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William Anderson Coffin papers, 1886-1924

Creator:
Coffin, William A. (William Anderson), 1855-1925  Search this
Subject:
Stella, Joseph  Search this
Warren, Whitney  Search this
Mauer, Alfred  Search this
Benson, Frank Weston  Search this
Blashfield, Edwin Howland  Search this
Zorach, William  Search this
Gay, Walter  Search this
Gussow, Bernard  Search this
Bouché, Louis  Search this
Cortissoz, Royal  Search this
Pan-American Exposition  Search this
Société des artistes français  Search this
Exposition d'artistes de l'école Américaine  Search this
American Rights Committee  Search this
American Artists' Committee of One Hundred  Search this
Lotos Club (New York, N.Y.)  Search this
Musée d'histoire et d'art (Luxembourg)  Search this
Committee for the Exhibition of American Painting and Sculpture (Paris, France)  Search this
Type:
Scrapbooks
Photographs
Topic:
Harper's Weekly  Search this
New York Post  Search this
Art Exhibitions France Paris  Search this
Art critics -- New York (State) -- New York  Search this
Landscape painters -- New York (State) -- New York  Search this
Art, American  Search this
World War, 1914-1918 -- Civilian relief -- France  Search this
Art critics -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)7476
(DSI-AAA_SIRISBib)209634
AAA_collcode_coffwill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209634
Online Media:

William Anderson Coffin papers

Topic:
Harper's Weekly
New York Post
Creator:
Coffin, William A. (William Anderson), 1855-1925  Search this
Names:
American Artists' Committee of One Hundred  Search this
American Rights Committee  Search this
Committee for the Exhibition of American Painting and Sculpture (Paris, France)  Search this
Exposition d'artistes de l'école Américaine (1919 : Paris, France)  Search this
Lotos Club (New York, N.Y.)  Search this
Musée d'histoire et d'art (Luxembourg)  Search this
Pan-American Exposition (1901: Buffalo, N.Y.)  Search this
Société des artistes français  Search this
Benson, Frank Weston, 1862-1951  Search this
Blashfield, Edwin Howland, 1848-1936  Search this
Bouché, Louis, 1896-1969  Search this
Cortissoz, Royal, 1869-1948  Search this
Gay, Walter, 1856-1937  Search this
Gussow, Bernard, 1881-1957  Search this
Mauer, Alfred  Search this
Stella, Joseph, 1877-1946  Search this
Warren, Whitney, 1864-1943  Search this
Zorach, William, 1887-1966  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Photographs
Date:
1886-1924
Summary:
The papers of New York painter and art critic William Anderson Coffin date from 1886-1924 and measure 1.6 linear feet. Found within the papers are scattered biographical materials and correspondence, project files for the Pan-American Exposition in Buffalo, the American Artist's Committee of One Hundred, and the exhibition of works by American Artists at the Luxembourg Museum in Paris, three additional scrapbooks, printed material, and photographs.
Scope and Content Note:
The papers of New York painter and art critic William Anderson Coffin date from 1886 to 1924 and measure 1.6 linear feet. Found within the papers are scattered biographical materials and correspondence; project files for the Pan-American Exposition in Buffalo, the American Artist's Committee of One Hundred, and the exhibition of works by American Artists at the Luxembourg Museum in Paris; three additional scrapbooks; printed material; and photographs.

Scattered biographical material includes membership cards and an autobiographical essay. Correspondence is with colleagues and related generally to receptions and events, including an invitation to the launch of the U. S. Battleship Arizona. There are one or two letters each from Frank W. Benson, Edwin Howland Blashfield, Royal Cortissoz, Walter Gay, and Whitney Warren.

Three series of project files document Coffin's work for the Fine Arts Division of the Pan-American Exposition in Buffalo, the American Artists' Committee of One Hundred that established a relief fund for families of French soldier-artists, and an exhibition of artwork by American Artists at the Luxembourg Museum in Paris. Files contain a variety of materials, such as letters, drafts of reports, meeting minutes, photographs, catalogs and brochures, and other materials. There are two oversized scrapbooks for the Buffalo Pan-American Exposition. The files for the Luxembourg Museum exhibition include a letter signed by Louis Bouché, Bernard Gussow, Alfred H. Maurer, Joseph Stella, and William Zorach protesting the exclusion of their work.

Three additional scrapbooks contain clippings of articles written by Coffin when he was employed as an art critic for The New York Evening Post, Harper's Weekly, and The New York Sun.

Printed material consists of miscellaneous clippings primarily about Coffin, programs from American Rights Committee exercises, a Dixie Club of New York concert, a Lotos Club concert, the Lafayette-Marne Anniversary exercises, and souvenir tickets to various art-related events including several Paris Salon Vernissage events sponsored by the Société des Artistes Francais.

Photographs include an album of photographs of Coffin, various family members, and residences; a photograph of Coffin posing with an unidentified group of his colleagues; and photographs of family friends. Project files also contain photographs.
Arrangement:
The collection is arranged as 8 series:

Series 1: Biographical Material, 1916-1922 (2 folders; Box 1)

Series 2: Correspondence, 1915-1924 (8 folders; Box 1)

Series 3: Project File for the Pan-American Exposition in Buffalo, New York, 1900-1901 (0.3 linear feet; Box 1-2)

Series 4: Project File for the American Artists' Committee of One Hundred, 1914-1923 (14 folders; Box 1)

Series 5: Project File for the Exhibition of Works by American Artists at the Luxembourg Museum in Paris, 1919-1920 (11 folders; Box 1)

Series 6: Scrapbooks of Clippings of Articles Written by Coffin, 1886-1913 (0.3 linear feet; Box 2)

Series 7: Printed Material, 1912-1924 (6 folders; Box 1)

Series 8: Photographs, 1905-1923 (10 folders; Box 1)
Biographical Note:
William Anderson Coffin (1855-1925) of New York City was a landscape and figure painter and art critic. He organized several notable exhibitions and art-related charitable events for relief work in post-World War I France.

William Anderson Coffin was born near Pittsburgh in Allegheny, Pennsylvania on January 31, 1855, the son of Isabella C. Anderson and James Gardiner Coffin. Coffin studied art and graduated from Yale University in 1874. Three years later, he left for Paris and studied with academic artist Léon Bonnat. Coffin exhibited in the Paris Salons of 1879, 1880, and 1882.

In 1882, Coffin moved to New York City, participating in many exhibitions, including at the National Academy of Design. He also wrote as an art critic for Scribner's and Harper's Weekly, among other publications. From 1886 to 1891, he was art critic for The New York Evening Post, and was art editor at the New York Sun from 1896 to 1901.

Coffin directed the Fine Arts Division of the Pan-American Exposition in Buffalo from 1900 to 1901, and participated as a member of the New York Advisory Board of the Panama-Pacific Exposition in 1915. Coffin was also president of the American Artists' Committee of One Hundred that established a relief fund for families of French soldier-artists. For this charitable work, Coffin received the medal of the Legion of Honor from the French government in 1917.

Coffin was a member of various arts organizations including the Lotos Club, the Architectural League of New York, and the National Academy of Design. His artwork is in the collections of the Metropolitan Museum of Art, the Smithsonian American Art Museum, the Municipal Gallery of Venice, Italy, the Albright Art Gallery, and the Brooklyn Museum.

William Anderson Coffin died on October 26, 1925 in New York City.
Provenance:
The William Anderson Coffin papers were donated in 1970 by Stewart Klonis to whom the papers were given by Mrs. DeWitt M. Lockman of Manorville, Long Island, New York.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The William Anderson Coffin papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Painters  Search this
Topic:
Art Exhibitions France Paris  Search this
Art critics -- New York (State) -- New York  Search this
Landscape painters -- New York (State) -- New York  Search this
Art, American  Search this
World War, 1914-1918 -- Civilian relief -- France  Search this
Art critics -- France -- Paris  Search this
Genre/Form:
Scrapbooks
Photographs
Citation:
William Anderson Coffin papers, 1886-1924. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.coffwill
See more items in:
William Anderson Coffin papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-coffwill
Online Media:

Clyde H. Burroughs letters and photographs from artists

Creator:
Burroughs, Clyde H. (Clyde Huntley), 1882-1973  Search this
Names:
Benson, Frank Weston, 1862-1951  Search this
Fournier, Alexis Jean, 1865-1948  Search this
Kendall, William Sergeant, 1869-1938  Search this
Lopez, Carlos, 1908-1953  Search this
Melchers, Gari, 1860-1932  Search this
Morgan, Arthur C., 1904-  Search this
Olinsky, Ivan G. (Ivan Gregorewitch), 1878-1962  Search this
Pancoast, Henry Boller, b. 1876  Search this
Parshall, DeWitt, 1864-1956  Search this
Rader, Isaac, 1906-  Search this
Reyneau, Betsy Graves  Search this
Ritschel, William, 1864-1949  Search this
Rolshoven, Julius, 1858-1930  Search this
Troubetzkoy, Pierre, 1864-1936  Search this
Photographer:
Clark, Frank Scott, 1865-1937  Search this
Extent:
23 Items
Type:
Collection descriptions
Archival materials
Date:
1915-1937
Scope and Contents:
Photographs of and letters from artists, and a sales catalog.
REEL D10: A letter from Ann Arbor, Michigan painter Carlos Lopez answering Burroughs's request for information about a painting.
REEL 1817: Six toned silver gelatin photographs taken by Frank Scott Clark, 1915, of artists Alexis Jean Fournier, Gari Melchers, Ivan Olinsky, William Ritschel, Julius Rolshoven and Paul Troubetzkoy, each inscribed to Burroughs by the artist, 1915 and 1916. [Arranged alphabetically on microfilm with other unrelated photographs in Photographs of Artists Collection Two.]
REEL 2787: Letters from artist friends and acquaintances, including a letter from sculptor, Arthur C. Morgan, about a bust he is working on; a letter from Henry Boller Pancoast, 1925, "in receipt of your kind invitation to send my picture to Detroit for your annual exhibition," written on a card with a reproduction of a painting by Pancoast; photocopies of 11 letters received by Burroughs from Frank W. Benson, DeWitt Parshall, and William Sergeant Kendall, all regarding the exhibition of their works at the Detroit Museum of Art; and an annotated catalog of the sale of oil paintings, etchings, watercolors, and drawings belonging to Clyde Burroughs.
REEL 3482: A letter to Burroughs from Betsy Graves Reyneau, undated and one from Isaac Rader, 1927, each giving biographical information.
Biographical / Historical:
Clyde Burroughs (1882-1973) was an art administrator, director, and historian from Detroit, Mich. Director of the Detroit Museum of Art which became the Detroit Institute of Arts.
Provenance:
Donated possibly by Burroughs.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art museum directors -- Michigan -- Detroit  Search this
Topic:
Painting, American  Search this
Function:
Art museums -- Michigan -- Detroit
Identifier:
AAA.burrclyd
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-burrclyd

Olaf Brauner letters

Creator:
Brauner, Olaf M., 1869-1947  Search this
Names:
Cornell University. -- Faculty  Search this
Beal, Gifford, 1879-1956  Search this
Bellows, George, 1882-1925  Search this
Benson, Frank Weston, 1862-1951  Search this
Bitter, Karl Theodore Francis, 1867-1915  Search this
Burroughs, Edith Woodman, 1871-1916  Search this
Caffin, Charles Henry, 1854-1918  Search this
Carlsen, Emil, 1853-1932  Search this
Carlson, John F., 1874-1945  Search this
Crisp, Arthur, 1881-1974  Search this
Davey, Randall, 1887-1964  Search this
Dougherty, Paul, 1877-1947  Search this
Garber, Daniel, 1880-  Search this
Genth, Lillian Mathilde, 1876-1953  Search this
Glackens, William J., 1870-1938  Search this
Hassam, Childe, 1859-1935  Search this
Henri, Robert, 1865-1929  Search this
Hopkinson, Charles, 1869-1962  Search this
Hubbell, Henry Salem, 1870-1938  Search this
Johansen, John C. (John Christen), 1876-1964  Search this
Kendall, William Sergeant, 1869-1938  Search this
Kroll, Leon, 1884-1974  Search this
Lie, Jonas, 1880-1940  Search this
Macbeth, William, 1851-1917  Search this
Mason, William, 1829-1908  Search this
Melchers, Gari, 1860-1932  Search this
Metcalf, Willard Leroy, 1858-1925  Search this
Ochtman, Leonard, 1854-1934  Search this
Pratt, Bela Lyon, 1867-1917  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Proctor, Alexander Phimister, 1862-1950  Search this
Redfield, Edward Willis, 1869-1965  Search this
Ritschel, William, 1864-1949  Search this
Sargent, Walter, b. 1868  Search this
Speicher, Eugene Edward, 1883-1962  Search this
Spencer, Robert, 1879-1931  Search this
Tryon, Dwight William, 1849-1925  Search this
Walker, C. Howard (Charles Howard), 1857-1936  Search this
Washington, Booker T., 1856-1915  Search this
Waugh, Frederick Judd, 1861-1940  Search this
Extent:
200 Items
Type:
Collection descriptions
Archival materials
Date:
1895-1938
Scope and Contents:
Letters to Brauner, mainly from artists invited to participate in exhibitions arranged by Brauner at Cornell University. Prominent correspondents include: Giffford Beal, George Bellows, Frank Benson, Karl Bitter, Edith Burroughs, Emil Carlson, John Carlson, Charles Caffin, Arthur Crisp, Randall Davey, Paul Dougherty, Daniel Garber, Lillian Genth, William Glackens, Childe Hassam, Robert Henri, Charles Hopkinson, Henry Hubbell, John Johansen, William Sargent Kendall; Leon Kroll, Jonas Lie, William Macbeth, William Mason, Gari Melchers, Willard Metcalf, Leonard Ochtman, Bela Lyon Pratt, Maurice Prendergast, A. Phimister Proctor, Edward Redfield, William Ritschel, Walter Sargent, Eugene Speicher, Robert Spencer, D. W. Tryon, C. Howard Walker, Booker T. Washington, Frederick Judd Waugh, and others.
Arrangement:
Arranged chronologically.
Biographical / Historical:
Olaf Brauner (1869-1947) was a portrait painter, occasional sculptor, and first professor of art at Cornell University.
Provenance:
The donor, Erling Brauner, is Olaf Brauner's son.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters  Search this
Topic:
Art -- Exhibitions  Search this
Function:
Art museums, University and college -- New York (State) -- Ithaca
Identifier:
AAA.brauolaf
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-brauolaf

Dwight Blaney papers

Creator:
Blaney, Dwight, 1865-1944  Search this
Names:
Benson, Frank Weston, 1862-1951  Search this
Sargent, John Singer, 1856-1925  Search this
Extent:
3.3 Linear feet
Type:
Collection descriptions
Archival materials
Works of art
Photographs
Prints
Sketches
Sketchbooks
Date:
circa 1883-1944
circa 1993
bulk circa 1883-1920s
Summary:
The papers of Boston and Ironbound Island, Maine, painter Dwight Blaney measure 3.3 linear feet and date from circa 1883-1944, with twenty slides of a family album dated circa 1993. The bulk of the material dates from circa 1883 to the 1920s. The collection includes scattered personal papers including pencil and pen sketches by Blaney and his brother Henry Blaney; three of Blaney's notebooks on art history; printed material including exhibition catalogs for Blaney and others; a scrapbook of news clippings about John Singer Sargent and photographs of artwork by Sargent; photographs including images of Blaney and his home, John Breck and his studio, and a portrait of John Singer Sargent; and one hundred and ninety-nine glass plate negatives, primarily of Blaney's artwork and interiors of his homes. Also found are three glass plate negatives of paintings by John Singer Sargent, and one glass plate of Sargent seated on Blaney's boat painting Blaney, who is painting on the shore.
Scope and Contents:
The papers of Boston and Ironbound Island, Maine, painter Dwight Blaney measure 3.3 linear feet and date from circa 1883-1944, with twenty slides of a family album dated circa 1993. The bulk of the material dates from circa 1883 to the 1920s. The collection includes scattered personal papers including pencil and pen sketches by Blaney and his brother Henry Blaney; three of Blaney's notebooks on art history; printed material including exhibition catalogs for Blaney and others; a scrapbook of news clippings about John Singer Sargent and photographs of artwork by Sargent; photographs including images of Blaney and his home, John Breck and his studio, and a portrait of John Singer Sargent; and one hundred and ninety-nine glass plate negatives, primarily of Blaney's artwork and interiors of his homes. Also found are three glass plate negatives of paintings by John Singer Sargent, and one glass plate of Sargent seated on Blaney's boat painting Blaney, who is painting on the shore.
Arrangement:
The collection is arranged as five series.

Series 1: Personal Papers, circa 1883-circa 1920s (0.3 linear feet; Box 1, OV 4)

Series 2: Notebooks, circa 1920s (0.4 linear feet; Box 2)

Series 3: Printed Material, 1883-1927, 1944 (0.2 linear feet; Box 3)

Series 4: Scrapbook on John Singer Sargent, 1920s (0.2 linear feet; BV 5)

Series 5: Photographic Material, circa 1880s-1920s, circa 1993 (Boxes 3, 6-10)
Biographical / Historical:
Boston and Ironbound Island, Maine, painter Dwight Blaney (1865-1944), studied at the Boston Art School from 1886 to 1888, and in 1891 traveled to Europe where he met his future wife, Edith Hill, and spent two years sketching and working as a tour guide. Blaney married Hill on his return to the United States and the couple settled in Boston, but also had a home on Ironbound Island in Maine's Frenchman Bay. Over time the family acquired the entire island and John Singer Sargent and other painters came to visit and paint there in the summer months.

Blaney was known for his Impressionist paintings in oil and watercolor, including landscapes, snow scenes, genre, and city views. He often visited Bermuda and was artistically inspired by the houses and the landscape there. Blaney was also an art collector and owned one of Monet's Haystacks series, in addition to being an active member of the Walpole Society which collected Americana. Blaney filled his homes with antique furniture, silver, pewter, and other decorative objects.

John Singer Sargent was a guest of the Blaneys on Ironbound Island in the early 1920s, and painted Blaney in The Artist Sketching (1922). He also painted Woods in Maine on the island the same year.

In addition to painting and collecting, Blaney was a malacologist with a serious interest in documenting marine mollusk species.
Separated Materials:
Benjamin Blaney loaned materials for microfilming in 1990. Originals of loaned material, including letters from artists such as John Singer Sargent and Frank Benson, twenty one volumes of sketchbooks, a notebook, a journal, and a scrapbook, were returned to Blaney after microfilming and were not subsequently donated. Loaned material is available on reels 4405-4407 but is not described in the container listing of this finding aid.
Provenance:
The collection was donated by Benjamin Blaney, Blaney's grandson, in 1990. In 1993, slides from a family photo album depicting the Blaney family on a trip to Bermuda were donated by Jeffrey Brown, who purchased the original album from the David Blaney estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Dwight Blaney papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Painters -- Massachusetts  Search this
Painters -- Maine  Search this
Genre/Form:
Works of art
Photographs
Prints
Sketches
Sketchbooks
Citation:
Dwight Blaney papers, circa 1883-1944, circa 1993. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.blandwig
See more items in:
Dwight Blaney papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-blandwig
Online Media:

Benson, Frank Weston, 1862-1951

Collection Creator:
Library of Congress  Search this
Extent:
10 Items
Container:
Box 6
Type:
Archival materials
Collection Restrictions:
Researchers may use prints on file in the Photograph Archives, Smithsonian American Art Museum. Advance appointments are required.
Collection Rights:
Copyright restrictions may apply.
Collection Citation:
Library of Congress Copyright Deposit Collection, Photograph Archives, Smithsonian American Art Museum.
See more items in:
Library of Congress Copyright Deposit Collection of photomechanical prints of American art works
Library of Congress Copyright Deposit Collection of photomechanical prints of American art works / Series 1: Photomechanical prints
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
EDAN-URL:
ead_component:sova-saam-photo-loc-ref797

Benson, Frank Weston

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 10, Folder 57
Type:
Archival materials
Date:
1920-1923
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Fragile original scrapbooks are closed to researchers.
Collection Rights:
The Macbeth Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-macbgall-ref12991

Benson, Frank Weston and Sylvia P. Benson

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 10, Folder 59
Type:
Archival materials
Date:
1928-1933
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Fragile original scrapbooks are closed to researchers.
Collection Rights:
The Macbeth Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-macbgall-ref12992

Benson, Frank Weston

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 10, Folder 56
Type:
Archival materials
Date:
1912-1919
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Fragile original scrapbooks are closed to researchers.
Collection Rights:
The Macbeth Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-macbgall-ref6723

Benson, Frank Weston and Sylvia P. Benson

Collection Creator:
Macbeth Gallery  Search this
Container:
Box 10, Folder 58
Type:
Archival materials
Date:
1925-1926
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Fragile original scrapbooks are closed to researchers.
Collection Rights:
The Macbeth Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Macbeth Gallery records, 1838-1968, bulk 1892 to 1953. Archives of American Art, Smithsonian Institution.
See more items in:
Macbeth Gallery records
Macbeth Gallery records / Series 1: Correspondence Files / 1.1: Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-macbgall-ref6724

Benson, Frank Weston: Reflections

Collection Creator:
Richard York Gallery  Search this
Container:
Box 9, Folder 82
Type:
Archival materials
Date:
circa 1981-2004
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Richard York Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Richard York Gallery records
Richard York Gallery records / Series 2: Artists' Artwork Files / 2.1: General
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-richyorg-ref380

Benson, Frank Weston, 3463RY: Against the Sky

Collection Creator:
Richard York Gallery  Search this
Container:
Box 9, Folder 83
Type:
Archival materials
Date:
1991-1995, 2000
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Richard York Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Richard York Gallery records
Richard York Gallery records / Series 2: Artists' Artwork Files / 2.1: General
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-richyorg-ref381

Benson, Frank Weston, 4623CY: Children in the Woods

Collection Creator:
Richard York Gallery  Search this
Container:
Box 9, Folder 84
Type:
Archival materials
Date:
1995
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Richard York Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Richard York Gallery records, circa 1865-2005, bulk 1981-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Richard York Gallery records
Richard York Gallery records / Series 2: Artists' Artwork Files / 2.1: General
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-richyorg-ref382

Nelson and Henry C. White research material

Creator:
White, Henry Cooke, 1861-1952  Search this
White, Nelson C.  Search this
Names:
Tryon Art Gallery  Search this
Barnard, George Grey, 1863-1938  Search this
Benson, Frank Weston, 1862-1951  Search this
Brush, George de Forest, 1855-1941  Search this
Churchill, Alfred Vance, 1864-1949  Search this
Cortissoz, Royal, 1869-1948  Search this
Currier, Elizabeth  Search this
Currier, J. Frank (Joseph Frank), 1843-1909  Search this
Dewing, M. O. (Maria Oakey), 1855-1927  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Fantin-Latour, Henri, 1836-1904  Search this
Freer, Charles Lang, 1856-1919  Search this
Fuertes, Louis Agassiz, 1874-1927  Search this
James McNeill Whistler, 1834-1903  Search this
Kaup, Elizabeth Dewing, b. 1885  Search this
Roosevelt, Franklin D. (Franklin Delano), 1882-1945  Search this
Roosevelt, Theodore, 1858-1919  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sargent, John Singer, 1856-1925  Search this
Taber, E. M.  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Thayer, Emma B., 1850-1924  Search this
Thayer, Gladys, 1886 or 7-1945  Search this
Thayer, Kate Bloede  Search this
Thayer, Wm. Henry (William Henry), 1822-1897  Search this
Tryon, Dwight William, 1849-1925  Search this
Williams, George Alfred, 1875-  Search this
Extent:
4.5 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Photographs
Sketches
Date:
circa 1851-1961
Summary:
The research material of Connecticut artists and authors Nelson and Henry C. White, measures 4.5 linear feet and dates from circa 1851-1961. The bulk of the collection consists of Nelson C. White's correspondence, writings, and research, primarily related to J. Frank Currier and Abbott Handerson Thayer, and referencing Thomas Wilmer Dewing. Also found are the correspondence, writings, and research files of Nelson's father, Henry C. White, primarily relating to Dwight W. Tryon. Research files include artist correspondence, writings and notes, printed material, photographs of the artists, and photographs of artwork and exhibition installations.
Scope and Contents:
The research material of Connecticut artists and authors Nelson and Henry C. White, measures 4.5 linear feet and dates from circa 1851-1961. The bulk of the collection consists of Nelson C. White's correspondence, writings, and research, primarily related to J. Frank Currier and Abbott Handerson Thayer, and referencing Thomas Wilmer Dewing. Also found are the correspondence, writings, and research files of Nelson's father, Henry C. White, primarily relating to Dwight W. Tryon. Research files include artist correspondence, writings and notes, printed material, photographs of the artists, and photographs of artwork and exhibition installations.

Nelson C. White's correspondence is with Elizabeth Currier, gallery owners, and other individuals in possession of artwork by Currier, conducted during his research on J. Frank Currier, as well as with Elizabeth Dewing Kaup and others concerning his research on Thomas Wilmer Dewing. Miscellaneous material includes reviews of White's autobiography on Abbott Handerson Thayer, and White's ink sketches for a holiday card.

Nelson C. White's writings and notes consist of annotated drafts of Abbott H. Thayer: Painter and Naturalist, The Life and Art of J. Frank Currier, and articles including "Cremona," and "The Art of Thomas W. Dewing."

White's research files form the bulk of the collection. 9 folders of research material on J. Frank Currier consist primarily of photos of artwork and of an installation at Lyman Allyn Museum, but also include a transcript of Currier's 1870 diary, and 3 photographs (copy prints) of Currier. White's research material on Abbott Handerson Thayer is substantial and includes: biographical material on Thayer, such as family reminiscences by Thayer's daughter, Gladys Thayer, and his father, William Henry Thayer; copies and originals of Thayer's letters to his first wife, Kate Thayer, and his second wife, Emma Beach Thayer, and correspondence with William Henry Thayer; typescript copies and originals of Thayer's correspondence with artists, politicians, naturalists and others including George Grey Barnard, Frank Weston Benson, George de Forest Brush, Royal Cortissoz, Maria Oakey Dewing, Thomas Wilmer Dewing , Charles Lang Freer, Louis Agassiz Fuertes, Franklin D. Roosevelt, Theodore Roosevelt, Augustus Saint-Gaudens, John Singer Sargent, Edward Martin Taber, and George Alfred Williams; annotated drafts of Thayer's writings and notes on art, philosophy, and nature including his theories on concealing coloration and wildlife preservation; printed material including 2 Thayer exhibition catalogs and news clippings of Thayer's letters to editors; and photographs of Thayer, his family and friends, his home and studio, and his artwork.

Henry C. White's papers include a folder of White's correspondence relating to the publication of his book, The Life and Art of Dwight William Tryon and including a letter from Elizabeth Currier; drafts of his biography of Tryon, including revisions by Mrs. Bender, Alfred Vance Churchill, and Mr. Rossiter; research material on Tryon including transcripts of letters from Tryon to George Alfred Williams, from Charles Lang Freer to Tryon, and from James McNeill Whistler to Henri Fantin-Latour; a typescript of autobiographical "notes and recollections" by Tryon; and photographs of Tryon, his home and studio, his artwork, and the Tryon Art Gallery at Smith College.
Arrangement:
The collection is arranged as 4 series.

Series 1: Nelson C. White Correspondence and Miscellaneous Material, 1921-1953 (Box 1; 0.25 linear feet)

Series 2: Nelson C. White's Writings and Notes, circa 1929-circa 1951 (Box 1, OV 6; 0.5 linear feet)

Series 3: Nelson C. White's Research Files, circa 1851-1961 (Boxes 1-4, OV 6; 2.65 linear feet)

Series 4: Henry C. White Papers, circa 1860-1954 (Boxes 4-5; 1.1 linear feet)
Biographical / Historical:
Connecticut painter, art historian, and collector, Nelson C. White (1900-1989) was born in Waterford, Connecticut, to artist Henry C. White. He studied at the National Academy of Design and Yale University and established himself as a landscape painter whilst also pursuing a literary career. He was the author of two biographies: The Life and Art of J. Frank Currier (1936), and Abbott H. Thayer: Painter and Naturalist (1951). White also penned an article on his friend, Thomas Wilmer Dewing ("The Art of Thomas Wilmer Dewing"), which was published in 1929.

White's father, Henry C. White (1861-1952), was an artist known primarily for his landscapes and seascapes of his native Connecticut. Born in Hartford, White began his career in 1875, studying with Dwight W. Tryon. In the 1880s he enrolled in the Art Students League in New York, while continuing to study with Tryon and other artists, including Kenyon Cox and George de Forest Brush. In the 1890s he traveled in Europe and then returned to Hartford where he taught drawing at the Hartford Public School, and co-founded the Connecticut Academy of Fine Arts in 1910. Like his son, White had literary aspirations, and in 1930 published a biography of his life-long friend and teacher entitled The Life and Art of Dwight W. Tryon. Two years after his death in 1952, the Lyman Allyn Museum held a memorial exhibition for White, curated primarily by Nelson C. White.
Related Materials:
The Archives of American Art holds several collections related to the Nelson and Henry C. White research material on Abbott Handerson Thayer and Dwight William Tryon. These include research material on Abbott Handerson Thayer and other artists, 1895-1990, donated by Thomas B. Brumbaugh; the Abbott Handerson Thayer letter and drawings to Caroline Peddle Ball, circa 1890-1893; and the Dwight William Tryon papers, 1872-1930.
Separated Materials:
The Archives of American Art also holds material lent for microfilming (reels 1330 and 2807) including autobiographical notes by Tryon, letters to Nelson C. White and Henry C. white, photographs of artwork, and an article. Lent materials were returned to the lender and are not described in the collection container inventory.
Provenance:
The Archives of American Art purchased two linear feet of material from Nelson C. White in 1956. White also lent material and donated papers in 1978 and 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Nelson and Henry C. White research material is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art historians -- Connecticut  Search this
Topic:
Art -- Collectors and collecting -- Connecticut  Search this
Painters -- Connecticut  Search this
Art -- Philosophy  Search this
Art, American  Search this
Protective coloration (Biology)  Search this
Artists' studios -- Photographs  Search this
Wildlife conservation  Search this
Genre/Form:
Diaries
Photographs
Sketches
Citation:
Nelson and Henry C. White research material, circa 1851-1961. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.whitnels
See more items in:
Nelson and Henry C. White research material
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-whitnels
Online Media:

With Benson, Frank Weston

Collection Creator:
White, Henry Cooke, 1861-1952  Search this
White, Nelson C.  Search this
Container:
Box 2, Folder 36
Type:
Archival materials
Date:
circa 1915-circa 1917
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Nelson and Henry C. White research material is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Collection Citation:
Nelson and Henry C. White research material, circa 1851-1961. Archives of American Art, Smithsonian Institution.
See more items in:
Nelson and Henry C. White research material
Nelson and Henry C. White research material / Series 3: Nelson C. White Research Files / 3.2: Abbot Handerson Thayer Research Material / 3.2.3: Thayer's General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-whitnels-ref96

Edwin Coupland Shaw papers

Creator:
Shaw, Edwin Coupland, 1863-1941  Search this
Names:
Akron Art Institute  Search this
Carrig-Rohane Shop (Boston, Mass.)  Search this
E. & A. Milch, Inc.  Search this
Ferargil Galleries  Search this
Gorham Company. Dept. of Sculpture (New York, N.Y.)  Search this
Grand Central Art Galleries  Search this
Hatfield & Clark (Firm: Chicago, Ill.)  Search this
Howard Young Galleries (New York, N.Y.)  Search this
J.W. Young (Gallery)  Search this
M. Knoedler & Co.  Search this
Macbeth Gallery  Search this
Montross Gallery  Search this
R.C. & N.M. Vose (Firm)  Search this
Robert C. Vose Galleries  Search this
Thomas Whipple Dunbar Art Galleries (Milwaukee, Wis.)  Search this
Thurber Art Galleries (Chicago, Ill.)  Search this
Barrie, Erwin S., 1886-1983  Search this
Batts, J. E.  Search this
Beckwith, J. Carroll (James Carroll), 1852-1917  Search this
Benson, Frank Weston, 1862-1951  Search this
Blakelock, Ralph Albert, 1847-1919  Search this
Carlsen, Emil, 1853-1932  Search this
Chase, William Merritt, 1849-1916  Search this
Cole, Timothy, 1852-1931  Search this
Daingerfield, Elliott, 1859-1932  Search this
Dallin, Cyrus E. (Cyrus Edwin), 1861-1944  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Davis, Warren, 1865-1928  Search this
Derujinsky, Gleb W., 1888-1975  Search this
Dewey, Charles M., 1849-1937  Search this
Dewing, Thomas Wilmer, 1851-1938  Search this
Dougherty, Paul, 1877-1947  Search this
Dunbar, Thomas Whipple  Search this
Duveneck, Frank, 1848-1919  Search this
Eaton, Charles Warren, 1857-1937  Search this
Frieseke, Frederick C. (Frederick Carl), 1874-1939  Search this
Fuller, George, 1822-1884  Search this
Genth, Lillian Mathilde, 1876-1953  Search this
Gerrity, Thomas F., 1873-1935  Search this
Hassam, Childe, 1859-1935  Search this
Hatfield, D. H.  Search this
Hawthorne, Charles Webster, 1872-1930  Search this
Hunt, William Morris, 1824-1879  Search this
Inness, George, 1825-1894  Search this
Johansen, John C. (John Christen), 1876-1964  Search this
Konti, Isidore, 1862-1938  Search this
La Farge, John, 1835-1910  Search this
Lathrop, William Langson, 1859-1938  Search this
MacMonnies, Frederick William, 1863-1937  Search this
MacNeil, Hermon Atkins, 1866-1947  Search this
Metcalf, Willard Leroy, 1858-1925  Search this
Milch, Albert, 1881-1951  Search this
Minns, Hervey W.  Search this
Montross, N. E. (Newman E), 1849-1932  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Murphy, John Francis, 1853-1921  Search this
Price, F. Newlin (Frederic Newlin)  Search this
Proctor, Alexander Phimister, 1862-1950  Search this
Purdy, W. Frank, 1865-1943  Search this
Ranger, Henry Ward, 1858-1916  Search this
Ritschel, William, 1864-1949  Search this
Russell, T. H. (Thomas H)  Search this
Russman, Felix, 1888-1962  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Sellstedt, Lars Gustaf, 1819-1911  Search this
Sherman, Frederic Fairchild, 1874-1940  Search this
Shonnard, Eugenie Frederica, 1886-1978  Search this
Torrey, Elliot, 1867-1949  Search this
Tryon, Dwight William, 1849-1925  Search this
Turner, Helen Maria, 1858-1958  Search this
Twachtman, John Henry, 1853-1902  Search this
Vedder, Elihu, 1836-1923  Search this
Vonnoh, Bessie Potter, 1872-1955  Search this
Vonnoh, Robert William, 1858-1933  Search this
Walker, Horatio, 1858-1938  Search this
Weir, Julian Alden, 1852-1919  Search this
Williams, Frederick Ballard, 1871-1956  Search this
Wolf, Henry, 1852-1916  Search this
Young, J. W.  Search this
Extent:
3 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1864-1937
Scope and Contents:
Correspondence with dealers, artists, museums, publishers, photography studios, and others regarding art purchases, loans, and Shaw's collection; and 16 v. of scrapbooks containing photographs, letters, and biographical information on artists. Much of the correspondence with artists relates to Shaw's requests for the information which was then used in the scrapbooks. Also included is one volume compiled in 1947 outlining the contents of the scrapbooks.
REELS 1124-1125: 16 vol. of scrapbooks, 1864-1930, relating to artists represented in Shaw's collection, containing letters, many from artists, photographs of artists and their work, biographical data, clippings and articles, and comments on their work; and 1 v., "Notes: Edwin C. Shaw Collection of Paintings," compiled in 1947, and annotated "Used at Women's Art League Meeting at Miss Shaw's in 1947 by Mrs. [Jane S.] Barnhardt, who compiled it, and then given to the Art Institute Library," containing an outline of the contents of the 16 v. of scrapbooks.
Artists represented in the scrapbooks include J. Carroll Beckwith, Frank W. Benson, Ralph Blakelock, Emil Carlsen, William Merritt Chase, Timothy Cole, Elliott Daingerfield, Cyrus B. Dallin, Charles Davis, Warren Davis, Gleb Derujinsky, Charles M. Dewey, Thomas W. Dewing, Paul Dougherty, Frank Duveneck, Charles Eaton, Frederick Frieseke, George Fuller, Lillian Genth, Childe Hassam, Charles Hawthorne, William Morris Hunt, George Inness, John Johansen, Isidore Konti, John La Farge, William Lathrop, Frederick MacMonnies, Hermon A. MacNeil, Willard Metcalf, Herman Dudley Murphy, J. Francis Murphy, A. Phimister Proctor, Henry Ward Ranger, William Ritschel, Felix Russmann, Albert P. Ryder, Eugenie F. Shonnard, Lars Gustaf Sellstedt, Elliot Torrey, Dwight Tryon, Helen M. Turner, John Twachtman, Elihu Vedder, Bessie P. Vonnoh, Robert Vonnoh, Horatio Walker, J. Alden Weir, Frederick Ballard Williams, Henry Wolf and "The Ten."
REEL 4597: Correspondence, ca. 1916-1941, concerning art acquisitions with dealers Erwin S. Barrie of Grand Central Art Galleries; Thomas Whipple Dunbar; Frederic Newlin Price and T.H. Russell of Ferargil Galleries; W. Frank Purdy of the Gorham Co. Dept. of Sculpture and later the School of American Sculpture; D.H. Hatfield of Hatfield & Clark; Thomas Gerrity of M. Knoedler & Co.; Robert Macbeth, Robert McIntyre and Henry Miller of the Macbeth Gallery; Albert Milch of E.& A. Milch, Inc.; Newman Montross of Montross Gallery; J.E. Batts of the Thurber Art Galleries; Robert C. Vose of R.C. & N.M. Vose and Vose Galleries, and their frame shop, Carrig-Rohane; Howard Young of Howard Young Galleries; and J.W. Young; correspondence with artists and/or their families requesting the artist's portrait, biographical information and background, including letters from Elliot Daingerfield, Charles Dewey, Thomas Wilmer Dewing, John C. Johansen, Willard Leroy Metcalf, Hervey W. Minns, Hermann Dudley Murphy, A.P. Proctor, Eugenie Shonnard, Elliot Torrey, Dwight W. Tryon, Helen M. Turner, and Horatio Walker, and the families of J. Carroll Beckwith, George Inness, Lars Gustaf Sellstedt, John Henry Twachtman and J. Alden Weir; correspondence with the Dayton Art Museum and the Metropolitan Museum of Art regarding works lent for exhibition; with publisher Frederic Fairchild Sherman; with photography studios; and other miscellaneous correspondence.
Biographical / Historical:
Art collector; Akron, Ohio. Shaw, a BF Goodrich executive and avid collector of post-Civil War American art, was one of the founders of the Akron Art Institute, now the Akron Art Museum.
Provenance:
Lent for microfilming 1976 and 1992 by the Akron Art Museum. Shaw bequethed his art collection and papers to the Museum, then named the Akron Art Institute.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, American -- Collectors and collecting  Search this
Ten American Painters (New York, N.Y.)  Search this
Art -- Collectors and collecting  Search this
Function:
Art galleries, Commercial -- United States
Identifier:
AAA.shawedwi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shawedwi

Frank Weitenkampf letters

Creator:
Weitenkampf, Frank, 1866-1962  Search this
Names:
Arms, John Taylor, 1887-1953  Search this
Avery, Samuel Putnam, 1822-1904  Search this
Beatty, John W. (John Wesley), 1851-1924  Search this
Bellows, George, 1882-1925  Search this
Benson, Frank Weston, 1862-1951  Search this
Biddle, George, 1885-1973  Search this
Britton, James, 1878-1936  Search this
Browne, George Elmer, 1871-1946  Search this
Cassatt, Mary, 1844-1926  Search this
Cortissoz, Royal, 1869-1948  Search this
Detwiller, Fred  Search this
Dows, Olin, 1904-1981  Search this
Eby, Kerr, 1890-1946  Search this
French, Daniel Chester, 1850-1931  Search this
Genthe, Arnold, 1869-1942  Search this
Hart, George Overbury, 1868-1933  Search this
Hoffman, Malvina, 1887-1966  Search this
Hopper, Edward, 1882-1967  Search this
Huntington, Daniel, 1816-1906  Search this
Kent, Rockwell, 1882-1971  Search this
Keppel, Frederick, 1845-1912  Search this
Lahey, Richard, b. 1893  Search this
Low, Will Hicok, 1853-1932  Search this
Lozowick, Louis, 1892-1973  Search this
Mowbray, H. Siddons (Harry Siddons), 1858-1928  Search this
Nankivell, Frank A. (Frank Arthur), 1869-1959  Search this
Nason, Thomas W. (Thomas Willoughby), 1889-1971  Search this
Pennell, Joseph, 1857-1926  Search this
Powers, Preston, 1842 or 1843-1904  Search this
Ranger, Henry Ward, 1858-1916  Search this
Richards, William Trost, 1833-1905  Search this
Rockefeller, John D. (John Davison), 1874-1960  Search this
Rosenwald, Lessing J. (Lessing Julius), 1891-1979  Search this
Rothermel, Peter Frederick, 1812-1895  Search this
Sartain, William, 1843-1924  Search this
Smillie, George H. (George Henry), 1840-1921  Search this
Smillie, James David, 1833-1909  Search this
Sternberg, Harry, 1904-2001  Search this
Sterner, Albert, 1863-1946  Search this
Taft, Lorado, 1860-1936  Search this
Thayer, Abbott Handerson, 1849-1921  Search this
Tryon, Dwight William, 1849-1925  Search this
Volk, Douglas , 1856-1935  Search this
Warner, Olin Levi, 1844-1896  Search this
Weir, John F. (John Ferguson), b. 1841  Search this
Weir, Julian Alden, 1852-1919  Search this
Wickey, Harry  Search this
Wiles, Irving Ramsay, 1861-1948  Search this
Wood, Thomas Waterman, 1823-1903  Search this
Woodbury, Charles H. (Charles Herbert), 1864-1940  Search this
Yewell, George Henry, 1830-1923  Search this
Young, Mahonri Mackintosh, 1877-1957  Search this
Extent:
1,000 Items ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1889-1942
Scope and Contents:
Letters to Weitenkampf, mainly from artists and collectors concerning examples of their works in the library's collection.
Among the correspondents are: John Taylor Arms, Samuel Putnam Avery, John W. Beatty, George Bellows, Frank W. Benson, George Biddle, James Britton, George Elmer Browne, Mary Cassatt, Royal Cortissoz, Frederick K. Detwiller, Olin Dows, Kerr Eby, Daniel C. French, Arnold Genthe, George O. Hart, Malvina Hoffman, Edward Hopper, Daniel Huntington, Rockwell Kent, Frederick Keppel, Richard Lahey, Will H. Low, Louis Lozowick, H. Siddons Mowbray, Frank A. Nankivell, Thomas W. Nason, Joseph Pennell, Preston Powers, Henry Ward Ranger, William T. Richards, John D. Rockefeller, Jr., Lessing J. Rosenwald,Peter F. Rothermel, William Sartain, George H. Smillie, James D. Smillie, Harry Sternberg, Albert Sterner, Lorado Taft, Abbott H. Thayer, Dwight W. Tryon, Douglas Volk, Olin L. Warner, John F. Weir, Julian A. Weir, Harry Wickey, Irving R. Wiles, Thomas W. Wood, Charles H. Woodbury, George H. Yewell, Mahonri M. Young, and others.
Biographical / Historical:
Curator; New York City. Chief of the Prints Division, New York Public Library.
Provenance:
Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art -- Collectors and collecting  Search this
Curators -- New York (State) -- New York  Search this
Identifier:
AAA.weitfran
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-weitfran

Gertrude Fiske papers

Creator:
Fiske, Gertrude, 1878-1961  Search this
Names:
Boston Society of Etchers  Search this
Benson, Frank Weston, 1862-1951  Search this
Gaugengigl, I. M. (Ignaz Marcel), 1855-1932  Search this
Hopkinson, Charles, 1869-1962  Search this
Leith-Ross, Harry, b. 1886  Search this
Little, Philip, 1857-1942  Search this
Murphy, Hermann Dudley, 1867-1945  Search this
Extent:
1 Linear foot ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Date:
1915-1986
bulk 1915-1933 dates
Scope and Contents:
Correspondence, photographs and printed materials documenting the career of Gertrude Fiske and the Boston Society of Etchers, of which Fiske was a founding member.
Letters from friends, colleagues, and museums include a small number of letters from Frank Benson, Harry Leith-Ross, Charles Hopkinson, and H. Dudley Murphy. A notebook on the Boston Society of Etchers contains a list of members, minutes of the founding meeting (1917), notes on expenses, lists of works exhibited (includes a sketch of works on exhibition), announcements, catalogs, and letters from members including Philip Little, Ignaz Gaugengigl and others. Other materials consist of biographical notes, two sketches, one possibly of Fiske, a sales receipt, a scrapbook of clippings and catalogs, and photographs of Fiske and friends, works, and exhibitions.
Biographical / Historical:
Painter. Fiske studied at the School of the Museum of Fine Arts, Boston, under such luminaries as Tarbell, Benson and Hale, and later with Charles Woodbury in Ogunquit, Maine. A woman of means and socially well-connected, Miss Fiske was a co-founder of the Guild of Boston Artists (1914), the Boston Society of Etchers (1917), and the Ogunquit Art Association (1928).
Provenance:
Harold B. (Bus) Willis, the owner of the collection, is the nephew of Gertrude Fiske.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Painters -- Massachusetts  Search this
Topic:
Etching, American -- 20th century -- Massachusetts  Search this
Painting, American -- Massachusetts  Search this
Women painters -- Massachusetts  Search this
Genre/Form:
Scrapbooks
Identifier:
AAA.fiskgert
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fiskgert

Oral history interview with Elizabeth Saltonstall

Interviewee:
Saltonstall, Elizabeth, 1900-1990  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boston Society of Independent Artists  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Institute of Modern Art (Boston, Mass.)  Search this
Milton Academy (Milton, Mass.) -- Faculty  Search this
Museum of Fine Arts, Boston. School  Search this
Windsor School (Boston, Mass.) -- Faculty  Search this
Windsor School (Boston, Mass.) -- Students  Search this
Benson, Frank Weston, 1862-1951  Search this
Bosley, Frederick A., 1881-1942  Search this
Chase, Frank Swift, 1886-1958  Search this
Clark, Henry Hunt  Search this
Cross, Anson K., 1862-1944  Search this
Hale, Philip Leslie, 1865-1931  Search this
James, Alexander, 1890-1946  Search this
Miller, George Charles, b. 1894  Search this
Presser, Josef, 1909-1967  Search this
Saltonstall, Nathaniel, 1903-1968  Search this
Thompson, Leslie P.  Search this
Wengenroth, Stow, 1906-1978  Search this
Extent:
34 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1981 November 18
Scope and Contents:
An interview of Elizabeth Saltonstall conducted 1981 November 18, by Robert F. Brown, for the Archives of American Art.
Saltonstall discusses her experiences with art as a child in Boston (mentioning Frank Weston Benson as an influence) and her subsequent art education at the Winsor School, the art school of the Museum of Fine Arts, Boston, and independent study in Paris. She remembers the various teaching styles of the Museum School faculty (Frederick A. Bosley, Henry Hunt Clark, Anson K. Cross, Philip Leslie Hale, Alexander James, and Leslie P. Thompson), especially as they contrasted with French teaching methods. She also speaks of her teachers in France and on Martha's Vineyard and Nantucket (including Frank Swift Chase), and recalls some of her co-students (including Josef Presser). Particular mention is made of a lithography workshop taught by Stow Wengenroth, and of George C. Miller, who printed her lithography stones. Her cousin, Nathaniel Saltonstall, is discussed as a patron of the arts, especially his contributions to the establishment of the Institute of Modern Art [Institute of Contemporary Art] in Boston. She touches also on her own teaching career at Winsor School and Milton Academy, and her involvement with the Boston Society of Independent Artists and the Grace Horn Gallery.
Biographical / Historical:
Elizabeth Saltonstall (1900-1990) was a painter, printmaker, and instructor of Chestnut Hill, Mass.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 25 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art patrons -- Massachusetts -- Boston  Search this
Topic:
Art -- Study and teaching -- France -- Paris  Search this
Art -- Study and teaching -- Massachusetts  Search this
Art teachers -- Massachusetts -- Interviews  Search this
Painters -- Massachusetts -- Interviews  Search this
Printmakers -- Massachusetts -- Interviews  Search this
Women artists -- Massachusetts -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.salton81
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-salton81

J.W. Young letters

Creator:
Young, J. W.  Search this
Names:
Benson, Frank Weston, 1862-1951  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Couse, E. Irving (Eanger Irving), 1866-1936  Search this
Hassam, Childe, 1859-1935  Search this
Henri, Robert, 1865-1929  Search this
Nichols, Hobart, 1869-1962  Search this
Extent:
0.2 Linear feet ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
1907-1944
Scope and Contents:
Thirty-one letters, 1907-1944, received by Young, from Frank W. Benson, E. Irving Couse, Childe Hassam, Robert Henri, Hobart Nichols and Frederick Church, regarding the disposition of paintings and their activities as artists.
Biographical / Historical:
Art dealer; Chicago, Illinois.
Provenance:
Donated 1965 by Leroy Ireland, an art historian.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Art dealers -- Illinois -- Chicago  Search this
Topic:
Art, American  Search this
Identifier:
AAA.younj
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-younj

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