Skip to main content Smithsonian Institution

Search Results

Collections Search Center
2,502 documents - page 1 of 126

Dorothy C. Miller papers, 1853-2013, bulk 1920-1996

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Subject:
Rockefeller, Nelson A. (Nelson Aldrich)  Search this
Cahill, Holger  Search this
Rothko, Mark  Search this
Coggeshall, Calvert  Search this
Hicks, Edward  Search this
Still, Clyfford  Search this
Calder, Alexander  Search this
Gorky, Arshile  Search this
Charlton, Maryette  Search this
Feininger, Lyonel  Search this
Pereira, I. Rice (Irene Rice)  Search this
Johns, Jasper  Search this
Horwitt, Will  Search this
DeFeo, Jay  Search this
Christo  Search this
Nevelson, Louise  Search this
Sheeler, Charles  Search this
Rauschenberg, Robert  Search this
Karpel, Bernard  Search this
Copley, Alfred L.  Search this
Davis, Stuart  Search this
Newman, Barnett  Search this
Sage, Kay  Search this
Byars, James Lee  Search this
Mather, Eleanore Price  Search this
Barr, Alfred H., Jr.  Search this
Feitelson, Lorser  Search this
O'Keeffe, Georgia  Search this
Hartigan, Grace  Search this
Noguchi, Isamu  Search this
Chryssa  Search this
Levy, Julien  Search this
Asher, Elise  Search this
Reinhardt, Ad  Search this
Scharf, William  Search this
Matisse, Pierre  Search this
Bontecou, Lee  Search this
Canady, John  Search this
Picasso, Pablo  Search this
Guggenheim, Peggy  Search this
Sterne, Hedda  Search this
World Trade Center (New York, N.Y.)  Search this
Federal Art Project  Search this
Betty Parsons Gallery  Search this
Rockefeller University  Search this
Smith College. Museum of Art  Search this
Port Authority of New York and New Jersey  Search this
Chase Manhattan Bank  Search this
Municipal Art Exhibition (1st : 1934 : New York, N.Y.)  Search this
Mark Rothko Foundation  Search this
Smith College  Search this
Hirshhorn Museum and Sculpture Garden  Search this
PepsiCo, Inc.  Search this
Type:
Photographs
Sketches
Christmas cards
Drawings
Topic:
Artists -- United States  Search this
Art, Modern -- 20th century  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art museum curators -- New York (State) -- New York  Search this
Corporations -- Private collections  Search this
Art -- Private collections  Search this
Folk art  Search this
Women museum curators  Search this
Women art historians  Search this
Theme:
Art Theory and Historiography  Search this
Women  Search this
Record number:
(DSI-AAA_CollID)6469
(DSI-AAA_SIRISBib)215653
AAA_collcode_milldoro
Theme:
Art Theory and Historiography
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215653
Online Media:

Gifts from the fire American ceramics, 1880-1950 : from the collection of Martin Eidelberg Alice Cooney Frelinghuysen and Martin Eidelberg

Title:
American ceramics, 1880-1950 from the collection of Martin Eidelberg
Interviewer:
Frelinghuysen, Alice Cooney  Search this
Interviewee:
Eidelberg, Martin P  Search this
Host institution:
Metropolitan Museum of Art (New York, N.Y.),.)  Search this
Physical description:
255 pages illustrations (chiefly color), portrait 29 cm
Type:
Exhibitions
Interviews
Expositions
Exhibition catalogs
Catalogues d'exposition
Place:
United States
New York (State)
New York
États-Unis
Date:
2021
19th century
20th century
20e siècle
19e siècle
Topic:
Art pottery, American  Search this
Modernism (Art)  Search this
Art pottery  Search this
Céramique d'art américaine  Search this
Modernisme (Art)  Search this
Art--Private collections  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155640

Dorothy C. Miller papers

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Names:
Betty Parsons Gallery  Search this
Chase Manhattan Bank -- Art collections  Search this
Federal Art Project  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Mark Rothko Foundation  Search this
Municipal Art Exhibition (1st : 1934 : New York, N.Y.)  Search this
PepsiCo, Inc.  Search this
Port Authority of New York and New Jersey -- Art collections  Search this
Rockefeller University  Search this
Smith College -- Students  Search this
Smith College. Museum of Art  Search this
World Trade Center (New York, N.Y.) -- Art collections  Search this
Asher, Elise, 1914-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bontecou, Lee, 1931-  Search this
Byars, James Lee  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Canady, John  Search this
Charlton, Maryette  Search this
Christo, 1935-  Search this
Chryssa, 1933-  Search this
Coggeshall, Calvert, 1907-1990  Search this
Copley, Alfred L.  Search this
Davis, Stuart, 1892-1964  Search this
DeFeo, Jay, 1929-1989  Search this
Feininger, Lyonel, 1871-1956  Search this
Feitelson, Lorser, 1898-1978  Search this
Gorky, Arshile, 1904-1948  Search this
Guggenheim, Peggy, 1898-  Search this
Hartigan, Grace  Search this
Hicks, Edward, 1780-1849  Search this
Horwitt, Will  Search this
Johns, Jasper, 1930-  Search this
Karpel, Bernard, 1911-1986  Search this
Levy, Julien  Search this
Mather, Eleanore Price, 1910-  Search this
Matisse, Pierre, 1900-1989  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Picasso, Pablo, 1881-1973  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979 -- Art collections  Search this
Rothko, Mark, 1903-1970  Search this
Sage, Kay  Search this
Scharf, William, 1927-  Search this
Sheeler, Charles, 1883-1965  Search this
Sterne, Hedda, 1910-2011  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
34.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Christmas cards
Drawings
Date:
1853-2013
bulk 1920-1996
Summary:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.
Scope and Content Note:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.

Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.

Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.

Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, Art At Work: Chase Manhattan Bank Collection. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art.

Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing Edward Hicks: His Peaceable Kingdom and Other Paintings. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center.

Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.

The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.
Arrangement:
The collection is arranged as 15 series:

Missing Title

Series 1: Biographical Material, 1917-1986 (Box 1; 0.3 linear ft.)

Series 2: Correspondence and Subject Files, circa 1912-1992 (Boxes 1-8, OV 27; 7.2 linear ft.)

Series 3: Rockefeller Family Art Collections, circa 1949-1985 (Boxes 8-12, 25; 3.9 linear ft.)

Series 4: Rockefeller University Collection, 1923-1984 (Boxes 12-13, OV 27; 1.0 linear ft.)

Series 5: Chase Manhattan Bank Collection, 1959-circa 1985 (Boxes 13-14, 26; 1.4 linear ft.)

Series 6: Port Authority of New York and New Jersey Art Committee, circa 1965-1987 (Boxes 14-15, OV 27; 0.8 linear ft.)

Series 7: Other Corporate and Private Clients, 1968-1984 (Boxes 15-16; 1.3 linear ft.)

Series 8: Other Boards, Committees and Commissions, 1925, 1949-1985 (Boxes 16-20; 3.6 linear ft.)

Series 9: Works Project Administration Federal Art Project Files, 1935-1979 (Box 20, OV 27; 0.5 linear ft.)

Series 10: Edward Hicks Catalog, 1934-1984 (Boxes 20-22; 1.5 linear ft.)

Series 11: Research Files, 1930s-1980 (Boxes 22-23; 0.8 linear ft.)

Series 12: Exhibition Files, 1932-1986 (Box 23; 0.6 linear ft.)

Series 13: Works of Art, circa 1924-circa 1982 (Boxes 23-25; 1.5 linear ft.)

Series 14: Photographs, 1926-circa 1970s (Boxes 24-25; 0.3 linear ft.)

Series 15: Addition to the Dorothy C. Miller Papers, 1853-2003, bulk 1920-1996 (Boxes 28-38, OVs 39-41; 9.9 linear ft.)
Biographical Note:
Dorothy Canning Miller (1904-2003) worked in New York City as a highly influential curator of contemporary and folk art at the Museum of Modern Art and as the first curator of the museum. Later, she was the primary art consultant for Nelson A. Rockefeller, the Rockefeller family, Rockefeller University, Chase Manhattan Bank, and the Port Authority of and New Jersey. Dorothy Miller was also married to Holger Cahill, director of the WPA Federal Art Project.

Dorothy C. Miller was born in Hopedale, Massachusetts in 1904 and received her Bachelor of Arts from Smith College in 1925. She was first introduced to modern art through classes at the Newark Museum taught by John Cotton Dana and Holger Cahill. Miller joined the curatorial staff of the Newark Museum in 1926. The museum was one of the first to organize exhibitions of American folk art, American Primitives (1930-1931) and American Folk Sculpture (1931-1932). Miller worked with Cahill and others on the exhibition and developed a life-long interest in folk art.

After four years at the Newark Museum, Miller moved to New York city, hoping to get involved with the newly opened Museum of Modern Art (MoMA), and, likely, to be with Holger Cahill, with whom she lived with on 8th Street prior to their marriage in 1938. Between 1930 and 1932 she took odd jobs and worked with Mrs. Henry Lang cataloging, researching and installing Lang's collection of Native American art Lang donated to the Montclair Art Museum. At the same time, Holger Cahill was serving as Acting Director of the Museum of Modern Art during an absence of Director Alfred H. Barr. In 1932, Cahill asked Miller to assist him with curating the American Painting and Sculpture, 1862-1932 exhibition at MoMA, and together they also curated the First Municipal Art Exhibition, 1934 at the Rockefeller Center.

In 1934, Barr hired Miller as his assistant and one year later appointed her as MoMA's first curator. Miller spent the next 35 years organizing many of this country's most important exhibitions of contemporary art and building personal relationships with new artists and photographers, as well as the collections of MoMA. Miller retired from MOMA in 1969 and focused more on her art consulting work begun in the late 1950s.

Dorothy Miller's most notable client was Nelson A. Rockefeller. She assisted and advised Rockefeller as he acquired a vast personal collection of modern art - some of which was later donated to MoMA. Just prior to her retirement, Miller organized a large exhibition of Rockefeller's collection. The exhibition catalog written by Miller was the basis for the book she worked on with Rockefeller up until and following his death in 1979, ultimately published as The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. In the preface, Rockefeller credited Miller with being one of the four people to whom he was indebted "for the understanding and endless joy I have found in the collecting of modern art in all forms."

Miller also served as the primary art consultant for projects to furnish federal spaces, including Henry Kissinger's State Department office suite, and the official Vice-Presidential residence at the Admiral's House in Washington D.C.

In 1959 Miller was invited to join the art collection committee of the Chase Manhattan Bank and served on the committee until the mid-1980s, contributing her expertise to the development of one of this country's oldest and largest corporate collections of modern and contemporary art.

Miller was also an advisor to other members of the Rockefeller family, including David Rockefeller, and assisted with developing the art collections of Rockefeller Institute/University. From 1960 through the late 1980s Miller was a member of the art committee for the Port Authority of New York and New Jersey (PANJY) and was responsible for selecting much of the artwork for the World Trade Center in the 1970s. She served on numerous boards and commissions, including the Hancock Shaker Village, the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden, the Empire State Plaza in Albany, Smith College Museum of Art, and the Museum of American Folk Art. She also became a member of the Mark Rothko Foundation Board of Directors after the litigation following Rothko's death between Rothko's executors and his daughter.

In the mid-1970s Miller assisted the Whitney Museum of American with planning an exhibition and supporting catalog of the work of folk artist Edward Hicks. Although the exhibition and catalog were only partially realized in 1980, Miller and Eleanore Price Mather compiled and published a book on Hicks, Edward Hicks: His Peaceable Kingdoms and Other Paintings, published in 1983.

In 1982-1983 Miller received the Art Dealers Association Special Award, an honorary degree from Williams College, and the Skowhegan School of Painting and Sculpture governor's award. In 1984 she was named honorary trustee of the Museum of Modern Art. In 1985 the Smith College Museum of Art honored her important contributions to museum connoisseurship with the exhibition Dorothy C. Miller: With An Eye to American Art.

Dorothy Miller died in 2003 at the age of 99 at her home in Greenwich, New York.
Related Material:
The Archives of American Art holds two oral history interviews with Dorothy C. Miller. The first was conducted by Paul Cummings between May 26, 1970 and September 28, 1971, and details Miller's life from childhood up to, and including, her years at the Museum of Modern Art. The second was conducted by Avis Berman on May 14, 1981 and covers Miller's relationships with Mark Rothko and Clyfford Still. Also found among the holdings of the Archives are the papers of Holger Cahill, Dorothy Miller's husband and colleague.

The Museum of Modern Art Achives holds Dorothy Miller's papers related to her curatorial work at the museum.
Provenance:
The collection was donated by Dorothy C. Miller via Wendy Jeffers between 1986 and 1997, and Reid White, Executor of Miller's estate, in 2004. Two subsequent additions were donated by Wendy Jeffers in 2014 and 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Topic:
Artists -- United States  Search this
Art, Modern -- 20th century  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art museum curators -- New York (State) -- New York  Search this
Corporations -- Private collections  Search this
Art -- Private collections  Search this
Folk art  Search this
Women museum curators  Search this
Women art historians  Search this
Genre/Form:
Photographs
Sketches
Christmas cards
Drawings
Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.milldoro
See more items in:
Dorothy C. Miller papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f1ed6cb6-f194-4b76-a8dd-fce3352c09b8
EDAN-URL:
ead_collection:sova-aaa-milldoro
Online Media:

Königliche Porzellansammlung Augusts des Starken

Editor:
Pietsch, Ulrich  Search this
Bischoff, Cordula 1957-  Search this
Sponsoring body:
Staatliche Kunstsammlungen Dresden  Search this
Physical description:
339 pages illustrations (chiefly color) 30 cm
Type:
Catalogs
Catalogues
Place:
Germany
Dresden
Allemagne
Dresde
Japanisches Palais
Sachsen
Date:
2014
Topic:
Porcelain, Asian  Search this
Porcelain  Search this
Porcelaine asiatique  Search this
Porcelaine  Search this
Art--Private collections  Search this
Meißener Porzellan  Search this
Architektur  Search this
Ausstattung  Search this
Porzellan  Search this
Chinoiserie  Search this
Sammlung  Search this
Höfische Kunst  Search this
Japonismus  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1145550

Fenollosa, Ernest Francisco. Notes taken before Mr. Freer's Collection in Detroit.

Creator:
Fenollosa, Ernest Francisco, 1853-1908  Search this
Collection Creator:
Freer, Charles Lang, 1856-1919  Search this
Extent:
196 Pages (19.5 x 13 cm.)
Container:
Box 56, Folder 2
Type:
Archival materials
Pages
Notebooks
Place:
USA -- Michigan -- Detroit
Date:
November 4-11, 1907
Scope and Contents:
One journal-style volume, quarter-bound black pebble-grained cloth with brown marbled paper boards. Approximately 200 pages, mostly filled with handwritten notes. Paper onlay on the front cover bears the handwritten inscription "Notes taken before Mr. Freer's collection in Detroit -- some amount is [?] -- mostly [?] lantern slides." Inside front cover has the bookplate of Ernest K. Fenollosa; the bookplate also bears the ink signature "Mary McNeil Fenollosa (Sidney McCall)" and the ink stamp of the Freer Gallery of Art, Washington D.C. Loosely inserted at the beginning of the journal is an undated receipt for the purchase of several items from the Walpole Galleries in New York City.
The first part of the journal, dated November 1907, contains approximately 104 pages of notes, presumably written in Fenollosa's hand. On the back cover, another paper slip bears the inscription "This end of the note book to be used for a list of Illustrations from Stokes' prints to be sent Mr. Heinemann -- begun March 16th 1911." From this point, a new set of notes begins, written after Fenollosa's death and consisting of approximately 34 pages.
Notes taken before Mr. Freer's collection in Detroit
Arrangement:
Organized in one flat box.
Biographical / Historical:
Ernest Francisco Fenollosa (1853-1908) was a poet and student of Asian art. Born in Salem, Massachusetts, Fenollosa studied at Harvard, Cambridge University and the art school at the Boston Museum of Fine Arts before traveling to Japan to teach political economy and philosophy at the Imperial University at Tokyo. In 1988, he helped establish the Tokyo Fine Arts Academy and the Imperial Museum, serving as its director. For his many efforts to preserve temples and shrines and their art work, the Emperor of Japan decorated him with the orders of the Rising Sun and the Sacred Mirror. In 1890 Fenollosa returned to the Boston Museum of Fine Arts to take the position of curator of the department of Oriental arts. However, his public divorce and immediate remarriage in 1895 to the writer Mary McNeill Scott (1865-1954) led to his dismissal from the Museum in 1896 and he returned to Japan to teach English literature at the Tokyo Higher Normal School. He returned to the United States in 1900 to write and lecture on Asia. His works include East and West: The Discovery of America and Other Poems (1893); Epochs of Chinese and Japanese Art (2d ed. 1912), compiled by his widow, Mary McNeil Fenollosa; and two works on Japanese drama (ed. by Ezra Pound, 1916).
Local Numbers:
FSA A.01 04.02
Collection Restrictions:
Collection is open for research.
Collection Rights:
Permission to publish, quote, or reproduce must be secured from the repository.
Topic:
Art, Asian  Search this
Art -- Private collections  Search this
Genre/Form:
Notebooks
Collection Citation:
Charles Lang Freer Papers. Freer Gallery of Art and Arthur M. Sackler Gallery Archives. Smithsonian Institution, Washington, D.C. Gift of the estate of Charles Lang Freer.
Identifier:
FSA.A.01, Item FSA A.01 04.02
See more items in:
Charles Lang Freer Papers
Charles Lang Freer Papers / Series 4: Freer Colleague Materials / 4.1: Ernest Fenollosa Materials
Archival Repository:
Freer Gallery of Art and Arthur M. Sackler Gallery Archives
GUID:
https://n2t.net/ark:/65665/dc360ebabb9-7765-4a5b-b8c4-a1f6323cf129
EDAN-URL:
ead_component:sova-fsa-a-01-ref2477

Japanese prints the collection of Vincent van Gogh Chris Uhlenbeck, Louis van Tilborgh, Shigeru Oikawa ; translations Dutch-English, Lynne Richards, Diane Webb

Title:
Collection of Vincent van Gogh
Author:
Van Gogh Museum, Amsterdam  Search this
Uhlenbeck, Chris  Search this
Tilborgh, Louis van  Search this
Oikawa, Shigeru 1945-  Search this
Translator:
Richards, Lynne  Search this
Webb, Diane  Search this
Copyright holder:
Van Gogh Museum, Amsterdam  Search this
Physical description:
223 pages color illustrations 30 cm
Type:
Catalogs
Catalogues
catalogs (documents)
Place:
Netherlands
Amsterdam
Pays-Bas
Date:
2019
2018
Edo period, 1600-1868
Meiji period, 1868-1912
1600-1868 (Époque d'Edo)
1868-1912 (Ère Meiji)
Topic:
Color prints, Japanese  Search this
Prints--Private collections  Search this
Estampe en couleurs japonaise  Search this
Estampe--Collections privées  Search this
Color prints, Japanese--Meiji period  Search this
Color prints, Japanese--Edo period  Search this
Art--Private collections  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1145551

Subject as matter : the New Church, Cape Town / by Marilyn Martin

Author:
Martin, Marilyn 1943-2022  Search this
Smithsonian Libraries African Art Index Project DSI  Search this
Subject:
Viljoen, Piet Art collections  Search this
New Church (Gallery : Cape Town, South Africa)  Search this
Type:
Articles
Place:
South Africa
Cape Town
Date:
2013
Topic:
Art, South African--Private collections  Search this
Call number:
N1 .A788
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1008003

Kate Steinitz papers

Creator:
Steinitz, Kate Traumann, 1889-1975  Search this
Names:
Bauhaus  Search this
Berlinische Galerie  Search this
Elmer Belt Library of Vinciana  Search this
Germanisches Nationalmuseum Nürnberg  Search this
San Francisco Museum of Art  Search this
Berg, Ilse  Search this
Chagall, Marc, 1887-1985  Search this
Gabo, Naum, 1890-1977  Search this
Graeff, Werner, 1901-1978  Search this
Grosz, George, 1893-1959  Search this
Höch, Hannah, 1889-1978  Search this
Leonardo, da Vinci, 1452-1519  Search this
Lissitzky, El, 1890-1941  Search this
Mondrian, Piet, 1872-1944  Search this
Nebel, Otto, 1892-1973  Search this
Schwitters, Kurt, 1887-1948  Search this
van Biema, Carrie  Search this
Extent:
4.3 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Scrapbooks
Sketches
Manuscripts
Journals (accounts)
Collages
Paintings
Greeting cards
Visitors' books
Travel diaries
Date:
circa 1910-2002
Summary:
The papers of artist, collector, librarian, and scholar Kate Steinitz measure 4.3 linear feet and date from circa 1910 to 2002. The collection documents Steinitz's life and career in Germany and the United States through biographical material; correspondence; writings, including manuscripts and travel diaries; exhibition files; personal business records; printed material; travel scrapbooks; artwork; and photographs.
Scope and Contents:
The papers of artist, collector, librarian, and scholar Kate Steinitz measure 4.3 linear feet and date from circa 1910 to 2002. The collection documents Steinitz's life and career in Germany and the United States through biographical material; correspondence; writings, including manuscripts and travel diaries; exhibition files; personal business records; printed material; travel scrapbooks; artwork; and photographs.

Biographical material consists of life and travel documents, various membership cards, news clippings, and memorial cards. Also included are letters of recommendation, a resume, and an award from the president of Germany.

Correspondence is with friends, family, colleagues, and various organizations. Artists represented include Carrie van Biema, El Lissitzky, Piet Mondrian, and others. Correspondence with arts organizations include San Francisco Museum of Art, Berlinische Galerie, Germanisches Nationalmuseum, and others.

Published writings by Steinitz include articles, books, and book reviews. Unpublished writings include two travel diaries and an illustrated journal, an autobiographical essay with a sketch of the Traumann family tree, manuscripts, lectures, poems, and notes. Writings by others include a guest register with sketches and comments by visitors, a memorial speech, biographical essays, and miscellaneous notes.

Steinitz's professional activities during her career as a librarian and curator of the Elmer Belt Library of Vinciana are documented through published articles and books, informal reports, correspondence, scrapbooks, sketches, and photographs.

Files pertaining to exhibitions of Steinitz's artwork and collection are documented through three exhibition catalogs, correspondence, inventories, photographs, and printed ephemera. Materials related to the Schwitters-Steinitz Collection, which was compiled by Steinitz and is available at the National Gallery of Art Library in Washington, D.C., include a finding aid and photocopies documenting the exhibition Collaborative Works by Kate Steinitz and Kurt Schwitters from the Schwitters-Steinitz Collection (1994).

Personal business records include an appraisal of Steinitz's art and book collection. Documents pertaining to Steinitz's publishing activities include sales agreements and legal services rendered for the book Kurt Schwitters: A Portrait from Life (1968) written by Steinitz and contracts with Whitman Publishing Company for a children's book by Tom Seidmann-Freud.

Printed material consists of published illustrations and stationary by Steinitz; clippings about Steinitz, Kurt Schwitters, and others; reproductions of artwork; and miscellaneous invitations and announcements. Also found are three children's books written and illustrated by Tom Seidmann-Freud and a book of poems with an illustrated book jacket by Joachin Ringelnatz.

Steinitz's personal and professional trips to Europe are documented through six travel scrapbooks which include sketches, photographs, notes, and printed ephemera such as postcards, receipts, and maps.

Artwork by Steinitz consists of travel sketches and a mock-up sketch for the book Manuscripts of Leonardo da Vinci: Their History, With a Description of the Manuscript Editions in Facsimile (1948). Artwork by others includes miscellaneous sketches, prints, and paintings. Of note are greeting cards with prints by Werner Graeff and a collage by Otto Nebel.

Photographs and negatives consist of portraits and snapshots of Steinitz as well as family, friends, and artists. Photographs by Steinitz include a self-portrait and images of artists, artwork, and Bauhaus architecture. Photographs of Steinitz's apartments in Los Angeles include images of a Man Ray table that was given to Jake Zeitlin. Artists represented include Piet Mondrian, Naum Gabo, Kurt Schwitters, Hannah Höch, El Lissitzky, Marc Chagall, George Grosz, and others.
Arrangement:
The collection is arranged as 10 series.

Missing Title

Series 1: Biographical Material, 1915-1976 (Box 1; 0.4 linear feet)

Series 2: Correspondence, circa 1922-1998 (Boxes 1-2; 0.9 linear feet)

Series 3: Writings, 1921-2002 (Box 2; 1.0 linear feet)

Series 4: Elmer Belt Library of Vinciana, 1948-1989 (Boxes 2-3; 0.3 linear feet)

Series 5: Exhibition Files, 1939-2001 (Box 3; 0.5 linear feet)

Series 6: Personal Business Records, 1938-1993 (Box 3; 0.3 linear feet)

Series 7: Printed Material, 1913-2002 (Boxes 3-5; 0.5 linear feet)

Series 8: Travel Scrapbooks, 1966-1974 (Box 4; 0.4 linear feet)

Series 9: Artwork, circa 1928-1974 ( Boxes 4-5; 0.3 linear feet)

Series 10: Photographic Material, circa 1910-1979 (Boxes 4-5; 0.3 linear feet)
Biographical / Historical:
Kate Steinitz (1889-1975) was an artist, collector, librarian, and scholar who worked in Berlin and Hanover, Germany and Los Angeles, California. Steinitz was born in Beuthen, Silesia, Germany, (now Poland) to Arnold and Magdelena Traumann; the family relocated to Berlin in 1899. From 1908 to 1911, Steinitz studied drawing and painting under Käthe Kollwitz and Lovis Corinth and attended lectures by art historian, Heinrich Wölfflin. While visiting Paris with her mother in 1912, Steinitz continued her studies at the Sorbonne and Académie de la Grande Chaumière.

Steinitz married physician, Ernst Steinitz in 1913. The couple had three daughters including Ilse, Lotti, and Beate. In 1917, the family moved to Hanover, Germany. Over the next 17 years, the Steinitz household served as a salon for visiting artists including Naum Gabo, Hannah Höch, El Lissitzky, and Laszlo Moholy-Nagy. Visitors' notes and drawings from this era are documented in Steinitz's guestbook, Zu Gast bei Kate Steinitz, published by Galerie Gmurzynska in 1977.

Steinitz was most active as a fine artist while living in Hanover. Her paintings under glass were first exhibited in 1921 at Herbert von Garvens' gallery. Steinitz had her first solo exhibition in 1922 at the Gurlitt Gallery in Berlin. In 1926, her work was included in the International Exhibition of Modern Art at the Brooklyn Museum in New York.

Steinitz also collected art and her collection included artworks by El Lissitzky, Kurt Schwitters, László Moholy-Nagy, Paul Klee, Wassily Kandinsky, Auguste Rodin, Otto Nebel, Franz Marc, and others. In 1925, she collaborated with German artist Kurt Schwitters and Dutch artist Theo van Doesburg on Die Scheuche Märchen, a typographic children's book published by Aposs and Merz Verlag. Steinitz and Schwitters also collaborated on Der Zusammenstoss, an opera libretto. Steinitz compiled an archival collection documenting Schwitters' life and career which was later acquired by the National Gallery of Art Library in Washington, D.C. in 1976.

As a journalist, Steinitz wrote about art and lifestyle topics for newspapers and magazines in Hanover and Berlin. Growing Nazi influences caused the family to leave Germany for New York City in 1936. As Chairman of the Art Committee of Friendship House, a cultural organization for refugees, Steinitz organized the New Americans (1939-1940) exhibition of paintings, drawings, and sculpture by European refugees at the World's Fair in New York.

After finalizing her U.S. citizenship in 1944, Steinitz relocated to Los Angeles where she resided for the remainder of her life. From 1945 to 1961, she served as a librarian for Elmer Belt's Leonardo da Vinci library. When Belt donated the library to the University of California, Los Angeles in 1961, Steinitz was named honorary curator of the Elmer Belt Library of Vinciana. In 1969, Steinitz's literary contributions on Leonardo da Vinci earned her an invitation to deliver the lecture for the IX Lettura Vinciana in Venice, Italy.

The biographical information included here draws upon the following sources: Wilson Library Bulletin, Vol. 45 (1970) and Kate Steinitz: Art into Life into Art, exhibition catalog, Severin Wunderman Museum (1994).
Related Materials:
Kate Steinitz compiled a collection of archival materials about German artist and writer Kurt Schwitters and donated the materials to the National Gallery of Art Library located in Washington, D.C.

Kate Traumann Steinitz papers are also located at UCLA Library Special Collections.
Provenance:
The Kate Steinitz papers were donated to the Archives of American Art in 1999 by Ilse Berg, daughter of Kate Steinitz.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Librarians -- Germany  Search this
Art historians -- Germany  Search this
Librarians -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Illustrators -- Germany  Search this
Illustrators -- California -- Los Angeles  Search this
Curators -- Germany  Search this
Topic:
Art -- Private collections  Search this
Art -- Collectors and collecting  Search this
Curators -- California -- Los Angeles  Search this
Women artists  Search this
Art, Modern -- 20th century -- Germany  Search this
Dadaism  Search this
Genre/Form:
Photographs
Scrapbooks
Sketches
Manuscripts
Journals (accounts)
Collages
Paintings
Greeting cards
Visitors' books
Travel diaries
Citation:
Kate Steinitz papers, circa 1910-2002. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.steikate
See more items in:
Kate Steinitz papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c048e0ef-0901-463d-89c4-3b7cebdff828
EDAN-URL:
ead_collection:sova-aaa-steikate
Online Media:

Poetic imagination in Japanese art selections from the collection of Mary and Cheney Cowles Maribeth Graybill, editor, Jeannie Kenmotsu, co-editor, Michiyo Morioka, co-editor ; assisted by Sangah Kim ; essays and catalogue entries by Paul Berry, Maribeth Graybill, Michiyo Morioka, Joshua S. Mostow, Sadako Ohki, Arata Shimao

Contributor:
Graybill, Maribeth  Search this
Morioka, Michiyo 1949-  Search this
Berry, Paul 1950-  Search this
Mostow, Joshua S. 1957-  Search this
Ohki, Sadako  Search this
Editor:
Kenmotsu, Jeannie  Search this
Kim, Sangah  Search this
Contibutor:
Shimao, Arata 1953-  Search this
Host institution:
Portland Art Museum (Or.)  Search this
Subject:
Cowles, Cheney Art collections  Search this
Cowles, Mary Art collections  Search this
Physical description:
283 pages illustrations (some color) 32 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Catalogues d'exposition
Place:
Japan
United States
Japon
États-Unis
Date:
2020
Topic:
Painting, Japanese  Search this
Calligraphy, Japanese  Search this
Art and literature  Search this
Painting--Private collections  Search this
Calligraphy--Private collections  Search this
Calligraphie japonaise  Search this
Art et littérature  Search this
Peinture--Collections privées  Search this
Calligraphie--Collections privées  Search this
Art--Private collections  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1145152

Ink worlds : contemporary Chinese painting from the collection of Akiko Yamazaki and Jerry Yang = Mo jing : Shanqi Langzi Yang Zhiyuan cang dang dai shui mo hua Richard Vinograd, Ellen Huang with contributions from Michael Knight, Yanzhi Wang, Likun Yang, Yechen Zhao

Title:
Ink worlds : contemporary Chinese painting from the collection of Akiko Yamazaki and Jerry Yang = 墨境 : 山崎朗子楊致遠藏當代水墨畫 / Richard Vinograd, Ellen Huang with contributions from Michael Knight, Yanzhi Wang, Likun Yang, Yechen Zhao
Mo jing : Shanqi Langzi Yang Zhiyuan cang dang dai shui mo hua
墨境 : 山崎朗子楊致遠藏當代水墨畫
Author:
Vinograd, Richard Ellis  Search this
Huang, Ellen (Ellen Chang)  Search this
Writer of supplementary textual content:
Knight, Michael 1953-  Search this
Wang, Yanzhi (Contributor to Ink worlds)  Search this
Yang, Likun (Contributor to Ink worlds)  Search this
Zhao, Yechen  Search this
Publisher:
Iris & B. Gerald Cantor Center for Visual Arts at Stanford University  Search this
Subject:
Yamazaki, Akiko Art collections  Search this
Yamazaki, Akiko Art collections  Search this
Physical description:
xv, 209 pages illustrations (some colour) 27 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Catalogues d'exposition
Date:
2018
20th century
21st century
20e siècle
21e siècle
Topic:
Ink painting, Chinese  Search this
Ink painting, Chinese--Private collections  Search this
Peinture à l'encre chinoise  Search this
Peinture à l'encre chinoise--Collections privées  Search this
Art--Private collections  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1117835

Jan Tschichold and the New Typography graphic design between the World Wars Paul Stirton

Title:
Graphic design between the World Wars
Author:
Stirton, Paul  Search this
Host institution:
Bard Graduate Center Gallery  Search this
Subject:
Tschichold, Jan Art collections  Search this
Tschichold, Jan (1902-1974) Catalogues d'exposition  Search this
Physical description:
xvii, 254 pages illustrations (chiefly color) 23 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
History
Catalogues d'exposition
Place:
Europe
Date:
2019
20th century
20e siècle
Topic:
Graphic design (Typography)  Search this
Printed ephemera--Private collections  Search this
Printing--History  Search this
Arts graphiques  Search this
Publications éphémères--Collections privées  Search this
Imprimerie--Histoire  Search this
Art--Private collections  Search this
Technology  Search this
Printing  Search this
Buchgestaltung  Search this
Typografie  Search this
Typographie--Arts graphiques--Expositions  Search this
Publications éphémères--Collections privées--Expositions  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155128

Larry Aldrich papers

Creator:
Aldrich, Larry  Search this
Names:
Aldrich Museum of Contemporary Art (Ridgefield, Conn.)  Search this
Larry L. Aldrich Foundation, Inc.  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Whitney Museum of American Art  Search this
Extent:
630 Items
Type:
Collection descriptions
Archival materials
Date:
1949-1973
Scope and Contents:
Correspondence, 1953-1973, with the Museum of Modern Art and the Whitney Museum of American Art regarding, among other topics, purchase funds established for each museum by the Larry L. Aldrich Foundation, Inc., including lists of works of art approved for acquisition, and invoices; correspondence regarding Aldrich's private collection, including purchase invoices and cancelled checks, shipping and loan paperwork, and information on works from the collection consigned for sale at auction in 1963; printed material and exhibition catalogs from the Aldrich Museum of Contemporary Art, 1964-1971; and 9 photographs, including works from Aldrich's private collection (2 photographs), works acquired by the Museum of Modern Art (4 photographs), and 4 views of the Aldrich Museum.
Biographical / Historical:
Collector; New York, N.Y.; b. 1906; d. 2001
Provenance:
Donated 1972-1973 by Larry Aldrich.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art patrons  Search this
Topic:
Art patronage  Search this
Art -- Endowments  Search this
Art -- Private collections  Search this
Art -- Collectors and collecting  Search this
Function:
Art museums -- New York (State)
Art Museums -- Connecticut
Identifier:
AAA.aldrlarr
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96fc7b749-3d54-4b9d-a3f9-cdc9cf0f60b3
EDAN-URL:
ead_collection:sova-aaa-aldrlarr

American Federation of Arts, Private Collection Visits (1963), Liberman Collection

Collection Creator:
Liberman, Alexander, 1912-1999  Search this
Container:
Box 15, Folder 28
Type:
Archival materials
Date:
1963
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. research center. Contact Reference Services for more information. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Alexander Liberman Papers, circa 1912-2003. Archives of American Art, Smithsonian Institution.
See more items in:
Alexander Liberman papers
Alexander Liberman papers / Series 7: Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw915973677-d02b-4c9b-941d-b9a8bd58a910
EDAN-URL:
ead_component:sova-aaa-libealex-ref505

Buddha and Shiva, Lotus and Dragon masterworks from the Mr. and Mrs. John D. Rockefeller 3rd Collection at Asia Society Adriana Proser

Curator:
Proser, Adriana G  Search this
Author:
Willis, Pauline (Of American Federation of Arts)  Search this
Tan, Boon Hui 1968-  Search this
Host institution:
New Orleans Museum of Art  Search this
Cummer Museum of Art and Gardens  Search this
Ackland Art Museum  Search this
Kimbell Art Museum  Search this
Fundación "Pedro Barrié de la Maza, Conde de Fenosa"  Search this
Organizer:
American Federation of Arts  Search this
Asia Society  Search this
Publisher:
Hirmer Verlag  Search this
Physical description:
184 pages illustrations (chiefly color), color map, photographs 26 cm
Type:
Exhibitions
Expositions
Essay
Exhibition catalogs
Essays
Illustrated books
Illustrated works
Catalogues d'exposition
Essais
Ouvrages illustrés
Date:
2020
21st century
20th century
20e siècle
21e siècle
Topic:
Art, Asian  Search this
Art, Asian--Private collections  Search this
Art asiatique  Search this
Art asiatique--Collections privées  Search this
Art--Private collections  Search this
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1155442

William P. Miller, Jr. papers

Creator:
Miller, William P., 1948-  Search this
Names:
Alex Hillman Family Foundation  Search this
Hillman Family Collection  Search this
Hillman, Alex L., 1900-1968  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1952-1988
Scope and Contents:
Files from Miller's position as curatorial consultant to the Alex Hillman Family Foundation Art Collection. Included are: biographical information about Alex Hillman and family; lists, catalog drafts, appraisals, and deaccession lists of and reports about the Hillman Art Collection; files on loans and traveling exhibitions of the Hillman Art Collection, containing catalogs, brochures, announcements, and installation photographs for exhibitions at the American Federation of the Arts, Nassau County Museum of Fine Arts, and the Brooklyn Museum; draft for a catalog of the collection written by Miller; a manuscript for a book about the Hillman family and the collection (author unknown); and biographical information about Miller.
Biographical / Historical:
Curatorial consultant to the Alex Hillman Family Foundation Art Collection; New York, N.Y. Died ca. 1990. Also held various positions in Philadelphia and New York museums and art centers, including the Metropolitan Museum of Art, the Bronx Museum of the Arts, the Philadelphia Museum of Art, and the Jamaica Arts Center.
Provenance:
Donated 1991 by Paul Himmelstein, executor of the William P. Miller's estate. Miller's papers were collected along with the papers of Gary Reynolds; Miller and Reynolds were roommates and their estates were both settled by Himmelstein. Reynolds' papers are housed and cataloged separately.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Art historians  Search this
Museum curators  Search this
Topic:
Art -- Private collections -- New York (State) -- New York  Search this
Art -- Collectors and collecting  Search this
Identifier:
AAA.millwilp
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw969b5ac77-0826-4d89-81c2-43260110fa04
EDAN-URL:
ead_collection:sova-aaa-millwilp

The David Davis collection 177 [i.e. of 177] 18th century Wedgwood portrait medallions

Title:
David Davis collection of 18th century Wedgwood portrait medallions
Author:
Marshall Field & Company  Search this
Physical description:
18 pages 21 cm
Type:
Exhibitions
Expositions
Exhibition catalogs
Date:
1900
1994
Topic:
Wedgwood ware  Search this
Portrait medallions  Search this
Faïence de Wedgwood  Search this
Art--Private collections  Search this
Call number:
NK4335 .D26 1900
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_1114567

West Texas Museum Association records, 1950-1969

Creator:
West Texas Museum Association  Search this
Subject:
Biggers, John Thomas  Search this
Texas Watercolor Association  Search this
Topic:
Art -- Exhibitions  Search this
Art -- Private collections -- Texas  Search this
Art, African -- Texas  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)5944
(DSI-AAA_SIRISBib)208785
AAA_collcode_westtexa
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_208785

Letters to Sue Scott from artists, 1987-1988

Creator:
Scott, Sue  Search this
Subject:
Westheimer, Ellen  Search this
Westheimer, Jerome  Search this
Oklahoma Art Center  Search this
Ellen and Jerome Westheimer collection  Search this
Oklahoma Art Center  Search this
Topic:
Art, Modern -- 20th century -- Exhibitions  Search this
Art -- Private collections -- Oklahoma  Search this
Theme:
Communities, Organizations, Museums  Search this
Record number:
(DSI-AAA_CollID)10985
(DSI-AAA_SIRISBib)214856
AAA_collcode_scotsue
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214856

Caroline Simon correspondence with Justin K. and Hilde Thannhauser, 1974-1981

Creator:
Simon, Caroline K. (Caroline Klein)  Search this
Thannhauser, Justin K., 1892-1976  Search this
Subject:
Thannhauser, Hilde  Search this
Justin K. Thannhauser collection  Search this
Topic:
Art -- Private collections  Search this
Art -- Collectors and collecting  Search this
Record number:
(DSI-AAA_CollID)10987
(DSI-AAA_SIRISBib)214858
AAA_collcode_simocaro
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214858

Kate Steinitz papers, circa 1910-2002

Creator:
Steinitz, Kate Traumann, 1889-1975  Search this
Subject:
Grosz, George  Search this
Höch, Hannah  Search this
Leonardo, da Vinci  Search this
Lissitzky, El  Search this
Nebel, Otto  Search this
Mondrian, Piet  Search this
Schwitters, Kurt  Search this
Berg, Ilse  Search this
Gabo, Naum  Search this
van Biema, Carrie  Search this
Chagall, Marc  Search this
Graeff, Werner  Search this
Berlinische Galerie  Search this
Germanisches Nationalmuseum Nürnberg  Search this
Bauhaus  Search this
San Francisco Museum of Art  Search this
Elmer Belt Library of Vinciana  Search this
Type:
Photographs
Scrapbooks
Sketches
Manuscripts
Journals (accounts)
Collages
Paintings
Greeting cards
Visitors' books
Travel diaries
Topic:
Art -- Private collections  Search this
Art -- Collectors and collecting  Search this
Curators -- California -- Los Angeles  Search this
Women artists  Search this
Art, Modern -- 20th century -- Germany  Search this
Dadaism  Search this
Theme:
Women  Search this
Art Theory and Historiography  Search this
Record number:
(DSI-AAA_CollID)6251
(DSI-AAA_SIRISBib)216575
AAA_collcode_steikate
Theme:
Women
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_216575
Online Media:

Modify Your Search







or


Narrow By