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Alice Yamin papers

Creator:
Yamin, Alice  Search this
Names:
Landmark Gallery (New York, N.Y.)  Search this
Aach, Herbert, 1923-1985  Search this
Aziz, Barbara Nimri  Search this
Bernard, Frank S.  Search this
Bolotowsky, Ilya, 1907-  Search this
Briggs, Ernest, 1923-  Search this
Brody, Lily  Search this
Bultman, Fritz, 1919-1985  Search this
De Kooning, Elaine  Search this
Fromboluti, Sideo, 1921-  Search this
Ginsberg, Henry  Search this
Glarner, Fritz, 1899-1972  Search this
Gottlieb, Adolph, 1903-1974  Search this
Grillo, John, 1917-  Search this
Johnson, Buffie  Search this
Katz, Alex, 1927-  Search this
Lipkind, Bill  Search this
Lipkind, Maria  Search this
Littlefield, William Horace, 1902-1969  Search this
Mason, Alice Trumbull, 1904-1971  Search this
McFadden, Elizabeth  Search this
Mumford, Daphne, 1934  Search this
Newman, Barnett, 1905-1970  Search this
Oeri, Georgine  Search this
Oeri-Sarasin, Gertrude  Search this
Pavia, Philip  Search this
Rothko, Mark, 1903-1970  Search this
Schmid, Elsa, 1897-  Search this
Siskind, Aaron  Search this
Teller, Jane  Search this
Yamin, Leo  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1927-1998
Summary:
The papers of painter, draftsperson, and art consultant Alice Yamin date from 1927-1998, and measure 2.0 linear feet. Found within the papers are letters from artists, writers, galleries, and CIGY-GEIGY Corporation for whom Yamin worked as an art consultant. The collection also contains exhibition files, printed material, and photographs of Yamin, family members, and colleagues.
Scope and Content Note:
The papers of painter, draftsperson, and art consultant Alice Yamin date from 1927-1998, and measure 2.0 linear feet. Found within the papers are letters from artists, writers, galleries, and CIGY-GEIGY Corporation for whom Yamin worked as an art consultant. The collection also contains exhibition files, printed material, and photographs of Yamin, family members, and colleagues.

The most significant series consists of letter files, which also contain scattered printed material and photographs collected by Yamin, concerning specific individuals and organizations. Represented within the files are artists Herb Aach, Ilya Bolotowsky, Ernest Briggs, Lily Brody, Fritz Bultman, Elaine DeKooning, Sideo Fromboluti, Fritz Glarner, Adolph Gottlieb, John Grillo, Buffie Johnson, Alex Katz, William H. Littlefield, Alice Trumbull Mason, Elizabeth McFadden, Daphne Mumford, Barnett Newman, Philip Pavia, Mark Rothko, Elsa Schmid, and Jane Teller; curator Henry Ginsburg; writers Barbara Nimri Aziz, Georgine Oeri, Gertrud Oeri-Sarasin, and Leo Yamin; and galleries including the Ingber Gallery and the Landmark Gallery. There are also letter files concerning the CIGY-GEIGY Corporation; for Alice Yamin's brother, businessman Frank S. Bernard, and the town of Chilmark, Massachusetts, where the Yamins spent their summers. Even though Yamin's responses to the letters are not included in the collection, this series illustrates the wide range of her friendships and associates in the art business.

Also found are exhibition files containing letters, prospectuses, business records such as loan agreements, clippings, and exhibition announcements and catalogs concerning the inclusion of Yamin's art work primarily in group exhibitions. Printed material consists of miscellaneous clippings, and exhibition announcements and catalogs that do not relate to the exhibition files, as well as miscellaneous booklets, brochures, and a copy of the book American Drawings, Watercolors, Pastels, and Collages published by the Corcoran Gallery of Art which contains a reproduction of Yamin's work. Photographs are of Yamin, family members, and colleagues including Bill and Maria Lipkind, and Aaron Siskind.
Arrangement:
The collection is arranged into 4 series. Letter files pertaining to specific individuals and organizations are arranged alphabetically; miscellaneous letters, exhibition files, printed material, and photographs are arranged chronologically.

Series 1: Letter Files, 1927-1998 (Boxes 1-2; 1.5 linear feet)

Series 2: Exhibition Files, 1956-1982 (Box 2; 18 folders)

Series 3: Printed Material, 1949-1992 (Box 2; 22 folders)

Series 4: Photographs, 1923-1978 (Box 2; 2 folders)
Biographical Note:
Alice Bernard was born on April 8, 1905 in Paris, France. She was brought to the United States as a child and spent most of her life in New York City. She married writer Leo Yamin who died on January 20, 1999.

Alice Yamin was a painter and draftsperson influenced by Abstract Expressionism. Beginning in 1950, she worked with a carbon medium, primarily producing dramatic black and white works on paper. She was also an art consultant for the international chemical firm CIBA-GEIGY Corporation that began collecting contemporary art in 1959 when it moved its headquarters from Manhattan to Ardsley, New York, a suburb of New York City.

Alice Yamin died on April 4, 2002.
Provenance:
The Alice Yamin papers were donated in 1981 by the artist and in 2002 by Harry Smith, her nephew.
Restrictions:
The collection is open for research. Use requires an appointment.
Rights:
The Alice Yamin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- New York (State) -- New York  Search this
Consultants -- New York (State) -- New York  Search this
Painting -- New York (State) -- New York  Search this
Draftsman -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Alice Yamin papers, 1927-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.yamialic
See more items in:
Alice Yamin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-yamialic
Online Media:

Knute Stiles papers

Creator:
Stiles, Knute, 1923-  Search this
Names:
Bolotowsky, Ilya, 1907-1981  Search this
Coplans, John  Search this
Fiore, Joseph A., 1925-  Search this
Krikorian, Leo  Search this
Leider, Philip, 1929-  Search this
Mason, Alice Trumbull, 1904-1971  Search this
Masurovsky, Gregory, 1930-  Search this
Noland, Kenneth, 1924-2010  Search this
Thomas, Dylan, 1914-1953  Search this
Extent:
0.2 Linear feet ((on 2 partial microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1947-1971
Scope and Contents:
Correspondence, sketches, collages, writings and printed material.
REEL 2291: Letters from Ilya Bolotowsky, Joseph A. Fiore, Leo Krikorian, and Alice Trumbull Mason; illustrated letters from Gregory Masurovsky and Kenneth Noland; memos from Philip Leider and John Coplans concerning articles written by Stiles for Artforum Magazine; 8 pen drawings by Dylan Thomas; 2 exhibition announcements; and miscellany.
REEL 4046: 9 letters from Ilya Bolotowsky to Stiles; and a letter from Stiles to Archives of American Art staff in which he comments upon the nature of his correspondence with Bolotowsky.
Unmicrofilmed Framed watercolor by Kenneth Noland.
Biographical / Historical:
Collage artist and writer; San Francisco, Calif.
Provenance:
Donated 1980-1987 by Knute Stiles.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Rights:
Reel 2291: Authorization to publish, quote or reproduce must be obtained from Andrew Bolotowsky.
Occupation:
Authors -- California -- San Francisco  Search this
Collagists -- California -- San Francisco  Search this
Identifier:
AAA.stilknut
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stilknut

Esphyr Slobodkina papers

Creator:
Slobodkina, Esphyr, 1908-2002  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Names:
American Abstract Artists  Search this
Eckstein, Ruth, 1916-  Search this
Kelpe, Paul, 1902-1985  Search this
Morris, George L. K., 1905-1975  Search this
Rabkin, Leo  Search this
Tedlie, Harry  Search this
Extent:
1.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1925-1995
Summary:
The papers of painter, sculptor, author, and illustrator Esphyr Slobodkina measure 1.9 linear feet and date from circa 1925 to 1995. Found within the papers are personal and professional correspondence, including letters from Ilya Bolotowsky, George L.K. Morris, and Paul Kelpe; writings, including a copy of the autobiography Notes for a Biographer (vol. 1); printed materials; photographs; and material on the American Abstract Artists, including administrative records, business correspondence, and publications.
Scope and Contents:
The papers of painter, sculptor, author, and illustrator Esphyr Slobodkina measure 1.9 linear feet and date from circa 1925 to 1995. Found within the papers are personal and professional correspondence, including letters from Ilya Bolotowsky, George L.K. Morris, and Paul Kelpe; writings, including a copy of the autobiography Notes for a Biographer (vol. 1); printed materials; photographs; and material on the American Abstract Artists, including administrative records, business correspondence, and publications.

Correspondence is primarily with Slobodkina's family, friends, and business associates. The series includes significant correspondence from her first husband, Ilya Bolotowsky, as well as abstract artists George L.K. Morris, Paul Kelpe, Ruth Eckstein, Leo Rabkin, and Harry Tedlie. The series also includes correspondence regarding her published works.

Writings consist of 3 essays by Slobodkina on abstract art, the autobiography Notes for a Biographer (vol. 1), the edited folio Ilya Bolotowsky, and a small notebook kept by Ilya Bolotowsky during the 1920s-30s.

Printed material includes clippings; samples of announcements and cards designed by Slobodkina; exhibition announcements and catalogs; and press releases.

Photographs are of Slobodkina and her paintings and sculptures, as well as photographs of artwork by other abstract artists.

American Abstract Artists' records includes administrative material, correspondence, writings, selected exhibitions, and printed material dating from 1936 to 1996.
Arrangement:
The collection is arranged as 5 series.

Series 1: Correspondence, 1934-1992 (0.4 linear feet; Box 1)

Series 2: Writings, circa 1920-1985 (6 folders; Box 1)

Series 3: Printed material, circa 1939-1994 (7 folders; Box 1, OV 4)

Series 4: Photographs, circa 1925-1970 (3 folders; Box 1)

Series 5: American Abstract Artists, circa 1936-1995 (0.9 linear feet, Box 1-3, OV 4)
Biographical / Historical:
Painter, sculptor, author, and illustrator Esphyr Slobodkina (1908-2002) lived and worked in New York City, Great Neck, and Long Island, New York and was known for her abstract art and her children's books, including the seminal Caps For Sale.

Slobodkina was born in Chelyabinsk, Siberia to Solomon Slobodkin and his wife, Itta Agranovich. After the Russian Revolution and Civil War of 1917-1918, her family immigrated to Harbin, Manchuria where her father found work with Standard Oil and her mother contributed to the family's finances by working as a dressmaker. After graduating from high school in 1927, Slobodkina immigrated to the United States to join her brother in New York City where she enrolled at the National Academy of Design.

At the Academy, Slobodkina met her future husband, the artist and fellow Russian émigré Ilya Bolotowsky. In 1936, they became founding members of the American Abstract Artists, an artist run organization that worked to advance abstract art at a time when few opportunities to exhibit their works existed. She served as the organization's first secretary and later served as treasurer, president, and institutional bibliographer.

In 1937, Slobodkina met the children's author Margaret Wise Brown. After seeing her work, Brown invited Slobodkina to illustrate The Little Fireman, the first of their many collaborations together. In 1940, Slobodkina's first published book, Caps For Sale, was released and has remained in print for over 70 years. It won the Lewis Carroll Shelf Award in 1958 and is considered a classic of children's literature.

Slobodkina and Bolotowsky divorced in 1938, after which she continued to produce abstract mixed media paintings and sculptures. Her first major one-person show was organized by the gallery owner A.E. Gallatin in 1940. Through the 1940s and into 1970s, Slobodkina regularly contributed to group exhibitions and her works are owned by numerous institutions, including the Metropolitan Museum of Art, Whitney Museum, Boston Museum of Fine Arts, and Hillwood Art Museum.

In addition to publishing children's books, Slobodkina authored three volumes of her autobiography, Notes for a Biographer (1976-1983) and edited American Abstract Artists: Its Publications, Catalogs, and Membership (1979) and the folio Ilya Bolotwosky (1985). Active until the end of her life, she oversaw the production of musical audio recordings for her 20 children's books well into her 80s, and at the age of 90, designed a museum financed through the Slobodkina Foundation. She died at her home in Glen Head, Long Island in 2002.
Related Materials:
The Archives also holds the American Abstract Artists records.
Separated Materials:
The Archives of American Art also holds materials lent for microfilming (N70-61) including a travel album, printed material, notes, McDowell colony correspondence, and an American Abstract Artists financial ledger. Lents materials were returned to the lender and are not described in the collection container inventory.

Additionally, 69 rolled drawings on tracing paper were transferred to Hillwood Art Museum in 2006.
Provenance:
Esphyr Slobodkina loaned a portion of her papers for microfilming and donated material in 1970. She gave additional papers between 1995 and 1996.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Esphyr Slobodkina papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors -- New York (State)  Search this
Women artists -- New York  Search this
Authors -- New York  Search this
Illustrators -- New York (State)  Search this
Painters -- New York (State)  Search this
Painting, Abstract -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Esphyr Slobodkina papers, circa 1925-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.slobesph
See more items in:
Esphyr Slobodkina papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-slobesph

Wayne Quinn papers

Creator:
Quinn, Wayne, 1941-  Search this
Names:
Bolotowsky, Ilya, 1907- -- Photographs  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Extent:
32 Items
Type:
Collection descriptions
Archival materials
Date:
1972-1977
Scope and Contents:
Ten letters from Ilya Bolotowsky; nine photographs of Bolotowosky,eleven of his paintings, and two of Quinn's paintings.
Biographical / Historical:
Painter; San Francisco, Calif.
Provenance:
Donated 1983 by Wayne Quinn.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- California -- San Francisco  Search this
Identifier:
AAA.quinwayn
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-quinwayn

Dorothy and Leo Rabkin papers

Creator:
Rabkin, Leo  Search this
Rabkin, Dorothy, 1922-2008  Search this
Names:
American Abstract Artists  Search this
Fine Arts Federation of New York  Search this
International Artists Association  Search this
Barnet, Will, 1911-2012  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Extent:
4.6 Linear feet ((partially filmed on 1 microfilm reel))
Type:
Collection descriptions
Archival materials
Interviews
Date:
1940-1979
Scope and Contents:
Papers relating to Leo and Dorothy Rabkin as art collectors, as well as Leo Rabkin's work in painting and sculpture and with American Abstract Artists.
Reel N69-68: Correspondence, catalogs, clippings, and photographs of Leo Rabkin and his work. Much of the material relates to the American Abstract Artsists, of which Rabkin was president.
Unmicrofilmed portion: Biographical material; exhibition, lecture, and sales files containing catalogs, announcements, correspondence, photographs of works of art, and clippings; and miscellany. Also included are records of the American Abstract Artists consisting of published histories, minutes, memorandum, membership and mailing lists, correspondence, exhibition files, and files on member-artists Ilya Bolotowsky, Will Barnet, and others, containing catalogs, photographs of art, biographical material, interviews, and clippings. Records of the U.S. Committee of the International Artists Association and the Fine Arts Federation of New York are also included.
Biographical / Historical:
Leo Rabkin (1919-2015) and Dorothy Rabkin (1922-2008) were art collectors in New York. Rabkin was also a painter and sculptor, and president of American Abstract Artists.
Provenance:
The materials filmed on reel N69-68 were originally loaned to the Archives by Leo Rabkin in 1969. They were subsequently given, along with other materials, in 1979 and 1980.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Art -- Societies, etc. -- New York (State) -- New York  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Genre/Form:
Interviews
Identifier:
AAA.rabkleo
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rabkleo

Marlene Park and Gerald E. Markowitz research materials on New Deal Art

Creator:
Park, Marlene, 1931-  Search this
Names:
National Personnel Records Center (U.S.)  Search this
United States. Work Projects Administration  Search this
Alston, Charles Henry, 1907-1977  Search this
Barnet, Will, 1911-  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Bouché, Louis, 1896-1969  Search this
Brooks, James, 1906-1992  Search this
Burchfield, Charles Ephraim, 1893-1967  Search this
Cadmus, Paul, 1904-1999  Search this
Citron, Minna Wright, 1896-1991  Search this
Cronbach, Robt.(Robert M.), 1908-  Search this
Gellert, Hugo, 1892-1985  Search this
Gottlieb, Adolph, 1903-1974  Search this
Katz, Leo, 1887-1982  Search this
King, Roy E., 1903-  Search this
Kotin, Albert, 1907-1980  Search this
Lanning, Edward P.  Search this
Magafan, Ethel, 1915 or 6-1993  Search this
Markowitz, Gerald E.  Search this
Palmer, William, 1906-1987  Search this
Refregier, Anton, 1905-  Search this
Reisman, Philip, 1904-  Search this
Rothschild, Lincoln, 1902-  Search this
Solman, Joseph, 1909-2008  Search this
Sternberg, Harry, 1904-2001  Search this
Van Veen, Stuyvesant  Search this
Walton, Marion, b. 1899  Search this
Extent:
5.8 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Transcripts
Photographs
Date:
1931-1999
Summary:
The Marlene Park and Gerald E. Markowitz research files on New Deal art are dated 1931-1999 and measure 5.8 linear feet. The research files document New Deal art projects and artists through some original correspondence with artists, printed material, interview transcripts, and several sound recordings of interviews with artists of the period. Subject files relate to WPA era art and art projects; many contain numerous photocopies of records from the Personnel Records Center and the U. S. Treasury Relief Arts Projects now in the custody of the National Archives and Records Administration.
Scope and Content Note:
The Marlene Park and Gerald E. Markowitz research files on New Deal art are dated 1931-1999 and measure 5.8 linear feet. The research files document New Deal art projects and artists through some original correspondence with artists, printed material, interview transcripts, and several sound recordings of interviews with artists of the period. Subject files relate to WPA era art and art projects; many contain numerous photocopies of records from the Personnel Records Center and the U. S. Treasury Relief Arts Projects now in the custody of the National Archives and Records Administration.

The collection consists primarily of artists' files documenting the WPA, The National Personnel Records Center, the Public Art Preservation Committee, and the U.S. Treasury Relief Art Project. Also found are lists of artists arranged by category, correspondence, transcripts of interviews, printed material, exhibition catalogs, monographs, photographs, slides, and sound recordings. Among the artists are: Charles Alston, Will Barnet, Ilya Bolotowsky, Louis Bouche, James Brooks, Charles Burchfield, Paul Cadmus, Minna Citron, Robert Cronbach, Hugo Gellert, Adloph Gottlieb, Leo Katz, Roy King, Albert Kotin, Edward Lanning, Ethel Magafan, William Palmer, Anton Refregier, Philip Reisman, Lincoln Rothschild, Joseph Solman, Harry Sternberg, Stuyvesant Van Veen, and Marion Walton.
Arrangement:
The collection is arranged as 4 series:

Series 1: Artists' Files, 1931-1999 (Boxes 1-5, 7, OV 8-10; 4.8 linear feet)

Series 2: Subject Files, 1934-1999 (Boxes 5, 7, OV 10; 0.5 linear feet)

Series 3: Printed Material, 1977-1989 (Box 5; 0.2 linear ft.)

Series 4: Sound Recordings, 1974-1976 (Boxes 5-6; 0.3 linear ft.)
Biographical Note:
Art historians Marlene Park and husband Gerald E. Markowitz conducted research on New Deal art projects. Their work resulted in an exhibition "New Deal for Art: The Government Projects of the 1930's with Examples from New York City and State" (1977) and a catalog with the same title. 7), and a book, Democratic Vistas: Post Offices and Public Art in the New Deal (1984). Both were on the faculty of the John Jay College of Criminal Justice. Marlene Park served on the Public Art Preservation Committee from 1979-1982.
Provenance:
The Marlene Park and Gerald E. Markowitz research materials on New Deal Art were donated to the Archives in 1999 by art historians Marlene Park and Gerald E. Markowitz.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Marlene Park and Gerald E. Markowitz research materials on New Deal art are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Federal aid to the arts  Search this
Genre/Form:
Sound recordings
Interviews
Transcripts
Photographs
Citation:
Marlene Park and Gerald E. Markowitz research material on New Deal art, circa 1974-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.parkmarl
See more items in:
Marlene Park and Gerald E. Markowitz research materials on New Deal Art
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-parkmarl

[Louise Nevelson exhibition installation at Grand Central Moderns, Jan. 1958] [motion picture] / filmed by Ilya Bolotowsky

Creator:
Nevelson, Louise, 1899-1988  Search this
Names:
Grand Central Moderns (Gallery)  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Nevelson, Louise, 1899-1988  Search this
Extent:
1 Item (film reel (3 min.), si., b&w, 16 mm.)
Type:
Collection descriptions
Archival materials
Date:
undated
Scope and Contents:
Installation of Louise Nevelson's premier exhibition at Grand Central Moderns, held January 4-23, 1958. The exhibition catalog cover is also shown. Nevelson appears briefly. Also found on videocassette copy is unrelated footage (3 min.) of Mitchell Siporin, copied to the same cassette during the transfer from motion picture film to video.
Provenance:
Provenance unknown; possibly donated by Pace Gallery, Nevelson's longtime dealer.
Topic:
Sculpture, Modern -- 20th century -- Exhibitions  Search this
Women artists  Search this
Identifier:
AAA.neveloui2
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-neveloui2

Oral history interview with George McNeil

Interviewee:
McNeil, George, 1908-1995  Search this
Interviewer:
Sandler, Irving, 1925-  Search this
Creator:
Diller, Burgoyne, 1906-1965  Search this
Names:
American Abstract Artists  Search this
United States. Work Projects Administration  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Gallatin, A. E. (Albert Eugene), 1881-1952  Search this
Gorky, Arshile, 1904-1948  Search this
Gottlieb, Adolph, 1903-1974  Search this
Graham, John, 1887-1961  Search this
Harari, Hananiah, 1912-2000  Search this
Hofmann, Hans, 1880-1966  Search this
Hélion, Jean, 1904-1987  Search this
Kandinsky, Wassily, 1866-1944  Search this
Levy, Edgar  Search this
Léger, Fernand, 1881-1955  Search this
Manso, Leo  Search this
Marin, John, 1870-1953  Search this
Matter, Mercedes  Search this
Matulka, Jan, 1890-1972  Search this
Miró, Joan, 1893-  Search this
Morris, George L. K., 1905-1975  Search this
Motherwell, Robert  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Rosenborg, Ralph M., 1913-1992  Search this
Rothko, Mark, 1903-1970  Search this
Shaw, Charles Green, 1892-1974  Search this
Smith, David, 1906-1965  Search this
Vytlacil, Vaclav, 1892-1984  Search this
Extent:
82 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1968 Jan. 9-May 21
Scope and Contents:
An interview of George McNeil conducted 1968 Jan. 9-May 21, by Irving Sandler, for the Archives of American Art. McNeil speaks of why he became interested in art; his early influences; becoming interested in modern art after attending lectures by Vaclav Vytlacil; meeting Arshile Gorky; the leading figures in modern art during the 1930s; his interest in Cézanne; studying with Jan Matulka and Hans Hofmann; his experiences with the WPA; the modern artists within the WPA; the American Abstract Artists (A.A.A.); a group of painters oriented to Paris called The Ten; how there was an anti-surrealism attitude, and a surrealist would not have been permitted in A.A.A; what the A.A.A. constituted as abstract art; a grouping within the A.A.A. called the Concretionists; his memories of Léger; how he assesses the period of the 1930s; the importance of Cubism; what he thinks caused the decline of A.A.A.; how he assesses the period of the 1940s; his stance on form and the plastic values in art; his thoughts on various artists; the importance of The Club; the antipathy to the School of Paris after the war; how Impressionism was considered in the 40s and 50s; slides of his paintings from 1937 to 1962, and shows how he developed as an artist; the problems of abstract expressionism; organic and geometric form; the schisms in different art groups due to politics; his teaching techniques; why he feels modern painting declined after 1912; the quality of A.A.A. works; stretching his canvases, and the sizes he uses; his recent works, and his approaches to painting. He recalls Vaclav Vytlacil, Hans Hofmann; Arshile Gorky, John Graham, Jan Matulka, John Marin, Wassily Kandinsky, Mercedes Carles Matter, Albert Swinden, Fernand Léger, Stuart Davis, Burgoyne Diller, David Smith, Edgar Levy, Leo Manso, Irene Rice Pereira, Willem de Kooning, Ilya Bolotowsky, Mark Rothko, Adolph Gottlieb, Joan Miró, Robert Motherwell, George L.K. Morris, Albert Gallatin, Charles Shaw, John Ferrin, Ralph Rosenborg, Hananiah Harari, Agnes Lyall, Jean Helion, and many others.
Biographical / Historical:
George McNeil (1908-1995) was a painter and printmaker from New York, N.Y.
General:
Originally recorded on 3 sound tape reels. Reformatted in 2010 as 6 digital wav files. Duration is 5 hrs., 14 min.
Provenance:
These interviews are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript is available on the Archives of American Art's website.
Topic:
Art, American  Search this
Painters -- New York (State) -- Interviews  Search this
Printmakers -- New York (State) -- New York -- Interviews  Search this
Abstract expressionism  Search this
Art -- Philosophy  Search this
Painting  Search this
Cubism  Search this
Impressionism (Art)  Search this
Surrealism  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mcneil68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mcneil68

Alfred Levitt papers

Creator:
Levitt, Alfred H. (Alfred Hofmann), 1894-2000  Search this
Names:
School of Modern Painting of the Provence  Search this
Biddle, George, 1885-1973  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Duchamp, Marcel, 1887-1968  Search this
Lhote, André, 1885-1962  Search this
Morris, George L. K., 1905-1975  Search this
Pearson, Ralph M., 1883-1958  Search this
Extent:
0.8 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1920-1984
Scope and Contents:
Correspondence, 1920-1984; biographical material, business records, 1951-1959, includes receipts for watercolors exhibited at New York museums and galleries, and a project proposal for a series of lectures on cave art; writings, ca. 1917-1971, includes poems by Levitt, two proposals for a Greenwich Village Cultural Center, an article for a new art magazine, and an article about Levitt by George Dorgan; scrapbooks [unbound], undated and 1943-1975; printed material, including brochures concerning Levitt's political activities; photographs including portraits of Levitt and views of his studio, 1926, some of his paintings, 1937-1960; and the School of Modern Painting of the Provence, 1960; in which Levitt was active.
Correspondence is concentrated between 1945-1967 and includes statements of Levitt's philosophies and opinions on art and related matters; business letters, some pertaining to artists' associations on Cape Ann, Mass.; correspondence with museums; letters which reveal Levitt's efforts to gain recogition in the 1950s; also letters or notes from Marcel Duchamp, Ralph Pearson, G.L.K. Morris, George Biddle, and Ilya Bolotowsky; and letters discussing Levitt's interest in prehistoric art.
Biographical / Historical:
Cubist painter and photographer, New York, N.Y. Began his formal art training at the Art Students League, continued at the Academie Grand Chaumiere, France, and with Hans Hofmann. Metropolitan Museum owns twenty of his paintings. Founded the School of Modern Painting of Provence in St. Remy in 1960, where he was director and instructor until 1962. Levitt also developed an interest in prehistory and eventually became an expert in the field, winning an award from the French government for his studies of Stone Age cave art. Except for a few years in France and Spain, Levitt lived all of his life in New York. Studied at the Ferrer Art School. Died May 25, 2000, at age 105.
Provenance:
Donated 1985 by Alfred Levitt.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Historians  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Art -- Periodicals  Search this
Art -- Societies, etc. -- Massachusetts -- Cape Ann  Search this
Cubism  Search this
Painting, Prehistoric  Search this
Function:
Art Schools -- France -- Saint Remy de Provence
Genre/Form:
Scrapbooks
Identifier:
AAA.levialfr
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-levialfr

Grace Borgenicht Gallery Records

Creator:
Grace Borgenicht Gallery  Search this
Names:
Hokin Gallery  Search this
Library of Congress  Search this
Raab Gallery (London, England)  Search this
Avery, Milton, 1885-1965  Search this
Biederman, Charles Joseph, 1906-2004  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Brandt, Grace Borgenicht, 1915-2001  Search this
Burlin, Paul, 1886-1969  Search this
Chirino, Martín, 1925-  Search this
Davis, Stuart, 1892-1964  Search this
De Rivera, José Ruiz, 1904-1985  Search this
Grausman, Philip, 1935-  Search this
Gussow, Roy, 1918-2011  Search this
Kahn, Wolf, 1927-  Search this
Extent:
18.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
circa 1953-1996
Summary:
The records of New York City Grace Borgenicht Gallery date from circa 1953 to 1996 and measure 18.2 linear feet. The records include administrative files, correspondence, financial and legal records, exhibition files, printed material, two scrapbooks, and photographic negatives of artwork. The majority of the collection consists of artists' files.
Scope and Contents:
The records of New York City Grace Borgenicht Gallery date from circa 1953 to 1996 and measure 18.2 linear feet. The records include administrative files, correspondence, financial and legal records, exhibition files, printed material, two scrapbooks, and photographic negatives of artwork. The majority of the collection consists of artists' files.

Administrative files focus on advertising, events, gallery renovation, artists' insurance, and writings about the gallery. Correspondence concerns galleries, artists, works of art, and gallery prints and includes correspondence with the Library of Congress, Hokin Gallery, and Raab Gallery in Berlin. Exhibition files are found for exhibitions of Milton Avery, Paul Burlin, Stuart Davis, and Wolf Kahn, and several artists from Germany, Japan, Korea, Mexico, and Canada, as well as for international art fairs. Artists' files mainly contain correspondence with galleries and patrons regarding the artists and their work, and with artists. Files are found for Milton Avery, Charles Biederman, Ilya Bolotowsky, Martin Chirino, Stuart Davis, Jose De Rivera, Roy Gussow, Philip Grausman, and Wolf Kahn, among many others. Financial and legal records include sales and operations ledgers, artists' contracts, and documents concerning arts organizations. Printed materials consist of exhibition announcements and catalogs. Two scrapbooks include clippings and other printed materials. Also found are photographic negatives of artwork.
Arrangement:
The collection is arranged as 8 series.

Series 1: Administrative Records, 1970-1995 (0.2 linear feet; Box 1)

Series 2: Correspondence, circa 1950s-1995 (2 linear feet; Boxes 1-3)

Series 3: Exhibition Files, circa 1970-1996 (1.3 linear feet; Boxes 3-4)

Series 4: Artists Files, circa 1950s-1995 (11.2 linear feet; Boxes 4-13, 16-22)

Series 5: Financial and Legal Records, 1953-1995 (1.4 linear feet; Boxes 13-15)

Series 6: Printed Material, circa 1950s-1995 (0.8 linear feet; Box 15)

Series 7: Scrapbooks, circa 1950s-circa 1980s (0.3 linear feet; Box 23)

Series 8: Photographic Materials, circa 1950s-circa 1980s (0.8 linear feet; Boxes 24-25)
Biographical / Historical:
In May 1951 Grace Borgenicht Brandt (1915-2001) opened the Grace Borgenicht Gallery on 57th Street in New York City with an exhibition of Jimmy Ernst. At that time, the gallery was one of a handful that represented contemporary American artists. Jimmy Ernst, Milton Avery, Ilya Bolotowsky, Edward Corbett, Jose de Rivera, Roy Gussow, Wolf Kahn, and Gabor Peterdi were among the artists represented by the gallery.

The gallery held multiple exhibitions for individual artists such as Milton Avery, Wolf Kahn, Paul Burlin, and Stuart Davis. Although Borgenicht's main focus was American contemporary artists, the gallery also held several exhibitions featuring artists from Canada, Germany, Japan, Korea, and Mexico.

The Grace Borgenicht Gallery closed in 1995.
Related Materials:
Also found at the Archives of American Art is an oral history interview with Grace Borgenicht Brandt conducted by Dorothy Seckler on January 10, 1963.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel D112) including 72 letters from artists Leonard Baskin, Edward Corbett, Sidney Gordin, Wolf Kahn and Elbert Weinberg. They are addressed to gallery director Grace Borgenicht (Grace Borgenicht Brandt), and regard the artists' their work, travels, exhibition plans, and other activities. Also included is a photograph of Brandt and a resume. Loaned materials were returned to the lender and are not described in the collection container inventory.
Material lent for microfilming is available on 35mm microfilm reel D112 at Archives of American Art offices and through interlibrary loan.
Provenance:
Owner Grace Borgenicht Brandt originally lent material for microfilming in 1963. She donated additional papers in 1996.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Grace Borgenicht Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art galleries, Commercial -- New York (State) -- New York  Search this
Gallery directors -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Grace Borgenicht Gallery records, circa 1953-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.gracborg
See more items in:
Grace Borgenicht Gallery Records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-gracborg

Federal Art Project, Photographic Division collection

Creator:
Federal Art Project. Photographic Division  Search this
Names:
Federal Art Project (N.Y.)  Search this
Federal Art Project (Wash.)  Search this
Federal Art Project -- Photographs  Search this
Federal Art Project. Easel Division  Search this
Federal Art Project. Graphic Arts Division  Search this
Federal Art Project. Poster Division  Search this
Federal Music Project (U.S.) -- Photographs  Search this
Federal Theatre Project (U.S.) -- Photographs  Search this
Federal Writers' Project (U.S.) -- Photographs  Search this
Harlem Art Center  Search this
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Abbott, Berenice, 1898-1991  Search this
Alston, Charles Henry, 1907-1977  Search this
Arenal, Luis  Search this
Barthé, Richmond, 1901-1989  Search this
Benson, John Howard, 1901-1956  Search this
Berger, Andrew  Search this
Blanch, Lucile, 1895-1981  Search this
Bloch, Lucienne, 1909-1999  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Brann, Louise, 1906-  Search this
Burke, Selma, 1900-  Search this
Cahill, Holger, 1887-1960  Search this
Calapai, Letterio, 1902-1993  Search this
Chodorow, Eugene, 1910-2000  Search this
Criss, Francis, 1901-1973  Search this
Davis, Stuart, 1892-1964  Search this
De Rivera, José Ruiz, 1904-1985  Search this
Dehn, Adolf, 1895-1968  Search this
Dehn, Virginia E. (Virginia Engleman), 1922-2005  Search this
Ennis, George Pearse, d. 1936  Search this
Evergood, Philip, 1901-1973  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Goodman, Bertram, 1904-1988  Search this
Gorky, Arshile, 1904-1948  Search this
Greenwood, Marion, 1909-1970  Search this
Guston, Philip, 1913-1980  Search this
Herman, Andrew  Search this
Hord, Donal, 1902-1966  Search this
Horn, Sol  Search this
Hovell, Joseph, 1897-  Search this
Karp, William, 1905-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laning, Edward, 1906-  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
McMahon, Audrey, 1900?-1981  Search this
Olds, Elizabeth, 1896-1991  Search this
Refregier, Anton, 1905-  Search this
Robbins, David  Search this
Seltzer, Leo, 1916-  Search this
Shuster, Will  Search this
Zorach, William, 1887-1966  Search this
Extent:
12.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1920-1965
bulk 1935-1942
Summary:
The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.
Scope and Content Note:
The Federal Art Project (FAP), Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the FAP: 1935-1942. The collection comprises 12.4 linear feet of photographic prints and negatives, including photos of FAP artists and the artwork created by them, and other activities of the FAP in communities throughout New York City and other states. Photographers include Andrew Herman, Sol Horn, David Robbins, Leo Seltzer, and others.

Artist files comprise three-quarters of the collection and consist primarily of photographs of artwork, as well as scattered photos of artists at work, including: Charles Alston, Luis Arenal, Richmond Barthe, John Benson, Andrew Berger, Lucille Blanch, Lucienne Bloch, Ilya Bolotowsky, Luise Brann, Selma Burke, Letterio Calapai, Eugene Chodorow, Francis Criss, Stuart Davis, Adolf Dehn, Virginia Dehn, Jose de Rivera, George Pearse Ennis, Philip Evergood, Eugenie Gershoy, Bertram Goodman, Arshile Gorky, Marion Greenwood, Philip Guston, Donal Hord, Joseph Hovell, William Karp, Yasuo Kuniyoshi, Edward Laning, Julian Levi, Audrey McMahon, Elizabeth Olds, Anton Refregier, Will Shuster, William Zorach, and others.

The remainder of the collection consists of files documenting related activities and programs of the FAP, arranged by subject. The bulk of these files document the activities of the New York City FAP, including free art classes and art exhibitions for adults and children, exhibitions at the Harlem Art Center, and the work of FAP branches including the Easel Division, the Graphic Arts Division, and the Poster Division.

Other subjects documented include federal and community art centers in eleven states, most extensively Washington State; other WPA projects such as the Federal Theater Project, the Federal Music Project, and the Federal Writers' Project; buildings decorated with FAP artwork; art processes as demonstrated by FAP artists; special events; and people involved with the FAP, including director Holger Cahill.

One folder contains images that appear to have been taken by Berenice Abbott for the exhibition Changing New York (1935), for the Museum of the City of New York in collaboration with the WPA.
Arrangement:
The collection is arranged as 2 series:

Series 1: Artist Files, circa 1920-1965 (Boxes 1-24; 9.6 linear feet)

Series 2: Subject Files, 1934-1956 (Boxes 25-32; 2.8 linear feet)
Historical Note:
The Federal Art Project (FAP) was one of the Depression-era work-relief programs of the Federal Works Progress Administration (WPA). The program was founded in August 1935 to provide employment for artists and to implement visual arts programs in local communities across the country.

Together with the Federal Music Project, the Federal Theater Project, and the Federal Writers' Project, the FAP formed part of the WPA's Federal Project No. 1. The WPA became the Work Projects Administration in 1939 when it fell under the administrative hand of the newly created Federal Works Agency; concurrently the Federal Art Project was officially re-named the Federal Art Program.

Under the direction of Holger Cahill, the goals of the FAP fell into three main areas: production of artwork, art education through art classes and community centers, and art research through the Index of American Design. During the course of the program, artists created murals and other works of art for many non-Federal government buildings such as schools, hospitals, and libraries. Separate photographic divisions were set up in several states, most notably in New York City, to document the work of artists employed by the program, activities in art education such as classes for children and adults, community center outreach programs, and other "Federal 1" projects, including the Federal Theater and Music Projects. Employees of the photographic division were also involved in other assignments, such as creating exhibitions and photo murals.

The Federal Art Project ended in 1943.
Related Material:
Among the holdings of the Archives of American Art are related collections, including the Federal Art Project of the Work Projects Administration records, 1935-1948. Additional FAP records are held by the National Archives and Records Administration in Washington D.C.
Provenance:
The collection was anonymously donated to the Archives of American Art in the late 1950s.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Federal Art Project, Photographic Division collection is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
African American artists -- New York (State) -- New York -- Photographs  Search this
Children's art -- United States -- Photographs  Search this
Photography  Search this
Art -- United States -- Exhibitions -- Photographs  Search this
Art -- United States -- Study and teaching -- Photographs  Search this
Art centers  Search this
Federal aid to the public welfare -- Photographs  Search this
Theater and state -- United States -- Photographs  Search this
Music and state -- United States -- Photographs  Search this
Federal aid to the arts -- Photographs  Search this
Art and state -- United States -- Photographs  Search this
Art -- Technique  Search this
Artists -- United States -- Photographs  Search this
Art -- Exhibitions  Search this
Hispanic American artists  Search this
Art -- Study and teaching  Search this
Genre/Form:
Photographs
Citation:
Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fedeartp14
See more items in:
Federal Art Project, Photographic Division collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fedeartp14
Online Media:

Giorgio Cavallon papers

Creator:
Cavallon, Giorgio, 1904-1989  Search this
Names:
Bolotowsky, Ilya, 1907-1981  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Holesch, Carlo  Search this
Lassaw, Ibram, 1913-2003  Search this
Lindeberg, Linda, 1915-1973  Search this
Pollock, Charles C.  Search this
Pollock, Sylvia Winter  Search this
Photographer:
Hofer, Evelyn  Search this
Extent:
1 Linear foot ((partially microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1910-1982
Scope and Contents:
Biographical information; correspondence; photographs; exhibition catalogs and announcements; monograph; scrapbooks; sketchbook; clippings; three small palettes on linen.
REELS N68/60-N68/61: Biographical information; personal letters and postcards; business correspondence; a list of owners of Cavallon's paintings; exhibition catalogs and announcements; articles about Cavallon; several drawings with notes; a letter of explanation and drawing for an easel invented by Cavallon; photographs of his paintings and personal photos; and a scrapbook, containing mostly printed material. A portion of these papers were also filmed on Reel D359.
REEL D359: Postcards; a drawing of an easel that Cavallon invented with a letter of explanation; photographs of Cavallon including a tintype, 1920, and one taken by Evelyn Hofer, 1956, his family, and friends, including photographs of Ilya Bolotowsky, Carlo Holesch, Ibram Lassaw, Sylvia and Charles Pollock, and of Charles Hawthorne instructing an art class; magazine articles; and a scrapbook, containing clippings, photographs of art work, exhibition announcements and catalogs.
UNMICROFILMED: A sketchbook from Italy; letters and postcards received by Cavallon and his wife Linda Lindeberg; a notebook and notebooks; photographs of Cavallon and others; a photograph of Cavallon's work; exhibition catalogs and announcements; clippings; three scrapbooks; scattered writings; a drawing by Cavallon; and a small amount of Linda Lindeberg's (Cavallon's wife) papers and photographs.
Biographical / Historical:
Painter; New York, N.Y.; d. December 22, 1989.
Provenance:
Reels N68/60-N68/61 and D359 were lent in 1968 for microfilming; a portion on reel D359 was subsequently donated July 1969 by Giorgio Cavallon. Additional unmicrofilmed material was donated 1980-1982 by Cavallon.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Identifier:
AAA.cavagior
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-cavagior

Ilya Bolotowsky papers

Creator:
Bolotowsky, Ilya, 1907-1981  Search this
Names:
American Abstract Artists  Search this
Extent:
0.3 Linear feet ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1937-1980
Scope and Contents:
Correspondence, exhibition catalogs, printed materials, writings, photograph and plays.
REEL N68-11: Correspondence, some relating to the American Abstract Artists; exhibition catalogs; notes; and a statement by the League for Cultural Freedom and Socialism.
REEL 2787: A typescript, "Reminiscences about the American Abstract Artists," by Bolotowsky, 1966.
UNMICROFILMED: A photograph of Bolotowsky with his painting RHOMBOID COLUMN B; 5 plays by Bolotowsky; and printed material. Includes a letter from Irwin Kremen and Kremen exhibition catalogs.
Biographical / Historical:
Russian-American abstract painter; New York, N.Y. Died 1981.
Provenance:
Material on reel N68-11 lent 1968 by Ilya Bolotowsky. Unfilmed material donated 1982 by Andrew Bolotowsky, son of Ilya Bolotowsky.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- New York (State) -- New York  Search this
Topic:
Painting, Abstract -- New York (State) -- New York  Search this
Identifier:
AAA.boloilya
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-boloilya

Oral history interview with Ilya Bolotowsky

Interviewee:
Bolotowsky, Ilya, 1907-1981  Search this
Interviewer:
Cummings, Paul  Search this
Creator:
Diller, Burgoyne, 1906-1965  Search this
Names:
American Abstract Artists  Search this
American Artists' Congress  Search this
Art Students League (New York, N.Y.)  Search this
Black Mountain College (Black Mountain, N.C.)  Search this
Federation of Modern Painters and Sculptors  Search this
G.R.D. Studio (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Public Works of Art Project  Search this
United States. Works Progress Administration  Search this
Yaddo (Artist's colony)  Search this
Albers, Josef  Search this
Browne, Byron, 1907-1961  Search this
Dlugoszewski, Lucia, 1931-2000  Search this
Drewes, Werner, 1899-1985  Search this
Gorky, Arshile, 1904-1948  Search this
Greenberg, Clement, 1909-1994  Search this
Greene, Balcomb, 1904-1990  Search this
Greene, Gertrude, 1904-1956  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Holtzman, Harry  Search this
Johnson, William H., 1901-1970  Search this
Léger, Fernand, 1881-1955  Search this
Mondrian, Piet, 1872-1944  Search this
Neilson, Raymond P. R. (Raymond Perry Rodgers), 1881-1964  Search this
Neumann, J. B. (Jsrael Ber)  Search this
Olinsky, Ivan G. (Ivan Gregorewitch), 1878-1962  Search this
Ozenfant, Amédée, 1886-1966  Search this
Spivak, Max, 1906-1981  Search this
Vogel, Joseph, b. 1911  Search this
Extent:
197 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Place:
Wyoming
Date:
1968 March 24-April 7
Scope and Contents:
Interview of Ilya Bolotowsky conducted 1968 March 24-April 7, by Paul Cummings, for the Archives of American Art.
Bolotowsky, a lively raconteur, recalls a host of episodes from his personal and professional life. He speaks of his childhood in Russia and Azerbaijan; the effects of war and communism; the family's flight as refugees into Georgia and then to present-day Istanbul; and his early education with a private tutor and at a Jesuit school in Istanbul. Bolotowsky recalls his family's emigration to the United States by ship in 1923; his first impressions of New York City; and early visits to the city's museums. He relates numerous anecdotes about faculty and fellow students at the National Academy of Design, including Ivan Olinsky, Raymond Neilson, Charles Hawthorne, Amedee Ozenfant, and William Henry Johnson.
He speaks of various early exhibitions of his work, including those with the Art Students League, G.R.D. Studio, and the J.B. Neumann Gallery. He also describes a stay at Yaddo in 1934.
Bolotowsky recounts his participation in the Public Works of Art Project as a teacher of art to delinquent children; later work on the mural project of the Works Progress Administration; the picketing of WPA offices, providing anecdotes about Max Spivak and Joseph Vogel; military service during World War II, first working on a Russian dictionary of technical terms and then as a liason officer with the Soviet Air Force in Nome, Alaska.
Upon his return from the military, Bolotowsky immediately resumed his painting career, and describes his involvement with artists' organizations such as the American Abstract Artists, the American Artists' Congress, the Concretionists, the Federation of Modern Painters and Sculptors, and the Ten; he mentions in these contexts such personalities as Byron Browne, Burgoyne Diller, Werner Drewes, Arshile Gorky, Clement Greenberg, Balcomb and Gertrude Greene, Harry Holtzman, Fernand Leger, Piet Mondrian, and Meyer Schapiro.
Bolotowsky gives an extensive description of his experiences filling in for Joseph Albers for a year at Black Mountain College, and goes on to discuss his subsequent teaching positions at the University of Wyoming (including a discussion of the impact of the Wyoming landscape on his painting), Brooklyn College, Southampton College, and SUNY New Paltz. He devotes great attention to the development of his painting, his understanding of neo-plasticism and abstraction, and his efforts in filmmaking and playwriting.
Biographical / Historical:
Ilya Bolotowsky (1907-1981) was a Russian-American abstract painter in New York, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 12 digital wav files. Duration is 6 hr., 37 min.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others. Funding for the interview was provided by the New York State Council on the Arts.
Restrictions:
ACCESS RESTRICTED; written permission required.
Occupation:
Filmmakers  Search this
Playwrights  Search this
Topic:
Art and state  Search this
Concretionists (Group of artists)  Search this
Emigration and immigration  Search this
Experimental films  Search this
Federal aid to the arts -- United States  Search this
Painting, Abstract -- New York (State) -- New York  Search this
Playwriting  Search this
Philadelphia Ten (Group of artists)  Search this
World War, 1939-1945 -- Anecdotes  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.boloto68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-boloto68

Ruth Abrams papers

Creator:
Abrams, Ruth, 1912-1986  Search this
Names:
Bolotowsky, Ilya, 1907-1981  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Photographs
Date:
1934-1983
Summary:
The papers of New York based artist and educator Ruth Abrams measure 1.0 linear foot and date from 1934 to 1984. The collection includes correspondence, writings and notes, personal business records, printed material, and photographs.
Scope and Contents:
The papers of New York based artist and educator Ruth Abrams measure 1.0 linear foot and date from 1934 to 1984. The collection includes correspondence with colleagues and business associates; writings and notes related to Abrams 1970's film Paradox of the Big and writings by others; personal business records; exhibition announcements, news clippings, and other printed materials; and photographs. Photographs depict Abrams in her studio and with colleagues and students, exhibition openings, including four photographs of Ilya Bolotowsky attending her 1977 exhibition, and photographs of artwork.
Arrangement:
The collection is arranged as five series.

Series 1: Correspondence, 1948-1982 (Box 1; 12 folders)

Series 2: Writings and Notes, 1957-1977 (Box 1; 10 folders)

Series 3: Personal Business Records, 1958-1977 (Box 1; 3 folders)

Series 4: Printed Material, 1934-1983 (Box 1; 16 folders)

Series 5: Photographs, 1950-1978 (Box 1; 6 folders)
Biographical / Historical:
Ruth Abrams (1912-1986) was a painter in New York, NY. She was the art director at the Research Association of The New School from 1965 to 1966, and a lecturer at Parsons School of Design. Abrams is best known for her abstract style and outer-space paintings as well as a 1970s art film entitled, Paradox of the Big.
Provenance:
The Ruth Abrams papers were donated to the Archives of American Art by Ruth Abrams between 1981-1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Educators -- New York (State) -- New York  Search this
Filmmakers -- New York (State) -- New York  Search this
New York school of art  Search this
Painters -- New York (State) -- New York  Search this
Women artists -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Citation:
Ruth Abrams papers, 1934-1983. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.abraruth
See more items in:
Ruth Abrams papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-abraruth

James Brooks and Charlotte Park papers

Creator:
Brooks, James, 1906-1992  Search this
Names:
Kootz Gallery (N.Y.)  Search this
New York University -- Students  Search this
Southern Methodist University -- Students  Search this
United States. Army  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Gottlieb, Adolph, 1903-1974  Search this
Guston, Philip, 1913-1980  Search this
King, William, 1925-2015  Search this
Park, Charlotte  Search this
Extent:
20.1 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sound recordings
Transcripts
Interviews
Drawings
Photographs
Diaries
Date:
1909-2010
bulk 1930-2010
Summary:
The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.
Scope and Contents:
The papers of Abstract Expressionist painters James Brooks and Charlotte Park measure 18.7 linear feet and are dated 1909-2010, bulk 1930-2010. Correspondence, subject files, personal business records, printed material, and a sound recording document his painting career, interests, professional and personal activities. Also found are biographical materials, interviews, writings, and art work. The collection also includes papers of his wife, Abstract Expressionist painter Charlotte Park, regarding her painting career, personal life, activities as executor of James Brooks' estate, and some material concerning the James Brooks and Charlotte Park Brooks Foundation. There is a 1.4 linear foot addition to this collection donated in 2017 that includes 58 "week-at-a-glance" appointment books, three journals and one address/ telephone book of Charlotte Park; a hand written chronology with significant dates and notes; postcards and exhibition announcements sent to Charlotte and James; doodles; and a sketch, possibly by Don Kingman.

Biographical materials include biographical notes and documents such as copies of birth and death certificates, curricula vitae, family history. Educational records are from Southern Methodist University and documentation of flight training courses at New York University. Brooks' military service in World War II is well documented by United States Army records with related correspondence. Also found is extensive documentation of his death and funeral.

Professional and personal correspondence is addressed to Brooks, the couple, and to Charlotte Park during the later years of Brooks' life when she managed his affairs. A significant amount of correspondence is categorized as art, autograph requests, personal, and teaching; also include is general correspondence that overlaps all categories. Art correspondence with museums, galleries, collectors, artists, and friends concerns exhibitions, Brooks' work, and invitations to exhibit, speak, or serve as a juror. Of note is the correspondence with Samuel M. Kootz Gallery. The personal correspondence is mainly social, and teaching correspondence consists largely of requests that he teach in summer programs, serve as a visiting artist/critic.

Six interviews with James Brooks are in the form of published and unpublished transcripts; a seventh is a sound recording with no known transcript. Charlotte Park participates in one interview.

Writings by Brooks are statements about his work and a tribute to Ilya Bolotowsky. Among the writings by others about Brooks are a catalog essay, academic papers, and lecture; also found are a few short pieces on miscellaneous topics. Three diaries include brief entries regarding his work, exhibitions, and activities.

Subject files maintained by Brooks concerning organizations, exhibitions, mural projects, a commission and teaching document his professional activities, relationships and interests. Personal business records concern appraisals, conservation, gifts, insurance, loans, sales, shipping, and storage of artwork. Gallery records include agreements, consignments, lists, and receipts. Also, there are accounts for lettering work and personal income tax returns.

Printed material is mostly exhibition announcements, invitations, catalogs, and checklists, as well as articles and reviews. The majority are about/mention Brooks or include reproductions of his work; some concern artist friends, former students, and others.

Artwork by Brooks consists of pencil and ink drawings, two sketchbooks, and "telephone doodles." Other artists include Adolph Gottlieb (ink drawing of sculpture), Philip Guston (three pencil drawings of Brooks), and William King (two silhouettes of Brooks).

Photographic materials (photographs, digital prints, negatives, slides, and color transparencies) provide extensive documentation of Brooks' artwork and, to a lesser extent, exhibitions.There are pictures of Brooks as a very young boy, though the most views of him date from the 1930s through 1980s, and with friends. Places include Brooks' homes and studios in Montauk, New York and the Springs, East Hampton, New York; travel to Maine, Oregon and California. Views of the Middle East from World War II show Brooks with colleagues, local people engaged in daily activities, and scenery. Also of note are a copy print of "The Irascibles" by Nina Leen, and attendees at the dedication of Flight dining in view of Brook's LaGuardia Ariport mural.

Charlotte Park papers document the professional career and personal life of the Abstract Expressionist painter, art teacher, and wife of James Brooks through correspondence, personal business records, exhibition records, printed material, and photographs. In addition, this series documents artwork in the estate of James Brooks and posthumous exhibitions. Twelve years younger than her husband, Park began handling business matters for him as he aged and developed Alzheimer's disease. She also served as his executor. In the 1990s, a curator assumed management of the artwork and loans for exhibitions. After the James Brooks and Charlotte Park Brooks Foundation was established in 2000, its director handled most business activities. Some copies of Foundation minutes and correspondence are found among Park's papers.
Arrangement:
The collection is arranged in 11 series:

Series 1: Biographical Materials, 1924-1995 (Box 1, OV 19; 0.6 linear feet)

Series 2: Correspondence, 1928-1995 (Boxes 1-3; 1.7 linear feet)

Series 3: Interviews, 1965-1990 (Box 3; 0.2 linear feet)

Series 4: Writings, 1952-1999 (Box 3; 0.4 linear feet)

Series 5: Diaries, 1975-1984 (Box 3; 0.1 linear feet)

Series 6: Subject Files, 1926-2001 (Boxes 3-5, OV 20; 2.0 linear feet)

Series 7: Personal Business Records, 1932-1992 (Boxes 5-6; 1.0 linear feet)

Series 8: Printed Material, 1928-1992 (Boxes 6-11, OV 21-OV 22; 4.8 linear feet)

Series 9: Artwork, 1930s-1992 (Box 11; 0.2 linear feet)

Series 10: Photographic Materials, 1909-2000s (Boxes 11-15; 4.1 linear feet)

Series 11: Charlotte Park papers, 1930s-2010 (Boxes 15-18, OV 23; 3.6 linear feet)

Series 12: Unprocessed Additition, circa 1930-2010 (Boxes 25-26; 1.4 linear feet)
Biographical / Historical:
James Brooks (1906-1992) and Charlotte Park (1919-2010) were Abstract Expressionist painters in East Hampton, N.Y. A native of St. Louis, Missouri, Brooks spent his childhood in Colorado, Oklahoma, Illinois, and Texas. He begn drawing as a young boy, finding inspiration in magazine illustrations and comic strips. Before moving to New York City in 1926, he studied at Southern Methodist University (1923-1924) and at the Dallas Art Institute.

In New York, Brooks studied illustration at the Grand Central Art School. After exposure to museums led him to differentiate between illustration and fine art, Brooks enrolled at Art Students League. During this period he supported himself by doing lettering for magazine advertisements. From 1936-1942 he participated in the WPA Federal Art Project, executing murals at Woodside Library, Queens, New York (destroyed); the Post Office, Little Falls, New Jersey; and his famous Flight at LaGuardia Airport's Marine Air Terminal (painted over in the 1950s and restored in 1980).

During World War II Brooks served in the United States Army as an art correspondent in Cairo. When at the Office of Special Services, Washington, DC, he met Charlotte Park who worked there as a graphic artist and later became his wife. The couple moved to New York City in 1945 and married in 1947. Brooks resumed friendships with artists he knew from the WPA including Philip Guston, Bradley Walker Tomlin, and Jackson Pollock. Brooks and Park were especially close with Pollock and Lee Krasner; after they moved to Long Island, Brooks and Park, soon followed, first to Montauk and later to the Springs, East Hampton, New York.

By the late 1940s, Brooks had turned away from figural painting in the social realist style and moved toward abstraction. In the early 1950s, he was experimenting with enamel, gouache, and diluted oil paints, staining various grounds in ways that produced interesting shapes, adding spontaneous splashes of color over which he painted more deliberately. In the 1960s he switched to acrylics, leading to wider use of color and broader strokes.

Peridot Gallery presented Brooks' first solo exhibition in 1949. He helped organize and participated in the famous Ninth Street Show of 1951, earning critical acclaim. This assured him a place in two of the Museum of Modern Art's most important exhibitions of the period, Twelve Americans (1956) and New American Painting (1958). He showed at the Stable Gallery, Kootz Gallery, Martha Jackson Gallery and others. During his lifetime Brooks enjoyed five traveling retrospective exhibitions.

Prizes and awards included Carnegie Institute's Pittsburgh International Exhibition 5th prize for painting (1952), The Art Institue of Chicago's 62nd American Exhibition Logan Medal and Prize for Painting (1957) and 64th American Exhibition Harris Prize (1961), The National Arts Club Medal (1985), and a citation of appreciation for Flight from The North Beach Club Marine Air Terminal, LaGuardia Airport (1986).

Brooks taught for nearly three decades: drawing at Columbia University (1947-1948) and lettering at Pratt Institute (1948-1955); was a visiting critic, Yale University (1955-1960), University of Pennsylvania (1971-1972), and Cooper Union (1975); and served on the Queens College faculty (1966-1969). In addition, he was an artist-in-residence at The American Academy in Rome (1963), the recipient of a Guggenheim Fellowship (1969), and a National Endowment for the Humanities Grant (1973).

Brooks developed Alzheimer's disease around 1985 and died in East Hampton, New York in 1992.

Charlotte Park graduated from the Yale School of Fine Art (1939) and during World War II, when working in Washington, D.C., she met James Brooks. They moved to New York City in 1945, where she studied with Australian artist Wallace Harrison. Park taught children's art classes at several private schools in the early 1950s and at the Museum of Modern Art, 1955-1967.

Park's approach to Abstract Expressionism featured curved or linear shapes with vibrant colors and dynamic brushstrokes. Tanager Gallery presented her first solo show in 1957 and her work was included in numerous group exhibitions from the 1950s through 2000s, mainly in New York City and Long Island. After Park's second solo exhibition, held in 1973 at Elaine Benson Gallery, Bridgehampton, New York, interest in her work revived; other one-person shows followed at Guild Hall (1979), Ingber Gallery (1980), and paired with James Brooks at Louise Himelfarb Gallery. The National Institute of Arts and Letters honored Park with its Art Award in 1974. Her work is in the permanent collections of the Parrish Art Museum, Guild Hall Museum, Telfair Museum of Art, and in many private collections.

Charlotte Park died in 2010.
Related Materials:
Also among the Archives of American Art's holdings are letters from James Brooks and Sean Scully, 1980-1989 addressed to Theodora ["Teddy"] S. Greenbaum, and an oral history interview with James Brooks conducted by Dorothy Seckler, 1965 June 10 and June 12.
Separated Materials:
Correspondence, interview transcripts, photographs, and printed material were loaned by James Brooks for microfilming in 1969 (reel N69-132). With the exception of an address book, a scrapbook, and a few photographs, Brooks donated almost all of the loan in 1979.
Provenance:
The majority of the collection was donated in 2013 by the James Brooks and Charlotte Brooks Foundation and an additional 1.4 linear feet donated 2017 by the Foundation. In 1979 James Brooks donated most of the material lent for microfilming in 1969.
Restrictions:
ACCESS RESTRICTED: Use of original material requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access requires written permission from The James Brooks and Charlotte Park Brooks Foundation. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The James Brook and Charlotte Park papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
World War, 1939-1945  Search this
Painters -- New York (State) -- New York  Search this
Abstract expressionism  Search this
Genre/Form:
Sketchbooks
Sound recordings
Transcripts
Interviews
Drawings
Photographs
Diaries
Citation:
James Brooks and Charlotte Park papers, 1909-2010, bulk 1930-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.broojame
See more items in:
James Brooks and Charlotte Park papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-broojame

Ruth Bowman papers

Creator:
Bowman, Ruth, 1923-  Search this
Names:
American Association of Museums  Search this
American Federation of Arts  Search this
Brooklyn Museum  Search this
Canadian Museums Association  Search this
Craft and Folk Art Museum  Search this
KUSC (Radio station : Los Angeles, Calif.)  Search this
Long Beach Museum of Art  Search this
Los Angeles County Museum of Art  Search this
Massachusetts Institute of Technology  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New York University  Search this
Newark Museum  Search this
WNYC (Radio station : New York, N.Y.)  Search this
Albers, Josef  Search this
Anshutz, Thomas Pollock, 1851-1912  Search this
Bengelsdorf, Rosalind, 1916-1979  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Burkhardt, Hans Gustav, 1904-1994  Search this
Cézanne, Paul, 1839-1906  Search this
Diller, Burgoyne, 1906-1965  Search this
Eakins, Thomas, 1844-1916  Search this
Ferren, John, 1905-1970  Search this
Holty, Carl, 1900-1973  Search this
Holtzman, Harry  Search this
Lassaw, Ibram, 1913-2003  Search this
Levine, Les, 1935-  Search this
Lipchitz, Jacques, 1891-1973  Search this
MacDonald, Duncan (Broadcaster)  Search this
Mason, Alice Trumbull, 1904-1971  Search this
McNeil, George, 1908-1995  Search this
Morris, George L. K., 1905-1975  Search this
Noguchi, Isamu, 1904-1988  Search this
Picasso, Pablo, 1881-1973  Search this
Reinhardt, Ad, 1913-1967  Search this
Sloan, Helen Farr, 1911-2005  Search this
Wilfred, Thomas, 1889-1968  Search this
Extent:
26.7 Linear feet
21.99 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Interviews
Sound recordings
Scripts (documents)
Date:
1936-2006
bulk 1963-1999
Summary:
The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writings and related research materials include her thesis,"Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.
Scope and Contents:
The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writing and related research materials include her thesis, "Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.

Biographical materials consist of certificates, resumes, and a few photographs of Ruth Bowman. Correspondence concerns Bowman's professional activities and interests. Among the most frequent correspondents are: American Association of Museums, Craft and Folk Art Museum (Los Angeles), Massachusetts Institute of Technology, The Metropolitan Museum of Art, and The Museum of Modern Art.

Writings by Ruth Bowman, published and unpublished, include a thesis and articles about Thomas Pollock Anshutz, catalogs for American Federation of Arts and The Newark Museum exhibitions, lectures, as well as articles about museum education and visual arts programs. Research relates to her writings about Anshutz, and to unrealized projects concerning Anshutz, Cézanne, Eakins, Picasso, and other subjects. Also found are two brief writings about Bowman.

Subject files--general subjects, artists' files, Ruth Bowman activities, and "Sunrise Semester"--contain the majority of Bowman's professional correspondence along with printed material, writings, photographs, and sound recordings. Among the most thoroughly documented general subjects are: The Brooklyn Museum's Trustees Retreat, Canadian Museums Association, a 1981 Craft Symposium, International Network for the Arts, Long Beach Museum of Art, Los Angeles County Museum of Art, "Museum Directors' Forum", New York University Art Collection, and Massachusetts Institute of Technology Council for the Arts. Artists' files are comprised mainly of printed material with a small amount of correspondence and some photographs. The Les Levine file consists of the first issue of Art-Rite featuring a brief article about Levine on its cover; Thomas Wilfred's file includes information about Lumia. Ruth Bowman activities include lectures, radio and television appearances, and participation in professional events. "Sunrise Semester," a collaboration between CBS television and New York University, offered early morning courses for college credit. Ruth Bowman was the instructor for "20th Century American Art," which is documented by general information, scripts, and sound recordings of all 46 classes.

Interviews conducted by Bowman are with English museum administrators and educators; people knowledgeable about a controversial proposal for an Annenberg Fine Arts Center at The Metropolitan Museum of Art; guests on KUSC radio shows "Sounds of Seeing" and "Live from Trump's"; and guests on the WNYC radio program "Views on Art." Interviews with miscellaneous individuals include Josef Albers, Hans Burkhardt, Carl Holty, Isamu Noguchi, and Helen Farr Sloan. Bowman interviewed a dozen American abstract artists, including Ilya Bolotowsky, Rosalind Bengelsdorf Browne, Burgoyne Diller, John Ferren, Carl Holty, Harry Holtzman, Ibram Lassaw, Jacques Lipchitz, Alice Mason, George McNeil, George L. K. Morris, and Ad Reinhardt for a thesis on the subject, but eventually wrote on a different topic. Two interviews with Bowman were conducted by Duncan MacDonald and an unidentified interviewer.
Arrangement:
This collection is arranged as 5 series:

Series 1: Biographical Materials, 1964-1984 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1963-1996 (Box 1; 0.7 linear feet)

Series 3: Writings and Related Research, 1942-1999 (Boxes 1-3; 1.5 linear feet)

Series 4: Subject Files, 1936-2006 (Boxes 3-12, 26; 9.6 linear feet)

Series 5: Interviews, 1963-1989 (Boxes 12-25; 9.2 linear feet, ER01-ER70; 21.99 GB)
Biographical / Historical:
Ruth Bowman (b. 1923) is an art historian and museum educator who worked in New York City and Los Angeles. She is known for her interest in using new communications technology for museum education, discovering Arshile Gorky's long forgotten murals at Newark Airport, and expertise in the work of Thomas Anshutz.

A graduate of Bryn Mawr College (B.A. 1944), where she had studied art history and classical archaeology, Ruth Bowman began a museum career in New York as an assistant curator at the Jewish Museum in the early 1960s. From 1963-1974 Ruth Bowman served as curator of the York University Art Collection and was involved in its transition to the Grey Art Gallery and Study Center. Bowman wrote her master's thesis on Philadelphia artist Thomas Pollock Anshutz and received a degree from the Institute of Fine Arts, New York University in 1971. During this same period, she was a staff lecturer at The Museum of Modern Art and taught art history in divisions of New York University. She was the instructor for a "Sunrise Semester" 20th century American art course broadcast nationally on CBS.

In 1974 Bowman and her family moved to California and she began an association with the Los Angeles County Museum of Art as Director of Education. She attended summer courses in arts administration at Harvard University (1975) and similar training provided by the British Arts Council (1976). She taught at University of California Santa Barbara, as well as at California State University at Fullerton and Long Beach. Bowman was active in the Council of the American Association of Museums (vice president), the Craft and Folk Art Museum in Los Angeles (vice president), and has served as a consultant to several museums and a corporate collection.

Ruth Bowman with her friend Harry Kahn (1916-1999) developed a collection of self-portraits by 20th century American artists, which she donated to the National Portrait Gallery in 2002. Mrs. Bowman is the widow of R. Wallace Bowman and currently resides in New York City.
Provenance:
Donated by Ruth Bowman in 2004.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Ruth Bowman papers are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote, publish or reproduce her unpublished writings and related research materials requires written permission from Ruth Bowman, 200 East 66th Street, Apt. B-2101, New York, New York 10021.
Topic:
Art -- Study and teaching  Search this
Art historians -- California -- Los Angeles  Search this
Art, American -- 20th century  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Interviews
Sound recordings
Scripts (documents)
Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bowmruth2
See more items in:
Ruth Bowman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bowmruth2
Online Media:

Artists Talk on Art records

Creator:
Artists Talk on Art  Search this
Names:
Barnet, Will, 1911-2012  Search this
Bourgeois, Louise, 1911-2010  Search this
Christo, 1935-  Search this
De Niro, Robert, 1922-1993  Search this
Denes, Agnes  Search this
Goldberg, Michael, 1924-  Search this
Jeanne-Claude, 1935-2009  Search this
Longo, Robert  Search this
Mendieta, Ana, 1948-1985  Search this
Morris, Robert, 1931-  Search this
Murray, Elizabeth, 1940-  Search this
Neel, Alice, 1900-1984  Search this
Pavia, Philip, 1915-2005  Search this
Sleigh, Sylvia  Search this
Wilke, Hannah  Search this
Wojnarowicz, David  Search this
Extent:
64.4 Linear feet
317.43 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Date:
circa 1974-2018
Summary:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.
Scope and Contents:
The records of Artists Talk on Art (ATOA) measure 64.4 linear feet and 317.43 gigabytes and date from circa 1974-2018. The bulk of the records consist of extensive video and sound recordings of events organized by the group featuring artists, critics, historians, dealers, curators and writers discussing contemporary issues in the American art world in hundreds of panel discussions, open screenings, and dialogues held in New York City. Events began in 1975 and continue to the present; recordings in the collection date from 1977 and 2016. A smaller group of records include administrative files, panel flyers, three scrapbooks, as well as photographs, slides, and negatives of panel discussions and participants.

ATOA's recordings chronicle the American art world, covering critical discussions and significant art world issues over five decades. Thousands of artists such as Will Barnet, Louise Bourgeois, Christo and Jeanne-Claude, Robert De Niro, Agnes Denes, Michael Goldberg, Robert Longo, Ana Mendieta, Robert Morris, Elizabeth Murray, Alice Neel, Philip Pavia, Howardena Pindell, Larry Rivers, Sylvia Sleigh, Kahinde Wiley, Hannah Wilke, David Wojnarowicz, and others speak about their work. The original recordings exist in a variety of formats, including U-Matic and VHS videotape, MiniDVs, sound cassettes and sound tape reels. ATOA digitized most of the video and sound recordings prior to donating the collection.

The collection also includes printed histories, board and program committee meeting minutes, financial statements, general correspondence files of the president and chair, attendance statistics, grant files, panel participant release forms, sixteen panel transcripts, a complete set of panel flyers (many are annotated) and other printed materials, three dismantled scrapbooks, as well as photographs, slides, and negatives of panels and panel participants.
Arrangement:
The records are arranged into nine series.

Series 1: Adminstrative Files, 1974-2013 (0.4 linear feet, Box 1)

Series 2: Director's and Chairman's Correspondence, 1977-2006 (0.4 linear feet, Box 1)

Series 3: Grant Files, 1977-2009 (1 linear foot, Boxes 1-2)

Series 4: Panel Release Forms, 1978-2012 (1 linear foot, Boxes 2-3)

Series 5: Panel Transcripts, 1981, 1986, 1988, 2017-2018 (1 folder, Box 3; 0.002 GB, ER01)

Series 6: Printed Materials, 1975-2015 (0.8 linear feet, Boxes 3-4; 0.434 GB, ER02)

Series 7: Scrapbooks, 1975-1989 (0.2 linear feet, Box 4)

Series 8: Photographic Materials, circa 1975-circa 2000 (1 linear foot, Boxes 4-5)

Series 9: Video and Sound Recordings of Events, 1977-2016 (59 linear feet, Boxes 6-65; 317.43 GB, ER03-ER04)
Biographical / Historical:
Established in 1974 and still active in New York, Artists Talk on Art is the art world's longest running and most prolific aesthetic panel discussion series organized by artists for artists. Founded by Lori Antonacci, Douglas I. Sheer, and Robert Wiegand, the forum has presented 6,000 artists in nearly 1,000 documented panels or dialogues. ATOA held its first panel, "Whatever Happened to Public Art," on January 10, 1975 and it drew a "crowd" of 77 people. In the decades that followed, ATOA presented dozens of panels or dialogues a year, tackling such diverse topics as "What is Happening with Conceptual Art," with Louise Lawler and Lawrence Weiner; "Painting and Photography: Defining the Difference," with Sarah Charlesworth, Jack Goldstein, Joseph Kosuth, Barbara Kruger, and Robert Mapplethorpe; "Organizing Arts Activism," with Lucy Lippard; "The Artist and the Epidemic—an information panel about AIDS"; "Cross-generational Views of Feminism"; and hundreds more.
Provenance:
The Artists Talk on Art (ATOA) records, including digital files of the video and sound recordings, were donated to the Archives in 2016 by Douglas Sheer, Chairman of ATOA.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, American  Search this
Art critics  Search this
Art dealers  Search this
Art historians  Search this
Artists  Search this
Historians  Search this
Genre/Form:
Photographs
Sound recordings
Scrapbooks
Transcripts
Video recordings
Citation:
Artists Talk on Art records, circa 1974-2018. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artitalk
See more items in:
Artists Talk on Art records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artitalk
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Online Media:

WFUV radio interviews relating to art, 1969-1973

Creator:
Fordham University  Search this
Interviewer:
Wechter, Vivienne Thaul  Search this
Uniform title:
WFUV (Radio station : Bronx, New York, N.Y.)  Search this
Subject:
Barnet, Will 1911-2012  Search this
Battcock, Gregory 1937-1980  Search this
Bolotowsky, Ilya 1907-1981  Search this
Botkin, Henry 1896-1983  Search this
Brown, Richard F (Richard Fargo) 1916-1979  Search this
Halley, Donald M  Search this
Hopkins, Henry 1928-2009  Search this
Kelley, Chapman 1932-  Search this
Kipp, Lyman 1929-  Search this
Kirby, Michael  Search this
Krashes, Barbara  Search this
Loving, Al 1935-  Search this
Miller, Brenda 1941-  Search this
Moyer, Roy 1921-2007  Search this
Nissen, Brian 1939-  Search this
Piazza, Paul M  Search this
Slavin, Arlene 1942-  Search this
Snead, Stella  Search this
Solomon, Joe  Search this
Watson, John  Search this
Zinnes, Harriet  Search this
Riverside Museum (New York, N.Y.)  Search this
Federation of Modern Painters and Sculptors  Search this
Physical description:
0.8 linear feet
15 sound tapes ; 7 in
2 sound tapes ; 5 in
Type:
Sound recordings
Collection descriptions
Interviews
Date:
1969
1969-1973
Topic:
Art, American  Search this
Local number:
AAA
AAA forduniv
Restrictions & Rights:
Use of original materials requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information
Untranscribed; use requires an appointment
See more items in:
WFUV radio interviews relating to art, 1969-1973
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_214180

Karl E. Fortess interviews with artists, circa 1963-1985

Creator:
Fortess, Karl E (Karl Eugene) 1907-  Search this
Subject:
Watkins, Franklin Chenault 1894-1972  Search this
Weeks, James 1922-  Search this
Weinberg, Elbert 1928-  Search this
White, Charles 1918-1979  Search this
Wilson, John 1922-2015  Search this
Wilson, Reginald 1909-  Search this
Wilson, Sol  Search this
Winters, Denny Sonke 1907-1985  Search this
Woodruff, Hale 1900-1980  Search this
Yarde, Richard 1939-  Search this
Zerbe, Karl 1903-1972  Search this
Vytlacil, Vaclav 1892-1984  Search this
Aach, Herbert 1923-1985  Search this
Abeles, Sigmund 1934-  Search this
Adler, Samuel 1898-  Search this
Alcalay, Albert 1917-2008  Search this
Alexander, F. O (Franklin Osborne)  Search this
Alston, Charles Henry 1907-1977  Search this
Andrews, Benny 1930-2006  Search this
Angeloch, Robert 1922-  Search this
Armitage, Kenneth 1916-  Search this
Avery, Sally  Search this
Baber, Alice  Search this
Barnet, Will 1911-2012  Search this
Baskin, Leonard 1922-2000  Search this
Baumbach, Harold 1903-  Search this
Bearden, Romare 1911-1988  Search this
Bell, Leland  Search this
Benton, Thomas Hart 1889-1975  Search this
Berger, Jason 1924-2010  Search this
Biddle, George 1885-1973  Search this
Birmelin, Robert 1933-  Search this
Bishop, Isabel 1902-1988  Search this
Blackburn, Robert Hamilton 1920-  Search this
Blanch, Arnold 1896-1968  Search this
Blanch, Lucile 1895-1981  Search this
Crawford, Ralston 1906-1978  Search this
Blume, Peter 1906-1992  Search this
Boghosian, Varujan  Search this
Bohlen, Nina  Search this
Bolotowsky, Ilya 1907-1981  Search this
Botkin, Henry 1896-1983  Search this
Bourgeois, Louise 1911-2010  Search this
Brandt, Warren 1918-  Search this
Breinin, Raymond 1910-  Search this
Bromberg, Manuel  Search this
Brook, Alexander 1898-1980  Search this
Brooks, James 1906-1992  Search this
Browning, Colleen  Search this
Burlin, Paul 1886-1969  Search this
Busa, Peter 1914-1985  Search this
Callahan, Kenneth 1905-1986  Search this
Candell, Victor 1903-1977  Search this
Castellón, Federico 1914-1971  Search this
Chaet, Bernard  Search this
Chasteen, Ancil  Search this
Chavez, Edward Arcenio 1917-1995  Search this
Cherry, Herman  Search this
Christ-Janer, Albert 1910-1973  Search this
Citron, Minna Wright 1896-1991  Search this
Cote, Alan A. 1937-  Search this
Cox, Gardner 1906-1988  Search this
Cox, Jan 1919-1980  Search this
Crampton, Rollin McNeil 1886-1970  Search this
Cusumano, Stefano 1912-1975  Search this
D'Arcangelo, Allan 1930-  Search this
D'Arista, Robert 1929-  Search this
De Creeft, José 1884-1982  Search this
Dehn, Adolf 1895-1968  Search this
De Diego, Julio 1900-  Search this
Dehner, Dorothy 1901-1994  Search this
De Kooning, Elaine  Search this
Demetropoulos, Charles  Search this
Dickinson, Edwin Walter 1891-1978  Search this
Dobkin, Alexander 1908-  Search this
Dodd, Betty  Search this
Dodd, Lamar  Search this
Eichenberg, Fritz 1901-1990  Search this
Edwards, Ethel 1914-1999  Search this
Engle, Harry  Search this
Ernst, Jimmy 1920-1984  Search this
Eshoo, Robert  Search this
Ferber, Herbert 1906-1991  Search this
Fine, Perle 1908-1988  Search this
Finkelstein, Louis  Search this
Floch, Joseph 1895-1977  Search this
Florsheim, Richard A. 1916-1979  Search this
Frank, Mary 1933-  Search this
Frankenthaler, Helen 1928-2011  Search this
Frasconi, Antonio  Search this
Freilicher, Jane 1924-  Search this
Georges, Paul 1923-2002  Search this
Gibran, Kahlil 1922-  Search this
Gikow, Ruth 1915-1982  Search this
Glaser, Milton  Search this
Golub, Leon 1922-2004  Search this
Gonzalez, Xavier 1898-1993  Search this
Gottlieb, Adolph 1903-1974  Search this
Graziani, Sante 1920-  Search this
Greene, Balcomb 1904-1990  Search this
Greenwood, Marion 1909-1970  Search this
Grippe, Peter 1912-  Search this
Gross, Chaim 1904-1991  Search this
Groth, John 1908-1988  Search this
Guston, Philip 1913-1980  Search this
Gwathmey, Robert 1903-1988  Search this
Haeberlin, Carolyn  Search this
Hale, Robert Beverly 1901-1985  Search this
Harmon, Lily 1912-  Search this
Hartigan, Grace  Search this
Held, Al 1928-  Search this
Heliker, John 1909-2000  Search this
Hillsmith, Fannie 1911-2007  Search this
Hirsch, Joseph 1910-1981  Search this
Hoener, Arthur 1929-  Search this
Hovannes, John 1900-1973  Search this
Hudson, Gary Van Voorhees 1936-  Search this
Hurwitz, Sidney 1932-  Search this
Isenburger, Eric 1902-1994  Search this
Jenkins, Paul 1923-2012  Search this
Jules, Mervin 1912-  Search this
Kahn, Wolf 1927-2020  Search this
Kallem, Henry 1912-  Search this
Kallem, Herbert 1909-1994  Search this
Kaplan, Joseph 1900-1980  Search this
Katz, Alex 1927-  Search this
Katzman, Herbert 1923-  Search this
Kay, Reed  Search this
Kaz, Nathaniel 1917-  Search this
Kepes, Gyorgy 1906-2001  Search this
Kienbusch, William 1914-1980  Search this
King, William 1925-  Search this
Kingman, Dong 1911-  Search this
Klitgaard, Georgina 1889-1977  Search this
Knaths, Karl 1891-1971  Search this
Koch, John 1909-1978  Search this
Kroll, Leon 1884-1974  Search this
Kupferman, Lawrence Edward 1909-1982  Search this
Laderman, Gabriel 1929-  Search this
Laning, Edward 1906-  Search this
Lasker, Joe  Search this
Lassaw, Ibram 1913-2003  Search this
Laufman, Sidney 1891-  Search this
Lawrence, Jacob 1917-2000  Search this
Lechay, James  Search this
Lee, Doris 1905-1983  Search this
Lee-Smith, Hughie  Search this
Leiber, Gerson August 1921-  Search this
Leslie, Alfred 1927-  Search this
Levi, Julian E (Julian Edwin) 1900-1982  Search this
Levine, Jack 1915-2010  Search this
Lewis, Norman 1909-1979  Search this
Lipton, Seymour 1903-1986  Search this
Loew, Michael 1907-1985  Search this
Lucioni, Luigi 1900-1988  Search this
Magafan, Ethel 1915 or 6-1993  Search this
Mandel, Howard 1917-1999  Search this
Manso, Leo  Search this
Marantz, Irving 1912-1972  Search this
Marcus, Marcia 1928-  Search this
Margo, Boris 1902-1995  Search this
Maril, Herman  Search this
Marsicano, Nicholas 1908-1991  Search this
Martin, Fletcher 1904-1979  Search this
Mason, Emily 1932-  Search this
Matsubara, Naoko  Search this
Mattson, Henry E (Henry Elis) 1887-1971  Search this
Mazur, Michael 1935-2009  Search this
Melcarth, Edward 1914-1973  Search this
Merkin, Richard  Search this
Metcalf, Conger 1914-1998  Search this
Milton, Peter 1930-  Search this
Moffett, Ross  Search this
Moller, Hans 1905-  Search this
Morgan, Maud 1903-1999  Search this
Morris, George L. K. 1905-1975  Search this
Moss, Ben Frank 1936-  Search this
Morris, Kyle  Search this
Motherwell, Robert  Search this
Moy, Seong  Search this
Muench, John  Search this
Murch, Walter  Search this
Nakian, Reuben 1897-1986  Search this
Neel, Alice 1900-1984  Search this
Neuman, Robert S  Search this
Neustadt, Barbara 1922-  Search this
Nivola, Costantino 1911-1988  Search this
Opper, John  Search this
Orsini, Robert  Search this
Ossorio, Alfonso 1916-1990  Search this
Pachner, William 1915-  Search this
Palmer, William 1906-1987  Search this
Parker, Raymond 1922-  Search this
Passlof, Pat 1928-  Search this
Pattison, Abbott L (Abbott Lawrence) 1916-1999  Search this
Pearlstein, Philip 1924-  Search this
Penney, James 1910-1982  Search this
Peterdi, Gabor  Search this
Petrov, Dimitre 1919-  Search this
Philipp, Robert 1895-1981  Search this
Picken, George 1898-  Search this
Pickens, Alton  Search this
Pike, John 1911-1979  Search this
Pineda, Marianna 1925-1996  Search this
Pittman, Hobson Lafayette 1899 or 1900-1972  Search this
Plate, Walter 1925-1972  Search this
Pollet, Joseph C. 1897-1979  Search this
Polonsky, Arthur  Search this
Ponce de Leon, Michael b. 1922  Search this
Poons, Larry  Search this
Prestopino, Gregorio  Search this
Preusser, Robert O (Robert Ormerod) 1919-1992  Search this
Prohaska, Ray  Search this
Redein, Alex 1912-  Search this
Refregier, Anton 1905-  Search this
Reich, Murray 1932-  Search this
Reisman, Philip 1904-  Search this
Resnick, Milton 1917-2004  Search this
Rickey, George  Search this
Rivers, Larry 1925-2002  Search this
Romano, Umberto 1905-1982  Search this
Rosati, James 1912-1988  Search this
Rose, Herman 1909-  Search this
Ruellan, Andrée 1905-2006  Search this
Russo, Alexander  Search this
Salemme, Lucia A  Search this
Sample, Paul 1896-1974  Search this
Sander, Ludwig 1906-  Search this
Sanders, Joop A. 1922-  Search this
Scarlett, Rolph b. 1889  Search this
Schrag, Karl  Search this
Schreiber, Georges 1904-  Search this
Schwartz, Henry 1927-  Search this
Schwartz, Manfred 1909-1970  Search this
Schmidt, Katherine 1898-1978  Search this
Sievan, Maurice  Search this
Simon, Sidney 1917-1997  Search this
Siporin, Mitchell 1910-1976  Search this
Small, Hannah  Search this
Sokole, Miron 1901-  Search this
Solman, Joseph 1909-2008  Search this
Solomon, Hyde 1911-  Search this
Solomon, Syd 1917-  Search this
Soyer, Isaac 1902-1981  Search this
Soyer, Moses 1899-1974  Search this
Soyer, Raphael 1899-1987  Search this
Stamos, Theodoros 1922-1997  Search this
Stasik, Andrew  Search this
Steffen, Bernard J. 1907-  Search this
Sternberg, Harry 1904-2001  Search this
Sterne, Hedda 1910-2011  Search this
Stoltenberg, Donald  Search this
Stone, Sylvia 1928-  Search this
Summers, Carol 1925-  Search this
Swan, Barbara 1922-  Search this
Tam, Reuben  Search this
Taylor, John 1897-1983  Search this
Thon, William 1906-2000  Search this
Toney, Anthony  Search this
Tovish, Harold 1921-2008  Search this
Townley, Hugh  Search this
Hopper, Jo N (Josephine Nivison) 1883-1968  Search this
Vehara, Carole  Search this
Vicente, Esteban 1903-2001  Search this
Vickrey, Robert 1926-  Search this
Physical description:
268 interviews
5.6 linear feet
Type:
Interviews
Collection descriptions
Sound recordings
Date:
1960
1985
circa 1963-1985
Local number:
aaa
AAA fortkarl
Restrictions & Rights:
Interviews are untranscribed; use requires an appointment and is limited to AAA's Washington, D.C. and New York, N.Y Research Centers. Interviews without a duplicate copy requires advance notice
The donor has specified as a condition of the gift that the tapes may not be transcribed or edited
See more items in:
Karl E. Fortess interviews with artists, circa 1963-1985
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_216518

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