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Hughie Lee-Smith papers

Creator:
Lee-Smith, Hughie  Search this
Names:
Art Students League (New York, N.Y.) -- Faculty  Search this
Audubon Artists (New York, N.Y.)  Search this
Ira Aldridge Society  Search this
National Academy of Design (U.S.)  Search this
Bearden, Romare, 1911-1988  Search this
Goreleigh, Rex, 1902-  Search this
Correspondent:
Carter, Clarence Holbrook, 1904-2000  Search this
Gammon, Reginald, 1921-2005  Search this
Hirsch, Joseph, 1910-1981  Search this
Wald, Carol  Search this
Wessel, Sophie  Search this
Woodruff, Hale, 1900-1980  Search this
Extent:
33.7 Linear feet
0.381 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Scrapbooks
Interviews
Photographs
Video recordings
Sound recordings
Drawings
Date:
circa 1890-2007
bulk 1931-1999
Summary:
The papers of painter and educator Hughie Lee-Smith measure 33.7 linear feet and 0.381 GB and date from circa 1890 to 2007, with the bulk of the material dating from 1931 to 1999. The collection documents Lee-Smith's career through biographical material, personal and professional correspondence, writings by Lee-Smith and others, personal business records, exhibition files, organization records, printed material, scrapbooks, photographs, a small amount of artwork, numerous interviews, and recordings for a documentary film on Lee-Smith. Also found are the papers of artist Rex Goreleigh, a friend of Lee-Smith.
Scope and Contents:
The papers of painter and educator Hughie Lee-Smith measure 33.7 linear feet and 0.381 GB and date from circa 1890 to 2007, with the bulk of the material dating from 1931 to 1999. The collection documents Lee-Smith's career through biographical material, personal and professional correspondence, writings by Lee-Smith and others, personal business records, exhibition files, organization records, printed material, scrapbooks, photographs, a small amount of artwork, numerous interviews, and recordings for a documentary film on Lee-Smith. Also found are the papers of artist Rex Goreleigh, a friend of Lee-Smith.

Biographical material includes records of Hughie Lee-Smith's schooling, military service, and awards, as well as resumes, bibliographies, and biographical summaries. Also found are family records, including the papers of his mother, Alice Carroll.

Lee-Smith's correspondence is with family, students, arts and cultural organizations, as well as schools, galleries, and museums, primarily regarding his participation in events and exhibitions. He also corresponded with fellow artists, such as Clarence Holbrook Carter, Reginald Gammon, Joseph Hirsch, Carol Wald, and Hale Woodruff, among many others. He maintained extensive correspondence with artist Sophie Wessel.

Lee-Smith's writings include artist statements and personal writings on his history and early influences, as well as many draft lectures and speeches, school writings, notes, and untitled writing fragments. Writings by others primarily include student essays and articles on the topic of Lee-Smith's work. Personal business records include scattered financial documents, including artwork sales records, and contracts and agreements with various art galleries and other organizations. Also found are files regarding his art commissions, gifts, professional activities, and records of his employment at the Art Students League. Exhibition files document select exhibitions in which Hughie Lee-Smith participated, primarily during the 1980s and 1990s. Organization records were maintained by Lee-Smith to document his participation in various groups, such as the National Academy of Design, Ira Aldridge Society, and Audubon Artists.

Printed material consists primarily of exhibition announcements and invitations for exhibitions of Lee-Smith's work, as well as news clippings, magazines, press releases, and publications from various art organizations and schools. One scrapbook contains exhibition announcements additional loose scrapbook pages document his early career. Photographs include many portraits of Hughie Lee-Smith, Lee-Smith in his studio, at events, and with friends and family. Additionally there are many photographs, slides, and transparencies of Lee-Smith's artwork. Also found are five photograph albums. A small amount of original artwork includes drawings by Lee-Smith and two sketchbooks belonging to his wife Patricia.

The collection includes numerous interviews of Hughie Lee-Smith, recorded on 37 sound cassettes, one sound tape reel, and four video cassettes. One audio interview is in digital format. Also found are planning documents, research material, and video footage for a documentary about the life and work of Hughie Lee-Smith, produced by New Deal Films, Inc, but never completed. Footage includes interviews with artists and art historians regarding Lee-Smith, gallery events, and images of his paintings.

The papers of artist Rex Goreleigh primarily documents his later life and includes a letters, biographical documents, printed material, estate records, and photographs and slides depicting Goreleigh, his studio, and artwork. Hughie Lee-Smith was close friends with Goreleigh and served as executor of his estate.

Also of note is a scrapbook put together for Goreleigh's 70th birthday in 1972. Of note is one scrapbook which contains photographs, notes, and artwork by fellow artists and students, including drawings by Romare Bearden and Hughie Lee-Smith.
Arrangement:
The collection is arranged as 13 series.

Missing Title

Series 1: Biographical Material, circa 1890-2001 (1.7 linear feet; Box 1-2, 35, RD 38)

Series 2: Correspondence, 1931-2006 (6.1 linear feet; Box 2-8, 0.006 GB; ER01)

Series 3: Writings, circa 1934-1998 (0.8 linear feet; Box 8-9)

Series 4: Personal Business Records, 1934-2001 (1.6 linear feet; Box 9-11, 35)

Series 5: Exhibition Files, circa 1973-2001 (1.2 linear feet; Box 11-12)

Series 6: Organization Records, 1941-2005 (2.1 linear feet; Box 12-14)

Series 7: Printed Material, 1919, 1930-2007 (8.5 linear feet; Box 14-22, 34)

Series 8: Scrapbooks, circa 1938-1990s (0.2 linear feet; Box 22, 35)

Series 9: Photographs, circa 1890-2003 (4.4 linear feet; Box 22-26, 35, OV 37)

Series 10: Artwork, circa 1940s-1980s (0.2 linear feet; Box 26)

Series 11: Interviews, 1973-1998 (2.1 linear feet; Box 26-28, 0.375 GB; ER02)

Series 12: Documentary Film Materials, 1985-2004 (3.5 linear feet; Box 28-32)

Series 13: Rex Goreleigh Papers, 1935-1994 (0.9 linear feet; 32-33, 36)
Biographical / Historical:
Hughie Lee-Smith (1915-1999) was a painter and educator in Ohio, Michigan, and New York. Born in Eustis, Florida, he lived for a period of time with family in Atlanta before joining his mother in Cleveland, Ohio, in 1925. In 1934 he received a scholarship to attend the Art School of the Detroit Society of Arts and Crafts, and in 1935 returned to Cleveland to attend the Cleveland School of Art. While in school he began exhibiting his paintings and teaching part-time at Karamu House. From 1938 to 1940 Lee-Smith completed lithography commissions for the Ohio WPA. In 1941 he moved to Detroit, married his first wife Mabel Louise Everett, and worked at a Ford automobile factory. He was then drafted into the U.S. Navy as a mural artist. After the war he briefly returned to factory work before enrolling at Wayne State University, earning a degree in Art Education in 1953. From 1953 to 1965 he taught summer art classes at the Grosse-Point War Memorial in Detroit.

In 1957 Lee-Smith moved to the East Village in New York City, signed with the Janet Nassler Gallery (Petite Gallery), exhibited his work extensively, and joined several art organizations. He also taught art at schools in Princeton, New Jersey. In 1967 he became the second African-American member of the National Academy of Design. He was visiting instructor and artist-in-residence at several art programs, including Howard University, and taught at the Art Students League from 1972 to 1988. In 1978 he married his third wife, Patricia. The New Jersey State Museum organized an extensive retrospective of Lee-Smith's work in 1988 which travelled nationally. Despite ill-health in the mid-1990s, he continued to create new paintings and exhibit his work. In 1997 he moved with his wife to Albuquerque, New Mexico, where he lived until his death in 1999.
Related Materials:
Also found at the Archives of American Art is an oral history interview with Hughie Lee-Smith conducted by Carroll Greene in 1968.
Provenance:
A small amount of material was donated 1969-1981 by Hughie Lee-Smith. Additional papers were donated in 2011 by Patricia Lee-Smith, widow of Hughie Lee-Smith.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Fragile original address books are closed to researchers and have been digitized for access. Contact Reference Services for more information.
Rights:
Authorization to publish requires written permission from Robert Panzer, VAGA. The donor has retained all intellectual property rights, including copyright, that they may own. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Michigan -- Detroit  Search this
Painters -- New York (State) -- New York  Search this
Painters -- Ohio -- Cleveland  Search this
Educators -- New York (State) -- New York  Search this
Educators -- Michigan -- Detroit  Search this
Topic:
Artists' studios -- Photographs  Search this
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American military personnel  Search this
Genre/Form:
Scrapbooks
Interviews
Photographs
Video recordings
Sound recordings
Drawings
Citation:
Hughie Lee-Smith papers, circa 1890-2007, bulk 1931-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.leeshugh
See more items in:
Hughie Lee-Smith papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d69fbd0e-001a-499b-9af3-a6dde3bc825e
EDAN-URL:
ead_collection:sova-aaa-leeshugh

Joseph Kaplan papers

Creator:
Kaplan, Joseph, 1900-1980  Search this
Names:
Audubon Artists (New York, N.Y.)  Search this
Corcoran Gallery of Art  Search this
National Academy of Design (U.S.)  Search this
United States. Public Works Administration  Search this
United States. Works Progress Administration  Search this
Avery, Milton, 1885-1965  Search this
DeMartini, Joseph, 1896-1984  Search this
Gottlieb, Adolph, 1903-1974  Search this
Gropper, William, 1897-1977  Search this
Gross, Chaim, 1904-1991  Search this
Ishigaki, Aya  Search this
Ishigaki, Eitarō, 1893-1958  Search this
Kaplan, Virginia  Search this
Lozowick, Louis, 1892-1973  Search this
Soyer, Raphael, 1899-1987  Search this
Wilson, Sol  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Date:
1915-1977
Summary:
The papers of the painter, photographer, printmaker, and teacher Joseph Kaplan measure 4.8 linear feet and date from 1915-1977. The bulk of the collection consists of printed material, specifically exhibition catalogs. Also found are a large number of photographs taken of and by Kaplan. The papers also include biographical material, correspondence, personal business records, and artwork. There is a 0.3 linear foot unprocessed addition to this collection donated in 2021 that includes travel slides taken in Mexico and Provincetown, Massachusetts by Joseph Kaplan, circa 1940-1950, and a photograph of Kaplan by Arnold Newman, circa 1950.
Scope and Contents:
The papers of the painter, photographer, printmaker, and teacher Joseph Kaplan measure 4.8 linear feet and date from 1915-1977. The bulk of the collection consists of printed material, specifically exhibition catalogs. Also found are a large number of photographs taken of and by Kaplan. The papers also include biographical material, correspondence, personal business records, and artwork. There is a 0.3 linear foot unprocessed addition to this collection donated in 2021 that includes travel slides taken in Mexico and Provincetown, Massachusetts by Joseph Kaplan, circa 1940-1950, and a photograph of Kaplan by Arnold Newman, circa 1950.

Biographical material contains a few of Kaplan's personal documents, a number of certificates and medals he recieved during his lifetime, a travel itinerary notebook, and a few hand-written notes.

Kaplan's correspondence is primarily from colleagues, art organizations, galleries, museums, and colleges and universities such as the Corcoran Gallery of Art, National Academy of Design, and Audubon Artists, inc. Also found are letters from friends and colleagues such as Chaim Gross, Adolph Gottlieb, Raphael Soyer, Louis Lozowick, Milton Avery, and Sol Wilson, as well as a large number of letters to his wife Virginia written during his travels.

Personal business records concern Kaplan's art sales, loans, exhibition notifications, and his involvment in the WPA. His artwork is documented in price lists and inventory lists. Some of the material consists of routine transactions not necessarily related to Kaplan's work, including bank records, an address list, and income and expense reports.

Printed Material includes news clippings, exhibition catalogs, exhibition annoucenments, and invitations for Kaplan shows. There are a few published copies and page proofs of Kaplan's commerical artwork.

Artwork includes four Kaplan etchings, three of which are metal plates and one linoleum block. Also included are a few unidentified pen and pencil sketches.

Photographs depict Kaplan, mainly later in his life, and his family. Also found are four of Virginia Kaplan's photograph albums containing images of her and friends from early adulthood. Photographs of Kaplan's friends and colleagues include images of Aya and Eitaro Ishigaki, Chaim Gross, Raphael Soyer, William Gropper, and Joseph De Martini. Also included are photographs taken by Kaplan of New York City, his travels, and artist demonstrations. There are also a large number of photographs of Kaplan's artwork.
Arrangement:
The collection is arranged into 7 series:

Missing Title

Series 1: Biographical Material, 1919-1975 (Box 1, 5, OV 7; 0.3 linear feet)

Series 2: Correspondence, 1929-circa 1975 (Box 1, OV 7; 0.4 linear feet)

Series 3: Personal Business Records, circa 1920-1977 (Box 1; 0.2 linear feet)

Series 4: Printed Material, 1915-1975 (Box 1, 2, 3, OV 7; 2.3 linear feet)

Series 5: Artwork, circa 1940-circa 1960 (Box 3, 5; 2 folders)

Series 6: Photographic Material, 1917-circa 1975 (Box 4, 6, OV 7; 1.3 linear feet)

Series 7: Unprocessed Addition, circa 1940-1950 (Box 8, OV 9; 0.3 linear feet)
Biographical / Historical:
Joseph Kaplan (1900-1980) was a painter, printmaker, photographer, and teacher who worked primarly in New York and Provincetown. He was most active in the 1940s through the 1950s. Earlier in his career he worked on several WPA Federal Art Projects and Treasury Relief Art Projects.

Joseph Kaplan was born in Minsk, Russia and immigrated with his family to the United States in 1888 at the age of 12. He married Virginia Haber in 1927 and they had no children.

Kaplan studied at the Eductional Alliance Art School and the Art Students League. He went to Provincetown in the mid-twenties as a student of Charles W. Hawthorne with whom he previously studied with at the National Academy of Design. Afterwards he revisited Provincetown intermittently and began to regard the Cape as his summer studio, working there each summer since 1948.

In 1948 he won the first of many gold medals from the Audubon Artists at the National Academy of Design for a marine painting. He was also the first recipient of the John J. Newman Memorial Medal, given by the National Society of Painters in Casein for his Wellfleet, Low Tide. The Shore Studios in Provincetown, the Harry Salpeter Gallery and then Krasner Gallery in New York City represented Kaplan's artwork.

Kaplan predominantly worked in watercolor and oil paint, depicting landscapes and seascapes, and becoming acclaimed as a Colorist and Romanticist. He occasionally painted figures and, as he gained recognition, he traveled extensively in search for subjects. In 1968 Kaplan recieved a grant from Chapelbrook Foundation to live and work for a year in Mexico.

Kaplan's work was included frequently in group exhibitions and he participated in more then 30 major shows in his lifetime. Throughout his career he was a member of many art organizations including Artists League of America, Audubon Artists, Provincetown Art Association, and Cape Cod Art Association. He was continually active in the art life in Provincetown serving as board members, trustees, and judges. He also occasionally taught at art schools including the American Artist School and John Reed Club, and taught a number of private pupils.

Joseph Kaplan died on February 28th, 1980 at the age of 79 in Brewster, Massachusetts.
Separated Materials:
307 nitrate negatives donated to the Archives of American Art with the Joseph Kaplan papers have been removed and are stored in off-site storage. Negatives were duplicated onto safety based film and only select prints were made.
Provenance:
The Joseph Kaplan papers were donated to the Archives of American Art by Marilyn Kearney in 1981. Additional papers were donated by Deborah Meyer in 2021.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Massachusetts -- Provincetown  Search this
Painters -- New York (State) -- New York  Search this
Topic:
Photographers -- Massachusetts -- Provincetown  Search this
Photographers -- New York (State)  Search this
Printmakers -- Massachusetts -- Provincetown  Search this
Printmakers -- New York (State) -- New York  Search this
Genre/Form:
Sketches
Citation:
Joseph Kaplan papers, 1915-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.kapljose
See more items in:
Joseph Kaplan papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9407e127f-553c-4730-a748-ad683c5835aa
EDAN-URL:
ead_collection:sova-aaa-kapljose
Online Media:

Joseph Kaplan papers, 1915-1977

Creator:
Kaplan, Joseph, 1900-1980  Search this
Subject:
Avery, Milton  Search this
Lozowick, Louis  Search this
Gropper, William  Search this
Kaplan, Virginia  Search this
Ishigaki, Eitarō  Search this
Gross, Chaim  Search this
Ishigaki, Aya  Search this
Gottlieb, Adolph  Search this
DeMartini, Joseph  Search this
Soyer, Raphael  Search this
Wilson, Sol  Search this
United States. Public Works Administration  Search this
United States. Works Progress Administration  Search this
Audubon Artists (New York, N.Y.)  Search this
Corcoran Gallery of Art  Search this
National Academy of Design (U.S.)  Search this
Type:
Sketches
Citation:
Joseph Kaplan papers, 1915-1977. Archives of American Art, Smithsonian Institution.
Topic:
Photographers -- Massachusetts -- Provincetown  Search this
Photographers -- New York (State)  Search this
Printmakers -- Massachusetts -- Provincetown  Search this
Printmakers -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Architecture & Design  Search this
Record number:
(DSI-AAA_CollID)7650
(DSI-AAA_SIRISBib)209813
AAA_collcode_kapljose
Theme:
Lives of American Artists
Architecture & Design
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209813
Online Media:

Audubon Artists records, 1944-2001

Creator:
Audubon Artists (New York, N.Y.)  Search this
Subject:
Hoffman, Malvina  Search this
Gary, Jan  Search this
Freeman, Mark  Search this
Feininger, Lyonel  Search this
Davis, Stuart  Search this
Blume, Peter  Search this
Benton, Thomas Hart  Search this
Arms, John Taylor  Search this
Facci, Domenico  Search this
Engel, Michael M.  Search this
Domareki, Joseph  Search this
Disney, Walt  Search this
Young, Stark  Search this
Whitaker, Frederic  Search this
Wengenroth, Stow  Search this
Poor, Henry Varnum  Search this
Meyerowitz, William  Search this
McKay, Renee  Search this
Lee-Smith, Hughie  Search this
Type:
Photographs
Citation:
Audubon Artists records, 1944-2001. Archives of American Art, Smithsonian Institution.
Theme:
Diaries  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)8438
(DSI-AAA_SIRISBib)210612
AAA_collcode_auduarti
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210612
Online Media:

George Constant papers, 1912-2007, bulk 1932-1978

Creator:
Constant, George, 1892-1978  Search this
Subject:
Eaton, Charles Warren  Search this
Preston, Georgette  Search this
Perret, Nell  Search this
Pach, Walter  Search this
Neuberger, Roy R.  Search this
Kanaga, Consuelo  Search this
Landgren, Marchal E.  Search this
Gecan, Vilko  Search this
Davidson, Morris  Search this
Caparn, Rhys  Search this
Burliuk, David  Search this
Carnell, Julia Shaw Patterson  Search this
Avery, Milton  Search this
Avery, Sally  Search this
Putnam, Wallace  Search this
Whitney Museum of American Art  Search this
Brooklyn Museum  Search this
United States. Works Progress Administration  Search this
Spanish Refugee Aid (Organization)  Search this
Parrish Art Museum  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Lyman Allyn Art Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Ferargil Galleries  Search this
Federation of Modern Painters and Sculptors  Search this
Dayton Art Institute  Search this
Carnegie Institute  Search this
Heckscher Museum  Search this
Audubon Artists (New York, N.Y.)  Search this
Art Institute of Chicago  Search this
Type:
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Citation:
George Constant papers, 1912-2007, bulk 1932-1978. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Printmakers -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9389
(DSI-AAA_SIRISBib)211586
AAA_collcode_consgeor
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211586
Online Media:

Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005

Creator:
Koppelman, Chaim, 1920-  Search this
Koppelman, Dorothy, 1920-  Search this
Subject:
Stamos, Theodoros  Search this
Anuszkiewicz, Richard  Search this
Dienes, Sari  Search this
Herz, Nat  Search this
Kandinsky, Wassily  Search this
Koppelman, Dorothy  Search this
Kranz, Sheldon  Search this
Lichtenstein, Roy  Search this
Ozenfant, Amédée  Search this
Pond, Clayton  Search this
Rebay, Hilla  Search this
Picasso, Pablo  Search this
Siegel, Eli  Search this
Solomon R. Guggenheim Foundation  Search this
Terrain Gallery  Search this
Audubon Artists (New York, N.Y.)  Search this
Associated American Artists  Search this
American Federation of Arts  Search this
DeCordova and Dana Museum and Park  Search this
Pratt Graphics Center  Search this
Print Council of America  Search this
School of Visual Arts (New York, N.Y.)  Search this
Type:
Illustrated letters
Sketchbooks
Photographs
Sound recordings
Scrapbooks
Sketches
Citation:
Chaim and Dorothy Koppelman papers, circa 1930s-2006, bulk 1942-2005. Archives of American Art, Smithsonian Institution.
Topic:
Artists' studios  Search this
Gallery owners -- New York (State) -- New York  Search this
World War, 1939-1945  Search this
Art -- Study and teaching  Search this
Prints -- Technique  Search this
Printmakers -- New York (State) -- New York  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)13589
(DSI-AAA_SIRISBib)268639
AAA_collcode_koppchai
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_268639
Online Media:

Domenico Facci papers, 1914-1995

Creator:
Facci, Domenico Aurelio, 1916-1994  Search this
Subject:
United States. Department of the Treasury  Search this
Olympic Games (24th : 1988 : Seoul, Korea)  Search this
American Society of Contemporary Artists (New York, N.Y.)  Search this
National Sculpture Society (U.S.)  Search this
Artists Equity Association  Search this
Audubon Artists (New York, N.Y.)  Search this
Type:
Photographs
Blueprints
Sketchbooks
Awards
Place:
Brooklyn Bridge (New York, N.Y.)
BuschGardens (Williamsburg, Va.)
Citation:
Domenico Facci papers, 1914-1995. Archives of American Art, Smithsonian Institution.
Topic:
Artists' studios  Search this
Art -- Economic aspects  Search this
Medalists -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)15773
(DSI-AAA_SIRISBib)287736
AAA_collcode_faccdome
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_287736
Online Media:

Benedict Tatti papers, 1936-2011, bulk 1945-1993

Creator:
Tatti, Benedict Michael, 1917-1993  Search this
Subject:
Noguchi, Isamu  Search this
Slobodkin, Louis  Search this
Canfield, Jane  Search this
Goodrich, Lloyd  Search this
Zorach, William  Search this
American Medallic Sculpture Association  Search this
Anthology Film Archives  Search this
American Numismatic Association  Search this
Mercer Arts Center (Organization: New York, N.Y.)  Search this
Audubon Artists (New York, N.Y.)  Search this
Galerie Claude Bernard  Search this
Roko Gallery (New York, N.Y.)  Search this
Type:
Notes
Awards
Lists
Christmas cards
Photographs
Designs
Sketches
Citation:
Benedict Tatti papers, 1936-2011, bulk 1945-1993. Archives of American Art, Smithsonian Institution.
Topic:
Educators -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)15865
(DSI-AAA_SIRISBib)294681
AAA_collcode_tattbene
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_294681
Online Media:

Hughie Lee-Smith papers, circa 1890-2007, bulk 1931-1999

Creator:
Lee-Smith, Hughie, 1915-1999  Search this
Subject:
Bearden, Romare  Search this
Wessel, Sophie  Search this
Woodruff, Hale  Search this
Wald, Carol  Search this
Hirsch, Joseph  Search this
Gammon, Reginald  Search this
Carter, Clarence Holbrook  Search this
Goreleigh, Rex  Search this
Art Students League (New York, N.Y.)  Search this
Audubon Artists (New York, N.Y.)  Search this
Ira Aldridge Society  Search this
National Academy of Design (U.S.)  Search this
Type:
Scrapbooks
Interviews
Photographs
Video recordings
Sound recordings
Drawings
Citation:
Hughie Lee-Smith papers, circa 1890-2007, bulk 1931-1999. Archives of American Art, Smithsonian Institution.
Topic:
Artists' studios -- Photographs  Search this
African American artists  Search this
African American educators  Search this
African American painters  Search this
African American military personnel  Search this
Theme:
African American  Search this
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)16003
(DSI-AAA_SIRISBib)305744
AAA_collcode_leeshugh
Theme:
African American
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_305744
Online Media:

Bill Barrett papers, 1930-2013, bulk 1950-2013

Creator:
Barrett, Bill, 1934-  Search this
Subject:
Audubon Artists (New York, N.Y.)  Search this
Hakone Bijutsukan  Search this
Type:
Interviews
Scrapbooks
Sketchbooks
Video recordings
Sketches
Photographs
Citation:
Bill Barrett papers, 1930-2013, bulk 1950-2013. Archives of American Art, Smithsonian Institution.
Topic:
Painters -- New York (State) -- New York  Search this
Painters -- New Mexico -- Santa Fe  Search this
Record number:
(DSI-AAA_CollID)16141
(DSI-AAA_SIRISBib)363872
AAA_collcode_barrbill
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_363872
Online Media:

George Constant papers

Creator:
Constant, George  Search this
Names:
Art Institute of Chicago  Search this
Audubon Artists (New York, N.Y.)  Search this
Brooklyn Museum  Search this
Carnegie Institute  Search this
Dayton Art Institute  Search this
Federation of Modern Painters and Sculptors  Search this
Ferargil Galleries  Search this
Heckscher Museum  Search this
Lyman Allyn Art Museum  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Parrish Art Museum  Search this
Spanish Refugee Aid (Organization)  Search this
United States. Works Progress Administration  Search this
Whitney Museum of American Art  Search this
Avery, Milton, 1885-1965  Search this
Avery, Sally  Search this
Burliuk, David, 1882-1967  Search this
Caparn, Rhys, 1909-1997  Search this
Carnell, Julia Shaw Patterson, 1863-1944  Search this
Davidson, Morris, 1898-1979  Search this
Eaton, Charles Warren, 1857-1937  Search this
Gecan, Vilko, 1894-1973  Search this
Kanaga, Consuelo, 1894-  Search this
Landgren, Marchal E.  Search this
Neuberger, Roy R.  Search this
Pach, Walter, 1883-1958  Search this
Perret, Nell, 1916-  Search this
Preston, Georgette  Search this
Putnam, Wallace, 1899-1989  Search this
Extent:
4.6 Linear feet
Type:
Collection descriptions
Archival materials
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Date:
1912-2007
bulk 1932-1978
Summary:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work.
Scope and Contents note:
The papers of modernist painter and printmaker George Constant measure 4.6 linear feet and date from 1912-2007, with the bulk of the material dating from 1932-1978. They consist of biographical material, inventories of artwork, audio interviews and recorded statements on art, personal and business related correspondence, holiday cards, printed material, an exhibition related video recording, and photographs of Constant, his family and friends, and his work. A small portion of the correspondence and printed materials are written in Greek.

Biographical material includes artist statements written and recorded by Constant, two audio interview recordings discussing his philosophies on art and his work, inventories of artwork, personal property deeds and legal correspondence, and other miscellaneous material.

Correspondence is predominantly in the form of business and personal letters, postcards, and holiday cards received from family and friends. These include correspondence from Constant's daughter, Georgette Preston, and extended family members. Other frequent personal correspondents include Milton and Sally Avery, Lewis Balamuth, Margaret Brunning, David Burliuk, Nathaniel Burwash, Rhys Caparn, Julia Shaw Patterson Carnell, Phillip Cavanaugh, Morris Davidson, Charles Eaton, Vilko Gecan, Marchal Landgren, Roy Neuberger, Walter Pach, Nell Perret, Constantine Pougialis, Wallace Putnam and Consuelo Kanaga, Hi Simons, and Helen Slosberg. Business related correspondents include Audubon Artists, Art Institute of Chicago, Brooklyn Museum, Carnegie Institute, Dayton Art Institute, Federation of Modern Painters and Sculptors, Ferargil Galleries, Guild Hall, Heckscher Museum, Lyman Allyn Museum, Metropolitan Museum, Museum of Modern Art, Spanish Refugee Appeal, and the Whitney Museum. Other business correspondence related to Constant's work with the WPA are also included in the series.

Printed material includes books and booklets on American and Greek art, including a limited print edition of George Constant by George Constant, clippings and articles reviewing Constant's work, exhibition announcements and catalogs of Constant's shows, periodicals profiling his artwork, and dance and theater related programs that Constant consulted on.

Photographs include black and white prints of Constant and his family and friends in St. Louis, Missouri, Dayton, Ohio, and in and around his studio in Shinnecock Hills, New York. The collection also includes photo stills from his 1965 exhibition at the Parrish Art Museum and a comprehensive set of black and white prints, a handful of color prints, and several color slide sheets of Constant's artwork from the 1920s to 1978.
Arrangement note:
The collection is arranged into 4 series:

Missing Title

Series 1: Biographical Material, 1923-2007 (Box 1; 17 folders)

Series 2: Correspondence, 1930-1979 (Box 1-2; 1.4 linear feet)

Series 3: Printed Material, 1927-2005 (Box 2-3; 2 linear feet)

Series 4: Photographic Material, 1912-1978 (Box 4-6; 1 linear foot)
Biographical/Historical note:
Greek American George Zachary Constant (1892-1978) worked from his studios in Shinnecock Hills, and New York City, New York as a painter and printmaker. A founder and lifelong member of the Federation of Modern Painters and Sculptors, Constant worked for the Work Projects Administration (WPA) during the Depression and early years of World War II, and exhibited regularly at major galleries and museums from the 1920s to 1970s.

Born in Arahova, Greece, Constant was raised by his two uncles after the death of his parents in 1896. In school and at the monestary one of his uncles led, Constant showed an early interest in classical Greek aesthetics. At the age of eighteen, he immigrated to the United States and continued his art studies at Washington University before transferring to the Art Institute of Chicago. From 1918 to 1922, Constant taught at the Dayton Art Institute and continued to produce and exhibit his work locally. In 1922, he moved to New York, joined the Society of Independent Painters, and became close friends with Society founder and art critic Walter Pach. During the 1920s, his etchings were shown at the Valentine and Downtown Galleries, and at the New Art Circle of J.B. Neumann, where he presented his first one man gallery show in 1929.

From the 1930s to 1940s, Constant produced prints, watercolors, and oil paintings for the WPA, many of which were purchased by museums and public institutions, including the Metropolitan Museum of Art and the Philadelphia Museum. During this same period, Constant exhibited his work at the Boyer Gallery in the late 1930s, and at the Ferargil Gallery from the 1940s to early 1950s. In the decade between 1955 and 1965, Constant also worked on color and set design for seventeen dance productions created by the choreographer Alwin Nikolais. In the last two decades of his career, Constant produced works from his studio in Shinnecock Hills, New York and continued to exhibit at numerous galleries, including Grace Borgenicht Gallery, Guild Hall, Mari Galleries, Tirca Karlis Gallery, and Artium Gallery.
Provenance:
The papers of George Constant were donated by the artist in 1969 and 1978. Additional materials were donated in 2001 and 2007 by his daughter Georgette Preston.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Art -- Philosophy  Search this
Printmakers -- New York (State) -- New York  Search this
Painting, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Christmas cards
Photographs
Video recordings
Sound recordings
Interviews
Citation:
George Constant papers, 1912-2007, bulk 1932-1978. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.consgeor
See more items in:
George Constant papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cec7527c-1946-423b-aab7-e7728da8a072
EDAN-URL:
ead_collection:sova-aaa-consgeor

Audubon Artists records

Creator:
Audubon Artists (New York, N.Y.)  Search this
Names:
Arms, John Taylor, 1887-1953  Search this
Benton, Thomas Hart, 1889-1975  Search this
Blume, Peter, 1906-1992  Search this
Davis, Stuart, 1892-1964  Search this
Disney, Walt, 1901-1966  Search this
Domareki, Joseph  Search this
Engel, Michael M., 1896-1969  Search this
Facci, Domenico, 1916-1994  Search this
Feininger, Lyonel, 1871-1956  Search this
Freeman, Mark, 1908-  Search this
Gary, Jan  Search this
Hoffman, Malvina, 1887-1966  Search this
Lee-Smith, Hughie  Search this
McKay, Renee  Search this
Meyerowitz, William, 1887-1981  Search this
Poor, Henry Varnum, 1887-1970  Search this
Wengenroth, Stow, 1906-  Search this
Whitaker, Frederic  Search this
Young, Stark, 1881-1963  Search this
Extent:
6.7 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1944-2001
Summary:
The records of New York based Audubon Artists, a national exhibiting organization of painters, sculptors, and graphic artists, measure 6.7 linear feet and date from 1944-2001. The collection documents the organization's adoption of its constitution and first major expansion in the mid-1940s, and its subsequent growth to the present day. The records include correspondence with artist members, administrative files, exhibition files, financial records, printed material including an almost complete run of annual exhibition catalogs and prospectuses, and photographs of artwork, juries, and other groups involved in the annual exhibitions from the 1970s to 1999.
Scope and Contents:
The records of New York based Audubon Artists, a national exhibiting organization of painters, sculptors, and graphic artists, measure 6.7 linear feet and date from 1944-2001. The collection documents the organization's adoption of its constitution and first major expansion in the mid-1940s, and its subsequent growth to the present day. The records include correspondence with artist members, administrative files, exhibition files, financial records, printed material including an almost complete run of annual exhibition catalogs and prospectuses, and photographs of artwork, juries, and other groups involved in the annual exhibitions from the 1970s to 1999.

Administration and correspondence files document all aspects of the organization's activities and include founding documents; records of individual officers including presidents Domenico Facci, Joseph Domareki, Mark Freeman, Hughie Lee-Smith, Renee McKay and Frederic Whitaker, and historians Michael Engel and Jan Gary; correspondence with members and prospective members including artists such as John Taylor Arms, Thomas Hart Benton, Peter Blume, Stuart Davis, Walt Disney, Lyonel Feininger, Malvina Hoffman, William Meyerowitz, Henry Varnum Poor, Stow Wengenroth, and Stark Young; agenda, meeting minutes and reports to the Executive Board; and the correspondence and related records of various committees.

Exhibition files document a variety of activities related to exhibition planning, and include correspondence, entry forms, information on juries and awards, and lists of selected artwork and award winners.

Financial records include scattered treasurer correspondence and notes, records of bills paid, and some reports, investment and tax records from the 1960s-1990s.

Printed material includes an early brochure issued in 1944, and a brochure on the organization's history by Jan Gary, as well as annual exhibition catalogs and/or prospectuses from 1944 to 2000.

Photographic material consists of copy prints and negatives of photographic material used in the annual exhibition catalogs, including photos of artwork, juries and scattered exhibition installations.
Arrangement:
Before processing, much of the collection was unsorted, and there was little indication of original record keeping practices for a large portion of the material. Some of the earlier material from the 1940s had been sorted by name or activity and where possible this arrangement has been maintained. Researcherss should be aware, however, that similar types of material such as correspondence, financial, and administrative records, can be found in various places throughout the collection, particularly throughout Series 1. The collection is arranged as 5 series.

Missing Title

Series 1: Administration and Correspondence Files, 1944-2000 (2.43 linear feet; Boxes 1-3, OV 9)

Series 2: Exhibition Files, 1944-1999 (0.67 linear feet; Box 3)

Series 3: Financial Records, 1962-1999 (0.5 linear feet; Box 4)

Series 4: Printed Material, 1944-2001 (1.7 linear feet; Boxes 4-6)

Series 5: Photographic Material, circa 1969-1999 (0.9 linear feet; Boxes 6-8)
Biographical / Historical:
Audubon Artists, a national exhibiting society of painters, sculptors, and graphic artists, was founded in New York, New York, in 1940. The organization took its name from the homestead of John James Audubon where it met in December, 1941, to discuss a less regional name than the one it had initially adopted: Professional Arts Group of Washington Heights. The group's association with Audubon, however, begins and ends with the name.

Audubon Artists held its first exhibition at 8th Street Gallery in Apri-May, 1942, with an exhibiting group of 22 members. In 1943 the group was able to attract a wider pool of recognized professional artists, and by 1944 the membership had increased to 60 and the organization issued its first annual exhibition catalog with the newly adopted eagle and palette emblem.

A reorganization meeting took place on March 27, 1944, to address the growing responsibilities for the annual exhibition. President Frederic Whitaker subsequently oversaw the creation of the original consitution, the credo and the 1946 incorporation of the organization, and led a membership campaign designed to attract nationally renowned artists of various aesthetic persuasions and gain the organization more prestige.

Since then, Audubon Artists has continued to hold an annual exhibition in a variety of locations throughout New York City, including the National Academy of Design, National Arts Club, and the Salmagundi Club. The latter has been the exhibition's preferred home since 1997, and with circa 350 members Audubon Artists remains a thriving organization dedicated to "artistic progress" today.
Provenance:
The records were donated by Audubon Artists in 1978 (via Mark Freeman, president) and 2001 (via David Pena, president).
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Artists -- New York (State)  Search this
Function:
Arts organizations -- New York (State)
Genre/Form:
Photographs
Citation:
Audubon Artists records, 1944-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.auduarti
See more items in:
Audubon Artists records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95284fc60-3328-4d9a-bbdc-5ff67f09a0f2
EDAN-URL:
ead_collection:sova-aaa-auduarti
Online Media:

Bills Paid

Collection Creator:
Audubon Artists (New York, N.Y.)  Search this
Container:
Box 4, Folder 1-5
Type:
Archival materials
Date:
1980s-1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audubon Artists records, 1944-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Audubon Artists records
Audubon Artists records / Series 3: Financial Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw940e49eab-17a5-451a-966b-a35d53829f61
EDAN-URL:
ead_component:sova-aaa-auduarti-ref100

Bills Paid, Medals and Printing

Collection Creator:
Audubon Artists (New York, N.Y.)  Search this
Container:
Box 4, Folder 6
Type:
Archival materials
Date:
1970s-1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audubon Artists records, 1944-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Audubon Artists records
Audubon Artists records / Series 3: Financial Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw944897546-0ef2-4a53-a394-acd95019e806
EDAN-URL:
ead_component:sova-aaa-auduarti-ref101

Check Stubs

Collection Creator:
Audubon Artists (New York, N.Y.)  Search this
Container:
Box 4, Folder 7
Type:
Archival materials
Date:
1996-1998
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audubon Artists records, 1944-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Audubon Artists records
Audubon Artists records / Series 3: Financial Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91777dacc-b564-4f66-8838-3255f46a8012
EDAN-URL:
ead_component:sova-aaa-auduarti-ref102

Invoices

Collection Creator:
Audubon Artists (New York, N.Y.)  Search this
Container:
Box 4, Folder 11
Type:
Archival materials
Date:
1980s
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audubon Artists records, 1944-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Audubon Artists records
Audubon Artists records / Series 3: Financial Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw989d29a15-3d5d-4055-b482-121341f3444b
EDAN-URL:
ead_component:sova-aaa-auduarti-ref103

Financial Reports

Collection Creator:
Audubon Artists (New York, N.Y.)  Search this
Container:
Box 4, Folder 8-9
Type:
Archival materials
Date:
1981-1985
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audubon Artists records, 1944-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Audubon Artists records
Audubon Artists records / Series 3: Financial Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9b19aca21-124e-4c25-8dd0-8fe1f672d89a
EDAN-URL:
ead_component:sova-aaa-auduarti-ref104

Investment Records

Collection Creator:
Audubon Artists (New York, N.Y.)  Search this
Container:
Box 4, Folder 10
Type:
Archival materials
Date:
1992-1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audubon Artists records, 1944-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Audubon Artists records
Audubon Artists records / Series 3: Financial Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw996708a23-fe58-490a-a50f-ac263758aef9
EDAN-URL:
ead_component:sova-aaa-auduarti-ref105

Member Dues

Collection Creator:
Audubon Artists (New York, N.Y.)  Search this
Container:
Box 4, Folder 12
Type:
Archival materials
Date:
1999
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audubon Artists records, 1944-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Audubon Artists records
Audubon Artists records / Series 3: Financial Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw974f0c42d-5fbe-48c6-b690-dca790368737
EDAN-URL:
ead_component:sova-aaa-auduarti-ref106

Statement of Assets

Collection Creator:
Audubon Artists (New York, N.Y.)  Search this
Container:
Box 4, Folder 13
Type:
Archival materials
Date:
1962-1979
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audubon Artists records, 1944-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Audubon Artists records
Audubon Artists records / Series 3: Financial Records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9d76a5876-03b3-4cc0-b270-4ea5c021a4f2
EDAN-URL:
ead_component:sova-aaa-auduarti-ref107

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