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Charles Fergus Binns papers

Creator:
Binns, Charles Fergus, 1857-1934  Search this
Names:
American Ceramic Society  Search this
American Federation of Arts  Search this
Society of Arts and Crafts (Boston, Mass.)  Search this
Extent:
6 microfilm reels
Type:
Collection descriptions
Archival materials
Microfilm reels
Date:
1875-1934
Scope and Contents:
Biographical materials, including an autobiographical sketch, brief biographies by family members, and certificates of naturalization and membership; correspondence, 1897-1931, with family members, ceramic manufacturers, potters, art educators, museum curators and administrators, and former students; subject files on: the American Ceramic Society, the Charles Fergus Binns Medal; Ceramic Alumni Association, and exhibitions of Binns' work. Subject files include correspondence, meetings minutes, and printed materials. Also included are lectures and speeches by Binns; writings; and 10 photographs, undated & 1901-1935, of Binns and of his works of art.
Arrangement:
Correspondence is organized chronologically and then alphabetically within each year or group of years.
Biographical / Historical:
Charles Fergus Binns (1857-1934) was a ceramist, educator, and art administrator. From 1900 until his retirement in 1931, Charles F. Binns was Director of the New York State School of Clayworking and Ceramics at Alfred University. Binns was a frequent contributor to ceramic periodicals and publications including monthly columns of technical advice. He helped found the American Ceramics Society in 1899 and served as its president in 1901 and secretary from 1918 to 1922. Among the awards Binns received for his work in art pottery and glazes are the Logan Medal from the Art Institute of Chicage in 1919 and the Medal of the Boston Society of Arts and Crafts in 1922.
Provenance:
The Charles Fergus Binns papers consist of three sections, each given to the New York State College of Ceramics by different donors. Biographical materials and photographs were donated by Binns grandchildren. The "Office Files" of the collection, which primarily contain general correspondence, were discovered on the ceramic school campus in March, 1981, by W. Richard Ott, Dean of the College, and placed in the College Archives. The lectures, speeches, and writings (listed on the Alfred University inventory as "Manuscripts and Typescripts") were given circa 1978 by John McMahon, former Dean of the College.
Correspondence for the years 1910-1920 has not been found, except for the letters between Binns and Adelaide and Samuel Robineau from 1914 to 1920. In addition, no letters from Binns, filed under A-L, have been located for the year 1922. Only selected portions of the lectures, speeches, and writings have been filmed. Technical correspondence, correspondence with prospective students, and requests for clay analyses have not been filmed.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Ceramicists  Search this
Topic:
Ceramics  Search this
Decorative arts  Search this
Citation:
Charles Fergus Binns papers, 1875-1934. Alfred University, New York State College of Ceramics. Microfilmed by the Smithsonian Institution, Archives of American Art.
Identifier:
AAA.binnchar
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-binnchar

Noah Purifoy papers, 1935-1998

Creator:
Purifoy, Noah, 1917-2004  Search this
Subject:
California Arts Council  Search this
Watts Towers Art Center  Search this
Type:
Scrapbooks
Topic:
African American artists  Search this
Record number:
(DSI-AAA_CollID)6193
(DSI-AAA_SIRISBib)216448
AAA_collcode_purinoah
Theme:
Lives of American Artists
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216448

Oral history interview with William Gaskin, 1964 Feb. 28

Interviewee:
Gaskin, William, 1892-1968  Search this
Interviewer:
Ferbrach√©, Lewis  Search this
Subject:
Bufano, Beniamino  Search this
Hiler, Hilaire  Search this
Kingman, Dong  Search this
Federal Art Project (Calif.)  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Art -- Study and teaching -- California  Search this
Federal aid to the arts  Search this
Arts administrators -- California -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13031
(DSI-AAA_SIRISBib)213560
AAA_collcode_gaskin64
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213560

Kimberly Camp papers, 1970-2015

Creator:
Camp, Kimberly, 1956-  Search this
Subject:
Barnes Foundation  Search this
Type:
Interviews
Sketchbooks
Sound recordings
Video recordings
Topic:
African American artists  Search this
Women artists  Search this
Record number:
(DSI-AAA_CollID)17357
(DSI-AAA_SIRISBib)380896
AAA_collcode_campkimb
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_380896

A companion to public art / edited by Cher Krause Knight and Harriet F. Senie

Editor:
Knight, Cher Krause  Search this
Senie, Harriet  Search this
Physical description:
1 online resource
Type:
Electronic resources
Electronic books
Date:
2016
Topic:
Public art  Search this
ARCHITECTURE--Buildings--Public, Commercial & Industrial  Search this
Call number:
N8825
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1136740

Junctures in women's leadership : the arts / Judith K. Brodsky, Ferris Olin ; edited by Mary K. Trigg

Author:
Brodsky, Judith K.  Search this
Olin, Ferris  Search this
Author:
ProQuest (Firm)  Search this
Physical description:
1 online resource (232 pages)
Type:
Electronic resources
Date:
2018
Topic:
Leadership in women  Search this
Women executives  Search this
Women in art  Search this
Call number:
HQ1236 .B763 2018 (Internet)
Restrictions & Rights:
1-user.
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1107401

Arthur Monroe papers

Creator:
Monroe, Arthur  Search this
Extent:
24.3 Linear feet
Type:
Collection descriptions
Archival materials
Date:
circa 1950-2010
Scope and Contents:
The papers of African American abstract expressionist painter, arts administrator, and educator, Arthur Monroe, measure 24.3 linear feet and date from circa 1950-2010. Included are files for conferences and organizations Monroe was involved with including the Oakland Museum, the African Festival of Art and Culture and others; teaching files; unpublished writings and journals on notepads; correspondence; project files; files on artists; photographs of family, friends and colleagues; and material relating to Monroe's friend, jazz musician, Charlie Parker.
Biographical / Historical:
Arthur Monroe (1935- 2019) was an African American abstract expressionist painter, arts administrator and educator in Oakland, California. Monroe was the Registrar at the Oakland Museum and American Studies professor at UC Berkley.
Provenance:
The collection was donated in 2019 by Arthur Monroe as part of the Archives' African American Collecting Initiative funded by the Henry Luce Foundation.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Occupation:
Painters -- California -- Oakland  Search this
Topic:
Educators -- California -- Oakland  Search this
African American painters  Search this
Identifier:
AAA.monrarth
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-monrarth

Kimberly Camp papers

Creator:
Camp, Kimberly  Search this
Names:
Barnes Foundation  Search this
Extent:
5 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Sketchbooks
Sound recordings
Video recordings
Date:
1970-2015
Scope and Contents:
Biographical material, writings, works of art, audiovisual material, and printed material relating to the career of Kimberly Camp as an artist and arts administrator.
Biographical material includes appointment books. Writings consist of manuscript drafts for "Defending the Dead: The Totally True Story of the Barnes Transformation" (not yet published) and notebooks and sketchbooks about her art and career as an arts administrator. Audio visual material includes 18 audio cassettes and 39 VHS video cassettes containing interviews or lectures given by Camp as well as assorted recordings related to her work. Printed material relates to Camp's position as an arts administrator.
Biographical / Historical:
Kimberly Camp (1956-) is a painter, dollmaker, and arts administrator in Collingswood, New Jersey. Camp was executive director of the Barnes Foundation from 1999-2005.
Provenance:
Donated 2016 by Kimberly Camp.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center.
Manuscript drafts for Defending the Dead: The Totally True Story of the Barnes Transformation are ACCESS RESTRICTED; Use requires written permission. Contact Reference Services for more information.
Rights:
The donor has retained all intellectual property rights, including copyright, that they may own.
Occupation:
Arts administrators -- New Jersey  Search this
Dollmakers -- New Jersey  Search this
Painters -- New Jersey  Search this
Topic:
African American artists  Search this
Women artists  Search this
Genre/Form:
Interviews
Sketchbooks
Sound recordings
Video recordings
Identifier:
AAA.campkimb
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-campkimb

Oral history interview with James Melchert, 1991 Apr. 4-5

Interviewee:
Melchert, Jim, 1930-  Search this
Interviewer:
Jones, Mady  Search this
Subject:
Voulkos, Peter  Search this
San Francisco Art Institute  Search this
University of California, Berkeley  Search this
National Endowment for the Arts  Search this
American Academy in Rome  Search this
Type:
Sound recordings
Interviews
Topic:
Ceramics  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Arts administrators -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)13062
(DSI-AAA_SIRISBib)215586
AAA_collcode_melche91
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215586

Oral history interview with Richard Shaw [videorecording], 1998 April 3 and 6

Interviewee:
Shaw, Richard Blake, 1941 Sept. 12-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Subject:
Braunstein, Ruth  Search this
Chanco, Pauletta  Search this
Hudson, Robert  Search this
Melchert, Jim  Search this
Braunstein/Quay Gallery  Search this
San Francisco Art Institute  Search this
Archives of American Art  Search this
Type:
Video recordings
Interviews
Topic:
Ceramicists -- California -- Interviews  Search this
Pottery  Search this
Record number:
(DSI-AAA_CollID)13046
(DSI-AAA_SIRISBib)216429
AAA_collcode_shaw98
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216429

Oral history interview with Alanna Heiss, 2010 June 15-October 28

Interviewee:
Heiss, Alanna, 1943-  Search this
Interviewer:
McElhinney, James, 1952-0  Search this
Subject:
Callahan, Harry M.  Search this
Finkelpearl, Tom  Search this
Gill, Brendan  Search this
Highstein, Jene  Search this
Matta-Clark, Gordon  Search this
Nonas, Richard  Search this
Clocktower Gallery  Search this
Institute for Art and Urban Resources  Search this
Lawrence University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New Museum  Search this
P.S. 1 Contemporary Art Center  Search this
University of Chicago  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Biennale di Venezia  Search this
Type:
Interviews
Sound recordings
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Curators -- New York (State) -- New York -- Interviews  Search this
Gallery directors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)15902
(DSI-AAA_SIRISBib)296450
AAA_collcode_heiss10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_296450
Online Media:

Oral history interview with James Melchert

Interviewee:
Melchert, Jim, 1930-  Search this
Interviewer:
Jones, Mady  Search this
Names:
American Academy in Rome  Search this
National Endowment for the Arts  Search this
San Francisco Art Institute -- Faculty  Search this
University of California, Berkeley -- Faculty  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 Apr. 4-5
Scope and Contents:
An interview of James Melchert conducted in Oakland, Calif., 1991 Apr.4-5, by Mady Jones, for the Archives of American Art.
Melchert discusses his background; attending the University of Chicago for his MFA in painting; discovering his interest in clay; studying under Peter Voulkos at the Bray Foundation and following him to Berkeley in the Decorative Arts Dept.; artists at Berkeley at the time; teaching ceramics at the San Francisco Art Institute; the art scene in San Francisco; working for the National Endowment for the Arts; moving to Rome to work for the American Academy in Rome; and his future plans. Among the many artists and administrators he recalls are Rudy Autio, Millard Sheets, Bob Arneson, Stephen de Staebler, Jacques Schnier, Peter Selz, Bruce Connor, Bruce Nauman, Manuel Neri, Joan Brown, Susan Peterson, Fred Martin, Ron Nagle, Grace Morley, and Carlos Villa.
Biographical / Historical:
Jim Melchert (1930- ) is a sculptor, teacher, and art administrator of Oakland, Calif. Chairman, Ceramics Dept., San Francisco Art Institute, 1961-1964. Professor at the University of California, Berkeley, 1965-1976. Federal grants chairman of the visual arts for the National Endowment of the Arts in the late 1970s.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hrs., 38 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by the Lannan Foundation.
Restrictions:
ACCESS RESTRICTED; use requires written permission.
Occupation:
Artists -- California -- San Francisco Bay Area  Search this
Topic:
Ceramics  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Arts administrators -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.melche91
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-melche91

Oral history interview with Richard Shaw [videorecording]

Interviewee:
Shaw, Richard, 1941 Sept. 12-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Names:
Archives of American Art  Search this
Braunstein/Quay Gallery  Search this
San Francisco Art Institute -- Students.  Search this
Braunstein, Ruth, 1923-  Search this
Chanco, Pauletta, 1959-  Search this
Hudson, Robert, 1938-  Search this
Melchert, Jim, 1930-  Search this
Extent:
12 Items (Master: 12 videocassettes (Beta) (30 min. each), sd., col., 1/2 in.)
12 Items (Duplicate: 12 videocassettes (30 min. each) (VHS), sd., col., 1/2 in.)
1 Item (Edited version: "Richard Shaw : Love of the Common Object": 1 videocassette (60 min.) (Beta), sd., col., 1/2 in.)
1 videocassettes (vhs) (Edited version: "Richard Shaw: Love of the Common Object" (10 min.), sd., col., 1/2 in.)
Type:
Collection descriptions
Archival materials
Videocassettes (vhs)
Video recordings
Interviews
Place:
San Francisco Bay Area (Calif.)
Date:
1998 April 3 and 6
Scope and Contents:
An interview with Richard Shaw conducted 1998 April 3 and6, by Paul J. Karlstrom, for the Archives of American Art, at Shaw's home and studio, Fairfax, California, and at the Quay Gallery, San Francisco, California.
The interview covers the development of Shaw's career, life, and art. The first session took place in Shaw's studio and introduces his living and working environment. Shown is a step-by-step technical demonstration of Shaw creating his trompe l'oeil ceramic pieces. Shaw discusses his family background, values, his choice of a semi-rural environment of Marin County in which to live; bohemianism; connections with the counter-culture of northern California; relationships with other artists and friends and their importance to the development of his ideas and creativity; the differences in art communities of northern and southern California and the East and West coasts; experiences at the San Francisco Art Institute and instructors there which influenced him, as well as the influences of San Francisco in general. He described his illusionism, alchemy of technique, and his artistic philosophy and goals in his art. The second session took place at the Braunstein/Quay Gallery where a Shaw exhibit was then on display. The interview focused on his work, their meaning, and the evolution of ideas and expressions; his collaboration with Robert Hudson; the idea of a broader collaboration in the Bay Area over the years, especially in the 1960s, and the changes since then; and Shaw's reflections on the importance of ceramics in Bay Area art, his role, and direction for the future. The video was directed by David Bolt, the cameraman was Robert Boudreaux, and sound technician was William Steffanacci. In addition to Shaw, other participants include Shaw's wife, Martha; Ruth Braunstein, owner of the Braunstein/Quay Gallery; Pauletta Chanco, painter and former student; and James Melchert, sculptor and art administrator.
Biographical / Historical:
Richard Shaw (1941- ) is a ceramist and sculptor from the San Francisco Bay Area, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
For information on how to access this interview contact Reference Services.
Topic:
Ceramicists -- California -- Interviews  Search this
Pottery  Search this
Genre/Form:
Video recordings
Interviews
Identifier:
AAA.shaw98
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shaw98

John Outterbridge papers

Creator:
Outterbridge, John, 1933-  Search this
Names:
Watts Towers Art Center  Search this
Angelou, Maya  Search this
Bradley, Tom, 1917-  Search this
Hines, Gregory  Search this
Marley, Bob  Search this
Otis, Johnny, 1921-  Search this
Simone, Nina, 1933-2003  Search this
White, Charles, 1918-1979  Search this
Extent:
4.8 Linear feet
Type:
Collection descriptions
Archival materials
Sketches
Transcripts
Scrapbooks
Photographs
Interviews
Video recordings
Motion pictures (visual works)
Place:
Watts (Los Angeles, Calif.) -- Buildings, structures, etc
Date:
1953-1997
Summary:
The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.
Scope and Contents:
The papers of Los Angeles African American painter, sculptor, and arts administrator John Outterbridge measure 4.8 linear feet and date from 1953 to 1997. The papers include biographical material, correspondence, writings, professional and project files, Watts Towers Arts Center files, exhibition files, printed material, photographs, a scrapbook, and one motion picture film reel.

Biographical material includes life documents, awards, interview transcripts, a few sketches, teaching certificates, and a motion picture film reel entitled John Outterbridge: Black Artist.

The bulk of the correspondence consists of letters to John Outterbridge from family, artists, colleagues, museums, and universities. Notable correspondents include Maya Angelou, Johnny Otis, and Charles White.

Writings include teaching notes, an artist statement, nine typescript essays by Outterbridge, as well as papers written by students, and poems by various artists.

Professional and project files document Outterbridge's involvement in conferences, symposiums, membership records, and fellowships. There are grant and job applications, contracts, correspondence, project plans, and administrative records. There is documentation of the Metro Art for Rail Transit project and of his work as director of the Communicative Arts Academy. Outterbridge's directorship of the Watts Towers Arts Center (WTAC) are arranged in a separate series; files document administration, annual programs and events, and special projects.

Exhibition files are found for several exhibitions in which Outterbridge participated in the mid-1990s. Printed material includes clippings about John Outterbridge and the Watts Towers Arts Center, exhibition catalogs, announcements, books, and magazines.

There is one scrapbook that contains clippings, award certificates, and photographs of the Watts Towers Arts Center events. There are photographs of Johnny Otis, Nina Simone, and L.A. Mayor Tom Bradley.

Photographs are of John Outterbridge and his artwork, studio, family, friends, and events. Among those depicted in the photographs are Bob Marley and Gregory Hines.
Arrangement:
This collection is arranged as 9 series.

Series 1: Biographical Material, 1953-1997 (0.7 linear feet; Box 1, OV 6, FC 9)

Series 2: Correspondence, 1970-1997 (1.1 linear feet; Boxes 1-2, OV 7)

Series 3: Writings, circa 1980-1996 (0.2 linear feet; Box 2)

Series 4: Professional and Project Files, circa 1970-1997 (0.5 linear feet; Boxes 2-3, OV 8)

Series 5: Watts Towers Arts Center, 1976-1997 (0.4 linear feet; Box 3)

Series 6: Exhibition Files, 1992-1996 (0.2 linear feet; Box 3)

Series 7: Printed Materials, 1968-1997 (1.1 linear feet; Boxes 3-4)

Series 8: Scrapbook, 1968-1997 (0.5 linear feet; Box 5)

Series 9: Photographs, 1953-1995 (0.2 linear feet; Box 4-5)
Biographical / Historical:
John Outterbridge is an African American painter, sculptor and arts administrator in Los Angeles, California.

John Wilfred Outterbridge was born in Greenville, North Carolina in 1933. He attended Agricultural and Technical University in Greensboro, North Carolina and studied engineering for one year before joining the U.S. Army in 1953. He served two years in Europe where he started painting street scenes in his spare time. His paintings were liked and his Captain found a studio space for him, where he painted murals and artwork in offices, clubs, and American schools.

Outterbridge decided that he needed a formal education in art and after his discharge from the Army in 1955, he relocated to Chicago and enrolled first in the Chicago Academy of Art, and later in the American Academy of Art. He became active in the Chicago art scene and opened a gallery with artists John Pinkney, Elliot Hunter, and Jose Williams. While attending school, he also worked for a graphic arts firm running errands and as a Chicago Transit Authority bus driver.

Outterbridge married his wife Beverly in 1960 and they moved to Los Angeles in 1963. He worked at a production studio for a while and got an offer from another studio to become its art director. After a few years, Outterbridge took two years off and began experimenting with with other medium, such as found objects and sculpture.

Outterbridge then took a job in the art installation department of the Pasadena Art Museum where he met artists such as Peter Alexander, Richard Serra, Robert Rauschenberg, and Andy Warhol while helping with their exhibits. In addition to working on installations, Outterbridge taught sculpture classes at the museum and at several colleges such as Pasadena City College, Claremont College, Cal State Dominguez Hills, and University of California at Irvine.

From 1969-1975, Outterbridge was the director of the Compton Communicative Arts Academy. From 1975-1993, Outterbridge was the director of the Watts Towers Arts Center, a focal point in Los Angesle for African American visual and theatrical arts and the sponsor of the Watts Towers Jazz Festival and Day of the Drum Festival. He retired in 1993 to dedicate more time to his art.

Outterbridge's art can be found at the California African American Museum and the Los Angeles County Museum of Art. He has received awards throughout his career including fellowships from the Fulbright Foundation, Getty Foundation, and the National Endowment for the Arts. He received an honorary doctorate from Otis College of Art and Design in 1994.
Related Materials:
The Archives of American Art also has an oral history interview with John Outterbridge conducted by Allen Bassing in 1973.

A copy of the film John Outterbridge: Black Artist is available in the Samella Lewis papers, in the Rose Library at Emory University.
Provenance:
The John Outterbridge papers were donated to the Archives of American Art by John Outterbridge in 1997.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The John Outterbridge papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Sculptors -- California -- Los Angeles  Search this
Painters -- California  Search this
Arts administrators -- California -- Los Angeles  Search this
Artists' studios -- Photographs  Search this
Towers -- California -- Los Angeles  Search this
African American artists  Search this
Genre/Form:
Sketches
Transcripts
Scrapbooks
Photographs
Interviews
Video recordings
Motion pictures (visual works)
Citation:
John Outterbridge papers, 1953-1997. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.outtjohn
See more items in:
John Outterbridge papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-outtjohn
Online Media:

William J. and Jane Brown papers

Creator:
Brown, William J. (William Joseph), 1923-1992  Search this
Brown, Jane Brennan, 1931-  Search this
Names:
Haystack Mountain School of Crafts  Search this
Penland School of Crafts  Search this
Bailey, Dan  Search this
Berensohn, Paulus  Search this
Brennan, Harold James, 1903-1989  Search this
Ebendorf, Robert, 1938-  Search this
Ehle, John, 1925-  Search this
Hallman, Ted, 1933-  Search this
Lipofsky, Marvin, 1938-2016  Search this
Morgan, Lucy, 1889-1981  Search this
Perisho, Flossie  Search this
Takaezu, Toshiko  Search this
Extent:
7.9 Linear feet
0.32 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Date:
circa 1940-2014
Summary:
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet and 0.32 gigabytes. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.
Scope and Contents:
The papers of William J. and Jane Brown date from circa 1940-2014 and measure 7.9 linear feet. The collection is comprised of biographical material, correspondence, interviews, writings and notes, printed material and documentaries, photographs and moving images, and administrative records from the Penland School of Crafts where William served as director from 1962 to 1983.

Biographical materials consists of awards, business cards, annotated calendars, consignment forms, material from Haystack Mountain School of Crafts, resumes, sketches, and student documents. Correspondence is with artists, former students, instructors, local residents, Paulus Berensohn, Robert Ebendorf, Theodore Hallman, Lucy Morgan, Toshiko Takaezu, and others.

Sound and video recordings are of interviews with Bill and Jane Brown, Lucy Morgan, and "Flossie" Perisho regarding personal and Penland history. One transcript of Marvin Lipofsky's conversation with Bill is also included. Bill's writings are on industrial design, directing Penland, and mankind. Two notebooks contain daily logs, sketches, and other notes. Notes by Bill and Jane are on inventions, John Ehle, metal history, poems, and other topics. Other writings are about Bill and a manuscript on craftsman education by Harold J. Brennan.

Penland's administrative records contain files documenting the board of trustees, residents program, a special 2-week session, artwork, Bill Brown's Glass Studio dedication ceremony schedule, a certificate of incorporation, financial material, grant proposals, and maps. Also found are records of Penland's 50th birthday celebration, including a video recording of "A Quest" by Dan Bailey.

Books, booklets, four documentary video recordings, exhibition catalogs and announcements, flyers, pamphlets, periodicals, postcards, posters, and stickers and patches designed by Bill are in printed materials. Photographs and slides are of Bill and Jane; family and friends; works of art; and of Penland's grounds, students, and faculty along with photographs and video recordings documenting Penland's history.
Arrangement:
The collection is arranged as seven series.

Series 1: Biographical Materials, 1948-2011 (0.6 linear feet; Boxes 1, 9)

Series 2: Correspondence, 1949-2014 (1.8 linear feet; Boxes 1-3, 9)

Series 3: Interviews, 1968-1991 (0.4 linear feet; Box 3)

Series 4: Writings and Notes, circa 1950-2005 (0.2 linear feet; Box 3)

Series 5: Penland School of Crafts Administrative Records, 1954-1995 (1.1 linear feet; Boxes 3-4, 9)

Series 6: Printed Materials and Documentaries, 1942-2005 (1.8 linear feet, 0.32 GB; Boxes 4-6, 9; ER01)

Series 7: Photographic Materials and Moving Images, circa 1940-2011 (2.0 linear feet; Boxes 6-10, RD 11)
Biographical / Historical:
William "Bill" J. Brown (1923-1992) was a designer and educator who was married to Jane Brown (1932- ), an arts administrator. They lived in Bakersville, North Carolina.

Bill Brown was born in Flint, Michigan in 1923. He studied at the Cranbrook Academy of Art receiving a bachelor of fine art in 1949, a master of fine art in 1950, and was chosen to work at Corning Glass Works for a summer. After his studies, he taught at the Haystack Mountain School of Crafts and at the University of Delaware. In 1962 Lucy Morgan, who founded the Penland School of Crafts in 1929 in North Carolina, retired and offered the position of director to Bill. At the time, the school focused on traditional mountain crafts. As director, Bill changed the emphasis of the school to the advancement of professional craftsmen and the expansion of media to include iron and glass. He began a resident artist program that allowed artists to develop their skills at a low cost. Together, Bill and Jane created a supportive community of craftsmen that attracted renowned artists to teach and work at Penland. Bill resigned as director in 1983 but remained a respected member of the arts community. He earned several awards including the North Carolina Award in the Fine Arts in 1991.

Jane Brown graduated from the University of Delaware with a bachelor of arts in education and a master's degree in special education. Jane studied the Alexander Technique, a technique that can be used to improve the performance of dancers and musicians.

Bill Brown died in 1992. After his death, Jane participated in the dedication of the Bill Brown Glass Studio at Penland during a Glass Arts Society conference in 1995. She continues to live in Bakersville, North Carolina.
Related Materials:
Also found at the Archives of American Art is an oral history interview with William J. Brown and his wife Jane Brown conducted on January 19, 1991 and March 2, 1991 by Jane Kessler.
Provenance:
The portions of the William J. and Jane Brown papers that were lent for microfilming in 1991 by Jane Brown were subsequently donated by Jane Brown 1995 and 2015 along with additional papers.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Use of archival audiovisual recordings with no duplicate copies requires advance notice.
Topic:
Art schools--North Carolina  Search this
Art -- Study and teaching  Search this
Artisans--North Carolina  Search this
Arts administrators--North Carolina  Search this
Design, Industrial  Search this
Handicraft--Study and teaching--United States  Search this
Handicraft--United States  Search this
Genre/Form:
Interviews
Photographs
Sketches
Sound recordings
Video recordings
Citation:
William J. and Jane Brown papers, circa 1940-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.browwill
See more items in:
William J. and Jane Brown papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-browwill

Ruth Jett papers

Creator:
Jett, Ruth M.  Search this
Names:
American Society of African Culture  Search this
Carnegie Endowment for International Peace  Search this
Cinque Gallery  Search this
Library of Congress. Center for the Book  Search this
Romare Bearden Foundation  Search this
Schomburg Center for Research in Black Culture, New York Public Library  Search this
Branch, William B.  Search this
Crichlow, Ernest, 1914-2005  Search this
Davis, Ossie  Search this
Hewitt, John H., 1924-2000  Search this
Hewitt, Vivian D.  Search this
Hughes, Langston, 1902-1967  Search this
White, Charles, 1918-1979  Search this
White, Frances Barrett  Search this
Extent:
7.8 Linear feet
0.242 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Video recordings
Date:
1914-2014
Summary:
The papers of African American arts administrator and director of Cinque Gallery, Ruth Jett, measure 7.8 linear feet and date from 1914 to 2014. The collection contains biographical material; correspondence with family, friends, and colleagues including William Branch, Vinie Burrows, John and Vivian Hewitt, Langston Hughes, and Charles and Frances White; and administrative and professional files which include material related to the American Society of African Culture, the Carnegie Endowment for International Peace, Cinque Gallery, the Cinque Artists Program at the Romare Bearden Foundation, the Library of Congress Center for the Book, and the Schomburg Corporation. The collection also includes writings, primarily typescript copies of literary works by others, including Langston Hughes and Ossie Davis, as well as notes; printed material such as clippings, exhibition and event announcements, books and magazines, and press releases; and photographic material including photographs, snapshots, negatives, and slides depicting Ruth Jett and other individuals, travel, Carnegie Endowment for International Peace fellows and events, and works of art. Also found is a small amount of artwork including a sketchbook, sketches, a painting, and a print.
Scope and Contents:
The papers of African American arts administrator and director of Cinque Gallery, Ruth Jett, measure 7.8 linear feet and date from 1914 to 2014. The collection contains biographical material; correspondence with family, friends, and colleagues including William Branch, Vinie Burrows, John and Vivian Hewitt, Langston Hughes, and Charles and Frances White; and administrative and professional files which include material related to the American Society of African Culture, the Carnegie Endowment for International Peace, Cinque Gallery, the Cinque Artists Program at the Romare Bearden Foundation, the Library of Congress Center for the Book, and the Schomburg Corporation. The collection also includes writings, primarily typescript copies of literary works by others, including Langston Hughes and Ossie Davis, as well as notes; printed material such as clippings, exhibition and event announcements, books and magazines, and press releases; and photographic material including photographs, snapshots, negatives, and slides depicting Ruth Jett and other individuals, travel, Carnegie Endowment for International Peace fellows and events, and works of art. Also found is a small amount of artwork including a sketchbook, sketches, a painting, and a print.
Arrangement:
The collection is arranged in seven series.

Series 1: Biographical Material, 1914-2014 (Box 1, OV 9; 0.5 linear feet)

Series 2: Correspondence, 1952-2014 (Boxes 1-2; 1.2 linear feet)

Series 3: Administrative and Professional Files, 1954-2009 (Boxes 2-5, OV 9; 3.2 linear feet)

Series 4: Writings, 1949-circa 1990s (Box 5; 0.3 linear feet)

Series 5: Printed Material, 1928, 1949-2014 (Boxes 5-7, OVs 9-13; 2.1 linear feet, ER01; .242 GB)

Series 6: Photographic Material, 1947-2010 (Boxes 7-8, OV 14; 0.5 linear feet)

Series 7: Artwork, undated (Box 8, OV 14; 3 folders)
Biographical / Historical:
Ruth Jett (1920-2014) was an art administrator and Director of the Cinque Gallery, New York, N.Y.

Born and raised in Alabama, Ruth Jett attended Miles College in Birmingham before moving with her mother and some siblings to Harlem, New York. In the early 1950s, Jett worked with the Committee for the Negro in the Arts, overseeing early productions by several Black playwrights including William Branch, Alice Childress, Ossie Davis, and Julian Mayfield. From the 1950s until her retirement in 1978, Jett held a variety of positions at the Carnegie Endowment for International Peace, notably managing the Fellowships in Diplomacy program for a number of years.

After she retired from the Carnegie Endowment, Ruth Jett worked with a number of cultural and arts organizations, including the Library of Congress Center for the Book, the Schomburg Corporation/ Schomburg Center for Research in Black Culture, and the Friends of the Symphony of the New World.

Ruth Jett served on the Cinque Gallery Board of Directors beginning in 1981. She was appointed Executive Director in 1989 and served in that position until the early 2000s. When the gallery closed in 2004, she then worked with the Romare Bearden Foundation on the Cinque Artists Program to continue the gallery's legacy and commitment to supporting artists.
Related Materials:
The Archives of American Art also holds the Cinque Gallery records, 1959-2010, bulk 1976-2004.
Provenance:
The Ruth Jett papers were donated to the Archives of American Art in 2018 by Juan Rodriguez, a friend of Jett.
Restrictions:
The collection is open for research. Archival audiovisual recordings must be digitized for research access. Researchers may access digitized audiovisual materials in the Archives' Washington, D.C. or New York, N.Y. Research Centers by appointment. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Arts administrators -- New York (State) -- New York  Search this
Topic:
African American artists  Search this
African American artists  Search this
Genre/Form:
Video recordings
Citation:
Ruth Jett papers, 1914-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.jettruth
See more items in:
Ruth Jett papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jettruth

Oral history interview with Alanna Heiss

Interviewee:
Heiss, Alanna  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Biennale di Venezia  Search this
Clocktower Gallery  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Institute for Art and Urban Resources  Search this
Lawrence University  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New Museum (New York, N.Y.)  Search this
P.S. 1 Contemporary Art Center  Search this
University of Chicago -- Students  Search this
Callahan, Harry M.  Search this
Finkelpearl, Tom  Search this
Gill, Brendan, 1914-1997  Search this
Highstein, Jene, 1942-2013  Search this
Matta-Clark, Gordon, 1943-1978  Search this
Nonas, Richard, 1936-  Search this
Extent:
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2010 June 15-October 28
Scope and Contents:
An interview of Alanna Heiss conducted 2010 June 15 and October 28, by James McElhinney, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Art International Radio, on Leonard Street, in New York, New York.
Heiss speaks of the Clocktower Gallery and the AIR offices; New York galleries and museums and the economic depression of the 1970s; art shows in Germany, France, Switzerland, and England and the role of foreign and West Coast curators in New York shows during the 1960s; founding the Institute for Art and Urban Resources with Brendan Gill; her lack of interest in collecting and the problems she feels it poses for organizations showing art; her attitudes about displaying art in the 1970s; growing up in a small town in Southern Illinois; spending summers as a child in South Dakota; her musical training; art in relation to Midwestern cultural values; her work on the exhibition "Stalin's Choice: Soviet Socialist Realism, 1932-1956" in 1993; her degree in music and the philosophy of aesthetics from Lawrence University; taking classes at the University of Chicago; moving to New York and deciding to focus on visual arts; her time in Europe and the various jobs she took while abroad including teaching, inspecting monuments for the Society for Ancient Buildings and Monuments, writing about animals, selling and transporting used cars, and serving as an artist liaison; and the exhibitions she saw during her travels.
Heiss also discusses trips she made across the United States after returning from Europe; working as a band road crew manger; her work in 1993 on the John Cage tribute show for the Venice Biennale called "Il Suono Rapido delle Cose" and the album produced in conjunction with the show called Caged/Uncaged - A Rock/Experimental Homage To John Cage; her marriage to the artist Jene Highstein and their friendships with the artists Richard Nonas and Gordon Matta-Clark; her return to New York from Europe around 1970 and her use of old or abandoned real estate as locations for contemporary art exhibitions; her first show, "Under the Brooklyn Bridge" in 1971; founding PS1; her work as a parole officer and her exposure to the culture of Harlem; the various shows held at PS1; urban art spaces in New York including the New Museum and the Coney Island Sculpture Museum; her exhibition space on Bleecker Street in New York; her disenchantment with the idea of community art; her work with Tom Finkelpearl; the way she publicized exhibitions; the underground culture of the 1970s; and the relationship between the Museum of Modern Art and PS1 and their eventual merger.
Biographical / Historical:
Alanna Heiss (1943-) is director of Art International Radio in New York, New York. James McElhinney (1952-) is an artist and educator in New York, New York.
General:
Originally recorded on 1 sound disc. Reformatted in 2010 as 4 digital wav files. Duration is 3 hr., 39 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Teachers  Search this
Topic:
Arts administrators -- New York (State) -- New York -- Interviews  Search this
Curators -- New York (State) -- New York -- Interviews  Search this
Gallery directors -- New York (State) -- New York -- Interviews  Search this
Function:
Art galleries, Commercial -- New York (State) -- New York
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.heiss10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-heiss10

Oral history interview with Russell and Jean Lee, 1964 June 2

Interviewee:
Lee, Russell Werner, 1903-1986  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Evans, Walker  Search this
Rothstein, Arthur  Search this
Vachon, John  Search this
Vanderbilt, Paul  Search this
United States  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Photography, Artistic  Search this
Documentary photography  Search this
Arts administrators -- Texas -- Austin -- Interviews  Search this
Photographers -- Texas -- Austin -- Interviews  Search this
Record number:
(DSI-AAA_CollID)12176
(DSI-AAA_SIRISBib)213619
AAA_collcode_lee64
Theme:
Photography
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213619
Online Media:

Oral history interview with Peter Cramer and Jack Waters, 2007 September 6-October 9

Interviewee:
Cramer, Peter Francis, 1963?-  Search this
Interviewer:
Waters, Jack, 1954-  Search this
Subject:
Gonzalez-Torres, Felix  Search this
Moore, Alan  Search this
Acierno, Lou  Search this
Gamper, Christa  Search this
George, Carl  Search this
Karlen, Joan  Search this
Howland, Becky  Search this
Keene, Michael  Search this
Kurtti, George  Search this
Schloss, Arlene  Search this
Smith, Kiki  Search this
Taylor, Brad  Search this
Taylor, Brian  Search this
Collaborative Projects, Inc.  Search this
ABC No Rio (New York, N.Y.)  Search this
New York (N.Y.)  Search this
Artist's Spaces Archives  Search this
Type:
Sound recordings
Interviews
Record number:
(DSI-AAA_CollID)13659
(DSI-AAA_SIRISBib)273737
AAA_collcode_cramer07
Theme:
African American
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_273737
Online Media:

Oral history interview with Charlotte Aiken and Helen Wool, 1964 April 17

Interviewee:
Aiken, Charlotte C.  Search this
Interviewer:
Doud, Richard Keith  Search this
Subject:
Stryker, Roy Emerson  Search this
United States  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Photography -- 20th century -- History -- United States  Search this
Arts administrators -- Washington (D.C.) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11653
(DSI-AAA_SIRISBib)213233
AAA_collcode_aiken64
Theme:
Photography
New Deal
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213233
Online Media:

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