Search Results

Interviewee:

Thaw, Eugene Victor  Search this

Interviewer:

McElhinney, James Lancel, 1952-  Search this

Names:

Art Students League (New York, N.Y.) -- Students  Search this

Cleveland Museum of Art  Search this

Columbia University -- Students  Search this

E.V. Thaw & Co.  Search this

Metropolitan Museum of Art (New York, N.Y.)  Search this

Pollock-Krasner Foundation  Search this

St. John's College (Annapolis, Md.) -- Students  Search this

Castelli, Leo  Search this

Franka, Gunther  Search this

Held, Julius Samuel, 1905-  Search this

Ketterer, Norbert  Search this

Krasner, Lee, 1908-1984  Search this

Landau, Jack, 1925-1967  Search this

Marca-Relli, Conrad, 1913-2000  Search this

Matisse, Pierre, 1900-1989  Search this

Meiss, Millard  Search this

Mitchell, Joan, 1926-1992  Search this

Offner, Richard, 1889-1965  Search this

Rivera, Diego, 1886-1957  Search this

Rousseau, Theodore, 1912-  Search this

Shapiro, Meyer  Search this

Simon, Norton, 1907-1993  Search this

Vavala, Evelyn Sandberg  Search this

Extent:

33 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2007 October 1-2

Scope and Contents:

An interview of Eugene V. Thaw conducted 2007 October 1-2, by James McElhinney, for the Archives of American Art's Art Dealers Association of America Project, at Thaw's residence, in New York, N.Y.

Thaw speaks of his childhood in New York City; Mexican art in his home including watercolors by Diego Rivera; beginning classes at the Art Student's League of New York at age 14; attending St. John's College in Annapolis, Maryland; attending Columbia University for graduate courses in art history and studying with Meyer Shapiro and Millard Meiss; an early interest in Old Master, Renaissance, and German Expressionist art; studying in Florence, Italy for four months after World War II; opening The New Bookstore and Gallery with friend Jack Landau above the Algonquin Hotel upon his return to New York City; giving Joan Mitchell and Conrad Marca-Relli their first shows; ending his partnership with Landau, closing the bookstore, and moving the gallery to Madison Avenue; becoming involved in the international art market; the practice of buying and selling works of art in shares with other dealers; showing American and European artists; renaming the gallery E.V. Thaw & Company; operating essentially as a one-man gallery with very limited staff; his relationship with museums such as the Metropolitan Museum of Art and the Cleveland Museum of Art; his personal collections, including extensive ancient Eurasian artifacts and American Indian art; establishing the Pollock-Krasner Foundation; the philanthropic vision of his own foundation, the Eugene V. and Clare E. Thaw Charitable Trust; his retirement from dealing; the "hand of the artist" in historical context and its lack of significance in contemporary art; and advice for young and emerging art dealers. Thaw also recalls Richard Offner, Evelyn Sandberg-Vavala, Norbert Ketterer, Günther Franka, Pierre Matisse, Leo Castelli, Julius Held, Theodore Rousseau, Lee Krasner, Norton Simon, and others.

Biographical / Historical:

Eugene Thaw (1927- ) is an art dealer from New York, N.Y. James McElhinney (1952- ) is a painter and educator from New York, N.Y.

General:

Originally recorded on 2 sound discs. Reformatted in 2010 as 4 digital wav files. Duration is 2 hr., 26 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript is available on the Archives of American Art's website.

Occupation:

Art dealers -- New York (State) -- New York  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

Funding for this interview provided by Art Dealers Association of America.

Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.

Identifier:

AAA.thaw07

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw93bde4440-dc2a-4206-a8bb-d0f0ebda50d4

EDAN-URL:

ead_collection:sova-aaa-thaw07

Collection Creator:

Rosenblum, Robert  Search this

Container:

Box 10, Folder 13

Type:

Archival materials

Date:

circa 1989

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.

See more items in:

Robert Rosenblum Papers

Robert Rosenblum Papers / Series 3: Lectures, Writings, and Writing Project Files / Catalog Essays

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9d4cda545-e31b-44e2-9a1d-c2cac0e3cd07

EDAN-URL:

ead_component:sova-aaa-roserobe-ref220

Collection Creator:

Rosenblum, Robert  Search this

Container:

Box 12, Folder 14

Type:

Archival materials

Date:

1985-2004

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.

See more items in:

Robert Rosenblum Papers

Robert Rosenblum Papers / Series 3: Lectures, Writings, and Writing Project Files / Lectures

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9ccfe33a5-158b-4ec5-a282-496934390425

EDAN-URL:

ead_component:sova-aaa-roserobe-ref291

Collection Creator:

Rosenblum, Robert  Search this

Container:

Box 12, Folder 18

Type:

Archival materials

Date:

circa 1979

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information. Use of archival audiovisual recordings and electronic media with no duplicate access copy requires advance notice.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

Robert Rosenblum Papers, circa 1927-2009, bulk 1950-2006. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collections Care and Preservation Fund.

See more items in:

Robert Rosenblum Papers

Robert Rosenblum Papers / Series 3: Lectures, Writings, and Writing Project Files / Lectures

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9c9fcaf1d-3a92-4033-bdcd-d2745e5d8d38

EDAN-URL:

ead_component:sova-aaa-roserobe-ref293

Interviewee:

Nochlin, Linda  Search this

Interviewer:

McElhinney, James Lancel, 1952-  Search this

Creator:

Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this

Names:

Columbia University -- Students  Search this

Elizabeth Murray Oral History of Women in the Visual Arts Project  Search this

New York University. Institute of Fine Arts -- Students  Search this

Vassar College  Search this

Courbet, Gustave, 1819-1877  Search this

Jones, Wendell, 1899-1956  Search this

Lehmann, Karl, 1894-1960  Search this

Millet, Jean François, 1814-1875  Search this

Panofsky, Erwin, 1892-1968  Search this

Renoir, Auguste, 1841-1919  Search this

Schapiro, Meyer, 1904-  Search this

Warburg, Aby, 1866-1929  Search this

Extent:

3 Items (Sound recording, master: 3 memory cards (3 hr., 51 min.), secure digital, 1.25 in.)

86 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

2010 Jun. 9-30

Scope and Contents:

An interview of Linda Nochlin conducted 2010 June 9-30, by James McElhinney, for the Archives of American Art's Oral History of Women in the Visual Arts project at Nochlin's home in New York, N.Y.

Nochlin speaks of her family background; growing up in Crown Heights, Brooklyn; her antireligious and intellectual home environment; her childhood as "Eden"; the influence of her uncle, Robert Heller; in high school "hanging out" in museums in New York City; her studies at Vassar, Columbia University, and the Institute of Fine Arts at New York University; her early interest in and writings about Gustave Courbet; teaching at Vassar; the "homosexual matriarchy" at Vassar; feminism; her identity as a New Yorker; Pierre-Auguste Renoir as a painter of men; teaching the first "women in art" class; her article "Why Have There Been No Great Women Artists"; pre-women's liberation artists; how she has evolved as a writer; her taste in music, movies, and television; her research on Jean François Millet's, "The Gleaners"; how the discipline of art history has changed; her emphasis on "thinking, looking, explaining, and talking" about art and "new ways of looking at old material"; her students; her preference for the essay form; her current interest in the present moment; how research has changed with the availability of online resources; and other topics. She recalls Meyer Schapiro, Erwin Panofsky, Wendell Jones, Karl Lehmann, Aby Warburg, and others.

Biographical / Historical:

Linda Nochlin (1931-) is a professor of art history in New York, N.Y. James McElhinney (1952-) is an artist, writer and educator in New York, N.Y.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

The transcript and audio recording are open for research. Contact Reference Services for more information.

Occupation:

Art historians -- New York (State) -- New York -- Interviews  Search this

Topic:

College teachers  Search this

Feminism and art  Search this

Research  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview is part of the Elizabeth Murray Oral History of Women in the Visual Arts Project, funded by the A G Foundation.

Identifier:

AAA.nochli10

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9403a84b5-0856-4a17-b8f9-cafb611d60e6

EDAN-URL:

ead_collection:sova-aaa-nochli10

Creator:

O'Connor, Francis V.  Search this

Names:

Federal Art Project  Search this

National Endowment for the Arts  Search this

United States. Work Projects Administration  Search this

United States. Works Progress Administration  Search this

Extent:

23.4 Linear feet

0.001 Gigabytes

Type:

Collection descriptions

Archival materials

Gigabytes

Date:

1920-2009

Summary:

The papers of New York art historian Francis O'Connor measure 23.4 linear feet and 0.001 GB and date from 1920-2009. Found within the papers are artist and exhibition files, questionnaires, transcripts, writings, project files, and printed and digital material that pertain to O'Connor's research and publications on the New Deal and the Federal Arts Project of the Works Progress Administration.

Scope and Contents:

The papers of New York art historian Francis O'Connor measure 23.4 linear feet and date from 1920-2009. Found within the papers are artist and exhibition files, questionnaires, transcripts, writings, project files, and printed and digital material that pertain to O'Connor's research and publications on the New Deal and the Federal Arts Project of the Works Progress Administration.

The "NCFA Library" consists of research materials collected, created, and compiled during the course of O'Connor's research project supported by the National Endowment for the Humanities for his books Federal Support for the Visual Arts (1969) and Art for the Millions (1973). Files contain administrative records, artists' files, and questionnaires and essays that document the administration of New Deal art projects. The files were collated by O'Connor into a set that remains intact.

The publications series consists of additional research and administrative materials specifically related to O'Connor's four publications on the WPA/FAP and New Deal artists: Federal Support for the Visual Arts: The New Deal and Now (1969), New Deal Art Projects: An Anthology of Memoirs (1972), Art for the Millions (1973), and Federal Art Patronage Notes (newsletter, 1974-1984).

New Deal research files are more general research materials collected by or sent to O'Connor in the course of his academic career. These include information on New Deal administrators and state specific WPA projects; photocopies of original WPA activity and reports; and New Deal scholarship, academic symposia, and conferences.

New Deal exhibitions include announcement and catalogs of contemporary New Deal art exhibitions in the U.S. from the 1960s to the 1990s. Project files are related to three publically and privately funded New Deal research projects O'Connor directed or participated in. Printed materials consists of press coverage of federal arts patronage in the United States dating from the 1960s to 2008.

Arrangement:

The collection is arranged as 6 series. There is some overlap in series reflecting O'Connor's original order.

Missing Title

Series 1: NCFA Library, 1920-1974 (6.7 linear feet; Boxes 1-7, OV 28)

Series 2: Publications, 1939-1985 (4.3 linear feet; Boxes 7-11, BV 25-26, OV 27)

Series 3: New Deal Research Files, 1930-2009 (5.6 linear feet; Boxes 11-16)

Series 4: New Deal Exhibitions, 1961-1997 (1.4 linear feet; Boxes 17-18)

Series 5: Project Files, 1935-1999 (2 linear feet; Boxes 18-20, ER01; 0.001 GB)

Series 6: Printed Material, 1963-2008 (3.4 linear feet; Boxes 20-24)

Biographical / Historical:

New York art historian and poet Francis O'Connor (1937- ) is best known for his research and writings on the New Deal art programs of the Depression and the Roosevelt Administration. O'Connor received his Ph. D. from Johns Hopkins University in 1965 and taught contemporary European and American art history at the University of Maryland from 1964 to 1970. While at Maryland, he organized the country's first comprehensive exhibition of New Deal art programs since their ending in 1943. From 1967 to 1968, he also headed a research program for the National Endowment for the Arts to analyze the effectiveness of New Deal art patronage, which eventually led to the publication of Federal Support for the Visual Arts: The New Deal and Now (1969), New Deal Art Projects: An Anthology of Memoirs (1972), Art for the Millions (1973).

In addition to his work on New Deal art patronage, throughout the 1980s and 1990s, O'Connor continued to teach and lecture at universities, consulted on federally and privately funded research projects, and published critical essays for exhibition catalogs, anthologies and academic journals. He is a member of the College Art Association, International Association of Art Critics, and founded the Association of Independent Historians of Art in 1982.

Separated Materials:

Bound assemblies of periodicals were transferred to the Smithsonian Art Libraries in 2010, which retained relevant volumes and made final decisions regarding disposition of any remaining items.

Provenance:

The papers were donated by Francis O'Connor to the National Collection of Fine Arts, now the Smithsonian American Art Museum, which subsequently transferred the papers, with O'Connor's permission, to the Archives of American Art in 1974. In 2010, O'Connor donated an additional 15.8 linear feet of papers to the Archives.

Restrictions:

This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings and born-digital records in this collection must use access copies. Contact References Services for more information.

The Artists' Questionanaires require permission from each artist before publishing, quoting, or reproducing. Contact Reference Services for more information.

Rights:

Items created by Francis V. O'Connor: copyright held by Avis Berman. Artists' questionnaires: Authorization to publish, quote, or reproduce requires written permission from the individual artist. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Occupation:

Art historians  Search this

Topic:

Federal aid to the arts  Search this

New Deal, 1933-1939  Search this

Transcripts  Search this

Citation:

Francis V. O'Connor papers, 1920-2009. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Terra Foundation for American Art.

Identifier:

AAA.oconfran

See more items in:

Francis V. O'Connor papers

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw928830ed7-4840-4fdf-a797-217fa306c1e7

EDAN-URL:

ead_collection:sova-aaa-oconfran

Collection Creator:

André Emmerich Gallery  Search this

Container:

Box 60, Folder 46

Type:

Archival materials

Date:

1976-1980

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Leon Levy Foundation.

See more items in:

André Emmerich Gallery records

André Emmerich Gallery records / Series 6: Artists Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9fdc3e51b-5ab5-4ca8-9fe4-8d73d56efb0a

EDAN-URL:

ead_component:sova-aaa-andremmg-ref3006

Collection Creator:

André Emmerich Gallery  Search this

Container:

Box 60, Folder 50

Type:

Archival materials

Date:

1970-1984

Collection Restrictions:

Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Access of diaries and appointment books required written permission.

Collection Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Collection Citation:

André Emmerich Gallery records and André Emmerich papers, circa 1929-2009. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Leon Levy Foundation.

See more items in:

André Emmerich Gallery records

André Emmerich Gallery records / Series 6: Artists Files

Archival Repository:

Archives of American Art

GUID:

https://n2t.net/ark:/65665/mw9829afe7f-f45a-4a35-9b97-b19aca1a7970

EDAN-URL:

ead_component:sova-aaa-andremmg-ref3010

Creator:

Smithsonian Institution  Search this

Type:

Interviews

YouTube Videos

Uploaded:

2010-03-11T20:26:42.000Z

YouTube Category:

Howto & Style  Search this

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smithsonian

Data Source:

Smithsonian Institution

YouTube Channel:

smithsonian

EDAN-URL:

edanmdm:yt_BeBMGCpf3g0

Creator:

Smithsonian Institution  Search this

Type:

Conversations and talks

YouTube Videos

Uploaded:

2010-03-11T19:12:44.000Z

YouTube Category:

Pets & Animals  Search this

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smithsonian

Data Source:

Smithsonian Institution

YouTube Channel:

smithsonian

EDAN-URL:

edanmdm:yt_ijrQc_PBEH8

Creator:

National Portrait Gallery  Search this

Type:

YouTube Videos

Uploaded:

2018-11-20T20:53:28.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_1gRbYVwLpJo

Creator:

National Portrait Gallery  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2009-07-13T15:53:15.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_7FzIJSPwemI

Creator:

National Portrait Gallery  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2009-07-13T16:18:30.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_EkNgvewZFzM

Creator:

National Portrait Gallery  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2009-07-13T14:48:27.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_HzdlK9cmt34

Creator:

National Portrait Gallery  Search this

Type:

YouTube Videos

Uploaded:

2018-11-20T17:39:10.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_IKxsyQsBpk4

Creator:

National Portrait Gallery  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2009-07-10T19:05:27.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_P-KY3x15Mr0

Creator:

National Portrait Gallery  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2018-11-20T21:18:42.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_R5qXs-Hs_1M

Creator:

National Portrait Gallery  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2009-07-10T16:58:24.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_S8a5fHYkiSU

Creator:

National Portrait Gallery  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2009-07-10T20:31:57.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_X-0wlaQ3TN0

Creator:

National Portrait Gallery  Search this

Type:

Symposia

YouTube Videos

Uploaded:

2009-07-10T18:28:37.000Z

YouTube Category:

Education  Search this

Topic:

Portraits  Search this

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NatlPortraitGallery

Data Source:

National Portrait Gallery

YouTube Channel:

NatlPortraitGallery

EDAN-URL:

edanmdm:yt_g88WdH822_8