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Stendahl Art Galleries records

Creator:
Stendahl Art Galleries  Search this
Names:
Couvoisier Galleries  Search this
Demotte, inc. (New York, N.Y.)  Search this
Thomas Gilcrease Institute of American History and Art  Search this
Wildenstein and Company (New York, N.Y.)  Search this
Archipenko, Alexander, 1887-1964  Search this
Beltran-Masses, Federico, b. 1885  Search this
Calder, Alexander, 1898-1976  Search this
Cantú, Federico, 1908-1989  Search this
Charlot, Jean, 1898-1979  Search this
De Creeft, José, 1884-1982  Search this
Eddy, Jerome  Search this
Feshin, Nikolaĭ Ivanovich, 1881-1955  Search this
Gelhaar, Emil  Search this
Genth, Lillian Mathilde, 1876-1953  Search this
Gilbert, Arthur Hill, 1894-1970  Search this
Guthrie, George B.  Search this
Hansen, Armin C. (Armin-Carl), 1886-1957  Search this
Kandinsky, Wassily, 1866-1944  Search this
Kent, Rockwell, 1882-1971  Search this
Kleitsch, Joseph, 1885-1931  Search this
Knight, Aston, 1873-1948  Search this
Kronberg, Louis, 1872-1965  Search this
Laurence, Sydney, 1868-1940  Search this
Loeffler, Gisella, 1900-  Search this
Montenegro, Roberto  Search this
Mérida, Carlos, 1891-1984  Search this
Noguchi, Isamu, 1904-1988  Search this
Orozco, José Clemente, 1883-1949  Search this
Pach, Walter, 1883-1958  Search this
Payne, Edgar A. (Edgar Alwin), 1882-1947  Search this
Pearson, Ralph M., 1883-1958  Search this
Picasso, Pablo, 1881-1973  Search this
Ritschel, William, 1864-1949  Search this
Rivera, Diego, 1886-1957  Search this
Rose, Ethel Boardman, 1871-1946  Search this
Rose, Guy, 1867-1925  Search this
Schofield, Walter Elmer, 1867-1944  Search this
Siqueiros, David Alfaro  Search this
Stendahl, Earl L.  Search this
Szecsi, Ladislas  Search this
Wendt, William, 1865-1946  Search this
Zuloaga, Ignacio, 1870-1945  Search this
Extent:
7.5 Linear feet
Type:
Collection descriptions
Archival materials
Gallery records
Scrapbooks
Date:
1907-1971
Summary:
The records of the Los Angeles Stendahl Art Galleries measure 7.5 linear feet and date from 1907 to 1971. The collection is comprised of administrative and financial files, correspondence, exhibition files, and subject files on numerous artists, organizations, and other art-related topics. There is one scrapbook of clippings on the artist Edgar Payne.
Scope and Contents:
The records of the Los Angeles Stendahl Art Galleries measure 7.5 linear feet and date from 1907 to 1971. The collection is comprised of administrative and financial files, correspondence, exhibition files, and subject files on numerous artists, organizations, and other art-related topics. There is one scrapbook of clippings on the artist Edgar Payne.

Administrative and financial files concern advertising, publicity, consignments, inventory, purchases, sales, leases, and biographical information on Earl Stendahl.

The bulk of the correspondence is pre-World War II and is fairly extensive. It is with artists, organizations, collectors, art historians,and galleries. Signicant correspondents include Alexander Archipenko, Federico Beltran-Masses, Alexander Calder, Federico Cantú, Jean Charlot, Couvoisier Galleries, José de Creeft, Demotte Inc., Jerome Eddy, Lillian Genthe, Arthur Hill Gilbert, George B. Guthrie, Rockwell Kent, Louis Kronberg, Gisella Loeffler, Carlos Mérida, Isamu Noguchi, Walter Pach, Diego Rivera, Waler Elmer Schofield, David Alfaro Siquieros, Ladislas Szecsi, Wildenstein & Company, and many others.

Files are found for about ten exhibitions, including Etching and Engravings by the Old Masters (1921), Airview Paintings (1930), American Landscape Art (1930), Arts of New Guinea (1964), and for exhibitions of Emil Gelhaar, Wassily Kandinsky, Sydney Laurence, and Roberto Montenegro.

Subject files are found for numerous artists, art topics, galleries, and foundations. Most of the files consist of printed materials, but there is correspondence and additional primary source material found in files for Nicolai Ivanovich Feshin, the Thomas Gilcrease Foundation, Armin Hansen, Joseph Kleitsch, Aston Knight, José Clemente Orozco, Edgar Payne, Ralph M. Pearson, Pablo Picasso, William Ritschel, Diego Rivera, Ethel B. Rose, Guy Rose, Walter Elmer Schofield, David Alfaro Siquieros, Ladislas Szecsi, William Wendt, and Ignacio Zuloaga.
Arrangement:
The collection is arranged as 4 series.

Series 1: Administrative and Financial Files, 1923-1957 (0.4 linear feet; Box 1)

Series 2: Correspondence, 1923-1968 (2.0 linear feet; Box 1-3)

Series 3: Exhibition Files, circa 1921-1967 (0.4 linear feet; Box 3)

Series 4: Subject Files, 1907-1971 (4.6 linear feet; Box 3-8, OV 9)
Biographical / Historical:
Earl Stendahl established Stendahl Art Galleries in 1911 in Los Angeles, California.

Earl Stendahl (1887-1966) came to Southern California from a small town in Wisconsin. He began showing young Los Angeles artists at his downtown restaurant, The Black Cat Café. He opened his gallery in The Ambassador Hotel on Wilshire Boulevard and organized shows focusing primarily on California Impressionists of the early twentieth century, including Edgar Payne, Guy Rose, William Wendt, Nicolai Fechin, and Joseph Kleitsch.

Stendahl Art Galleries also began to sell European and Latin American modern art. In 1939, Stendahl hosted one of only two non-museum exhibitions of Pablo Picasso's masterwork, Guernica, to benefit Spanish War orphans.

As early as 1935 Stendahl began promoting ancient artifacts from Mexico and Central America. Stendahl's first client for pre-Columbian art and artifacts was noted collector Walter Arensberg. Stendahl and the Arensburgs became friends and Stendahl helped the Arensburgs build one of the most significant collections in the U.S.

The galleries are currently owned by Ronald W. Dammann, Stendahl's grandson.
Provenance:
The Stendahl Art Galleries records were donated by Alfred Stendahl in 1976. An album of clippings was donated by Stendahl in 1995 via Nancy Moure.
Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Rights:
The Stendahl Art Galleries records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art -- New Guinea  Search this
Hispanic American art  Search this
Landscape painting  Search this
Prints  Search this
Art, American  Search this
Art galleries, Commercial -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Gallery records
Scrapbooks
Citation:
Stendahl Art Galleries Records, 1907-1971. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.stenartg
See more items in:
Stendahl Art Galleries records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stenartg
Online Media:

Merle Schipper Papers

Creator:
Schipper, Merle, 1922-2001  Search this
Names:
ArtScene (periodical)  Search this
Bengston, Billy Al  Search this
Biederman, Charles Joseph, 1906-2004  Search this
Calder, Alexander, 1898-1976  Search this
De Kooning, Willem, 1904-1997  Search this
Diebenkorn, Richard, 1922-1993  Search this
Guston, Philip, 1913-1980  Search this
Holty, Carl, 1900-1973  Search this
Hélion, Jean, 1904-1987  Search this
Mullican, Matt, 1951-  Search this
Noland, Kenneth, 1924-2010  Search this
Orr, Eric, 1939-1998  Search this
Smith, Kiki, 1954-  Search this
Spratling, William, 1900-1967  Search this
Tworkov, Jack  Search this
Extent:
12.1 Linear feet
Type:
Collection descriptions
Archival materials
Interviews
Photographs
Prints
Transcripts
Drawings
Place:
France -- Paris -- Photographs
Los Angeles (Calif.) -- Social life and customs
Date:
circa 1930s-1999
Summary:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.
Scope and Contents:
The papers of Los Angeles art historian, art critic, and writer Merle Schipper measure 12.1 linear feet and date from circa 1930s to 1999. The papers include biographical material, correspondence, writing and research project files, printed material, writings by others, photographs, and artwork.

Biographical material consists of a notebook planner and professional contact addresses, as well as Schipper's resume and bibliography. Scattered correspondence is both personal and professional with family and colleagues.

Over one-half of the collection consists of Schipper's writing, research, project, and exhibition files. There are drafts, essays, manuscripts, notes, and research documentation about California art and artists, an exhibition of craftsman William Spratling curated by Schipper, Schipper's dissertation and additional projects on Jean Helion, the exhibition Americans in Paris in the 1950s (1997), additional exhibitions, as well as transcripts of interviews with artists. The research files on Helion include an interview transcript with Willem de Kooning about Helion and correspondence with artists about Helion, including Charles Biederman, Alexander Calder, Philip Guston, Carl Holty, Jack Tworkov, and others. Additional exhibition files are found for Visions of Inner Space (1988) and Marmo: The New Italian Stone Age (1989). Artists interviewed by Schipper include Billy Al Bengston, Willem de Kooning, Richard Diebenkorn, Laddie John Dill, Kenneth Noland, Eric Orr, and others.

Extensive printed materials include clippings and copies of journals and periodicals containing Schipper's writings.

There are a few scattered writings by others about art and artists. Photographs are of Schipper, artists, artwork, and places, including Paris. Artwork includes one original poster print by Kiki Smith and one drawing by Matt Mullican.
Arrangement:
This collection is arranged as 7 series.

Series 1: Biographical Material, circa 1970s-1998 (5 folders; Box 1)

Series 2: General Correspondence, 1944-circa 1998 (0.3 linear feet; Box 1)

Series 3: Writing and Research Project Files, circa 1930s-1999 (7.8 linear feet; Boxes 1-9)

Series 4: Printed Material, 1933-1997 (3.1 linear feet; Boxes 9-12, OV14-16)

Series 5: Writings By Others, circa 1944-1991 (0.2 linear feet; Box 12)

Series 6: Photographs, circa 1960s-circa 1992 (0.6 linear feet; Boxes 12-13)

Series 7: Artwork, 1982-1992 (0.1 linear feet; Box 13, OV16)
Biographical / Historical:
Merle Schipper (1922-2001) was an art historian, writer, and art critic active in Los Angeles, California.

Born in Toronto, Canada, Merle Solway Schipper was naturalized in Los Angeles in 1950 and received a PhD in art history from the University of California, Los Angeles in 1974. Schipper was a familiar figure on the Los Angeles art scene. Her primary scholarly focus grew out of her dissertation research on Jean Helion, but much of her writing attention was devoted to Los Angeles artists and art world events. She was a regular contributor to many art periodicals, including ArtScene, Images and Issues, Artweek, ARTnews, and the Los Angeles Daily News.

As an independent curator, Schipper's research interests led to several exhibitions, including Americans in Paris: the 50s (1979) at California State University, Northridge, Visions of Inner Space (1988) co-curated with Lee Mullican at UCLA's Frederick S. Wight Art Gallery, Marmo: the New Italian Stone Age (1989), Being There/Being Here: Nine Perspectives in New Italian Art (1991), traveling exhibition sponsored by the Italian Cultural Institute, and an exhibition of William Spratling for the Craft and Folk Art Museum in 1997. Schipper also taught and lectured at UCLA, USC, CSU Northridge, and Claremont Graduate School.

Merle Schipper died in 2001.
Provenance:
The Merle Schipper papers were donated to the Archives of American Art in 2002 by the Merle Schipper Estate via Schipper's daughter Amy Schipper Howe.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Merle Schipper papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Art critics -- California -- Los Angeles  Search this
Authors -- California -- Los Angeles  Search this
Topic:
Artists -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Genre/Form:
Interviews
Photographs
Prints
Transcripts
Drawings
Citation:
Merle Schipper papers, circa 1930s-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.schimerl
See more items in:
Merle Schipper Papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-schimerl

Merle Schipper Papers, circa 1930s-1999

Creator:
Schipper, Merle, 1922-2001  Search this
Subject:
Diebenkorn, Richard  Search this
Calder, Alexander  Search this
Guston, Philip  Search this
Smith, Kiki  Search this
Hélion, Jean  Search this
Holty, Carl  Search this
Bengston, Billy Al  Search this
Spratling, William  Search this
Biederman, Charles Joseph  Search this
De Kooning, Willem  Search this
Orr, Eric  Search this
Tworkov, Jack  Search this
Noland, Kenneth  Search this
Mullican, Matt  Search this
ArtScene  Search this
Type:
Interviews
Photographs
Prints
Transcripts
Drawings
Place:
France -- Paris -- photographs
Los Angeles (Calif.) -- Social life and customs
Topic:
Artists -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)5984
(DSI-AAA_SIRISBib)229044
AAA_collcode_schimerl
Theme:
Art Theory and Historiography
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_229044
Online Media:

David Stuart papers and gallery records

Creator:
Stuart, David, 1910-1984  Search this
Names:
David Stuart Galleries  Search this
Extent:
1.5 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1910-1984
Scope and Contents:
Biographical material; personal correspondence; clippings; and files on artists, exhibitions, special projects and interests; eleven posters. The bulk of the material in the files are photographs of contemporary and pre-Columbian art. Subjects include: James Abbe, Arthur Addis, John Altoon, Oliver Andrews, Louis Armstrong, Jules Berman, the Cup Show, Erotic Art, "The Dirty Dozen," Sorel Etrog, Gemini G.E.L. Gallery, Marvin Harden, June Harwood, Alan Lapiner, Mahoboubian Gallery, Mayan Painting, Harvey Menist, Marilyn Monroe, William Palmer, John Pearson, the Teotihuacan Fresco and Garner Tullis.
Biographical / Historical:
Gallery owner; Los Angeles. Owned and operated David Stuart Galleries, which dealt in contemporary art. Stuart was also an expert in the field of Pre-Columbian art.
Provenance:
Donated 1985 by Jacqueline Anhalt Stuart.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Gallery owners  Search this
Gallery directors  Search this
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Indian art -- Central America -- Photographs  Search this
Art, American -- California  Search this
Function:
Art galleries, Commercial -- California -- Los Angeles
Identifier:
AAA.stuadavi
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-stuadavi

Los Angeles in the forties - the pot of gold symposium sound recordings

Creator:
Fadiman, William  Search this
Haswell, Hal  Search this
Karlstrom, Paul J.  Search this
Kaufmann, Edward  Search this
Leach, Douglas  Search this
Lewitzky, Bella  Search this
McCoy, Esther  Search this
Meyer, Michael, 1940-  Search this
Pell, Iris  Search this
Rosen, Robert, 1940-  Search this
Starr, Kevin  Search this
Stein, Leonard  Search this
Steinberg, Michael, 1928-  Search this
Banham, Reyner  Search this
Barr, Claudia  Search this
Diehl, Digby  Search this
Ehrlich, Susan, 1942-  Search this
Humanities West  Search this
Los Angeles in the 40s (1985 : San Francisco, Calif.)  Search this
Names:
Humanities West  Search this
Collection Creator:
Archives of American Art  Search this
Extent:
6 Items (sound cassettes)
Container:
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Type:
Archival materials
Audio [31027000708376]
Audio [31027000708434]
Audio [31027000708491]
Audio [3102700708202]
Audio [31027000708269]
Audio [31027000708327]
Sound recordings
Place:
Los Angeles (Calif.) -- History
Date:
1985 March 29-31
Scope and Contents:
Recordings of an interdisciplinary conference co-sponsored by Humanities West and the Archives of American Art, held in San Francisco, California, 1985 March 29-31, at the Asian Art Museum. The participants speak about the environment for the arts in Los Angeles during the 1940s. They include: architectural historian Reyner Banham, actor Claudia Barr, columnist Digby Diehl, art historian Susan Ehrlich, writer William Fadiman, actor Hal Haswell, coordinator Paul Karlstrom, professor Edward Kaufmann, actor Douglas Leach, choreographer Bella Lewitzky, architectural historian Esther McCoy, music historian Michael Meyer, dancer Iris Pell, film critic Robert Rosen, historian Kevin Starr, and music historians Leonard Stein and Michael Steinberg.
General:
Originally recorded on 4 sound cassettes.
Provenance:
Donated 1985 by Humanities West.
Collection Restrictions:
Use requires an appointment.
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Arts -- California -- Los Angeles -- History  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
EDAN-URL:
ead_component:sova-aaa-archiv57-ref3

Art Space records

Creator:
Adelman, Lucy  Search this
Names:
18th Street Gallery  Search this
Constitutional Rights Foundation (1963-)  Search this
Texas Commerce Bank  Search this
Venice Art Walk  Search this
Venice Family Clinic (Venice, Los Angeles, Calif.)  Search this
Works Gallery  Search this
Chaffee, Marta  Search this
Colvill, Tracy  Search this
Gabrielson, Walter, 1935-  Search this
Hines, David  Search this
Lowry, Janice Ann, 1946-2009  Search this
Lubner, Lorraine  Search this
Lubner, Robert  Search this
Miura, Shigeo  Search this
Rush, Kent  Search this
Schairer, Mary  Search this
Starbuck, Marjorie, 1921-  Search this
Tomlinson, Robert  Search this
Walding, Clark  Search this
Extent:
13 Linear feet
Type:
Collection descriptions
Archival materials
Slides (photographs)
Photographs
Date:
1971-1992
Summary:
The records of Los Angeles Art Space gallery measure 13 linear feet and date from 1971 to 1992. The majority of the collection consists of the gallery's exhibition files which contain correspondence, clippings, exhibition catalogs and announcements, slides, photos, invoices, price lists, loan records, and other materials. There is also correspondence with artists and organizations, financial and administrative records, and slides of artwork and exhibitions.
Scope and Contents:
The records of Los Angeles Art Space gallery measure 13 linear feet and date from 1971 to 1992. The majority of the collection consists of the gallery's exhibition files which contain correspondence, clippings, exhibition catalogs and announcements, slides, photos, invoices, price lists, loan records, and other materials. There is also correspondence with artists and organizations, financial and administrative records, and slides of artwork and exhibitions.

Most of the correspondence in the collection is from artists regarding exhibition opportunities, with other galleries and organizations about sales and collaborative exhibits and event, including with the 18th Street Gallery, the Constitutional Rights Foundation, Texas Commerce Bank, Venice Family Clinic regarding the Venice Art Walk, and The Works Gallery.

About two-thirds of the collection consists of extensive exhibition records for individual and group shows held at Art Space. Contents of files vary but may include correspondence, exhibition announcements and programs, price lists, sales records, loan agreements and other legal forms, artist resumes and statements, photographs and slides of artwork and exhibition installations, and other printed material. Particularly rich files exist for artists Marta Chaffee, David Hines, Walter Gabrielson, Janice Lowry, Lorraine Lubner, Robert Lubner, Kent Rush, Mary Schairer, Marg Starbuck, Robert Tomlinson, and Clark Walding.

Scattered financial and administrative files document the gallery's business dealings, and include price lists, a cost sharing agreement form, an inventory, business correspondence, invoices, and financial statements. Additionally, a substantial number of slides in this collection include images of artwork and of exhibitions held at Art Space. Artists Shigeo Miura and Tracy Colvill have particularly sizeable slide files. Most of the artists with slides are also represented in the exhibition files.
Arrangement:
The collection is arranged as 4 series.

Series 1: Correspondence, circa 1977-1991 (Box 1; 0.8 linear feet)

Series 2: Exhibition Files, 1972-1992 (Boxes 1-11; 9.45 linear feet)

Series 3: Financial and Administrative Records, circa 1977-1991 (Box 11; 0.35 linear feet)

Series 4: Slides, 1971-1992 (Boxes 11-13; 2.4 linear feet)
Biographical / Historical:
The Art Space gallery operated in Los Angeles from 1977 to 1991 and was owned by artist, philanthropist, and activist Lucy Adelman (1909-2007). Settling in Los Angeles in 1938, Adelman was also one of the founders of the Womanspace Gallery, a cooperative gallery for feminist activities established in 1972 in Los Angeles.

Located at 10550 Santa Monica Boulevard, Art Space's first show honored the work of women artists. Specializing in contemporary art, the gallery, according to Adelman, had two purposes: "[Art Space] is for artists, creative people who communicate through many different fields of expression...It will also be a meeting place for people who wish to acquaint themselves with different concepts and directions." The gallery held 118 exhibitions before closing its doors in 1991.

Adelman and her husband, Isadore, were involved in other activities and gave generously to the American Civil Liberties Union and the Venice Family Clinic, which honored them at its annual fund-raising Art Walk Festival in 1988. Lucy Adelman died in 1997.
Provenance:
The records were donated in 1992 by Lucy Adelman, the director of Art Space.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Art Space records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Occupation:
Artists -- California -- Los Angeles -- Exhibitions  Search this
Topic:
Art galleries, Commercial -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Slides (photographs)
Photographs
Citation:
Art Space records, 1971-1992. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.artspac
See more items in:
Art Space records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-artspac
Online Media:

Museum of Contemporary Art records

Creator:
Museum of Contemporary Art (Los Angeles, Calif.)  Search this
Names:
Dever, Joyce  Search this
Valentine, De Wain, 1936-  Search this
Extent:
2 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1979-1986
Scope and Contents:
Correspondence; photos of committee members, and minutes and position papers of the Artists Advisory Committee during the development that led to Museum of Contemporary Art (MOCA) in Los Angeles. The minutes were taken by Joyce Dever and her handwritten notes are included. Also included are newspaper and magazine articles about the development of the museum.
Biographical / Historical:
Art museum; Los Angeles, Calif. MOCA was opened in 1983 following planning by an Artists Advisory Committee and others who wished to establish an alternative, contemporary art museum. Planning sessions were held in late 1979 through 1982 in various artist committee members' studios or homes. DeWain Valentine was a key figure in the Museum's early development.
Provenance:
Donated 2000 by DeWain Valentine and the Artists Advisory Committee at MOCA, via Joyce Dever, a former MOCA administrator.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- California -- Los Angeles  Search this
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Function:
Art museums -- California -- Los Angeles
Identifier:
AAA.musecala
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-musecala

Foundation for Art Resources records

Creator:
Foundation for Art Resources (Los Angeles, Calif.)  Search this
Names:
Morgan Thomas Gallery (Santa Monica, Calif.)  Search this
ThomasLewallen Gallery (Santa Monica, Calif.)  Search this
Baldessari, John, 1931-  Search this
Branca, Glen  Search this
Cypis, Dorit, 1951-  Search this
Fisher, Morgan  Search this
Gehry, Frank O., 1929-  Search this
Mullican, Matt, 1951-  Search this
Sublette, Ned  Search this
Extent:
0.4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1979-1983
Scope and Contents:
Records from the files of managing director Dorit Cypis, including photographs, fliers and announcements, press releases, exhibition files, grants and budget, and other business records. Artists and art organizations represented in the collection include Glen Branca, John Baldessari, Morgan Fisher, Frank Gehry, Matt Mullican, Ned Sublette, the ThomasLewallen Gallery, and its predecessor, the Morgan Thomas Gallery, and others.
Biographical / Historical:
Art center; Los Angeles, Calif. The Foundation (F.A.R.) is a public non-profit organization created in 1977 for the production and presentaion of new art and ideas in Los Angeles. Activities included film screenings, publications, exhibitions, performances, lectures, radioprograms, and public installations.
Provenance:
Donated 1994 by Dorit Cypis.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Arts -- California -- Los Angeles  Search this
Function:
Art centers -- California -- Los Angeles
Identifier:
AAA.founfor
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-founfor

An Evening with the Los Angeles Modernists

Creator:
Santa Barbara Museum of Art  Search this
Names:
Benjamin, Karl  Search this
Ehrlich, Susan, 1942-  Search this
Engel, Jules  Search this
Hammersley, Frederick, 1919-2009  Search this
Karlstrom, Paul J.  Search this
Mullican, Lee, 1919-1998  Search this
Wayne, June, 1918-2011  Search this
Extent:
2 Items (sound cassettes)
Type:
Collection descriptions
Archival materials
Sound recordings
Date:
1990
Scope and Contents:
A recording on two audio cassettes of "An Evening with the Los Angeles Modernists," November 7, 1990, held in conjunction with the exhibit "Turning the Tide: Early Los Angeles Moderns 1920-1950," organized by the Santa Barbara Museum of Art, Santa Barbara, California. Speakers include Susan Ehrlich, Paul Karlstrom, and artists Karl Benjamin, Jules Engel, Frederick Hammersley, June Wayne, and Lee Mullican.
Biographical / Historical:
Santa Barbara Museum of Art (established 1941) is an art museum in Santa Barbara, California.
Provenance:
Provenance unknown.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- California -- Los Angeles  Search this
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.santbarm
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-santbarm

ARCO Center for Visual Art records

Creator:
ARCO Center for Visual Art  Search this
Names:
Atlantic Richfield Company  Search this
Extent:
4 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1976-1984
Scope and Contents:
Business correspondents and files on artists and exhibitions, containing photographs, announcements, catalogs, brochures, press releases, and résumés.
Biographical / Historical:
The ARCO Center for Visual Art, established in 1976, was a not-for-profit gallery funded by the Atlantic Richfield Company focusing on contemporary art. The gallery was located at the Atlantic Richfield Plaza, 505 South Flower Street in Los Angeles, until its closing in 1984. Among the exhibitors were Walter Gabrielson, Joseph Raffael, Craig Kauffman, Hassel Smith, Michael Todd, Ed Ruscha, Joe Goode, Carlos Almaraz, Peter Alexander, Larry Bell, Frank Romero, Liga Pang, Don Potts, William Crutchfield, George Herms, and Herbert Bayer.
Provenance:
Donated 1996 by Sue Maberry, Director, Otis School of Art and Design Library, which had received the records upon the Center's closing.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information.
Occupation:
Artists -- California  Search this
Topic:
Corporations -- Charitable contributions  Search this
Art -- California -- Los Angeles -- Exhibitions  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Function:
Art centers -- California -- Los Angeles
Identifier:
AAA.arcocent
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-arcocent

Stendahl Art Galleries records, 1907-1971

Creator:
Stendahl Art Galleries  Search this
Subject:
Siqueiros, David Alfaro  Search this
Picasso, Pablo  Search this
Kent, Rockwell  Search this
Gilbert, Arthur Hill  Search this
Rose, Ethel Boardman  Search this
Rivera, Diego  Search this
Pearson, Ralph M.  Search this
Rose, Guy  Search this
Montenegro, Roberto  Search this
Pach, Walter  Search this
De Creeft, José  Search this
Noguchi, Isamu  Search this
Loeffler, Gisella  Search this
Stendahl, Earl L.  Search this
Laurence, Sydney  Search this
Kandinsky, Wassily  Search this
Calder, Alexander  Search this
Cantú, Federico  Search this
Guthrie, George B.  Search this
Archipenko, Alexander  Search this
Beltran-Masses, Federico  Search this
Genth, Lillian Mathilde  Search this
Wendt, William  Search this
Ritschel, William  Search this
Hansen, Armin C. (Armin-Carl)  Search this
Payne, Edgar A. (Edgar Alwin)  Search this
Knight, Aston  Search this
Kronberg, Louis  Search this
Gelhaar, Emil  Search this
Feshin, Nikolaĭ Ivanovich  Search this
Szecsi, Ladislas  Search this
Schofield, Walter Elmer  Search this
Charlot, Jean  Search this
Kleitsch, Joseph  Search this
Zuloaga, Ignacio  Search this
Orozco, José Clemente  Search this
Mérida, Carlos  Search this
Eddy, Jerome  Search this
Thomas Gilcrease Institute of American History and Art  Search this
Demotte, inc.  Search this
Couvoisier Galleries  Search this
Wildenstein and Company  Search this
Type:
Gallery records
Scrapbooks
Topic:
Art -- New Guinea  Search this
Hispanic American art  Search this
Landscape painting  Search this
Prints  Search this
Art, American  Search this
Art galleries, Commercial -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)5550
(DSI-AAA_SIRISBib)210940
AAA_collcode_stenartg
Theme:
Latino and Latin American
The Art Market
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210940
Online Media:

Art Space records, 1971-1992

Creator:
Adelman, Lucy  Search this
Art Space (Los Angeles, California)  Search this
Subject:
Lubner, Lorraine  Search this
Walding, Clark  Search this
Colvill, Tracy  Search this
Chaffee, Marta  Search this
Lowry, Janice Ann  Search this
Hines, David  Search this
Gabrielson, Walter  Search this
Starbuck, Marjorie  Search this
Schairer, Mary  Search this
Rush, Kent  Search this
Tomlinson, Robert  Search this
Lubner, Robert  Search this
Miura, Shigeo  Search this
Venice Art Walk  Search this
Venice Family Clinic  Search this
Texas Commerce Bank  Search this
18th Street Gallery  Search this
Works Gallery  Search this
Constitutional Rights Foundation  Search this
Type:
Slides (photographs)
Photographs
Topic:
Art galleries, Commercial -- California -- Los Angeles  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)6355
(DSI-AAA_SIRISBib)215105
AAA_collcode_artspac
Theme:
The Art Market
Lives of American Artists
Art Gallery Records
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215105
Online Media:

David Stuart papers and gallery records, 1910-1984

Creator:
Stuart, David, 1910-1984  Search this
Subject:
David Stuart Galleries  Search this
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Indian art -- Central America -- Photographs  Search this
Art, American -- California  Search this
Record number:
(DSI-AAA_CollID)8545
(DSI-AAA_SIRISBib)210723
AAA_collcode_stuadavi
Theme:
The Art Market
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_210723

Museum of Contemporary Art records, 1979-1986

Creator:
Museum of Contemporary Art  Search this
Subject:
Valentine, De Wain  Search this
Dever, Joyce  Search this
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)6298
(DSI-AAA_SIRISBib)222615
AAA_collcode_musecala
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_222615

An Evening with the Los Angeles Modernists, 1990

Creator:
Santa Barbara Museum of Art  Search this
Subject:
Benjamin, Karl  Search this
Ehrlich, Susan  Search this
Engel, Jules  Search this
Karlstrom, Paul J.  Search this
Mullican, Lee  Search this
Wayne, June  Search this
Hammersley, Frederick  Search this
Type:
Sound recordings
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)15828
(DSI-AAA_SIRISBib)291055
AAA_collcode_santbarm
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_291055

Foundation for Art Resources records, 1979-1983

Creator:
Foundation for Art Resources (Los Angeles, Calif.)  Search this
Subject:
Baldessari, John  Search this
Branca, Glen  Search this
Fisher, Morgan  Search this
Gehry, Frank O.  Search this
Mullican, Matt  Search this
Sublette, Ned  Search this
Cypis, Dorit  Search this
ThomasLewallen Gallery (Santa Monica, Calif.)  Search this
Morgan Thomas Gallery (Santa Monica, Calif.)  Search this
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Arts -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)6522
(DSI-AAA_SIRISBib)215783
AAA_collcode_founfor
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215783

ARCO Center for Visual Art records, 1976-1984

Creator:
ARCO Center for Visual Art  Search this
Subject:
Atlantic Richfield Company  Search this
Topic:
Corporations -- Charitable contributions  Search this
Art -- California -- Los Angeles -- Exhibitions  Search this
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)6623
(DSI-AAA_SIRISBib)215933
AAA_collcode_arcocent
Theme:
The Art Market
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_215933

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