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Robert Perine research material on the Chouinard Art Institute

Creator:
Perine, Robert  Search this
Names:
Chouinard Art Institute (Los Angeles, Calif.)  Search this
Chouinard, Nelbert, 1879-1967  Search this
Extent:
1.8 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Interviews
Date:
circa 1923-circa 1985
Summary:
The Robert Perine research material on the Chouinard Art Institute measures 1.8 linear feet and date from circa 1923 to circa 1985. Documents consist of research material used in Perine's book Chouinard: An Art Vision Betrayed (1985) including catalogs for the Chouinard Institute and California Institute of the Arts; notes and preliminary writings for the book, including an annotated table of contents and a bibliography; floor plans of the Institute; material concerning the lawsuit brought against the board of trustees in an attempt to prevent the closing of the school; 158 photographs of Nelbert Chouinard, classes, students and buildings; and 27 sound cassettes of interviews of 52 artists and staff, some with partial transcripts.
Scope and Contents:
The Robert Perine research material on the Chouinard Art Institute measures 1.8 linear feet and date from circa 1923 to circa 1985. Documents consist of research material used in Perine's book Chouinard: An Art Vision Betrayed (1985) including catalogs for the Chouinard Institute and California Institute of the Arts; notes and preliminary writings for the book, including an annotated table of contents and a bibliography; floor plans of the Institute; material concerning the lawsuit brought against the board of trustees in an attempt to prevent the closing of the school; 158 photographs of Nelbert Chouinard, classes, students and buildings; and 27 sound cassettes of interviews of 52 artists and staff, some with partial transcripts.
Arrangement:
The collection is arranged as four series.

Series 1: Writings, 1930, 1962, circa 1980-circa 1985 (0.2 linear feet; Box 1)

Series 2: Printed Material, 1931-1984 (0.5 linear feet; Box 1)

Series 3: Photographs, circa 1923-1977 (0.2 linear feet; Box 1)

Series 4: Interviews, circa 1979 (0.9 linear feet; Box 1-3)
Biographical / Historical:
Painter, educator, and author Robert Perine (1922-2004), was a student and later a professor at the Chouinard Art Institute. The Chouinard Art Institute was founded in Los Angeles, California, by Ms. Nelbert M. Chouinard in 1921. The Institute received financial support from Walt Disney who also oversaw its merger with the Los Angeles Conservatory of Music to form the Californian Institute of the Arts in 1961. The Chouinard Art Institute continued to operate as its own entity within the California Institute of the Arts until it was completely absorbed by the California Institute of the Arts in 1972.
Provenance:
The research material was donated to the Archives of American Art by Robert Perine in 1987.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Topic:
Chouinard Art Institute (Los Angeles, Calif.)  Search this
California Institute of the Arts  Search this
Art -- Study and teaching -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Interviews
Citation:
Robert Perine research material on the Chouinard Art Institute, circa 1923-circa 1985. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.perirobe
See more items in:
Robert Perine research material on the Chouinard Art Institute
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b9b36d9c-5cab-4aeb-a0b4-f14ed9d8b7ce
EDAN-URL:
ead_collection:sova-aaa-perirobe
Online Media:

Jerry Dreva papers

Creator:
Dreva, Jerry, 1945-1997  Search this
Names:
Gronk, 1954-  Search this
Extent:
1 Linear foot
Type:
Collection descriptions
Archival materials
Date:
1964-1984
Scope and Contents:
The Jerry Dreva papers measures 1.0 linear foot and dates from circa 1963-1982. The papers include biographical information; rare printed material; scrapbooks; correspondence consisting of letters of support for the exhibition DREVA/GRONK 1968-78: Ten Years of Art/Life (Los Angeles Contemporary Exhibitions, 1978) and mail art; zines and small artist books exchanged with collaborators and friends; material documenting Dreva's relationship with performance artist, Gronk, including staged photographs, candid snapshots, correspondence, and ephemera, chronicling their shared practice, and the glam Hollywood, activist Chicana/o, and queer scenes in 1970s and 80s Los Angeles. Also included are two small labeled vinyl albums.

Correspondence consists of letters to friends and institutions for which Dreva created mail and graphic art for. Some of the indiduals include: Vittore Baroni, John Jack, The Gay Activists Alliance, Michael Scott, and Sandy Robertson. Also included are files of mail art created by Dreva or sent to him by friends and other artists.

Professional activit consists of some invoices and receipts, material related to the "Dreva/Gronk 1968-1978 Ten Years of Art/Life" exhibition, work for Mohammed publication company in Italy, certificates, a vinyl record produced by Le Petite Bon-Bons, and a scrapbook.

Printed material consists of clippings, announcements and posters, editions of Mainman Newsletter, "Despair" comic book, "How I Became Rich and Famous" by Captain Zerox, and "Mail Art Show" exhibition catalog.

Photographic material consists of photographs of Dreva, photographs of Dreva and Gronk, photographs of Le Petite Bon-Bons band members and various famous rock stars, and candid shots
Biographical / Historical:
Jerry Dreva (1945-1997) was a performance artist, writer, activist, and teacher based in Milwaukee, Wisconsin and Los Angeles, California. Dreva was a leader in the mail art movement during the 1970s and 1980s.
Provenance:
Donated in 2020 by Patrick Veda, a family attorney and the executor of Dreva's mother's estate.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Performance artists -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Performance artists -- Wisconsin -- Milwaukee  Search this
Topic:
Gay artists  Search this
Mail art  Search this
Activists (LGBTQ)  Search this
Artists (LGBTQ)  Search this
Latino and Latin American artists  Search this
Sound recordings  Search this
Identifier:
AAA.drevjerr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93651c7ad-554e-49e2-987f-1a12d12cd12e
EDAN-URL:
ead_collection:sova-aaa-drevjerr

Fidel Danieli papers

Creator:
Danieli, Fidel  Search this
Names:
Almaraz, Carlos  Search this
Antin, David  Search this
Antin, Eleanor  Search this
Bell, Larry, 1939-  Search this
Berman, Wallace, 1926-1976  Search this
Bettelheim, Judith, 1944-  Search this
Brigante, Nicholas P., 1895-1989  Search this
Delano, Annita, 1894-  Search this
Feitelson, Lorser, 1898-1978  Search this
Flavin, Dan, 1933-  Search this
Graham, Robert, 1938-  Search this
Kaprow, Allan  Search this
Krasnow, Peter, 1886-1979  Search this
Langsner, Jules, 1911-1967  Search this
Lloyd, Gary, 1943-  Search this
McLaughlin, John, 1898-  Search this
Pettibone, Richard, 1938-  Search this
Pettibone, Shirley  Search this
Plagens, Peter  Search this
Rosenthal, Rachel, 1926-  Search this
Saar, Betye  Search this
Smith, Alexis, 1921-1993  Search this
Extent:
8.4 Linear feet
Type:
Collection descriptions
Archival materials
Sound recordings
Photographs
Interviews
Date:
1962-1987
Summary:
The papers of Los Angeles art critic and writer, art historian, professor, collector, and artist Fidel Danieli (1938-1988) measure 8.4 linear feet and date from 1962 to 1987. Found within the papers are writing and research files, and 108 sound recordings of interviews with or about 45 Los Angeles artists conducted by Danieli in 1974-1975 for the U.C.L.A. oral history project "L.A. Community Artists." There are also sound recordings of art performances and art talks, and printed materials, including numerous exhibition announcements.
Scope and Contents:
The papers of Los Angeles art critic and writer, art historian, professor, collector, and artist Fidel Danieli (1938-1988) measure 8.4 linear feet and date from 1962 to 1987. Found within the papers are writing and research files, and 108 sound recordings of interviews with or about 45 Los Angeles artists conducted by Danieli in 1974-1975 for the U.C.L.A. oral history project "L.A. Community Artists." There are also sound recordings of art performances and art talks, and printed materials, including numerous exhibition announcements.

Writing and research files consist of articles and reviews written by Fidel Danieli and supporting documentation and printed material. Files cover individual artists, exhibitions, and other scattered topics. Files on reviews of artists Danieli wrote include typescripts and handwritten drafts, printed materials, and photographs. Artists covered include Carlos Almarez, Larry Bell, Wallace Berman, Lorser Feitelson, Dan Flavin, Robert Graham, Jules Langsner, Richard Pettibone, Rachel Rosenthal, Alexis Smith, and John White, among many others. The file for Richard Pettibone includes 2 original sound cassettes and duplicates. Writings for exhibition catalogs and reviews of exhibitions focus primarily on Los Angeles area exhibitions or exhibitions of California artists. These files include notes, typescripts, and printed materials. Also found are files for magazine articles written by Danieli. Research files include a set of index cards documenting a chronology of Los Angeles art and 9 sound cassettes of television shows that focus on California art.

Interviews of and performances by Los Angeles comprise 108 sound cassettes. The majority of the cassettes are artist interviews conducted by Danieli in 1974-1975 for the U.C.L.A. oral history project "L.A. Community Artists," but there are also scattered recordings of art talks, panel discussions, and performances. Artists include David Antin, Eleanor Antin, Judith Bettelheim, Nick Brigante, Annita Delano, Allan Kaprow, Peter Krasnow, Peter Plagens, Gary Lloyd, John McLaughlin, Shirley Pettibone, Betye Saar, and John White, among many others.

Printed material consists primarily of exhibition announcements about California artists and exhibitions.
Arrangement:
The collection is arranged as 3 series.

Missing Title

Series 1: Writing and Research Files, 1962-1987 (3.2 linear feet; Boxes 1-4)

Series 2: Los Angeles Artist Interviews and Performances, 1974-1975 (3.1 linear feet; Boxes 4-7)

Series 3: Printed Material, 1969-1985 (2.1 linear feet; Boxes 7-9)
Biographical / Historical:
Fidel Danieli (1938-1988) was an art critic and writer, art historian, educator, and artist based in Los Angeles, California. Danieli received his B.A. in 1960 and M.A. in 1965 from the University of California, Los Angeles (UCLA). For nearly 22 years, he taught at the Los Angeles Valley College in Van Nuys. He also taught and lectured at the California State College in Los Angeles and San Fernando Valley State College in Northridge.

Danieli was perhaps best known for his work as an art critic and writer, notably his reviews for Artforum from 1963-1968 that brought national recognition to many modern Southern California artists, such as Billy Al Bengston, Bruce Nauman, Robert Graham, and George Herms. Danieli was a member of the editorial committee of the Los Angeles Institute of Contemporary Art's (LAICA) Journal, a contributing editor to Artweek, and writer and reviewer for ArtScene and Images and Issues.

Danieli's special interest was in the early Los Angeles Modernists and he received a National Endowment for the Humanities grant around 1974 to fund research on the subject. From 1974-1975, he was also an interviewer for the UCLA oral history project "Los Angeles Art Community." The project culminated in the 1974 exhibition Nine Senior Southern California Painters at LAICA.

Danieli was also a painter, sculptor, and collector. His extensive art collection included photographs, paintings, ceramics, and prints. He bequeathed the bulk of his collection to the Oakland Museum and the Los Angeles Museum of Contemporary Art (MOCA), and a few private collectors who were friends. His art library was donated to Los Angeles Valley College.

He was briefly married to Edie Ellis though they later separated. He suffered ill health for several years and passed away in North Hollywood on March 26, 1988, at the age of 49.
Provenance:
The Fidel Danieli papers were donated to the Archives of American Art in 1990 by Sage Stormcreek, executor of Danieli's estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Authors -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Art critics -- California -- Los Angeles  Search this
Topic:
Art -- Collectors and collecting -- California -- Los Angeles  Search this
Painting, Modern -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Photographs
Interviews
Citation:
Fidel Danieli papers, 1962-1987. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.danifide
See more items in:
Fidel Danieli papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9858e7d83-ed3b-4205-80fb-92e4c2d3a544
EDAN-URL:
ead_collection:sova-aaa-danifide
Online Media:

Oral history interview with Thomas Lawson, 2018 August 9-10

Interviewee:
Lawson, Thomas, 1951-  Search this
Interviewer:
Ferguson, Russell, 1956-  Search this
Type:
Sound recordings
Interviews
Topic:
Authors -- California -- Los Angeles -- Interviews  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Record number:
(DSI-AAA_CollID)17595
(DSI-AAA_SIRISBib)396435
AAA_collcode_lawson18
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_396435
Online Media:

Merle Schipper Papers

Creator:
Schipper, Merle, 1922-2001  Search this
Names:
ArtScene (periodical)  Search this
Bengston, Billy Al  Search this
Biederman, Charles Joseph, 1906-2004  Search this
Calder, Alexander, 1898-1976  Search this
De Kooning, Willem, 1904-1997  Search this
Diebenkorn, Richard, 1922-1993  Search this
Guston, Philip, 1913-1980  Search this
Holty, Carl, 1900-1973  Search this
Hélion, Jean, 1904-1987  Search this
Mullican, Matt, 1951-  Search this
Noland, Kenneth, 1924-2010  Search this
Orr, Eric, 1939-1998  Search this
Smith, Kiki, 1954-  Search this
Spratling, William, 1900-1967  Search this
Tworkov, Jack  Search this
Extent:
12.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Prints
Transcripts
Drawings
Place:
France -- Paris -- Photographs
Los Angeles (Calif.) -- Social life and customs
Date:
circa 1930s-1999
Summary:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.
Scope and Contents:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.

Biographical material consists of a notebook planner and professional contact addresses, as well as Schipper's resume and bibliography. Scattered correspondence is both personal and professional with family and colleagues.

Over one-half of the collection consists of Schipper's writing, research, project, and exhibition files. There are drafts, essays, manuscripts, notes, and research documentation about California art and artists, an exhibition of craftsman William Spratling curated by Schipper, Schipper's dissertation and additional projects on Jean Helion, the exhibition Americans in Paris in the 1950s (1997), additional exhibitions, as well as transcripts of interviews with artists. The research files on Helion include an interview transcript with Willem de Kooning about Helion and correspondence with artists about Helion, including Charles Biederman, Alexander Calder, Philip Guston, Carl Holty, Jack Tworkov, and others. Additional exhibition files are found for Visions of Inner Space (1988) and Marmo: The New Italian Stone Age (1989). Artists interviewed by Schipper include Billy Al Bengston, Willem de Kooning, Richard Diebenkorn, Laddie John Dill, Kenneth Noland, Eric Orr, and others.

Extensive printed materials include clippings and copies of journals and periodicals containing Schipper's writings.

There are a few scattered writings by others about art and artists. Photographs are of Schipper, artists, artwork, and places, including Paris. Artwork includes one original poster print by Kiki Smith and one drawing by Matt Mullican.
Arrangement:
This collection is arranged as 7 series.

Missing Title

Series 1: Biographical Material, circa 1970s-1998 (5 folders; Box 1)

Series 2: General Correspondence, 1944-circa 1998 (0.3 linear feet; Box 1)

Series 3: Writing and Research Project Files, circa 1930s-1999 (7.8 linear feet; Boxes 1-9)

Series 4: Printed Material, 1933-1997 (3.1 linear feet; Boxes 9-12, OV14-16)

Series 5: Writings By Others, circa 1944-1991 (0.2 linear feet; Box 12)

Series 6: Photographs, circa 1960s-circa 1992 (0.6 linear feet; Boxes 12-13)

Series 7: Artwork, 1982-1992 (0.1 linear feet; Box 13, OV16)
Biographical / Historical:
Merle Schipper (1922-2001) was an art historian, writer, and art critic active in Los Angeles, California.

Born in Toronto, Canada, Merle Solway Schipper was naturalized in Los Angeles in 1950 and received a PhD in art history from the University of California, Los Angeles in 1974. Schipper was a familiar figure on the Los Angeles art scene. Her primary scholarly focus grew out of her dissertation research on Jean Helion, but much of her writing attention was devoted to Los Angeles artists and art world events. She was a regular contributor to many art periodicals, including ArtScene, Images and Issues, Artweek, ARTnews, and the Los Angeles Daily News.

As an independent curator, Schipper's research interests led to several exhibitions, including Americans in Paris: the 50s (1979) at California State University, Northridge, Visions of Inner Space (1988) co-curated with Lee Mullican at UCLA's Frederick S. Wight Art Gallery, Marmo: the New Italian Stone Age (1989), Being There/Being Here: Nine Perspectives in New Italian Art (1991), traveling exhibition sponsored by the Italian Cultural Institute, and an exhibition of William Spratling for the Craft and Folk Art Museum in 1997. Schipper also taught and lectured at UCLA, USC, CSU Northridge, and Claremont Graduate School.

Merle Schipper died in 2001.
Provenance:
The Merle Schipper papers were donated to the Archives of American Art in 2002 by the Merle Schipper Estate via Schipper's daughter Amy Schipper Howe.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Topic:
Artists -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Interviews
Photographs
Prints
Transcripts
Drawings
Citation:
Merle Schipper papers, circa 1930s-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schimerl
See more items in:
Merle Schipper Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f9def13e-db14-404e-bdeb-bd0882698b5f
EDAN-URL:
ead_collection:sova-aaa-schimerl
Online Media:

Melinda Wortz papers

Creator:
Wortz, Melinda  Search this
Names:
University of California, Irvine -- Faculty  Search this
University of California, Irvine. Department of Studo Art  Search this
University of California, Irvine. Fine Arts Gallery  Search this
Antin, Eleanor  Search this
Baca, Judith Francisca  Search this
Ballatore-Nelson, Sandy  Search this
Barber, Daniel  Search this
Bell, Larry, 1939-  Search this
Christo, 1935-  Search this
DeLap, Tony, 1927-  Search this
Dine, Jim, 1935-  Search this
Eversley, Frederick  Search this
Harding, Bill  Search this
Irwin, Robert, 1928-  Search this
Johns, Jasper, 1930-  Search this
Kauffman, Craig, 1932-2010  Search this
Livkin, Rena  Search this
Lodato, Peter  Search this
Marchesi, Cork  Search this
Marck, Marc van der  Search this
McCafferty, Jay David, 1948-  Search this
Moses, Ed, 1926-  Search this
Noguchi, Isamu, 1904-1988  Search this
Ox, Jack, 1948-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Rinke, Klaus, 1939-  Search this
Rosler, Martha  Search this
Schwartz, Beth Ames  Search this
Small, Rena  Search this
Sonneman, Eve  Search this
Taylor, Elizabeth, 1932-2011  Search this
Tivey, Hap  Search this
Todd, Liza  Search this
Turrell, James  Search this
Valentine, De Wain, 1936-2022  Search this
Warner, Elsa  Search this
Wiener, Nina  Search this
Zaimo, Stephen  Search this
Extent:
17.45 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Place:
Paris (France) -- description and travel
Soviet Union -- description and travel
Date:
1958-1992
Summary:
The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California "light and space" artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.
Scope and Contents:
The papers of California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002) date from 1958-1992, and measure 17.45 linear feet. The collection includes documentation of Wortz's tenure at the University of California, Irvine (UCI), where she specialized in collecting and presenting the California Light and Space artists during the 1970s and 1980s. Wortz's papers include biographical information, personal and professional correspondence, interview transcripts and sound recordings, professional and student writings and notes, diaries of five trips abroad, UCI administrative, dossier, and teaching files, general subject and artist files, printed material, several pieces of artwork; and photographs.

Wortz's biographical material includes annotated appointment books and calendars, resumes, and some family, financial, and legal records.

Correspondence files document Wortz's activities beyond her work at UCI, including scattered correspondence with artists such as Eleanor Antin, Daniel Barber, Christo, Craig Kauffman, Cork Marchesi, Martha Rosler, Eve Sonneman, Hap Tivey, and Elsa Warner. Correspondence also relates to arrangements for lectures, juries, panels, symposiums, and other professional activities in which Wortz participated.

Interviews include transcripts of four interviews conducted by Wortz with subjects including Peter Lodato and Dewain Valentine, and a sound recording of an interview with Nina Wiener.

Writings and notes include drafts, and some published copies, of articles and essays written for journals, magazines, and exhibition catalogs; Wortz's dissertation and thesis; notes; student essays and class notes; and scattered writings by others. Included in the published works are copies of Artweek containing articles by Wortz, and drafts and published copies of essays on Larry Bell, Robert Irwin, Jasper Johns, Jay McCafferty, Isamu Noguchi, Robert Rauschenberg, Klaus Rinke, Beth Ames Schwartz, and James Turrell.

Diaries document five separate overseas trips to locations including Asia in 1977, Paris in 1978, and the U.S.S.R., where Wortz delivered a paper on Robert Irwin, in 1989.

University of California, Irvine, records include Wortz's administrative files documenting her work on various committees, her directorship of the Fine Arts Gallery, including budget and exhibition records, her work as Chair of Studio Art, and her collaborations with other faculty, including Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small. Wortz's dossier files provide a thorough record of her accomplishments from the late 1970s-1990, and her UCI teaching files document the content of core art courses which she taught at UCI in the 1970s and 1980s.

Subject files provide additional documentation of Wortz's interest in particular artists and subjects, and include scattered correspondence with artists, as well as additional correspondence, reports, printed material, index card files, sound cassettes, and photographs, documenting her interests in art and politics, feminism, religion and spirituality, museum management and training, and other subjects.

Printed material includes announcements, catalogs, journals, newsletters, and material specifically documenting Wortz's activities.

Artwork includes a piece of floor covering from a Jim Dine exhibition, a booklet by Daniel Barber, Flams by Rena Livkin, and several pieces of unidentified artwork.

Photographs include photos of Wortz with her family and with UCI faculty including Tony DeLap, Craig Kauffman, and Ed Moses; photos of events with friends and family, including Hap Tivey's wedding to Liza Todd with Elizabeth Taylor in attendance; photos of artists including Frederick Eversley, Bill Harding, Jack Ox, and Stephen Zaimo; and photos of artwork by artists including Tony DeLap, Barbara Smith, Marc Van Der Marck, and others.
Arrangement:
The collection is arranged as ten series.

Missing Title

Series 1: Biographical Materials, 1966-1988 (0.25 linear feet; Boxes 1, 19)

Series 2: Correspondence, 1967-1992 (1.25 linear feet; Boxes 1-2, 18)

Series 3: Interviews, 1971-circa 1980s (6 folders; Boxes 2, 18)

Series 4: Writings and Notes, 1958-circa 1990 (4.25 linear feet; Boxes 2-6, 19)

Series 5: Diaries, 1977-1989 (6 folders; Box 6)

Series 6: University of California, Irvine, 1960-1991 (4.8 linear feet; Boxes 6-11, OV 20)

Series 7: Subject Files, circa 1960-1990 (4.25 linear feet; Boxes 11-15, 18)

Series 8: Printed Material, 1960s-1980s (1.8 linear feet; Boxes 15-16, 19)

Series 9: Artwork, circa 1960s-circa 1980s (3 folders; Boxes 17, 19)

Series 10: Photographs, 1960s-1980s (0.6 linear feet; Boxes 17, 19)
Biographical / Historical:
California art historian, writer, instructor, and curator, Melinda Wortz (1940-2002), taught at the University of California, Irvine, from 1975, serving as Director of UCI's Fine Arts Gallery and Chair of the Department of Studio Art. Wortz's special area of interest was the work of the California "light and space" artists emerging in Los Angeles in the 1970s.

After attending Stanford University and graduating from Radcliffe College with a bachelors degree in art history, Wortz received her masters degree in art history from the University of California, Los Angeles, and her doctorate in theology and the arts from the Graduate Theological Union at Berkeley. Wortz taught at California State University and the University of California Extension in the early 1970s. At UCI her colleagues included Judy Baca, Sandy Ballatore, Tony Delap, Craig Kauffman, and Rena Small.

Wortz married Edward C. Wortz in the early 1970s, following her divorce from her first husband, Thomas G. Terbell, Jr. Edward Wortz's first career was as a research scientist working on NASA contracts in the air research industry in Colorado and California. Later he was involved in the arts and participated in collaborations with artists including Robert Irwin, Coy Howard, and James Turrell. He worked with Melinda Wortz to develop their personal collection of contemporary art.

Melinda Wortz was a prolific writer who wrote extensively for national art periodicals, including Arts Magazine, and Art News. She also wrote, and served as editor, for the California periodical Artweek from the 1960s to 1990s. She wrote numerous catalogs for artists including Larry Bell, Cork Marchesi, Doug Moran, Beth Ames Schwartz, and James Turrell; and published articles on Dan Flavin, Robert Irwin, Roy Lichtenstein, Jasper Johns, Robert Rauschenberg, Frank Stella, and others. She lectured at Brown University, the Center for Art, Salt Lake City, Contemporary Art Museum, La Jolla, the Massachusetts Institute of Technology, the San Diego Museum, Wellesley College, the Whitney Museum of American Art, and many other institutions. In 1989 she traveled to the U.S.S.R. to deliver a paper on Robert Irwin at the International Art Critics Association annual meeting.

In addition to her curatorial work at the UCI Fine Arts Gallery, where she organized exhibitions for artists including Alice Aycock, Jonathan Borofsky, Audrey Flack, Jack Ox, and Dennis Oppenheim, Wortz curated exhibitions for University of California sister colleges, Pasadena Art Museum, and others.

Wortz received UCI and National Endowment for the Arts grants in support of her writing, and served on advisory boards of the Contemporary Arts Forum, Los Angeles Institute of Contemporary Art, Santa Barbara, Robert Rauschenberg's foundation, Advisory Board of Change, Inc., the Pasadena Art Museum, and others.

Wortz was diagnosed with Alzheimers disease at the age of 50 and died in 2002.
Provenance:
The collection was donated by Edward C. Wortz, Melinda Wortz's husband, in 1994.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Art museum curators -- California -- Los Angeles  Search this
Gallery directors -- California -- Irvine  Search this
Topic:
Art, American -- California  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century -- California  Search this
Women art historians  Search this
Genre/Form:
Interviews
Photographs
Transcripts
Sound recordings
Travel diaries
Citation:
Melinda Wortz papers, 1958-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.wortmeli
See more items in:
Melinda Wortz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw905985e8b-dfa4-4162-a8bb-952942187c9f
EDAN-URL:
ead_collection:sova-aaa-wortmeli
Online Media:

The use of power and color / by Frederick J. Schwankovsky

Creator:
Schwankovsky, Frederick John, 1885-1974  Search this
Extent:
1 Volume ((on partial microfilm reel))
Type:
Collection descriptions
Archival materials
Volumes
Date:
undated
Biographical / Historical:
Painter, writer, teacher; Los Angeles, California.
Provenance:
Lent for microfilming 1964 by Frederick J. DeSt. V. Schwankovsky.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Authors -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Painters -- California -- Los Angeles  Search this
Topic:
Art -- Study and teaching -- California -- Los Angeles  Search this
Identifier:
AAA.schwfred
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c2a74618-373e-47bf-828c-23a79ddbac06
EDAN-URL:
ead_collection:sova-aaa-schwfred

Oral history interview with Thomas Lawson

Interviewee:
Lawson, Thomas, 1951-  Search this
Interviewer:
Ferguson, Russell, 1956-  Search this
Extent:
7 Items (sound files (6 hr., 58 min.) Audio, digital, wav)
113 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2018 August 9-10
Scope and Contents:
An interview with Thomas Lawson conducted 2018 August 9-10, by Russell Ferguson, for the Archives of American Art, at Lawson's home in Los Angeles, California.
Lawson speaks of his family history, childhood, and schooling in Glasgow, Scotland; studying literature at St. Andrews University; early art-making, magazine-making, and curatorial experiences in university; developing an interest in contemporary art while studying for a postgraduate diploma in art history at Edinburgh University; visiting New York and interviewing Jasper Johns in 1974 for his postgraduate thesis; pursuing doctoral studies in art history at the CUNY Graduate Center, in the same class as Douglas Crimp and Craig Owens; beginning to write for various art publications; executing curatorial projects during his doctoral period; becoming a part of the late '70s New York art scene; the first exhibition of his artwork, at Artists Space; the influence of avant-garde theater on his art-making; co-founding and operating REALLIFE Magazine; writing the essay "Last Exit: Painting" and others for Artforum; his work and relationship with Metro Pictures; his thoughts on recent analysis of the Pictures Generation; teaching at SVA and later at CalArts; changes in the New York art scene during the '80s; his first public art projects; his international body of exhibitions; his work as dean of CalArts; the effect of his move to California on his art-making practice; CalArts' response to the 1994 Northridge earthquake; working as a co-selector for the British Art Show; his work on the biography of Thomas Muir; helping start the publication Afterall; his sense of an inadequate critical response to the entirety of his body of work; his return to painting in the last decade; and the development of his ideas about teaching. Lawson also recalls Susan Morgan, Eduardo Paolozzi, Pat Douthwaite, Douglas Hall, Hugh MacDiarmid, John Steer, Ivor Davies, John Cage, Mark Lancaster, Milton Brown, Robert Pincus-Witten, John Rewald, Franics Naumann, Rosalind Krauss, Betsy Baker, Ray Ring, Norman Lewis, Kellie Jones, Sherrie Levine, David Salle, Julia Heyward, Eric Fischl, Richard Serra, Robert Longo, Ingrid Sischy, Rene Ricard, Helene Winer, Jack Goldstein, Nigel Greenwood, Sherrie Levine, Benjamin Buchloh, Tim Rollins, Jenne Siegel, Mark Dion, Gregg Bordowitz, Andrea Fraser, Julie Ault, Andres Serrano, Anthony Reynolds, Mike Kelley, Declan McGonagle, Ross Sinclair, Alanna Heiss, Millie Wilson, Steven Lavine, Richard Kuhlenschmidt, Mark Bradford, Lucy Byatt, Lauri Firstenberg, David Kordansky, Danielle Colomine, Michel Aphesboro, and others.
Biographical / Historical:
Thomas Lawson (1951- ) is a painter, writer, the dean of the School of Art at California Institute of the Arts, and the Editor-in-Chief at East of Borneo, in Los Angeles, California. Russell Ferguson (1956- ) is a professor in the Department of Art at University of California, Los Angeles, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
The transcript and audio recording are open for research. Contact Reference Services for more information.
Occupation:
Arts administrators -- California -- Los Angeles -- Interviews  Search this
Topic:
Authors -- California -- Los Angeles -- Interviews  Search this
Painters -- California -- Los Angeles -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.lawson18
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92996e21c-531b-4efb-9dae-658fe1db09e8
EDAN-URL:
ead_collection:sova-aaa-lawson18
Online Media:

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