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Oral history interview with Luchita Hurtado

Interviewee:
Hurtado, Luchita, 1920-2020  Search this
Interviewer:
Winter, Amy H. (Amy Harriet)  Search this
Karlstrom, Paul J.  Search this
Names:
Bloch, Lucienne, 1909-1999  Search this
D'Harnoncourt, Rene, 1901-1968  Search this
Kozloff, Joyce  Search this
Moholy-Nagy, Sibyl, 1905-  Search this
Mullican, Lee, 1919-1998  Search this
Mullican, Matt, 1951-  Search this
Noguchi, Isamu, 1904-1988  Search this
Paalen, Wolfgang, 1907-  Search this
Varda, Jean  Search this
Wescher, Mary  Search this
Wescher, Paul, 1894-  Search this
Extent:
4 Sound cassettes (Sound recording (4 hrs., 15 min.), analog)
120 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Date:
1994 May 1-1995 Apr. 13
Scope and Contents:
An interview of Venezuelan born American paitner, Luchita Hurtado, conducted 1994 May 1-1995 Apr. 13, by Amy Winter and Paul Karlstrom, for the Archives of American Art, Women in the Arts in Southern California Oral History Project.
1994 May 1 session: The interview focuses on Hurtado's family background; years with her second husband, artist and collector Wolfgang Paalen; the surrealist artist group, Dynaton, living and traveling in Mexico with Paalen, moving to San Francisco and her relationships with artists, collectors; influences on her painting; and Surrealism. Among those mentioned are Rufino and Olga Tamayo, Isamu Noguchi, Gordon Onslow Ford, Jacqueline Johnson, Frida Kahlo, Remedios Varos, Leonora Carrington, Edward James, Lucienne Bloch, Stephen Dimitroff, Grace McCann Morley, Sybil Moholy-Nagy, Jack and Frank Stauffacher, James Broughton, Rene d'Harnoncourt, Julius Karlebach, Herbert (Joe) Spinden, and Robert Motherwell.
April 13, 1995 session: Hurtado continues with a focus on the California years, discussing her reasons for settling there, the Dynaton group and her circle of friends; her third husband, Lee Mullican; the birth of her son Matthew Mullican; her work; California and Mexican imagery; importance of experience and senses, particularly smell, to her creativity and work; importance of her family; and difficulties of pursuing art as a career for a woman, wife and mother; and life in Taos, N.M. She recalls Jean Varda, Shiela and Giles Healey, Mary and Paul Wescher, and Joyce Kozloff.
Biographical / Historical:
Luchita Hurtado (1920-2020) was a painter from Santa Monica, Calif. and Arroyo Seco, N.M. She was born in Caracas, Venezuela.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- California  Search this
Painters -- New Mexico  Search this
Topic:
Surrealism  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women painters  Search this
Identifier:
AAA.hurtad94
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw910b296f3-4547-441b-bfe3-61b8aa7c45e7
EDAN-URL:
ead_collection:sova-aaa-hurtad94
Online Media:

Oral history interview with Herbert Palmer

Interviewee:
Palmer, Herbert Bearl, 1915-2006  Search this
Interviewer:
Ehrlich, Susan, 1942-  Search this
Names:
Ankrum Gallery  Search this
David Stuart Galleries  Search this
Feigen Palmer Gallery  Search this
Felix Landau Gallery  Search this
Irving Blum Gallery (Los Angeles, Calif.)  Search this
New York University -- Students  Search this
Ankrum, Joan  Search this
Bloch, Lucienne, 1909-1999  Search this
Bluhm, Norman, 1921-1999  Search this
Callahan, Harry M.  Search this
Cézanne, Paul, 1839-1906  Search this
Feigen, Richard L., 1930-  Search this
Garabedian, Charles  Search this
Grooms, Red  Search this
Maillol, Aristide, 1861-1944  Search this
Mullican, Lee, 1919-1998  Search this
Offner, Richard, 1889-1965  Search this
Onslow-Ford, Gordon  Search this
Paalen, Wolfgang, 1907-  Search this
Reiss, Henrietta  Search this
Reiss, Winold, 1886-1953  Search this
Riley, Bridget, 1931-  Search this
Shapiro, Meyer  Search this
Stevenson, Harold, 1929-2018  Search this
Tudor, David, 1926-1996  Search this
Vasa  Search this
Wölfflin, Heinrich, 1864-1945  Search this
Extent:
56 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 Dec. 6-22
Scope and Contents:
An interview of Herbert Palmer conducted 2004 Dec. 6 and 22, by Susan Ehrlich, for the Archives of American Art, in West Hollywood, Calif.
Palmer discusses his family background and childhood in New York City; early exposure to art exhibitions; music appreciation; attending New York University; taking classes with Winhold Reiss, Meyer Shapiro, Richard Offner, and Heinrich Wolfflin; his master's thesis on Paul Cezanne's paintings of Mount Saint Victoire; moving to California; learning to fly; meeting Lillian, his wife; founding Feigen-Palmer Gallery with Richard Feigen; other galleries in the area, including Irving Blum, David Stuart, Felix Landau, Charles Garabedian, and Joan Ankrum; Monday Night Art Walks; John Cage and David Tudor performance pieces; the many artists he's exhibited; Andy Warhol's "The Kiss"; 1968 split with Richard Feigen to become the Herbert Palmer Gallery; the theft of a Picasso sculpture in Dec. 1981 and the ensuing legal case, which involved numerous galleries and collectors; his longstanding friendships with Gordon Onslow Ford, Lee Mullican, and Wolfgang Paalen; membership to the Art Dealers Association of California; and his enjoyment of discovering art, old and new. Palmer also recalls Henriette Riess, Harold Stevenson, Lucienne Bloch, Bridget Riley, Vasa Mihich, Maillol, Red Grooms, Norman Bluhm, and others.
Biographical / Historical:
Herbert Palmer (1915-2006) owned the Herbert Palmer Gallery of West Hollywood, Calif. Interviewer Susan Ehrlich is an art historian from Beverly Hills, Calif.
General:
Originally recorded on 4 mini discs. Reformatted in 2010 as 15 digital wav files. Duration is 3 hr., 35 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Use requires an appointment.
Occupation:
Gallery owners -- California  Search this
Topic:
Art thefts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.palmer04
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9865dac29-395b-4aba-932d-dc84613acfdc
EDAN-URL:
ead_collection:sova-aaa-palmer04
Online Media:

Oral history interview with Lucienne Bloch

Interviewee:
Bloch, Lucienne, 1909-1999  Search this
Interviewer:
McChesney, Mary Fuller  Search this
McChesney, Robert, 1913-2008  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Extent:
76 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1964 August 11
Scope and Contents:
An interview of Lucienne Bloch conducted by Mary Fuller McChesney and Robert McChesney on 1964 August 11 for the Archives of American Art New Deal and the Arts Project.
Biographical / Historical:
Lucienne Bloch (1909-1999) was a mural painter in New York, New York.
General:
Originally recorded on 2 sound tape reels. Reformatted in 2010 as 4 digital wav files. Duration is 4 hr., 15 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
This interview is open for research. Contact Reference Services for more information.
Occupation:
Muralists -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women designers  Search this
Women muralists  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.bloch64
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw971eae80f-1fb9-43c5-bfcd-1317cd8421b5
EDAN-URL:
ead_collection:sova-aaa-bloch64
Online Media:

Lucienne Bloch photographs of murals, 1934-1937

Creator:
Bloch, Lucienne, 1909-1999  Search this
Subject:
Federal Art Project (New York, N.Y.)  Search this
Citation:
Lucienne Bloch photographs of murals, 1934-1937. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women designers  Search this
New Deal, 1933-1939  Search this
Art and state  Search this
Mural painting and decoration  Search this
Federal aid to the public welfare  Search this
Federal aid to the arts  Search this
Women muralists  Search this
Theme:
Women  Search this
Government Sponsorship of the Arts  Search this
Audio - Visual  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)6739
(DSI-AAA_SIRISBib)208864
AAA_collcode_blocluci
Theme:
Women
Government Sponsorship of the Arts
Audio - Visual
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208864

Oral history interview with Lucienne Bloch, 1964 August 11

Interviewee:
Bloch, Lucienne, 1909-1999  Search this
Interviewer:
McChesney, Mary Fuller, 1922-2022  Search this
Subject:
McChesney, Robert, 1913-2008  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Lucienne Bloch, 1964 August 11. Archives of American Art, Smithsonian Institution.
Topic:
New Deal, 1933-1939  Search this
Federal aid to the arts  Search this
Mural painting and decoration  Search this
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women designers  Search this
Women muralists  Search this
Theme:
Women  Search this
New Deal  Search this
Record number:
(DSI-AAA_CollID)12814
(DSI-AAA_SIRISBib)213314
AAA_collcode_bloch64
Theme:
Women
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213314
Online Media:

Federal Art Project, Photographic Division collection

Creator:
Federal Art Project. Photographic Division  Search this
Names:
Federal Art Project (N.Y.)  Search this
Federal Art Project (Wash.)  Search this
Federal Art Project -- Photographs  Search this
Federal Art Project. Easel Division  Search this
Federal Art Project. Graphic Arts Division  Search this
Federal Art Project. Poster Division  Search this
Federal Music Project (U.S.) -- Photographs  Search this
Federal Theatre Project (U.S.) -- Photographs  Search this
Federal Writers' Project (U.S.) -- Photographs  Search this
Harlem Art Center  Search this
United States. Work Projects Administration  Search this
United States. Works Progress Administration  Search this
Abbott, Berenice, 1898-1991  Search this
Alston, Charles Henry, 1907-1977  Search this
Arenal, Luis  Search this
Barthé, Richmond, 1901-1989  Search this
Benson, John Howard, 1901-1956  Search this
Berger, Andrew  Search this
Blanch, Lucile, 1895-1981  Search this
Bloch, Lucienne, 1909-1999  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Brann, Louise, 1906-  Search this
Burke, Selma, 1900-  Search this
Cahill, Holger, 1887-1960  Search this
Calapai, Letterio, 1902-1993  Search this
Chodorow, Eugene, 1910-2000  Search this
Criss, Francis, 1901-1973  Search this
Davis, Stuart, 1892-1964  Search this
De Rivera, José Ruiz, 1904-1985  Search this
Dehn, Adolf, 1895-1968  Search this
Dehn, Virginia E. (Virginia Engleman), 1922-2005  Search this
Ennis, George Pearse, d. 1936  Search this
Evergood, Philip, 1901-1973  Search this
Gershoy, Eugenie, 1901?-1983 or 6  Search this
Goodman, Bertram, 1904-1988  Search this
Gorky, Arshile, 1904-1948  Search this
Greenwood, Marion, 1909-1970  Search this
Guston, Philip, 1913-1980  Search this
Herman, Andrew  Search this
Hord, Donal, 1902-1966  Search this
Horn, Sol  Search this
Hovell, Joseph, 1897-  Search this
Karp, William, 1905-  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Laning, Edward, 1906-1981  Search this
Levi, Julian E. (Julian Edwin), 1900-1982  Search this
McMahon, Audrey, 1900?-1981  Search this
Olds, Elizabeth, 1896-1991  Search this
Refregier, Anton, 1905-  Search this
Robbins, David  Search this
Seltzer, Leo, 1916-  Search this
Shuster, Will  Search this
Zorach, William, 1887-1966  Search this
Extent:
12.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
circa 1920-1965
bulk 1935-1942
Summary:
The Federal Art Project, Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the Federal Art Project (FAP), 1935-1942. The collection comprises 12.4 linear feet of mostly photographic prints and negatives that document primarily artwork produced by artists employed by the FAP. A smaller number of photographs also document other programs of the FAP, such as art classes and community centers, exhibitions by children and adults, artwork installed in public buildings, project divisions, and demonstrations of art processes by FAP artists.
Scope and Content Note:
The Federal Art Project (FAP), Photographic Division collection dates from circa 1920-1965, with the bulk of the records spanning the active years of the FAP: 1935-1942. The collection comprises 12.4 linear feet of photographic prints and negatives, including photos of FAP artists and the artwork created by them, and other activities of the FAP in communities throughout New York City and other states. Photographers include Andrew Herman, Sol Horn, David Robbins, Leo Seltzer, and others.

Artist files comprise three-quarters of the collection and consist primarily of photographs of artwork, as well as scattered photos of artists at work, including: Charles Alston, Luis Arenal, Richmond Barthe, John Benson, Andrew Berger, Lucille Blanch, Lucienne Bloch, Ilya Bolotowsky, Luise Brann, Selma Burke, Letterio Calapai, Eugene Chodorow, Francis Criss, Stuart Davis, Adolf Dehn, Virginia Dehn, Jose de Rivera, George Pearse Ennis, Philip Evergood, Eugenie Gershoy, Bertram Goodman, Arshile Gorky, Marion Greenwood, Philip Guston, Donal Hord, Joseph Hovell, William Karp, Yasuo Kuniyoshi, Edward Laning, Julian Levi, Audrey McMahon, Elizabeth Olds, Anton Refregier, Will Shuster, William Zorach, and others.

The remainder of the collection consists of files documenting related activities and programs of the FAP, arranged by subject. The bulk of these files document the activities of the New York City FAP, including free art classes and art exhibitions for adults and children, exhibitions at the Harlem Art Center, and the work of FAP branches including the Easel Division, the Graphic Arts Division, and the Poster Division.

Other subjects documented include federal and community art centers in eleven states, most extensively Washington State; other WPA projects such as the Federal Theater Project, the Federal Music Project, and the Federal Writers' Project; buildings decorated with FAP artwork; art processes as demonstrated by FAP artists; special events; and people involved with the FAP, including director Holger Cahill.

One folder contains images that appear to have been taken by Berenice Abbott for the exhibition Changing New York (1935), for the Museum of the City of New York in collaboration with the WPA.
Arrangement:
The collection is arranged as 2 series:

Missing Title

Series 1: Artist Files, circa 1920-1965 (Boxes 1-24; 9.6 linear feet)

Series 2: Subject Files, 1934-1956 (Boxes 25-32; 2.8 linear feet)
Historical Note:
The Federal Art Project (FAP) was one of the Depression-era work-relief programs of the Federal Works Progress Administration (WPA). The program was founded in August 1935 to provide employment for artists and to implement visual arts programs in local communities across the country.

Together with the Federal Music Project, the Federal Theater Project, and the Federal Writers' Project, the FAP formed part of the WPA's Federal Project No. 1. The WPA became the Work Projects Administration in 1939 when it fell under the administrative hand of the newly created Federal Works Agency; concurrently the Federal Art Project was officially re-named the Federal Art Program.

Under the direction of Holger Cahill, the goals of the FAP fell into three main areas: production of artwork, art education through art classes and community centers, and art research through the Index of American Design. During the course of the program, artists created murals and other works of art for many non-Federal government buildings such as schools, hospitals, and libraries. Separate photographic divisions were set up in several states, most notably in New York City, to document the work of artists employed by the program, activities in art education such as classes for children and adults, community center outreach programs, and other "Federal 1" projects, including the Federal Theater and Music Projects. Employees of the photographic division were also involved in other assignments, such as creating exhibitions and photo murals.

The Federal Art Project ended in 1943.
Related Material:
Among the holdings of the Archives of American Art are related collections, including the Federal Art Project of the Work Projects Administration records, 1935-1948. Additional FAP records are held by the National Archives and Records Administration in Washington D.C.
Provenance:
The collection was anonymously donated to the Archives of American Art in the late 1950s.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Children's art  Search this
Photography  Search this
Art -- United States -- Exhibitions -- Photographs  Search this
Art -- United States -- Study and teaching -- Photographs  Search this
Art centers  Search this
Federal aid to the public welfare -- Photographs  Search this
Theater and state -- United States -- Photographs  Search this
Music and state -- United States -- Photographs  Search this
Federal aid to the arts -- Photographs  Search this
Art -- Technique  Search this
Artists -- United States -- Photographs  Search this
Art -- Exhibitions  Search this
Latino and Latin American artists  Search this
Art -- Study and teaching  Search this
African American artists  Search this
Function:
Programs (organizations)
Agencies
Genre/Form:
Photographs
Citation:
Federal Art Project, Photographic Division collection, circa 1920-1965, bulk 1935-1942. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fedeartp14
See more items in:
Federal Art Project, Photographic Division collection
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91f0216d7-ed8e-4482-8128-6def41dbe367
EDAN-URL:
ead_collection:sova-aaa-fedeartp14
Online Media:

Apprentice to Diego Rivera in Detroit and fresco workshops manual / by Stephen Pope Dimitroff

Title:
Fresco workshops manual
Author:
Dimitroff, Stephen Pope  Search this
Bloch, Lucienne 1909-1999  Search this
Subject:
Dimitroff, Stephen Pope  Search this
Rivera, Diego 1886-1957  Search this
Ford Motor Company Rouge River Plant in art  Search this
Detroit Institute of Arts  Search this
Physical description:
55 p. : ill. ; 22 cm
Type:
Books
Place:
Michigan
Detroit
Date:
1986
C1986
Topic:
Mural painting and decoration  Search this
Mural painting and decoration--Technique  Search this
Call number:
N40.1.D5823 A1 1986
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_478579

Lucienne Bloch photographs of murals

Creator:
Bloch, Lucienne, 1909-1999  Search this
Names:
Federal Art Project (New York, N.Y.)  Search this
Extent:
44 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1934-1937
Scope and Contents:
Photographs of Bloch's murals in the House of Detention for Women in New York City, for Madison House, and for George Washington High School; and photographs of unknown demonstrators.
Biographical / Historical:
Mural painter and painter, New York, N.Y. Died Mar. 13, 1999 Bloch was an artist for the Federal Art Project (New York, N.Y.).
Provenance:
Lent for microfilming by Lucienne Bloch.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Muralists -- New York (State) -- New York  Search this
Photographers -- New York (State) -- New York  Search this
Designers -- New York (State) -- New York  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women photographers  Search this
Women designers  Search this
New Deal, 1933-1939  Search this
Art and state  Search this
Mural painting and decoration  Search this
Federal aid to the public welfare  Search this
Federal aid to the arts  Search this
Women muralists  Search this
Identifier:
AAA.blocluci
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9082893bd-e8a3-4fc8-b915-2bf9885cfdd7
EDAN-URL:
ead_collection:sova-aaa-blocluci

The Rouge : the image of industry in the art of Charles Sheeler and Diego Rivera : panel discussion

Creator:
Detroit Institute of Arts  Search this
Names:
Bloch, Lucienne, 1909-1999  Search this
Dimitroff, Stephen Pope, 1910-  Search this
Downs, Linda Anne, 1945-  Search this
Halberstadt, Ernst, 1910-1987  Search this
Rivera, Diego, 1886-1957  Search this
Sheeler, Charles, 1883-1965  Search this
Extent:
17 Pages (Transcript)
1 Sound cassette (Sound recording)
Type:
Collection descriptions
Archival materials
Pages
Sound cassettes
Date:
1978 Sept. 20
Scope and Contents:
A panel discussion sponsored by the Detroit Institute of Arts, moderated by Linda Downs, curator of education. The participants include Lucienne Bloch, Stephen Pope Dimitroff, Linda Anne Downs and Ernst Halberstadt.
Biographical / Historical:
Art museum; Detroit, Mich.
Provenance:
Donated 1980 by the Detroit Institute of Arts.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art and industry  Search this
Industries in art  Search this
Identifier:
AAA.detrinst3
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91472ede5-677b-46e6-a7fd-8bdc55e19ff0
EDAN-URL:
ead_collection:sova-aaa-detrinst3

I want to fly; story by Anita Brenner, pictures by Lucienne Bloch

Author:
Brenner, Anita 1905-1974  Search this
Illustrator:
Bloch, Lucienne 1909-1999  Search this
Physical description:
[34] pages color illustrations 24 cm
Type:
Juvenile fiction
Fiction
Juvenile works
Date:
1943
Topic:
Flight  Search this
Call number:
PZ7.B7517 I4X
PZ7.B7517I4X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_76349

The Flint Flood, (painting)

Painter:
Bloch, Lucienne 1909-1999  Search this
Medium:
Egg tempera on masonite
Type:
Paintings
Date:
1948
Topic:
Cityscape--Michigan--Flint  Search this
Disaster--Flood  Search this
Architecture--Vehicle--Train  Search this
Architecture exterior--Commercial--Restaurant  Search this
Architecture exterior--Commercial--Hotel  Search this
Control number:
IAP 8F090010
Data Source:
Art Inventories Catalog, Smithsonian American Art Museums
EDAN-URL:
edanmdm:siris_ari_462321

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