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Jervis McEntee papers

Creator:
McEntee, Jervis, 1828-1891  Search this
Names:
Century Association (New York, N.Y.)  Search this
National Academy of Design (U.S.)  Search this
Anthony, A. V. S. (Andrew Varick Stout), 1835-1906  Search this
Baker, George Augustus, 1821-1880  Search this
Bellows, Henry W. (Henry Whitney), 1814-1882  Search this
Boardman, Andrew  Search this
Booth, Edwin, 1833-1893  Search this
Boughton, George Henry, 1834-1905  Search this
Butler, Benjamin F., 1830-1884  Search this
Casilear, John William, 1811-1893  Search this
Chapin, E. H. (Edwin Hubbell), 1814-1880  Search this
Church, Frederic Edwin, 1826-1900  Search this
Church, Isabel  Search this
Cropsey, Jasper Francis, 1823-1900  Search this
DeForest, H. G.  Search this
Derrenbacher, John  Search this
Donoho, J. R., Mrs  Search this
Gifford, Sanford Robinson, 1823-1880  Search this
Gray, Henry Peters, 1819-1877  Search this
Hart, William McDougal, 1823-1894  Search this
Hicks, Thomas, 1823-1890  Search this
Hubbard, Richard William, 1816-1888  Search this
Huntington, Daniel, 1816-1906  Search this
Husted, James W.  Search this
Inness, George, 1825-1894  Search this
Johnson, Eastman, 1824-1906  Search this
Jourmans, E. L., Mrs  Search this
Kensett, John Frederick, 1816-1872  Search this
Lang, Louis, 1814-1893  Search this
McEntee, James S.  Search this
Meeks, Louisa B.  Search this
Palmer, Erastus Dow, 1817-1904  Search this
Sawyer, C. M.  Search this
Shumway, Henry Colton, 1807-1884  Search this
Stoddard, Richard Henry, 1825-1903  Search this
Stone, William O. (William Oliver), 1830-1875  Search this
Stribling, C. K.  Search this
Sykes, Charles W.  Search this
Thompson, Launt, 1833-1894  Search this
Vaux, Calvert, 1824-1895  Search this
Von Glumer, Francisca  Search this
Ward, John Quincy Adams, 1830-1910  Search this
Weir, John F. (John Ferguson), 1841-1926  Search this
Whittredge, Worthington, 1820-1910  Search this
Wickes, E. T.  Search this
Youmans, Kate  Search this
Zarnnhus, E. L.  Search this
Extent:
1.6 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Sketches
Place:
Lake George (N.Y.) -- Pictorial works
Lake Champlain (N.Y.) -- Pictorial works
Adirondack Mountains (N.Y.)
Date:
1796, 1848-1905
Summary:
The papers of Hudson River School painter Jervis McEntee measure 1.6 linear feet and date from 1796 and 1848 to 1905. Letters from close friends and family members to McEntee include many from his mentor Frederic Edwin Church, and fellow artists Samuel Putnam Avery, George Henry Boughton, Sanford Gifford, Richard Henry, Eastman Johnson, Elizabeth B. Stoddard, John Ferguson Weir, Worthington Whittredge, and others. Papers relating to the McEntee family include obituaries, a family genealogy, and letters from and regarding family members. There are also papers relating to the Vaux family (McEntee's brother-in-law's family) and American architect and landscape artist Calvert Vaux, who designed a studio for McEntee. Of special significance are five volumes of diaries dating from 1872 through 1890 which provide a detailed depiction of the American art world in the 1870s and 1880s.
Scope and Content Note:
The papers of Hudson River School painter Jervis McEntee measure 1.6 linear feet and date from 1796 and 1850 to 1905. Letters from close friends and family members to McEntee include many from his mentor Frederic Edwin Church, and fellow artists Samuel Putnam Avery, George Henry Boughton, Sanford Gifford, Richard Henry, Eastman Johnson, Elizabeth B. Stoddard, John Ferguson Weir, Worthington Whittredge, and others. Papers relating to the McEntee family include obituaries, a family genealogy, and letters from and regarding family members. There are also papers relating to the Vaux family (McEntee's brother-in-law's family) and American architect and landscape artist Calvert Vaux, who designed a studio for McEntee. Of special significance are five volumes of diaries dating from 1872 through 1890 which provide a detailed depiction of the American art world in the 1870s and 1880s.
Arrangement:
The Jervis McEntee papers have been arranged into five series, based on material type.

Series 1: Letters, 1850-1905, undated (Box 1; 0.2 linear feet)

Series 2: Vaux Family Letters and Correspondence, 1850-1890, undated (Box 1; 0.2 linear feet)

Series 3: Third Party Letters, 1861-1873, undated (Box 2; 0.1 linear feet)

Series 4: Miscellany, 1796, 1848-1895, undated (Box 2; 0.1 linear feet)

Series 5: Diaries, 1872-1890 (Box 3-4; 0.6 linear feet)
Biographical Note:
Jervis McEntee was born in Rondout, New York, July 14, 1828. He had early literary and artistic aspirations and studied under Frederic E. Church, who had himself studied under the Hudson River School master, Thomas Cole. McEntee was to maintain a close relationship with Church for the rest of his life. After an unsuccessful stint as a businessman, McEntee settled in New York in 1857 as one of the charter residents of Richard Morris Hunt's Tenth Street Studio Building. Since many of the other occupants were either bachelors or commuters, and since Mrs. McEntee was a lively, sympathetic hostess, the couple became the center of a spontaneous salon frequented by some of the best-known artists, writers, and actors of the time. After his wife died in 1878, McEntee stayed on, an increasingly neglected widower until his death in 1891.

McEntee was identified with the Hudson River School and an accomplished and sensitive painter of autumnal landscapes. He wrote in 1874, "Perhaps what would mark my work among that of my brother artists is a preference for the soberer phases Nature, the gray days of November and its leafless trees." McEntee stood at the center of the interlocking directorate formed by the National Academy of Design, the Century Club, and the Tenth Street Studio Building. In the latter part of the 19th century, these formed a supreme art establishment whose membership was composed of the old guard American artists, such as McEntee's close friends Eastman Johnson, Sanford Gifford, John Ferguson Weir, Worthington Whittredge, and Church, who were fighting an ultimately futile battle against the encroachment of European influences among both artists and collectors.
Separated Material:
The Archives of American Art also holds material lent for microfilming (reel D9) including a diary dated June 12, 1851-August 17, 1851. This material was returned to the Adirondack Museum in Blue Mountain Lake, New York and is not described in the collection container inventory.
Provenance:
The Adirondack Museum lent one diary for microfilming in 1964. The rest of the collection was acquired from several donors between 1959 and 1997. The noted collector Charles E. Feinberg donated letters in 1959 and, Mrs. Helen S. McEntee, who married the nephew of Jervis McEntee, donated the five volumes of diaries in 1964. William Gaffken, director of the insurance company that acquired the McEntee family insurance business, donated the remaining papers in 1997.
Restrictions:
Use of original papers requires and appointment and is limited to the Archives' Washington, D.C., Research Center.
Rights:
The Jervis McEntee papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists -- New York (State) -- New York  Search this
Landscape painters -- New York (State) -- New York  Search this
Hudson River school of landscape painting  Search this
Painters -- New York (State) -- New York  Search this
Art, Modern -- 19th century -- New York (State) -- New York  Search this
Artists' studios  Search this
Bull Run (Va.), 1st Battle, 1861  Search this
Genre/Form:
Diaries
Sketches
Citation:
Jervis McEntee papers, 1796, 1848-1905. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.mcenjerv
See more items in:
Jervis McEntee papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-mcenjerv
Online Media:

James D. Smillie and Smillie family papers, 1853-1957

Creator:
Smillie family  Search this
Subject:
Hart, Charles Henry  Search this
Smillie, Catherine Van Valkenburg  Search this
Colman, Samuel  Search this
Johnson, Eastman  Search this
Church, Frederick S. (Frederick Stuart)  Search this
Bierstadt, Albert  Search this
Tait, A.T.  Search this
Smillie, Nellie Sheldon Jacobs  Search this
Smillie, James  Search this
Smillie, James David  Search this
Smillie, George H. (George Henry)  Search this
Type:
Diaries
Etchings
Photographs
Scrapbooks
Topic:
Artists' studios -- Photographs  Search this
Art, Modern -- 19th century -- New York (State) -- New York  Search this
Artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Engraving -- 19th century -- United States  Search this
Engravers -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)13469
(DSI-AAA_SIRISBib)209525
AAA_collcode_smilsmil
Theme:
Diaries
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209525
Online Media:

Jervis McEntee papers, 1796

Creator:
McEntee, Jervis, 1828-1891  Search this
Subject:
Donoho, J. R., Mrs  Search this
Derrenbacher, John  Search this
DeForest, H. G.  Search this
Johnson, Eastman  Search this
Cropsey, Jasper Francis  Search this
Hicks, Thomas  Search this
Hart, William McDougal  Search this
Gray, Henry Peters  Search this
Gifford, Sanford Robinson  Search this
Casilear, John William  Search this
Butler, Benjamin F.  Search this
Boughton, George Henry  Search this
Vaux, Calvert  Search this
Booth, Edwin  Search this
Church, Isabel  Search this
Church, Frederic Edwin  Search this
Chapin, E. H. (Edwin Hubbell)  Search this
Palmer, Erastus Dow  Search this
Meeks, Louisa B.  Search this
McEntee, James S.  Search this
Shumway, Henry Colton  Search this
Stoddard, Richard Henry  Search this
Sawyer, C. M.  Search this
Husted, James W.  Search this
Inness, George  Search this
Hubbard, Richard William  Search this
Huntington, Daniel  Search this
Kensett, John Frederick  Search this
Lang, Louis  Search this
Jourmans, E. L., Mrs  Search this
Wickes, E. T.  Search this
Whittredge, Worthington  Search this
Zarnnhus, E. L.  Search this
Youmans, Kate  Search this
Stribling, C. K.  Search this
Stone, William O. (William Oliver)  Search this
Thompson, Launt  Search this
Sykes, Charles W.  Search this
Von Glumer, Francisca  Search this
Weir, John F. (John Ferguson)  Search this
Ward, John Quincy Adams  Search this
Baker, George Augustus  Search this
Anthony, A. V. S. (Andrew Varick Stout)  Search this
Boardman, Andrew  Search this
Bellows, Henry W. (Henry Whitney)  Search this
National Academy of Design (U.S.)  Search this
Century Association (New York, N.Y.)  Search this
Type:
Diaries
Sketches
Topic:
Artists -- New York (State) -- New York  Search this
Landscape painters -- New York (State) -- New York  Search this
Hudson River school of landscape painting  Search this
Painters -- New York (State) -- New York  Search this
Art, Modern -- 19th century -- New York (State) -- New York  Search this
Artists' studios  Search this
Bull Run (Va.), 1st Battle, 1861  Search this
Record number:
(DSI-AAA_CollID)7251
(DSI-AAA_SIRISBib)209401
AAA_collcode_mcenjerv
Theme:
Diaries
Art Movements and Schools
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_209401
Online Media:

Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925

Creator:
Archives of American Art  Search this
Subject:
Kuhn, Walt  Search this
Type:
Exhibition catalogs
Topic:
Art, Modern -- 19th century -- Massachusetts -- Exhibitions  Search this
Art, Modern -- 19th century -- New York (State) -- New York -- Exhibitions  Search this
Art, American -- Exhibitions  Search this
Artists -- United States -- Exhibitions  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Modernism (Art) -- New York (State) -- New York -- Exhibitions  Search this
Art, Modern -- 20th century -- New York (State) -- New York -- Exhibitions  Search this
Record number:
(DSI-AAA_CollID)9520
(DSI-AAA_SIRISBib)211719
AAA_collcode_archamea
Theme:
The Art Market
Publications
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211719
Online Media:

Union League Club records, 1867-1940

Creator:
Union League Club (New York, N.Y.)  Search this
Topic:
Art -- Societies, etc. -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- New York (State) -- New York -- Exhibitions  Search this
Art, Modern -- 19th century -- New York (State) -- New York -- Exhibitions  Search this
Record number:
(DSI-AAA_CollID)9239
(DSI-AAA_SIRISBib)211434
AAA_collcode_unioleny
Theme:
Communities, Organizations, Museums
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211434

William Rudolph O'Donovan letters, 1860-1920

Creator:
O'Donovan, William Rudolph, 1844-1920  Search this
Topic:
Art, Modern -- 19th century -- New York (State) -- New York -- Study and teaching  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Record number:
(DSI-AAA_CollID)10943
(DSI-AAA_SIRISBib)214721
AAA_collcode_odonwill
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214721

Union League Club records

Creator:
Union League Club (New York, N.Y.)  Search this
Extent:
150 Items (Reel N68-13)
1 Volume (Addition)
Type:
Collection descriptions
Archival materials
Volumes
Date:
1867-1940
Scope and Contents:
REEL N68-13: Exhibition catalogs and announcements; correspondence; various lists; and the Franklin Tuttle drawings of members of the club.
ADDITION: Photocopies of a complete run of Union League Club's exhibition catalogs and announcements from 1868 to 1894. [Included are several catalogs not found on Reel N68-13 for 1880 and 1883; and six instead of the 3 catalogs on reel N68-13 for 1894.] .
Biographical / Historical:
New York social club. Had an active exhibition program at its building on East 37th Street. Artist-members include Albert Bierstadt, Frederic Edwin Church, Jasper Cropsey, Asher B. Durand, Martin Johnson Heade, Winslow Homer, John La Farge, William Sartain, J.Q.A. Ward, Worthington Whittredge, Alexander Wynant; and Eastman Johnson, who also served on the Union League's art committee.
Provenance:
Records on reel N68-13 were lent for microfilming 1968 by the Union League Club. The binder of photocopied catalogs and announcements was donated 2001 by the Union League Club via Alexander Boyle, head of the art committee.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Artists -- New York (State) -- New York  Search this
Topic:
Art -- Societies, etc. -- New York (State) -- New York  Search this
Art, Modern -- 20th century -- New York (State) -- New York -- Exhibitions  Search this
Art, Modern -- 19th century -- New York (State) -- New York -- Exhibitions  Search this
Identifier:
AAA.unioleny
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-unioleny

James D. Smillie and Smillie family papers

Creator:
Smillie Family  Search this
Names:
Bierstadt, Albert, 1830-1902  Search this
Church, Frederick S. (Frederick Stuart), 1842-1924  Search this
Colman, Samuel, 1832-1920  Search this
Hart, Charles Henry, 1847-1918  Search this
Johnson, Eastman, 1824-1906  Search this
Smillie, Catherine Van Valkenburg  Search this
Smillie, George H. (George Henry), 1840-1921  Search this
Smillie, James David, 1833-1909  Search this
Smillie, James, 1807-1885  Search this
Smillie, Nellie Sheldon Jacobs, 1854-1926  Search this
Tait, A.T.  Search this
Extent:
5.6 Linear feet
Type:
Collection descriptions
Archival materials
Diaries
Etchings
Photographs
Scrapbooks
Date:
1853-1957
Summary:
The James D. Smillie and Smillie family papers measure 5.6 linear feet and date from 1853 to 1957. The collection consists of the papers of four members of the Smillie family including James Smillie, his sons James David and George Henry Smillie, and George's wife, Helen 'Nellie' Jacobs Smillie. The majority of the papers are those of James D. Smillie, comprised of correspondence, forty-five daily diaries, a scrapbook, printed materials, and one etching. The papers of James Smillie consist of biographical materials and writings. The George Smillie papers include biographical materials, scattered correspondence, a scrapbook, printed materials, and photographs. The Helen Jacobs Smillie papers include corrrespondence and photographs. Also found are scattered materials relating to other family members, mostly the children of Helen Jacobs and George Smillie.
Scope and Content Note:
The James D. Smillie and Smillie family papers measure 5.6 linear feet and date from 1853 to 1957. The collection consists of the papers of four members of the Smillie family including James Smillie, his sons James David and George Henry Smillie, and George's wife, Helen 'Nellie' Jacobs Smillie. The majority of the papers are those of James D. Smillie, comprised of correspondence, forty-five daily diaries, a scrapbook, printed materials, and one etching. The papers of James Smillie consist of biographical materials and writings. The George Smillie papers include biographical materials, scattered correspondence, a scrapbook, printed materials, and photographs. The Helen Jacobs Smillie papers include correspondence and photographs. Also found are scattered materials relating to other family members, mostly the children of Helen Jacobs and George Smillie.

James David Smillie's papers consist of correspondence, personal business records, forty-five diaries, a scrapbook, and printed material. Correspondence is mostly professional in nature and includes letters from Albert Bierstadt, Frederick Stuart Church, Samuel Colman, Charles Henry Hart, Eastman Johnson, James Smillie, and A. T. Tait. Forty-five volumes of detailed daily diaries dating from 1865 until 1909 include entries about his work, but are exceedingly rich in references to over 200 artists with which Smillie was associated. Additionally, there are numerous loose documents, notes, and some photographs that were found tucked within the diaries. This finding aid includes a list of named artists referenced in the diaries along with the exact date of the notation. James D. Smillie's papers also include an original etching entitled Up the Hill.

James Smillie papers are scattered and include manuscript and draft copies of his published autobiography, A Pilgrimage, and memorabilia from his 50th wedding anniversary to Catherine Van Valkenburg Smillie.

George Henry Smillie papers contain biographical materials, scattered correspondence, a scrapbook of clippings, printed materials, and photographs. There is a certificate from the National Academy of Design dating from 1883 and photographs of Smillie, Smillie in his studio, and his family.

Helen Jacobs Smillie papers consist of family correspondence from her husband and parents, and studio portrait photographs.

Scattered papers from other family members include correspondence, a list of works of art by the family, a photograph album from Sheldon Smillie, and a portrait of William Smillie.
Arrangement:
The collection is arranged as 5 series:

Series 1: James D. Smillie papers, 1853-1917 (4.5 linear feet; Boxes 1-7)

Series 2: James Smillie papers, 1882 (0.2 linear feet; Box 5)

Series 3: George Henry Smillie papers, 1867-1920 (0.6 linear feet; Boxes 5-6)

Series 4: Helen Jacobs Smillie papers, 1860-1910 (0.1 linear feet; Box 5)

Series 5: Other Smillie Family Members papers, circa 1880s-1957 (0.2 linear feet; Box 5)
Biographical Note:
James D. Smillie and the Smillie family members were active in New York City and the New England area as engravers and landscape painters during the nineteenth century. Members of the Smillie Family of artists include James Smillie (1807-1885), his sons James D. (1833-1909) and George Smillie (1854-1924), and George's wife Helen 'Nellie' Jacobs Smillie (1855-1926).

Born in Edinburgh, Scotland to David and Elizabeth Smillie, James Smillie immigrated to Quebec, Canada. James must have learned engraving from his father who worked with jewelry and silver. Upon his father's death in 1827, Smillie travelled to London and eventually to New York City, where he embarked on a career of creating engravings of paintings by other artists. By 1831, he had established his reputation primarily as an engraver of American landscape paintings. The portability of James Smillie's engravings helped to bring to the American public the grand landscapes by Albert Bierstadt, Thomas Cole, and Asher Durand. Smillie also worked for the American Banknote Company.

James Smillie married Catherine Van Valkenburg in 1832, and two of their sons, James David and George Henry also became artists. Elder son James D. assisted his father with engraving and later explored his own artistic talents in prints of the American landscape. Among his many subjects were the Sierra Nevada, Adirondack, Rocky, White, and Catskill Mountains. James D. Smillie was a founding member of the American Watercolor Society and served as its president from 1873 to 1879. Additionally, he was an early member of the New York Etching Club and the first meeting was held in his studio in 1877. James D. also wrote about art for various periodicals.

Like his older brother, George Henry Smillie learned engraving from his father, but turned to painting early in his career. By 1862, he had his own studio in New York City and exhibited with the National Academy of Design in 1864. George travelled throughout the United States sketching and painting landscapes inspired by Long Island, the Adirondack Mountains, the Rocky Mountains, and New England. Many of George's paintings of the American West were influenced by the Hudson River School. George married one of his brother's pupils, Helen Sheldon Jacobs.

Helen Jacobs Smillie, known as Nellie, was born in New York City to Samuel and Helen Jacobs. She received art instruction at Cooper Union and the National Academy of Design and was a pupil of James D. Smillie and J. O. Eaton. She married George Smillie in 1881, with whom she had three sons, Sheldon, Charles, and Gordon. Nellie was a member of the American Watercolor Society along with her husband and brother-in-law, and painted in the Hudson River School style.
Related Material:
Also found in the Archives of American Art is the Brucia Witthoft research material on James Smillie and the Smillie family, 1830- 1999. The National Gallery of Canada holds the James D. Smillie Papers.
Separated Materials:
The Archives of American Art also holds materials lent for microfilming (reels 3766 and 3829) including personal photographs, photos of Smille's house in Montrose, Pennsylvania, and a photocopy of a journal. Lent material was returned to the lenders and is not described in the collection container inventory.
Provenance:
James Smillie, David Smillie, and Barbara Smillie Curtis donated the Smillie Family papers to the Archives of American Art in several installments between 1978 and 1990. James Smille lent photographs for microfilming in 1986.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The James D. Smillie and Smillie family papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Artists' studios -- Photographs  Search this
Art, Modern -- 19th century -- New York (State) -- New York  Search this
Artists -- New York (State) -- New York  Search this
Painters -- New York (State) -- New York  Search this
Engraving -- 19th century -- United States  Search this
Engravers -- New York (State) -- New York  Search this
Genre/Form:
Diaries
Etchings
Photographs
Scrapbooks
Citation:
James D. Smillie and Smillie family papers, 1853-1957. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.smilsmil
See more items in:
James D. Smillie and Smillie family papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-smilsmil
Online Media:

William Rudolph O'Donovan letters

Creator:
O'Donovan, William Rudolph, 1844-1920  Search this
Extent:
Partial microfilm reel.
Type:
Collection descriptions
Archival materials
Date:
1860-1920
Scope and Contents:
Letters and typescripts of letters from O'Donovan to his family, including his mother, Mary Bright O'Donovan, and his sisters Jennie O'Donovan Abraham and Lucy A. Victor. Letters concern his Civil War service, his study of art in New York, his art work, social conditions, Christmas, and other topics.
Biographical / Historical:
Sculptor; New York, N.Y.
Provenance:
Lent for microfilming 1955 by the Historical Society of Pennsylvania.
Restrictions:
The Archives of American art does not own the original papers. Use is limited to the microfilm copy.
Topic:
Art, Modern -- 19th century -- New York (State) -- New York -- Study and teaching  Search this
Sculptors -- New York (State) -- New York -- Interviews  Search this
Identifier:
AAA.odonwill
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-odonwill

Miscellaneous art exhibition catalog collection

Names:
Kuhn, Walt, 1877-1949  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Exhibition catalogs
Date:
1813-1953
bulk 1915-1925
Summary:
Primarily exhibition catalogs for modernist art exhibitions held in New York City during the first two decades of the twentieth century. Also included are catalogs for Boston exhibitions, mainly pre-1900, and a few other locales; exhibition announcements; gallery publications; and other printed material.
Scope and Content Note:
The collection comprises circa 770 items, dating from 1813-1953, the bulk of which are exhibition catalogs from New York City art galleries for the first two decades of the twentieth century, representing exhibitions of mainly modernist art. Catalogs for exhibitions held in Boston (mainly pre-1900) and a few other cities are also present. Included are several rare catalogs, notably one for the "Eight" held at Macbeth Gallery in 1908. Besides catalogs, the collection also contains exhibition announcements, gallery publications, and other printed material. The collection is especially relevant for the study of early American modernism, and is useful in understanding the role of art galleries, exhibitions, the art market, and the exhibition catalog itself, in American art.
Arrangement:
The collection is arranged as 8 series representing alphabetical groups. Catalogs are arranged within these groups according to name of the sponsoring gallery, or if no gallery is listed, by the name of the club or organization. Catalogs are arranged chronologically thereafter, with undated material first. Many catalogs are undated, list only a year, or are annotated with a date. No attempt has been made to date or verify these at this time. Catalogs which are annotated with a date are filed chronologically, and are indicated with brackets around the date.

Series 1: Art Exhibition Catalogs, A-C

Series 2: Art Exhibition Catalogs, D-F

Series 3: Art Exhibition Catalogs, G-I

Series 4: Art Exhibition Catalogs, J-L

Series 5: Art Exhibition Catalogs, M-O

Series 6: Art Exhibition Catalogs, P-R

Series 7: Art Exhibition Catalogs, S-T

Series 8: Art Exhibition Catalogs, U-Z
Historical Note:
In 1979, the American Antiquarian Society donated several hundred exhibition catalogs and art-related printed material to the Archives of American Art (AAA). The Society had received most of them over a long period of time, many of them addressed to the director, Charles Brigham. For several years subsequent to the donation, AAA sporadically added exhibition catalogs to the collection from various sources. Some of these additions are annotated in the hand of Walt Kuhn and are presumed to have been part of his papers in the Archives.
Related Material:
Researchers may find duplicate or related items in galleries' records held at the Archives of American Art. Additional or duplicate catalogs may appear in AAA's Catalog of Exhibition Catalogs (1979).
Provenance:
The bulk of the collection was donated 1979 by the American Antiquarian Society, who presumably assembled them from various sources. Others were received individually, while many are annotated in the hand of Walt Kuhn and are presumed to have originally been part of his papers in the Archives. In 2005, additional catalogs were integrated, some of which are presumed to have been removed from various collections over the years.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Miscellaneous art exhibition catalog collection is owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Modern -- 19th century -- Massachusetts -- Exhibitions  Search this
Art, Modern -- 19th century -- New York (State) -- New York -- Exhibitions  Search this
Art, American -- Exhibitions  Search this
Artists -- United States -- Exhibitions  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Art galleries, Commercial -- Massachusetts -- Boston  Search this
Modernism (Art) -- New York (State) -- New York -- Exhibitions  Search this
Art, Modern -- 20th century -- New York (State) -- New York -- Exhibitions  Search this
Genre/Form:
Exhibition catalogs
Citation:
Miscellaneous art exhibition catalog collection, 1813-1953, bulk 1915-1925. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.archamea
See more items in:
Miscellaneous art exhibition catalog collection
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-archamea

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