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Lucy R. Lippard papers

Creator:
Lippard, Lucy R.  Search this
Names:
Addison Gallery of American Art  Search this
Alliance for Cultural Democracy  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Political Art Documentation/Distribution (Organization)  Search this
Printed Matter, Inc.  Search this
Studio International (Firm)  Search this
University of Colorado -- Faculty  Search this
Women's Caucus for Art  Search this
Andre, Carl, 1935-  Search this
Chicago, Judy, 1939-  Search this
Darboven, Hanne  Search this
Edelson, Mary Beth  Search this
Hammond, Harmony  Search this
Henes, Donna  Search this
Johnson, Ray, 1927-  Search this
Judd, Donald, 1928-  Search this
LeWitt, Sol, 1928-2007  Search this
Pearson, Henry, 1914-2006  Search this
Stevens, May  Search this
Extent:
56.5 Linear feet
0.454 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sound recordings
Interviews
Photographs
Date:
1930s-2007
bulk 1960-1990
Summary:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.
Scope and Contents:
The papers of New York and New Mexico writer, art critic, and curator, Lucy R. Lippard, measure 56.5 linear feet and 0.454 GB and date from the 1930s to 2007, with the bulk of the material dating from the 1960s to the 1990s. Over half of the collection consists of correspondence files documenting Lippard's professional relationships with artists, writers, galleries, art institutions, and political organizations, and her interest in conceptual and minimalist art, feminism and political activism. Also found are Lippard's notes and writings including sound recordings and interviews, teaching and exhibition files, printed and digital material, several works of art, and photographs of artwork and artists. Scattered throughout the collection are a small number of records concerning Lippard's personal life. An addition of 3.0 linear feet donated 2015 includes subject files on feminist and conceptual art as well as land use, development, and local politics and history in New Mexico.

A small amount of biographical material comprises resumes and an address book.

Correspondence files document all aspects of Lippard's professional life including her relationships with artists such as Carl Andre, Judy Chicago, Hanne Darboven, Ray Johnson, Sol LeWitt, and Henry Pearson; feminist artists including Mary Beth Edelson, Harmony Hammond, Donna Henes, and May Stevens; political and art-related activist groups such as Alliance for Cultural Democracy, Art Workers Coalition, Political Art Documentation/Distribution, Printed Matter, and Women's Caucus for Art; galleries and museums including Addison Gallery of American Art and the Museum of Modern Art, and publishers including Art International and Art Forum. The series also traces the development of Lippard's involvement in activist causes including censorship and the rights of artists, Central America and the impact of U.S. policy on the region, and equality and reproductive rights for women, as well as her interest in conceptual and minimalist art. The series includes scattered artwork and photographs of artists.

Writings are primarily by Lippard and include correspondence, manuscript drafts, extensive notes, and publication records for some of her best-known books such as The Graphic Work of Philip Evergood (1966), Six Years: The Dematerialization of the Art Object (1973), Eva Hesse (1976), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990), as well as essays for publications such as Art Forum and Studio International and contributions to exhibition catalogs. Also found are edited transcripts from conferences, symposia and interviews conducted by and of Lippard, some audio recordings of interviews and symposia, including an interview with Donald Judd, and notes and typescripts for lectures and speeches.

A small number of files document Lippard's teaching work during the 1970s and 1980s, primarily at the University of Colorado, Boulder where she taught several courses and seminars.

Exhibition files document Lippard's involvement with exhibitions she helped to organize or curate such as A Different War: Vietnam in Art (1989-1991) 557,087 and 955,000 (1969, 1970), 2,972, 453 (1971) c.7,500 (1973-1974) and those for which she wrote catalog contributions.

Printed material includes a collection of articles written by Lippard and a small amount of material concerning events, such as speaking engagements, in which Lippard was involved. Other printed material reflects Lippard's wide range of artistic, political and activist interests and documents exhibitions and performances and the activities of art-related and political groups. Material includes many exhibition catalogs, announcements, invitations, printed posters, news clippings, journal articles, brochures, pamphlets and other publications.

Artwork includes sixteen items by unidentified artists, including two by children. Photographs consist primarily of photographs of works of art in addition to a small number of photos of exhibition installations.
Arrangement:
The collection is arranged as eight series:

Series 1: Biographical Material, circa 1960s-circa 1980s (Box 1; 2 folders)

Series 2: Correspondence, 1950s-2006 (Boxes 1-28, 51, OVs 54-63; 28.8 linear feet)

Series 3: Writings, 1930s-1990s (Boxes 28-41, 51-52, OVs 64-66; 13.24 linear feet, ER01; 0.454 GB)

Series 4: Teaching Files, 1966-1993 (Boxes 41, 52; 0.76 linear feet)

Series 5: Exhibitions, 1960s-1990s (Boxes 42-45, 52, OVs 67-68; 4.2 linear feet)

Series 6: Printed Material, 1940s-2007 (Boxes 45-49, 52, OVs 69-77; 5.3 linear feet)

Series 7: Artwork and Ephemera, circa 1960s-circa 1990s (Boxes 50, 53; 4 folders)

Series 8: Photographs, 1950s-circa 1990s (Boxes 50, 53, OV 71; 1.0 linear foot)
Biographical / Historical:
New York and New Mexico writer and art critic, Lucy R. Lippard, is the curator of numerous exhibitions and the author of over twenty-four books and other writings that trace the emergence of minimalist and conceptual art and document Lippard's commitment to feminism and political activism.

Born in New York City in 1937, Lippard earned a B.A. from Smith College in 1958 and an M.A. in 1962 from New York University's Institute of Fine Arts. In the 1960s she began writing art criticism for the journals Art International and Artforum. In 1966 she curated the landmark exhibition Eccentric Abstraction at the Fischbach Gallery in New York City. Lippard then curated the first of four defining conceptual art exhibitions that became known as her "numbers" shows, each titled after the populations of the cities in which they took place, with catalogs in the form of a set of 10 x 15 cm index cards. Opening at the Seattle Art Museum in 1969, 557,087 was followed by 955,000 in Vancouver, Canada, a few months later. 2,972,453 was held at the Centro de Arte y Comunicacíon in Buenos Aires in 1971 and c.7500 opened in Valencia, California, in 1973-1974 before traveling to several other venues in the United States and Europe.

Lippard's first book, The Graphic Work of Philip Evergood was published in 1966, followed by Pop Art the same year, and a collection of her early essays, Changing, in 1971. Six Years: The Dematerialization of the Art Object (1973) and From the Center: Feminist Essays on Women's Art (1976) documented the emergence of conceptual art and the early years of feminist art respectively. In 1976 Lippard published her seminal book on the life and work of Eva Hesse.

Between 1977 and 1978 Lippard lived on a farm in Devon, England, and worked on a novel, The First Stone, about the role of politics in the lives of three generations of women. During her walks across the English countryside she became interested in landscape art and conceived of her book Overlay: Contemporary Art and the Art of Prehistory which was subsequently published in 1983. Other books include Get the Message?: A Decade Of Art For Social Change (1984), Ad Reinhardt (1985), and Mixed Blessings: New Art in a Multicultural America (1990). Lippard has also written regular columns on art and politics for the Village Voice, In These Times and Z Magazine, and has been a contributing editor of Art in America.

Lippard was radicalized during a trip to Argentina in 1968 when she was invited to be a juror at the Museo Nacional de Bellas Artes in Buenos Aires. On her return to the United States she became heavily involved in anti-war activities and the Art Workers Coalition. She is a co-founder of several feminist and artist organizations including the feminist collective Heresies, which produced Heresies: A Feminist Journal on Art and Politics from 1977-1992, Ad Hoc Women Artists, Alliance for Cultural Democracy, Artists Call Against U.S. Intervention in Central America, Women's Action Coalition, and Women's Art Registry. In 1976 she was a founder of Printed Matter, a New York nonprofit dedicated to producing artists' publications. She also worked closely with Franklin Furnace, an artist-run space devoted to the promotion of artists' books, installation art, and video and performance art, and served on the organization's International Committee.

Lippard has been a visiting professor at the School of Visual Arts, the University of Colorado, Boulder, and the University of Queensland, Australia, and was Eminent Artist in Residence at the University of Wyoming Department of Art in 2015. She has received honorary doctorates in fine arts from Maine College of Art, the Massachusetts College of Art, Moore College of Art, San Francisco Art Institute, and others, and awards including a Guggenheim Fellowship, two National Endowment for the Arts grants in criticism, the Smith College Medal, the ArtTable Award for Distinguished Service to the Visual Arts, and the Bard College Center for Curatorial Studies Award for Excellence.

Lippard has lived in New Mexico since 1992 and works as a freelance writer and speaker.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Lucy Lippard conducted in 2011 March 15, by Sue Heinemann, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, funded by a grant from the A G Foundation.
Provenance:
Lucy R. Lippard donated her papers in several increments between 1972-1995, and 2006.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics  Search this
Topic:
Curators -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century  Search this
Artists -- Political activity  Search this
Authors -- New York (State) -- New York  Search this
Conceptual art  Search this
Art criticism -- New York (State) -- New York  Search this
Feminism and art  Search this
Minimal art  Search this
Genre/Form:
Sound recordings
Interviews
Photographs
Citation:
Lucy R. Lippard papers, 1930s-2007, bulk 1960s-1990s. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.lipplucy
See more items in:
Lucy R. Lippard papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-lipplucy
Online Media:

Elaine de Kooning papers, circa 1959-2013

Creator:
De Kooning, Elaine, 1918-1989  Search this
Subject:
De Kooning, Willem  Search this
Chessman, Caryl  Search this
Kennedy, John F. (John Fitzgerald)  Search this
Type:
Photographs
Transcripts
Interviews
Scrapbooks
Sound recordings
Topic:
Artists -- Political activity  Search this
Capital punishment  Search this
Abstract expressionism  Search this
Women artists -- New York (State)  Search this
Record number:
(DSI-AAA_CollID)11090
(DSI-AAA_SIRISBib)239307
AAA_collcode_dekoelas
Theme:
Photography
Art Movements and Schools
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_239307
Online Media:

Elaine de Kooning papers

Creator:
De Kooning, Elaine  Search this
Names:
Chessman, Caryl, 1921-1960  Search this
De Kooning, Willem, 1904-1997  Search this
Kennedy, John F. (John Fitzgerald), 1917-1963  Search this
Extent:
1.1 Linear feet
0.003 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Transcripts
Interviews
Scrapbooks
Sound recordings
Date:
circa 1959-2013
Summary:
The scattered papers of Abstract Expressionist painter Elaine de Kooning are dated circa 1959-2013 and measure 1.1 linear feet and 0.003 GB. Found within the papers are letters, writings, a sketch of John F. Kennedy, notes, a sound recording, a few documents regarding Willem de Kooning, transcripts of interviews of de Kooning, transcripts of recorded conversations between de Kooning and others, and transcripts of lectures by de Kooning and others. There are a few photographs of de Kooning and of de Kooning with others, including John F. Kennedy, artist James Bohary, and Ad Reinhardt, and of artwork. Most of the transcripts and few photographs are digitized. Also found are printed materials and two scrapbooks containing a variety of documents about de Kooning's protest against the death penalty and efforts to save the life of convicted criminal Caryl Chessman.
Scope and Contents:
The scattered papers of Abstract Expressionist painter Elaine de Kooning are dated circa 1959-2013 and measure 1.1 linear feet and 0.003 GB. Found within the papers are letters, writings, a sketch of John F. Kennedy, notes, a sound recording, a few documents regarding Willem de Kooning, transcripts of interviews of de Kooning, transcripts of recorded conversations between de Kooning and others, and transcripts of lectures by de Kooning and others. There are a few photographs of de Kooning and of de Kooning with others, including John F. Kennedy, artist James Bohary, and Ad Reinhardt, and of artwork. Most of the transcripts and few photographs are digitized. Also found are printed materials and two scrapbooks containing a variety of documents about de Kooning's protest against the death penalty and efforts to save the life of convicted criminal Caryl Chessman.
Arrangement:
The collection is arranged as 5 series:

Series 1: Personal Papers, circa 1960s-1989 (Boxes 1, 3; 0.2 linear feet)

Series 2: Interviews, Conversations, and Lectures, 1978-1988 (Box 1, ER01; 0.3 linear feet, 0.001 GB)

Series 3: Photographs, circa 1960s (Box 2, ER02; 4 folders, 0.002 GB)

Series 4: Printed Material, 1961-1982 (Boxes 2-3; 5 folders)

Series 5: Scrapbooks, circa 1959-1962 (Boxes 2-3: 0.3 linear ft.)
Biographical / Historical:
Elaine de Kooning (1918-1989) was an Abstract Expressionist painter, teacher and writer who lived and worked in New York City and East Hampton, N.Y.

Born in Brooklyn, New York, de Kooning studied briefly at Hunter College before enrolling at the Leonardo da Vinci Art School in New York City. She had her first solo exhibition in 1952 at the Stable Gallery in New York and has paintings in the permanent collections of the Museum of Modern Art, the Solomon R. Guggenheim Museum and other institutions. She taught at Yale University, Carnegie Mellon Institute, University of Pennsylvania and other colleges and art schools. Elaine de Kooning died of lung cancer in 1989 at Southampton Hospital in Southampton, New York. Willem de Kooning, her husband of 48 years, survived her.
Related Materials:
Among the holding of the Archives is an oral history interview conducted in 1981 by Phyllis Tuchman, for the Archives of American Art's Mark Rothko and His Times oral history project. Also found is a collection of Elaine and Willem de Kooning financial records.
Provenance:
The collection was donated to the Archives of American Art in 2003 by Denise Lassaw, de Kooning's goddaughter and her mother Ernestine Lassaw, and in 2013-2015 by Denise Lassaw. Interview transcripts and lectures were donated in 2015 by Doris Aach, a friend who transcribed them for de Kooning.
Restrictions:
Use of original materials requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- New York (State)  Search this
Painters -- New York (State)  Search this
Topic:
Artists -- Political activity  Search this
Capital punishment  Search this
Abstract expressionism  Search this
Women artists -- New York (State)  Search this
Genre/Form:
Photographs
Transcripts
Interviews
Scrapbooks
Sound recordings
Citation:
Elaine de Kooning papers, circa 1959-1989. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dekoelas
See more items in:
Elaine de Kooning papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-dekoelas
Online Media:

Lucy R. Lippard papers, 1930s-2007, bulk 1960-1990

Creator:
Lippard, Lucy R., 1937-  Search this
Subject:
Chicago, Judy  Search this
Andre, Carl  Search this
Stevens, May  Search this
Pearson, Henry  Search this
Darboven, Hanne  Search this
Henes, Donna  Search this
Hammond, Harmony  Search this
LeWitt, Sol  Search this
Edelson, Mary Beth  Search this
Judd, Donald  Search this
Johnson, Ray  Search this
Art Workers Coalition  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Alliance for Cultural Democracy  Search this
Studio International  Search this
University of Colorado  Search this
Political Art Documentation/Distribution  Search this
Printed Matter, Inc.  Search this
Addison Gallery of American Art  Search this
Women's Caucus for Art  Search this
Type:
Sound recordings
Interviews
Photographs
Topic:
Curators -- New York (State) -- New York  Search this
Art -- Study and teaching  Search this
Art, Modern -- 20th century  Search this
Artists -- Political activity  Search this
Authors -- New York (State) -- New York  Search this
Conceptual art  Search this
Art criticism -- New York (State) -- New York  Search this
Feminism and art  Search this
Minimal art  Search this
Record number:
(DSI-AAA_CollID)7895
(DSI-AAA_SIRISBib)210062
AAA_collcode_lipplucy
Theme:
Women
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210062
Online Media:

Katherine Thayer Hobson papers, 1930-1982

Creator:
Hobson, Katherine Thayer, 1889-1982  Search this
Type:
Photographs
Sketches
Topic:
Artists -- Political activity  Search this
Women artists  Search this
Anti-communist movements  Search this
Sculptors -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)7050
(DSI-AAA_SIRISBib)209183
AAA_collcode_hobskath
Theme:
Women
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209183
Online Media:

Katherine Thayer Hobson papers

Creator:
Hobson, Katherine Thayer, 1889-1982  Search this
Extent:
0.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Date:
1930-1982
Summary:
The papers of sculptor Katherine Hobson Thayer measure 0.6 linear feet and date from 1930 to 1982. Found within the collection are personal and professional correspondence; writings on art and anticommunist activities; printed materials; sketches; and photographs and slides of Hobson, her friends, and her artwork.
Scope and Contents:
The papers of sculptor Katherine Hobson Thayer measure 0.6 linear feet and date from 1930 to 1982. Found within the collection are personal and professional correspondence; writings on art and anticommunist activities; printed materials; sketches; and photographic materials of Hobson, her friends, and her artwork.
Arrangement:
The collection is arranged as one series.

Series 1: Personal papers, 1930-1982 (0.6 linear feet; Box 1-2)
Biographical / Historical:
Sculptor Katherine Thayer Hobson (1889-1982) lived and worked in New York City. She is known for her sculptures of racehorses, war memorials, and portrait busts.

Hobson was born in Denver, Colorado and received her education in the United States and continued her art studies in Europe. Her early career focused on commissioned portrait busts, war memorials, and relief sculptures, including a relief of St. George (1945) at St. James Episcopal Church in New York City, and a World War I memorial installed in Dresden during the 1920s. In the mid-1960s, after watching the horse Buckpasser win a stakes race, Hobson sculpted his bust, after which she earned additional commissions for the racehorses Dr. Fager and Ruffian.

She was a member of the National Sculpture Society, the American Artists Professional League (AAPL), and the Society of Western Artists. Two awards, the AAPL's Katherine Thayer Hobson Award, and Pen and Brush's Katherine Thayer Hobson Memorial Award, are given in her honor. Hobson died in her home in New York City in 1982.
Provenance:
Katherine Thayer Hobson donated her papers to the archives in 1979. Additional material was donated by Hobson's sister, Eleanor Hobson McKenzie, in 1982.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- Political activity  Search this
Women artists  Search this
Anti-communist movements  Search this
Sculptors -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Sketches
Citation:
Katherine Thayer Hobson papers, 1930-1982. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.hobskath
See more items in:
Katherine Thayer Hobson papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-hobskath

Philip Evergood papers, 1890-1971

Creator:
Evergood, Philip Howard, 1901-1973  Search this
Subject:
Kent, Rockwell  Search this
Kleinholz, Frank  Search this
Kroll, Leon  Search this
Kuniyoshi, Yasuo  Search this
Miró, Joan  Search this
Smith, Charles Edward  Search this
Type:
Watercolors
Sound recordings
Transcripts
Scrapbooks
Sketches
Oil paintings
Photographs
Interviews
Topic:
Painters -- New York (State) -- New York  Search this
Artists -- Political activity  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)8865
(DSI-AAA_SIRISBib)211050
AAA_collcode_everphil
Theme:
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211050
Online Media:

Philip Evergood papers

Creator:
Evergood, Philip, 1901-1973  Search this
Names:
Kent, Rockwell, 1882-1971  Search this
Kleinholz, Frank, 1901-  Search this
Kroll, Leon, 1884-1974  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Miró, Joan, 1893-  Search this
Smith, Charles Edward, 1904-1970  Search this
Extent:
11.61 Linear feet
Type:
Collection descriptions
Archival materials
Watercolors
Sound recordings
Transcripts
Scrapbooks
Sketches
Oil paintings
Photographs
Interviews
Date:
1890-1971
Summary:
The papers of painter Philip Evergood measure 11.61 linear feet and date from 1890 to 1971. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, speeches, and sound recordings of radio appearances; subject files; personal business records; printed material; scrapbooks; artwork, including oil paintings, sketches, and childhood drawings; and photographs of Evergood, his family and friends, and his work.
Scope and Contents:
The papers of painter Philip Evergood measure 11.61 linear feet and date from 1890 to 1971. Found within the papers are biographical materials; personal and business correspondence; writings, including essays, lectures, speeches, and sound recordings of radio appearances; subject files; personal business records; printed material; scrapbooks; artwork, including oil paintings, sketches, and childhood drawings; and photographs of Evergood, his family and friends, and his work.

Biographical materials include curriculum vitae, forms, memberships, and the contact information of friends and acquaintances. Correspondence is with business associates and artists, including Charles Edward Smith, Rockwell Kent, Frank Kleinholz, Leon Kroll, Joan Miro, and Yasuo Kuniyoshi. Writings consist primarily of Evergood's artist statements, essays, lectures and speeches, as well as notes, transcripts, and recordings of broadcast radio shows. Subject files focus on art institutions and organizations, funding opportunities, and political topics of personal interest.

Personal business records include artist lists, contracts with galleries, and banking and estate records. Printed materials include clippings, four clippings scrapbooks, exhibition catalogs, and periodicals with articles featuring Evergood. There are loose sketches and mixed media, including oils and watercolors, of Evergood's artwork. Photographs are of Evergood, his friends and family, and photographs and negatives of his artwork.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Materials, 1930-1971 (0.2 linear feet; Box 1, 24, OV 13)

Series 2: Correspondence, 1930-1970 (3.6 linear feet; Boxes 1-4, 24)

Series 3: Writings, 1905-1970 (1.8 linear feet; Boxes 4-5, 24)

Series 4: Subject Files, 1919-1971 (0.7 linear feet; Boxes 5-6)

Series 5: Personal Business Records, 1902-1970 (0.5 linear feet; Box 6)

Series 6: Printed Material, 1914-1970 (2.4 linear feet; Boxes 7-9, 11, 24)

Series 7: Scrapbooks, 1924-1954 (0.6 linear feet; Boxes 11-12)

Series 8: Artwork, 1905-1970 (1.5 linear feet; Box 9, OV 14-20, 24, OV 25, RD 23)

Series 9: Photographic Materials, 1890-1970 (1.2 linear feet; Boxes 9-10, 24, OV 21-22, 26-27)
Biographical / Historical:
Painter and printmaker Philip Evergood (1901-1973) lived and worked in New York City and Bridgewater, Connecticut and was known as an expressionist and social realist who incorporated elements of the fantastic into his works. A native New Yorker, Evergood's father, Miles Blashki, was a Polish-Australian artist, and his mother, Flora Jane Perry, was English. At his mother's insistence, Evergood attended boarding schools in England and graduated from Eton in 1919. He left Cambridge University to pursue art studies at London's Slade School of Fine Arts and returned to America in 1923 to study with George Luks at the Art Students League.

In 1927, Evergood held his first one man show at New York's Dudensing Gallery and continued to travel back and forth between France, Spain, and America throughout the 1920s. In 1931, he married dancer and actress Julia Cross and found work as a muralist and painter for the WPA Federal Arts Project in the early 1930s. From 1937-1938, he served as president of the New York Artists Union and, along with other social realist painters, joined Herman Baron's stable at the ACA (American Contemporary Art) Gallery, where he exhibited several one man shows during the late 1930s and 1940s.

During the 1940s and 1950s, Evergood was a popular lecturer and taught at art schools, including the Skowhegan School, and began producing large scale lithographs and etchings along with his paintings. While working as a picture framer for additional income, he met the art collector Joseph Hirshhorn who would purchase 10 artworks at their first meeting and become a life long patron. He continued to exhibit his work at the ACA Gallery and the annual contemporary shows of major museums, such as the Carnegie Institute and the Art Institute of Chicago. Evergood exhibited in over 35 exhibitions, including a retrospective at the Whitney Museum in 1960, and died in a house fire in Bridgewater in 1973.
Related Materials:
Also found in the Archives of American Art are Letters from Philip Evergood; Gael Hammer letters relating to Miles and Philip Evergood; an oral history interview with Philip Evergood by Forrest Selvig, December 3, 1968; and Philip Evergood interview with John I.H. Baur, June 1959.
Provenance:
Philip Evergood donated his papers to the Archives in 1971. Additional materials were donated in 1974 by Evergood's wife, Julia Cross Evergood. In 1977, two typescripts of essays were donated by Abram Lerner. A small addition was donated in 2018 by Kendall Taylor, who originally received the material from Julia Cross Evergood.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate access copy requires advance notice. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Painters -- New York (State) -- New York  Search this
Artists -- Political activity  Search this
Art, Modern -- 20th century -- New York (State) -- New York  Search this
Genre/Form:
Watercolors
Sound recordings
Transcripts
Scrapbooks
Sketches
Oil paintings
Photographs
Interviews
Citation:
Philip Evergood papers, 1890-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.everphil
See more items in:
Philip Evergood papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-everphil

Oral history interview with Dore Ashton, 2010 November 21 - 2011 March 9

Interviewee:
Ashton, Dore, 1928-2017  Search this
Interviewer:
Sampson, George E., 1951-  Search this
Subject:
De Kooning, Willem  Search this
Devree, Howard  Search this
Guston, Philip  Search this
Kline, Franz  Search this
Klüver, Billy  Search this
Motherwell, Robert  Search this
Orlovsky, Peter  Search this
Paz, Octavio  Search this
Rauschenberg, Robert  Search this
Reynal, Jeanne  Search this
Rothko, Mark  Search this
Selz, Peter Howard  Search this
Smith, David  Search this
Yunkers, Adja  Search this
Cooper Union for the Advancement of Science and Art  Search this
Harvard University  Search this
New School for Social Research  Search this
New York Times Company  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Type:
Sound recordings
Interviews
Topic:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
World War, 1939-1945 -- Evacuation of civilians  Search this
Authors -- New York (State) -- New York -- Interviews  Search this
Artists -- Political activity  Search this
Record number:
(DSI-AAA_CollID)15918
(DSI-AAA_SIRISBib)297206
AAA_collcode_ashton10
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_297206
Online Media:

Oral history interview with Dore Ashton

Interviewee:
Ashton, Dore  Search this
Sampson, George E., 1951-  Search this
Creator:
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Names:
Cooper Union for the Advancement of Science and Art -- Faculty  Search this
Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this
Harvard University -- Students  Search this
New School for Social Research (New York, N.Y.) -- Students  Search this
New York Times Company  Search this
De Kooning, Willem, 1904-1997  Search this
Devree, Howard, 1891-1966  Search this
Guston, Philip, 1913-1980  Search this
Kline, Franz, 1910-1962  Search this
Klüver, Billy, 1927-2004  Search this
Motherwell, Robert  Search this
Orlovsky, Peter, 1933-2010  Search this
Paz, Octavio, 1914-  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reynal, Jeanne, 1903-  Search this
Rothko, Mark, 1903-1970  Search this
Selz, Peter Howard, 1919-2019  Search this
Smith, David, 1906-1965  Search this
Yunkers, Adja, 1900-1983  Search this
Extent:
67 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2010 November 21 - 2011 March 9
Scope and Contents:
An interview of Dore Ashton conducted 2010 November 21 and 2011 March 9, by George W. Sampson, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Ashton's home, in New York, New York.
Ashton talks about growing up politically active; protesting the internment of the Japanese Americans during WWII; attending The New School and then Harvard University; briefly working as a gallery receptionist; writing her first reviews for Art Digest; Howard Devree hiring her as a writer for The New York Times; travels and living in Europe; writing feature pieces about individual artists for The New York Times; writing for Cahiers d'art; her relationships Franz Kline, Willem de Kooning, Mark Rothko, Philip Guston, Robert Motherwell, Billy Kluver, Robert Rauschenberg, Octavio Paz, and others; marriage to Adja Yunkers; teaching at Cooper Union; interest in Latin American Art; flirting; being a "dedicated reader of Nietzsche"; visits to the Cedar Tavern; being a peacenik; and other topics. She recalls Jeanne Reynal, Mario Pedrosa, Alger Hiss, Peter Selz, Peter Orlovsky, David Smith, and others.
Biographical / Historical:
Dore Ashton (1928-2017) was an art historian in New York, New York. George W. Sampson (1951-) is an arts administrator in Charlottesville, Virginia.
General:
Originally recorded on 2 memory cards. Duration is 2 hr., 57 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Art historians -- New York (State) -- New York -- Interviews  Search this
Topic:
Japanese Americans -- Evacuation and relocation, 1942-1945  Search this
World War, 1939-1945 -- Evacuation of civilians  Search this
Authors -- New York (State) -- New York -- Interviews  Search this
Artists -- Political activity  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.ashton10
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-ashton10

Oral history interview with Ben Shahn, 1968 September 27

Interviewee:
Shahn, Ben, 1898-1969  Search this
Interviewer:
Selvig, Forrest  Search this
Subject:
United States  Search this
Type:
Interviews
Topic:
Art, American  Search this
Painters -- New Jersey -- Roosevelt -- Interviews  Search this
Art -- Philosophy  Search this
Artists -- Political activity  Search this
Record number:
(DSI-AAA_CollID)13314
(DSI-AAA_SIRISBib)213091
AAA_collcode_shahn68
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213091

Oral history interview with Ben Shahn

Creator:
Shahn, Ben, 1898-1969  Search this
Interviewer:
Selvig, Forrest  Search this
Names:
United States. Work Projects Administration  Search this
Extent:
35 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1968 September 27
Scope and Contents:
Interview of Ben Shahn conducted by Forrest Selvig for the Archives of American Art.
Biographical / Historical:
Ben Shahn (1898-1969) was a painter in Roosevelt, New Jersey.
Provenance:
This interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Patrons must use transcript.
Topic:
Art, American  Search this
Painters -- New Jersey -- Roosevelt -- Interviews  Search this
Art -- Philosophy  Search this
Artists -- Political activity  Search this
Genre/Form:
Interviews
Identifier:
AAA.shahn68
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shahn68

Oral history interview with Ben Shahn

Interviewee:
Shahn, Ben, 1898-1969  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington), 1920-  Search this
Creator:
New Deal and the Arts Oral History Project  Search this
Names:
New Deal and the Arts Oral History Project  Search this
Rivera, Diego, 1886-1957  Search this
Extent:
32 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1965 October 3
Scope and Contents:
An interview of Ben Shahn conducted 1965 October 3, by Harlan Phillips, for the Archives of American Art New Deal and the Arts Project.
Biographical / Historical:
Ben Shahn (1898-1969) was a painter and photographer from Roosevelt, N.J.
General:
An interview of Charles Alston (9/28/65) conducted by H. Phillips is also on this tape.
Originally recorded 1 sound tape reel. Reformatted in 2010 as 1 digital wav file. Duration is 1 hr., 37 min.
Provenance:
This interview conducted as part of the Archives of American Art's New Deal and the Arts project, which includes over 400 interviews of artists, administrators, historians, and others involved with the federal government's art programs and the activities of the Farm Security Administration in the 1930s and early 1940s.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Painters -- New Jersey -- Interviews  Search this
Topic:
Federal aid to the arts  Search this
Painting, American  Search this
Art -- Economic aspects  Search this
Painting -- Technique  Search this
Mural painting and decoration  Search this
Artists -- Political activity -- California  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.shahn65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-shahn65

Oral history interview with Ben Shahn, 1965 October 3

Interviewee:
Shahn, Ben, 1898-1969  Search this
Interviewer:
Phillips, Harlan B. (Harlan Buddington),, 1920-  Search this
Subject:
Rivera, Diego  Search this
New Deal and the Arts Oral History Project  Search this
Type:
Sound recordings
Interviews
Topic:
Federal aid to the arts  Search this
Painting, American  Search this
Art -- Economic aspects  Search this
Painting -- Technique  Search this
Mural painting and decoration  Search this
Artists -- Political activity -- California  Search this
Record number:
(DSI-AAA_CollID)12500
(DSI-AAA_SIRISBib)213824
AAA_collcode_shahn65
Theme:
New Deal
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_213824

Albert Eugene Kahn papers, 1948-1970

Creator:
Kahn, Albert Eugene, 1912-1979  Search this
Subject:
Kent, Rockwell  Search this
Topic:
Social action -- California  Search this
Photography, Artistic -- California  Search this
Artists -- Political activity -- California  Search this
Record number:
(DSI-AAA_CollID)9024
(DSI-AAA_SIRISBib)211213
AAA_collcode_kahnalbe
Theme:
Lives of American Artists
Photography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211213

Albert Eugene Kahn papers

Creator:
Kahn, Albert Eugene, 1912-1979  Search this
Names:
Kent, Rockwell, 1882-1971  Search this
Extent:
858 Items ((on 2 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1948-1970
Scope and Contents:
Correspondence and printed material, mainly regarding Rockwell Kent.
REEL 2033: Correspondence with Rockwell Kent; carbon copies of letters from Kent to newspaper editors, politicians, and political activists, including Harold Kastner, J. Howard McGrath, Senator William Benton, Thomas E. Dewey, Nikita Khrushchev, and others; carbon copies of letters to Kent from Diego Rivera, Eliot White, and others; a copy of a letter from Darwin J. Meserole to Harry S. Truman; letters from Sally Kent and Henriette ("Riette") Kahn, containing newspaper clippings, a typescript of a poem from Rockwell Kent to Riette, a price list with the titles and dimensions of Kent's paintings, and writings by Kahn on Kent; and printed material relating to political activities.
REEL 2300: Correspondence primarily with Kahn and Kent; letters from H. K. Thompson, Jr., Dan Burne Jones, and others; and letters from Kent to Lyndon B. Johnson, Leon Berney, and others. Some letters contain typescripts of writings by Kahn and Kent and printed materials.
Biographical / Historical:
Photographer, social activist, and author; Glen Ellen, Calif. Kahn was a close friend of Rockwell Kent.
Provenance:
Lent for microfilming 1980-1981 by Henriette Kahn, Kahn's widow.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Occupation:
Photographers -- California -- Glen Ellen  Search this
Topic:
Social action -- California  Search this
Photography, Artistic -- California  Search this
Artists -- Political activity -- California  Search this
Identifier:
AAA.kahnalbe
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-kahnalbe

Notes concerning shipyard workers on the S.S. Victory

Creator:
Gellert, Hugo, 1892-1985  Search this
Type:
Writings
Date:
19--
Topic:
Artists--Political activity  Search this
Record number:
(DSI-AAA)10065
See more items in:
Hugo Gellert papers, 1916-1986
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_10065
Online Media:

Assuming boycott : resistance, agency and cultural production / edited by Kareem Estefan, Carin Kuoni, and Laura Raicovich

Editor:
Estefan, Kareem  Search this
Kuoni, Carin  Search this
Raicovich, Laura  Search this
Author:
ProQuest (Firm)  Search this
Physical description:
1 online resource (155 pages)
Type:
Electronic resources
Date:
2017
Topic:
Boycotts  Search this
Artists--Political activity  Search this
Call number:
HD5461 .A878 2017 (Internet)
Restrictions & Rights:
Non-linear.
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1101083

Forget fear : 7th Berlin Biennale für Zeitgenössische Kunst / herausgegeben von Artur Żmijewski und Joanna Warsza

Author:
Berlin Biennale (7th : 2012 : Berlin, Germany)  Search this
Żmijewski, Artur 1966 May 26-  Search this
Warsza, Joanna  Search this
Physical description:
415 pages : illustrations (some color) ; 22 cm
Type:
Exhibitions
Exhibition catalogs
Date:
2012
21st century
Topic:
Art--Political aspects  Search this
Artists--Political activity  Search this
Art and state  Search this
Art and society  Search this
Art, Modern  Search this
Call number:
N6496.3.G3 B37 2012
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1081092

Artistic citizenship : a public voice for the arts / edited by Mary Schmidt Campbell and Randy Martin

Author:
Campbell, Mary Schmidt  Search this
Martin, Randy 1957-  Search this
Physical description:
vi, 212 p. : ill ; 27 cm
Type:
Books
Date:
2006
C2006
Topic:
Arts and society  Search this
Artists--Political activity  Search this
Artists--Social conditions  Search this
Public art--Social aspects  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_822492

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