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Gabriella De Ferrari papers

Creator:
De Ferrari, Gabriella  Search this
Source:
New School University  Search this
Names:
Busch-Reisinger Museum  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Pan-American Society of New England  Search this
Wadsworth Atheneum  Search this
Castelli, Leo  Search this
Cuno, James B.  Search this
Gray, Francine du Plessix  Search this
Gund, Agnes  Search this
Katz, Ada, 1928-  Search this
Katz, Alex, 1927-  Search this
LeWitt, Carol  Search this
LeWitt, Sol, 1928-2007  Search this
Michael, Brenson  Search this
Seator, Glen  Search this
Segal, Martin  Search this
Sischy, Ingrid  Search this
Former owner:
New School University  Search this
Extent:
7.7 Linear feet
0.012 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Scrapbooks
Diaries
Illustrated letters
Video recordings
Sound recordings
Interviews
Date:
1931-2011
bulk 1975-2011
Summary:
The papers of art historian Gabriella De Ferrari measure 7.7 linear feet and 0.012 GB and date from 1931-2011, with the bulk of the collection dating from 1975-2011. The collection provides an overview of her activities as an arts administrator, writer, and philanthropist through biographical materials, correspondence, interviews, extensive writings and notes, subject files, printed and digital material, scrapbooks, and photographs.
Scope and Contents note:
The papers of art historian Gabriella De Ferrari measure 7.7 linear feet and 0.012 GB and date from 1931-2011, with the bulk of the collection dating from 1975-2011. The collection provides an overview of her activities as an arts administrator, writer, and a philanthropist through biographical materials, correspondence, interviews, extensive writings and notes, subject files, printed and digital material, scrapbooks, and photographs.

Correspondence with artists, academic administrators, museum directors, curators, literary agents, editors, and publishers is primarily of a social nature, e.g., thank you notes, invitations, and congratulatory letters. Letters include references to De Ferrari's professional activities from circa 1975-circa 2006. There are illustrated letters and handmade birthday cards by De Ferrari, family, and friends. Among the correspondents are Michael Brenson, James Cuno, Francine Du Plessix Gray, Agnes Gund, Alex and Ada Katz, Sol and Carol Lewitt, and Glen Seator.

Writings and notes primarily document Gabriella De Ferrari's career as an author and include numerous drafts and annotated versions of her novels, short stories, memoir, and articles. Subject files include materials chronicling De Ferrari's activities at the Busch-Reisinger Museum, the Institute of Contemporary Art in Boston, and the Pan-American Society of New England. Also documented is her service as a Board of Trustees member, consultant, and advisor to major educational, corporate, and cultural institutions, including the New School University, United Technologies, Inc., and the Wadsworth Atheneum, among others. Interviews of De Ferrari are found on six sound cassettes. Additional audio cassettes and one videocassette are found within her writings.

Photographs are of Gabriella De Ferrari, family members, friends, and colleagues, including Michael Brenson, Leo Castelli, Agnes Gund, Martin Segal, Ingrid Sischy, Sol Lewitt, among others.
Arrangement note:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Material, 1947-2003 (Boxes 1, 9; 0.3 linear feet, ER01; 0.001 GB)

Series 2: Correspondence, 1964-2011 (Boxes 1-2; 1.3 linear feet, ER02; 0.001 GB)

Series 3: Interviews, 1990-1996 (Box 2; 3 folders)

Series 4: Writings and Notes, 1950-2010 (Boxes 3-6; 3.6 linear feet, ER03-ER10; 0.011 GB)

Series 5: Subject Files, 1953-2008 (Boxes 6-7; 1 linear feet, ER11; 0.001 GB)

Series 6: Printed Material, 1961-2011 (Box 7; 0.8 linear feet)

Series 7: Scrapbooks, 1974-1981 (Box 9; 0.3 linear feet)

Series 8: Photographs, 1931-circa 2010 (Box 8, 0.4 linear feet)
Biographical/Historical note:
Art historian Gabriella De Ferrari (1941-) has lived and worked in Boston, Massachusetts and New York City.

Born in Tacna, Peru to Italian parents, De Ferrari graduated with a Bachelor of Arts from Saint Louis University in Missouri in 1963. She went on to receive a Master of Arts from the Fletcher School of Law and Diplomacy, Tufts University in 1966, and in 1981, she earned a Masters of Art in Fine Arts from Harvard University. De Ferrari has held administrative and curatorial positions at major museums and art organizations. At the Institute of Contemporary Art, Boston, she was curator of exhibitions before becoming the Director of the Institute in 1975. From 1978-1982, De Ferrari was Assistant Director of Curatorial Affairs and Programs at the Fogg Museum and the Busch-Reisinger Museum, where her responsibilities included exhibition programs for twentieth century art and coordinating programs for corporate and public fundraising. In 1989, De Ferrari moved to New York City, where she established herself as a freelance writer. In 1990, her novel, A Cloud on Sand received a Barnes and Noble Discover Award. Gringa Latina, De Ferrari's memoir about her experience living in two cultures was published in 1994.

She has served on the Boards of Trustees and on the advisory committees of many leading institutions, including Colby College, City University Graduate Center Foundation, Harvard University Museum, the New School, and the Wadsworth Atheneum. From 2000-2006, she was the philanthropic advisor to the chairman and CEO of United Technologies Corporation. In 1996, De Ferrari was awarded the New School Medal for Distinguished Service, and in 2008, she received an Honorary Doctorate in Letters from Colby College.

Gabriella De Ferrari continues to reside in New York City.
Provenance:
The papers were donated to the Archives of American Art by Gabriella De Ferrari, in 2011.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- Massachusetts -- Boston  Search this
Museum curators -- Massachusetts -- Boston  Search this
Museum directors -- Massachusetts -- Boston  Search this
Authors -- Massachusetts -- Boston  Search this
Philanthropists -- Massachusetts -- Boston  Search this
Topic:
Women art historians  Search this
Women museum curators  Search this
Women authors  Search this
Genre/Form:
Photographs
Scrapbooks
Diaries
Illustrated letters
Video recordings
Sound recordings
Interviews
Citation:
Gabriella De Ferrari papers, 1931-2011, bulk 1975-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.defemari
See more items in:
Gabriella De Ferrari papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-defemari

Oral history interview with Rosamond Forbes Pickhardt, 1995 Feb. 13

Interviewee:
Pickhardt, Rosamond Forbes, 1908-2004  Search this
Pickhardt, Rosamond Forbes, 1908-2004  Search this
Interviewer:
Brown, Robert F  Search this
Subject:
Zimmerman, Harold K.  Search this
Ross, Denman Waldo  Search this
Pickhardt, Carl E.  Search this
Forbes, Edward Waldo  Search this
Iacovleff, Alexandre  Search this
Sachs, Paul J. (Paul Joseph)  Search this
Rosenberg, Jakob  Search this
Thompson, Daniel V. (Daniel Varney)  Search this
Tobey, Mark  Search this
Warner, Langdon (1881-1955)  Search this
Fogg Art Museum  Search this
Type:
Sound recordings
Interviews
Topic:
Authors -- Massachusetts -- Sherborn -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12965
(DSI-AAA_SIRISBib)215823
AAA_collcode_pickha95
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215823
Online Media:

Elizabeth Champney letter to Miss Ward

Creator:
Champney, Elizabeth W. (Elizabeth Williams), 1850-1922  Search this
Extent:
1 Item ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Date:
[no year] Aug. 2
Scope and Contents:
Champney writes from Paris acknowledging receipt of payment for her story "His Second Wife," and also describes her activities in Europe, including travels in Holland and a visit to the exposition in Antwerp.
Biographical / Historical:
Author, art historian.
Related Materials:
Correspondence of Elizabeth W. Champney, 1875-1895, is also located at the University of Wisconsin's Memorial Library.
Provenance:
Purchased 1956 by the Archives of American Art.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Authors -- Massachusetts  Search this
Art historians -- Massachusetts  Search this
Topic:
Women authors  Search this
Women art historians  Search this
Identifier:
AAA.chameliz
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-chameliz

Oral history interview with Rosamond Forbes Pickhardt

Interviewee:
Pickhardt, Rosamond Forbes, 1908-2004  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Fogg Art Museum  Search this
Forbes, Edward Waldo, 1873-1969  Search this
Iacovleff, Alexandre, 1887-1938  Search this
Pickhardt, Carl E.  Search this
Rosenberg, Jakob, 1893-  Search this
Ross, Denman Waldo, 1853-1935  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Thompson, Daniel V. (Daniel Varney), 1902-1980  Search this
Tobey, Mark  Search this
Warner, Langdon (1881-1955)  Search this
Zimmerman, Harold K., 1905-1941  Search this
Extent:
1 Sound cassette ((90 min.), analog.)
35 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound cassettes
Pages
Sound recordings
Interviews
Date:
1995 Feb. 13
Scope and Contents:
An interview with Rosamond Forbes Pickhardt conducted 1995 Feb. 13, by Robert Brown, for the Archives of American Art.
Pickhardt recalls her childhood as the daughter of Edward Waldo Forbes, long-time director of the Fogg Art Museum at Harvard University (1909-1944) and Margaret Laighton; her early schooling and early interest in art; her family's 11-month stay in Europe in 1922, with the young Daniel Varney Thompson acting as her father's understudy, and during the time her father studied painting with Alexander Iacovleff in Paris; spending several weeks at the Villa Curonia, near Florence, where many art world figures visited. Pickhardt remembers Paul Sachs who, upon coming to the Fogg, encouraged her to go into museum work; Eric Schroeder, a specialist in Near Eastern art and a life-long friend; Frederick "Ted" Grace, a scholar of classical art who had been groomed by Edward Forbes and Paul Sachs to succeed them as director of the Fogg but who was killed during World War II; Jakob Rosenberg, a German refugee scholar; Deman Ross; Harold Zimmerman with whom she studied drawing; Langdon Warner, a scholar of Asiatic art and one of her father's oldest friends; Kingsley Porter; and Mark Tobey with whom she studied. Pickhardt talks about her third marriage to Carl Pickhardt in 1953 and their life-long ties with the Forbes family.
Biographical / Historical:
Rosamond Forbes Pichardt (1908-2004) was a writer from Sherborn, Mass.
General:
Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 28 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
This transcript is open for research. Access to the entire audio recording is restricted. Contact Reference Services for more information.
Topic:
Authors -- Massachusetts -- Sherborn -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.pickha95
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-pickha95
Online Media:

Oral history interview with Richard McLanathan

Interviewee:
McLanathan, Richard B. K.  Search this
Interviewer:
Brown, Robert F.  Search this
Names:
Choate School -- Students  Search this
Harvard University -- Students  Search this
Phillips Academy -- Students  Search this
Forbes, Edward Waldo, 1873-1969  Search this
McLanathan, Jane Fuller  Search this
Pope, Arthur Upham, 1881-1969  Search this
Porter, Arthur Kingsley, 1883-1933  Search this
Post, Chandler Rathfon, 1881-1959  Search this
Sachs, Paul J. (Paul Joseph), 1878-1965  Search this
Extent:
3 Items (Sound recording: 3 wav files (1 hr., 52 min.), digital)
39 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
1994 August 31
Scope and Contents:
Interview of Richard B.K. McLanathan, conducted by Robert F. Brown for the Archives of American Art, Smithsonian Institution in Phippsburg, Maine, on August 31, 1994.
McLanathan speaks of his parents and his childhood in Methuen, Massachusetts and then Andover, Massachusetts; the frequent presence of formidable aunts and uncles who entertained Episcopal bishops; attendance at a "dame school" there, then at classes given by a retired teacher at Phillips Academy, Andover; the trauma of one year at Phillips Academy with its large classes and severe teachers; the effects his father's ruin in the financial crash of 1929 had on his family; attendance at Choate (graduated 1934) and Harvard College (graduated 1938) on scholarships; his several years teaching in Manhattan at a small private school and marriage (1942) to Jane Fuller, a prominent designer of knitwear; his disqualification from the military because of flat feet and his teaching in night schools as a form of alternative service; and his matriculation (1943) as a graduate student in fine arts at Harvard. McLanathan also recalls Chandler Post, Arthur Pope, Paul Sachs, Edward Forbes, and Arthur Kingsley Porter, and others.
Biographical / Historical:
Richard B.K. McLanathan (1916-1998) was an art historian, administrator, and writer. McLanathan received a Ph.D from Harvard in 1951. Ass't Curator of Paintings, Museum of Fine Arts, Boston, 1946-1948, and Secretary, 1949-1956; Director, Museum of Art, Munson-Williams-Proctor Institute, 1957-1962; Curator of the Art Exhibit of the American National Exhibition, Moscow, Russia, 1959; New York State Council on the Arts,1960-1964; Director, American Association for Museums, 1976-1978; author of numerous publications on art.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 52 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Additional interview sessions are planned.
Occupation:
Art historians -- Maine -- Interviews  Search this
Art historians -- Massachusetts  Search this
Arts administrators -- Massachusetts  Search this
Authors -- Massachusetts  Search this
Topic:
Art, American  Search this
Art -- Study and teaching  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mclana94
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mclana94
Online Media:

Oral history interview with Margaret N. Lockwood

Interviewee:
Lockwood, Margaret N., 1939-  Search this
Interviewer:
Brown, Robert F.  Search this
Creator:
Impressions Workshop (Firm)  Search this
Names:
Impressions Workshop (Firm)  Search this
Baskin, Leonard, 1922-2000  Search this
Lockwood, George, 1929-  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1992 Aug. 27 and Sept. 15
Scope and Contents:
An interview of Margaret Lockwood conducted 1992 Aug. 27 and Sept. 15, by Robert Brown, for the Archives of American Art.
Lockwood discusses her upbringing in a Boston area Irish family and her early interest in writing; meeting and subsequently marrying (1960) George Lockwood, a poet, printmaker and printer; the printmaker Leonard Baskin, for whom Lockwood had worked; founding in 1960 with her husband the Impressions Workshop in Boston and her role there; special projects she undertook; and the quick succession of children (four).
Biographical / Historical:
Margaret N. Lockwood (1939- ), is a writer and owner of Impressions Workshop, a gallery and center for printmaking in Boston, Mass. The workshop was acquired by Stephen Andrus in the late 1960s, who added Impressions Gallery.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 53 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Gallery owners -- Massachusetts -- Boston  Search this
Authors -- Massachusetts -- Boston  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lockwo92
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lockwo92
Online Media:

Oral history interview with Jerry Farnsworth and Helen Sawyer

Interviewee:
Farnsworth, Jerry, 1895-1982  Search this
Sawyer, Helen  Search this
Interviewer:
Brown, Robert F.  Search this
Extent:
1 Sound tape reel (Sound recording, 5 in.)
39 Pages (Transcript, Helen Farnsworth only)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1972 Sept. 21
Scope and Contents:
An interview of Jerry Farnsworth, followed by an interview of his wife, Helen Sawyer (Farnsworth) conducted 1972 Sept. 21, by Robert Brown, for the Archives of American Art.
Biographical / Historical:
Jerry Farnsworth (1895-1982) and Helen Farnsworth (1989-1999) were painters, instructors, and writers from North Truro, Mass. Helen was born in Washington, D.C. and died at age 102.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Occupation:
Art teachers -- Massachusetts -- North Truro -- Interviews  Search this
Authors -- Massachusetts -- North Truro -- Interviews  Search this
Topic:
Art, American  Search this
Painters -- Massachusetts -- North Truro -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.farnsw72
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-farnsw72
Online Media:

Elmwood--Birthplace and Residence of James Russel Lowell. 5259 interpositive

Topic:
NEW ENGLAND
Publisher:
Underwood & Underwood  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5")
Type:
Archival materials
Photographs
Place:
Elmwood (Massachusetts)
Lowell, James Russel
Massachusetts
Local Numbers:
RSN 26636
General:
Currently stored in box 3.2.50 [106].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Authors -- Massachusetts  Search this
Dwellings -- Massachusetts  Search this
Homes -- Massachusetts  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 26600-26704
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref24395

Stately old Craigie House, Cambridge, Mass.--Washington's Headquarters; later home of Longfellow. [Active no. 5261 : non-stereo interpositive.]

Topic:
NEW ENGLAND
Publisher:
Underwood & Underwood  Search this
Names:
Craigie House (Cambridge, Mass.)  Search this
Longfellow, Henry Wadsworth, 1807-1882  Search this
Washington, George, 1732-1799  Search this
Collection Creator:
Underwood & Underwood  Search this
Extent:
1 Item (4" x 5".)
Type:
Archival materials
Photographs
Place:
Cambridge (Mass.)
Massachusetts
Local Numbers:
RSN 26637
General:
Currently stored in box 3.2.50 [106].
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. The original glass plate is available for inspection if necessary in the Archives Center. A limited number of fragile glass negatives and positives in the collection can be viewed directly in the Archives Center by prior appointment. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Authors -- Massachusetts  Search this
Dwellings -- Massachusetts  Search this
Genre/Form:
Photographs -- 1900-1910 -- Interpositives -- Glass
Collection Citation:
Underwood &Underwood Glass Stereograph Collection, Archives Center, National Museum of American History.
See more items in:
Underwood & Underwood Glass Stereograph Collection
Underwood & Underwood Glass Stereograph Collection / Series 3: Underwood & Underwood glass plates / 3.2: Underwood and Underwood Positives / RSN Numbers 26600-26704
Archival Repository:
Archives Center, National Museum of American History
EDAN-URL:
ead_component:sova-nmah-ac-0143-ref24396

Marta Adams Papers

Creator:
Adams, Marta  Search this
Names:
Galerie Günther Franke  Search this
Instituto Nacional de Bellas Artes (Mexico)  Search this
Taller de Gráfica Popular (Mexico City, Mexico)  Search this
Galecio, Galo, 1908-1993  Search this
Guerrero, Xavier, 1896-  Search this
Jodorowsky, Raquel  Search this
Kuhn, Charles L. (Charles Louis), 1901-  Search this
Kuhn, Hetty  Search this
Kulmala, Kay  Search this
Méndez, Leopoldo, 1902-1969  Search this
Orozco, José Clemente, 1883-1949  Search this
Posada, José Guadalupe, 1852-1913  Search this
Swetzoff, Seymour  Search this
Toneyama, Kōjin, 1921-  Search this
Zalce, Alfredo, 1908-2003  Search this
Extent:
4.2 Linear feet
4.2 Linear feet
4.2 Linear feet
4.2 Linear feet
Type:
Collection descriptions
Archival materials
Photograph albums
Photographs
Scrapbooks
Sketches
Date:
circa 1914-circa 1991
circa 1914-circa 1991
circa 1914-circa 1991
circa 1914-circa 1991
Summary:
The papers of sculptor, painter, and writer Marta Adams measure 4.2 linear feet, and date from circa 1914 to circa 1991. In 1935, Adams made her first visit to Mexico, and began spending more time there than in the United States. There, she met Diego Rivera who stimulated her interest in oil painting. In 1952 she moved to Mexico permanently. Found within are biographical materials, correspondence, writings and notes, legal and estate papers, printed materials, photographic material, one mixed-media scrapbook, and artwork, including three portfolios of lithographs, 30 Grabados de Galo Galecio,1946, containing 30 engraving prints by Galecio and Estampas de la Revolucion Mexicana, 1947, containing 85 engraving prints by 16 artists of the Taller de Gracia Popular, and Drawings: Seymour Swetzoff, 1949.
Scope and Contents:
The papers of sculptor, painter, and writer Marta Adams measure 4.2 linear feet, and date from circa 1914 to circa 1991. Found within are biographical materials, correspondence, writings and notes, legal and estate papers, printed materials, photographic material, one mixed-media scrapbook, and artwork, including three portfolios of lithographs, 30 Grabados de Galo Galecio,1946, containing 30 engraving prints by Galecio and Estampas de la Revolucion Mexicana, 1947, containing 85 engraving prints by 16 artists of the Taller de Gracia Popular, and Drawings: Seymour Swetzoff, 1949. .

Biographical material includes address books, curriculum vitaes, a passport, awards and certificates, and immigration materials.

Correspondence comprises the bulk of the collection and is primarily personal in nature. Most of the correspondence is between Marta and her daughter Kay Kulmala, though there are several files of a blend of personal and professional correspondence to and from others. Additional correspondents include other family members and friends, as well as the Galerie Günther Franke and Instituto Nacional de Bellas Artes. Notable correspondents include Charles L. and Hetty Kuhn, Raquel Jodorowsky, and Kojin Toneyama, among others.

Writings include drafts and manuscripts by Adams, of poetry and children's stories, as well as notes for an unpublished autobiography. Also found are writings about Adams by others.

After Marta Adam's death, her daughter, Kay Kulmala, dealt with her estate by conducting inventories, discussing exhibitions, and facilitating auctions of Adam's artwork, documented via legal and estate papers found within the collection.

Printed materials include clippings, exhibition announcements and catalogs,

Photographs are of the artist, friends and family, and artwork. Also included are two family photograph albums. One scrapbook contains letters, notes, drawings, and photographs, and appears to have been created by friends and peers for Adams.

Artwork includes Christmas card designs, sketches and illustrations, and mixed media collages by Marta Adams. Also included are works by others including a signed lithograph by Leopoldo Méndez, and prints by Xavier Guerrero, José Clemente Orozco, Jose Guadalupe Posada, and Alfredo Zalce. There are three limited editions of portfolios of lithographs, 30 Grabados de Galo Galecio,1946, containing 30 engraving prints by Galecio, Estampas de la Revolucion Mexicana, 1947, containing 85 engraving prints by 16 artists of the Taller de Grafica Popular, and Drawings: Seymour Swetzoff, 1949.
Arrangement:
This collection is arranged as 8 series.

Missing Title

Series 1: Biographical Material, circa 1918-circa 1980 (0.2 linear feet; Box 1, Box 6)

Series 2: Correpsondence, circa 1929-circa 1978 (1.8 linear feet; Boxes 1-2)

Series 3: Writings and Notes, circa 1914-circa 1978 (0.1 linear feet; Box 3)

Series 4: Legal and Estate Papers, circa 1963-circa 1991 (0.3 linear feet; Box 3)

Series 5: Printed Materials, circa 1940s-circa 1988 (0.7 linear feet; Box 3)

Series 6: Photographic Material, circa 1916-circa 1980s (0.7 linear feet; Boxes 3-6)

Series 7: Scrapbook, circa 1963-circa 1964 (1 folder; Box 5)

Series 8: Artwork, circa 1920s-circa 1978 (0.4 linear feet; Boxes 5-6, OV 7)
Biographical / Historical:
Marta Adams (1891 or 1893-1978) was a painter, sculptor, and writer, active in Boston, Massachusetts and Mexico.

Born in Germany in 1891 or 1893, Marta Arnstem immigrated to Massachusetts around 1915, and married Edward Brinley Adams in 1916 who died in 1922. She apprenticed with sculptor Hans Stangl in Munich during the winter of 1925. Before moving back to Cambridge in 1933, Adams showed drawings and sculpture at the Günther Galerie in Munich, and was part of a social circle that included cartoonist Otto Nückl, writer A. M. Frey, and painter Karl Zerbe, among others. Animals were her favorite subject used in most of her artwork, though she also included flowers, and had a series on open-heart surgery. In 1935, Adams made her first visit to Mexico, and began spending more time there than in the United States. There, she met Diego Rivera who stimulated her interest in oil painting. In 1952 she moved to Mexico permanently. She exhibited with the Boris Mirski Gallery in Boston, and had numerous exhibitions in Mexico.
Provenance:
The bulk of Marta Adams papers were donated to the Archives in 1992 by the estate of Katherine Adams Kulmala (Adams's daughter) via Jonathan Strong, executor. In 1992, a sketch and a section of a watercolor were donated to the Archives by Phyllis Hughes, who purchased the artwork at an auction held at the Concord Art Association in Massachusetts.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Boston  Search this
Painters -- Mexico  Search this
Animal sculptors -- Massachusetts -- Boston  Search this
Animal sculptors -- Mexico  Search this
Authors -- Massachusetts -- Boston  Search this
Authors -- Mexico  Search this
Sculptors -- Massachusetts -- Boston  Search this
Sculptors -- Mexico  Search this
Topic:
Prints, Mexican  Search this
Latino and Latin American artists  Search this
Women artists  Search this
Women painters  Search this
Women sculptors  Search this
Women authors  Search this
Genre/Form:
Photograph albums
Photographs
Scrapbooks
Sketches
Citation:
Marta Adams papers, circa 1914-circa 1991. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.adammart
See more items in:
Marta Adams Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-adammart

Vera Andrus papers, 1939-1979 and [undated]

Creator:
Andrus, Vera Eugenia, 1895-1979  Search this
Andrus, Vera Eugenia, 1895-1979  Search this
Subject:
Greco  Search this
Robinson, Boardman  Search this
Davis, Charles H. (Charles Harold)  Search this
Type:
Diaries
Drawings
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Painting, American  Search this
Theme:
Diaries  Search this
Women  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9932
(DSI-AAA_SIRISBib)212479
AAA_collcode_andrvera
Theme:
Diaries
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212479

Vera Andrus papers

Creator:
Andrus, Vera Eugenia, 1895-1979  Search this
Names:
Davis, Charles H. (Charles Harold), 1856-1933  Search this
Greco, 1541?-1614  Search this
Robinson, Boardman, 1876-1952  Search this
Extent:
0.7 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Drawings
Date:
1939-1979 and [undated]
Scope and Contents:
Correspondence, diaries, writings, files on publications, art works, photographs, catalogs and clippings.
Correspondence is with Yovan Radinkovitch, 1940s, and Mrs. Edward A. McGill at the Metropolitan Museum of Art, 1960.
Twelve diaries, 1939-1976, contain drafts of letters, clippings, lists of exhibited, sold and proposed lithographs and paintings, poems, a short autobiography, notes for books Sea Dust and A Wisconsin Story, and accounts of her travels to the Caribbean (1939), France (1956), Florida (1962), Spain (1966) and Maryland (1972). Some highlighted events are Andrus's appointment to the Metropolitan Museum of Art in 1952, her studies in France in 1956, as well as her living in Gloucester, 1964-1966, and Rockport, Mass. Other diary topics include Geo-metrical Art, 1957, the Rockport Art Association, and details of exhibitions throughout her career.
Writings include typescripts of The Blue Tree, Comments and Criticisms by Boardman Robinson (with related letter), Earth Foam: A Second Book of Poems, The Shining River: A Sketchbook of the Hudson (with draft), The Spirit and the Candle: El Greco and the Renaissance World (with draft); and writings about life in Gloucester and New York. Paper," (1990).
Biographical / Historical:
Lithographer, painter, author; Massachusetts and New York.
Provenance:
Donated 1990 by Lura Andrus Crowther, Andrus' sister.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- New York (State)  Search this
Lithographers -- New York (State)  Search this
Printmakers -- New York (State)  Search this
Authors -- New York (State)  Search this
Topic:
Women artists  Search this
Women painters  Search this
Women printmakers  Search this
Painting, American  Search this
Genre/Form:
Diaries
Drawings
Identifier:
AAA.andrvera
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-andrvera

Philip Leslie Hale papers

Creator:
Hale, Philip Leslie, 1865-1931  Search this
Names:
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Butler, Theodore Earl, 1861-1936  Search this
Cox, Kenyon, 1856-1919  Search this
Hale, Nancy, 1908-  Search this
Hart, William H., b. 1863  Search this
Kennedy, Albert J. (Albert Joseph), 1879-1968  Search this
Tarbell, Edmund Charles, 1862-1938  Search this
Extent:
7.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Interviews
Sketchbooks
Sketches
Date:
1818-1962
bulk 1877-1939
Summary:
The papers of Boston painter, teacher, critic, and writer Philip Leslie Hale measure 7.4 linear feet and date from 1818 to 1962, with the bulk of the material dating from 1877 to 1939. Biographical information; correspondence with family, friends, and colleagues, including many artists; sketches and 9 sketchbooks; writings; printed material; and photographs document the artist's career and personal life. The collection also includes research materials and catalogs compiled by Albert J. Kennedy for a never-published Philip Leslie Hale memorial volume.
Scope and Contents note:
The papers of Boston painter, teacher, critic, and writer Philip Leslie Hale measure 7.4 linear feet and date from 1818 to 1962, with the bulk of the material dating from 1877 to 1939. Biographical information; correspondence with family, friends, and colleagues, including many artists; sketches and 9 sketchbooks; writings; printed material; and photographs document the artist's career and personal life. The collection also includes research materials and catalogs compiled by Albert J. Kennedy for a never-published Philip Leslie Hale memorial volume.

Biographical materials include financial and legal records; personal documents, such as educational records and biographical notes; printed material; and notes concerning art classes and teaching. Also included are scattered letters, invitations, schoolwork, and notebooks from his youth. Ten notebooks contain sketches, along with some class notes and essays.

Family, general, and business correspondence document the personal and professional life of Philip Leslie Hale and, to a lesser extent, several of his relatives. Family correspondence includes Hale's exchanges with various relatives, and some of their correspondence with others. General correspondence with friends, colleagues, and other artists is both personal and professional in nature. Correspondents include Theodore Butler, Kenyon Cox, Nancy Hale, William H. Hart, and Edmund C. Tarbell. Business correspondence concerns many aspects of Hale's career. Correspondents include students, arts institutions, models, and publishers.

Writings by Philip L. Hale consist of lectures on anatomy, art history, and various art topics; miscellaneous articles; notes on artists, esthetics and philosophy either for classroom use or his writings; character sketches, a play, poems, and political writings.

Artwork consists of 9 sketchbooks and loose sketches in pencil and ink of heads, figures, anatomical studies, landscapes, and miscellaneous subjects. A much smaller number of pastels, prints, and oil sketches are included. This series also includes a few items by other artists.

Research files and catalogs, compiled from 1932 to 1939 by Hale's friend Albert J. Kennedy for a never-published memorial volume, include extensive correspondence and notes of interviews with friends, relatives, colleagues, former students, and models recording their reminiscences of Hale. Kennedy collected exhibition catalogs and a variety of other printed material, along with biographical and genealogical information, and photographs of Hale's work. Many of his research notes consist of handwritten transcriptions of published articles by and about Hale.

Printed material about Philip L. Hale includes articles, reviews, and miscellaneous newspaper clippings mentioning him or containing reproductions of his work. Printed items by Hale consist of art reviews, miscellaneous articles on art topics, copies of his columns that appeared in Arcadia: A Journal Devoted to Music, Art and Literature, and the text of a speech.

The majority of photographs record works of art, mainly by Philip L. Hale, and also by Lilian Westcott Hale, Robert Payne, and Edmund C. Tarbell. Personal photographs include images of Hale, his relatives, and friends. There are also several group portraits of the 1915 Panama-Pacific Exhibition Jury, a group portrait with students, views of Hale at work in his studio and in the classroom, pictures of a summer house, and landscapes.
Arrangement note:
The collecion is arranged as 7 series:

Series 1: Biographical Materials, 1875-1939 (0.4 linear feet; Box 1)

Series 2: Correspondence, 1818-1944 (2 linear feet; Boxes 1-3)

Series 3: Writings, circa 1910-1930 (0.8 linear feet; Boxes 3-4)

Series 4: Artwork, circa 1870-1930 (0.4 linear feet; Box 4)

Series 5: Memorial Book, circa 1862-1962 (2.8 linear feet; Boxes 4-8, OV 9)

Series 6: Printed Material, 1883-1951 (8 folders; Box 7)

Series 7: Photographic Material, 1868-1931 (12 folders; Box 7)
Biographical/Historical note:
Philip Leslie Hale (1865-1931) was the son of prominent Unitarian minister and well-known author, Edward Everett Hale. Members of this distinguished old Boston family included such ancestors as Revolutionary War hero Nathan Hale, influential preacher Lyman Beecher, educator Catherine Beecher, and Harriet Beecher Stowe, author of Uncle Tom's Cabin. From a young age Philip's talent and interest in drawing was encouraged by his parents, especially his mother. An older artist sister, Ellen Day Hale (1855-1940) and an aunt, Susan Hale (1834-1910), a trained painter, provided Philip with his first art lessons.

Family tradition and expectations decreed that after completing studies at the Boston Latin School and Roxbury Latin School, Hale would attend Harvard. After passing Harvard's entrance examination, as required by his father, Philip was free to pursue art. He enrolled in the School of the Museum of Fine Arts, Boston, in the fall of 1883, where he was an early pupil of Edmund C. Tarbell. The following year he continued his studies in New York at the Art Students League under J. Alden Weir and Kenyon Cox.

In early 1887, Hale went to Paris, adopted a bohemian lifestyle, and studied at the Ecole des Beaux-Arts and the Académie Julian. He became friends with fellow students Theodore Butler and William Howard ("Peggy") Hart. In the summer of 1888, the three made their first trip to Giverny, where they were among the first Americans to experiment with Impressionism. They met other American artists, including Theodore Robinson, John Leslie Breck, and Theodore Wendel, who also had been drawn to Giverny by the presence of Claude Monet. Hale returned to Boston in the summer of 1890, but was soon drawn back to Paris to be with his sweetheart Katharine Kinsella. He spent the summers of 1891-1893 continuing his experiment with Impressionism in Giverny, and during that period traveled to London, Paris, and Spain, periodically returning home and to the family's Rhode Island summer place.

In 1893 Hale began teaching cast drawing at the School of the Museum of Fine Arts, Boston, where he remained on the faculty until his death in 1931. Eventually he became the chief instructor of drawing, and also offered courses in life drawing, artistic anatomy, and art history. Hale also taught at the Worcester Art Museum (1898-1910), the Pennsylvania Academy of the Fine Arts (1913-1928), and Boston University (1926-1928).

Hale's first solo exhibition, held in 1899 at Durand-Ruel Galleries in New York City, consisted of Impressionist paintings and pastels that received mixed reviews. In subsequent years his work became increasingly academic and focused on figure paintings and portraits. He exhibited frequently in national and international shows, won numerous medals and prizes, and was elected an Associate National Academician of the National Academy of Design in 1917.

In 1902, Hale married former student, Lilian Westcott, a painter and portraitist whose success during some periods eclipsed that of her husband.

Philip Leslie Hale, like many of his relatives, was a noted writer and speaker. His column "Art in Paris" appeared regularly in the Canadian-based periodical Arcadia: A Journal Devoted to Music, Art and Literature between 1892 and 1893 and discussed Impressionism, Post-Impressionism, and Symbolism. Hale regularly contributed art columns, reviews, and miscellaneous articles to the Boston Daily Advertiser, Boston Commonwealth, Boston Herald, and Boston Evening Transcript during the first decade of the twentieth century.

Hale's teaching stressed the importance of learning Old Master's techniques. He had a life-long interest in Vermeer, and as a writer and critic he generated quite a bit of enthusiasm for that artist among the figurative painters of the Boston School, his own students, and others. Jan Vermeer of Delft, a highly regarded monograph by Philip Leslie Hale - the first on the subject published in the United States - appeared in 1913. He wrote several other books on art subjects, and his services as a lecturer on art topics were sought after by a variety of organizations both locally and nationally.

Philip Leslie Hale died following emergency surgery in Dedham, Massachusetts, on February 2, 1931.
Related Archival Materials note:
The Archives of American Art also holds a separately cataloged collection of Philip Leslie Hale drawings on microfilm reel 3766 and two collections related to the Hale family, including the Ellen Hale and Hale family papers and the Edward Everett Hale letter to an unidentified person.
Provenance:
The Philip Leslie Hale papers were donated to the Archives of American Art in 1962 by the artist's daughter, Nancy Hale Bowers. Additionally, notes written by Mrs. Nathan Hale were donated by Lilian Westcott Hale in 1963.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- Massachusetts -- Boston  Search this
Art critics -- Massachusetts -- Boston  Search this
Topic:
Art -- History  Search this
Art -- Study and teaching  Search this
Painting, American  Search this
Painters -- Massachusetts -- Boston  Search this
Authors -- Massachusetts -- Boston  Search this
Function:
Artists' studios -- Massachusetts
Genre/Form:
Photographs
Interviews
Sketchbooks
Sketches
Citation:
Philip Leslie Hale papers, 1818-1962, bulk 1877-1939. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.halephil
See more items in:
Philip Leslie Hale papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-halephil
Online Media:

Daniel Varney Thompson papers

Creator:
Thompson, Daniel V. (Daniel Varney), 1902-1980  Search this
Names:
Courtauld Institute of Art -- Faculty  Search this
Berenson, Bernard, 1865-1959  Search this
Greene, Belle da Costa, 1883-1950  Search this
McKean, Mary Sargeant  Search this
Thompson, Randall, 1899-1984  Search this
Winslow, Henry, b. 1874  Search this
Extent:
10.1 Linear feet
Type:
Collection descriptions
Archival materials
Notebooks
Diaries
Sketchbooks
Drawings
Watercolors
Photographs
Poetry
Musical scores
Prints
Oil paintings
Manuscripts
Date:
1848-1979
bulk 1923-1979
Summary:
The papers of art conservator and historian, engineer, and professor Daniel Varney Thompson (1902-1980) are dated 1848-1979, with the bulk of the material dated 1923-1979. The collection measures 10.1 linear feet and consists of biographical material, correspondence, subject files, writings, artwork, printed material, and photographs.
Scope and Content Note:
The papers of art conservator and historian, professor, engineer, and writer Daniel Varney Thompson (1902-1980) are dated 1848-1979, with the bulk of the material dated 1923-1979. The collection measures 10.1 linear feet and consists of biographical material, correspondence, subject files, writings, artwork, printed material, and photographs.

Biographical information includes certificates and diplomas, passports, and wills. Correspondence documents Daniel Varney Thompson's personal and professional life. Personal correspondence centers heavily on family members including his brother, the composer Randall Thompson. Professional correspondence concerns Thompson's academic career, research, writing, and work as a technical consultant and engineer. Among the correspondents are colleagues from Harvard, Yale, the Courtauld Institute, publishers, and academic and technical journals, in addition to corporate clients.

Subject files are comprised of varying correspondence, printed matter, photographs, notes and writings relating to Thompson's areas of interest. Personal and professional subject files include many relating to his research interests and engineering consulting projects. Of particular interest are numerous letters from Bernard Berenson. There is also correspondence with Belle da Costa Greene, as well as files concerning the Kermes beetle (a source of crimson dyes in the middle ages). Food and gardening subject files reflect Thompson's career as a writer and columnist on these subjects.

Writings consist mainly of manuscripts, drafts, research and miscellaneous notes; also included are diaries, poems, miscellaneous items, and a music score. Daniel Varney Thompson's personal and professional writings include two diaries, poems, and student writings. Most of his extant writings are on art-related topics, science and technology. Among the notes is an index to medieval manuscripts on craftsmanship in major European libraries was compiled by Thompson in 1935. His work on the subject remains unpublished and his notes are extremely valuable since some of the materials noted were lost in World War II. Scientific and technical notebooks, along with various wirings and reports, document projects undertaken as a technical consultant and engineer. The food and gardening writings are extensive and consist of manuscripts and notes for articles and columns, and for a book-length compilation of these writings. Among the writings by other authors are diaries of his mother and wife, and a music score by his brother, Randall Thompson.

Artwork by Daniel Varney Thompson, Mary Sargent McKean, and Henry Winslow consists of drawings, prints, watercolors, a sketchbook, and an oil painting. Printed material includes articles and book reviews by Daniel Varney Thompson, and items about or mentioning him and his family. Also found are articles and books about art, history, medieval studies, science and technology, and food and gardening topics.

Photographs are of artwork, people, places and miscellaneous subjects. Images of people are mainly Thompson and family members.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Information, 1848-1970s (Box 1, OV 11-12; 0.3 linear ft.)

Series 2: Correspondence, 1914-1979 (Boxes 1-3; 2.0 linear ft.)

Series 3: Subject Files, 1925-1979 (Boxes 3-6; 3.0 linear ft.)

Series 4: Writings, 1907-1970s (Boxes 6-9; 2.85 linear ft.)

Series 5: Artwork, 1923-1934 (Box 9, OV 13; 5 folders)

Series 6: Printed Material, 1917-1979 (Box 9; 0.75 linear ft.)

Series 7: Photographs, circa 1900-1972 (Box 10; 0.4 linear ft.)
Biographical Note:
Daniel Varney Thompson (1902-1980) was an art conservator and historian, professor, engineer, and writer. A noted authority on medieval painting, Varney lived and worked primarily in the Boston area and London.

Daniel Varney Thompson was born in New Jersey in 1902. He was the son of Grace Randall Thompson and Daniel Varney Thompson, Sr., a classics teacher at the Lawrenceville School and later headmaster of Boston Latin School. American composer Randall Thompson was his older brother. Following family tradition, Thompson attended Harvard, earning the A.B. in 1922 and A.M. in 1926, focusing his attention on fine arts, physical chemistry, and literature. Daniel V. Thompson stopped using the designation Jr. after his father's death in 1932.

Between 1922 and 1925 Thompson was employed in the Fogg Museum's laboratory devoted to analyzing art materials for the purposes of detecting forgeries, preserving works of art, and devising methods to aid working artists. During this period, Thompson went to Italy as a Sheldon Fellow in Fine Arts, to learn medieval fresco painting techniques from Edward W. Forbes, Director of the Fogg Museum. He also had an opportunity to study medieval and Renaissance painting techniques with Inicio Federico Joni, and while in Italy began life-long friendships with the Forbes family and Bernard Berenson. Thompson served as a technical advisor to the 1924-1925 Second Harvard China Expedition; he traveled to China by way of India, where he studied wall paintings in caves at Ajanta and Elura and researched newly discovered scrolls.

Daniel Varney Thompson was on the faculty of Yale from 1926-1933, where he taught art history, and tempera painting courses, and laid the foundation for the Department of Fine Arts when Yale became a university in 1932. During his time at Yale, Thompson married Cecile [Cecily] de Luze Simonds.

When The American Council of Learned Societies awarded Thompson a research fellowship for the academic year 1933/34, he returned to Europe and surveyed major libraries for materials concerning the history of technology of the arts. Thompson was then invited to be Professor of the History of Technology at the University of London. He was on the faculty from 1934-1946, and also served as research and technical advisor, developing a laboratory at the Courtauld Institute for analysis of art materials.

During World War II, the Courtauld's laboratory - which had facilities for emission, absorption, and x-ray spectrography - was offered to the Ministry of Aircraft Production. To avoid compromising the University's tax-free status, Thompson formed and served as managing director of Daniel Varney Limited, a private company which leased the premises and equipment. From 1940 to 1945, the company was operated in the name of the Courtauld Institute, employing 200 people in tool making, gauge making, fine mechanisms, and development and production of optics instruments. After the war, Daniel Varney Limited shifted its interests to high vacuum diffusion pumps, gas manipulation, and glassblowing.

Upon returning to the United States in 1947, Thompson settled in the Boston area, becoming a technical consultant. He worked on projects for E-Z Mills, Inc., Sylvania Eloctronics, Comstock & Wescott, Inc., and other corporations. He was chief engineer of Jarrell-Ash Co., 1953-1955, redesigning optical instruments, spectrography, and schlieren systems. Between 1955 and 1957, Thompson served as Vice President of Swett & Sibley, involved with the design and development of optical instruments, scanning spectrometers, and densistometers. He then moved to Avco Corporation, where for the next decade he was a Senior Staff Consultant working on optical design in rocket instrumentation. Thompson retired from his engineering career in 1967.

Daniel V. Thompson wrote and published extensively. Art-related writings include translations and a monograph published by Yale University Press, and numerous articles and reviews. Translations are: Cennino Cennini's Il Libro dell'Arte (3 volumes: Text of Il Libro dell'Arte, 1932; The Craftsman's Handbook, 1933; and The Practice of Tempera Painting, 1936), and An Anonymous Fourteenth Century Treatise ( De arte illuminadi) (with his student George Heard Hamilton), 1936. A monograph, The Materials and Techniques of Medieval Painting (foreword by Bernard Berenson) appeared in 1936.

Most of Thompson's scientific and technical writings are unpublished and relate to projects for which he served as a consulting engineer.

Soon after retiring, Thompson began a new career that he continued for the remainder of his life. A serious cook and long-time gardener, he began writing about these topics, producing weekly columns that were published by newspapers from Maine to Chicago and contributing articles to Gourmet, Horticulture, and similar periodicals. Thompson also lectured to garden clubs and judged garden and flower competitions.

Daniel Varney Thompson died on January 4, 1980, following an automobile accident in Malaga, Spain.
Related Material:
Also found in the Archives of American Art are oral history interviews conducted with Daniel V. Thompson by Robert Brown, September 25, 1974-November 2, 1976. There are also three letters from Thompson to his sister-in-law Edith Simonds Moore.
Provenance:
The Daniel Varney Thompson papers were donated to the Archives of American Art in increments between 1974-1981 by Mr. Thompson and his estate.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Conservators  Search this
Art historians  Search this
Topic:
Food  Search this
Gardening  Search this
Engineers -- United States  Search this
Authors -- Massachusetts  Search this
Kermes (Insect)  Search this
Genre/Form:
Notebooks
Diaries
Sketchbooks
Drawings
Watercolors
Photographs
Poetry
Musical scores
Prints
Oil paintings
Manuscripts
Citation:
Daniel Varney Thompson papers, 1848-1979, bulk 1923-1979. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.thomdani
See more items in:
Daniel Varney Thompson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-thomdani
Online Media:

Anna Coleman Ladd papers

Creator:
Ladd, Anna Coleman, 1878-1939 (sculptor)  Search this
Names:
American Red Cross. Studio for Portrait Masks (Paris, France)  Search this
Aldrich, William  Search this
Fabbricotti, Gabriella  Search this
Gardner, Isabella Stewart, 1840-1924  Search this
Hammond, Natalie Hays, 1905-  Search this
Southwick, Jessie Eldridge  Search this
Extent:
4.26 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Drawings
Sketchbooks
Photographs
Sketches
Scrapbooks
Date:
1881-1950
Summary:
The papers of sculptor Anna Coleman Ladd measure 4.26 linear feet, date from 1881-1950, and document the career of sculptor Anna Coleman Ladd. Found within the papers are biographical material, letters, diaries, financial material, notes and writings, art work, a file concerning the American Red Cross Studio for Portrait-Masks, scrapbooks, printed material, and photographs.
Scope and Contents note:
The papers of sculptor Anna Coleman Ladd measure 4.26 linear feet, date from 1881-1950, and document the career of sculptor Anna Coleman Ladd. Found within the papers are biographical material, letters, diaries, financial material, notes and writings, art work, a file concerning the American Red Cross Studio for Portrait-Masks, scrapbooks, printed material, and photographs.

Biographical materials are scattered and include calling cards, biographical sketches notes, and certificates.

Correspondence includes letters written to Anna Coleman Ladd from various family members, friends, and colleagues. Notable correspodents include William Aldrich, Gabriella Fabbricotti, Isabella Stewart Gardner, Natalie Hays Hammond, and Jessie Eldridge Southwick.

Diaries are daily diaries dating from 1903-1905 and from 1911-1912. Each diary includes short descriptions of Ladd's days.

Financial materials include receipts, stock certificates, travel materials, lists, and an account book for Dr. Maynard Ladd.

Writings and notes consists of notebooks, lists of works of art, inventories, manuscripts by Ladd and by others.

Artworks include two sketchbooks, loose drawings, and a plaster relief by Ladd as well as several sketches by others.

American Red Cross Studio for Portrait-Masks files include correspondence, writings, a scrapbook, printed materials, and photographs. Materials concern portrait masks used to disguise the disfigured faces of World War I veterans.

Scrapbooks consists of three scrapbooks containing photographs, printed materials, and writings.

Printed materials include clippings, exhibition announcements and catalogs for Ladd's works, books and booklets, and posters, some of which are French World War I propaganda.

Photographs include photographs of Anna Coleman Ladd with her works of art and in the studio, Dr. Maynard Ladd, friends, family, colleagues, and works of sculpture.
Arrangement note:
The collection is arranged as 10 series. Glass plate negatives are housed separately and closed to researchers.

Series 1: Biographical Material, 1910-1950 (Box 1; 4 folders)

Series 2: Correspondence, 1895-1937 (Box 1-2; 1.1 linear feet)

Series 3: Diaries, 1903-1912 (Box 2; 2 folders)

Series 4: Financial Material, 1899-1934 (Box 2; 6 folders)

Series 5: Writings and Notes, 1888-1949 (Box 2, 6, OV 7; 0.6 linear feet)

Series 6: Artwork, 1901-1928 (Box 2, 6, OV 7; 0.2 linear feet)

Series 7: American Red Cross Studio for Portrait-Masks File, 1914-1925 (Box 2-3, 6; 0.4 linear feet)

Series 8: Scrapbooks, 1900-1940 (Box 3; 0.3 linear feet)

Series 9: Printed Material, 1889-1942 (Box 3, 6, OV 7; 0.5 linear feet)

Series 10: Photographs, 1881-1932 (Box 4-6, MGP 1; 0.8 linear feet)
Biographical/Historical note:
Born in 1878 in Philadelphia to John and Mary Watts, Anna Coleman Ladd (née Watts) was educated in private schools and Europe. She also studied in America under Charles Grafly.

She moved to Boston in 1905 and married Boston pediatrician Maynard Ladd with whom she had two daughters, Gabriella May Ladd and Vernon Abbott Ladd . Working in her studio on Clarendon Street, Ladd became one of the city's most prolific sculptors, creating fountain pieces, portrait busts, memorials, and reliefs in addition to authoring two novels, Hieronymus Rides in 1912, and The Candid Adventurer in 1913.

Between 1907 and 1915, Ladd had solo exhibitions at the Gorham Gallery in New York, the Corcoran Gallery in Washington, D.C., and the Pennsylvania Academy in Philadelphia. She was also invited to exhibit her bronzes at the Panama Pacific Exposition in San Francisco. In 1914 she executed a bronze statuette of Eleanora Duse for which the actress posed, and later completed portrait busts of Anna Pavlova and Ethel Barrimore.

In late 1917 in Paris, Ladd founded the American Red Cross Studio for Portrait-Masks to provide cosmetic masks to be worn by men who had been badly disfigured in World War I. Her services earned her the Légion d'Honneur Crois de Chevalier and the Serbian Order of Saint Sava.

For many years, Ladd maintained a summer studio "Arden" at Beverly Farms in Manchester, Massachusetts. In 1923, she received an honorary degree of Master of Arts from Tufts College.

Anna Coleman Ladd died June 3, 1939 in Santa Barbara, California.
Provenance:
The Anna Coleman Ladd papers were donated in 1991 by William Terry on behalf of Robert Edwards, a friend of Anna Coleman Ladd.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- Massachusetts -- Boston  Search this
Topic:
Portrait sculpture  Search this
Artists' studios -- Photographs  Search this
Architectural sculpture  Search this
Sculptors -- Massachusetts -- Boston  Search this
Women authors  Search this
World War, 1914-1918 -- France -- Paris Portrait sculpture  Search this
Works of art  Search this
Genre/Form:
Diaries
Drawings
Sketchbooks
Photographs
Sketches
Scrapbooks
Citation:
Anna Coleman Ladd papers, 1881-1950. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.laddanna
See more items in:
Anna Coleman Ladd papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-laddanna
Online Media:

Rudolf Arnheim papers

Creator:
Arnheim, Rudolf  Search this
Names:
Harvard University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New School for Social Research (New York, N.Y.)  Search this
Sarah Lawrence College  Search this
University of Michigan  Search this
Albers, Josef  Search this
Kepes, Gyorgy, 1906-2001  Search this
Sheldon, Alice Bradley, 1915-1987  Search this
Extent:
9.6 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Diaries
Date:
1919-1998
Summary:
The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers document his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.
Scope and Contents:
The papers of art historian, educator, writer and psychologist Rudolf Arnheim measure 9.6 linear feet and date from 1919 to 1998. The papers documents his career in New York, Michigan, and abroad through biographical material, correspondence, writings, lectures, diaries, printed material, and sound recordings.

Biographical material includes a bibliography, biographical sketches, contracts and agreements, sound cassettes of interviews, and other miscellaneous material.

Correspondence is with colleagues, editors, publishers, and universities on various subjects. The bulk of the correspondence is arranged by subject such as architects, art historians, dance, and film. There is correspondence with Harvard University, University of Michigan, Museum of Modern Art, and New School of Social Research, as well as various individuals such as Josef Albers, Gyorgy Kepes, and Alice Sheldon.

Writings and lectures include book reviews, articles, lecture drafts and notes, sound recordings of lectures, manuscripts, and copies of published articles.

Arnheim's diaries date from 1919 to 1987 and discuss his early life as a student in Germany and career as an educator and lecturer. Some diaries include draft writings.

Printed material includes lecture announcements, reviews, clippings, programs, brochures, assorted material from Sarah Lawrence College, and two instructional sound cassettes.
Arrangement:
The collection is arranged as 5 series.

Series 1: Biographical Material, 1939-1991 (Box 1; 0.3 linear feet)

Series 2: Correspondence, 1940-1998 (Boxes 1-5; 4.4 linear feet)

Series 3: Writings and Lectures, 1930-1989 (Boxes 5-8; 2.7 linear feet)

Series 4: Diaries, 1919-1987 (Boxes 8-9; 1.0 linear feet)

Series 5: Printed Material, 1928-circa 1990 (Boxes 9-11; 1.2 linear feet)
Biographical / Historical:
Rudolf Arnheim (1904-2007) was a writer, educator, art historian and psychologist who was born in Germany and immigrated to the United States where he primarily worked in New York and Massachusetts.

Rudolf Arnheim was born in Berlin, Germany on July 15, 1904. He received his doctorate in psychology from the University of Berlin in 1928. Arnheim worked as a film critic and editor for several magazines and journals after graduation. During this time, he gathered information which would be compiled in his book Film as Art (1932). When the Nazis came into power in 1933, Arnheim moved to Rome where he worked at the Institute for the Educational Film for six years, then moved to London in 1939 and worked as a translator for the British Broadcasting Company.

Arnheim immigrated to the United States in 1940. In 1943, he became a psychology professor at Sarah Lawrence College where he continued to teach until 1968. He also taught at the New School for Social Research during this time. From 1959 to 1960, he was a Fulbright lecturer at Ochanomizu University in Tokyo, Japan. After Sarah Lawrence College, Arnheim became a Professor of Psychology of Art at Harvard University, where he stayed until 1974 when he moved to Ann Arbor, Michigan with his wife Mary. He was a visiting professor at the University of Michigan from 1974 to roughly 1984.

Among his many publications are Art and Visual Perception, Toward a Psychology of Art, Visual Thinking, Entropy and Art, Picasso's Guernica, and The Power of Center. Arnheim died in Ann Arbor in 2007.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Rudolf Arnheim conducted by Robert F. Brown, May 16, 1972. Additional papers on Rudolf Arnheim related to psychology are available at the Archives of the History of Psychology in Akron, Ohio.
Separated Materials:
The Archives of American Art also holds microfilm of material lent for microfilming (reel 3767) including correspondence with German publishers and editors, 1959-1982; Dumont Buchverlag, 1963-1980; Carl Hanser Varlag, 1974-1981; Helmut Diederich, 1974-1981; Franz Rudolf Knubel, 1971-1981; Werner Korbs, 1976-1982; Jurgen Weber, 1972-1981; and others. The originals were returned to Rudolf Arnheim after microfilming and subsequently donated to the Schiller-Nationalmuseum Deutsches Literaturarchiv, Germany. This material is not described in the collection container inventory or the finding aid.
Provenance:
The Rudolf Arnheim papers were donated to the Archives of American Art in several installments between 1974 to 1998 by Rudolf Arnheim. Arnheim also loaned material for microfilming in 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings and electronic records with no duplicate access copies requires advance notice.
Occupation:
Art historians -- Massachusetts  Search this
Art historians -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching -- United States  Search this
Art--Study and teaching--Germany  Search this
Authors -- Massachusetts  Search this
Authors -- New York (State) -- New York  Search this
Educators -- Massachusetts  Search this
Educators -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Diaries
Citation:
Rudolf Arnheim papers, 1919-1998. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.arnhrudo
See more items in:
Rudolf Arnheim papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-arnhrudo

Daniel Varney Thompson papers, 1848-1979, bulk 1923-1979

Creator:
Thompson, Daniel V. (Daniel Varney), 1902-1980  Search this
Thompson, Daniel V. (Daniel Varney), 1902-1980  Search this
Subject:
Berenson, Bernard  Search this
Greene, Belle da Costa  Search this
McKean, Mary Sargeant  Search this
Winslow, Henry  Search this
Thompson, Randall  Search this
Courtauld Institute of Art  Search this
Type:
Notebooks
Diaries
Sketchbooks
Drawings
Watercolors
Photographs
Poetry
Musical scores
Prints
Oil paintings
Manuscripts
Topic:
Food  Search this
Gardening  Search this
Engineers -- United States  Search this
Authors -- Massachusetts  Search this
Kermes (Insect)  Search this
Theme:
Sketches & Sketchbooks  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)9246
(DSI-AAA_SIRISBib)211441
AAA_collcode_thomdani
Theme:
Sketches & Sketchbooks
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211441
Online Media:

Philip Leslie Hale papers, 1818-1962, bulk 1877-1939

Creator:
Hale, Philip Leslie, 1865-1931  Search this
Hale, Philip Leslie, 1865-1931  Search this
Subject:
Butler, Theodore Earl  Search this
Hale, Nancy  Search this
Cox, Kenyon  Search this
Hart, William H.  Search this
Tarbell, Edmund Charles  Search this
Kennedy, Albert J. (Albert Joseph)  Search this
Panama-Pacific International Exposition (1915: San Francisco, Calif.)  Search this
Type:
Photographs
Interviews
Sketchbooks
Sketches
Topic:
Art -- History  Search this
Art -- Study and teaching  Search this
Painting, American  Search this
Painters -- Massachusetts -- Boston  Search this
Authors -- Massachusetts -- Boston  Search this
Theme:
Sketches & Sketchbooks  Search this
Art Materials, Techniques, and Studio Art Education  Search this
Record number:
(DSI-AAA_CollID)7634
(DSI-AAA_SIRISBib)209797
AAA_collcode_halephil
Theme:
Sketches & Sketchbooks
Art Materials, Techniques, and Studio Art Education
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209797
Online Media:

Hans Hofmann papers, circa 1904-2011

Creator:
Hofmann, Hans, 1880-1966  Search this
Hofmann, Hans, 1880-1966  Search this
Subject:
Dickey, Tina  Search this
Amgott, Madeline  Search this
Mauer, Alfred  Search this
Hawthorne, Charles Webster  Search this
Hofmann, Maria  Search this
Hofmann, Renate Schmitz  Search this
Hans Hofmann School of Fine Arts (Provincetown, Mass.)  Search this
Hans Hofmann School of Fine Arts  Search this
Type:
Video recordings
Sound recordings
Scrapbooks
Transcripts
Interviews
Photographs
Topic:
Motion pictures (visual works)  Search this
Art -- Study and teaching  Search this
Art -- Philosophy  Search this
Authors -- New York (State) -- New York  Search this
Authors -- Massachusetts  Search this
Abstract expressionism  Search this
Painting, Modern -- 20th century -- Study and teaching  Search this
Art students -- New York (State) -- New York  Search this
Theme:
Art Movements and Schools  Search this
Record number:
(DSI-AAA_CollID)5966
(DSI-AAA_SIRISBib)227882
AAA_collcode_hofmhans
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_227882
Online Media:

Gabriella De Ferrari papers, 1931-2011, bulk 1975-2011

Creator:
De Ferrari, Gabriella, 1941-  Search this
New School University  Search this
De Ferrari, Gabriella, 1941-  Search this
Subject:
Katz, Ada  Search this
Katz, Alex  Search this
Gund, Agnes  Search this
Gray, Francine du Plessix  Search this
Cuno, James B.  Search this
Castelli, Leo  Search this
Michael, Brenson  Search this
Sischy, Ingrid  Search this
Segal, Martin  Search this
Seator, Glen  Search this
LeWitt, Carol  Search this
LeWitt, Sol  Search this
Pan-American Society of New England  Search this
Wadsworth Atheneum  Search this
Institute of Contemporary Art (Boston, Mass.)  Search this
Busch-Reisinger Museum  Search this
Type:
Diaries
Photographs
Interviews
Illustrated letters
Sound recordings
Video recordings
Scrapbooks
Topic:
Authors -- Massachusetts  Search this
Authors -- New York (State) -- New York  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)16023
(DSI-AAA_SIRISBib)306634
AAA_collcode_defemari
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_306634
Online Media:

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