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Oral history interviews with Sam Green, 2007-2009

Creator:
Green, Samuel Adams  Search this
Tippett, Jane Marguerite  Search this
Subject:
Tremaine, Emily Hall  Search this
Tremaine, Burton  Search this
Newman, Barnett  Search this
Warhol, Andy  Search this
Beaton, Cecil Walter Hardy, Sir  Search this
Baekeland, Barbara Daly  Search this
Minnelli, Liza  Search this
Garbo, Greta  Search this
Berlin, Brigid  Search this
Darling, Candy  Search this
Allen, Peter  Search this
Rhode Island School of Design  Search this
Richard Green Gallery  Search this
University of Pennsylvania  Search this
Place:
Easter Island -- statues
Record number:
(DSI-AAA_CollID)15965
(DSI-AAA_SIRISBib)302881
AAA_collcode_greesam
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_302881

Marchal Landgren Papers, 1881-circa 1982, bulk 1930-1975

Creator:
Landgren, Marchal E., 1907-1983  Search this
Subject:
Saint-Gaudens, Augustus  Search this
Ryder, Albert Pinkham  Search this
Constant, George  Search this
Logasa, Charles  Search this
Gallatin, A. E. (Albert Eugene)  Search this
Geist, Sidney  Search this
Laufman, Sidney  Search this
Sprinchorn, Carl  Search this
Avery, Milton  Search this
Beaton, Cecil Walter Hardy, Sir  Search this
Kipling, Rudyard  Search this
Glackens, Ira  Search this
Cox, George Collins  Search this
Abbott, Berenice  Search this
Albers, Josef  Search this
Janauschek, Francesca Romana Magdalena  Search this
Gershwin, George  Search this
Holtzman, Harry  Search this
Newman, Robert Loftin  Search this
Portinari, Cândido  Search this
De Laittre, Eleanor  Search this
Fitch, Clyde  Search this
Greene, Balcomb  Search this
Kane, John  Search this
Fruhauf, Aline  Search this
Higgins, Eugene  Search this
Harari, Hananiah  Search this
Hunt, William Morris  Search this
Orr, Elliot  Search this
Mitchell, Donald Grant  Search this
Force, Juliana  Search this
Art Students League (New York, N.Y.)  Search this
Washington, D.C.  Search this
Joseph Mitchell Gallery  Search this
Contemporary Arts (Gallery)  Search this
University of Maryland at College Park  Search this
American Abstract Artists  Search this
Artists Equity Association  Search this
Old Print Shop  Search this
Municipal Art Committee  Search this
Type:
Christmas cards
Photographs
Scrapbooks
Sketches
Drawings
Topic:
Art historians -- Washington (D.C.)  Search this
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Record number:
(DSI-AAA_CollID)7084
(DSI-AAA_SIRISBib)209217
AAA_collcode_landmarc
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209217
Online Media:

Alexander Liberman papers, circa 1912-2003

Creator:
Liberman, Alexander Semeonovitch, 1912-1999  Search this
Subject:
Leibovitz, Annie  Search this
Motherwell, Robert  Search this
Kline, Franz  Search this
Klein, William  Search this
Barr, Alfred H., Jr.  Search this
Hopps, Walter  Search this
Cartier-Bresson, Henri  Search this
Beaton, Cecil Walter Hardy, Sir  Search this
Penn, Irving  Search this
Parks, Gordon  Search this
Parsons, Betty  Search this
Newman, Barnett  Search this
Newton, Helmut  Search this
Mulas, Ugo  Search this
Namuth, Hans  Search this
Picasso, Pablo  Search this
Snowdon, Antony Armstrong-Jones, Earl of  Search this
Ritts, Herb  Search this
Vogel, Lucien  Search this
Steichen, Edward  Search this
Vreeland, Diana  Search this
Dalí, Salvador  Search this
Chernow, Burt  Search this
Dietrich, Marlene  Search this
De Kooning, Willem  Search this
Emmerich, André  Search this
Greenberg, Clement  Search this
Frankenthaler, Helen  Search this
Solomon R. Guggenheim Museum  Search this
Bennington College  Search this
Museum of Modern Art (New York, N.Y.)  Search this
André Emmerich Gallery  Search this
Type:
Drafts (documents)
Drawings
Scrapbooks
Interviews
Photographs
Sketches
Sound recordings
Transcripts
Video recordings
Topic:
Photographers -- New York (State) -- New York  Search this
Photography  Search this
Sculptors -- France -- Paris  Search this
Sculptors -- New York (State) -- New York  Search this
Fashion photography  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- France -- Paris  Search this
Record number:
(DSI-AAA_CollID)15871
(DSI-AAA_SIRISBib)295430
AAA_collcode_libealex
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_295430
Online Media:

Oral history interviews with Sam Green

Creator:
Green, Samuel Adams  Search this
Interviewer:
Tippett, Jane Marguerite  Search this
Names:
Rhode Island School of Design -- Students  Search this
Richard Green Gallery (New York, N.Y.)  Search this
University of Pennsylvania. Institute of Contemporary Art  Search this
Allen, Peter  Search this
Baekeland, Barbara Daly, 1922-1972  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Berlin, Brigid  Search this
Darling, Candy, 1944-1974  Search this
Garbo, Greta, 1905-1990  Search this
Minnelli, Liza  Search this
Newman, Barnett, 1905-1970  Search this
Tremaine, Burton  Search this
Tremaine, Emily Hall, 1908-1987  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
0.2 Linear feet
17 Items (Sound recordings: 17 mini cassettes, analog)
Type:
Collection descriptions
Archival materials
Place:
Easter Island -- statues
Date:
2007-2009, undated
Scope and Contents:
Two interviews of Sam Green conducted by Jane Tippett and an unknown male, possibly Hugo Vickers.
Green speaks of his childhood in Mass., his family's early New England and New York antecedents, and his education at the Rhode Island School of Design. He reminisces about his early employment at the Green Gallery, which led to his introduction to Burton and Emily Tremaine and his first encounter with Andy Warhol. He further discusses being appointed director of the Institute of Contemporary Art in Philadelphia in 1965, where he staged Warhol's first retrospective, and his later appointment as a cultural advisor to New York City by Mayor John V. Lindsay. Green discusses organizing "Sculpture and Environment" exhibition, sponsored by the city, specifically the display of Barnet Newman's, "Broken Obelisk," (1963). Green discusses the installation of a large Eastern Island Moai Head, which he displayed in hopes of raising awareness to the planned conversion of Easter Island into a jet-refueling station. He discusses his real estate investments, specifically his home in Cartagena, Columbia, and an Upper East Side apartment. The remainder of the interview details Green's notable social relations with celebrity figures including Peter Allen and Liza Minnelli, Barbara Baekeland, Brigid Berlin, Cecil Beaton, Candy Darling, Cyrinda Foxe, Greta Garbo, and the Lennon-Ono family. He elaborates specifically on his relationship with Garbo, and his first encounter with Garbo at Cecile de Rothschild's home in the south of France. He also summarizes his work establishing the Landmarks Foundations, designed to preserve "sacred sites" on a global scale.
Biographical / Historical:
Sam Green (1940-2011) was an art dealer who was an early champion of Pop art. Jane Tippett is a biographer writing a book on Green.
Provenance:
Donated 2010 by Jane Tippett.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Identifier:
AAA.greesam
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-greesam

Marchal Landgren Papers

Creator:
Landgren, Marchal E.  Search this
Names:
American Abstract Artists  Search this
Art Students League (New York, N.Y.)  Search this
Artists Equity Association  Search this
Contemporary Arts (Gallery)  Search this
Joseph Mitchell Gallery  Search this
Municipal Art Committee (New York, N.Y.)  Search this
Old Print Shop (New York, N.Y.)  Search this
University of Maryland at College Park  Search this
Washington, D.C.. Public Library  Search this
Abbott, Berenice, 1898-1991  Search this
Albers, Josef  Search this
Avery, Milton, 1885-1965  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Constant, George  Search this
Cox, George Collins, 1851-1902  Search this
De Laittre, Eleanor, 1911-  Search this
Fitch, Clyde, 1865-1909  Search this
Force, Juliana, 1876-1948  Search this
Fruhauf, Aline, 1909-1978  Search this
Gallatin, A. E. (Albert Eugene), 1881-1952  Search this
Geist, Sidney  Search this
Gershwin, George, 1898-1937  Search this
Glackens, Ira, 1907-1990  Search this
Greene, Balcomb, 1904-1990  Search this
Harari, Hananiah, 1912-2000  Search this
Higgins, Eugene, 1874-1958  Search this
Holtzman, Harry  Search this
Hunt, William Morris, 1824-1879  Search this
Janauschek, Francesca Romana Magdalena, 1830-1904  Search this
Kane, John, 1860-1934  Search this
Kipling, Rudyard, 1865-1936  Search this
Laufman, Sidney, 1891-  Search this
Logasa, Charles, 1883-1936  Search this
Mitchell, Donald Grant, 1822-1908  Search this
Newman, Robert Loftin, 1827-1912  Search this
Orr, Elliot, 1904-1997  Search this
Portinari, Cândido, 1903-1962  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sprinchorn, Carl, 1887-1971  Search this
Extent:
15.3 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Scrapbooks
Sketches
Drawings
Date:
1881-circa 1982
bulk 1930-1975
Summary:
The papers of Washington, D.C. art historian, librarian, author, educator, and art consultant Marchal Landgren measure 15.3 linear feet and date from 1881 to circa 1982, with the bulk of the material dating from 1930 to 1975. Included are biographical materials, correspondence, writings and notes, professional and organization files, research projects' files, scattered personal business records, printed materials, two clippings scrapbooks, photographical materials, and scattered artwork.
Scope and Contents:
The papers of Washington, D.C. art historian, librarian, author, educator, and art consultant Marchal Landgren measure 15.3 linear feet and date from 1881 to circa 1982, with the bulk of the material dating from 1930 to 1975. Included are biographical materials, correspondence, writings and notes, professional and organization files, research projects' files, scattered personal business records, printed materials, two clippings scrapbooks, photographical materials, and scattered artwork.

Biographical material includes address cards, an appointment book, curriculum vitaes, genealogical materials, and military records. Correspondence is with artists, clients, colleagues, museums, and universities, and is predominantly professional in nature. Correspondents include Albert E. Gallatin, George Gershwin, Ira Glackens, Sidney Laufman, Elliot Orr, Candido Portinari, and Carl Sprinchorn, among others.

Writings include miscellaneous published and unpublished writings and drafts by Marchal Landgren primarily those not associated with his major research projects. These include various articles written for magazines and journals, manuscript drafts, research notes, and notebooks. There is also a file of writings by others that includes the John Mitchell Gallery Notes.

Professional and organizational files document Landgren's positions and work for educational institutions and arts organizations, including the American Abstract Artists Group, Art Students League of New York, Association of Artists Equity of Washington D. C., Contemporary Arts, D. C. Public Library, Library Journal, New York City Municipal Art Committee, Old Print Shop, Inc., and the University of Maryland, among others. These files also contain correspondence, perhaps the most notable found in the file on the American Abstract Artists Group which includes letters from Josef Albers, Eleanor de Laittre, Sidney Geist, Balcomb Greene, Hananiah Harari, and Harry Holtzman.

Well over one-half of the collection consists of files for Landgren's ongoing research projects on numerous artists and photographers, Latin American art, as well as his bibliographic reference projects. The bulk of the files cover his research, writing, and curatorial work on Robert Loftin Newman. Files are also found for Berenice Abbott, Milton Avery, George Constant, George Collins Cox, Aline Fruhauf, Eugene Higgins, William Morris Hunt, John Kane, Charles Logasa, Elliot Orr, and Albert Pinkham Ryder, among many others.

Personal business records include personal and general expense documentation and scattered exhibition price lists. Printed materials include clippings, exhibition catalogs, and miscellaneous published articles and essays. There are two scrapbooks of clippings.

There are photographs, slides, and negatives of images of Landgren, other artists and notable figures in the art world, and of artwork. Of note is a portrait photograph of Juliana Force by Cecil Beaton, one photograph by Berenice Abbott, "Barclay Street Ferry", and 14 taken by George C. Cox of Rudyard Kipling, Clyde Fitch, Augustus Saint-Gaudens, Madame Fanny Janauschek, Donald G. Mitchell, and others.

The papers also include scattered artwork, including holiday cards illustrated by artists, and sketches and drawings by other artists.
Arrangement:
This collection is arranged as 10 series.

Series 1: Biographical Materials, circa 1890-circa 1981 (0.2 linear feet; Box 1)

Series 2: Correspondence, circa 1930-circa 1982 (0.6 linear feet; Box 1)

Series 3: Writings and Notes, circa 1932-circa 1982 (1.2 linear feet; Boxes 1-3)

Series 4: Professional and Organizational Files, circa 1910-circa 1977 (3.4 linear feet; Boxes 3-6)

Series 5: Research Projects' Files, 1881-circa 1982 (6.9 linear feet; Boxes 6-13, 15)

Series 6: Personal Business Records, circa 1934-circa 1982 (0.4 linear feet; Box 13)

Series 7: Printed Material, circa 1927-circa 1981 (1.0 linear feet; Boxes 13-14)

Series 8: Scrapbooks, circa 1931-circa 1979 (0.2 linear feet; Boxes 14-15)

Series 9: Photographic Materials, circa 1930s-circa 1978 (0.2 linear feet; Boxes 14-15)

Series 10: Artwork, circa 1930s-circa 1940s (0.2 linear feet; Boxes 14-15)
Biographical / Historical:
Marchal E. Landgren (1907-1983) was an art historian, librarian, educator, author, and art consultant, active in New York and Washington, D. C.

As associate director and board member of Contemporary Arts, Inc. in New York, Landgren established a program for providing artists with their first solo exhibition in New York, including those of John Kane and Mark Tobey. In 1932, he directed the exhibition schedule at the New School for Social Research; and in 1935, Landgren served as the director of art activities for the New York City Municipal Art Committee where he facilitated many exhibitions over the course of five years, including Recent Paintings by Boris Aronson at Babcock Galleries in 1938.

Working as a freelance art consultant, researcher, and author, Landgren organized numerous exhibitions between 1932 and 1950 of the work of Milton Avery, George C. Cox, Elliot Orr, Robert Loftin Newman, and Albert Pinkham Ryder. He also edited several arts publications, including the Old Print Shop Portfolio, John Mitchell Gallery Notes, and arts manuscripts for Oxford University Press.

In 1939, Landgren was selected by the New York World's Fair Commision to prepare historical notes on Latin American art for the exhibition catalogs of the Latin American art exhibition. After the Fair, he continued his research on this topic and wrote several articles, as well as lecturing on Latin American painting at the Art Students League of New York, the Newark Art Club, and the National Education Association at the Boston Museum.

After serving in the U. S. Army Air Force during World War II, Landgren moved to Washington, D. C. in 1950 and began work as the arts division readers' advisor for the D. C. Public Library. For seventeen years, he built up the library's general collection of art books and created extensive files of art exhibition catalogs.

In 1967, he took a position as a bibliographic consultant for the fine arts department at the University of Maryland. He became director of the University's art gallery and of the art department museum training program. During his tenure at the University of Maryland, Landgren conducted graduate seminars in art history, edited and published exhibition catalogs, and organized exhibitions, including The Late Landscapes of William Morris Hunt in 1976.

Landgren was a visiting scholar at the Smithsonian Institution's National Collection of Fine Arts and curated an exhibition of paintings by Robert Loftin Newman held there from 1973 to 1974 and at the Tennessee Fine Arts Center in 1974.

Marchal Landgren authored two books: Years of Art: The Story of the Art Students League of New York (Robert M. McBride and Company, 1940), and Robert Loftin Newman (Smithsonian Institution Press, 1974). He was a regular reviewer of art books for the Library Journal from 1958 to 1972, and contributed reviews to Trend, Magazine of Art, and other journals. He was awarded a research grant by the American Council of Learned Societies in 1963 for his study of George C. Cox and did a great deal of research in American art and American art institutions for an unfinished manuscript. He also worked on a bibliography of art literature which he never completed.
Provenance:
The Marchal Landgren papers were donated by Landgren in 1974, and by the Landgren estate via David Huddle in 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Marchal Landgren papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Librarians -- Washington (D.C.)  Search this
Educators -- Washington (D.C.)  Search this
Authors -- Washington (D.C.)  Search this
Art consultants -- Washington (D.C.)  Search this
Topic:
Art historians -- Washington (D.C.)  Search this
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Christmas cards
Photographs
Scrapbooks
Sketches
Drawings
Citation:
Marchal Landgren papers, 1881-circa 1982, bulk 1930-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.landmarc
See more items in:
Marchal Landgren Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-landmarc

William Theo Brown papers, 1845-1971

Creator:
Brown, William Theo, 1919-2012  Search this
Subject:
Anderson, Eugene Newton  Search this
Bachardy, Don  Search this
Barber, Samuel  Search this
Barton, Betsy  Search this
Beaton, Cecil Walter Hardy, Sir  Search this
Broughton, James  Search this
Callahan, Harry M.  Search this
Callery, Mary  Search this
Carson, Josephine  Search this
Coke, Van Deren  Search this
Craft, Robert  Search this
DeFeo, Jay  Search this
De Kooning, Elaine  Search this
Diebenkorn, Richard  Search this
Donovan, Richard  Search this
Golschmann, Vladimir  Search this
Hamilton, George Heard  Search this
Hess, Thomas B.  Search this
Hindemith, Gertrud  Search this
Hindemith, Paul  Search this
Hockney, David  Search this
Holloway, Sterling  Search this
Howard, Bart  Search this
Inge, William  Search this
Isherwood, Christopher  Search this
Patch, Dorothy Jenkins  Search this
Johnson, Frank  Search this
Kiesler, Frederick  Search this
Kiesler, Lillian  Search this
Lambert, Gavin  Search this
Lathwood, Jo  Search this
Loomis, Amy  Search this
Masselind, Ben  Search this
McLaughlin, John  Search this
Meeks, Everett  Search this
Oliveira, Nathan  Search this
Park, David  Search this
Petty, Mary  Search this
Poulenc, Francis  Search this
Rukeyser, Muriel  Search this
Saint, Eva Marie  Search this
Sarton, May  Search this
Schrade, Leo  Search this
Sekula, Sonja  Search this
Shaw, Robert Gould  Search this
Simonds, Bruce  Search this
Stone, Helen  Search this
Stravinsky, Igor  Search this
Stravinsky, Vera  Search this
Swift, Richard  Search this
Tardos, Anne  Search this
Thiebaud, Wayne  Search this
Wonner, Paul  Search this
Zajac, Jack  Search this
Davis, Charles H. (Charles Harold)  Search this
Topic:
Painting, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Composition (Music) -- 20th century  Search this
Music -- 20th century  Search this
Record number:
(DSI-AAA_CollID)8956
(DSI-AAA_SIRISBib)211143
AAA_collcode_browwilt
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211143

Alexander Liberman papers

Creator:
Liberman, Alexander, 1912-1999  Search this
Names:
André Emmerich Gallery  Search this
Bennington College  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Solomon R. Guggenheim Museum  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Cartier-Bresson, Henri, 1908-  Search this
Chernow, Burt  Search this
Dalí, Salvador, 1904-  Search this
De Kooning, Willem, 1904-1997  Search this
Dietrich, Marlene  Search this
Emmerich, André  Search this
Frankenthaler, Helen, 1928-2011  Search this
Greenberg, Clement, 1909-1994  Search this
Hopps, Walter  Search this
Klein, William  Search this
Kline, Franz, 1910-1962  Search this
Leibovitz, Annie, 1949-  Search this
Motherwell, Robert  Search this
Mulas, Ugo  Search this
Namuth, Hans  Search this
Newman, Barnett, 1905-1970  Search this
Newton, Helmut, 1920-  Search this
Parks, Gordon, 1912-2006  Search this
Parsons, Betty  Search this
Penn, Irving  Search this
Picasso, Pablo, 1881-1973  Search this
Ritts, Herb  Search this
Snowdon, Antony Armstrong-Jones, Earl of, 1930-  Search this
Steichen, Edward, 1879-1973  Search this
Vogel, Lucien  Search this
Vreeland, Diana  Search this
Extent:
59 Linear feet
Type:
Collection descriptions
Archival materials
Drafts (documents)
Drawings
Scrapbooks
Interviews
Photographs
Sketches
Sound recordings
Transcripts
Video recordings
Date:
circa 1912-2003
Summary:
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.
Scope and Contents:
The papers of sculptor, painter, and publishing executive Alexander Semeonovitch Liberman date from circa 1913-2003 and measure 59 linear feet. Found within the papers are biographical materials; correspondence with family, galleries, museums, and many artists; numerous recorded interviews and transcripts with and by Liberman, including one of Walter Hopps; writings and writing project files; extensive subject files maintained by Liberman; exhibition files; printed materials; scattered drawings; and extensive photographs of Liberman's artwork, exhibitions, Liberman, and of Liberman with notable artists, dealers, collectors, and critics. Many of the photographs were taken by noted photograhers. Also found within the papers are unidentified sound and video recordings. Additional sound and video recordings have been integrated into other series.

Biographical materials include awards, biographies and chronologies, family history materials, membership cards, writings by Liberman's mother, and a scrapbook about his father.

Correspondence is extensive and concerns both personal and professional affairs. It is with artists and photographers, art magazines, organizations and museums, art collectors, businesses, and family. Notable correspondents include Cecil Beaton, Henri Cartier-Bresson, Burt Chernow, Salvador Dali, Robert Motherwell, Helen Frankenthaler, Barnett and Annalee Newman, Additional correspondence is found within the subject files compiled and organized by Liberman (series 6).

There are sound and video recordings and transcripts of interviews with and by Liberman, most completed for broadcast television and radio shows. Of particular interest are sound cassettes, a sound tape reel, and a transcript of an interview with Walter Hopps by Liberman.

Writings by Liberman include essays, short stories, and a play entitled 2+1. Writing project files were organized by Liberman for writing projects for which he was the author, collaborator, or subject. There are numerous files concerning Barbara Rose's book about Liberman Alexander Liberman that also include recorded interviews with Liberman and transcripts. Other books for which there are files include The Art and Technique of Color Photography, The Artist in His Studio, Vogue: The First 100 Years, Vogue History of Fashion Photography, and others.

Subject files were organized by Liberman for a wide variety of work projects, activities, topics, and entities of interest. Files cover commissions, the filming and distribution of the 1981 documentary film Alexander Liberman: A Lifetime Burning, Liberman's personal collection of art, gifts of artwork, and his relationship with galleries and dealers, particularly André Emmerich Gallery.

Exhibition files document exhibitions of Liberman's artwork, and include those held at André Emmerich Gallery, Bennington College, the Guggenheim, Museum of Modern Art, among other venues. Files contain correspondence, contracts, photographs, plans and drawings, notes, etc. Also found are inventory records of Liberman's artwork in the form of lists, index cards, bound registers, and notes.

Ten linear feet of printed materials include exhibition announcements and catalogs, books and book flyers, brochures, calendars, clippings, postcards, posters, press releases, and other materials.

There are scattered drawings and sketches found within the papers, some of which are sketches of sculpture pieces.

Nearly one-half of the collection is comprised of photographs of Liberman and his artwork, and of artists and colleagues, many of which were taken by noted photographers, including Cecil Beaton, Henri Cartier-Bresson, William Klein, Henri Lartique, Annie Leibowitz, Inge Morath, Ugo Mulas, Hans Namuth, Helmut Newton, Gordon Parks, Irving Penn, Herb Ritts, and Lord Snowden, among others. Subjects of note found in the photographs include Alfred Barr, Salvador Dali, Marlene Dietrich, Willem de Kooning, Andre Emmerich, Helen Frankenthaler, Clement Greenberg, Franz Kline, Robert Motherwell, Barnett Newman, Betty Parsons, Pablo Piccaso, Edward Steichen, Lucien Vogel, and Diana Vreeland, among many others.
Arrangement:
The collection is arranged into twelve series. Photographs retain Liberman's original numerical and alpha schemas and the corresponding indexes are found in the Inventory Records in Series 8.

Series 1: Biographical Materials, circa 1930s-1999 (1 linear foot; Box 1, 56)

Series 2: Correspondence, 1944-1997 (4 linear feet; Boxes 1-5, 56, OV 65)

Series 3: Interviews, 1946-1996 (1.4 linear feet; Boxes 5-7, 56)

Series 4: Writings, 1948-1995 (0.9 linear feet; Boxes 7-8)

Series 5: Writing Project Files, 1951-1997 (1.8 linear feet; Boxes 8-9, 56)

Series 6: Subject Files, 1946-2000 (6 linear feet; Boxes 9-15, 56, OV 66-67)

Series 7: Exhibition Files, 1954-1991 (0.7 linear feet; Boxes 15-16, 56, OV 68)

Series 8: Inventory Records, 1938-1998 (6 linear feet; Boxes 16-22)

Series 9: Printed Materials, 1932-2003 (10 linear feet; Boxes 22-31, 56-57, OV 69)

Series 10: Artwork, circa 1940s-1990s (0.4 linear feet; Boxes 32, 57, OV 70)

Series 11: Photographic Materials, circa 1912-1999 (26 linear feet; Boxes 32-55, 57-64, OVs 71-77)

Series 12: Unidentified Sound and Video Recordings, circa 1941-1999 (0.8 linear feet; Boxes 55, 64)
Biographical / Historical:
Alexander S. Liberman (1912-1999) was a sculptor, painter, photographer, graphic designer, writer, and publishing executive who worked primarily in New York City. He held senior positions at Condé Nast Publications for 32 years.

Alexander Semeonovitch Liberman was born in 1912 in Kiev Russia. He was educated in London and the École des Beaux Art in Paris. He began his journalistic career in Paris at VU magazine owned by Lucien Vogel and there he befriended photographers Henri Cartier-Bresson, Brassai, Robert Capa, and André Kértesz. He served in the French army for a short time in 1940, but he and his family fled Paris in 1941 to New York City. Condé Nast hired Liberman in 1941 as an assistant to the art director of Vogue magazine. Liberman became art director in 1943 and editorial director of Condé Nast Publications in 1962, a position he held until his retirement in 1994.

Liberman was also a photographer whose subjects included Georges Braque, Alexander Calder, Alberto Giacometti, Henri Matisse, Pablo Picasso, and Marlene Dietrich, among others, many represented in his 1960 book entitled The Artist in his Studio and Marlene: An Intimate Photographic Memoir (1992). He was also the subject of the work of noted photographers Cecil Beaton, Irving Penn, Henri Cartier-Bresson, Gordon Parks, Lord Snowden, Jill Krementz, Henri Lartique, Annie Leibovitz, and Hans Namuth.

Liberman took up painting and sculpting in the 1950s. Although his first exhibition was at the Betty Parsons Gallery, he was primarily associated with the André Emmerich Gallery in New York City. His monumental sculptures were mostly assembled from industrial parts and painted and can be seen in museums and public sites worldwide.

Liberman was briefly married to Hildegarde Sturm. He married his second wife Tatiana Yacovleff du Plessix in 1942. Before their marriage, they fled occupied France together. She was a noted hat designer, working for Henri Bendel and Saks, where she became known as Tatiania of Saks. She died in 1991 and, in 1992, Liberman married Melinda Pechangco, a nurse who had earlier cared for Tatiania. Alexander Liberman died in 1999 in Miami, Florida.
Related Materials:
Related collections found at the Archives of American Art include the Dodie Kazanjian and Calvin Tomkins research materials on Alexander Liberman and numerous collections of gallery records.
Provenance:
The Alexander Liberman papers were donated to the Archives of American Art by Liberman Art Partners in 2010 via Dodie Kazanjian.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Alexander S. Liberman papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Publishers -- New York (State) -- New York  Search this
Graphic designers  Search this
Topic:
Photographers -- New York (State) -- New York  Search this
Photography  Search this
Sculptors -- France -- Paris  Search this
Sculptors -- New York (State) -- New York  Search this
Fashion photography  Search this
Painters -- France -- Paris  Search this
Painters -- New York (State) -- New York  Search this
Photographers -- France -- Paris  Search this
Genre/Form:
Drafts (documents)
Drawings
Scrapbooks
Interviews
Photographs
Sketches
Sound recordings
Transcripts
Video recordings
Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.libealex
See more items in:
Alexander Liberman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-libealex
Online Media:

William Theo Brown papers

Creator:
Brown, William Theo, 1919-2012  Search this
Names:
Anderson, Eugene Newton  Search this
Bachardy, Don, 1934-  Search this
Barber, Samuel, 1910-  Search this
Barton, Betsy  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Broughton, James  Search this
Callahan, Harry M.  Search this
Callery, Mary, 1903-1977  Search this
Carson, Josephine, 1919-  Search this
Coke, Van Deren, 1921-  Search this
Craft, Robert  Search this
Davis, Charles H. (Charles Harold), 1856-1933  Search this
De Kooning, Elaine  Search this
DeFeo, Jay, 1929-1989  Search this
Diebenkorn, Richard, 1922-1993  Search this
Donovan, Richard  Search this
Golschmann, Vladimir, 1893-1972  Search this
Hamilton, George Heard  Search this
Hess, Thomas B.  Search this
Hindemith, Gertrud, 1900-1967  Search this
Hindemith, Paul, 1895-1963  Search this
Hockney, David  Search this
Holloway, Sterling  Search this
Howard, Bart  Search this
Inge, William  Search this
Isherwood, Christopher, 1904-  Search this
Johnson, Frank  Search this
Kiesler, Frederick  Search this
Kiesler, Lillian, 1910?-2001  Search this
Lambert, Gavin  Search this
Lathwood, Jo  Search this
Loomis, Amy  Search this
Masselind, Ben  Search this
McLaughlin, John, 1898-1976  Search this
Meeks, Everett, 1879-1954  Search this
Oliveira, Nathan, 1928-2010  Search this
Park, David, 1911-1960  Search this
Patch, Dorothy Jenkins  Search this
Petty, Mary  Search this
Poulenc, Francis, 1899-1963  Search this
Rukeyser, Muriel, 1913-  Search this
Saint, Eva Marie, 1924-  Search this
Sarton, May, 1912-  Search this
Schrade, Leo, 1903-1964  Search this
Sekula, Sonja, 1918-1963  Search this
Shaw, Robert Gould, 1837-1863  Search this
Simonds, Bruce  Search this
Stone, Helen, 1903-  Search this
Stravinsky, Igor, 1882-1971  Search this
Stravinsky, Vera  Search this
Swift, Richard, 1927-  Search this
Tardos, Anne, 1943-  Search this
Thiebaud, Wayne  Search this
Wonner, Paul, 1920-2008  Search this
Zajac, Jack, 1929-  Search this
Extent:
1.3 Linear feet ((on 4 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1845-1971
Scope and Contents:
Scrapbooks, photograph albums, sketchbooks, correspondence, manuscripts, and printed material reflect Brown's work as a painter, and his ties with contemporary musical and literary figures.
REEL 877: Four scrapbooks, 1946-1972, containing: photographs of composers Igor Stravinsky and Paul Hindemith, artist Don Bachardy and Brown; letters and notes to Brown from musicians Stravinsky, Hindemith, John Cage, and Samuel Barber; drawings and photographs of works by Brown; clippings; and manuscript material by John Cage and Francis Poulenc.
REEL 921: Eight photograph albums, 1941-1971, including photos of Brown's work; photos of Brown at MacDowell Colony working on a series of self-portraits; of Brown, friends, and other artists, including Paul Wonner, Sonia Sekula, John McLaughlin, Jack Zajac, Sterling Holloway, Richard Diebenkorn, Mary Callery, David Park, Robert Shaw, poet May Sarton, playwright William Inge, composers Igor Stravinsky and Paul Hindemith, author Christopher Isherwood, and others.
REELS 1095 and 1116 (photographs only): Correspondence, ca. 1923-1974; with artists, musicians, writers, composers, and others; privately published letters of Brown's grandfather; sketchbooks, including two from his early years, 1926 and 1930-1934, and six done in Europe, 1945; one sketch by Brown and one each by Paul and Gertrude Hindemith; manuscripts; photographs of family, friends, and associates; photographs of drawings; catalogs and announcements; printed papers; legal documents; and 2 clippings relating to Igor Stravinsky.
REEL 1095: Correspondents include: Eugene Anderson, Cecil Beaton, James Broughton, Van Deren Coke, Robert Craft, Jay DeFeo, Elaine De Kooning, Richard Diebenkorn, Richard Donovan, Vladimir Golschmann, George H. Hamilton, Thomas B. Hess, Gertrude Hindemith (36 letters), Paul Hindemith, David Hockney, Bart Howard, William Inge, Christopher Isherwood, Dorothy Jenkins, Frank Johnson, Gavin Lambert, Jo Lathwood, Amy Loomis, Ben Masselind, Everett Meeks, Nathan Oliveira, Mary Petty, Josephine Carson Rider, Muriel Rukeyser, Eva Marie Saint, Leo Schrade, Bruce Simonds, Helen Stone, Vera Stravinsky, Richard Swift, Ann Tardos and Wayne Thiebaud; many are represented with only one letter.
Biographical / Historical:
Painter; San Francisco, Calif. Associated with the late 1950s movement of Bay Area figurative painting. Had particularly close ties with contemporary musical and literary worlds.
Provenance:
Material on reels 877 and 921 lent for microfilming and remainder donated 1974 by William T. Brown. Catalogs on reel 1095 were transferred to NMAA/NPG Library after microfilming.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Composers  Search this
Painters -- California -- San Francisco Bay Area  Search this
Topic:
Painting, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Composition (Music) -- 20th century  Search this
Music -- 20th century  Search this
Identifier:
AAA.browwilt
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-browwilt

The Right Honourable Winston S. Churchill, C.H., M.P.

Artist:
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Collection Creator:
Princeton University  Search this
Extent:
1 Poster (1/4 size; Multi-color, 49 x 37.5 cm)
Container:
Box 1, Folder 5
Type:
Archival materials
Posters
Place:
Great Britain
Image:
Main Image: Head and shoulders of Churchill
Local numbers:
Princeton Poster# 4562
General:
Artist(s): Cecil Beaton
Printing Info:
Printer: Fosh & Cross Ltd.

Specimen of British War Literature
Collection Restrictions:
Collection is open for research.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Celebrities  Search this
World War, 1939-1945  Search this
Genre/Form:
Posters
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
See more items in:
Princeton University Poster Collection
Princeton University Poster Collection / Series 4: World War Two / Great Britain
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0433-ref14057

Indian album / Cecil Beaton

Author:
Beaton, Cecil Walter Hardy Sir 1904-  Search this
Physical description:
[4] p., [79] p. of plates : chiefly ill. ; 23 cm
Type:
Books
Place:
India
Date:
1945
1946
1945-1946
Topic:
Description and travel  Search this
Views  Search this
Call number:
DS413 .B364
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_872829

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