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Antonio Sotomayor papers

Creator:
Sotomayor, Antonio, 1904-  Search this
Names:
Delphic Studios  Search this
Pan American Union  Search this
Entenza, John, 1903-  Search this
Farr, Fred, 1914-1973  Search this
Franco, Johan, 1908-  Search this
Fried, Alexander, 1902-1988  Search this
Gerstle, William Lewis, 1868-1947  Search this
Labaudt, Lucien, 1880-1943  Search this
Little, Philip, 1857-1942  Search this
Long, Emilie  Search this
Morley, Grace, 1900-1985  Search this
Moya del Pino, Jose, 1891-1969  Search this
Oldfield, Otis, 1890-1969  Search this
Orozco, José Clemente, 1883-1949  Search this
Pflueger, Timothy Ludwig, 1892-1946  Search this
Reed, Alma M.  Search this
Rivera, Diego, 1886-1957  Search this
Robinson, Elmer E. (Elmer Edwin), b. 1894  Search this
Salinger, Jehanne Bietry  Search this
Salinger, Pierre  Search this
Sauer, Carl Ortwin, 1889-  Search this
Sotomayor, Grace  Search this
Von Hagen, Victor Wolfgang, 1908-1985  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Sketchbooks
Sketches
Photographs
Date:
circa 1920-1988
Summary:
The collection documents the career of Bolivian born painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community. Materials found in the collection include letters, writings, sketches and sketchbooks, printed material and photographs.
Scope and Content Note:
The collection documents the career of Bolivian born painter and illustrator, Antonio Sotomayor, his interest in Latin American art and artists, and his association with the San Francisco arts community.

The collection consists primarily of correspondence, writings, artwork, printed material, and photographs documenting Sotomayor's career, his interest in Latin American art and artists, and his association with the San Francisco arts community.
Arrangement:
The collection is arranged as six series:

Missing Title

Series 1: Correspondence, 1931-1988, undated (box 1, 21 folders)

Series 2: Writings, 1932-1946, undated (box 1, 11 folders)

Series 3: Artwork, 1935, undated (box 1, 23 folders)

Series 4: Printed Material, 1935-1987 (boxes 1-2, 12 folders)

Series 5: Photographs, circa 1920-1984, undated (box 2, 13 folders)

Series 6: Oversized Material, 1941, 1958, undated (2 OV folders)
Biographical Note:
Antonio Sotomayor was born in Bolvia and came to San Francisco in 1923. He was educated at the Escuela de Belleas Arts in La Paz and the Hopkins Institute of Art in San Francisco. Primarily known for his murals and paintings, Sotomayor was also an illustrator, caricaturist, designer, ceramicist, and educator. Over the course of his career his work was exhibited in the United States, France, Italy, Spain, Mexico, and South America and he became known as the popular "artist laureate" of San Francisco where he lived with his wife, Grace. He died of cancer in 1985 at the age of 82.
Provenance:
The Antonio Sotomayor papers were donated to the Archives of American Art by Grace Sotomayor in 1998.
Restrictions:
The collection is open for research. Patrons must use microfilm copy.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Painters -- California -- San Francisco  Search this
Cartoonists -- California -- San Francisco  Search this
Topic:
Muralists -- California -- San Francisco  Search this
Works of art  Search this
Caricatures and cartoons  Search this
Mural painting and decoration -- 20th century  Search this
Illustration of books  Search this
Illustrators -- California -- San Francisco  Search this
Art, Modern -- 20th century -- California -- San Francisco  Search this
Latino and Latin American artists  Search this
Genre/Form:
Sketchbooks
Sketches
Photographs
Citation:
Antonio Sotomayor papers, circa 1920-1988. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.sotoanto
See more items in:
Antonio Sotomayor papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9720668e9-bd70-4a75-8c58-f2546521f7d4
EDAN-URL:
ead_collection:sova-aaa-sotoanto

Antonio Sotomayor papers, circa 1920-1988

Creator:
Sotomayor, Antonio, 1904-1985  Search this
Subject:
Little, Philip  Search this
Labaudt, Lucien  Search this
Morley, Grace  Search this
Long, Emilie  Search this
Franco, Johan  Search this
Farr, Fred  Search this
Gerstle, William Lewis  Search this
Fried, Alexander  Search this
Reed, Alma M.  Search this
Pflueger, Timothy Ludwig  Search this
Robinson, Elmer E. (Elmer Edwin)  Search this
Rivera, Diego  Search this
Oldfield, Otis  Search this
Moya del Pino, Jose  Search this
Orozco, José Clemente  Search this
Sotomayor, Grace  Search this
Von Hagen, Victor Wolfgang  Search this
Salinger, Jehanne Bietry  Search this
Salinger, Pierre  Search this
Sauer, Carl Ortwin  Search this
Entenza, John  Search this
Pan American Union  Search this
Delphic Studios  Search this
Type:
Sketchbooks
Sketches
Photographs
Citation:
Antonio Sotomayor papers, circa 1920-1988. Archives of American Art, Smithsonian Institution.
Topic:
Muralists -- California -- San Francisco  Search this
Works of art  Search this
Caricatures and cartoons  Search this
Mural painting and decoration -- 20th century  Search this
Illustration of books  Search this
Illustrators -- California -- San Francisco  Search this
Art, Modern -- 20th century -- California -- San Francisco  Search this
Latino and Latin American artists  Search this
Theme:
Latino and Latin American  Search this
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)5549
(DSI-AAA_SIRISBib)212812
AAA_collcode_sotoanto
Theme:
Latino and Latin American
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_212812
Online Media:

Bruce Conner papers

Creator:
Conner, Bruce, 1933-2008  Search this
Names:
Albright, Thomas  Search this
DeFeo, Jay, 1929-1989  Search this
Humphrey, John  Search this
Janss, Ed  Search this
Neubert, George W.  Search this
Rockwell, Tony  Search this
St. John, Terry  Search this
Extent:
0.6 Linear feet ((on 3 microfilm reels))
Type:
Collection descriptions
Archival materials
Date:
1956-1975
Scope and Contents:
Correspondence; business records; teaching contracts; printed material, and material relating to Jay DeFeo.
REEL 1092: Correspondence with museums and galleries; papers related to museum and gallery business; income tax papers; teaching contracts; catalogs and announcements; and clippings.
REEL 911: Working files relating primarily to Jay DeFeo's painting "The Rose," as well as her recent works. The files contain correspondence with DeFeo, and with Thomas Albright, George Neubert, Terry St. John, John Humphrey, Tony Rockwell, and Ed Janss. Also included are photographs of "The Rose" and DeFeo's "telephone series"; business material; and clippings.
REEL 2802: A letter to Alfred Frankenstein, Oct. 2, 1976, asking "Has Christo taken the role of criminal perpetrator of a 'Crime Against Nature'..." Frankenstein replies "How idiotic can you get?" and Conner responds at length.
Biographical / Historical:
Printmaker and filmmaker; San Francisco, Calif.
Provenance:
Material on reel 911 lent for microfilming, 1975 and the remainder donated 1976 by Bruce Conner.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Filmmakers -- California  Search this
Printmakers -- California  Search this
Topic:
Art, Modern -- 20th century -- California -- San Francisco  Search this
Identifier:
AAA.connbruc2
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw984f08934-937c-4196-823c-b0e30506966a
EDAN-URL:
ead_collection:sova-aaa-connbruc2

Bruce Conner papers, 1956-1975

Creator:
Conner, Bruce, 1933-2008  Search this
Subject:
DeFeo, Jay  Search this
Neubert, George W.  Search this
Rockwell, Tony  Search this
St. John, Terry  Search this
Albright, Thomas  Search this
Humphrey, John  Search this
Janss, Ed  Search this
Citation:
Bruce Conner papers, 1956-1975. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- California -- San Francisco  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)9385
(DSI-AAA_SIRISBib)211582
AAA_collcode_connbruc2
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211582

David Park papers

Creator:
Park, David, 1911-1960  Search this
Names:
Bruno, Phillip A.  Search this
Mills, Paul Chadbourne, 1924-  Search this
Staempfli, George W.  Search this
Extent:
0.6 Linear feet ((microfilmed on 3 reels))
Type:
Collection descriptions
Archival materials
Date:
1917-1973
Scope and Contents:
Correspondence; artwork; sketchbooks; photographs and slides; list of works and receipts; a master's thesis; and a calendar.
REEL 849: Lists of works and receipts; master's thesis by Paul Mills, "David Park and the New Figurative Painting," 1962; drawings and sketches; photographs of Park's works.
REELS 3001-3002: Correspondence of David and Lydia Park, 1959-1966, with George W. Staempfli and Phillip A. Bruno of Staempfli Gallery, and with the Park's attorney concerning the estate; 55 original works, in oil, pastel, ink, pencil and watercolor; 3 undated sketchbooks of figure and landscape studies; 51 photographs and slides of paintings by Park; a November 1971 calendar from Santa Barbara Museum of Art announcing the acquisition of Park's THREE NUDES; and miscellany.
Biographical / Historical:
Painter, teacher; California. Park taught at the California School of Fine Arts from 1943-1952. Worked in Bay Area figurative painting style.
Provenance:
Material on reel 849 lent for microfilming 1974 and material on reels 3001-3002 donated 1974 by Lydia Park Moore, widow of Park.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Painters -- California  Search this
Art teachers -- California  Search this
Topic:
Painting, Modern -- 20th century -- California  Search this
Art -- Study and teaching -- California  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Identifier:
AAA.parkdavi
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95f2adfc0-2ab4-4036-85b3-11519f018540
EDAN-URL:
ead_collection:sova-aaa-parkdavi

David Park papers, 1917-1973

Creator:
Park, David, 1911-1960  Search this
Subject:
Staempfli, George W.  Search this
Bruno, Phillip A.  Search this
Mills, Paul Chadbourne  Search this
Citation:
David Park papers, 1917-1973. Archives of American Art, Smithsonian Institution.
Topic:
Painting, Modern -- 20th century -- California  Search this
Art -- Study and teaching -- California  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)8928
(DSI-AAA_SIRISBib)211114
AAA_collcode_parkdavi
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211114

Diana Fuller papers and gallery records

Creator:
Fuller, Diana Burgess  Search this
Names:
Fuller Goldeen Gallery  Search this
Fuller Gross Gallery  Search this
Hansen Fuller Goldeen Gallery  Search this
Hansen Galleries  Search this
Hansen-Fuller Gallery  Search this
Brown, Joan, 1938-1990  Search this
De Forest, Roy, 1930-2007  Search this
Holland, Tom, 1936-  Search this
Levine, Marilyn, 1935-2005  Search this
Wiley, William T., 1937-2021  Search this
Extent:
65.2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1958-2004
Summary:
The Diana Fuller papers and gallery records measure 65.2 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.
Scope and Contents:
The Diana Fuller papers and gallery records measure 65.2 linear feet and date from 1958 to 2004. The records shed light on the operations of Hansen-Fuller Gallery, Hansen-Fuller-Goldeen Gallery, Fuller-Goldeen Gallery, and Fuller-Gross Gallery through administrative files, correspondence files, artists' files, dealer and institution files, exhibition and event files, financial records, printed materials, photographic materials, as well as some audiovisual and born digital materials. Diana Fuller's papers concern her work with the Bay Area Consortium for the Visual Arts, her book, Art/Women/California, 1950-2000: Parallels and Intersections (2002), and include scattered project files, photographic materials, and more. Also present are correspondence files, artists' files, exhibition material, and financial records generated by Arts Unlimited and Hansen Galleries.

Administrative files include job descriptions, inventories of artwork, addresses, and contact lists; papers relating to foundries, photographers, framers, and printers; advertising records, property records, travel files, and one gallery guestbook. Correspondence files document the galleries' relationship with collectors, clients, art organizations, and consultants. The files include some sales records, agreements, printed material, and photos of artwork as well. Artists' files include biographical information, artist statements, correspondence, client lists, exhibition materials, loan and consignment records, and more. Among the artists featured extensively is Beth Van Hosen, William T. Wiley, Roy DeForest, Robert Arneson, Tom Holland, Robert Hudson, Marilyn Levine, and Joan Brown.

Exhibition and event files shed light on solo and group shows held at Fuller galleries, Art Unlimited and Hansen Gallery, and outside galleries, museums, and institutions; art fairs held in the U.S. and abroad, and auctions. Files related to film screenings, tours, luncheons, and other special events held at Fuller galleries are also present. Dealer and institution files consist of correspondence, loan and consignments records, bills of sale, commission agreements and contracts, printed material, price lists, and some photographic materials. Financial records contain account ledgers, invoices and receipts, gallery checks, and sales records. Also present are donation records, appraisal reports, and some financial records from Arts Unlimited and Hansen Gallery.

Diana Fuller's papers include project files, appraisal records, membership records, correspondence, and photographic materials. Records related to the Bay Area Consortium for the Visual Arts consist of administrative records, project files, grant applications, 1989 earthquake disaster relief material, and organization finances. Files relating toParallels and Intersections and its accompanying exhibition contain artist files, author files, correspondence, publishing agreements, drafts, cassette tapes, DVDs, and more.
Arrangement:
The collection is arranged as 7 series.

Series 1: Administrative Records, 1969-1992 (Box 1-3; 2.2 linear feet)

Series 2: Correspondence Files, 1963-1993 (Box 3-8; 5.5 linear feet)

Series 3: Artists' Files, 1959-1993 (Box 8-37; 28.5 linear feet)

Series 4: Exhibition and Event Files, 1967-1993, 2001 (Box 37-45; 8.3 linear feet)

Series 5: Dealer and Institution Files, 1965-1992 (Box 45-51; 6.3 linear feet)

Series 6: Financial Records, 1958-1990 (Box 51-53, 56-58, 68-70; 5.2 linear feet)

Series 7: Diana Fuller Personal and Professional Papers, 1970s-2004 (Box 58-67; 9.2 linear feet)
Biographical / Historical:
The Diana Fuller galleries were contemporary art galleries in San Francisco, California, from 1969 to 1990. During this period, the gallery changed name and ownership on several occasions: Hansen-Fuller Gallery (1969-1979), Hansen-Fuller-Goldeen Gallery (1979-1982), Fuller-Goldeen Gallery (1982-1986), and Fuller-Gross Gallery (1987-1990). The three gallerists who partnered with Fuller were Wanda Hansen, Dorothy Goldeen, and Brian Gross. Among the artists represented by Fuller galleries were Beth Van Hosen, William T. Wiley, Roy DeForest, Robert Arneson, Tom Holland, Robert Hudson, Marilyn Levine, and Joan Brown. Fuller galleries held performance and conceptual art exhibitions, music performances, screened films, and rented its space out for luncheons and other special events. The gallery also exhibited at art fairs in the U.S. and Europe.

Diana Burgess Fuller is a curator, editor, and filmmaker who was previously a gallerist and art dealer. Diana Burgess worked at Saks Fifth Avenue when she married author Blair Fuller in 1965. Around 1967, she began working for Wanda Hansen's contemporary art gallery, which changed names from Art Unlimited to Hansen Galleries (sometimes Gallery). In 1969, Fuller and Hansen opened the Hansen-Fuller Gallery. That same year, Blair Fuller and novelist Oakley Hall started the Community of Writers at Squaw Valley. Diana Fuller has been involved with Squaw Valley since its inception, and currently serves as director of its screenwriting program. Fuller continued in the retail art business for a short period after closing the gallerey in 1990. In the late 1990s, Fuller began working on the seminal exhibition and book catalog, Art/Women/California, 1950-2000: Parallels and Intersections (2002), documenting more than 90 women artists working in California in the second half of the twentieth century. Fuller was the former president of the Film Arts Foundation and former chair of the Roxie Theater; she currently serves on the board of Artists in Residence Program at Recology.
Related Materials:
Also found in the Archives of American Art is the Dorothy Goldeen Gallery records.
Provenance:
The collection was donated by Diana Fuller, 1991-1995 and 2022.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art, Modern -- 20th century -- California -- San Francisco  Search this
Function:
Art galleries, Commercial -- California
Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fulldian
See more items in:
Diana Fuller papers and gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw990eb0854-d635-4089-b6e7-735e8b68cb2d
EDAN-URL:
ead_collection:sova-aaa-fulldian
Online Media:

Diana Fuller papers and gallery records, 1958-2004

Creator:
Fuller, Diana Burgess, 1937-  Search this
Subject:
Wiley, William T.  Search this
De Forest, Roy  Search this
Levine, Marilyn  Search this
Holland, Tom  Search this
Brown, Joan  Search this
Fuller Goldeen Gallery  Search this
Hansen Fuller Goldeen Gallery  Search this
Hansen-Fuller Gallery  Search this
Fuller Gross Gallery  Search this
Hansen Galleries  Search this
Citation:
Diana Fuller papers and gallery records, 1958-2004. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- California -- San Francisco  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)10403
(DSI-AAA_SIRISBib)213779
AAA_collcode_fulldian
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_213779

Glenn Wessels papers

Topic:
Fortnightly
Argonaut (Periodical)
Creator:
Wessels, Glenn A. (Glenn Anthony), 1895-  Search this
Names:
University of California, Berkeley. Department of Art  Search this
Adams, Ansel, 1902-1984  Search this
Alvarez, Peace K.  Search this
Cunningham, Imogen, 1883-1976  Search this
Haley, John, 1905-1991  Search this
Hofmann, Hans, 1880-1966  Search this
Limerick, Ila A.  Search this
Loran, Erle, 1905-1999  Search this
Ryder, Worth Allen, 1884-1960  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
[ca. 1932-1982]
Scope and Contents:
Biographical material, 1953-1981; 15 letters from Hans and Maria Hofmann, and two from Wessels to Hofmann, 1952-1964; correspondence with Ila Limerick and Peace and Pauline Alvarez regarding mostly their planned but uncompleted biography of Wessels, ca. 1959-1968; miscellaneous correspondence; typescripts of lectures by Wessels; photographs of Wessels, including one by Imogen Cunningham, 1956, Wessels with others, one of his work, and one by Wessels (?) of an outdoor scene; newspaper clippings and printed material, undated, 1959-1967 and 1982; and miscellany, 1932-1966.
The Hans Hofmann letters, written from New York and Provincetown, discuss the importance of painting, his and Wessel's work, his plans to come to Berkeley to accept an honorary doctorate, and his feelings toward Wessels, Erle Loran, and others. Three of the letters are written by his wife Maria. Wessels' letters to Hofmann relate to the University's choice of Erle Loran to present Hofmann's honorary doctorate.
The correspondence with Ila Limerick, and Peace and sometimes Pauline Alvarez, contain lengthy, detailed reminiscences by Wessels on personal and professional topics. The later correspondence with Peace Alvarez relates mainly to the deteriorating health of Wessels' wife, Kay.
The miscellaneous correspondence includes a letter from Wessels to Worth Ryder, 1943, relating to Erle Loran and John Haley; a letter from Alfred Frankenstein thanking Wessels for sending his paper "The New Approach to Nature in Painting"; a letter from Worth Ryder congratulating Wessels on his exhibition, 1959; a letter from Ansel Adams praising Wessels' work done at a Polaroid Corp. Workshop, 1965; and letters regarding a controversy surrounding credit for bringing Hofmann to U.C. Berkeley, including a copy of a letter from John Haley to Paul Cummings; from Wessels to Haley, 1978; and from Wessel's brother-in-law Willis Foster to James Elliott, Director, University Art Museum, 1986.
Included in the printed material are an issue of The Fortnightly (Feb. 26, 1932) which Wessels helped found and served as art editor, and The Argonaut (July 16, 1937), containing Wessels' weekly column on art.
Biographical / Historical:
Painter, lecturer, critic, and teacher; Berkeley, Calif. Born Captown, South Africa. Studied with Hans Hofmann in Munich. Professor of Art at University of California at Berkeley.
Provenance:
Donated 1991 by Willis Foster, Wessels' brother-in-law.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Painters -- California  Search this
Topic:
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Identifier:
AAA.wessglen
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw957357f77-d062-4086-bd28-7620d6f2bc6d
EDAN-URL:
ead_collection:sova-aaa-wessglen

Glenn Wessels papers, [ca. 1932-1982]

Creator:
Wessels, Glenn A., 1895-,  Search this
Subject:
Haley, John  Search this
Loran, Erle  Search this
Ryder, Worth Allen  Search this
Cunningham, Imogen  Search this
Limerick, Ila A.  Search this
Alvarez, Peace K.  Search this
Hofmann, Hans  Search this
Adams, Ansel  Search this
University of California, Berkeley. Department of Art  Search this
Citation:
Glenn Wessels papers, [ca. 1932-1982]. Archives of American Art, Smithsonian Institution.
Topic:
Fortnightly  Search this
Argonaut (Periodical)  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Theme:
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)10807
(DSI-AAA_SIRISBib)214541
AAA_collcode_wessglen
Theme:
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214541

Harold Paris papers

Creator:
Paris, Harold, 1925-1979  Search this
Names:
Ippolito, Angelo  Search this
Extent:
11.1 Linear feet ((partially microfilmed on 9 reels))
Type:
Collection descriptions
Archival materials
Scrapbooks
Sketchbooks
Sound recordings
Date:
1946-1982
Scope and Contents:
Biographical material, correspondence, writings and notes, inventories, works of arts, business and financial records, printed material, and photographs.
REELS 2759-2762: Resumes; correspondence; photographs of works of art and installations; writings, including school papers and articles; drawings, mostly designs for sculptures; business and personal financial records, including transactions with galleries; printed material including announcements, catalogs and press releases; and miscellany.
REELS 4010-4014: Correspondence (14 items), including a carbon copy and several drafts of Paris' letter, ca. 1969, to Mr. Withofs of Gallerie Withofs in Brussels regarding the installation of the exhibition "Voices of Packaged Souls," a letter from Paris to Debbie Little and friends, ca. 1969, in which he comments on his stay in Milan and his exhibition at the Studio Marconi, and a draft of a letter to Hilton Kramer;
a manuscript "A Temporarily Harold Paris," in which Paris comments on his work and recounts numerous autobiographical incidents; 3 p. of hand illustrated and written notes "The Dissillussion of Hero Modern"; 4 address books; and photocopies of annotated art inventories, identified as: "Works of art 1940-1979," "Blue prints, black lines and blue lines," "Works of art personal collection," and "Inventory Smithsonian Institution."
Also included are fifteen sketchbooks, including one executed during Paris' service as an artist correspondent for the army newspaper STARS AND STRIPES, and ca. 50 loose sketches entitled "Book of Packaged Souls"; clippings, exhibition catalogs and announcements,; a scrapbook containing exhibition announcements and reviews of Paris' work, 1975-1976; photographs of family, friends, art works executed by Paris between ca. 1956-1978, and negatives and transparencies.
UNMICROFILMED: Biographical material including a resume, membership cards and travel papers; correspondence, 1946-1980, with friends including Angelo Ippolito and Paris' second wife Frieda, some illustrated, business correspondence regarding Paris' Guggenheim fellowship and exhibitions; illustrated writings by Paris including notes and essays regarding one of his works "26 Days of John Little" and notes and writings for his unpublished book "Temporarily Harold Paris," 1978; 8 sketchbooks, 7 prints and many loose sketches undated; business records including price lists and inventories of paintings, a ledger and a tax return;
printed material, 1946-1979, including exhibition announcements, catalogs, brochures, and a scrapbook of clippings; 4 cassette tapes of notes on "Temporarily Harold Paris, " and 1 cassette tape "Harold Paris Reading Article on Souls;" subject files on the Smith Anderson Gallery, 1973-1978, the Stephen Wirtz Gallery, 1977-1979, (including a card catalog with photographs of Paris' work) and the Bart Commission; and photographs, slides and negatives including snapshots of Paris, friends and family, portraits of Paris and works of art.
Biographical / Historical:
Harold Paris (1925-1979) was a sculptor, assemblage artist and printmaker in California.
Provenance:
Donated by the Paris estate, 1982 and 1988, and by Paris' widow Deborah Little Paris, 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm.
Rights:
Manuscript and photographs of: "Temporarily Harold Paris," reel 4010, frames 242-370: The donor has retained all intellectual property rights, including copyright, that they may own.
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Assemblage artists -- California -- San Francisco Bay Area  Search this
Printmakers -- California -- San Francisco Bay Area  Search this
Sculptors -- California -- San Francisco Bay Area  Search this
Topic:
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Genre/Form:
Scrapbooks
Sketchbooks
Sound recordings
Identifier:
AAA.pariharo
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98a8b33c1-99ed-4bc9-bfee-619817f23eb3
EDAN-URL:
ead_collection:sova-aaa-pariharo

Harold Paris papers, 1946-1982

Creator:
Paris, Harold Persico, 1925-1979  Search this
Subject:
Ippolito, Angelo  Search this
Type:
Scrapbooks
Sketchbooks
Sound recordings
Citation:
Harold Paris papers, 1946-1982. Archives of American Art, Smithsonian Institution.
Topic:
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Theme:
Sketches & Sketchbooks  Search this
Lives of artists  Search this
Record number:
(DSI-AAA_CollID)7200
(DSI-AAA_SIRISBib)209337
AAA_collcode_pariharo
Theme:
Sketches & Sketchbooks
Lives of artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209337

John Bolles Gallery records

Creator:
John Bolles Gallery (San Francisco, Calif.)  Search this
Names:
Bolles, John S.  Search this
Extent:
22 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1958-1975
Scope and Contents:
The John Bolles Gallery records measure 22.0 linear feet and date from 1958-1975. Included are financial records, administrative records, collection records, correspondence, photographs, artwork and printed material.
Biographical / Historical:
The John Bolles Gallery was a commercial gallery established in 1958 by John Bolles, Chairman of the Board, San Francisco Art Institute. The gallery's original mission was to provide an outlet for students and alumni of the Art Institute. Directors included Grace McCann Morley, Dick Faralla, Phil Lieder, Jim Monte, Harriet Johns, and Hayward King. The Gallery closed February 1975.
Provenance:
The bulk of the collection was donated in 1975 by John S. Bolles. Additional material donated in 1997 by Bolles' daughter, Jane Bolles Grimm and in 2021 by Tom Bolles, John Bolles' son.
Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Artists -- California -- San Francisco Bay Area -- Exhibitions  Search this
Art, Modern -- 20th century -- California -- San Francisco  Search this
Function:
Art galleries, Commercial -- California
Identifier:
AAA.bollgall
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92a61acbb-70dd-4082-936c-70c7ed652f5d
EDAN-URL:
ead_collection:sova-aaa-bollgall

John Bolles Gallery records, 1958-1975

Creator:
John Bolles Gallery (San Francisco, Calif.)  Search this
Subject:
Bolles, John S.  Search this
Citation:
John Bolles Gallery records, 1958-1975. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- California -- San Francisco Bay Area -- Exhibitions  Search this
Art, Modern -- 20th century -- California -- San Francisco  Search this
Theme:
Art Gallery Records  Search this
Art Market  Search this
Record number:
(DSI-AAA_CollID)8515
(DSI-AAA_SIRISBib)210692
AAA_collcode_bollgall
Theme:
Art Gallery Records
Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210692

Oral history interview with Charles R. Strong

Interviewee:
Strong, Charles, 1938-  Search this
Interviewer:
Karlstrom, Paul J.  Search this
Extent:
58 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1998 March 14-30
Scope and Contents:
An interview of Charles Strong conducted 1998 March 14 and 30, by Paul Karlstrom, for the Archives of American Art, in Karlstrom's home, San Francisco, California.
Strong discusses his background and early years growing up in Greeley, Colorado; his interest in California and abstract expressionism leading him to enroll at San Francisco Art Institute; his experience at SFAI, including teachers, students, and the independence to develop his own direction; New York vs. San Francisco styles and the myth of west coast abstraction imitating New York; his reasons for staying in California; main influences in his art; his admiration for the Old Master artists; the resolution of the conflict between control and intuition on his own work; the differences between northern and southern California abstraction, and the central role of Bay Area abstraction in the west; and his early work. The interview concludes with Strong's accounts of his approach and goals, his imagery, and his ongoing desires to get at what he sees as the "essence" of Abstract Expressionism.
Biographical / Historical:
Charles Strong (1938- ) is a curator, painter, and graphic artist of San Francisco, California.
General:
Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 2 hr., 49 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview is provided by The Martin Foundation.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Artists -- California -- San Francisco -- Interviews  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.strong98
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw957e6613d-6930-4b7c-bc23-40bd8de2f7c7
EDAN-URL:
ead_collection:sova-aaa-strong98
Online Media:

Oral history interview with Charles R. Strong, 1998 March 14-30

Interviewee:
Strong, Charles, 1938-  Search this
Interviewer:
Karlstrom, Paul J  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Charles R. Strong, 1998 March 14-30. Archives of American Art, Smithsonian Institution.
Topic:
Artists -- California -- San Francisco -- Interviews  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Record number:
(DSI-AAA_CollID)13343
(DSI-AAA_SIRISBib)216447
AAA_collcode_strong98
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_216447
Online Media:

Oral history interview with James Melchert

Interviewee:
Melchert, Jim, 1930-  Search this
Interviewer:
Jones, Mady  Search this
Names:
American Academy in Rome  Search this
National Endowment for the Arts  Search this
San Francisco Art Institute -- Faculty  Search this
University of California, Berkeley -- Faculty  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
90 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1991 Apr. 4-5
Scope and Contents:
An interview of James Melchert conducted in Oakland, Calif., 1991 Apr.4-5, by Mady Jones, for the Archives of American Art.
Melchert discusses his background; attending the University of Chicago for his MFA in painting; discovering his interest in clay; studying under Peter Voulkos at the Bray Foundation and following him to Berkeley in the Decorative Arts Dept.; artists at Berkeley at the time; teaching ceramics at the San Francisco Art Institute; the art scene in San Francisco; working for the National Endowment for the Arts; moving to Rome to work for the American Academy in Rome; and his future plans. Among the many artists and administrators he recalls are Rudy Autio, Millard Sheets, Bob Arneson, Stephen de Staebler, Jacques Schnier, Peter Selz, Bruce Connor, Bruce Nauman, Manuel Neri, Joan Brown, Susan Peterson, Fred Martin, Ron Nagle, Grace Morley, and Carlos Villa.
Biographical / Historical:
Jim Melchert (1930- ) is a sculptor, teacher, and art administrator of Oakland, Calif. Chairman, Ceramics Dept., San Francisco Art Institute, 1961-1964. Professor at the University of California, Berkeley, 1965-1976. Federal grants chairman of the visual arts for the National Endowment of the Arts in the late 1970s.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 9 digital wav files. Duration is 4 hrs., 38 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview provided by the Lannan Foundation.
Restrictions:
ACCESS RESTRICTED; use requires written permission.
Occupation:
Artists -- California -- San Francisco Bay Area  Search this
Topic:
Ceramics  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Arts administrators -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.melche91
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw960757450-7d15-4308-8cbd-cb013efedbfe
EDAN-URL:
ead_collection:sova-aaa-melche91
Online Media:

Oral history interview with James Melchert, 1991 Apr. 4-5

Interviewee:
Melchert, Jim, 1930-  Search this
Interviewer:
Jones, Mady  Search this
Subject:
Voulkos, Peter  Search this
San Francisco Art Institute  Search this
University of California, Berkeley  Search this
National Endowment for the Arts  Search this
American Academy in Rome  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with James Melchert, 1991 Apr. 4-5. Archives of American Art, Smithsonian Institution.
Topic:
Ceramics  Search this
Art, Modern -- 20th century -- California -- San Francisco Bay Area  Search this
Arts administrators -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Decorative arts  Search this
Record number:
(DSI-AAA_CollID)13062
(DSI-AAA_SIRISBib)215586
AAA_collcode_melche91
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215586

Oral history interview with Mary Fuller McChesney

Interviewee:
McChesney, Mary Fuller  Search this
Interviewer:
Landauer, Susan  Search this
Creator:
Women in the Arts in Southern California Oral History Project  Search this
Names:
Women in the Arts in Southern California Oral History Project  Search this
Corbett, Edward, 1919-  Search this
De Kooning, Willem, 1904-1997  Search this
Diebenkorn, Richard, 1922-1993  Search this
Kees, Weldon, 1914-1955  Search this
MacAgy, Douglas, 1913-  Search this
Mandelman, Beatrice  Search this
Marca-Relli, Conrad, 1913-2000  Search this
Martin, Agnes, 1912-2004  Search this
McChesney, Robert, 1913-2008  Search this
Park, David, 1911-1960  Search this
Reinhardt, Ad, 1913-1967  Search this
Ribak, Louis, 1902-1979  Search this
Smith, Hassel, 1915-2007  Search this
Spohn, Clay Edgar, 1898-1977  Search this
Still, Clyfford, 1904-1980  Search this
Vicente, Esteban, 1903-2001  Search this
Extent:
145 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1994 Sept. 28
Scope and Contents:
An interview of Mary Fuller McChesney conducted 1994 Sept. 28, by Susan Landauer, for the Archives of American Art, Women in the Arts in Southern California Oral History Project, at the artist's home, on Sonoma Mountain, Calif.
Fuller McChesney discusses her childhood and growing up during the Depression; her student days at the University of California, Berkeley; the political response on the campus to WWII and the Japanese interment; her experience working as a welder in the shipyards which she considers her introduction to sculpture; her introduction to the art community in San Francisco through the cooperative Artists' Guild Gallery; her association with the Abstract Expressionists at the California School of Fine Arts in the 1940s; her foray into writing fiction and her success as a mystery writer; her work on the Archives of American Art's oral history project documenting the WPA art project in California; her first significant publication on the San Francisco School of Abstract Expressionism, Period of Exploration, and the interviews she conducted in the mid-late 1960s for the project.
She describes her attitudes and philosphies about art; living at Point Richmond with her husband Robert McChesney, Edward Corbett, Hassel Smith, and poet Weldon Kees during the late 1940s; her impressions of the Cedar Bar and New York artists during the mid-late 1960s; her own artistic evolution and career as a sculptor; the intellectual and artistic sources of her work; her subjects and techniques; her public commissions; her audience and market; and her experiences and perspectives as a woman artist and feminist. She recalls Edward Corbett, Willem De Kooning, Richard Diebenkorn, Weldon Kees, Douglas MacAgy, Bea Mandelman, Conrad Marca-Relli, Agnes Martin, Robert McChesney, David Park, Ad Reinhardt, Louis Ribak, Hassel Smith, Clay Spohn, Clyfford Still, and Esteban Vicente.
Biographical / Historical:
Mary Fuller McChesney (1922-2022) was a sculptor and art historian in San Francisco and Petaluma, Calif.
General:
Originally recorded on 2 sound cassettes. Reformatted in 2010 as 4 digital wav files. Duration is 2 hrs., 58 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Sculptors -- California -- San Francisco  Search this
Art historians -- California -- San Francisco  Search this
Topic:
Women artists  Search this
Abstract expressionism  Search this
Art, Modern -- 20th century -- California -- San Francisco  Search this
Women sculptors  Search this
Women art historians  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.mcches94
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97e983a8f-dabb-47d0-b2b6-2af7d79164de
EDAN-URL:
ead_collection:sova-aaa-mcches94
Online Media:

Oral history interview with Mary Fuller McChesney, 1994 Sept. 28

Interviewee:
McChesney, Mary Fuller  Search this
Interviewer:
Landauer, Susan  Search this
Subject:
Corbett, Edward  Search this
De Kooning, Willem  Search this
Diebenkorn, Richard  Search this
Kees, Weldon  Search this
MacAgy, Douglas  Search this
Mandelman, Beatrice  Search this
Marca-Relli, Conrad  Search this
Martin, Agnes  Search this
McChesney, Robert  Search this
Park, David  Search this
Reinhardt, Ad  Search this
Ribak, Louis  Search this
Smith, Hassel  Search this
Spohn, Clay Edgar  Search this
Still, Clyfford  Search this
Vicente, Esteban  Search this
Women in the Arts in Southern California Oral History Project  Search this
Type:
Sound recordings
Interviews
Citation:
Quotes and excerpts must be cited as follows: Oral history interview with Mary Fuller McChesney, 1994 Sept. 28. Archives of American Art, Smithsonian Institution.
Topic:
Women artists  Search this
Abstract expressionism  Search this
Art, Modern -- 20th century -- California -- San Francisco  Search this
Women sculptors  Search this
Women art historians  Search this
Record number:
(DSI-AAA_CollID)12498
(DSI-AAA_SIRISBib)215789
AAA_collcode_mcches94
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_215789
Online Media:

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