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Sylvia Fein papers

Creator:
Fein, Sylvia  Search this
Names:
Glasier, Marshall, 1902-  Search this
Huppler, Dudley, 1917-1988  Search this
Priebe, Karl J., 1914-1976  Search this
Wilde, John, 1919-2006  Search this
Extent:
5.9 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Date:
1936-2011
Summary:
The papers of painter and author Sylvia Fein measure 5.9 linear feet and date from 1936 to 2011. The papers primarily document her friendships with other artists from the Wisconsin-based Magic Realist group, including Dudley Huppler, John Wilde, Marshall Glasier, and Karl Priebe, as well as her career as a painter and her work on the books Heidi's Horse and First Drawings: Genesis of Visual Thinking. Documentation consists of scattered biographical material, extensive correspondence, project files, writings by Huppler and others, printed material, photographs, artwork by Wilde and Glasier, and scrapbooks.
Scope and Content Note:
The papers of painter and author Sylvia Fein measure 5.9 linear feet and date from 1936 to 2011. The papers primarily document her friendships with other artists from the Wisconsin-based Magic Realist group, including Dudley Huppler, John Wilde, Marshall Glasier, and Karl Priebe, as well as her career as a painter and her work on the books Heidi's Horse and First Drawings: Genesis of Visual Thinking. Documentation consists of scattered biographical material, extensive correspondence, project files, writings by Huppler and others, printed material, photographs, artwork by Wilde and Glasier, and scrapbooks.
Arrangement:
The collection is arranged as 8 series:

Missing Title

Series 1: Biographical Material, 1936-2010 (Box 1, 8; 10 folders)

Series 2: Correspondence, 1941-2011 (Box 1-3; 2.3 linear feet)

Series 3: Project Files, 1970-2011 (Box 3-4, 8; 1.2 linear feet)

Series 4: Writings by Others, circa 1940s-1994 (Box 4; 4 folders)

Series 5: Printed Material, 1941-2010 (Box 4-5; 0.7 linear feet)

Series 6: Photographs, circa 1940-2000 (Box 5; 0.2 linear feet)

Series 7: Artwork, 1941-1947 (Box 5; 3 folders)

Series 8: Scrapbooks, circa 1940-2010 (Box 5-7; 0.8 linear feet)
Biographical Note:
Sylvia Fein (1919-2024) was a painter and author in Martinez, California. She was part of the Magic Realist Group of artists that originated at the University of Wisconsin.

Fein was born in Milwaukee, Wisconsin, and from 1938 to 1942 she studied art at the University of Wisconsin in Madison. While there she became friends with fellow artists Marshall Glasier, John Wilde, Dudley Huppler, and Karl Priebe. In 1942 she married William Scheuber and briefly had a factory job in Milwaukee testing switches for naval planes. From 1944 to 1947 Fein lived and traveled throughout Mexico. Much of the work produced during this period was included in a solo exhibition of her paintings at the Perls Galleries in 1946. She and her husband then moved to northern California and had a daughter, Heidi. During the 1950s and 1960s, Fein continued to paint in her home studio.

In 1973 Fein decided to take a break from painting and published two books, Heidi's Horse (1976) and First Drawings: Genesis of Visual Thinking (1993). These works were greatly inspired by her friendship with art educator and researcher, Henry Shaefer-Simmern. In 2003 she resumed painting. She was featured in the group show, "With Friends: Six Magic Realists, 1940-1965" at the University of Wisconsin in 2005 and in a solo retrospective at the Bakersfield Art Museum in 2007. From 1970 to 2000 Fein was also active in the community of Pleasant Hill, California, as a member of several public services commissions.
Provenance:
The collection was donated in 2011 by Sylvia Fein.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- Wisconsin  Search this
Authors -- Wisconsin  Search this
Topic:
Magic realism (Art)  Search this
Women artists  Search this
Women painters  Search this
Women authors  Search this
Genre/Form:
Photographs
Scrapbooks
Citation:
Sylvia Fein papers, 1936-2011. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.feinsylv
See more items in:
Sylvia Fein papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ea0081e2-9520-4062-a56d-8929e32d583f
EDAN-URL:
ead_collection:sova-aaa-feinsylv
Online Media:

Telling a story with you

Editor:
Xiong, Siting  Search this
Wang, Weiting  Search this
Translator:
Zhang, Zhiwei (Translator)  Search this
Photographer:
Chen, Yongren  Search this
Issuing body:
Taibei Shi li mei shu guan  Search this
Physical description:
137 pages color illustrations 24 cm
Type:
Exhibitions
Expositions
Place:
Taiwan
Date:
2023
21st century
21e siècle
Topic:
Art, Chinese  Search this
Art, Modern  Search this
Painting, Modern  Search this
Painting, Chinese  Search this
Storytelling in art  Search this
Art chinois  Search this
Art  Search this
Peinture  Search this
Art de conter dans l'art  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1166229

Herman Maril papers, 1932-2023, bulk 1935-1986

Creator:
Maril, Herman, 1908-1986  Search this
Subject:
Federal Art Project  Search this
Type:
Video recordings
Citation:
Herman Maril papers, 1932-2023, bulk 1935-1986. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8001
(DSI-AAA_SIRISBib)210170
AAA_collcode_mariherm
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210170

Walter Askin papers, circa 1930-1992

Creator:
Askin, Walter, 1929-2021  Search this
Type:
Video recordings
Citation:
Walter Askin papers, circa 1930-1992. Archives of American Art, Smithsonian Institution.
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10860
(DSI-AAA_SIRISBib)214613
AAA_collcode_askiwalt
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214613

Barbara Aubin papers, circa 1867-2006, bulk 1940-2014

Creator:
Aubin, Barbara, 1928-2014  Search this
Subject:
Kucera, Kathryn  Search this
Art Institute of Chicago. School  Search this
Type:
Scrapbooks
Video recordings
Citation:
Barbara Aubin papers, circa 1867-2006, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Women educators  Search this
Women painters  Search this
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17365
(DSI-AAA_SIRISBib)381310
AAA_collcode_aubibarb
Theme:
Chicago's Art-Related Archival Materials: A Terra Foundation Resource
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_381310

Harold Helwig and Lenore Davis papers, 1940-2013

Creator:
Helwig, Harold B., 1938-2012  Search this
Davis, Lenore, 1936-1995  Search this
Subject:
Penland School of Crafts  Search this
Type:
Sketchbooks
Video recordings
Citation:
Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.
Topic:
Enamel and enameling  Search this
Textile design  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)17478
(DSI-AAA_SIRISBib)388783
AAA_collcode_helwharo
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_388783

Kudos Affiliates!! December 2023

Creator:
Smithsonian Affiliates  Search this
Type:
Blog posts
Smithsonian staff publications
Blog posts
Published Date:
Tue, 12 Dec 2023 14:07:42 +0000
Topic:
Exhibition  Search this
See more posts:
Smithsonian Affiliations
Data Source:
Smithsonian Affiliates
EDAN-URL:
edanmdm:posts_70edd8bb606a2ae2dd752409e2073bed

Barbara Aubin papers

Creator:
Aubin, Barbara, 1928-2014  Search this
Names:
Art Institute of Chicago. School  Search this
Kucera, Kathryn  Search this
Extent:
5.1 Linear feet
Type:
Collection descriptions
Archival materials
Scrapbooks
Video recordings
Date:
circa 1867-2006
bulk 1940-2014
Summary:
The papers of painter, teacher and curator, Barbara Aubin, measure 5.1 linear feet and date from circa 1867-2014, with the bulk of the material dating from 1940-2014. The collection comprises biographical materials, correspondence, writings, exhibition files, professional files, printed materials,scrapbooks, artwork, and photographic materials.
Scope and Contents:
The papers of painter, teacher and curator, Barbara Aubin, measure 5.1 linear feet and date from circa 1867-2014, with the bulk of the material dating from 1940-2014. The collection comprises biographical materials consisting of student records from the Art Institute of Chicago, planners and address books, resumes, and unidentified material on electronic discs; correspondence with galleries regarding exhibitions, with friends including Kathy Kucera, and others; writings including drafts and notes for articles, and poems by Aubin; exhibition files containing planning documents, promotional material, and video recordings for Send a Postcard to Barbara (1980), Women's Day (2004, 2005), and a retrospective of Aubin's work at Elmhurst College (2008); professional files consisting of 4+ Decades of Art project material, membership records, Candidate for Professor binders, letters of support from colleagues, and a files for other professional activities; printed materials mainly featuring Aubin and her artwork; scrapbooks consisting of printed materials, photographs, and other material relating to Aubin's exhibitions and career; artwork consisting of collages by Aubin, prints, and vintage paintings; and photographic materials with slides, photographic prints, and negatives of Aubin, personal snapshots of friends and family, exhibitions, and works of art.
Arrangement:
The collection is arranged as 9 series.

Series 1: Biographical Material, 1952-2006 (0.2 linear feet; Boxes 1, 7)

Series 2: Correspondence, circa 1944-2010 (0.2 linear feet; Box 1)

Series 3: Writings, 1960-2006 (0.2 linear feet; Box 1)

Series 4: Exhibition Files, 1979-2012 (0.5 linear feet; Boxes 1-2)

Series 5: Professional Files, 1966-2012 (0.8 linear feet; Box 2)

Series 6: Printed Materials, circa 1950-2014 (0.6 linear feet; Boxes 2-3)

Series 7: Scrapbooks, 1950s-2000s (1.2 linear feet; Boxes 3-4, 7)

Series 8: Artwork, circa 1867-circa 2000s (0.2 linear feet; Box 4)

Series 9: Photographic Materials, circa 1880s-2000s (1.2 linear feet; Boxes 4-7)
Biographical / Historical:
Barbara Aubin (1928-2014) was a painter, teacher, and curator in Chicago, Illinois known for her work with postcard art and collage.

In 1949, she received a B.A. in sociology from Carleton College in M.N. She went on to earn both a B.A. and M.A. in art education from the School of the Art Institute in Chicago in 1954 and 1955 respectively. After graduation, she traveled to France and Italy on the George D. Brown Foreign Travel Fellowship in 1955-1956 and to Haiti for a Fulbright Fellowship in 1958-1960.

Aubin taught at the School of the Art Institute of Chicago in 1956-1958 and 1960-1967, Chicago State University in 1971-1991, and was a visiting artist at St. Louis Community College in 1980-1981. She was a member of the Chicago Artists Coalition, Chicago Society of Artists, and was a founder of the Chicago Women's Caucus for Art.
Provenance:
The Barbara Aubin papers were donated in 2016 by the Barbara Aubin estate via Amie Hyman, executor and in 2023 by the Union League Club of Chicago via Mark Tunney, General Manager, and Jane Stevens, trustee.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Illinois -- Chicago  Search this
Painters -- Illinois -- Chicago  Search this
Art museum curators -- Illinois -- Chicago  Search this
Topic:
Women artists  Search this
Women educators  Search this
Women painters  Search this
Genre/Form:
Scrapbooks
Video recordings
Citation:
Barbara Aubin papers, circa 1867-2014, bulk 1940-2014. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.aubibarb
See more items in:
Barbara Aubin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dee97ff6-4aa6-4978-87a5-189e8b64d858
EDAN-URL:
ead_collection:sova-aaa-aubibarb

Harold Helwig and Lenore Davis papers

Creator:
Helwig, Harold B., 1938-2012  Search this
Davis, Lenore , 1936-1995  Search this
Names:
Penland School of Crafts  Search this
Extent:
14.5 Linear feet
7.85 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Sketchbooks
Video recordings
Date:
1940-2013
Summary:
The papers of artists and art educators Harold Helwig and Lenore Davis measue 14.5 linear feet and 7.85 Gigabytes and date from 1940 to 2013. The papers document Davis' career and personal life more heavily than that of Helwig, however, material related to both individuals are present. Included is biographical information; correspondence; exhibition and business files; research and printed material; artwork and sketches; photographs; and papers and digital material related to both Helwig and Davis' teaching endeavors.
Scope and Contents:
The papers of artists and art educators Harold Helwig and Lenore Davis measue 14.5 linear feet and 7.85 Gigabytes and contains correspondence, video recordings, some in digital format, photographs and slides, exhibition ephemera, clippings and various other printed material, and artwork.

Biographical material includes resumes, school papers, artist inventories, and contacts lists. The collection's correspondence is both personal and business related, and includes a series of letters from Davis' mother, Mary Shope Davis, to her brother and sister-in-law from the 1940s. Other material found in this collection documents Helwig's and Davis' involvement in exhibitions; national and local craft-related guilds and associations, education; sale of artwork and services; research material; and printed ephemera. The collection's photographs include the personal and professional side of Helwig and Davis' life.
Arrangement:
The collection is arranged as 11 series.

Series 1: Biographical Material, 1952-2012 (.08 linear feet; Box 1)

Series 2: Correspondence, 1940-2009 (2.5 linear feet; Box 1-4)

Series 3: Writings, 1970-1994 (7 folders; Box 4)

Series 4: Exhibitions, 1969-2007 (10 folders; Box 4, 3.73 GB; ER01-ER02)

Series 5: Professional Files, 1971-2012 (1.0 linear feet; Box 4-5)

Series 6: Research Material, 1953-2012 (9 folders; box 5-6)

Series 7: Teaching Files, 1973-2012 (2.8 linear feet; Box 6-9, 4.12 GB; ER03)

Series 8: Personal Business Files, 1977-2003 (.5 linear feet; Box 9-10)

Series 9: Printed Material, 1955-2013 (1.0 linear feet; Box 10-11)

Series 10: Artwork, circa 1958-1995 (2.0 linear feet; Box 11-13, shoebox 15)

Series 11: Photographs, 1940-2000 (1.5 linear feet; Box 13-14)
Biographical / Historical:
Harold Helwig (1938-2012) and Lenore Davis (1936-1995) were a craft artist couple as well as craft educators living primarily in Newport Kentucky.

Harold "Bill" Helwig (1938-2012) was an enamel artist and educator born in Wellington, Kansas in 1938. Helwig received his MS in watercolor from Fort Hayes Kansas State College in 1961. After a short stint in the military, Helwig became the assistant director of the Creative Craft Center at the State University of New York, Buffalo (he served as an assistant professor in the design department there as well). In 1977, Helwig took the position of director at Vitrearc, a division of Ceramic Coating Co., in Newport, Kentucky. After Vitrearc, Helwig's primary focus shifted towards creating enamel art and teaching its process. Included in Helwig's artistic accomplishments was a selection in the international exhibition Objects: USA(1969), exhibitions in the Ornamental Metals Museum in Memphis, Museum of Contemporary Crafts in New York City, and the CCA Galleries in Cambridge, England. Helwig was an active member of the American Craft Council as co-founder and editor of Glass On Metal. He received the Enamellist Society's Creative Arts Award in 2001.

Lenore Davis (1936-1995) was a fiber artist and educator born in Missoula Montana in 1936. She received her BS from the University of Michigan, Ann Arbor, Michigan in 1958. After college, Davis taught high school art, and held a position as a craft director with the US Army Special Services in Germany. After these jobs, Davis received her MFA in ceramics from Cranbrook Academy of Art, Bloomfield Hills, Michigan, in 1965, and was awarded a Fulbright scholarship to study ceramics in Portugal in 1966. After her scholarship, Davis began her career as a full-time artist showcasing her work individually and as part of group exhibitions at craft shows, galleries, and museums across the United States. She also led workshops, made instructional videos, and worked for commissions. Davis was a member of the Surface Design Association, National Institute of American Doll Artists, American Craft Council, Kentucky Guild of Craftsmen, and Greater Cincinnati Guild of Craftsmen.

Harold Helwig and Lenore Davis married in 1968. As a couple they worked collaboratively on two-person shows as well as part of larger group exhibitions. In addition to conducting various workshops and lectures, both Davis and Helwig taught classes at Penland School of Craft between the late-1970s and mid-1990s.
Provenance:
This collection was donated in 2017 by Arnelle Dow, executor of Harold Helwig's estate.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Educators -- Kentucky -- Newport  Search this
Enamel artists -- Kentucky -- Newport  Search this
Fiber artists -- Kentucky -- Newport  Search this
Topic:
Enamel and enameling  Search this
Textile design  Search this
Genre/Form:
Sketchbooks
Video recordings
Citation:
Harold Helwig and Lenore Davis papers, 1940-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.helwharo
See more items in:
Harold Helwig and Lenore Davis papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9635f8e84-08e2-43b6-8ab0-34b86e1a38d8
EDAN-URL:
ead_collection:sova-aaa-helwharo

Walter Askin papers

Creator:
Askin, Walter, 1929-2021  Search this
Extent:
4.7 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Date:
circa 1930-1992
Summary:
The papers of Walter Askin measure 4.7 linear feet and date from circa 1930 to 1992. The papers document his career as a painter, sculptor, and printmaker through correspondences with friends, galleries, and other institutions; lectures, notes, and other writings; exhbition files, resumes, and other professional activity material; clippings, exhibition catalogs, and other printed material; and photographs of Askin, his artwork, studio, and exhibitons.
Scope and Contents:
The papers of Walter Askin measure 4.7 linear feet and date from circa 1930 to 1992. The papers document his career as a painter, sculptor, and printmaker through correspondences with friends, galleries, and other institutions; lectures, notes, and other writings; exhbition files, resumes, and other professional activity material; clippings, exhibition catalogs, and other printed material; and photographs of Askin, his artwork, studio, and exhibitons.

Correspondence includes personal correspondence with family and friends, business correspondence with galleries and other institutions, memos, and letters in regards to a 1977 calendar featuring his artwork.

Writings includes lectures, essays written by Askin and others, reports for grants, and miscellaneous notes.

Professional material includes exhibition files for various galleries and museums, material related to publishing books, three VHS recordings on Askin and his artwork, resumes, a file of sketches, and miscellaneous career material.

Printed material consists of copies of books related to Askin, oversized proofs and drafts of books by Askin, newspaper and magazine clippings, exhibition announcements and catalogs, and newsletters.

Photographic material consists of personal photographs of Askin, portraits of Askin, Askin's studio, artwork, and some of his exhibitions.
Arrangement:
The collection is arranged into five series.

Series 1: Correspondence, 1960-1992 (1.0 linear feet; Box 1)

Series 2: Writings, 1966-1992 (0.1 linear feet; Box 2)

Series 3: Professional Activity Files, 1952-1991 (0.8 linear feet; Box 2)

Series 4: Printed Material, 1948-1991 (2.6 linear feet; Boxes 2-6)

Series 5: Photographic Material, ca. 1930-1989 (0.3 linear feet; Boxes 5-6)
Biographical / Historical:
Walter Askin (1929-2021) was a printmaker, painter, sculptor, and art educator born in Pasadena, California. He studied painting, printmaking, and sculpture at Pasadena City College, and continued his studies at University of California Berkley. Askin also performed graduate work at Oxford where he helped start the Museum of Modern Art. Askin began teaching art in 1956 at California State University, Los Angeles. Askin is a member of the College Arts Association of America, and he served as president of the Los Angeles Printmaking Society.
Related Materials:
Also found in the Archives of American Art is an oral history interview with Walter Askin conducted by Paul Karlstrom, March 4-6, 1992.
Provenance:
The Walter Askin papers were donated by Walter Askin in 1992.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- Los Angeles  Search this
Educators -- California -- Los Angeles  Search this
Printmakers -- California -- Los Angeles  Search this
Sculptors -- California -- Los Angeles  Search this
Genre/Form:
Video recordings
Citation:
Walter Askin papers, circa 1930-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.askiwalt
See more items in:
Walter Askin papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw982bac0fb-66aa-4bc1-87bd-c7a975a6cd12
EDAN-URL:
ead_collection:sova-aaa-askiwalt

Art Education in California

Collection Creator:
Askin, Walter, 1929-2021  Search this
Container:
Box 2, Folder 44
Type:
Archival materials
Date:
1986
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Walter Askin papers, circa 1930-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Walter Askin papers
Walter Askin papers / Series 4: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9aa222218-dcfd-4e75-897f-34d4d725e997
EDAN-URL:
ead_component:sova-aaa-askiwalt-ref64

Herman Maril papers

Creator:
Maril, Herman  Search this
Names:
Federal Art Project  Search this
Extent:
8.6 Linear feet
Type:
Collection descriptions
Archival materials
Video recordings
Date:
1932-2023
bulk 1935-1986
Summary:
The papers of painter and printmaker Herman Maril measure 8.6 linear feet and date from 1932-2023, bulk dates 1934-1986. The papers document Maril's career as a painter and art educator based in Baltimore, Maryland, through biographical material, personal and professional correspondence, writings, teaching and project files, gallery and organization files, printed material and video recordings, and photographs.
Scope and Contents:
The papers of painter and printmaker Herman Maril measure 8.6 linear feet and date from 1932-2023, bulk dates 1934-1986. The papers document Maril's career as a painter and art educator based in Baltimore, Maryland, through biographical material, personal and professional correspondence, writings, teaching and project files, gallery and organization files, printed material and video recordings, and photographs.

Biographical material includes resumes and short biographical profiles, military service records, awards and certificates, sketches and greeting card designs, and limited financial records. There are also an Herman Maril interview transcript and a sound recording of an interview.

Correspondence consists of a mixture of personal and professional correspondence with friends, colleagues, artists, universities, and galleries. Notable correspondents include Mary Ainsworth, Julian Anthony, William Bronk, Martha and Sheldon Cheney, Sidney Cox, and Olin Dows.

Maril's writings include one journal and drafts of artist statements, short stories, essays, and lectures. Writings by others include essays on Herman Maril and other subjects.

Teaching and project files includes documents from schools and universities where Herman Maril taught art and material related to the Federal Art Project sponsored by the Works Progress Administration. Most of the teaching files are from the Cummington School, King-Smith School, and the University of Maryland. The Federal Art Project materials include correspondence and photographs related to murals that Maril created for two post offices.

The gallery files document Herman Maril's relationships with various galleries that represented him or exhibited his artwork over the years through correspondence, exhibition catalogs and announcements, price lists, inventory lists, and sales records. Organization files consist of membership records such as by-laws, meeting minutes, newsletters, bulletins, and brochures.

Printed materials mostly consists of books, exhibition catalogs and announcements, magazine articles, and newsclippings about Herman Maril. There is also a documentary on Maril and video recordings of various people such as curators and museum directors talking about Maril. There are a few clippings on other artists and subjects.

Photographs consists of black and white photographs of various Herman Maril paintings. There is one transparency and a few slides of paintings, but the rest of the series are photographic prints.
Arrangement:
The collection is arranged as 7 series.

Series 1: Biographical Material, circa 1940-circa 1998 (0.3 linear feet; Box 1, OV 11)

Series 2: Correspondence, 1933-2010 (2.3 linear feet; Boxes 1-3)

Series 3: Writings, 1932-1993 (0.4 linear feet; Box 3, OV 12)

Series 4: Teaching and Project Files, 1934-1996, bulk 1935-1975 (0.4 linear feet; Boxes 3-4)

Series 5: Gallery and Organization Files, 1934-2014, bulk 1940-1990 (2.6 linear feet; Boxes 4-6, OVs 13-16)

Series 6: Printed Material and Video Recordings, 1918, 1934-2023, bulk 1935-1986 (2.4 linear feet; Boxes 6-9)

Series 7: Photographs, 1933-circa 1990 (0.2 linear feet; Box 10)
Biographical / Historical:
Herman Maril (1908-1986) was a Modernist painter, printmaker and teacher in Baltimore, Maryland. Maril was a native of Baltimore and studied at the Maryland Institute of Fine Arts. During the Great Depression, he worked on the Federal Art Project sponsored by the Works Progress Administration and created murals for the post office of Scranton, Pennsylvania, and Alta Vista, Virginia. Maril had a long career as an educator and taught at various places such as the Cummington School and, after his World War II military service, the King-Smith School, among other places. His longest tenure was at the University of Maryland, College Park, where he was a professor of painting for over 31 years from 1946 until his retirement in 1977. Maril married his wife Esta in 1948 and they had two children, David and Nadja.

Maril exhibited widely and has been continuously represented by major galleries since the 1930s. According to the Herman Maril Foundation, "Maril's work has been featured in over 50 solo exhibitions at galleries and museums around the country. Maril's work is included in over 100 museums," and "In 1983, University of Maryland University College (UMUC) established a permanent Herman Maril Gallery to showcase his works."

Maril's artwork is part of the collections of the Smithsonian American Art Museum, The Phillips Collection, The Whitney Museum, The Metropolitan Museum of Art, and many other museums across the country and abroad. Maril passed away in 1986.
Related Materials:
The Archives of American Art also has oral history interviews with Maril conducted by Dorothy Seckler on 1965 September 5, conducted by Robert Brown on 1971 July 21, and conducted by Maril's nephew, Ronald E. Becker, on 1980 July 14.
Provenance:
The Herman Maril papers were donated to the Archives of American Art in several installments from 1978-1981 by Herman Maril with the bulk of the material donated in 2018 by the Herman Maril Foundation via David Maril.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art teachers -- Maryland -- Baltimore  Search this
Painters -- Maryland -- Baltimore  Search this
Printmakers -- Maryland -- Baltimore  Search this
Genre/Form:
Video recordings
Citation:
Herman Maril papers, 1932-2023, bulk 1935-1986. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mariherm
See more items in:
Herman Maril papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92807ebb8-b025-4377-a959-bab6c2cf66d1
EDAN-URL:
ead_collection:sova-aaa-mariherm
Online Media:

The Mecca of Fine Arts Education: Howard University:

Creator:
Anacostia Community Museum  Search this
Type:
YouTube Videos
Uploaded:
2024-04-05T16:20:15.000Z
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The Dawn of Arts Education in a Segregated City

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Anacostia Community Museum  Search this
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Uploaded:
2024-04-05T16:15:07.000Z
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The Birth and Impact of Duke Ellington School of the Arts

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Anacostia Community Museum  Search this
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YouTube Videos
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2024-04-05T16:32:28.000Z
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Go-Go Unplugged Episode 1: Kacey Williams of Black Alley

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2020-08-05T18:45:42.000Z
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Education  Search this
Topic:
Art, modern  Search this
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hirshhornARTLAB
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hirshhornARTLAB
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The Ultimate Video Game

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Hirshhorn Museum and Sculpture Garden  Search this
Type:
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Uploaded:
2012-07-13T19:24:43.000Z
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Education  Search this
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hirshhornARTLAB
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3D Printed Hermit Crab Shells

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2014-05-08T15:54:29.000Z
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Education  Search this
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hirshhornARTLAB
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Hirshhorn Museum and Sculpture Garden
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edanmdm:yt_HoHZhu2_BH0

DIGITAL YOU #2: Putting Your Own Face on a 3D Character

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2014-12-02T23:14:33.000Z
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Hirshhorn Museum and Sculpture Garden
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Go-Go Unplugged Episode 3: Sweet Cherie, Twink, and Lil Boogie

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2020-08-21T02:12:18.000Z
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Education  Search this
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Art, modern  Search this
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hirshhornARTLAB
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