, Cameron, 1892-1980  Search this
Botkin, Henry, 1896-1983  Search this
Brenson, Theodore, 1893-1959  Search this
Browne, Byron, 1907-1961  Search this
Cahn, Joshua Binion, 1915-  Search this
Charlton, Gene, 1909-  Search this
Cook, Howard Norton, 1901-1980  Search this
Davis, Gladys Rockmore, 1901-1967  Search this
Dodd, Lamar  Search this
Evergood, Philip, 1901-1973  Search this
Fuerstenburg, Eugenia M.  Search this
Fuller, Sue, 1914-  Search this
Gaertner, Carl F. (Carl Frederick), 1898-1952  Search this
Greenbaum, Dorothea S.  Search this
Hartley, Marsden, 1877-1943  Search this
Hirsch, Joseph, 1910-1981  Search this
Jules, Mervin, 1912-  Search this
Kemp, Harry, 1883-1960  Search this
Maril, Herman  Search this
Maurer, Alfred Henry, 1868-1932  Search this
McCausland, Elizabeth, 1899-1965  Search this
Moy, Seong  Search this
Reeder, Dickson, 1912-1970  Search this
Ribak, Louis, 1902-1979  Search this
Schnakenberg, H. E. (Henry Ernest), 1892-1970  Search this
Sepeshy, Zoltan, 1898-1974  Search this
Sokole, Miron, 1901-  Search this
Sprinchorn, Carl, 1887-1971  Search this
Sternberg, Harry, 1904-2001  Search this
Tinguely, Jean, 1925-  Search this
Valentiner, Wilhelm Reinhold, 1880-1958  Search this
Walker, Ione  Search this
Weeren-Griek, Hans van  Search this
West, Clifford B.  Search this
Extent:
20 Linear feet ((partially microfilmed on 10 reels))
Type:
Collection descriptions
Archival materials
Date:
1920-1982
Scope and Contents:
Correspondence; biographical material; artists files; files on organizations; business and financial records; photographs; writings and notes; diaries; scrapbooks; appointment calendars; exhibition catalogs and announcements; printed material; and miscellany.
REELS D351-D358: Biographical material; personal and business correspondence with family, artists, museums, and art organizations; 62 artists files containing photos of works of art, printed material, and correspondence; files on the American Federation of the Arts, Artists Equity Association, the Walker Foundation, and other organizations; business and financial records; material relating to Walker's work with Elizabeth McCausland in her studies of Marsden Hartley; printed material; and photos of Walker, his family, and miscellaneous works of art. Among the correspondents are: Berenice Abbott, Ben Benn, Theodore Brenson, Gene Charlton, Philip Evergood, Joseph Hirsch, Mervin Jules, Carl Sprinchorn, Harry Sternberg, and others.
REEL 130: Correspondence with Eugenia M. Fuerstenberg, Oct. 8, 1940-Sept. 25, 1941, concerning the consignment and sale of ca. 400 Alfred Maurer paintings owned by Mrs. Fuerstenberg. One letter is from Parke-Bernet Galleries, declining to handle the paintings.
REEL 1535: 4 volumes of a diary, 1929, 1930, 1942, and 1945. The first two volumes were kept while Walker was a graduate student at Harvard, the 1942 volume covers exhibitions and artists, including Marsden Hartley, and the 1945 volume details Walker's travels in Europe after World War II. Also included are 7 letters, a valentine, and two post cards from his wife, Ione G. Walker, and a 1967 letter from Hans van Weeren-Griek.
UNMICROFILMED: Correspondence with Henry Botkin, Philip Evergood, Susan Fuller, Marsden Hartley, Harry Sternberg and other artists and gallery directors; letters and poems by Harry Kemp, 1948-1955; essays by Walker on Joshua B. Cahn and Marsden Hartley; a report on the Walker Art Center by William Valentiner, 1930; notes from meetings, galleries and art associations; a silk screen by Seong Moy; financial records; 2 diaries, 1938-1939; 2 appointment calendars, 1950-1951; 8 school notebooks; 3 scrapbooks; exhibition catalogs; clippings; and photos of Walker and artists Cameron Booth, Byron Browne, Gladys Rockmore Davis, Carl Gaertner, Dorothea Greenbaum, Mervin Jules, Herman Maril, Dickson Reeder, Henry Schnakenberg, Miron Sokole, Harry Sternberg, Jean Tingley and Clifford West.
Biographical / Historical:
Collector and administrator; New York, N.Y.; d. 1976.
Provenance:
Material on reels D351-D358 & unmicrofilmed donated 1966-1982 by Hudson D. and Ione G. Walker; material on reel 1535 lent for microfilming 1979 by Ione G. Walker, widow of Walker; material on reel 130 donor unspecified.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Occupation:
Administrators -- New York (State) -- New York  Search this
Topic:
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Identifier:
AAA.walkhuds
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-walkhuds

Oral history interview with Erle Loran

Interviewee:
Loran, Erle, 1905-1999  Search this
Interviewer:
Chipp, Herschel Browning  Search this
Names:
Minneapolis School of Art  Search this
Booth, Cameron, 1892-1980  Search this
Cézanne, Paul, 1839-1906  Search this
Hartley, Marsden, 1877-1943  Search this
Hofmann, Hans, 1880-1966  Search this
Extent:
119 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 June 18
Scope and Contents:
An interview of Erle Loran conducted 1981 June 18, by Herschel Chipp, for the Archives of American Art.
Loran speaks of his education, his studies with Cameron Booth and Hans Hofmann, life in Europe on a grant, his study of Cezanne, including his book, "Cezanne's Composition," and his return to New York. He discusses teaching at the Minneapolis School of Art, the WPA Art School, in Minneapolis, and the University of California, at Berkeley. He comments on meeting Marsden Hartley, American midwestern painters, ghost towns as subject matter for paintings, American politics in the 1930s, and surrealism in America.
Biographical / Historical:
Erle Loran (1905-1999) was a painter and art historian of Minneapolis, Minn. and Berkeley, Calif.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 5 hrs., 14 min.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Art historians -- California -- Interviews  Search this
Topic:
Surrealism  Search this
Art, American -- Minnesota  Search this
Painters -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.loran81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-loran81

Will Barnet papers

Creator:
Barnet, Will, 1911-2012  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Esther-Robles Gallery  Search this
Waddell Gallery  Search this
Barnet, Peter. Will Barnet: artist and teacher  Search this
Booth, Cameron, 1892-1980  Search this
Pearson, Henry, 1914-2006  Search this
Savelli, Angelo, 1911-  Search this
Sternberg, Harry, 1904-2001  Search this
Von Wicht, John, 1888-1970  Search this
Extent:
30.7 Linear feet
7.24 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Transcripts
Interviews
Visitors' books
Sound recordings
Sketches
Photographs
Date:
1897
1929-2016
Summary:
The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.
Scope and Contents:
The papers of painter, printmaker, and educator Will Barnet date from 1897 and 1929-2016. The collection measures 30.7 linear feet and 7.24 gigabytes. Found within the papers are biographical material, including numerous recorded interviews of Barnet; personal and professional correspondence; writings and lectures; financial records; printed material; artwork; and photographs of Barnet, his family and friends, and his work. An addition received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material.

Biographical materials consist of appointment and address books, curriculum vitae, a fellowship application, awards ceremony documentation, and numerous recorded interviews, including a 9 part interview with Kitty Gellhorn conducted over the course of two years. Only 6 of the 24 interviews have transcripts and most are found only on original audio and video recordings with no duplicate access copies.

Correspondence is primarily with Barnet's family, friends, fellow artists, and business associates discussing personal relationships, teaching and lecturing appointments, gallery sales, and exhibitions. Correspondents of note include Cameron Booth, Henry Pearson, Angelo Savelli, Harry Sternberg, Jon Von Wicht, Esther Robles Gallery, and the Waddell Gallery (formerly Grippi and Waddell).

Writings by Barnet consist of 7 essays, 45 teaching lectures, 3 notebooks, and 4 speeches. Many of the lectures and 3 of the 4 speeches exist only as audio and video recordings for which there are no transcripts or duplicate access copies. The bulk of writings by others are biographical essays and memoirs of Barnet, including a copy of Peter Barnet's dissertation, Will Barnet: Artist and Teacher. The series also includes 4 exhibition guest registers.

Personal business records include sales and teaching contracts, gift acknowledgements, and price lists.

Printed material includes auction catalogs, clippings, audio recordings, video documentaries, exhibition announcements and catalogs, newsletters, press releases, programs, and reproductions of artwork. Video documentaries of note include Artist's Eye and Lasting Impressions, both of which Barnet contributed interviews to.

Photographic materials document people, artwork, exhibition installations, and works of art. There are early photos of Barnet teaching at the Art League, as well as photos of Barnet in his studio and with friends and family. Views of exhibition installations, award ceremonies, and events mainly document solo shows and Barnet's reception after receiving the National Arts Club's Gold Medal Award.

Artwork consists of ink, pencil, and pen sketches by Will Barnet, and a drawing by Bill Smith.

The addition to the Will Barnet papers received in 2016 includes biographical material, correspondence, writings, diaries and daybooks, gallery and exhibition files, project and professional files, printed material, and photographic material. Measuring 19.7 linear feet and 7.24 gigabytes, the addition greatly expands on the original donation, particularly in the diaries and daybooks, which include entries from over five decades. Barnet's long career and professional activities are also well documented in the gallery, exhibition, project, and professional files.
Arrangement:
The collection is arranged as 8 series.

Series 1: Biographical Materials, 1945-1995 (2 linear feet; Boxes 1-2, FC 34)

Series 2: Correspondence, 1940-2001 (3 linear feet; Boxes 3-5, OV 12)

Series 3: Writings, 1940-2000 (3.1 linear feet; Boxes 5-9)

Series 4: Personal Business Records, 1950-1981 (5 folders; Box 9)

Series 5: Printed Material and Publications, 1938-2001 (2.3 linear feet; Boxes 9-11)

Series 6: Photographic Materials, 1939-2001 (0.5 linear feet; Box 11, OV 12)

Series 7: Artwork, 1938-1983 (3 folders; Box 11)

Series 8: Addition to the Will Barnet Papers, 1897, 1929-2016 (19.7 linear feet; Box 13-32, OV 33; 7.24 Gigabytes; ER01-ER06)
Biographical / Historical:
Will Barnet (1911-2012) was a painter, printmaker, and educator who lived and worked in New York City.

Barnet was born in Beverly, Massachusetts to Noah and Sarahdina Barnet. After showing an early interest and affinity for art, he attended the School of the Museum of Fine Arts in Boston. In 1931, he received a scholarship to attend the Art Students League where he studied with Stuart Davis and began building his printmaking techniques. In 1935, he was appointed the League's official printer, and was given his first teaching position there the following year. In 1938, working in the style of social realism, he held his first gallery show at the Hudson Walker Gallery in Manhattan. That same year, Barnet married Mary Sinclair, with whom he had three sons.

In the 1940s and 50s, Barnet began to move away from realism and started painting domestic familial subjects in geometric abstract styles, a move influenced by Native American and modern European art. By 1953, he had divorced and was remarried to Elena Ciurlys, with whom he had a daughter. Elena and his daughter were the subject of many of his representational, dimensionally flat paintings in the 1960s and 70s. During the 60s, Barnet also returned to large scale abstract art, and moved back and forth between styles throughout the rest of his career into the 2000s.

As an educator, Barnet taught graphic arts, printmaking, composition, and painting courses at the League from 1936 to 1980, and also taught courses Cooper Union, Yale, and the Pennsylvania Academy of Fine Arts. He received numerous awards, including the first Artist's Lifetime Achievement Award given on the National Academy of Design's 175th anniversary, the College Art Association's Lifetime Achievement Award, and the 2011 National Medal of Arts.

Will Barnet died in his home in Manhattan, New York on November 13, 2012.
Related Materials:
The Archives of American Art holds three oral history interviews with Will Barnet, one conducted by Richard Baker, January 20, 1964, one by Paul Cummings, January 15, 1968, and another by Stephen Polcari on April 9, 1993. Also found are two additional related collections, a transcript of an interview by Louis Newman with Molly Barnes and Will Barnet, and Peter Barnet's research material on Will Barnet. Syracuse University holds additional papers of Will Barnet.
Separated Materials:
Also found in the Archives are papers that were lent for microfilming (reels N68-22, N69-126, and N70-48.) Most but not all of this material was included in subsequent donations, except for scattered news clippings and exhibition catalogs. The microfilm is not described in the container listing of this finding aid.
Provenance:
Will Barnet loaned his papers to the Archives of American Art for microfilming in 1968. He donated most of this material along with additional papers in several increments between 1968-2001. More papers were donated 2016 by Elena Barnet, Will Barnet's widow.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers  Search this
Topic:
Painters -- New York (State) -- New York  Search this
Artists' studios -- New York (State) -- New York -- Photographs  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Video recordings
Transcripts
Interviews
Visitors' books
Sound recordings
Sketches
Photographs
Citation:
Will Barnet papers, 1897, 1929-2016. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.barnwill
See more items in:
Will Barnet papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-barnwill
Online Media:

Booth, Cameron, 1892-1980

Collection Creator:
Rosenblum, Walter, 1919-2006  Search this
Extent:
11 Photographs
Container:
Binder 6
Type:
Archival materials
Photographs
Photographs
Collection Restrictions:
Researcher may use study prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required. Original negatives are stored off-site in cold storage and are not accessible to the public.
Collection Rights:
Copyright to photographs from the Walter Rosenblum Collection is held by the Smithsonian American Art Museum. Requests for permission to reproduce photographs from the collection must be submitted in writing to the Photograph Archives. Certain works of art, as well as photographs of those works of art, may be protected by copyright, trademark, privacy or publicity rights, or other interests not owned by the Smithsonian American Art Museum. It is the applicant's responsibility to ascertain whether any such rights exist, and to obtain any other permission necessary to reproduce and publish the image.
Collection Citation:
Walter Rosenblum Collection, Photograph Archives, Smithsonian American Art Museum
See more items in:
Walter Rosenblum photographs
Walter Rosenblum photographs / Series 1: Photographs of artists' works
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-ros-ref71

No Title Given: Abstract [painting] / (photographed by Walter Rosenblum)

Artist:
Booth, Cameron 1892-1980  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1955
Topic:
Bertha Schaeffer Gallery  Search this
Abstract  Search this
Image number:
ROS R0004861
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134297

No Title Given: Newsprint Collage [collage] / (photographed by Walter Rosenblum)

Artist:
Booth, Cameron 1892-1980  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Bertha Schaeffer Gallery  Search this
Abstract  Search this
Object--Written Matter--Newspaper  Search this
Image number:
ROS R0004862
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134298

No Title Given: Abstract [painting] / (photographed by Walter Rosenblum)

Artist:
Booth, Cameron 1892-1980  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Bertha Schaeffer Gallery  Search this
Abstract  Search this
Image number:
ROS R0004868
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_134304

No Title Given: Woman Wearing a Hat [painting] / (photographed by Walter Rosenblum)

Artist:
Booth, Cameron 1892-1980  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Bertha Schaeffer Gallery  Search this
Figure--Waist length  Search this
Dress--Accessory--Hat  Search this
Image number:
ROS R0005654
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_135080

No Title Given: Abstract [painting] / (photographed by Walter Rosenblum)

Artist:
Booth, Cameron 1892-1980  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Bertha Schaeffer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003533
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_132981

No Title Given: Abstract [art work] / (photographed by Walter Rosenblum)

Artist:
Booth, Cameron 1892-1980  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1958
Topic:
Schaeffer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003588
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133035

No Title Given: Abstract [painting] / (photographed by Walter Rosenblum)

Artist:
Booth, Cameron 1892-1980  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Bertha Schaeffer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003591
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133038

No Title Given: Abstract [art work] / (photographed by Walter Rosenblum)

Artist:
Booth, Cameron 1892-1980  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1956
Topic:
Schaeffer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003592
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133039

No Title Given: Abstract [painting] / (photographed by Walter Rosenblum)

Artist:
Booth, Cameron 1892-1980  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Schaeffer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003593
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133040

No Title Given: Abstract [painting] / (photographed by Walter Rosenblum)

Artist:
Booth, Cameron 1892-1980  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Date:
1955
Topic:
Bertha Schaeffer Gallery  Search this
Abstract  Search this
Image number:
ROS R0003598
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133045

No Title Given: Landscape with Rocks [painting] / (photographed by Walter Rosenblum)

Artist:
Booth, Cameron 1892-1980  Search this
Photographer:
Rosenblum, Walter 1919-2006  Search this
Type:
Photograph
Topic:
Bertha Schaeffer Gallery  Search this
Landscape--Rocks  Search this
Image number:
ROS R0003599
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_133046

No Title Given: Abstract [painting] / (photographed by Peter A. Juley & Son)

Artist:
Booth, Cameron 1892-1980  Search this
Type:
Photograph
Topic:
Abstract  Search this
Image number:
JUL J0097626
See more items in:
Photograph Archives
Data Source:
Photograph Archives, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_97627

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