REEL 2029: 41 group photographs of artists' outings. Appearing in one or more photos are: George R. Barse, Charles Bittinger, A.E. Blackmore, Robert F. Bloodgood, J.G. Brown, Frederick S. Church, Percival De Luce, William H. Drake, Charles H. Ebert, Homer F. Emens, L. Farragut, William B. Faxon, William C. Fitler, Arthur R. Freedlander, J.C. Guy, Seymour J. Guy, William St. John Harper, Carl Hirschberg, William H. Howe, Francis C. Jones, James Kinsella, L. Kleiser, Homer Lee, Joseph Lauber, William H. Lippincott, Will H. Low, George W. Maynard, Charles F. W. Mielatz, B. Mitchell, James C. Nicoll, Ivan G. Olinsky, John F. O'Sullivan, W. P. Phelps, William M. Post, Frederick Richardson, Roswell M. Shurtleff, William T. Smedley, Charles Y. Turner, Douglas Volk, and Giles Whiting.
Biographical / Historical:
Artists' Fellowship's purpose is to assist artists and their families in case of sickness, bereavement or distress. It grew out of the Helpful Society, founded 1868, and housed in the Tenth Street Studio Building. It became the Artists' Mutual Aid Society, whose name was changed in 1889 to the Artists' Aid Society. In 1925 the Society was incorporated as Artists' Fellowhip, Inc.
Donated 1980 by Artists' Fellowship, via Michael Engel II, President. The original negatives and album of vintage prints on reel 2029 were found in the offices of the National Academy of Design, where the Fellowship at one time maintained offices.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Identities of recipients of awards: Authorization to quote or reproduce for purposes of publication requires written permission from Artists' Fellowship, Inc. Contact Reference Services for more information.
Biographical material, diaries, correspondence, notes, writings, business records, sketches, scrapbook, clippings, and miscellaneous material.
Correspondence, undated and 1906-1979, is mainly letters from Maynard to his parents; also includes letters from Charles Bittinger, Alphaeus P. Cole, Olive Rush, Bessie Potter Vonnoh, and Irving R. Wiles.
Notes and writings, are by Maynard and by his daughter, Sylvia. Business records, 1902-1937, include leases, receipts, miscellaneous financial records, and material relating to his patents.
There are fifty-six sketches, undated and 1902-1915, including a floorplan of Maynard's studio in 1902; a scrapbook, 1895-1898, containing clippings, letters, and 2 sketches, mainly relating to the HARVARD LAMPOON; clippings, 1898-1976; exhibition announcements and catalogs, 1905-1917, miscellaneous printed material, undated and 1898-1901; biographical material, undated and 1938; 7 diaries kept by Maynard, 1888-1899 and 1960; and one, 1897, by Margaret Field Maynard.
Photographs, undated and 1914-1979, are of Maynard, of a trip to Tucson, 1914, of a play entitled "Puppets of Fate", showing F. Luis Mora, Charles C. Curran, Charles Coburn, Kenneth MacKenna (aka Leo Mielziner), and Mr. Hubbell in costume. Also included are photographs of Beryl Morse, Gladys Lee Wiles, Helen Chadwick, Bessie Potter Vonnoh, Alphaeus P. Cole in 1979, and a model demonstrating Maynard's invention: a chair which rolls on tracks perpendicular to the easel to facilitate the artist's movement while painting.
ADDITION: Correspondence between Maynard and his father, Isaac N. Maynard, 1931-1933; letters to Maynard and others from his wife Lorraine, 1933; and a few letters to Richard and Lorraine Maynard from their twelve-year-old daughter, Sylvia, 1933 [All letters from Richard and Lorraine Maynard are carbon copies.] Also included are letters to the Richard and Lorraine Maynard from Bessie Potter Vonnoh, writings by Lorraine Maynard, undated, and photographs of Lorraine and Sylvia Maynard, and of Vonnoh, c. 1923.
Biographical / Historical:
Painter, sculptor, writer, and inventor. Maynard was a resident and Treasurer of the Tenth Street Studio Building, N.Y.C.
Donated by Sylvia Maynard, daughter of Richard Field Maynard, 1981. An additional 0.2 ft. was received from Maynard via Julie Aronson, who had used the papers in her research on Bessie Potter Vonnoh.
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.