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Judith Zilczer papers

Creator:
Zilczer, Judith  Search this
Names:
Armory Show (1913: New York, N.Y.)  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Whitney Museum of American Art  Search this
Benton, Thomas Hart, 1889-1975  Search this
Coady, Robert J., 1881-1921  Search this
Dasburg, Andrew, 1887-1979  Search this
Dawson, Manierre, 1887-1969  Search this
Hartley, Marsden, 1877-1943  Search this
Hartmann, Sadakichi, 1867-1944  Search this
Linder, Richard  Search this
Munson, Gorham Bert, 1896-1969  Search this
Quinn, John, 1870-1924  Search this
Stieglitz, Alfred, 1864-1946  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1910-1995
bulk 1973-1995
Summary:
The papers of curator, art historian, and author Judith Zilczer measure 0.4 linear feet and date from 1910-1995, with the bulk of material dated 1973-1995. The papers contain project files and related correspondence, unpublished manuscripts, photographs, and printed material documenting her research as an independent art historian.
Scope and Contents:
The papers of curator, art historian, and author Judith Zilczer measure 0.4 linear feet and date from 1910-1995, with the bulk of material dated 1973-1995. The papers contain project files and related correspondence, unpublished manuscripts, photographs, and printed material documenting her research as an independent art historian.

This collection documents the correspondence and research of Judith Zilczer pertaining to her doctoral dissertation, The Aftermath of the Armory Show, 1913-1918, where she examines the arguments of both artists and critics over the question of abstraction in art during the early period of the twentieth century. Research files include information on Sadakichi Hartmann, Thomas H. Benton, Manierre Dawson, Andrew Dasburg, John Quinn, Alfred Stieglitz, Michael Brenner, Robert J. Coady and Gorham Munson. Project files document Synchromism, the Forum Exhibit and the Hartley Symposium at the Whitney Museum of American Art and the Richard Lindner Exhibition at the Hirshhorn Museum. Written transcripts include "Robert J. Cody, Man of the Soil" and "Musical Analogy". Researchers should note that this collection does not include a copy of her doctoral thesis.
Arrangement:
The collection is arranged as 2 series.

Series 1: Project Files, 1910-1995 (Box 1; 21 folders)

Series 2: Writings, circa 1980s (Box 1; 3 folders)
Biographical / Historical:
Judith Zilczer (1948-) was an art historian, author, and Curator Emerita of the Hirshhorn Museum and Sculpture Garden in Washington D.C. She organized more than two dozen exhibitions in her twenty-nine years at the museum, where she served as Historian, Curator of Paintings, and Acting Chief Curator. Her exhibition publications include Willem de Kooning from the Hirshhorn Museum Collection (1993), Richard Lindner: Paintings and Watercolors, 1948-1977 (1996), and Visual Music: Synaesthesia in Art and Music Since 1900 (2005). A 1975 graduate of the doctoral program of the University of Delaware, she wrote her thesis on The Aftermath of the Armory Show 1913-1918. She has received numerous awards, including the 2006 George Wittenborn Memorial Book Award of the Art Libraries Society of North America. Dr. Zilczer has written and lectured widely on modern and contemporary art and is a leading authority on the art of Willem de Kooning.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Paul Allen Reed conducted by Judith Zilczer, April 29, 1994.

Additionally, Papers relating to art commissioned for the Ronald Reagan Building and International Trade Center, 1992-1998, donated by Judith Zilczer, can be found at Archives of American Art.

The Smithsonian Institution Archives in Washington, D.C. holds a large collection of Judith K. Zilczer Papers, 1975-2003.
Provenance:
Creator Judith Zilczer donated her papers to the Archives of American Art in 2014.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Authors -- Washington (D.C.)  Search this
Curators -- Washington (D.C.)  Search this
Topic:
Art, Abstract  Search this
Art, Modern -- 20th century  Search this
Art historians -- Washington (D.C.)  Search this
Synchromism (Art)  Search this
Genre/Form:
Photographs
Citation:
Judith Zilczer papers, 1910-1995, bulk 1973-1995. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.zilcjudt
See more items in:
Judith Zilczer papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-zilcjudt
Online Media:

Marchal Landgren Papers

Creator:
Landgren, Marchal E.  Search this
Names:
American Abstract Artists  Search this
Art Students League (New York, N.Y.)  Search this
Artists Equity Association  Search this
Contemporary Arts (Gallery)  Search this
Joseph Mitchell Gallery  Search this
Municipal Art Committee (New York, N.Y.)  Search this
Old Print Shop (New York, N.Y.)  Search this
University of Maryland at College Park  Search this
Washington, D.C.. Public Library  Search this
Abbott, Berenice, 1898-1991  Search this
Albers, Josef  Search this
Avery, Milton, 1885-1965  Search this
Beaton, Cecil Walter Hardy, Sir, 1904-  Search this
Constant, George  Search this
Cox, George Collins, 1851-1902  Search this
De Laittre, Eleanor, 1911-  Search this
Fitch, Clyde, 1865-1909  Search this
Force, Juliana, 1876-1948  Search this
Fruhauf, Aline, 1909-1978  Search this
Gallatin, A. E. (Albert Eugene), 1881-1952  Search this
Geist, Sidney  Search this
Gershwin, George, 1898-1937  Search this
Glackens, Ira, 1907-1990  Search this
Greene, Balcomb, 1904-1990  Search this
Harari, Hananiah, 1912-2000  Search this
Higgins, Eugene, 1874-1958  Search this
Holtzman, Harry  Search this
Hunt, William Morris, 1824-1879  Search this
Janauschek, Francesca Romana Magdalena, 1830-1904  Search this
Kane, John, 1860-1934  Search this
Kipling, Rudyard, 1865-1936  Search this
Laufman, Sidney, 1891-  Search this
Logasa, Charles, 1883-1936  Search this
Mitchell, Donald Grant, 1822-1908  Search this
Newman, Robert Loftin, 1827-1912  Search this
Orr, Elliot, 1904-1997  Search this
Portinari, Cândido, 1903-1962  Search this
Ryder, Albert Pinkham, 1847-1917  Search this
Saint-Gaudens, Augustus, 1848-1907  Search this
Sprinchorn, Carl, 1887-1971  Search this
Extent:
15.3 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Scrapbooks
Sketches
Drawings
Date:
1881-circa 1982
bulk 1930-1975
Summary:
The papers of Washington, D.C. art historian, librarian, author, educator, and art consultant Marchal Landgren measure 15.3 linear feet and date from 1881 to circa 1982, with the bulk of the material dating from 1930 to 1975. Included are biographical materials, correspondence, writings and notes, professional and organization files, research projects' files, scattered personal business records, printed materials, two clippings scrapbooks, photographical materials, and scattered artwork.
Scope and Contents:
The papers of Washington, D.C. art historian, librarian, author, educator, and art consultant Marchal Landgren measure 15.3 linear feet and date from 1881 to circa 1982, with the bulk of the material dating from 1930 to 1975. Included are biographical materials, correspondence, writings and notes, professional and organization files, research projects' files, scattered personal business records, printed materials, two clippings scrapbooks, photographical materials, and scattered artwork.

Biographical material includes address cards, an appointment book, curriculum vitaes, genealogical materials, and military records. Correspondence is with artists, clients, colleagues, museums, and universities, and is predominantly professional in nature. Correspondents include Albert E. Gallatin, George Gershwin, Ira Glackens, Sidney Laufman, Elliot Orr, Candido Portinari, and Carl Sprinchorn, among others.

Writings include miscellaneous published and unpublished writings and drafts by Marchal Landgren primarily those not associated with his major research projects. These include various articles written for magazines and journals, manuscript drafts, research notes, and notebooks. There is also a file of writings by others that includes the John Mitchell Gallery Notes.

Professional and organizational files document Landgren's positions and work for educational institutions and arts organizations, including the American Abstract Artists Group, Art Students League of New York, Association of Artists Equity of Washington D. C., Contemporary Arts, D. C. Public Library, Library Journal, New York City Municipal Art Committee, Old Print Shop, Inc., and the University of Maryland, among others. These files also contain correspondence, perhaps the most notable found in the file on the American Abstract Artists Group which includes letters from Josef Albers, Eleanor de Laittre, Sidney Geist, Balcomb Greene, Hananiah Harari, and Harry Holtzman.

Well over one-half of the collection consists of files for Landgren's ongoing research projects on numerous artists and photographers, Latin American art, as well as his bibliographic reference projects. The bulk of the files cover his research, writing, and curatorial work on Robert Loftin Newman. Files are also found for Berenice Abbott, Milton Avery, George Constant, George Collins Cox, Aline Fruhauf, Eugene Higgins, William Morris Hunt, John Kane, Charles Logasa, Elliot Orr, and Albert Pinkham Ryder, among many others.

Personal business records include personal and general expense documentation and scattered exhibition price lists. Printed materials include clippings, exhibition catalogs, and miscellaneous published articles and essays. There are two scrapbooks of clippings.

There are photographs, slides, and negatives of images of Landgren, other artists and notable figures in the art world, and of artwork. Of note is a portrait photograph of Juliana Force by Cecil Beaton, one photograph by Berenice Abbott, "Barclay Street Ferry", and 14 taken by George C. Cox of Rudyard Kipling, Clyde Fitch, Augustus Saint-Gaudens, Madame Fanny Janauschek, Donald G. Mitchell, and others.

The papers also include scattered artwork, including holiday cards illustrated by artists, and sketches and drawings by other artists.
Arrangement:
This collection is arranged as 10 series.

Series 1: Biographical Materials, circa 1890-circa 1981 (0.2 linear feet; Box 1)

Series 2: Correspondence, circa 1930-circa 1982 (0.6 linear feet; Box 1)

Series 3: Writings and Notes, circa 1932-circa 1982 (1.2 linear feet; Boxes 1-3)

Series 4: Professional and Organizational Files, circa 1910-circa 1977 (3.4 linear feet; Boxes 3-6)

Series 5: Research Projects' Files, 1881-circa 1982 (6.9 linear feet; Boxes 6-13, 15)

Series 6: Personal Business Records, circa 1934-circa 1982 (0.4 linear feet; Box 13)

Series 7: Printed Material, circa 1927-circa 1981 (1.0 linear feet; Boxes 13-14)

Series 8: Scrapbooks, circa 1931-circa 1979 (0.2 linear feet; Boxes 14-15)

Series 9: Photographic Materials, circa 1930s-circa 1978 (0.2 linear feet; Boxes 14-15)

Series 10: Artwork, circa 1930s-circa 1940s (0.2 linear feet; Boxes 14-15)
Biographical / Historical:
Marchal E. Landgren (1907-1983) was an art historian, librarian, educator, author, and art consultant, active in New York and Washington, D. C.

As associate director and board member of Contemporary Arts, Inc. in New York, Landgren established a program for providing artists with their first solo exhibition in New York, including those of John Kane and Mark Tobey. In 1932, he directed the exhibition schedule at the New School for Social Research; and in 1935, Landgren served as the director of art activities for the New York City Municipal Art Committee where he facilitated many exhibitions over the course of five years, including Recent Paintings by Boris Aronson at Babcock Galleries in 1938.

Working as a freelance art consultant, researcher, and author, Landgren organized numerous exhibitions between 1932 and 1950 of the work of Milton Avery, George C. Cox, Elliot Orr, Robert Loftin Newman, and Albert Pinkham Ryder. He also edited several arts publications, including the Old Print Shop Portfolio, John Mitchell Gallery Notes, and arts manuscripts for Oxford University Press.

In 1939, Landgren was selected by the New York World's Fair Commision to prepare historical notes on Latin American art for the exhibition catalogs of the Latin American art exhibition. After the Fair, he continued his research on this topic and wrote several articles, as well as lecturing on Latin American painting at the Art Students League of New York, the Newark Art Club, and the National Education Association at the Boston Museum.

After serving in the U. S. Army Air Force during World War II, Landgren moved to Washington, D. C. in 1950 and began work as the arts division readers' advisor for the D. C. Public Library. For seventeen years, he built up the library's general collection of art books and created extensive files of art exhibition catalogs.

In 1967, he took a position as a bibliographic consultant for the fine arts department at the University of Maryland. He became director of the University's art gallery and of the art department museum training program. During his tenure at the University of Maryland, Landgren conducted graduate seminars in art history, edited and published exhibition catalogs, and organized exhibitions, including The Late Landscapes of William Morris Hunt in 1976.

Landgren was a visiting scholar at the Smithsonian Institution's National Collection of Fine Arts and curated an exhibition of paintings by Robert Loftin Newman held there from 1973 to 1974 and at the Tennessee Fine Arts Center in 1974.

Marchal Landgren authored two books: Years of Art: The Story of the Art Students League of New York (Robert M. McBride and Company, 1940), and Robert Loftin Newman (Smithsonian Institution Press, 1974). He was a regular reviewer of art books for the Library Journal from 1958 to 1972, and contributed reviews to Trend, Magazine of Art, and other journals. He was awarded a research grant by the American Council of Learned Societies in 1963 for his study of George C. Cox and did a great deal of research in American art and American art institutions for an unfinished manuscript. He also worked on a bibliography of art literature which he never completed.
Provenance:
The Marchal Landgren papers were donated by Landgren in 1974, and by the Landgren estate via David Huddle in 1983.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Marchal Landgren papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Librarians -- Washington (D.C.)  Search this
Educators -- Washington (D.C.)  Search this
Authors -- Washington (D.C.)  Search this
Art consultants -- Washington (D.C.)  Search this
Topic:
Art historians -- Washington (D.C.)  Search this
Art, American  Search this
Art, Modern -- 20th century -- United States  Search this
Genre/Form:
Christmas cards
Photographs
Scrapbooks
Sketches
Drawings
Citation:
Marchal Landgren papers, 1881-circa 1982, bulk 1930-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.landmarc
See more items in:
Marchal Landgren Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-landmarc

Livingston L. Biddle, Jr. papers

Creator:
Biddle, Livingston, 1918-2002  Search this
Names:
Bryn Mawr College  Search this
Fordham University  Search this
National Endowment for the Arts  Search this
Alexander, Jane  Search this
Asawa, Ruth  Search this
Biddle, Catharina Baart, 1912-2005  Search this
Carter, Jimmy, 1924-  Search this
Davis, R. A.  Search this
Drexel, Katharine Mary, Saint, 1858-1955  Search this
Edwards, Bob, 1947-  Search this
Glenn, John, 1905-  Search this
Hammer, Armand, 1898-1990  Search this
Hanks, Nancy  Search this
Jessup, Peter, 1958-  Search this
Johnson, Lady Bird, 1912-  Search this
Kennedy, Edward Moore, 1932-2009  Search this
King, Susan  Search this
Lawrence, Jacob, 1917-2000  Search this
Maxwell, Barb  Search this
Mondale, Walter F., 1928-  Search this
O'Connor, Sandra Day, 1930-  Search this
Oliphant, Pat, 1935-  Search this
Pell, Claiborne, 1918-2009  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rosenquist, James, 1933-  Search this
Rostropovich, Mstislav, 1927-2007  Search this
Schieffer, Bob  Search this
Scholder, Fritz, 1937-2005  Search this
Temple, Louann  Search this
Watson, Howard N.  Search this
Extent:
40.2 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Scrapbooks
Sketches
Diaries
Interviews
Manuscripts
Photographs
Sound recordings
Transcripts
Date:
circa 1940-2002
Summary:
The papers of government arts administrator and novelist Livingston L. Biddle, Jr. (1918-2002) measure 40.2 linear feet and date from circa 1940 to 2002. The papers are comprised of biographical materials, correspondence, interviews, writings, numerous files reflecting his work to establish the National Endowment for the Arts (NEA), political committee files, personal legal records, printed materials, scrapbooks, and photographs. Throughout the collection are video and sound recordings.
Scope and Contents:
The papers of government arts administrator and novelist Livingston L. Biddle, Jr. (1918-2002) measure 40.2 linear feet and date from circa 1940 to 2002. The papers are comprised of biographical materials, correspondence, interviews, writings, numerous files reflecting his work to establish the National Endowment for the Arts (NEA), political committee files, personal legal records, printed materials, scrapbooks, and photographs. Throughout the collection are video and sound recordings.

Biographical materials consist of awards; diplomas; genealogy records; resumes; and files for Biddle's work at Fordham, his nomination for the National Medal of Arts award, and about his second wife Catharina Baart. Correspondence is with family, friends, and professional and political contacts such as Jane Alexander, President Jimmy Carter, Armand Hammer, Nancy Hanks, Edward Kennedy, Lady Bird Johnson, Sandra Day O'Connor, Claiborne Pell, Robert Rauschenberg, Slava Rostropovich, and others.

Interviews with Biddle include transcripts, four sound recordings, and two video recordings of Biddle with R.A. Davis, Bob Edwards, Peter Jessup, Susan King, Bob Schieffer, and Louann Temple.

Among the writings are journals, articles, poetry, speech notes, manuscript drafts of Our Government and the Arts: A Perspective from the Inside and Sam Bentley's Island, one video recording of "Art/Work/USA" by Barbara Rose, and one sound recording of a film introduction entitled "The Eagle".

Files concerning the establishment and early years of the National Endowment of the Arts consist of correspondence; congressional briefing books, committee files, and reports; financial material; drafts of the National Foundation on the Arts and Humanities Act of 1965; one sound reel titled "Swearing-In of L.L. Biddle, Jr.," and three video recordings. Additional files concerning Biddle's work for congressional committees and political campaigns include correspondence, meeting agendas and notes, and printed material concerning multiple arts organizations and the political campaigns for Jimmy Carter, Walter Mondale, and Claiborne Pell. Family and real estate records, a partnership agreement, and will are in personal legal records.

Printed materials include booklets, clippings, event invitations and programs, flyers, magazines and journals, and posters autographed by Jacob Lawrence, Fritz Scholder, and John Glenn. Additionally, one commercial sound cassette recordings of National Public Radio's program Performance Today is also found. Two mixed-media scrapbooks contain memorabilia from Biddle's professional life and international travel.

Photographs are of family, travel, and friends and colleagues at various events. Six video recordings are home movies of Bryn Mawr and documentaries about St. Katherine Drexel. Artwork in the form of pencil and watercolor sketches is by Ruth Asawa Lanier, Barb Maxwell, Pat Oliphant, James Rosenquist, and Howard N. Watson.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, circa 1950-2002 (2.5 linear; Box 1-3, 41, OV 43)

Series 2: Correspondence, 1956-2001 (2 linear feet; Boxes 3-5)

Series 3: Interviews, 1978-2002 (0.5 linear feet; Boxes 5-6)

Series 4: Writings, 1940-2002 (12 linear feet; Boxes 6-18)

Series 5: National Endowment for the Arts, 1964-2000 (10 linear feet; Boxes 18-27, 42)

Series 6: Committees and Political Campaigns, 1944-2001 (3.5 linear feet; Boxes 27-30)

Series 7: Personal Legal Records, 1952-1986 (1 linear foot; Boxes 30-31)

Series 8: Printed Materials, circa 1950-2000 (3.5 linear feet; Boxes 31-34, 41, OV 44)

Series 9: Scrapbooks, 1970-1998 (0.3 linear feet; Boxes 34, 42)

Series 10: Photographs and Video Recordings, circa 1950-2002 (4.6 linear feet: Boxes 34-40, OV 44)

Series 11: Artwork, 1976-1989 (0.3 linear feet; Box 40, OV 44)
Biographical / Historical:
Livingston L. Biddle, Jr. (1918-2002) was a federal government arts administrator and novelist active in Philadelphia, Pennsylvania and Washington, D.C.

Livingston L. Biddle was born in Bryn Mawr, Pennsylvania in 1918 to a distinguished and wealthy family. He graduated from Princeton University in 1940. During World War II, Biddle volunteered as an ambulance driver in Africa for the American Field Services.

While working as a special assistant to Rhode Island Democratic Senator Claiborne Pell in the 1960s, Biddle drafted the legislation for the National Foundation on the Arts and Humanities Act of 1965, which led to the creation of the National Endowment of the Arts (NEA) one year later. Biddle served as deputy chairman of the NEA from 1966 to 1967, as congressional liaison director in 1975, and as chairman from 1977 to 1981. In 1976, he served as director of the Congressional Subcommittee on Education, Arts, and Humanities.

Also a writer, Biddle wrote four novels, all set in Philadelphia, including Sam Bentley's Island published in 1961. From 1968 to 1970, he was a professor and chairman of Fordham University's arts division. Biddle also published a non-fiction book about his experiences establishing and working for the National Endowment for the Arts (NEA) titled Our Government and the Arts: A Perspective from the Inside in 1988.

Biddle married artist Catharina Baart in 1973 after his first wife, Cordelia Frances Fenton, died in 1972. Biddle died in Washington, D.C. in 2002.
Provenance:
The Livingston L. Biddle, Jr. papers were donated in 2013 by Thomas O'Callaghan, a close friend of Biddle's who inherited the papers.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Livingston L. Biddle, Jr. papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Authors -- Washington (D.C.)  Search this
Topic:
Arts administrators -- Washington (D.C.)  Search this
Art -- Political aspects  Search this
Genre/Form:
Video recordings
Scrapbooks
Sketches
Diaries
Interviews
Manuscripts
Photographs
Sound recordings
Transcripts
Citation:
Livingston L. Biddle, Jr. papers, circa 1940-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.biddlivi
See more items in:
Livingston L. Biddle, Jr. papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-biddlivi

Booklet, "Myths and Facts About the Japanese Americans," Department of the Interior, War Relocation Authority, Washington D.C., June 1945

Physical Description:
paper (overall material)
ink (overall material)
Measurements:
overall: 8 in x 5 in x 1/8 in; 20.32 cm x 12.7 cm x .3175 cm
Object Name:
booklet
Associated Place:
United States: Washington, King
Japan: Nagasaki, Nagasaki
Date made:
June, 1945
Credit Line:
Gift of Roger Shimomura
ID Number:
2016.3086.165
Nonaccession number:
2016.3086
Catalog number:
2016.3086.165
See more items in:
Political and Military History: Armed Forces History, Japanese American
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746ae-4afe-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1814292

booklet, Segregation of Persons of Japanese Ancestry in Tule Lake Relocation Center by War Relocation Authority Washington D.C., circa August 1943

Physical Description:
paper (overall material)
ink (overall material)
metal (overall material)
Measurements:
overall: 9 in x 6 in; 22.86 cm x 15.24 cm
Object Name:
booklet
Date made:
circa August 1943
ID Number:
2015.3108.05
Nonaccession number:
2015.3108
Catalog number:
2015.3108.05
See more items in:
Political and Military History: Armed Forces History, Japanese American
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b2-5592-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1817484

booklet, Myths and Facts About the Japanese Americans, Answering Common Misconceptions Regarding Americans of Japanese Ancestry by Department of the Interior, War Relocation Authority, Washington D.C., c. June 1945

Physical Description:
paper (overall material)
ink (overall material)
metal (overall material)
Measurements:
overall: 8 in x 5 1/4 in; 20.32 cm x 13.335 cm
Object Name:
booklet
Date made:
circa June 1945
Credit Line:
gift of the Davidson Family
ID Number:
2015.3108.07
Nonaccession number:
2015.3108
Catalog number:
2015.3108.07
See more items in:
Political and Military History: Armed Forces History, Japanese American
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b2-5635-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1817493

booklet, Nisei in the War Against Japan by Department of the Interior, War Relocation Authority, Washington, D.C., circa April 1945

Physical Description:
paper (overall material)
ink (overall material)
metal (overall material)
Measurements:
overall: 11 in x 8 1/2 in; 27.94 cm x 21.59 cm
Object Name:
booklet
Date made:
circa April 1945
Credit Line:
gift of the Davidson Family
ID Number:
2015.3108.11
Nonaccession number:
2015.3108
Catalog number:
2015.3108.11
See more items in:
Political and Military History: Armed Forces History, Japanese American
Data Source:
National Museum of American History
GUID:
http://n2t.net/ark:/65665/ng49ca746b4-502c-704b-e053-15f76fa0b4fa
EDAN-URL:
edanmdm:nmah_1817504

Correspondence--Material originally grouped together by Hattie when the collection was donated to the National Air and Space Museum

Collection Creator:
Junkin, Hattie Meyers, 1896-1985  Search this
Container:
Box 4, Folder 9
Type:
Archival materials
Collection Restrictions:
No restrictions on access
Collection Rights:
Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, please submit an Application for Permission to Reproduce NASM Material, available at Permissions Requests.
See more items in:
Hattie Meyers Junkin Papers
Hattie Meyers Junkin Papers / Series 2: Soaring and Gliding
Archival Repository:
National Air and Space Museum Archives
EDAN-URL:
ead_component:sova-nasm-xxxx-0171-ref122
2 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Correspondence--Material originally grouped together by Hattie when the
collection was donated to the National Air and Space Museum digital asset number 1
  • View Correspondence--Material originally grouped together by Hattie when the
collection was donated to the National Air and Space Museum digital asset number 2

Washington Convention Center art collection / Washington Convention Center

Author:
Washington Convention Center Authority (Washington, D.C.)  Search this
Subject:
Washington Convention Center Authority (Washington, D.C.) Art collections  Search this
Physical description:
16 p. : col. ill., plans ; 21 x 28 cm
Type:
Catalogs
Place:
Washington (D.C.)
Date:
2003
C2003
Topic:
Public art  Search this
Call number:
N5207.5.W37 W37 2003
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_722877

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