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"'Modern Art' and the American Public," Statement by the Institute of Contemporary Art; Modern Artists Group of Boston Call for Meeting

Collection Creator:
Zerbe, Karl, 1903-1972  Search this
Container:
Box 3, Folder 21
Type:
Archival materials
Date:
1948
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.

Researchers interested in accessing audiovisual recordings in this collection must use access copies. Contact References Services for more information.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Karl Zerbe papers, 1928-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Karl Zerbe papers
Karl Zerbe papers / Series 6: Printed Material
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9752da054-4985-42f3-99a3-b560c3b0be20
EDAN-URL:
ead_component:sova-aaa-zerbkarl-ref60

Authors: Appollinaire-Faure

Collection Creator:
Pach, Walter, 1883-1958  Search this
Container:
Box 5, Folder 25
Type:
Archival materials
Date:
circa 1910-circa 1950s
Scope and Contents note:
Missing Title

Apollinaire, Guillaume -- , "The Book of Beasts," 1911

Baudelaire, Charles -- , "Les Flerus du Mal"

Collier, John -- , "The Role of Evaluation in Social Research," circa 1953

Cuesta, J. -- , "Song to a Funeral God"

Faure, Elie -- , "History of Art: Modern Art, chapter 3"
Collection Restrictions:
Use of original papers requires an appointment.

Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Walter Pach papers, 1857-1980. Archives of American Art, Smithsonian Institution.
See more items in:
Walter Pach papers
Walter Pach papers / Series 3: Writings / 3.2: Writings by Others
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9611a4c0b-507b-4b38-a874-10628ad7fc33
EDAN-URL:
ead_component:sova-aaa-pachwalt2-ref290

Los Angeles in the forties - the pot of gold symposium sound recordings

Creator:
Fadiman, William  Search this
Haswell, Hal  Search this
Karlstrom, Paul J.  Search this
Kaufmann, Edward  Search this
Leach, Douglas  Search this
Lewitzky, Bella  Search this
McCoy, Esther  Search this
Meyer, Michael, 1940-  Search this
Pell, Iris  Search this
Rosen, Robert, 1940-  Search this
Starr, Kevin  Search this
Stein, Leonard  Search this
Steinberg, Michael, 1928-  Search this
Banham, Reyner  Search this
Barr, Claudia  Search this
Diehl, Digby  Search this
Ehrlich, Susan, 1942-  Search this
Humanities West  Search this
Los Angeles in the 40s (1985 : San Francisco, Calif.)  Search this
Names:
Humanities West  Search this
Extent:
6 Items (sound cassettes)
Container:
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Item IM100RC.109
Type:
Archival materials
Audio [31027000708376]
Audio [31027000708434]
Audio [31027000708491]
Audio [3102700708202]
Audio [31027000708269]
Audio [31027000708327]
Sound recordings
Place:
Los Angeles (Calif.) -- History
Date:
1985 March 29-31
Scope and Contents:
Recordings of an interdisciplinary conference co-sponsored by Humanities West and the Archives of American Art, held in San Francisco, California, 1985 March 29-31, at the Asian Art Museum. The participants speak about the environment for the arts in Los Angeles during the 1940s. They include: architectural historian Reyner Banham, actor Claudia Barr, columnist Digby Diehl, art historian Susan Ehrlich, writer William Fadiman, actor Hal Haswell, coordinator Paul Karlstrom, professor Edward Kaufmann, actor Douglas Leach, choreographer Bella Lewitzky, architectural historian Esther McCoy, music historian Michael Meyer, dancer Iris Pell, film critic Robert Rosen, historian Kevin Starr, and music historians Leonard Stein and Michael Steinberg.
General:
Originally recorded on 4 sound cassettes.
Provenance:
Donated 1985 by Humanities West.
Collection Restrictions:
Use requires an appointment.
Topic:
Art, Modern -- 20th century -- California -- Los Angeles  Search this
Arts -- California -- Los Angeles -- History  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9ebada055-afc0-4e34-b7fd-079321844252
EDAN-URL:
ead_component:sova-aaa-archiv57-ref3

The coming of modernism to Chicago, 1910-1940

Creator:
Kruty, Paul Samuel  Search this
Morgan, Ann Lee  Search this
Moser, Charlotte, 1947-  Search this
Platt, Susan Noyes, 1945-  Search this
Prince, Sue Ann  Search this
Weininger, Susan  Search this
Weller, Allen S. (Allen Stuart), 1907-1997  Search this
Brettell, Richard R.  Search this
Engelbrecht, Lloyd C.  Search this
Germer, Stefan  Search this
Harris, Neil, 1938-  Search this
Berman, Avis  Search this
Coming of modernism to Chicago (1988 : Chicago, Ill.)  Search this
Extent:
6 Items (sound cassettes)
Container:
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Item IM100RC.105
Type:
Archival materials
Audio [31027000062212]
Audio [31027000062220]
Audio [31027000062238]
Audio [31027000062188]
Audio [31027000062196]
Audio [31027000062204]
Sound recordings
Date:
1988 March
Scope and Contents:
Recordings of a symposium on modernism in Chicago, sponsored by the Archives of American Art. Participants include Neil Harris, Charlotte Moser, Allen Weller, Stefan Germer, Ann Lee Morgan, Susan Platt, Susan Weininger, Paul Kruty, Lloyd Engelbrecht, Avis Berman, Sue Ann Kendall and Richard (Rick) Brettell.
The end of Susan Weininger's talk and the beginning of Paul Kruty's talk are missing due to technical difficulties at the time of recording.
General:
Originally recorded on 6 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 6 hrs., 54 min.
Funding note:
Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service.
Provenance:
These sound recordings are part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Collection Restrictions:
Use requires an appointment.
Occupation:
Art historians  Search this
Topic:
Art, Modern -- 20th century -- Illinois -- Chicago  Search this
Modernism (Art)  Search this
Genre/Form:
Sound recordings
Identifier:
AAA.archiv57, Item AAA
See more items in:
Archives of American Art sound recordings
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f41c689e-7015-47ae-83a6-f1875aab3982
EDAN-URL:
ead_component:sova-aaa-archiv57-ref7

Gifts

Collection Creator:
Richenburg, Robert  Search this
Container:
Box 2, Folder 21
Type:
Archival materials
Date:
1986-2007
Scope and Contents note:
Cornell University

Guild Hall

Heckscher Museum

Hofstra Museum, Hofstra University

Instituto Valenciano de Arte Moderne

Parrish Art Museum

Individuals
Collection Restrictions:
Use of original material requires an appointment. Use of audiovisual material with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Richenburg papers, circa 1910s-2008. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Richenburg papers
Robert Richenburg papers / Series 3: Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91ffe03a2-5680-414e-8421-44ce29b70972
EDAN-URL:
ead_component:sova-aaa-richrobe-ref137

Writings

Collection Creator:
Dove, Arthur Garfield, 1880-1946  Search this
Extent:
(1.5 linear feet)
Type:
Archival materials
Date:
circa 1924-1945
Scope and Contents note:
This series includes logs, diaries, notes, essays, and poetry written by Arthur Dove, his wife, and others.

The Dove diaries begin in 1924 with Arthur Dove's "Log of the Mona," the boat on which he and Reds lived at the time. The log records weather conditions, daily activities, and occasionally his thoughts about art. From late 1924 until 1945, Reds and Arthur Dove seem to have shared a responsibility for keeping a daily account of their lives. Diaries record the couple's activities, including social visits, letter writing, chores, trips, and art-making. Reds was the primary author of the diaries from1925 until 1935. Her records are very brief in early diaries, but gradually became more detailed, and are especially rich with information about Arthur Dove's artwork. In 1935, a separate notebook was kept for information about paintings in. In 1936 and 1937, the diaries include entries by both Arthur and Reds, and by 1939 Arthur took over entirely and continued keeping diaries for them until early 1945. A notebook of excerpts from earlier diary entries about Dove's artwork was later created by Reds, and may have been compiled for a retrospective exhibition held in 1956.

Arthur Dove's writings include handwritten and typewritten essays, poems, notes, and aphoristic statements that deal with the subjects of abstraction in art, modern art, nature, color, and the artists he admired. Typewritten essays include brief, dated statements of Dove's methods and ideas about art, and longer, titled essays on a range of subjects. Five essays about Alfred Stieglitz and one about John Marin are also included, some in multiple drafts. One of the Stieglitz pieces was written on the occasion of his death. Notes documenting a conversation between Arthur Dove and Alfred Maurer about American painting appear in two versions, one written by Arthur Dove, the other by Helen Torr. Occasionally, a hand-written copy of Dove's writings made by Helen is found with the original. A small compilations of early writings entitled "Prose and Poetry" includes a photograph of Dove circa 1925.

Many of Helen's notes and writings have to do with her recollections her husband. Unattributed essays and poems are in Helen's handwriting and may be copies of Dove's writings that, because they do not appear elsewhere in this collection, cannot be attributed with certainty.

Research Notes on the Dove Papers are notes made by art historians who went through the papers, presumably after Dove's death but before the papers came to the Archives.
Collection Restrictions:
The collection is open for research. Microfilmed and digitized portions must be consulted on microfilm or the Archives website. Use of unmicrofilmed, undigitized portion requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Arthur and Helen Torr Dove papers, 1905-1975. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.dovearth, Series 3
See more items in:
Arthur and Helen Torr Dove papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw936831059-50ed-4887-807c-7c67c24715ff
EDAN-URL:
ead_component:sova-aaa-dovearth-ref32

Dorothy C. Miller papers

Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Names:
Betty Parsons Gallery  Search this
Chase Manhattan Bank -- Art collections  Search this
Federal Art Project  Search this
Hirshhorn Museum and Sculpture Garden  Search this
Mark Rothko Foundation  Search this
Municipal Art Exhibition (1st : 1934 : New York, N.Y.)  Search this
PepsiCo, Inc.  Search this
Port Authority of New York and New Jersey -- Art collections  Search this
Rockefeller University  Search this
Smith College -- Students  Search this
Smith College. Museum of Art  Search this
World Trade Center (New York, N.Y.) -- Art collections  Search this
Asher, Elise, 1914-  Search this
Barr, Alfred H., Jr., 1902-1981  Search this
Bontecou, Lee, 1931-  Search this
Byars, James Lee  Search this
Cahill, Holger, 1887-1960  Search this
Calder, Alexander, 1898-1976  Search this
Canady, John  Search this
Charlton, Maryette  Search this
Christo, 1935-  Search this
Chryssa, 1933-  Search this
Coggeshall, Calvert, 1907-1990  Search this
Copley, Alfred L.  Search this
Davis, Stuart, 1892-1964  Search this
DeFeo, Jay, 1929-1989  Search this
Feininger, Lyonel, 1871-1956  Search this
Feitelson, Lorser, 1898-1978  Search this
Gorky, Arshile, 1904-1948  Search this
Guggenheim, Peggy, 1898-  Search this
Hartigan, Grace  Search this
Hicks, Edward, 1780-1849  Search this
Horwitt, Will  Search this
Johns, Jasper, 1930-  Search this
Karpel, Bernard, 1911-1986  Search this
Levy, Julien  Search this
Mather, Eleanore Price, 1910-  Search this
Matisse, Pierre, 1900-1989  Search this
Nevelson, Louise, 1899-1988  Search this
Newman, Barnett, 1905-1970  Search this
Noguchi, Isamu, 1904-1988  Search this
O'Keeffe, Georgia , 1887-1986  Search this
Pereira, I. Rice (Irene Rice), 1902-1971  Search this
Picasso, Pablo, 1881-1973  Search this
Rauschenberg, Robert, 1925-2008  Search this
Reinhardt, Ad, 1913-1967  Search this
Rockefeller, Nelson A. (Nelson Aldrich), 1908-1979 -- Art collections  Search this
Rothko, Mark, 1903-1970  Search this
Sage, Kay  Search this
Scharf, William, 1927-  Search this
Sheeler, Charles, 1883-1965  Search this
Sterne, Hedda, 1910-2011  Search this
Still, Clyfford, 1904-1980  Search this
Extent:
34.6 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Sketches
Christmas cards
Drawings
Date:
1853-2013
bulk 1920-1996
Summary:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's private art consulting work outside of her curatorial work at the Museum of Modern Art in New York City. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, the World Trade Center, and other miscellaneous corporate and private clients. Miller's work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files of her husband Holger Cahill about his work as Director of the Federal Art Project. There is a scattered documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Also found is Dorothy Miller's collection of artists' Christmas cards and photographs of Miller and others. An addition to the papers includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number professional files are included, the majority of the addition relates to her personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection.
Scope and Content Note:
The papers of contemporary and folk art curator, historian, and consultant Dorothy C. Miller measure 34.6 linear feet and date from 1853-2013, with the bulk of the material dating from 1920 to 1996. The papers primarily concern Miller's art consulting work outside of her curatorial work at the Museum of Modern Art in New York city. Found are scattered biographical materials, extensive correspondence and subject files, and project files for her art consulting work for the Rockefeller family, Rockefeller University, Chase Manhattan Bank, the Port Authority of New York and New Jersey, and other miscellaneous corporate and private clients. Her work as a trustee and committee member of various public and private boards and commissions is also represented here. Additionally, the papers contain Miller's research files on Edward Hicks and folk art, and a small number of files related to Miller's husband Holger Cahill and his work as Director of the Federal Art Project. There is important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center. Artwork includes scattered sketches and drawings enclosed with correspondence and original Christmas cards sent to Miller by various artists. Photographs of Miller date from 1926 - circa 1950.

Scattered biographical material mostly concerns Miller's education at Smith College and awards and honorary degrees that she received. Extensive correspondence and subject files document her professional and personal relationships with family, friends, colleagues, museums, art dealers and artists, as well as her research interests. Individual files may contain a mix of correspondence with, as well as about, the person or subject, compiled research documents, printed materials, and scattered photographs. Files are found for Lewin Alcopley, Alfred Barr, Betty Parsons Gallery, Cahill family members, Lee Bontecou, James Byars, Holger Cahill, Alexander Calder, Christo, Chryssa, Calvert Coggeshall, John Canaday, Maryette Charlton, Stuart Davis, Jay DeFeo, Lorser Feitelson, Arshile Gorky, Peggy Guggenheim, Grace Hartigan, Will Horwitt, Jasper Johns, Julien Levy, Pierre Matisse, Louise Nevelson, Barnett Newman, Isamu Nauchi, Georgia O'Keeffe, Pablo Picasso, Robert Rauschenberg, Ad Reinhardt, Kay Sage, Charles Sheeler, Hedda Sterne, travel, Clyfford Still, William Scharf, among many others.

Detailed records of Miller's art consulting and advisory work for the Rockefeller family include correspondence with Nelson A. Rockefeller and David Rockefeller about building their personal collections of contemporary and folk art, meeting notes and minutes, research notes and writings, and printed materials. The largest group of records concerns the writing and publication of The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. Miller's curatorial work for David Rockefeller and the Rockefeller University's Abby Aldrich Rockefeller Hall art collection is documented in Series 4 through curatorial files, correspondence, printed materials, photographs and slides, artists files, and design records.

Series 5 contains files relating to Miller's work as the first art consutant to the Chase Manhattan Bank and the building of the corporation's extensive collection of contemporary art. There is a draft of Miller's text for the bank's published catalog, Art At Work: Chase Manhattan Bank Collection. A smaller set of records is found in Series 6 documenting Miller's work on the Art Committee of the Port Authority of New York and New Jersey, including files about selecting artwork for the World Trade Center during the early 1970s. Files concerning Miller's advisory work with additional public and private clients, boards, and commissions are arranged in Series 7 and 8 and concern the Amstar Corporation, Fidelity International Bank, First National Bank of Tampa, First National City Bank, Inmont Corporation, Pepsico, United Mutual Savings Bank, the Empire State Plaza Art Commission, the Hancock Shaker Village, the Hirshhorn Museum and Sculpture Garden, the Mark Rothko Foundation, the Museum of American Folk Art, and the Smith College Museum of Art.

Miller's papers include a small group of files relating to the WPA Federal Art Project (FAP)created by her husband Holger Cahill when he was director of the FAP, Holger Cahill. A small series is devoted to Miller's work with Eleanore Price Mather researching and writing Edward Hicks: His Peaceable Kingdom and Other Paintings. A series of general research files contain miscellaneous research notes and photographs related to Miller's interests in early American art and folk art. Series 12 contains important documentation of Miller's early curatorial work with Holger Cahill on the First Municipal Art Exhibition (1934) held at the RCA Building in Rockefeller Center.

Works of art are primarily in the form of Christmas cards sent to Miller by various artists including Elise Asher, Lyonel Feininger, Bernard Karpel, and Irene Rice Pereira. A small group of photographs includes photographs of Miller from 1926-circa 1950 and a few photographs of others.

The addition includes biographical material; family papers; correspondence; professional files; art collection and client files; printed material; and photographic material. While a small number of professional files are found here, the majority of material relates to Miller's personal life, including correspondence with her husband Holger Cahill, and files pertaining to her personal art collection. Scattered correspondence, inventories, research, and notes created by curator and donor of the papers, Wendy Jeffers, are found throughout the collection. These materials date from the 1980s-2000s.
Arrangement:
The collection is arranged as 15 series:

Missing Title

Series 1: Biographical Material, 1917-1986 (Box 1; 0.3 linear ft.)

Series 2: Correspondence and Subject Files, circa 1912-1992 (Boxes 1-8, OV 27; 7.2 linear ft.)

Series 3: Rockefeller Family Art Collections, circa 1949-1985 (Boxes 8-12, 25; 3.9 linear ft.)

Series 4: Rockefeller University Collection, 1923-1984 (Boxes 12-13, OV 27; 1.0 linear ft.)

Series 5: Chase Manhattan Bank Collection, 1959-circa 1985 (Boxes 13-14, 26; 1.4 linear ft.)

Series 6: Port Authority of New York and New Jersey Art Committee, circa 1965-1987 (Boxes 14-15, OV 27; 0.8 linear ft.)

Series 7: Other Corporate and Private Clients, 1968-1984 (Boxes 15-16; 1.3 linear ft.)

Series 8: Other Boards, Committees and Commissions, 1925, 1949-1985 (Boxes 16-20; 3.6 linear ft.)

Series 9: Works Project Administration Federal Art Project Files, 1935-1979 (Box 20, OV 27; 0.5 linear ft.)

Series 10: Edward Hicks Catalog, 1934-1984 (Boxes 20-22; 1.5 linear ft.)

Series 11: Research Files, 1930s-1980 (Boxes 22-23; 0.8 linear ft.)

Series 12: Exhibition Files, 1932-1986 (Box 23; 0.6 linear ft.)

Series 13: Works of Art, circa 1924-circa 1982 (Boxes 23-25; 1.5 linear ft.)

Series 14: Photographs, 1926-circa 1970s (Boxes 24-25; 0.3 linear ft.)

Series 15: Addition to the Dorothy C. Miller Papers, 1853-2003, bulk 1920-1996 (Boxes 28-38, OVs 39-41; 9.9 linear ft.)
Biographical Note:
Dorothy Canning Miller (1904-2003) worked in New York City as a highly influential curator of contemporary and folk art at the Museum of Modern Art and as the first curator of the museum. Later, she was the primary art consultant for Nelson A. Rockefeller, the Rockefeller family, Rockefeller University, Chase Manhattan Bank, and the Port Authority of and New Jersey. Dorothy Miller was also married to Holger Cahill, director of the WPA Federal Art Project.

Dorothy C. Miller was born in Hopedale, Massachusetts in 1904 and received her Bachelor of Arts from Smith College in 1925. She was first introduced to modern art through classes at the Newark Museum taught by John Cotton Dana and Holger Cahill. Miller joined the curatorial staff of the Newark Museum in 1926. The museum was one of the first to organize exhibitions of American folk art, American Primitives (1930-1931) and American Folk Sculpture (1931-1932). Miller worked with Cahill and others on the exhibition and developed a life-long interest in folk art.

After four years at the Newark Museum, Miller moved to New York city, hoping to get involved with the newly opened Museum of Modern Art (MoMA), and, likely, to be with Holger Cahill, with whom she lived with on 8th Street prior to their marriage in 1938. Between 1930 and 1932 she took odd jobs and worked with Mrs. Henry Lang cataloging, researching and installing Lang's collection of Native American art Lang donated to the Montclair Art Museum. At the same time, Holger Cahill was serving as Acting Director of the Museum of Modern Art during an absence of Director Alfred H. Barr. In 1932, Cahill asked Miller to assist him with curating the American Painting and Sculpture, 1862-1932 exhibition at MoMA, and together they also curated the First Municipal Art Exhibition, 1934 at the Rockefeller Center.

In 1934, Barr hired Miller as his assistant and one year later appointed her as MoMA's first curator. Miller spent the next 35 years organizing many of this country's most important exhibitions of contemporary art and building personal relationships with new artists and photographers, as well as the collections of MoMA. Miller retired from MOMA in 1969 and focused more on her art consulting work begun in the late 1950s.

Dorothy Miller's most notable client was Nelson A. Rockefeller. She assisted and advised Rockefeller as he acquired a vast personal collection of modern art - some of which was later donated to MoMA. Just prior to her retirement, Miller organized a large exhibition of Rockefeller's collection. The exhibition catalog written by Miller was the basis for the book she worked on with Rockefeller up until and following his death in 1979, ultimately published as The Nelson A. Rockefeller Collection: Masterpieces of Modern Art. In the preface, Rockefeller credited Miller with being one of the four people to whom he was indebted "for the understanding and endless joy I have found in the collecting of modern art in all forms."

Miller also served as the primary art consultant for projects to furnish federal spaces, including Henry Kissinger's State Department office suite, and the official Vice-Presidential residence at the Admiral's House in Washington D.C.

In 1959 Miller was invited to join the art collection committee of the Chase Manhattan Bank and served on the committee until the mid-1980s, contributing her expertise to the development of one of this country's oldest and largest corporate collections of modern and contemporary art.

Miller was also an advisor to other members of the Rockefeller family, including David Rockefeller, and assisted with developing the art collections of Rockefeller Institute/University. From 1960 through the late 1980s Miller was a member of the art committee for the Port Authority of New York and New Jersey (PANJY) and was responsible for selecting much of the artwork for the World Trade Center in the 1970s. She served on numerous boards and commissions, including the Hancock Shaker Village, the Smithsonian Institution's Hirshhorn Museum and Sculpture Garden, the Empire State Plaza in Albany, Smith College Museum of Art, and the Museum of American Folk Art. She also became a member of the Mark Rothko Foundation Board of Directors after the litigation following Rothko's death between Rothko's executors and his daughter.

In the mid-1970s Miller assisted the Whitney Museum of American with planning an exhibition and supporting catalog of the work of folk artist Edward Hicks. Although the exhibition and catalog were only partially realized in 1980, Miller and Eleanore Price Mather compiled and published a book on Hicks, Edward Hicks: His Peaceable Kingdoms and Other Paintings, published in 1983.

In 1982-1983 Miller received the Art Dealers Association Special Award, an honorary degree from Williams College, and the Skowhegan School of Painting and Sculpture governor's award. In 1984 she was named honorary trustee of the Museum of Modern Art. In 1985 the Smith College Museum of Art honored her important contributions to museum connoisseurship with the exhibition Dorothy C. Miller: With An Eye to American Art.

Dorothy Miller died in 2003 at the age of 99 at her home in Greenwich, New York.
Related Material:
The Archives of American Art holds two oral history interviews with Dorothy C. Miller. The first was conducted by Paul Cummings between May 26, 1970 and September 28, 1971, and details Miller's life from childhood up to, and including, her years at the Museum of Modern Art. The second was conducted by Avis Berman on May 14, 1981 and covers Miller's relationships with Mark Rothko and Clyfford Still. Also found among the holdings of the Archives are the papers of Holger Cahill, Dorothy Miller's husband and colleague.

The Museum of Modern Art Achives holds Dorothy Miller's papers related to her curatorial work at the museum.
Provenance:
The collection was donated by Dorothy C. Miller via Wendy Jeffers between 1986 and 1997, and Reid White, Executor of Miller's estate, in 2004. Two subsequent additions were donated by Wendy Jeffers in 2014 and 2015.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art historians -- New York (State) -- New York  Search this
Topic:
Artists -- United States  Search this
Art, Modern -- 20th century  Search this
Art, Modern -- 20th century -- Exhibitions  Search this
Art museum curators -- New York (State) -- New York  Search this
Corporations -- Private collections  Search this
Art -- Private collections  Search this
Folk art  Search this
Women museum curators  Search this
Women art historians  Search this
Genre/Form:
Photographs
Sketches
Christmas cards
Drawings
Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.milldoro
See more items in:
Dorothy C. Miller papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f1ed6cb6-f194-4b76-a8dd-fce3352c09b8
EDAN-URL:
ead_collection:sova-aaa-milldoro
Online Media:

Chryssa

Collection Creator:
Miller, Dorothy Canning, 1904-2003  Search this
Container:
Box 2, Folder 23
Type:
Archival materials
Date:
1977-1989
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Dorothy C. Miller papers, 1853-2013, bulk 1920-1996. Archives of American Art, Smithsonian Institution.
See more items in:
Dorothy C. Miller papers
Dorothy C. Miller papers / Series 2: Correspondence and Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9535de7b2-9798-47e9-9524-208d20ee7f0f
EDAN-URL:
ead_component:sova-aaa-milldoro-ref1754
1 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Chryssa digital asset number 1

Minutes of meeting of Group of 8, 1919 Dec. 31

Creator:
Gussow, Bernard, 1881-1957  Search this
Subject:
Bouché, Louis  Search this
Maurer, Alfred Henry  Search this
Stella, Joseph  Search this
Weber, Max  Search this
Zorach, William  Search this
Exposition d'artistes de l'école Américaine (1919 : Paris, France)  Search this
Topic:
Art, American -- Exhibitions  Search this
Art, Modern -- 20th century  Search this
Theme:
American Art and Artists in a Global Context  Search this
Record number:
(DSI-AAA_CollID)10580
(DSI-AAA_SIRISBib)214056
AAA_collcode_gussbern
Theme:
American Art and Artists in a Global Context
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_214056

Bowl with Jun-style glaze

Artist:
Han Mei Lin (China, born ca. mid-20th century)  Search this
Possibly Li Jianjun (China, born 1950)  Search this
Medium:
Stoneware with Jun-style glaze
Dimensions:
H x Diam: 17.9 x 31.6 cm (7 1/16 x 12 7/16 in)
Type:
Ceramic
Vessel
Origin:
Beijing, China
Date:
1989
Period:
Modern period
Topic:
Jun ware  Search this
Modern period (1912 - present)  Search this
China  Search this
stoneware  Search this
Chinese Art  Search this
Contemporary Art  Search this
Credit Line:
Gift of the artist
Accession Number:
S1993.41
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye31006f14a-708b-4ae0-beeb-df2602595c53
EDAN-URL:
edanmdm:fsg_S1993.41
Online Media:

L'ART GUERRIER ET ART MODERNE EXPOSITION LYON ... ORIGINAUX EN NOIR & EN COULEUR

Collection Creator:
Princeton University  Search this
Extent:
1 Poster (Full size; Multi-color, 115 x 78 cm)
Container:
Map-folder 161
Type:
Archival materials
Posters
Place:
France
Date:
1918
Image:
Main Image: Soldier lying on stomach waving a red and white cloth
Local numbers:
Princeton Poster# 1389
General:
Issued for: L'ART GUERRIER ET ART MODERNE EXPOSITION LYON

Artist(s): Lucien-Hector Jonas
Series:
VISA. PARIS
Locale:
Lyon
Printing Info:
Printer: Imp. H. Chachoin, Paris
Collection Restrictions:
Collection is open for research but is stored off-site and special arrangements must be made to work with it. Contact the Archives Center for information at archivescenter@si.edu or 202-633-3270.
Collection Rights:
Copyright status of items varies. Collection items available for reproduction, but the Archives Center makes no guarantees concerning copyright restrictions. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Exhibitions, Films, Publications  Search this
Genre/Form:
Posters
Collection Citation:
Princeton University Posters Collection, Archives Center, National Museum of American History.
See more items in:
Princeton University Poster Collection
Princeton University Poster Collection / Series 6: Unknown / France
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep8367c4cad-59b9-485a-b514-173ae4181c09
EDAN-URL:
ead_component:sova-nmah-ac-0433-ref15062

Oral history interview with Margaret Tomkins, 1984 June 6

Interviewee:
Tomkins, Margaret, 1916-2002  Search this
Interviewer:
Guenther, Bruce  Search this
Subject:
Fitzgerald, James  Search this
Artists Gallery (Seattle, Wash.)  Search this
Type:
Sound recordings
Interviews
Topic:
Abstract expressionism  Search this
Artists -- Northwestern States -- Interviews  Search this
Art, Modern -- Northwestern States  Search this
Women artists  Search this
Women painters  Search this
Record number:
(DSI-AAA_CollID)12308
(DSI-AAA_SIRISBib)212455
AAA_collcode_tomkin84
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212455
Online Media:

Rockwell Kent papers, circa 1840-1993, bulk 1935-1961

Creator:
Kent, Rockwell, 1882-1971  Search this
Subject:
Wildenstein, Felix  Search this
Phillips, Duncan  Search this
Hays, Lee  Search this
Untermeyer, Louis  Search this
Zigrosser, Carl  Search this
Robeson, Paul  Search this
DuBois, W.E.B. (William Edward Burghardt)  Search this
Roosevelt, Franklin D. (Franklin Delano)  Search this
Ruggles, Carl  Search this
Stefansson, Vilhjalmur  Search this
Nearing, Helen  Search this
Nearing, Scott  Search this
Pach, Walter  Search this
Rasmussen, Knud  Search this
Reeves, Ruth  Search this
Seeger, Pete  Search this
Daniel, Charles  Search this
Cleland, T. M. (Thomas Maitland)  Search this
Davies, Arthur B. (Arthur Bowen)  Search this
Chamberlain, J. E.  Search this
Boyesen, Bayard  Search this
Chase, William Merritt  Search this
Freuchen, Peter  Search this
Gellert, Hugo  Search this
Gottlieb, Harry  Search this
Hartley, Marsden  Search this
Fitzgerald, James  Search this
Keller, Charles  Search this
Miller, Kenneth Hayes  Search this
Henri, Robert  Search this
Jones, Dan Burne  Search this
United American Artists  Search this
United Office and Professional Workers of America  Search this
United Scenic Artists  Search this
National Farmers' Union (U.S.)  Search this
National Maritime Union of America  Search this
American Artists' Congress  Search this
Artists' Union (New York, N.Y.)  Search this
Artists League of America  Search this
Citizens' Committee for Government Arts Projects  Search this
Farmers Union of the New York Milk Shed  Search this
Federal Art Project  Search this
Federal Writers' Project  Search this
Macbeth Gallery  Search this
International Workers Order  Search this
Type:
Poems
Sketches
Business records
Photographs
Drawings
Topic:
Designers -- New York (State)  Search this
Mural painting and decoration  Search this
Politics and culture  Search this
Authors -- New York  Search this
Art, Modern -- 20th century -- United States -- Political aspects  Search this
Dairy farms  Search this
Federal aid to the arts  Search this
Illustrators -- New York (State)  Search this
Illustration of books  Search this
Works of art  Search this
Art and war  Search this
Commercial art  Search this
World War, 1939-1945 -- Art and the war  Search this
Theme:
Lives of American Artists  Search this
Record number:
(DSI-AAA_CollID)9557
(DSI-AAA_SIRISBib)211757
AAA_collcode_kentrock
Theme:
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211757
Online Media:

How Would Odysseus’ Bow Fare vs. a State-of-the-Art Modern One? | Smithsonian Channel

Creator:
Smithsonian Channel  Search this
Type:
YouTube Videos
Uploaded:
2021-03-28T15:30:08.000Z
YouTube Category:
Entertainment  Search this
See more by:
smithsonianchannel
Data Source:
Smithsonian Channel
YouTube Channel:
smithsonianchannel
EDAN-URL:
edanmdm:yt_wbxpUJEciXI

ARTLAB | "Real Friends" - TK the Rellik ft. TréMendous - Beat by Ned Callin

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2018-06-14T20:59:35.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornARTLAB
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornARTLAB
EDAN-URL:
edanmdm:yt_C56xWx5FbDE

DIGITAL YOU #3: Put Yourself into a Game!

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2014-12-05T21:55:03.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornARTLAB
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornARTLAB
EDAN-URL:
edanmdm:yt_EJdRt0b5l18

3D Printed Hermit Crab Shells

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2014-05-08T15:54:29.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornARTLAB
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornARTLAB
EDAN-URL:
edanmdm:yt_HoHZhu2_BH0

ARTLAB+ Presents: Installing "Belief+Doubt"

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2012-11-06T22:12:38.000Z
YouTube Category:
Film & Animation  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornARTLAB
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornARTLAB
EDAN-URL:
edanmdm:yt_IT4Fqpn3XYU

ArtLAB+: Digital+Physical Presentation

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2012-09-18T19:17:23.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornARTLAB
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornARTLAB
EDAN-URL:
edanmdm:yt_JXu5qAG1JNo

DIGITAL YOU #2: Putting Your Own Face on a 3D Character

Creator:
Hirshhorn Museum and Sculpture Garden  Search this
Type:
YouTube Videos
Uploaded:
2014-12-02T23:14:33.000Z
YouTube Category:
Education  Search this
Topic:
Art, modern  Search this
See more by:
hirshhornARTLAB
Data Source:
Hirshhorn Museum and Sculpture Garden
YouTube Channel:
hirshhornARTLAB
EDAN-URL:
edanmdm:yt_KO-OJFd6Sp0

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