"The mask here is known as Pwoom Itok, Ishendemala, Ishyeenmaal or Shene Malula. One encounters this type of mask among various Kuba group, including the Bushoong and the Ngeende. It appears during the young men's initiation and also performs as a dance mask. Pwoom Itok incarnates an old wise man who is consulted by the other dancers." [Cornet J., 1993: Masks Among the Kuba Peoples, Face of the Spirits]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 3 KBA 21 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
0036
Frame value is 7.
Slide No. E 3 KBA 21 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
"The mask here is known as Pwoom Itok, Ishendemala, Ishyeenmaal or Shene Malula. One encounters this type of mask among various Kuba group, including the Bushoong and the Ngeende. It appears during the young men's initiation and also performs as a dance mask. Pwoom Itok incarnates an old wise man who is consulted by the other dancers." [Cornet J., 1993: Masks Among the Kuba Peoples, Face of the Spirits]. This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
E 3 KBA 21.1 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
0036
Frame value is 16.
Slide No. E 3 KBA 21.1 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
I 1 NIR 4 EE 70
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 1.
Slide No. I 1 NIR 4 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts the altar dedicated to the Oba Ovonramwen (reigned 1888-1914). "From the early eighteenth century to the present day, foreign visitors to Benin City have observed finely cast heads, some supporting carved tusks, on ancestral altars in the royal palace. The altar groupings were destroyed in 1897 when many objects were removed by the British military and a fire swept the palace. With the restoration of the Benin monarchy in 1914, the new Oba, Eweka II (d. 1933), commissioned heads and other objects for an altar dedicated to his father, Oba Ovonramwen (reigned 1888-97; d.1914)." [Freyer Br., 1987: Royal Benin Art. Smithsonian Institution Press]. "Benin City and the palace of the Oba are marked out by shrines which articulate the role and traditions of the Oba and his predecessors as rulers of the city and the kingdom. Throughout the city there are also domestic shrines, found in many households despite the active proselytizing of Christianity in all its forms during this century." [Gore Ch., 1998: Ritual, Performance and Media in Urban Contemporary Shrine Configurations in Benin City, Nigeria; Ritual, Performance, Media. pp.66-84. Routledge]. This photograph was taken when Eliot Elisofon traveled to Africa from March 17, 1970 to July 17, 1970.
Local Numbers:
I 2 BNN 2.4.3 EE 70
General:
Citation source: Archives staff.
Title is provided by EEPA staff based on photographer's notes.
Exhibitions Note:
"Court Art of Benin," held by the Pitt Rivers Museum in Oxford, England, beginning August 1, 2001.
"Africa: Looking Bakc, Looking Forward," held by the Spurlock Museum in Urbanna, Illinois, beginning in September of 2002.
Local Note:
Frame value is 29.
Slide No. I 2 BNN 2.4.3 EE 70
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
This photograph was taken when Eliot Elisofon was on assignment for National Geographic and traveled to Africa from January 19, 1972 to mid April 1972.
Local Numbers:
K 3 ZAI 67.4 EE 72
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
0023
Frame value is 21.
Slide No. K 3 ZAI 67.4 EE 72
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts wives of Nyim Mbopey Mabiintsh ma-Kyeen [Mbop Mabiinc makyen, (Bope Mabinshe)] reciting 'Ncyeem Ingesh', songs of the nature spirits, praising the monarchy. [Vansina J., 1978: The Children of Woot, The university of Wisconsin Press]. This photograph was taken when Eliot Elisofon was on assignment for Life magazine and traveled to Africa from January 8, 1947 to end of June 1947.
Local Numbers:
Negative number 22923, R-4, 3.
General:
Title source: Index card based on photographer's notes.
Local Note:
Typed index card reads, "F 3 Kba. Kuba. Zaire, Mushenge. Wives (350) of Nyim Mbop Mabiinc maMbeky (Bope Mabinshe) ruled 1939-d.1969. Recite royal genealogies, pound rhythm gourds and dance. 1/20/1947. EE. neg.no. 22923, R-4, 3. Note the following correction: The Kuba king pictured here is Mbop Mabiinc maKyen, who ruled from 1939-1969." The card was written in 1977-79 by Archives staff using source provided by photographer.
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Wives of Nyim Mbop Mabiinc maMbeke (Bope Mabinshe) in Mushenge, Zaire, 1947.
Local Numbers:
F 3 KBA
22923 R-4 3
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
The photograph depicts ceremonial sword held by attendants of Asantehene Otomfuo Nana Opoku Ware II. "In the nineteenth century sword ornaments became more varied and numerous, often representing a proverbial theme. Further proliferation occured in this century, more specifically after 1924, when the Asantehene Prempeh I returned from his long exile." [Timothy F. Garrard, 1989: Gold of Africa, Prestel]. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971.
Local Numbers:
C 2 ASH 17 EE 71
General:
Title is provided by EEPA staff based on photographer's notes.
Local Note:
Frame value is 0.
Slide No. C 2 ASH 17 EE 71
Collection Restrictions:
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Citation:
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Baltimore Museum of Art, Antioch Court Garden (Baltimore, Maryland)
United States of America -- Maryland -- Baltimore
Date:
04/01/1984
Local Call Number(s):
11446
General:
Designed and installed by the Garden Club of America's Garden Club of Twenty.
Collection Restrictions:
Access to original archival materials by appointment only. Researcher must submit request for appointment in writing. Certain items may be restricted and not available to researchers. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Collection Rights:
Archives of American Gardens encourages the use of its archival materials for non-commercial, educational and personal use under the fair use provision of U.S. copyright law. Use or copyright restrictions may exist. It is incumbent upon the researcher to ascertain copyright status and assume responsibility for usage. All requests for duplication and use must be submitted in writing and approved by Archives of American Gardens. Please direct reference inquiries to the Archives of American Gardens: aag@si.edu.
Smithsonian Institution, Archives of American Gardens, The Garden Club of America collection.
Sponsor:
A project to describe images in this finding aid received Federal support from the Smithsonian Collections Care Initiative, administered by the National Collections Program.
Use of original records requires an appointment. Contact Archives staff for more details.
Collection Rights:
Permission to reproduce images from the Eliot Elisofon Photographic Archives must be obtained in advance. The collection is subject to all copyright laws.
Collection Citation:
Constance Stuart Larrabee Collection, EEPA 1998-006, Eliot Elisofon Photographic Archives, National Museum of African Art, Smithsonian Institution.
Sponsor:
The cataloging of the Constance Stuart Larrabee Collection was supported by a grant from The Smithsonian Women's Committee.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
James Graham & Sons records, 1815, 1821, circa 1896-2011, bulk 1950s-1980s. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by Smithsonian Institution Collections Care Preservation Fund
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Frank K. M. Rehn Galleries records, 1858-1969 (bulk 1919-1968). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the digitization of the microfilm of this collection was provided by the Terra Foundation for American Art
Whitney, Gertrude Vanderbilt, 1875-1942 Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
1917-1947
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Whitney Museum of American Art, Gertrude Vanderbilt Whitney Papers, 1851-1975 (bulk 1888-1942). Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art
The collection has been digitized and is available online via AAA's website.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jackson Pollock and Lee Krasner papers, circa 1914-1984. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art.
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Betty Parsons Gallery records and personal papers, 1916-1991. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing and digitization of this collection was provided by the Terra Foundation for American Art and The Walton Family Foundation.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Brown Foundation. Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Carnegie Institute, Museum of Art records, 1883-1962, bulk 1885-1940. Archives of American Art, Smithsonian Institution.
Sponsor:
Funding for the processing of this collection was provided by the Brown Foundation. Funding for the digitization of this collection was provided by the Terra Foundation for American Art.
