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Oral history interview with Leroy Davis and Cecily Langdale, 2007 June 26-August 7

Interviewee:
Davis, Leroy, 1922-  Search this
Davis, Leroy, 1922-  Search this
Interviewer:
Langdale, Cecily  Search this
Subject:
Shikler, Aaron  Search this
Barnes, Albert C. (Albert Coombs)  Search this
Bly, Boris  Search this
De Mazia, Violette  Search this
Davis, Terry Ritter  Search this
Bouché, Louis  Search this
Levine, David  Search this
Penn, Arthur  Search this
Hirschl & Adler Galleries  Search this
Tyler School of Art  Search this
Barnes Foundation  Search this
Widgeon Point Charitable Foundation  Search this
Type:
Sound recordings
Interviews
Topic:
Art dealers -- New York (State) -- New York -- Interviews  Search this
Gallery owners -- New York (State) -- New York -- Interviews  Search this
Art dealers -- New York (State) -- New York -- Interviews  Search this
Gallery owners -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)13624
(DSI-AAA_SIRISBib)271983
AAA_collcode_davis07
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_271983
Online Media:

E.P. (Edgar Preston) and Constance Richardson papers, 1814-1996, bulk 1921-1996

Creator:
Richardson, Edgar Preston, 1902-1985  Search this
Richardson, Constance Coleman, 1905-2002  Search this
Richardson, Edgar Preston, 1902-1985  Search this
Subject:
Rutledge, Anna Wells  Search this
Simper, Fred  Search this
McDermott, John Francis  Search this
Speck, Walter  Search this
Stevens, William B.  Search this
Fredericks, Marshall M.  Search this
Castano, Giovanni  Search this
Soria, Regina  Search this
Lynes, Russell  Search this
Frankenstein, Alfred V. (Alfred Victor)  Search this
Hardy, Jeremiah Pearson  Search this
Pleasants, J. Hall (Jacob Hall)  Search this
Garrison, Eve Josephson  Search this
Bishop, Isabel  Search this
Allston, Washington  Search this
Woolfenden, William E. (William Edward)  Search this
Ripley, Sidney Dillon  Search this
Morse, John D.  Search this
Watkins, Franklin Chenault  Search this
Lewis, W. S. (Wilmarth Sheldon)  Search this
Marsh, Reginald  Search this
Sheeler, Charles  Search this
Kuniyoshi, Yasuo  Search this
Bostick, William A.  Search this
Jungwirth, Irene G. (Irene Gayas)  Search this
Oliver, Andrew  Search this
Simpson, Corelli C. W.  Search this
Andrews, Wayne  Search this
Valentiner, Wilhelm Reinhold  Search this
Middeldorf, Ulrich Alexander  Search this
Spark, Victor D. (Victor David)  Search this
Fleischman, Lawrence A. (Lawrence Arthur)  Search this
Sellers, Charles Coleman  Search this
Heil, Walter  Search this
Lee-Smith, Hughie  Search this
Bouché, Louis  Search this
Moser, Liselotte  Search this
Flexner, James Thomas  Search this
Vose, Robert C. (Robert Churchill)  Search this
Cohn, Harold  Search this
Aram, Siegfried F.  Search this
Mast, Gerald  Search this
Krentzin, Earl  Search this
Groce, George C.  Search this
Peale, Charles Willson  Search this
Culver, Charles B. (Charles Beach)  Search this
Wedda, John  Search this
Boyd, Julian P. (Julian Parks)  Search this
O'Keeffe, Georgia  Search this
Wyeth, Andrew  Search this
Hopper, Edward  Search this
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Rockefeller, John D.  Search this
Copeland, Lammot du Pont  Search this
Freeman, Michael W.  Search this
Allen, Joseph  Search this
Peale family  Search this
Castano Galleries (Boston, Mass.)  Search this
Historical Society of Pennsylvania  Search this
Macbeth Gallery  Search this
Archives of American Art  Search this
Philadelphia Museum of Art  Search this
National Collection of Fine Arts (U.S.)  Search this
National Portrait Gallery (Smithsonian Institution)  Search this
Pennsylvania Academy of the Fine Arts  Search this
White House (Washington, D.C.)  Search this
Detroit Institute of Arts  Search this
Henry Francis du Pont Winterthur Museum  Search this
Type:
Photographs
Manuscripts
Interviews
Diaries
Transcripts
Sketches
Lectures
Place:
Detroit (Mich.)
Topic:
Art -- Collectors and collecting  Search this
Painting, American  Search this
Art, American  Search this
Romanticism  Search this
Art -- History -- Study and teaching  Search this
Theme:
Diaries  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)10104
(DSI-AAA_SIRISBib)212990
AAA_collcode_richedga
Theme:
Diaries
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212990
Online Media:

Marlene Park and Gerald E. Markowitz research materials on New Deal Art, 1931-1999

Creator:
Park, Marlene, 1931-  Search this
Markowitz, Gerald E., 1944-  Search this
Park, Marlene, 1931-  Search this
Subject:
Palmer, William  Search this
Magafan, Ethel  Search this
Markowitz, Gerald E.  Search this
Reisman, Philip  Search this
Rothschild, Lincoln  Search this
Burchfield, Charles Ephraim  Search this
Refregier, Anton  Search this
Van Veen, Stuyvesant  Search this
Solman, Joseph  Search this
Sternberg, Harry  Search this
Walton, Marion  Search this
Alston, Charles Henry  Search this
Bolotowsky, Ilya  Search this
Barnet, Will  Search this
Brooks, James  Search this
Cadmus, Paul  Search this
Cronbach, Robt. (Robert M.)  Search this
Citron, Minna Wright  Search this
Gottlieb, Adolph  Search this
Gellert, Hugo  Search this
Bouché, Louis  Search this
King, Roy E.  Search this
Katz, Leo  Search this
Lanning, Edward P.  Search this
Kotin, Albert  Search this
National Personnel Records Center (U.S.)  Search this
United States. Work Projects Administration  Search this
Type:
Sound recordings
Interviews
Transcripts
Photographs
Topic:
Federal aid to the arts  Search this
Theme:
Government Sponsorship of the Arts  Search this
Record number:
(DSI-AAA_CollID)6277
(DSI-AAA_SIRISBib)216622
AAA_collcode_parkmarl
Theme:
Government Sponsorship of the Arts
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216622
Online Media:

Oral history interview with Miriam Colwell, 2005 June 10-11

Interviewee:
Colwell, Miriam, 1917-2014  Search this
Colwell, Miriam, 1917-2014  Search this
Interviewer:
Larsen, Susan C., 1946-  Search this
Subject:
Hall, Chenoweth  Search this
Hartley, Marsden  Search this
Type:
Sound recordings
Interviews
Topic:
Women authors  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)12673
(DSI-AAA_SIRISBib)254217
AAA_collcode_colwel05
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_254217
Online Media:

Oral history interview with Edna Coll, 1997 October 25- November 1

Interviewee:
Coll, Edna, 1906-2002  Search this
Coll, Edna, 1906-2002  Search this
Interviewer:
Benítez, Marimar  Search this
Subject:
Puerto Rican Artists Video Project  Search this
Type:
Interviews
Video recordings
Topic:
Latino and Latin American artists  Search this
Women artists  Search this
Women educators  Search this
Women authors  Search this
Theme:
Women  Search this
Record number:
(DSI-AAA_CollID)16097
(DSI-AAA_SIRISBib)361856
AAA_collcode_coll97
Theme:
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_361856

Orange Disaster (Linda Nochlin)

Artist:
Deborah Kass, born 1952  Search this
Sitter:
Linda Nochlin, 30 Jan 1931 - 29 Oct 2017  Search this
Medium:
Silkscreen and acrylic on canvas
Dimensions:
Two panels each measuring: 304.8 × 190.5 cm (120 × 75")
Overall: 304.8 × 381 cm (120 × 150")
Type:
Painting
Place:
United States\New York\Cattaraugus\Brooklyn
Date:
1997
Topic:
Costume\Dress Accessory\Scarf  Search this
Costume\Jewelry\Watch\Wrist watch  Search this
Linda Nochlin: Female  Search this
Linda Nochlin: Society and Social Change\Reformer\Feminist  Search this
Linda Nochlin: Visual Arts\Art Historian  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution
Object number:
NPG.2019.112
Restrictions & Rights:
Usage conditions apply
Copyright:
© 1997 Deborah Kass
See more items in:
National Portrait Gallery Collection
Exhibition:
Women in the Arts
On View:
NPG, North Gallery 140
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm4b1d835f0-cc6b-48a9-ac17-06fdce683272
EDAN-URL:
edanmdm:npg_NPG.2019.112

Portrait of Linda Nochlin

Artist:
Philip Pearlstein, born 24 May 1924  Search this
Sitter:
Linda Nochlin, 30 Jan 1931 - 29 Oct 2017  Search this
Medium:
Oil on canvas
Dimensions:
91.4 × 101.6cm (36 × 40")
Type:
Painting
Date:
2010
Topic:
Home Furnishings\Furniture\Seating\Chair  Search this
Printed Material\Book  Search this
Linda Nochlin: Female  Search this
Linda Nochlin: Society and Social Change\Reformer\Feminist  Search this
Linda Nochlin: Visual Arts\Art Historian  Search this
Portrait  Search this
Credit Line:
Owner: Private Collection
Object number:
PC991873
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4c1216ac4-fb54-4ee1-84a6-edff12ed36ab
EDAN-URL:
edanmdm:npg_PC991873

Portrait of Mr. and Mrs. Pommer

Alternate Title:
Portrait of Linda Nochlin and Richard Pommer
Artist:
Philip Pearlstein, born 24 May 1924  Search this
Sitter:
Linda Nochlin, 30 Jan 1931 - 29 Oct 2017  Search this
Richard Pommer  Search this
Medium:
Oil on canvas
Dimensions:
Image: 182.9 x 152.4cm (72 x 60")
Type:
Painting
Date:
1968
Topic:
Home Furnishings\Furniture\Seating\Chair\Armchair  Search this
Home Furnishings\Furniture\Seating\Stool  Search this
Linda Nochlin: Female  Search this
Linda Nochlin: Society and Social Change\Reformer\Feminist  Search this
Linda Nochlin: Visual Arts\Art Historian  Search this
Portrait  Search this
Credit Line:
Owner: Private collection
Object number:
EXH.FF.19
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm4331126e8-e028-4c64-9248-7bf4b0cf1a78
EDAN-URL:
edanmdm:npg_EXH.FF.19

Linda Nochlin and Daisy

Artist:
Alice Neel, 28 Jan 1900 - 13 Oct 1984  Search this
Sitter:
Linda Nochlin, 30 Jan 1931 - 29 Oct 2017  Search this
Daisy Nochlin  Search this
Medium:
Oil on canvas
Dimensions:
55 7/8 x 44 in. (141.9 x 111.8 cm)
Type:
Painting
Date:
1973
Topic:
Interior  Search this
Costume\Footwear\Shoes  Search this
Home Furnishings\Furniture\Carpet  Search this
Costume\Hair Accessory  Search this
Home Furnishings\Furniture\Seating\Couch  Search this
Linda Nochlin: Female  Search this
Linda Nochlin: Society and Social Change\Reformer\Feminist  Search this
Linda Nochlin: Visual Arts\Art Historian  Search this
Daisy Nochlin: Female  Search this
Portrait  Search this
Credit Line:
Owner: Museum of Fine Arts, Boston
Object number:
1983.496 MFAB
Restrictions & Rights:
Usage conditions apply
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm46bf18aed-09ae-431b-844f-9f9b7ea23069
EDAN-URL:
edanmdm:npg_1983.496_MFAB

Oral history interview with Miriam Colwell

Interviewee:
Colwell, Miriam, 1917-  Search this
Interviewer:
Larsen, Susan C.  Search this
Names:
Hall, Chenoweth, 1908-1999  Search this
Hartley, Marsden, 1877-1943  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2005 June 10-11
Scope and Contents:
An interview of Miriam Colwell conducted in her home 2005 June 10-11, by Susan C. Larsen, for the Archives of American Art, in Prospect Harbor, Maine.
Colwell discusses her family's long history in Maine; the ancestral home in which she still resides; her mother dying of influenza and her father, an invalid; living with her grandparents, who spoiled her; the dinners her grandmother hosted for Summer residents; graduating as valedictorian and enrolling in the University of Maine, Orono; dropping out after one year; meeting Chenoweth Hall through her friend, Louise, who worked at a restaurant "Chennie" frequented; visiting Chenoweth in New York City and deciding soon afterwards to move there; immersion into the cultural world of New York; working as a salesperson and a consumer researcher; returning to Prospect Harbor with Chenoweth; working as town postmaster; moving into a house on the beach with Chenoweth; their many acquaintances in the arts, particularly Marsden Hartley; Hartley's death; and the different ways in which she and Chenoweth approached the arts. Colwell also discusses her delving into a literary career; the relationships with publishers and literary agents; the inspirations for "Young" and "Wind off the Water"; her and Chenoweth's frequent travels; being on a trans-Atlantic passenger liner that caught fire; a never-published novel about a group of Maine expatriates in Israel; selling the movie rights of "Young" and the movie's failed production; Chenoweth's multiple talents; Chenoweth teaching at University of Maine, Machias; the onset of Chenoweth's Parkinson's Disease; spending winters on Jekyll Island, Georgia; Chenoweth's death; and the subsequent handling of Chenoweth's estate. Colwell also recalls Erle Loran, Christine Watson, Ruth Stone, Ken McCormick, John Marin, Bernice Baumgarten, Katherine Hathaway, Malvin Albright, Ivan Albright, Berenice Abbott, Paul Strand, Vincent Hartgen, and others.
Biographical / Historical:
Miriam Colwell (1917- ) is an author from Prospect Harbor, Maine. Susan C. Larsen is an art historian from Tenants Harbor, Maine.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 3 digital wav files. Duration is 3 hr., 27 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Authors -- Maine  Search this
Topic:
Women authors  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.colwel05
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-colwel05
Online Media:

Oral history interview with Edna Coll

Interviewee:
Coll, Edna  Search this
Interviewer:
Benítez, Marimar  Search this
Creator:
Puerto Rican Artists Video Project  Search this
Names:
Puerto Rican Artists Video Project  Search this
Extent:
2 Items (videocassettes (Betacam))
2 Items (video files (28 min), digital, mov)
8 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Video recordings
Date:
1997 October 25- November 1
Scope and Contents:
An interview with Edna Coll conducted by Marimar Benitez, 1997 October 25- November 1, for the Archives of American Art's Puerto Rican Artists Video Project.
Biographical / Historical:
Edna Coll (1906-2002) was an educator and author as well as the founder of the Academy of Fine Arts in Puerto Rico. Marimar Benitez is a critic and art historian, and Chancellor of the Escuela de Artes Plásticas de Puerto Rico, a public university for the visual arts.
General:
Originally recorded on 2 beta videocassettes.
Provenance:
Other artists interviewed include: Artists include: Ricardo E. Alegria, Felix Rodríquez Báez, Myrna Báez, Delta Bravo de Pico, Lorenzo Homar, Antonio Maldonado, Antonio Martorell, and Noemi Ruíz, and José A. Torres Martino.
Restrictions:
The transcript and recording are open for research. Contact Reference Services for more information.
Occupation:
Educators -- Puerto Rico  Search this
Authors -- Puerto Rico  Search this
Topic:
Latino and Latin American artists  Search this
Women artists  Search this
Women educators  Search this
Women authors  Search this
Genre/Form:
Interviews
Video recordings
Identifier:
AAA.coll97
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-coll97
Online Media:

Writings

Collection Creator:
Dove, Arthur Garfield, 1880-1946  Search this
Extent:
(1.5 linear feet)
Type:
Archival materials
Date:
circa 1924-1945
Scope and Contents note:
This series includes logs, diaries, notes, essays, and poetry written by Arthur Dove, his wife, and others.

The Dove diaries begin in 1924 with Arthur Dove's "Log of the Mona," the boat on which he and Reds lived at the time. The log records weather conditions, daily activities, and occasionally his thoughts about art. From late 1924 until 1945, Reds and Arthur Dove seem to have shared a responsibility for keeping a daily account of their lives. Diaries record the couple's activities, including social visits, letter writing, chores, trips, and art-making. Reds was the primary author of the diaries from1925 until 1935. Her records are very brief in early diaries, but gradually became more detailed, and are especially rich with information about Arthur Dove's artwork. In 1935, a separate notebook was kept for information about paintings in. In 1936 and 1937, the diaries include entries by both Arthur and Reds, and by 1939 Arthur took over entirely and continued keeping diaries for them until early 1945. A notebook of excerpts from earlier diary entries about Dove's artwork was later created by Reds, and may have been compiled for a retrospective exhibition held in 1956.

Arthur Dove's writings include handwritten and typewritten essays, poems, notes, and aphoristic statements that deal with the subjects of abstraction in art, modern art, nature, color, and the artists he admired. Typewritten essays include brief, dated statements of Dove's methods and ideas about art, and longer, titled essays on a range of subjects. Five essays about Alfred Stieglitz and one about John Marin are also included, some in multiple drafts. One of the Stieglitz pieces was written on the occasion of his death. Notes documenting a conversation between Arthur Dove and Alfred Maurer about American painting appear in two versions, one written by Arthur Dove, the other by Helen Torr. Occasionally, a hand-written copy of Dove's writings made by Helen is found with the original. A small compilations of early writings entitled "Prose and Poetry" includes a photograph of Dove circa 1925.

Many of Helen's notes and writings have to do with her recollections her husband. Unattributed essays and poems are in Helen's handwriting and may be copies of Dove's writings that, because they do not appear elsewhere in this collection, cannot be attributed with certainty.

Research Notes on the Dove Papers are notes made by art historians who went through the papers, presumably after Dove's death but before the papers came to the Archives.
Collection Restrictions:
The collection is open for research. Microfilmed and digitized portions must be consulted on microfilm or the Archives website. Use of unmicrofilmed, undigitized portion requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Arthur and Helen Torr Dove papers, 1905-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dovearth, Series 3
See more items in:
Arthur and Helen Torr Dove papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-dovearth-ref32

Audrey Flack papers

Creator:
Flack, Audrey  Search this
Names:
Arizona State University  Search this
Atlantic Center for the Arts (New Smyrna Beach, Fla.)  Search this
Cooper Union for the Advancement of Science and Art  Search this
Guild Hall of East Hampton  Search this
Louis K. Meisel Gallery  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Janson, Anthony F.  Search this
Extent:
15.8 Linear feet
0.897 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Motion pictures (visual works)
Video recordings
Scrapbooks
Sound recordings
Date:
1950-2009
Summary:
The papers of painter Audrey Flack measure 15.8 linear feet and 0.897 GB and date from 1950-2009. The collection documents Flack's career as an artist through biographical material, correspondence, extensive project files, writings and notes by Flack and others, exhibition catalogs, news and magazine clippings, other printed and digital material, and scrapbooks. Also found are photographs by Audrey Flack as well as photographs of the artist and works of art.
Scope and Contents:
The papers of painter Audrey Flack measure 15.8 linear feet and 0.897 GB and date from 1950-2009. The collection documents Flack's career as an artist through biographical material, correspondence, extensive project files, writings and notes by Flack and others, exhibition catalogs, news and magazine clippings, other printed and digital material, and scrapbooks. Also found are photographs by Audrey Flack as well as photographs of the artist and works of art.

Biographical material includes curricula vitae, diplomas, an award certificate, and bibliographies of monographs and articles by and about Audrey Flack. Flack's correspondence documents her professional activities and business dealings.

There is correspondence with galleries, museums, arts organizations; architects and foundries; and academic institutions. Included are letters from Arizona State University, Atlantic Center for the Arts, Cooper Union, Guild Hall, Louis K. Meisel Gallery, and the Museum of Modern Art. There are letters from art historians and critics, including Flack's correspondence with Anthony Janson. Letters from publishers and agents pertain to book projects, proposals for articles, and requests to reproduce artwork in monographs or catalogs.

Interviews with Flack from the 1970s through the 1990s are found, recorded on sound and video. Writings and notes include manuscript versions for a book, typescripts of speeches, and a notebook. Also found are audio and video recordings of lectures and talks by Flack discussing her paintings and sculptures. The collection includes extensive project files on Flack's commissioned public works and exhibitions. The files also include correspondence concerning book projects, permission requests, and Flack's participation in art educational programs, and some projects are documented with recorded sound and moving images, two if which are in digital format.

Printed material consists of catalogs of Flack's shows, invitations and announcements to openings, press releases, reproductions of artwork, exhibition posters, clippings, periodicals, and books reflecting Flack's professional activities from the 1950s-2008. Photographs are of portraits by Flack, Flack by herself and with colleagues and students, as well as of the artist's studio. Also found are photographs of artwork.
Arrangement:
The collection is arranged as 8 series.

Missing Title

Series 1: Biographical Material, 1951-2006 (Box 1; 0.25 linear feet)

Series 2: Correspondence, 1950-2009 (Boxes 1-3; 2.4 linear feet)

Series 3: Interviews, circa 1970-1998 (Boxes 3-4; 0.8 linear feet)

Series 4: Writings and Notes, circa 1970-2007 (Boxes 4-6; 2.15 linear feet)

Series 5: Project Files, 1966-circa 2007 (Boxes 6-11, FC 18-21; 5.6 linear feet, ER01-ER02, 0.897 GB)

Series 6: Printed Material, 1950-2008 (Boxes 11-16, OV 17; 4.1 linear feet)

Series 7: Scrapbooks, 1977-2008 (Box 15; 2 folders)

Series 8: Photographs, 1966-2009 (Boxes 15-16; 0.5 linear feet)
Biographical / Historical:
Audrey Flack (1931-) is a painter and sculptor in New York City and in Long Island, New York. She earned a Bachelor of Arts from Cooper Union in 1951 and received a Bachelor of Fine Arts from Yale University in 1952. In the 1950s, she was part of the New York School that included the Abstract Expressionist painters Franz Kline and Jackson Pollock. By the 1960s, Flack had turned to painting in a realistic manner. She pioneered the technique of incorporating photographic images from contemporary sources such as magazines and newspapers; the art form became known as Photorealism. Her subjects have included families, celebrities, and public figures. An early work, The Kennedy Motorcade captured President John Kennedy moments before he was assassinated. Flack's paintings have also centered on the varied experiences of women as depicted in her Vanitas series done in the 1970s. Flack was the first Photorealist painter to have a work acquired by the Museum of Modern Art. By the 1980s, Flack was creating sculptures, goddess figures and other mythological deities of various cultures. The sculptures, many of monumental proportions were executed as commissioned works for public spaces. Flack's commissions have included Civitas: Four Visions, South Carolina, Galatea Fountain, South Pasadena, Florida, Islandia, New York City Technical College, and The Art Muse, Tampa, Florida. Further, Audrey Flack has also worked in other media such as photography and printmaking.

Audrey Flack has taught and lectured at colleges and universities in the United States and abroad, including Cooper Union, Pratt Institute of New York, and the Studio Art School International, Florence, Italy. She has been a Visiting Professor at a number of universities, including the University of North Dakota, University of Tennessee, and the University of Pennsylvania. Her paintings, watercolors, and sculptures have been featured in solo and group exhibitions in major museums and galleries. Flack's artwork has also been shown in a number of traveling exhibitions including "Saints and Other Angels: The Religious Paintings of Audrey Flack" sponsored by Cooper Union and "Breaking the Rules: Audrey Flack, A Retrospective, 1950-1990" organized by the J.B. Speed Museum. Flack has been represented by the Louis K. Meisel Gallery, the Vered Gallery, and the Gary Snyder Gallery. Among the many awards and honors she has received are the Honorary Ziegfeld Award, National Art Education Association, an Honorary Doctorate, Lyme Academy of Art, and the U.S. Government National Design for Transportation Award. Audrey Flack has also written two books and numerous articles. Audrey Flack lives and works in New York and in East Hampton, New York.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Audrey Flack conducted by Robert C. Morgan, February 16, 2009.
Provenance:
The collection was donated by Audrey Flack in April 2009.
Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- New York (State) -- New York  Search this
Sculptors -- New York (State) -- New York  Search this
Topic:
Art -- Study and teaching  Search this
Artists' studios -- Photographs  Search this
Art -- Economic aspects  Search this
Women artists  Search this
Women painters  Search this
Women painters  Search this
Genre/Form:
Photographs
Motion pictures (visual works)
Video recordings
Scrapbooks
Sound recordings
Citation:
Audrey Flack papers, 1950-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.flacaudr
See more items in:
Audrey Flack papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-flacaudr

Correspondence

Collection Creator:
Flack, Audrey  Search this
Extent:
2.4 Linear feet (Boxes 1-3)
Type:
Archival materials
Date:
1950-2009
Scope and Contents:
Correspondence is mainly of a professional nature and consists of letters, e-mails, drafts, telegrams/mailgrams, and postcards. Much of the correspondence relates to the scheduling of exhibitions, loans, sales, and donations of artwork. Many letters include attachments, e.g., loan forms, consignment agreements, contracts, invoices and receipts, sales reports, sketches, printed material, photographs and slides. Correspondents include the Atlantic Center for the Arts, Cooper Union, Guild Hall, Louis K. Meisel Gallery, Museum of Modern Art, Philadelphia Museum of Art, Sidney Janis Gallery, and the Terra Museum of Art, among others.

Flack's correspondence includes requests from academic institutions and arts organizations to teach and lecture, as well as letters from students seeking information about Flack's work. Correspondence from book publishers and university presses may include artists' questionnaires, contracts, invoices, and permission forms. Included are letters from critics, e.g., Arthur Danto and the New York Times. Flack's correspondence with art historian, Anthony Janson is of a professional and personal nature.

Notable correspondents include Jimmy and Rosalynn Carter, Agnes Gund, Joan Mondale, and Tom Wolfe. Also found is a brief exchange of letters between Flack and Anwar Sadat relating to Flack's portrait of Sadat that was reproduced on the cover of Time Magazine. There are single letters from Judy Chicago, Willem de Kooning, and William Lieberman.
Arrangement:
Letters have been arranged in chronological order.
Collection Restrictions:
Use of original material requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Audrey Flack papers, 1950-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.flacaudr, Series 2
See more items in:
Audrey Flack papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-flacaudr-ref16

Ethel Fisher papers

Creator:
Fisher, Ethel, 1923-  Search this
Names:
Art Students League (New York, N.Y.)  Search this
Brentwood Art Center  Search this
Barnet, Will, 1911-2012  Search this
Boxer, Stanley  Search this
Coleborn, Keith  Search this
Ehrenkranz, Elaine  Search this
Fernandez, Rafael  Search this
Fine, Irving, 1914-1962  Search this
Getz, Ilse, 1917-  Search this
Jones, Keri  Search this
Kitaj, Sandra Fisher  Search this
Kott, Seymour  Search this
Lassaw, Ibram, 1913-2003  Search this
Pearson, Henry, 1914-2006  Search this
Thek, Paul  Search this
Extent:
12.5 Linear feet
0.558 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketchbooks
Video recordings
Photographs
Travel diaries
Transcripts
Sound recordings
Sketches
Interviews
Drawings
Watercolors
Date:
1930-2017
Summary:
The papers of California and New York painter Ethel Fisher measure 12.5 linear feet and 0.558 GB and date from 1930 to 2017. Included are biographical materials, correspondence, writings, project files, exhibition files, artists' files, personal business records, printed and digital material, artwork and several sketchbooks, a few sound and video recordings, and photographic material.
Scope and Contents:
The papers of California and New York painter Ethel Fisher measure 12.5 linear feet and 0.558 GB and date from 1930 to 2017. Included are biographical materials, correspondence, writings, project files, exhibition files, artists' files, personal business records, printed and digital material, artwork and several sketchbooks, a few sound and video recordings, and photographic material.

Biographical material includes Art Students League records, address books and business cards, artist statements and resumes, an interview transcript and sound cassette, and other miscellaneous documents.

Correspondence is with family, friends, colleagues, artists, galleries, and museums. The bulk of the correspondence is with daughter Sandra Fisher and husband Seymour Kott. Notable correspondents include Will Barnet, Keith Coleborn, Elaine Ehrenkranz, Rafael Fernandez, Henry Pearson, and others. There are also greeting cards and postcards, inluding numerous illustrated cards from Fisher to her husband Seymour.

Writings mostly consist of annotated appointment calendars and travel diaries along with some writings by others, such as a travel diary by Keith Coleborn and a graduate thesis by Keri Jones.

Project files include correspondence, grant applications, printed and digital material, and publication agreements for art projects, commissions, studio tours, auctions, and speaking engagements. Notable projects include material on the NBC-TV film Family Ties, art loans for the Showtime movie Town of the Eighties, and teaching material from Brentwood Art Center.

Exhibition files contain exhibition announcements, catalogs, publicity, reviews, correspondence, exhibition lists, price lists of artwork, and other material for Ethel Fisher's group and solo shows.

Artists' files include printed material about and limited correspondence with various artists in which Fisher was interested or with whom she was friends, including Stanley Boxer, Irving Fine, Ilse Getz, Ibram Lassaw, and Paul Thek.

Personal business records include consignments, price lists, loan agreements, receipts, donations, and sales documentation.

Printed material includes exhibition catalogs, announcements, magazines, and clippings about Ethel Fisher and other artists. There are also books inscribed to Fisher.

The artwork series includes sketchbooks, drawings, watercolors, and loose sketches.

Photographic material consists of photographs, digital photographs, slides, and negatives of Ethel Fisher, her artwork, exhibitions, events, family, friends, artists, studios, and travel. There are also "reference photos" of people, places, and objects which Fisher used for her portraits and paintings.
Arrangement:
The collection is arranged as 10 series.

Missing Title

Series 1: Biographical Material, 1939-2014 (0.3 linear feet; Boxes 1, 13)

Series 2: Correspondence, 1930-2017 (5.4 linear feet; Boxes 1-6, 13, 15)

Series 3: Writings, 1965-2014 (0.8 linear feet; Boxes 6-7, 13)

Series 4: Project Files, 1954-2011 (0.5 linear feet; Boxes 7, 12, 0.128 GB; ER01)

Series 5: Exhibition Files, 1945-2006 (0.6 linear feet; Boxes 7-8)

Series 6: Artists' Files, 1952-2010 (0.4 linear feet; Boxes 8, 12)

Series 7: Personal Business Records, 1959-2017 (0.3 linear feet; Boxes 8, 13)

Series 8: Printed Material, 1940-2016 (1.0 linear feet; Boxes 8-9, 12-13)

Series 9: Artwork and Sketchbooks, 1944-2014 (1.0 linear feet; Boxes 9, 12-15, OV16)

Series 10: Photographic Materials, 1942-2014 (2.2 linear feet;Boxes 9-11, 14, 0.430 GB; ER02)
Biographical / Historical:
Ethel Fisher (1923-2017) was a painter who lived in Pacific Palisades, California.

Ethel Fisher was born in Galveston, Texas in 1923. She studied art at the University of Houston, University of Texas, and Washington University in St. Louis, Missouri. After college, she moved to New York City and attended The Art Students League on scholarship from 1943-1946. In New York, she studied with painter Will Barnet, Morris Kantor, and Robert Beverly Hale, and befriended many people in the art world. She married Gene Fisher and their first daughter Sandra was born. Sandra also became a painter and later married artist R. B. Kitaj.

Fisher and her family moved to Miami in 1948 where her daughter Margaret was born. Upon her divorce, Fisher travelled in Europe for about a year before returning to New York City in the early 1960s, where she continued to paint and maintained 2 studios for her artwork. She married art historian Seymour Kott in 1963.

In 1970, Fisher and her husband moved to Pacific Palisades in Los Angeles, California. Throughout her career as a painter, Ethel Fisher has had solo and group exhibitions at galleries in Havana, Cuba; West Palm Beach, Florida; Atlanta, Georgia; New York City, New York; and San Francisco and Los Angeles, California. She has been the recipient of numerous awards and continues to paint. In 2003, Fisher had solo exhibit of portraits at Platt Gallery in Los Angeles.
Provenance:
The Ethel Fisher papers were donated by Ethel Fisher in two installments in 1997 and 2015.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Use of archival audiovisual recordings with no duplicate copy requires advance notice.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Study and teaching  Search this
Painters -- New York (State) -- New York  Search this
Artists' studios -- Photographs  Search this
Women artists  Search this
Women painters  Search this
Genre/Form:
Sketchbooks
Video recordings
Photographs
Travel diaries
Transcripts
Sound recordings
Sketches
Interviews
Drawings
Watercolors
Citation:
Ethel Fisher papers, 1930-2017. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fishethe
See more items in:
Ethel Fisher papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-fishethe

Marilyn Minter - Demetrion Lecture - Hirshhorn Museum

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2020-12-02T18:22:38.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornmuseum
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornmuseum
EDAN-URL:
edanmdm:yt_djQBWbxEjbo

Moment of Zen: Buddhist Teachings for Turbulent Times

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2020-07-22T23:54:49.000Z
YouTube Category:
Entertainment  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_5LG2_X6OON4

Buddha's Picnic by Gonkar Gyatso

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2018-03-15T19:14:29.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_IwwEsuhiW5A

Trading in Japonisme: The French Obsession with Japanese Art

Creator:
Freer Gallery of Art and Arthur M. Sackler Gallery  Search this
Type:
YouTube Videos
Uploaded:
2017-05-17T11:16:50.000Z
YouTube Category:
Education  Search this
Topic:
Art, Asian  Search this
See more by:
FreerSackler
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
YouTube Channel:
FreerSackler
EDAN-URL:
edanmdm:yt_lh68WIiTBXI

This Photograph Could Be Older Than the Camera Obscura

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2013-07-22T22:25:08.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_s-jENDPF8UE

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