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Avant Garde Music Publishing, 1995

Container:
Box 1 of 3
Type:
Archival materials
Collection Rights:
Restricted for 15 years, until Jan-01-2027; Transferring office; 10/5/2011 memorandum, Wright to Barnes; Contact reference staff for details.
Collection Citation:
Smithsonian Institution Archives, Accession 12-004, Cooper-Hewitt, National Design Museum. Development, Donor Files
See more items in:
Donor Files
Donor Files / Box 1
Archival Repository:
Smithsonian Institution Archives
EDAN-URL:
ead_component:sova-sia-fa12-004-refidd1e806

Indeterminacy new aspect of form in instrumental and electronic music

Creator:
Callahan, Harry M.  Search this
Clyne, Ronald, 1925-2006 (album cover design)  Search this
Gahr, David (album cover photo)  Search this
Performer:
Tudor, David, 1926-1996  Search this
Collection Creator:
Asch, Moses  Search this
Distler, Marian, 1919-1964  Search this
Folkways Records  Search this
Extent:
2 Phonograph records (analog, 33 1/3 rpm, 12 in.)
Culture:
Americans  Search this
Anglo-American  Search this
Type:
Archival materials
Phonograph records
Place:
United States
New York
Date:
1959
Track Information:
101 Indeterminacy: Reading / David Tudor, John Cage. Tape recorder music, Slinky (Toy), Whistle, Piano.

201 Indeterminacy: Reading / David Tudor, John Cage. Tape recorder music, Slinky (Toy), Whistle, Piano.

301 Indeterminacy: Reading / David Tudor, John Cage. Tape recorder music, Slinky (Toy), Whistle, Piano.

401 Indeterminacy: Reading / David Tudor, John Cage. Tape recorder music, Slinky (Toy), Whistle, Piano.
Local Numbers:
FW-ASCH-LP-03704

Folkways.3704
Publication, Distribution, Etc. (Imprint):
New York Folkways 1959
Participant or Performer Note:
John Cage, reading; David Tudor, music.
General:
Program notes by John Cage (12 p. : ill.) inserted in container.
Restrictions:
Restrictions on access.
Collection Rights:
Copyright restrictions apply. Contact archives staff for additional information.
Topic:
Contemporary music  Search this
Avant-garde (Music)  Search this
Electronic music  Search this
Slinky (Toy)  Search this
Whistle  Search this
Piano  Search this
Collection Citation:
Moses and Frances Asch Collection, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.ASCH, Item FW-ASCH-LP-03704
See more items in:
Moses and Frances Asch Collection
Moses and Frances Asch Collection / Series 9: Audio Recordings / LP
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk5283d7f31-4719-46d3-993e-87650214bf05
EDAN-URL:
ead_component:sova-cfch-asch-ref24610

Nam June Paik Papers

Artist:
Paik, Nam June, 1932-2006  Search this
Extent:
55 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Exhibition catalogs
Books
Sketches
Sketchbooks
Date:
1832-2008
bulk 1960-2000
Summary:
The archive is comprised of the papers of the artist (his writings, notes, scores, plans and designs, photographs and assorted print ephemera), his library (books, magazines, trade catalogs, etc.), as well as three dimensional artifacts from his studio (objects, toys, televisions, radios, the artist's desk, etc.) and over 200 videotapes (the artist's single-channel videotapes, installation videotapes, and videotape records of performances and interviews).
Scope and Contents:
The papers of Nam June Paik measure approximately 55 linear feet and date from 1832 to 2008, with the bulk of materials dating from 1960 to 2000. The papers document the artist's global career in video and multimedia art. The collection includes the artist's early writings on art, history and technology, performance scores, production notes for videotape and television products, plans for video installations, and documentation of large-scale television projects such as Guadalcanal Requiem (1977/79) and The More the Better (1988).

Letters, postcards, telegrams, faxes and notes from friends and business associates reflect Paik's association with a wide international circle of artists, including many of those associated with Fluxus. Biographical materials include vintage photographs, an early affidavit of support from Jonas Mekas for Paik's temporary entry into the United States and the transcript of a 1977 interview conducted by Dick Higgins.

Additional materials that provide insight into Paik's career include documentation of early Fluxus performances both before and after Paik's move to New York City in 1964 and printed announcements and programs for exhibitions, festivals, and performances.

Also included in the papers are over 400 books and magazines.
Arrangement:
The collection is arranged into fourteen series:

Series 1: Biographical Materials, 1957-1999 (Box 1; 10 folders; .20 linear feet)

Series 2. Correspondence, 1959-2002 (Boxes 1-4 and oversize box 51; 74 folders, 1.5 linear feet)

Series 3. Financial and Legal Records,1965-2002 (Boxes 5-6; 27 folders; .8 linear feet)

Series 4. Project Files, ca. 1965-1998 (Boxes 7-10 and oversize boxes 52-53, 66 folders; 2 linear feet)

Series 5: Exhibition Files, 1974-2002 (Box 10 and oversize box 53; 19 folders; .3 linear feet)

Series 6: Notes and Writings, ca. 1960-2000 (Boxes 11-15 and oversize box 54; 112 folders; 2.1 linear feet)

Series 7: Sketchbooks and Sketches, 1974-1979 and undated (Box 16 and oversize box 54; 9 folders; .1 linear feet)

Series 8: Photographs, ca. 1940-2001 (Boxes 16-17 and oversize boxes 55 and 57; 36 folders; .9 linear feet)

Series 9: Artifacts and Ephemera, ca. 1960-2000 (Box 18 and oversize box 55; 17 folders; .5 linear feet)

Series 10: Printed Materials, 1832-2004 (Boxes 19-25 and oversize boxes 56-63; 121 folders; 10 linear feet)

Series 11: Books, 1839-2003 (Boxes 25-40 and oversize box 66; 17 linear feet)

Series 12: Magazines and Newsletters, ca. 1900-2000 (Boxes 41-46; 6 linear feet)

Series 13: Product Manuals, Trade Catalogs and Directories, ca. 1970-2000 (Boxes 47-50; 4 linear feet)

Series 14: Newspapers, 1867-2008 (Oversize boxes 62-65; 9.5 linear feet)
Biographical note:
Nam June Paik (1932-2006), internationally recognized as the "Father of Video Art," created a large body of work, including video sculptures, installations, performances, videotapes and television productions. His art and ideas embodied a radical new vision for an art form that changed global visual culture.

Born in 1932 in Seoul, Korea, to a wealthy industrial family, Paik and his family fled Korea in 1950 at the outset of the Korean War, first to Hong Kong, then to Japan. Paik graduated from the University of Tokyo in 1956, and then traveled to Germany to pursue his interest in avant-garde music, composition and performance. There he met John Cage and George Maciunas and became a member of the neo-dada Fluxus movement. In 1963, Paik had his legendary one-artist exhibition at the Galerie Parnass in Wuppertal, Germany, that featured his prepared television sets, which radically altered the look and content of television.

After immigrating to the United States in 1964, he settled in New York City, where he expanded his engagement with video and television, and had exhibitions of his work at the New School, Galerie Bonino, and the Howard Wise Gallery. In 1965, Paik was one of the first artists to use a portable video camcorder. In 1969, he worked with Japanese engineer Shuya Abe to construct an early video-synthesizer that allowed Paik to combine and manipulate images from different sources. The Paik-Abe video synthesizer transformed electronic moving-image making. Paik invented a new artistic medium with television and video, creating an astonishing array of artworks, from his seminal video Global Groove (1973), to his sculptures TV Buddha (1974) and TV Cello (1971); to installations such as TV Garden (1974), Video Fish (1975) and Fin de Siecle II (1989); videotapes Living with Living Theatre (1989) and Guadalcanal Requiem (1977/1979); and global satellite television productions such as Good Morning Mr. Orwell, which broadcast from the Centre Pompidou in Paris and a WNET-TV studio in New York City January 1, 1984.

Paik has been the subject of numerous exhibitions, including the major retrospectives: Nam June Paik, organized by Tate Liverpool and museum kunst palast, Düsseldorf (2011); The Worlds of Nam June Paik organized by the Solomon R. Guggenheim Museum, New York City (2000); and Nam June Paik, organized by the Whitney Museum of American Art (1982). He has been featured in major international art exhibitions including Documenta, the Venice Biennale, and the Whitney Biennial.
Provenance:
In 2009, the Nam June Paik archive was received as a gift from the Nam June Paik estate.
Restrictions:
Access to the archive requires an advance appointment. Please contact Paik Archive staff by email at PaikArchive@si.edu.
Rights:
Unpublished materials are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.
Topic:
Art, Modern -- 20th century -- United States  Search this
Fluxus (Group of artists)  Search this
Video art  Search this
Genre/Form:
Interviews
Photographs
Exhibition catalogs
Books
Sketches
Sketchbooks
Citation:
Nam June Paik Archive, Smithsonian American Art Museum; Gift of the Nam June Paik Estate
Identifier:
SAAM.NJP.1
See more items in:
Nam June Paik Papers
Archival Repository:
Smithsonian American Art Museum, Research and Scholars Center
GUID:
https://n2t.net/ark:/65665/ih77bbdbc9d-7603-47d0-b728-b4633993e3d6
EDAN-URL:
ead_collection:sova-saam-njp-1
Online Media:

Oral history interview with Ralph Coburn, 1995 May 25-June 23

Interviewee:
Coburn, Ralph, 1923-  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Kelly, Ellsworth  Search this
Nelson, Carl Gustaf  Search this
Netsch, Walter  Search this
Plaut, James S. (James Sachs)  Search this
Polonsky, Arthur  Search this
Saltonstall, Nathaniel  Search this
Swetzoff, Hyman Wulf  Search this
Wilson, John  Search this
Zerbe, Karl  Search this
Boris Mirski Gallery (Boston, Mass.)  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Massachusetts Institute of Technology  Search this
Type:
Interviews
Sound recordings
Topic:
Architecture -- Study and teaching  Search this
Designers -- Massachusetts -- Gloucester -- Interviews  Search this
Painters -- Massachusetts -- Gloucester -- Interviews  Search this
Theme:
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)13209
(DSI-AAA_SIRISBib)216509
AAA_collcode_coburn95
Theme:
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216509
Online Media:

Robert

Artist:
Chuck Close, 5 Jul 1940 - 19 Aug 2021  Search this
Sitter:
Robert Wilson, born 4 Oct 1941  Search this
Medium:
Woodburytype on paper
Dimensions:
Sheet: 35.4 × 27.8 cm (13 15/16 × 10 15/16")
Type:
Print
Date:
2012
Topic:
Robert Wilson: Visual Arts\Artist  Search this
Robert Wilson: Male  Search this
Robert Wilson: Performing Arts\Director\Theater  Search this
Robert Wilson: Performing Arts\Scenographer  Search this
Robert Wilson: Visual Arts\Artist\Performance artist  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2015.25
Restrictions & Rights:
Usage conditions apply
Copyright:
© 2012, Chuck Clost and Two Palms, NY
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4c0c09169-3f5e-404c-9120-636399261459
EDAN-URL:
edanmdm:npg_NPG.2015.25

Fluxus forms scores, multiples, and the eternal network Natilee Harren

Author:
Harren, Natilee  Search this
Physical description:
278 pages, 12 unnumbered pages of plates illustrations (some color) 26 cm
Type:
Books
Place:
New York, NY
Date:
2020
20th century
20e siècle
Topic:
Fluxus (Group of artists)  Search this
Art, Modern  Search this
Avant-garde (Music)  Search this
Fluxus (Groupe d'artistes)  Search this
Art  Search this
Musique expérimentale  Search this
Fluxus  Search this
ART / General  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1149352

Sound commitments : avant-garde music and the sixties / edited by Robert Adlington

Author:
Adlington, Robert  Search this
Physical description:
1 online resource (xi, 292 pages) : illustrations, music
Type:
Electronic resources
Electronic books
History
Place:
Seattle <Wash., 2004>
Date:
2009
20th century
1900-talet
Topic:
Music--Political aspects--History  Search this
Avant-garde (Music)  Search this
Nineteen sixties  Search this
MUSIC--History & Criticism  Search this
Music--Political aspects  Search this
Musik  Search this
Musik--politiska aspekter--historia  Search this
Experimentell musik  Search this
Call number:
ML3916 .O84 2009 (Internet)
Restrictions & Rights:
Use copy Restrictions unspecified
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1148108

Listening through the noise : the aesthetics of experimental electronic music / Joanna Demers

Author:
Demers, Joanna Teresa 1975-  Search this
Physical description:
1 online resource (201 pages)
Type:
Electronic resources
Electronic books
Criticism, interpretation, etc
Date:
2010
Topic:
Electronic music--History and criticism  Search this
Avant-garde (Music)  Search this
Music--Philosophy and aesthetics  Search this
Music and technology  Search this
MUSIC--Musical Instruments--Piano & Keyboard  Search this
Electronic music  Search this
Elektronische Musik  Search this
Musikästhetik  Search this
Call number:
ML1380 .D45 2010 (Internet)
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1148149

Composing dissent : avant-garde music in 1960s Amsterdam / Robert Adlington

Author:
Adlington, Robert  Search this
Physical description:
1 online resource
Type:
Electronic resources
Electronic books
Criticism, interpretation, etc
History
Place:
Netherlands
Amsterdam
Date:
2013
1961-1970
20th century
Topic:
Music--History and criticism  Search this
Avant-garde (Music)--History  Search this
MUSIC--Genres & Styles--International  Search this
Avant-garde (Music)  Search this
Music  Search this
Call number:
ML295.5 .A35 2013 (Internet)
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1148275

Experimentalisms in practice : music perspectives from Latin America / ed ; by Ana R. Alonso-Minutti, Eduardo Herrera, Alejandro L. Madrid

Editor:
Alonso-Minutti, Ana R. 1976-  Search this
Herrera, Eduardo 1977-  Search this
Madrid, Alejandro L.  Search this
Physical description:
1 online resource
Type:
Electronic resources
Electronic books
Criticism, interpretation, etc
History
Place:
Latin America
Date:
2018
20th century
Topic:
Avant-garde (Music)--History  Search this
Music--History and criticism  Search this
MUSIC--Genres & Styles--Classical  Search this
MUSIC--Reference  Search this
Avant-garde (Music)  Search this
Music  Search this
Call number:
ML199.5 .E96 2018 (Internet)
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1148527

Elite art worlds : philanthropy, Latin Americanism, and avant-garde music / Eduardo Herrera

Author:
Herrera, Eduardo 1977-  Search this
Physical description:
1 online resource (xvii, 204 pages) : illustrations
Type:
Electronic resources
Electronic books
History
Place:
Argentina
Buenos Aires
Date:
2020
20th century
Topic:
Avant-garde (Music)--History  Search this
Music and diplomacy--History  Search this
Avant-garde (Music)  Search this
Music and diplomacy  Search this
Call number:
MT5.B96 C464 2020 (Internet)
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1148682

Industry : Bang on a Can and new music in the marketplace / William Robin

Author:
Robin, William  Search this
Subject:
Bang on a Can (Organization) History  Search this
Physical description:
1 online resource (x, 302 pages) : illustrations
Type:
Electronic resources
Electronic books
History
Date:
2021
20th century
Topic:
Avant-garde (Music)--History  Search this
Music--Marketing--History  Search this
Sound recording industry--History  Search this
Avant-garde (Music)  Search this
Music--Marketing  Search this
Sound recording industry  Search this
Call number:
ML26 .B384 2021 (Internet)
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1148717

Reminded by the instruments : David Tudor's music / You Nakai

Author:
Nakai, Yu  Search this
Physical description:
1 online resource (688 pages)
Type:
Electronic resources
Electronic books
Place:
United States
Date:
2021
Topic:
Composers  Search this
Pianists  Search this
Call number:
ML410.T83
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1148766

Clippings, "SoHo So What"

Collection Creator:
Davidovich, Jaime, 1936-2016  Search this
Container:
Box OV 3, Folder 4
Type:
Archival materials
Date:
1977-1984
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jaime Davidovich papers, 1949-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Jaime Davidovich papers
Jaime Davidovich papers / Series 7: Printed Materials
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f24eb51e-04c3-4c15-b2da-0d920e3a6489
EDAN-URL:
ead_component:sova-aaa-davijaim-ref102
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  • View Clippings,

Artists' Television Network, "SoHo Television Presents," Press Kit

Collection Creator:
Davidovich, Jaime, 1936-2016  Search this
Container:
Box 1, Folder 47
Type:
Archival materials
Date:
1978
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jaime Davidovich papers, 1949-2014. Archives of American Art, Smithsonian Institution.
See more items in:
Jaime Davidovich papers
Jaime Davidovich papers / Series 5: Project and Source Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw935d2c34a-5ad7-47b4-91c0-d22840f06cc2
EDAN-URL:
ead_component:sova-aaa-davijaim-ref46
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Artists' Television Network,

Oral history interview with Ralph Coburn

Interviewee:
Coburn, Ralph, 1923-  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Boris Mirski Gallery (Boston, Mass.)  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Massachusetts Institute of Technology -- Students  Search this
Kelly, Ellsworth, 1923-  Search this
Nelson, Carl Gustaf, 1898-1988  Search this
Netsch, Walter  Search this
Plaut, James S. (James Sachs), 1912-1996  Search this
Polonsky, Arthur  Search this
Saltonstall, Nathaniel, 1903-1968  Search this
Swetzoff, Hyman Wulf, 1920-1968  Search this
Wilson, John, 1922-2015  Search this
Zerbe, Karl, 1903-1972  Search this
Extent:
48 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1995 May 25-June 23
Scope and Contents:
An interview of Ralph Coburn conducted 1995 May 25 and 1995 June 23, by Robert F. Brown, for the Archives of American Art, in Coburn's home, Gloucester, Massachusetts.
Coburn talks about his parents and his childhood in Miami Beach, Florida; his early schooling; and entering Massachusetts Institute of Technology, in 1941, in its 5-year architecture program. He recalls Walter Netsch, a classmate at MIT, who later became a partner at Skidmore, Owings & Merrill, who introduced Coburn to modern design and to avant-garde music. He also recalls the painter and head of painting at the Museum of Fine Arts School, Karl Zerbe, his teacher in the course of his work for advanced MIT architecture students. He talks about his return to Florida as a draftsman for an aircraft equipment company in Miami, outfitting planes for the African campaign, and his foreman, a son of Al Capone; then returning to Massachusetts to work with an electrical company making secret military components.
Coburn discusses returning to and dropping out of MIT; working at the Institute of Modern Art in Boston through Hyman Swetzoff; following Swetzoff to the Boris Mirski Gallery; studying at Mirski's art school with Esther Geller and John Wilson and friends made at the school, including Ellsworth Kelly, Arthur Polonsky, and Reed Kaye. He recalls Carl Nelson, one of his teachers. He talks about the change in atmosphere at the Institute with the replacement of Thomas Metcalf by James Plaut and Nathaniel Saltonstall who changed the Institute's name to Institute of Contemporary Art and the protest surrounding the name change.
Biographical / Historical:
Ralph Coburn (1923- ) is an architect, painter, and designer currently living in Gloucester, Massahusetts.
General:
Originally recorded on 2 sound cassettes as 4 digital wav files. Duration is 2 hr., 36 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Architects -- Massachusetts  Search this
Topic:
Architecture -- Study and teaching  Search this
Designers -- Massachusetts -- Gloucester -- Interviews  Search this
Painters -- Massachusetts -- Gloucester -- Interviews  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.coburn95
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9bdafcb74-8cc1-4eb9-a579-5765ce77d004
EDAN-URL:
ead_collection:sova-aaa-coburn95
Online Media:

Womens work managing editors, James Hoff and Irene Revell ; managing designer, Rick Myers ; originally published and edited by Alison Knowles and Annea Lockwood

Publisher:
Knowles, Alison 1933-  Search this
Lockwood, Annea 1939-  Search this
Editor:
Hoff, James  Search this
Revell, Irene 1980-  Search this
Designer:
Myers, Rick  Search this
Author:
Anderson, Beth 1950-  Search this
Anderson, Ruth 1953-  Search this
Apple, Jacki  Search this
Benary, Barbara  Search this
Dienes, Sari  Search this
Ffarrabas, Nye  Search this
Forti, Simone  Search this
Greenberg, Wendy  Search this
Von Gunden, Heidi 1940-  Search this
Hendricks, Bici  Search this
Janicot, Françoise  Search this
Kubisch, Christina 1948-  Search this
Law, Carol  Search this
Lucier, Mary  Search this
Mikulchik, Lisa  Search this
Noël, Ann  Search this
Oliveros, Pauline 1932-2016  Search this
Saito, Takako 1929-  Search this
Schneemann, Carolee 1939-2019  Search this
Shiomi, Mieko  Search this
Summers, Elaine 1925-2014  Search this
Weber, Carole  Search this
Winter, Julie  Search this
Wood, Marilyn 1929-  Search this
Issuing body:
Primary Information (Organization)  Search this
Physical description:
32 unnumbered pages illustrations 22 cm, in portfolio (24 x 22 cm) + 1 foldout poster
Type:
Books
Artists' books
Facsimiles
Date:
2019
Topic:
Performance art  Search this
Avant-garde (Music)  Search this
Artists' books  Search this
Call number:
N8354 .W667 2019
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1110745

Modern painters [sound recording] : paint it black

Title:
Paint it black
Author:
Herbert, Matthew  Search this
Deller, Jeremy 1966-  Search this
Claydon, Steve musician  Search this
Four Tet (Musical group)  Search this
Sigur Rós (Musical group)  Search this
Black Dice (Musical group)  Search this
Prada-Meinhof Gang  Search this
Kronos Quartet  Search this
Physical description:
1 sound disc : digital ; 4 3/4 in
Type:
Sound recordings
Date:
2003
[2003]
2001-2010
Topic:
Avant-garde (Music)  Search this
Alternative rock music  Search this
Electronic music  Search this
Popular music  Search this
Music videos  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_977580

For musica viva = für musica viva : posters = plakate 1997-2017 / Günter Karl Bose

Title:
Günter Karl Bose: for musican viva
Artist:
Bose, Günter  Search this
Subject:
Bose, Günter  Search this
Musica Viva (Organization : Munich, Germany)  Search this
Physical description:
171 pages : color illustrations ; 25 cm
Type:
Books
Place:
Germany
Date:
2017
20th century
Topic:
Design--History  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1081625

These Women Composers Should Be Household Names Like Bach or Mozart

Creator:
Smithsonian Magazine  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Thu, 17 Mar 2016 13:00:00 +0000
Topic:
Search this
See more post:
Smithsonian Article Database
Data Source:
Smithsonian Magazine
EDAN-URL:
edanmdm:posts_9e0831048862a0643a16f0dc0359d018

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