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Inventory of Charles Lang Freer's library

Creator:
Freer, Charles Lang, 1856-1919  Search this
Names:
Freer Gallery of Art  Search this
Freer, Charles Lang, 1856-1919  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
1 Item (typed, with handwritten edits)
Type:
Archival materials
Inventories
Date:
undated
Scope and Contents:
Comprehensive index of Charles Lang Freer's library, mostly relating to art and Asian culture. Headings include authors, countries, and topical subjects. Sections include locations in Freer's original Detroit home; an index of all books transferred to the Smithsonian; a list of collections and collectors catalogues of American and Near and Far Eastern art; sales catalogues, and books in Chinese language.
Arrangement:
Organized in the original manner by the creator.
Local Numbers:
FSA A.01 05.22
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Asian -- Collectors and collecting  Search this
Art, American -- Collectors and collecting  Search this
Art -- Collectors and collecting  Search this
Book collecting  Search this
Function:
Libraries
Genre/Form:
Inventories
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, Item FSA A.01 05.22
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 5: Art Inventories / 5.22: Printed Books [Library]
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
EDAN-URL:
ead_component:sova-fsa-a-01-ref3332
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“We Starve Ourselves and Each Other”: Hunger and Lesbian Self-Fashioning in 1970s America

Creator:
National Portrait Gallery  Search this
Type:
Conversations and talks
YouTube Videos
Uploaded:
2021-06-09T19:28:38.000Z
YouTube Category:
Education  Search this
Topic:
Portraits  Search this
See more by:
NatlPortraitGallery
Data Source:
National Portrait Gallery
YouTube Channel:
NatlPortraitGallery
EDAN-URL:
edanmdm:yt_ZPr4wLNBETM

R. C. Gorman

Artist:
Yousuf Karsh, 23 Dec 1908 - 13 Jul 2002  Search this
Sitter:
R. C. Gorman, 26 Jul 1931 - 3 Nov 2005  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 34.3 x 26.5 cm (13 1/2 x 10 7/16")
Sheet: 35.4 x 27.6 cm (13 15/16 x 10 7/8")
Mount: 40.7 x 33 cm (16 x 13")
Type:
Photograph
Date:
1989
Topic:
Artwork\Sculpture  Search this
R. C. Gorman: Visual Arts\Artist  Search this
R. C. Gorman: Male  Search this
Portrait  Search this
Credit Line:
National Portrait Gallery, Smithsonian Institution; gift of Estrellita Karsh in memory of Yousuf Karsh
Object number:
NPG.2012.77.39
Restrictions & Rights:
Usage conditions apply
Copyright:
© Estate of Yousuf Karsh
See more items in:
National Portrait Gallery Collection
Data Source:
National Portrait Gallery
GUID:
http://n2t.net/ark:/65665/sm46b28168d-5dbe-438e-95fd-550c2324320c
EDAN-URL:
edanmdm:npg_NPG.2012.77.39

Joseph Cornell

Artist:
Lee Miller, 23 Apr 1907 - 21 Jul 1977  Search this
Sitter:
Joseph Cornell, 24 Dec 1903 - 29 Dec 1972  Search this
Medium:
Gelatin silver print
Dimensions:
Image: 31 x 24cm (12 3/16 x 9 7/16")
Sheet: 39 x 29.5cm (15 3/8 x 11 5/8")
Mat (Verified): 35.6 x 45.7cm (14 x 18")
Type:
Photograph
Date:
1933 (printed 2010)
Topic:
Toy\Boat  Search this
Joseph Cornell: Male  Search this
Joseph Cornell: Visual Arts\Artist\Sculptor  Search this
Joseph Cornell: Literature\Writer\Art  Search this
Portrait  Search this
Credit Line:
Owner: Lee Miller Archives
Object number:
EXH.HS.16
Restrictions & Rights:
Usage conditions apply
Copyright:
© Lee Miller Archives, England 2010. All rights reserved. www.leemiller.co.uk
See more items in:
Catalog of American Portraits
Data Source:
Catalog of American Portraits
GUID:
http://n2t.net/ark:/65665/sm422d50a87-9c79-4b42-8af9-c8297435cfe9
EDAN-URL:
edanmdm:npg_EXH.HS.16

The Crisis, Vol. 15, No. 1

Edited by:
W.E.B. Du Bois, American, 1868 - 1963  Search this
Subject of:
The Crisis, American, founded 1910  Search this
National Association for the Advancement of Colored People, American, founded 1909  Search this
National American Woman Suffrage Association, American, 1890 - 1920  Search this
Henry Ossian Flipper, American, 1856 - 1940  Search this
Hampton University, American, founded 1868  Search this
Coralie Franklin Cook, American, born 1861  Search this
Written by:
James Weldon Johnson, American, 1871 - 1938  Search this
Anna Howard Shaw, American, 1847 - 1919  Search this
Carrie Chapman Catt, American, 1859 - 1947  Search this
Mary Garrett Hay, American, 1857 - 1928  Search this
Illustrated by:
Laura Wheeler Waring, American, 1887 - 1948  Search this
Frank Walts, American  Search this
Medium:
ink on paper with metal
Dimensions:
H x W: 9 7/8 × 6 7/8 in. (25.1 × 17.5 cm)
H x W (Open): 9 7/8 × 13 5/8 in. (25.1 × 34.6 cm)
Type:
magazines (periodicals)
Place printed:
New York City, New York, United States, North and Central America
Place depicted:
Houston, Harris County, Texas, United States, North and Central America
Hampton, Virginia, United States, North and Central America
Ethiopia, East Africa, Africa
Date:
November 1917
Topic:
African American  Search this
Advertising  Search this
Associations and institutions  Search this
Business  Search this
Civil Rights  Search this
Education  Search this
Literature  Search this
Mass media  Search this
Military  Search this
Poetry  Search this
Race relations  Search this
Race riots  Search this
Social life and customs  Search this
Social reform  Search this
Suffrage  Search this
U.S. History, 1865-1921  Search this
Women  Search this
World War I  Search this
Credit Line:
Collection of the Smithsonian National Museum of African American History and Culture
Object number:
2015.97.15.5
Restrictions & Rights:
Public domain
See more items in:
National Museum of African American History and Culture Collection
Classification:
Documents and Published Materials-Published Works
Data Source:
National Museum of African American History and Culture
GUID:
http://n2t.net/ark:/65665/fd5b5b84115-5a09-4173-b63d-d5e2e5fb6df4
EDAN-URL:
edanmdm:nmaahc_2015.97.15.5
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Art and Literature

Collection Creator:
Seitz, William Chapin  Search this
Container:
Box 5, Folder 13
Type:
Archival materials
Date:
1966-1970
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
William Chapin Seitz papers, circa 1930-1995. Archives of American Art, Smithsonian Institution.
See more items in:
William Chapin Seitz papers
William Chapin Seitz papers / Series 4: Research and Writing Files / 4.2: People and Subject Files
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-seitwill-ref138

By Other Authors

Collection Creator:
Lipchitz, Jacques, 1891-1973  Search this
Container:
Box 5, Folder 34
Type:
Archival materials
Date:
1946-1963
Scope and Contents note:
Arnason, H. H., "Jacques Lipchitz - The Maquettes" (1963)

Cocteau, Jean, Untitled

Cohen, Ruth, "Jacques Lipchitz Exhibition"

Ingersoll, R. Sturgis, Foreword to Fine Arts Associates catalog

Meeropol, Robert, Untitled Student Paper

Rewald, John, Untitled

Shenker, Israel, "Jacques Lipchitz"

Sweeney, James Johnson, "Jacques Lipchitz"

Sweeney, James Johnson, Address at Dedication Ceremony of -- Joie de Vivre -- , Albert Einstein College of Medicine

Tucker, Jean S., Student Paper, "An approach to -- Mother and Child -- , 1949, by Jacques Lipchitz"
Collection Restrictions:
Use of original papers requires an appointment. Use of audiovisual materials with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz, circa 1910-2001, bulk 1941-2001. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz
Jacques Lipchitz papers and Bruce Bassett papers concerning Jacques Lipchitz / Series 1: Jacques Lipchitz papers / 1.4: Writings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-lipcjacq2-ref392
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Writings By Bearden

Collection Creator:
Bearden, Romare, 1911-1988  Search this
Container:
Box 3, Folder 1
Type:
Archival materials
Date:
circa 1950s-1980s
Collection Restrictions:
The bulk of the collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Romare Bearden papers, 1937-1982. Archives of American Art, Smithsonian Institution.
See more items in:
Romare Bearden papers
Romare Bearden papers / Series 3: Writings By and About Bearden
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-bearroma-ref24
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Nancy Spero papers

Creator:
Spero, Nancy, 1926-2009  Search this
Names:
A.I.R. Gallery (New York, N.Y.)  Search this
Golub, Leon, 1922-2004  Search this
Extent:
27.5 Linear feet
19.12 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Slides
Sound recordings
Interviews
Transcripts
Photographs
Video recordings
Date:
1940s-2009
Summary:
The papers of painter, collage artist, and printmaker Nancy Spero measure 27.5 linear feet and 19.12 GB and are dated 1940s-2009. Biographical materials, correspondence, interviews, writings, subject files, personal business records, printed and digital material, and photographic materials provide an overview of her exhibitions, major projects, and personal life. Also documented is her interest and participation in political movements and social issues including anti-war, women's rights, animal rights, repressive regimes, and the treatment of political prisoners.
Scope and Contents:
The papers of painter, printmaker, and collage artist Nancy Spero measure 27.5 linear feet and 19.12 GB and are dated 1940s-2009. Biographical materials, correspondence, interviews,writings, subject files, personal business records, printed and digital material, and photographic materials provide an overview of her exhibitions, major projects, and personal life. Also documented is her interest and participation in political and social movements including anti-war, women's rights, animal rights, and raising awareness about repressive regimes, and the treatment of political prisoners.

Biographical materials include 26 audiovisual recordings about Nancy Spero and her work. Also found are biographical notes, resumes, and her passport. Correspondence concerns exhibitions, projects, travel, general news of family and friends, social events, and fundraising for political and social causes that Spero supported.

Interviews with Spero, conducted for a variety of purposes, include 7 audiovisual recordings, many transcripts, and published versions. Also, there are several joint interviews with Nancy Spero and Leon Golub. Spero's writings consist of notes, artist's statements, and articles. Also included are 7 audiovisual recordings of talks by Spero and her participation in panel discussions.

Subject files document many of Spero's personal and professional projects, relationships, and interests. Especially well documented is A.I.R. Gallery which includes 42 sound cassettes of talks presented in its "Current Issues and Events" series (1982-1984), gallery correspondence, exhibition documentation, and records of the A.I.R. Partnership. Some materials are in digital format.

Personal business records include many inventories and lists. Also documented are gifts, loans, sales, prices, reproduction permissions and fees. Printed material consists of a variety of items such as books, clippings, exhibition catalogs and announcements, periodicals, press releases, digital materials and reproductions. Many items mention Spero and/or include reproductions of her work. Also found with printed material are 22 commercially produced audiovisual recordings about various subjects.

Photographic materials include photographs, digital images, slides, negatives and color transparencies of artwork, exhibition installations, and people. Artwork is mainly by Spero and exhibition installations record some of her solo shows. Images of people include Nancy Spero, Leon Golub, unidentified friends and family members.
Arrangement:
The collection is arranged in 9 series:

Missing Title

Series 1: Biographical Material, 1950-2009 (Boxes 1-2, FC 31; 1.5 linear feet, ER01-ER04; 9.58 GB)

Series 2: Correspondence, 1946-2009 (Boxes 2-4; 2 linear feet)

Series 3: Interviews, 1973-2007 (Boxes 4-5; 0.8 linear foot)

Series 4: Writings, 1950-2003 (Box 5; 0.8 linear foot)

Series 5: Subject Files, circa 1950-2009 (Boxes 6-18, 29, RD 30; 12.6 linear feet, ER05-ER15; 5.02 GB)

Series 6: Personal Business Records, circa 1976-2008 (Boxes 18-19; 1 linear foot)

Series 7: Printed Material, 1949-2009 (Boxes 19-25; 6.1 linear feet, ER16-ER17; 4.36 GB)

Series 8: Photographic Material, 1940s-2009 (Boxes 25-26, 29; 1.2 linear feet, ER18-ER19; 0.151 GB)

Series 9: Video Recordings, 1970s-1990s (Boxes 26-28; 1 linear foot)
Biographical / Historical:
Nancy Spero (1926-2009) was a figurative painter, printmaker, and collage artist in New York City whose multi-media work often incorporated text. She was an ardent feminist and activist whose political and social concerns were expressed in her art.

Born in Cleveland, Nancy Spero lived in Chicago from the time she was a very young child until completing her studies at the School of the Art Institute of Chicago (BFA 1949) where she met her future husband, painter Leon Golub (1922-2004). She studied briefly in Paris and lived in New York City, returning to Chicago after her marriage in 1951. The couple and their two sons lived in Italy from 1956 to 1957. In 1959, after a few years in New York, the family moved to Paris where Spero developed an interest in existentialism and produced a series of black paintings. When Spero and Golub returned to New York in 1964, their family consisted of three sons.

Nancy Spero was strongly affected by the war in Vietnam and the many social changes of the period. She became a social activist and feminist, joined various organizations, and participated in a variety of demonstrations. Work such as the War series began to include political and sexual imagery. Spero was among the founding members of the women's cooperative A.I.R. Gallery established in 1972. In 1974 she decided to make women in mythology, history, art, and literature the exclusive subject of her work. Included in this vein are major series and installations, among them Torture of Women, Notes in Time on Women, The First Language, and her 66th Street/Lincoln Center subway station mosaic mural Artemis, Acrobats, Divas and Dancers.

Spero exhibited in the 1950 Salon des Independents and her first solo exhibition (in tandem with Leon Golub) was held at Indiana University in 1958. Thereafter, she showed sporadically until nearly 30 years later when her career flourished and she enjoyed international stature. Beginning in 1986, each year brought multiple solo exhibitions at galleries and museums in the United States and internationally. In addition, she continued to participate in group shows such as "Documenta" and the Venice Biennale. Her work is included in the permanent collections of museums throughout the world.

Awards and honors included the Skowhegan Medal for Works on Paper (1995), Hiroshima Art Prize shared with Leon Golub (1996), The Women's Caucus for Art award for Outstanding Achievement in Visual Arts (2003), and The Women's Caucus for Art Distinguished Artist Award for Lifetime Achievement (2005). Spero was awarded honorary Doctorates of Fine Arts by The School of the Art Institute of Chicago (1991) and Williams College (2001), and was elected a member of the American Academy of Arts and Letters (2006).

After several years of declining health, Nancy Spero died from heart failure in New York City, October 18, 2009.
Related Materials:
Also among the holdings of the Archives of American Art an interview of Nancy Spero conducted 2008 Februay 6-July 24, by Judith Olch Richards, and the papers of Spero's husband, Leon Golub.
Provenance:
Gift of Nancy Spero in 1979. The majority of the collection was donated by her sons, Stephen Golub, Philip Golub, and Paul Golub in 2013.
Restrictions:
This collection is temporarily closed to researchers due to archival processing and digitization. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Collagists -- New York (State) -- New York  Search this
Topic:
Art -- Political aspects  Search this
Feminism and art  Search this
Printmakers -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Peace movements  Search this
Women artists  Search this
Women printmakers  Search this
Women painters  Search this
Genre/Form:
Slides
Sound recordings
Interviews
Transcripts
Photographs
Video recordings
Citation:
Nancy Spero papers, 1940s-2009. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.spernanc
See more items in:
Nancy Spero papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-spernanc
Online Media:

Puerto Rico: Its History: Pre-1493 to the Present [sound recording] / written and read by Robert Martinez, Ph.D. ; conceived and produced by Charles Averett

Producer:
Averett, Charles T  Search this
Narrator:
Martinez, Robert  Search this
Physical description:
2 phonograph records : analog, 33 1/3 rpm ; 12 in
Culture:
Puerto Ricans  Search this
Type:
Phonograph records
Place:
Puerto Rico
Date:
1978
Topic:
History  Search this
Local number:
FW05603
Folkways 5603
Restrictions & Rights:
Restrictions on access
See more items in:
Folkways Records Collection 1948-1986
Data Source:
Ralph Rinzler Folklife Archives and Collections
EDAN-URL:
edanmdm:siris_arc_232433
Online Media:

Chemistry imagined : a collaboration of art, science and literature : Des Moines Art Center, November 16, 1991-February 2, 1992, National Academy of Sciences, Washington, D.C., September 15, 1992-January 6, 1993 / Vivian Torrence, collages ; Roald Hoffmann, poetry and essays

Title:
Collaboration of art, science and literature
Author:
Des Moines Art Center  Search this
Physical description:
1 folded sheet (6 p.) : ill. ; 23 cm
Type:
Exhibitions
Date:
1991
[1991]
Topic:
Art and science  Search this
Art and literature--Exhibitions  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_819221

Chemistry imagined : a collaboration of art, science and literature : Des Moines Art Center, November 16, 1991-February 2, 1992, National Academy of Sciences, Washington, D.C., September 15, 1992-January 6, 1993 / Vivian Torrence, collages ; Roald Hoffmann, poetry and essays

Title:
Collaboration of art, science and literature
Author:
Torrence, Vivian  Search this
Hoffmann, Roald  Search this
Des Moines Art Center  Search this
Subject:
Torrence, Vivian  Search this
Hoffmann, Roald  Search this
Physical description:
1 folded sheet (6 p.) : ill. ; 23 cm
Type:
Exhibitions
Date:
1991
[1991]
Topic:
Art and science  Search this
Art and literature--Exhibitions  Search this
Call number:
NX512.T67 A4 1991
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_827989

The elements of life : biography and portrait-painting in Stuart and Georgian England / Richard Wendorf

Author:
Wendorf, Richard  Search this
Physical description:
xxi, 308 pages, 40 unnumbered pages of plates : illustrations (some color) ; 25 cm
Type:
Texts
Biography
Biographies
Criticism, interpretation, etc
History
Place:
Great Britain
Grande-Bretagne
Date:
1990
Stuarts, 1603-1714
1714-1837
1603-1714 (Stuarts)
Topic:
Art and literature--History  Search this
Biography as a literary form  Search this
Portrait painting, British  Search this
Biography (as a literary form)  Search this
Art et littérature--Histoire  Search this
Biographie (Genre littéraire)  Search this
Peinture de portraits britannique  Search this
Biography  Search this
Art and literature  Search this
Schilderkunst  Search this
Portretten  Search this
Biografieën  Search this
Engels  Search this
Portrait painting, English  Search this
History  Search this
History and criticism  Search this
Histoire  Search this
Biographies  Search this
Histoire et critique  Search this
European portrait paintings, to 1900  Search this
Biographical prose - Critical studies  Search this
Call number:
DA377.W46 1990X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_387221

Ki-da Rilke Sung Hwan Kim

Author:
Kim, Sung Hwan 1975-  Search this
Author:
Rilke, Rainer Maria 1875-1926  Search this
Kunsthalle Basel  Search this
Smithsonian Libraries Artists' Books DSI  Search this
Subject:
Kim, Sung Hwan 1975-  Search this
Physical description:
159 pages, [8] leaves of plates illustrations 23 cm
Type:
Exhibitions
Artists' books (books).)
Artists' books
Exhibition catalogs
Place:
Germany
Date:
2011
21st century
Topic:
Art and literature  Search this
Art, Modern  Search this
Artists' books  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_965849

Kennedy, Ruth Lee

Collection Creator:
Jacques Seligmann & Co  Search this
Container:
Box 53, Folder 34
Type:
Archival materials
Date:
1952
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jacques Seligmann & Co. records, 1904-1978, bulk 1913-1974. Archives of American Art, Smithsonian Institution.
See more items in:
Jacques Seligmann & Co. records
Jacques Seligmann & Co. records / Series 1: Correspondence / 1.3: General Correspondence
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-jacqself-ref10258
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French 19th century painting and literature: with special reference to the relevance of literary subject-matter to French painting; edited by Ulrich Finke

Author:
Finke, Ulrich  Search this
University of Manchester History of Art Department  Search this
Whitworth Art Gallery, Manchester, Eng  Search this
Physical description:
xx, 390 p. illus., facsims. 24 cm
Type:
Congresses
Date:
1972
[c1972]
19th century
Topic:
Arts, French  Search this
Art and literature  Search this
Painting, French  Search this
Call number:
NX549.A1 F87 1972
NX549.A1F87 1972
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_36559

Oral history interview with Harold Rosenberg

Interviewee:
Rosenberg, Harold, 1906-1978  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Club (New York, N.Y.)  Search this
Office of War Information. Washington, D.C.  Search this
United States. Work Projects Administration  Search this
Baumbach, Harold, 1903-  Search this
Blume, Peter, 1906-1992  Search this
Breton, André, 1896-1966  Search this
Davis, Stuart, 1892-1964  Search this
De Kooning, Willem, 1904-1997  Search this
Gorky, Arshile, 1904-1948  Search this
Inverarity, Robert Bruce, 1909-1999  Search this
Krasner, Lee, 1908-1984  Search this
Lundeberg, Helen, 1908-1999  Search this
Léger, Fernand, 1881-1955  Search this
Matta, 1912-2002  Search this
Miró, Joan, 1893-  Search this
Motherwell, Robert  Search this
Newman, Barnett, 1905-1970  Search this
Pollock, Jackson, 1912-1956  Search this
Prestopino, Gregorio  Search this
Rothko, Mark, 1903-1970  Search this
Smith, David, 1906-1965  Search this
Tobey, Mark  Search this
Extent:
244 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1970 December 17-1973 January 28
Scope and Contents:
An interview of Harold Rosenberg conducted 1970 December 17-1973 January 28, by Paul Cummings for the Archives of American Art over nine sessions.
Rosenberg speaks on a wide variety of topics including Marxism and Communism; art criticism; teaching and the philosopy of art; how his interest in art developed over the years; getting his writings published and starting a magazine; what intrigues him about the avant-garde; when and why he started painting; action painting; the inaccuracies in art history about Avant-gardism and Surrealism; working as a mural painter for the College Art Association; moving from the WPA's art project to the writer's project, and becoming an art editor; what happened to the works of art done under the WPA after it ended; and moving to the Hamptons.
He speaks in detail on the New York art scene during the 1930s, 1940s, and 1950s; The Club; writing about art; politics and art; Shakespeare and literature's influence on art and vice versa; the various economic aspects of art; how the Depression affected him and the people he knew; the projects he worked on in the WPA; and working for the OWI after the WPA disbanded.
He recalls Mark Rothko, Harold Baumbach, Willem de Kooning, Robert Motherwell, Peter Blume, Helen Lundberg, André Breton, Arshile Gorky, Roberto Matta, Jackson Pollock, David Smith, Lee Krasner, Fernand Léger, Joan Miró, Jim Leshay, Stuart Davis, Bruce Inverarity, Barney Newman, Mark Tobey, Gregorio Prestopino, and many others.
Biographical / Historical:
Harold Rosenberg (1906-1978) was a writer and educator from New York, N.Y.
General:
Originally recorded on 5 sound tapes. Reformatted in 2010 as 9 digital wav files. Duration is 10 hr., 4 min.
Interview transcript is not in chronological order; arrangement designated by the interviewer Paul Cummings.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art, American  Search this
Educators -- New York (State) -- New York -- Interviews  Search this
Art -- Economic aspects  Search this
Art -- Philosophy  Search this
Art -- Political aspects  Search this
Art and literature  Search this
Art criticism  Search this
Surrealism  Search this
Avant-garde (Aesthetics) -- New York (State) -- New York  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.rosenb70
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-rosenb70
Online Media:

Diary

Collection Creator:
Saarinen, Aline B. (Aline Bernstein), 1914-1972  Search this
Container:
Box 1, Folder 12
Type:
Archival materials
Date:
1928-1932
Collection Restrictions:
The collection has been digitized and is available online via AAA's website. Use of material not digitized requires an appointment.
Collection Rights:
NBC TV scripts or film prepared for television: Authorization to publish, quote or reproduce requires written permission from NBC Studios. Contact Reference Services for more information.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Aline and Eero Saarinen Papers, 1906-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Aline and Eero Saarinen papers
Aline and Eero Saarinen papers / Series 1: Aline and Eero Saarinen Personal Papers / 1.1: Miscellaneous Personal Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-saaralin-ref25
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
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Oral history interview with Martha Jackson

Creator:
Jackson, Martha Kellogg  Search this
Interviewer:
Cummings, Paul  Search this
Names:
Martha Jackson Gallery  Search this
Hofmann, Hans, 1880-1966  Search this
Extent:
82 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Date:
1969 May 23
Scope and Contents:
An interview of Martha Jackson conducted 1969 May 23, by Paul Cummings, for the Archives of American Art. Jackson speaks of becoming interested in art while living in Baltimore; buying her first painting, a gouache by Marc Chagall; moving to New York City and getting active in collecting art; going to Hans Hofmann's school; opening her gallery in New York in 1953; art as an investment; early shows at her gallery; struggling financially; books and film and their relationship to art; politics and art and their relationship; the psychology of art buying and collecting; the European art market for American art; and her goals for her gallery.
Biographical / Historical:
Martha Kellogg Jackson (1907-1969) was an art dealer in New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript: Patrons must use microfilm copy.
Occupation:
Art dealers -- New York (State) -- New York  Search this
Topic:
Art and literature  Search this
Art and motion pictures  Search this
Art -- Collectors and collecting -- New York (State) -- New York  Search this
Art -- Political aspects  Search this
Women art dealers  Search this
Genre/Form:
Interviews
Identifier:
AAA.jackso69
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-jackso69

Oral history interview with Antonio Homem

Interviewee:
Homem, Antonio  Search this
Interviewer:
McElhinney, James Lancel, 1952-  Search this
Names:
Centre Georges Pompidou  Search this
Ileana Sonnabend (Gallery)  Search this
Acconci, Vito, 1940-  Search this
Baldessari, John, 1931-  Search this
Duchamp, Marcel, 1887-1968  Search this
Godard, Jean-Luc, 1930-  Search this
Guy, Michel  Search this
Ludwig, Peter, 1925-  Search this
Nauman, Bruce, 1941-  Search this
Panza, Giuseppe  Search this
Rauschenberg, Robert, 1925-2008  Search this
Sharp, Willoughby, 1936-2008  Search this
Sonnabend, Ileana  Search this
Sonnabend, Michael  Search this
Warhol, Andy, 1928-1987  Search this
Extent:
4 Items (Sound recording: 4 sound files (4 hr.,10 min.), digital, wav)
80 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Place:
Paris (France) -- description and travel
Spain -- description and travel
Zurich (Switzerland)
Date:
2016 March 14-23
Scope and Contents:
An interview of Antonio Homem, conducted 2016 March 14 and 23, by James McElhinney, for the Archives of American Art at the Sonnabend Gallery in New York, New York.
Homem speaks of his early memories of art and his childhood in Portugal; going to museums in Paris and Spain; studying engineering at the ETH in Zurich, Switzerland; working in a gallery in Zurich; reading Proust; discussion of reading, understanding, and misunderstanding art and literature; meeting Ileana and Michael Sonnabend in 1965; subsequently working at the Sonnabend gallery from 1968; job responsibilities; opening galleries in New York in 1970 and 1971; Showing new artists, like Bruce Nauman, Vito Acconci, John Baldessari; Willoughby Sharpe, Shunk and Kender and the Pier 18 Project; the differences between collectors and gallery visitors of New York and Paris; the influence of the creation of the Centre Pompidou; his thoughts on the evolution of artistic taste; Duchamp; Pop art; Arte Povera; and evolution of art market from the 1970s to the present. Homem also recalls Ileana Sonnabend in detail, Robert Rauschenburg, Andy Warhol, Jean-Luc Godard, Michel Guy, Marcel and Giselle Boulois, Dr. Peter Ludwig, Count Panza, and others.
Biographical / Historical:
Antonio Homem is the director and owner of the Sonnabend Gallery in New York, New York. James McElhinney (1952- ) is a painter and educator of New York, New York.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Gallery directors -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Topic:
Conceptual art  Search this
Pop art  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.homem16
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-homem16
Online Media:

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