Search Results

Interviewee:

Cano, Margarita, 1932-  Search this

Interviewer:

Martínez, Juan A.  Search this

Names:

Cuban Museum of Arts and Culture (Miami, Fla.)  Search this

Miami-Dade Public Library  Search this

Cano, Pablo  Search this

Extent:

45 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1998 April 22

Scope and Contents:

An interview of Margarita Cano conducted 1998 April 22, by Juan A. Martínez, in Cano's home, Miami, Florida, for the Archives of American Art.

Cano recounts her interest in art, which developed after graduating as a science major at the University of Havana; arriving in Miami around 1962, where she found work at the main Public Library of Dade County, instituting an arts program focusing on the work of African American and Cuban American artists, which included building a permanent collection of local artists' work and arranging exhibitions; her work on the board of the Cuban Museum of Arts and Culture, including organizing the pivotal exhibition "The Miami Generation: Nine Cuban American Artists" in 1983; her own art, mostly painting on wood using a miniature style and reflecting mostly Cuban scenes; her son Pablo Cano, a successful artist; and her views on her Cuban background and her North American cultural identity.

Biographical / Historical:

Margarita Cano (1932-) is a painter, librarian, and curator in Miami, Florida. Born in Havana, Cuba.

General:

Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 55 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Artists -- Cuba  Search this

Topic:

Artists -- Florida -- Miami -- Interviews  Search this

Curators -- Florida -- Miami -- Interviews  Search this

Expatriate artists -- Florida -- Miami  Search this

Cuban American artists  Search this

Cuban American art  Search this

Art, Modern -- 20th century -- Florida -- Miami  Search this

Women artists  Search this

Latino and Latin American artists  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.cano98

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-cano98

Interviewee:

Torres Llorca, Rubén, 1957-  Search this

Interviewer:

Martínez, Juan A.  Search this

Names:

Instituto Superior de Arte (Cuba)  Search this

Bedia, José, 1959-  Search this

Rodríguez Brey, Ricardo, 1955-  Search this

Extent:

133 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Date:

1998 January 31

Scope and Contents:

An interview of Ruben Torres-Llorca conducted 1998 January 31, by Juan A. Martínez, in Torres Llora's home/studio, Miami, Florida, for the Archives of American Art.

Torres Llora discusses his early interest in art; his father, whom he never met, who was a talented commercial artist; studying art at San Alejandro Academy of Art, Havana and fellow students Jose Bedia and Ricardo Rodriguez Brey; graduate studies at Havana's Instituto Superior del Arte; participating in the "Volumen I" exhibition in 1981; travels to Mexico, where he began sculpture and installations; returning to Cuba and curating exhibitions of younger artists; moving to Buenos Aires, Mexico City, and since 1993, Miami; artistic influences, including literature, anthropology, sociololgy, film, and other disciplines on him; his mixed media figurative objects of the 1990s which tell a narrative, are socially oriented, and at best, provide a shared experience for the viewer.

Biographical / Historical:

Ruben Torres-Llorca (1957-) is a Cuban born painter and sculptor in Miami, Florida.

General:

Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 6 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Artists -- Cuba  Search this

Topic:

Artists -- Florida -- Miami -- Interviews  Search this

Latino and Latin American artists  Search this

Expatriate artists -- Florida -- Miami -- Interviews  Search this

Art, Cuban  Search this

Cuban American art  Search this

Art, Modern -- 20th century -- Florida -- Miami  Search this

Cuban American artists  Search this

Genre/Form:

Interviews

Sound recordings

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.torres98

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-torres98

Interviewee:

Cernuda, Ramón  Search this

Interviewer:

Martínez, Juan A.  Search this

Names:

Cuban Museum of Arts and Culture (Miami, Fla.)  Search this

Extent:

38 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1998 March 28

Scope and Contents:

An interview of Ramón Cernuda conducted 1998 March 28, by Juan A. Martínez, in Cernuda's office, Miami, Florida, for the Archives of American Art.

Biographical / Historical:

Ramón Cernuda (1947-) is a Cuban born art collector in Miami, Florida.

General:

Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 1 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Artists -- Cuba  Search this

Topic:

Art, Cuban -- Collectors and collecting -- Florida -- Miami  Search this

Cuban American art -- Collectors and collecting -- Florida -- Miami  Search this

Cuban American artists  Search this

Art, Modern -- 20th century -- Florida -- Miami  Search this

Latino and Latin American artists  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.cernud98

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-cernud98

Interviewee:

Bedia, José, 1959-  Search this

Interviewer:

Martínez, Juan A.  Search this

Extent:

159 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1998 February 13

Scope and Contents:

An interview of Cuban born painter José Bedia conducted 1998 February 13, by Juan A. Martínez, in Bedia's studio/home, Miami, Florida, for the Archives of American Art.

Bedia discusses his early inclination toward drawing and interest in cartooning; receiving rigorous academic training at San Alejandro Art Academy in Havana and being introduced also to non-western art; attending graduate school at the Instituto Superior del Arte, 1976-1981; participating upon graduation in the Volumen I exhibition which was a turning point for Cuban artists; travel outside of Cuba to Budapest via Berlin, to New York, to an Indian reservation in the Southwest where he became acquainted with North American native art and artists, and to Angola with the Cuban military, where he came into contact with African roots of Cuban culture; moving to Mexico City and then to Miami; his art and inspirations; religion; his collection of African and American Indian art; and exhibitions in which he has participated.

Biographical / Historical:

José Bedia (1959-) is a Cuban born painter from Miami, Florida.

General:

Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 15 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Occupation:

Artists -- Cuba  Search this

Topic:

Artists -- Florida -- Miami -- Interviews  Search this

Expatriate artists -- Florida -- Miami -- Interviews  Search this

Art, Modern -- 20th century -- Florida -- Miami  Search this

Latino and Latin American artists  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.bedia98

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-bedia98

Interviewee:

Soriano, Rafael, 1920-  Search this

Interviewer:

Martínez, Juan A.  Search this

Extent:

67 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1997 December 6

Scope and Contents:

An interview of Rafael Soriano conducted 1997 December 6, by Juan A. Martínez, in Miami, Florida, for the Archives of American Art.

Biographical / Historical:

Rafael Soriano (1920-) is a Cuban born artist in Miami, Florida.

General:

Originally recorded 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 19 min.

Interview recorded at slow speed.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Topic:

Artists -- Florida -- Miami -- Interviews  Search this

Latino and Latin American artists  Search this

Expatriate artists -- Florida -- Miami -- Interviews  Search this

Artists -- Cuba -- Interviews  Search this

Art, Modern -- 20th century -- Florida -- Miami  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.sorian97

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-sorian97

Interviewee:

Bermúdez, Cundo, 1914-2008  Search this

Interviewer:

Martínez, Juan A.  Search this

Extent:

2 Items (sound cassettes, analog.)

33 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1997 December 13

Scope and Contents:

An interview with Cundo Bermúdez conducted 1997 December 13, by Juan A. Martínez, in Bermudez's home/studio, Miami, Florida, for the Archives of American Art.

Biographical / Historical:

Cundo Bermúdez (1914-2008) was a Cuban American painter. Born in Havana, 1914.

General:

Originally recorded 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 1 hr., 45 min.

Poor sound quality.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.

Topic:

Painters -- Florida -- Miami -- Interviews  Search this

Artists -- Florida -- Miami -- Interviews  Search this

Expatriate artists -- Florida -- Miami -- Interviews  Search this

Artists -- Cuba -- Interviews  Search this

Latino and Latin American artists  Search this

Cuban American art  Search this

Cuban American artists  Search this

Art, Modern -- 20th century -- Florida -- Miami  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.bermud97

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-bermud97

Interviewee:

Brito, Maria, 1947-  Search this

Interviewer:

Martínez, Juan A.  Search this

Extent:

115 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Date:

1997 October 25

Scope and Contents:

An interview of Cuban born sculptor María Brito conducted 1997 October 25, by Juan A. Martínez, in Brito's home/studio, Miami, Florida, for the Archives of American Art.

Brito speaks of her birthplace, Havana, Cuba, and her early art education at the Edison School; her travels to Miami as part of the Peter Pan Project in 1961; her art studies at the Miami-Dade Community College and the University of Miami. She also comments on the Museum of Contemporary Hispanic Art (MOCHA) in New York, The Decade Show, her first exhibition in Miami at Gallery 24 in 1980, and other exhibitions.

Biographical / Historical:

María Brito (1947-) is a sculptor from Miami, Florida. Born in Havana, Cuba.

General:

Originally recorded on 2 sound cassettes. Reformatted in 2010 as 3 digital wav files. Duration is 2 hr., 2 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Topic:

Artists -- Florida -- Miami -- Interviews  Search this

Sculptors -- Florida -- Miami -- Interviews  Search this

Expatriate artists -- Florida -- Miami -- Interviews  Search this

Artists -- Cuba -- Interviews  Search this

Latino and Latin American artists  Search this

Cuban American artists  Search this

Cuban American art  Search this

Art, Modern -- 20th century -- Florida -- Miami  Search this

Women artists  Search this

Genre/Form:

Interviews

Sound recordings

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.brito97

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-brito97

Interviewee:

Demi, 1955-  Search this

Interviewer:

Martínez, Juan A.  Search this

Names:

Rodríguez, Arturo, 1956-  Search this

Extent:

22 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1997 November 20

Scope and Contents:

An interview of Demi conducted 1997 November 20, by Juan A. Martínez, in Demi's home/studio, Miami, Florida, for the Archives of American Art.

Demi speaks of her birthplace, Camaguey, Cuba; the death of her father in 1960, and being sent to Puerto Rico in 1971; her move to New York, and arrival in Miami in 1978; her theater studies at Miami Dade Community College. She recalls an opening at the Meeting Point Gallery in Coral Gables in 1980, where she met her husband, painter Arturo Rodriguez. She talks about her first painting in 1984, the role Arturo plays in her life, her first exhibition at the Cuban Museum of Arts and Culture in 1987, and the importance of touching the human spirit.

Biographical / Historical:

Demi (1955- ) is a painter from Miami, Florida. Demi (who uses only her first name) is a self-taught artist born in Cuba. Her husband is the painter Arturo Rodriguez.

General:

Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav file. Duration is 1 hr., 9 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.

Topic:

Artists -- Florida -- Miami -- Interviews  Search this

Expatriate artists -- Florida -- Miami -- Interviews  Search this

Artists -- Cuba -- Interviews  Search this

Latino and Latin American artists  Search this

Cuban American artists  Search this

Cuban American art  Search this

Art, Modern -- 20th century -- Florida -- Miami  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

The translation of this interview transcript was provided by Oksana Salamatina.

Identifier:

AAA.demi97

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-demi97

Interviewee:

Rodríguez, Arturo, 1956-  Search this

Interviewer:

Martínez, Juan A.  Search this

Names:

De Kooning, Willem, 1904-1997  Search this

Extent:

63 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1997 November 14

Scope and Contents:

An interview of Arturo Rodríguez conducted 1997 November 14, by Juan A. Martínez, in Rodriquez's home/studio, Miami, Fla., for the Archives of American Art.

Rodriguez speaks of his birthplace, Ranchuelo, Cuba, his early interest in drawing, his move to Madrid at 16, and his self-directed art education. He discusses the intertwined relationship of literature, poetry, and music. He comments on Spanish realists such as Antonio Lopez Quintanilla and American expressionists Willem de Kooning and others. He also recalls his exhibitions and art collectors, particularly Judith and William Ladner. He describes his paintings as a combination of expressionism, realism, surrealism, abstraction, and a pessimistic vision of the human condition.

Biographical / Historical:

Arturo Rodríguez (1956- ) is a painter from Miami, Fla. Rodriguez is a self-taught artist born in Cuba. His wife is the painter, Demi.

General:

Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 17 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Topic:

Artists -- Florida -- Miami -- Interviews  Search this

Expatriate artists -- Florida -- Miami -- Interviews  Search this

Artists -- Cuba -- Interviews  Search this

Cuban American artists  Search this

Hispanic American artists  Search this

Cuban American art  Search this

Art, Modern -- 20th century -- Florida -- Miami  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.rodrig97

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-rodrig97

Interviewee:

Garcia, Enrique Guy, 1928-  Search this

Interviewer:

Martínez, Juan A.  Search this

Extent:

1 Sound cassette (Sound recording, analog)

73 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Sound cassettes

Pages

Sound recordings

Interviews

Date:

1998 Mar. 18

Scope and Contents:

An interview of Enrique Guy Garcia conducted 1998 Mar. 18, by Juan A. Martinez, in Garcia's studio, Miami, Fla., for the Archives of American Art.

Garcia discusses his early interest in drawing; enrolling in art school as a teenager in Santiago de Cuba; attending Havana's San Alejandro Art Academy and studying painting with Leopoldo Romanach and Domingo Ramos, and modeling for sculpture classes where his interest in sculpture developed; going to Mexico City upon graduation to study fresco painting; returning to Cuba and working in organizing craft workshops; becoming dissatisfied with the political situation in Cuba and accepting an UNESCO grant to study art in Italy; seeking political asylum on his return from Italy; living in New York and working in a foundry; moving to Miami in the mid-1970s; his sculpture, which is primarily bronzes; his abstract expressionist style; his series of works in the 1980s, "Head," and "Icarus"; his current work, "Columns"; and an upcoming exhibition in Venezuela.

Biographical / Historical:

Enrique Guy Garcia (1928-) is a sculptor and painter from Miami, Fla. Born in Havana, Cuba.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Topic:

Latino and Latin American artists  Search this

Artists -- Florida -- Miami -- Interviews  Search this

Painters -- Florida -- Miami -- Interviews  Search this

Sculptors -- Florida -- Miami -- Interviews  Search this

Expatriate artists -- Florida -- Miami -- Interviews  Search this

Artists -- Cuba -- Interviews  Search this

Art, Modern -- 20th century -- Florida -- Miami  Search this

Cuban American art  Search this

Cuban American artists  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.garcia98

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-garcia98

Interviewee:

Mijares Fernández, José María, 1921-  Search this

Interviewer:

Martínez, Juan A.  Search this

Names:

Peláez, Amelia, 1897-1968  Search this

Extent:

107 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Interviews

Sound recordings

Date:

1998 Jan. 17

Scope and Contents:

An interview of José Maria Mijares conducted 1998 Jan. 17, by Juan A. Martínez, in Mijares' home/studio, Miami, Fla., for the Archives of American Art.

Mijares discusses his background; his early interest in drawing; attending Cuba's main art school, the San Alejandro Academy of Art, Havana; his professors, Leopoldo Romanach and Armando Menocal; artistic influences of Cuban modernist painters Fidelio Ponce and Amelia Peláez; being awarded the second prize in a national exhibition in Hanava, 1944 for his work Alameda; the art movement in the 1950s "arte concreto," which involved geometric abstraction and art for art's sake; difficulties of being an artist in Cuba due to lack of galleries and collectors; teaching at San Alejandro in the late 1950s; going into exile in the mid-1960s to Miami; his work schedule of drawing and painting about 6 hours daily; favorite medium being oil on canvas, but also works with serigraphy and watercolor; briefly mentions his artistic style; and his nostalgia for Cuba which is a source of inspiration in his work.

Biographical / Historical:

José Maria Mijares (1921-2004) was a painter from Miami, Fla. Born in Cuba.

General:

Originally recorded on 1 sound cassette. Reformatted in 2010 as 2 digital wav files. Duration is 1 hr., 30 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Topic:

Cuban American art  Search this

Artists -- Florida -- Miami -- Interviews  Search this

Expatriate artists -- Florida -- Miami -- Interviews  Search this

Artists -- Cuba -- Interviews  Search this

Art, Modern -- 20th century -- Florida -- Miami  Search this

Cuban American artists  Search this

Latino and Latin American artists  Search this

Genre/Form:

Interviews

Sound recordings

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.mijare98

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-mijare98

Interviewee:

Martínez, César Augusto, 1944-  Search this

Interviewer:

Quirarte, Jacinto, 1931-2012  Search this

Extent:

107 Pages (Transcript)

Type:

Collection descriptions

Archival materials

Pages

Sound recordings

Interviews

Date:

1997 Aug. 21-28

Scope and Contents:

An interview of César Martínez conducted 1997 Aug. 21-28, by Jacinto Quirarte, in Martínez's studios, San Antonio, Tex., for the Archives of American Art. Martinez discusses his family; schooling; experience in Korea and returning to San Antonio; meeting other artists; joining artists' groups; artists who have influenced him; the themes, forms, meaning, development, processes of his work; and specific works.

Biographical / Historical:

César Martínez (1944- ) is a painter and printmaker from San Antonio, Tex.

General:

Originally recorded on 3 sound cassettes. Reformatted in 2010 as 6 digital wav files. Duration is 4 hrs., 31 min.

Provenance:

This interview is part of the Archives of American Art Oral History Program, started in 1959 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.

Restrictions:

Transcript available on the Archives of American Art website.

Topic:

Latino and Latin American artists  Search this

Art, Modern -- 20th century -- Texas -- San Antonio  Search this

Chicano artists  Search this

Chicano movement  Search this

Genre/Form:

Sound recordings

Interviews

Sponsor:

This interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center. Funding for the digital preservation of this interview received Federal support from the Latino Initiatives Pool, administered by the Smithsonian Latino Center.

Identifier:

AAA.martin97

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-martin97

Creator:

Torpedo Factory Art Center  Search this

Names:

Torpedo Factory Art Center. Friends  Search this

Torpedo Factory Artists' Association  Search this

Extent:

4.7 Linear feet

Type:

Collection descriptions

Archival materials

Date:

1974-1996

Summary:

The records of the Torpedo Factory Art Center measure 4.7 linear feet and date from 1974-1996. The collection documents the history, operations, and activities of one of the largest and longest-running artist collaboratives in the United States and includes organizational records, correspondence, business and financial records, lists and directories, reports, event files, printed material, and photographs.

Scope and Contents note:

The Torpedo Factory Art Center records span the years 1974 to 1996, and measure 4.7 linear feet. They consist of organizational records, correspondence, an organization file for Friends of the Torpedo Factory Art Center, business and financial records, lists and directories, reports, event files, printed material, and photographs which document the history, operations, and activities of one of the largest and longest-running artist collaboratives in the United States.

The Organizational Records Series describes the origins and operation policy of the Art Center through brief histories and copies of the constitution and by-laws. It includes minutes of meetings and ballots from elections of area representatives.

The Correspondence Series includes both external and internal memoranda and letters. These communications primarily discuss gallery business and operations of the Art Center and its interaction with the community. Additional correspondence is found in the Organization File for the Friends of the Torpedo Factory Art Center Series and the Event Files Series.

The Organization File for the Friends of the Torpedo Factory Art Center Series contains by-laws, correspondence, and newsletters which illustrate this entity's important role in fund-raising and out-reach teaching programs.

The Business and Financial Records Series contains leasing policy statements, tax records, insurance records, general budget information, payroll ledgers, rent records, dues assessments, information desk accounts, publicity receipts, and miscellaneous receipts which document the varied legal and fiscal procedures required in the operation of a large artist collaborative.

The Notes Series contains lists of artists' names, artist directories, minutes of meetings, ballots from elections of area representatives, responses to various questionnaires and surveys, and miscellaneous notes which support other series with more detailed information.

The Reports Series contains reports which describe the Art Center's interaction with the surrounding community.

The Event Files Series contains correspondence, receipts, notes, and printed material concerning the planning and execution of a wide range of special events from the large annual fund-raising Mardi Gras Costume Ball to the "Art in the Vineyards" competition held between the Art Center's artists.

The Printed Material Series contains clippings, newsletters from both the Art Center and other arts organizations, exhibition announcements and brochures.

The Photographs Series consists of photographs of the Torpedo Factory Art Center, miscellaneous artists, events, and art works.

Arrangement note:

The Torpedo Factory Art Center records are arranged as nine series, based on type of document. Each series has been arranged chronologically.

Series 1: Organizational Records, 1974-1995 (box 1, 0.9 linear ft.)

Series 2: Correspondence, 1974-1995 (boxes 1-2, 1.4 linear feet)

Series 3: Organization File for Friends of the Torpedo Factory Art Center, 1980-1992 (box 3, 8 folders)

Series 4: Business and Financial Records, 1974-1995 (boxes 3-4, 1.3 linear ft.)

Series 5: Lists and Directories, 1975-1996 (box 4, 8 folders)

Series 6: Reports, 1986-1994 (box 4, 5 folders)

Series 7: Event Files, 1979-1995 (box 4, 0.3 linear feet)

Series 8: Printed Material, 1975-1995 (box 5, 24 folders)

Series 9: Photographs, 1983-1989 (box 5, 10 folders)

Biographical/Historical note:

Construction of the original U.S. Naval Torpedo Station on the Potomac River, in Alexandria, Virginia, began on November 12, 1918. This station was responsible for the manufacture and maintenance of torpedoes for the next five years, when work stopped and the building served as a munitions storage facility until World War II. At this time, round-the-clock production of both submarine-borne and airborne torpedoes resumed, and ten buildings were added to the complex to accommodate the increased activity.

Torpedo production halted in 1945, and eventually the buildings were used for storage by various federal agencies, including Congress and the Smithsonian Institution. In 1969, the City of Alexandria bought the complex of buildings, but an acceptable plan for their use was not found for several years.

Marian Van Landingham, a delegate for the State of Virginia, President of the Alexandria-based Art League, and Projects and Programs Director of the Alexandria Bicentennial Commission, proposed a project to renovate two of the buildings into working studio spaces for artists. Her proposal was endorsed by the Commission in December 1973, and renovations began in May 1974. Artists worked to remove 40 truckloads of debris from the buildings and, after City crews constructed partial studio walls, they painted the interior. The Torpedo Factory Art Center opened to the public in September, 1974. The new complex of artists' studios was filled from a list of juried artists, and Marian Van Landingham became the first Director of the Art Center.

By 1983, the building needed major repairs and improvements. As part of a federal program sale/lease-back agreement, the building was sold to Alexandria Art Center Associates (AACA), leased back from AACA by the City, and subleased to the Torpedo Factory Artists' Association. As part of the sale agreement, the City had a one time repurchase option to be exercised in 1998. On September 1, 1998 the Artists' Association took over all management of the building, and the City now acts as landlord.

In 1998, the Torpedo Factory Art Center boasted of more than eight hundred thousand visitors annually, with eighty-three studios, five cooperative galleries, an art school, and an archaeology laboratory and museum. The artists form the Torpedo Factory Artists Association. The center is also supported by the Friends of the Torpedo Factory.

Provenance:

The collection was donated to the Archives of American Art in 1998 by Penelope C. Barringer for the Torpedo Factory Artists' Association.

Restrictions:

The collection is open for research. Use requires an appointment.

Rights:

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Art, Modern -- 20th century -- Virginia  Search this

Artists -- Virginia  Search this

Function:

Art centers -- Virginia

Citation:

Torpedo Factory Art Center records, 1974-1996. Archives of American Art, Smithsonian Institution.

Identifier:

AAA.torpfaca

See more items in:

Torpedo Factory Art Center records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-torpfaca

Creator:

Vose Galleries of Boston  Search this

Names:

Arthur U. Newton Galleries  Search this

Centennial Exhibition (1876 : Philadelphia, Pa.)  Search this

Ehrich Galleries (New York, N.Y.)  Search this

Howard Young Galleries (New York, N.Y.)  Search this

Jill Newhouse (Gallery)  Search this

M. Knoedler & Co.  Search this

Macbeth Gallery  Search this

Milch Galleries  Search this

Norton Gallery and School of Art  Search this

R.C. & N.M. Vose (Firm)  Search this

Robert C. Vose Galleries  Search this

Hassam, Childe, 1859-1935  Search this

Hoffman, Malvina, 1887-1966  Search this

Jonniaux, Alfred, b. 1882  Search this

Ladd, Anna Coleman, 1878-1939 (sculptor)  Search this

Norton, William E., 1843-1916  Search this

Sargent, John Singer, 1856-1925  Search this

Thayer, Abbott Handerson, 1849-1921  Search this

Vose, Robert C. (Robert Churchill), 1911-1998  Search this

Vose, Robert Churchill, 1873-  Search this

Extent:

25.6 Linear feet

Type:

Collection descriptions

Archival materials

Video recordings

Manuscript

Date:

circa 1876

1890s-1996

bulk 1920-1940

Summary:

The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

Scope and Contents note:

The records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits. Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards. Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

Correspondence of note is with artists Childe Hassam, Malvina Hoffman, Alfred Jonniaux, and John Singer Sargent; galleries Ehrich Galleries, Clapp & Graham Co., M. Knoedler & Co., Macbeth Galleries, Milch Galleries, Newhouse Galleries, Arthur U. Newton Galleries, Norton Galleries, and Howard Young Galleries; the estates of Anna Coleman Ladd and William E. Norton; and the family of Abbott H. Thayer.

Researchers should note that the records do not comprehensively span the gallery's history or operations. The bulk of the collection is correspondence from Robert C. Vose's era running the Robert C. Vose Galleries in the 1920s-1930s and, lesser so, under Robert C. Vose, Jr.'s direction in the 1970s. There is little material in the collection which dates before the 1910s or the 1950s-1960s, other than correspondence regarding Alfred Jonniaux and some financial records. There is a handful of correspondence which covers the period of R.C. & N.M. Vose Gallery. Records loaned for microfilming should be consulted for materials outside of the bulk dates of this collection, especially for materials from the late 1800s-early 1900s.

Arrangement note:

The collection is arranged as 5 series:

Series 1: Correspondence, 1895-1996 (Boxes 1-23; 22.6 linear feet)

Series 2: Customer Files, 1912-1946 (Boxes 23-24; 0.8 linear feet)

Series 3: Art-Related Files, circa 1876, 1890s-1947 (Box 24; 7 folders)

Series 4: Financial Records, 1911-1962, 1991 (Boxes 24-25; 1.8 linear feet)

Series 5: Printed Materials, circa 1904-1990 (Boxes 25-26; 0.4 linear feet)

Biographical/Historical note:

Vose Galleries is a long time family run art gallery based in the Boston, Mass. area.

In 1841, Joseph Vose purchased Westminster Art Gallery, a small Providence, Rhode Island art gallery founded by Ransom Hicks. At the age of 19 in 1850, Joseph's son Seth Morton Vose joined the gallery and five years later became director. The gallery's primary business until the late 1860s was frame making, gilding and art supplies. Seth Morton Vose had a passion for art, especially the French painters of the Barbizon School and he slowly began buying and exhibiting artwork. By 1882, the gallery regularly exhibited in Boston.

Seth's son Robert C. Vose joined the business in 1896, and managed the gallery's Boston office from 1897. Robert broadened the gallery's horizons by showing his fine stock of Barbizon, Dutch, English and American artists throughout America, while his younger brother, Nathaniel, and his cousin, Charles Thompson, handled the Boston gallery. During the next sixty-seven years, Robert C. Vose moved the gallery into a position of national prominence.

In 1924, Nathaniel left the gallery and established his own gallery in Providence. The Boston gallery's name changed to Robert C. Vose Galleries, and around the same time, took over the Carrig-Rohane framing company. In 1931-1932, Robert's three sons, Robert C. Vose, Jr., Seth Morton Vose II, and Herbert Vose, joined the firm. The gallery continued to show exhibitions in Boston, and the sons took turns joining their father on the road. The gallery's name was changed to Vose Galleries of Boston, Inc. in 1952. In 1963, Vose Galleries moved to their current location at 238 Newbury Street in Boston. Robert C. Vose passed away in 1964.

Robert C. Vose, Jr.'s sons, Abbot W. Vose and Robert C. Vose III, joined the gallery in 1968 and 1970, respectively. Robert C. Vose, Jr. passed away in 1998. The Vose Galleries of Boston continues to operate at Newbury Street under the direction of the sixth generation of the Vose family.

Related Archival Materials note:

The Archives of American Art holds several separately cataloged collections related to Vose Galleries of Boston, including the Carrig-Rohane Shop records (1903-1962); oral history interviews with Seth Morton Vose (July 24, 1986 - April 28, 1987) and Robert C. Vose, Jr. (June 27 - July 23, 1986); a sound recording and videotape of a Robert C. Vose, Jr. lecture at the Somerset Club (May 14, 1987); a sound recording of an interview with Robert C. Vose (March 1961); the Miscellaneous Art Exhibition Catalog collection containing Vose Galleries exhibition catalogs, circa 1900-1941; and, Robert C. Vose, Jr. typescripts and clippings, 1961, on microfilm reels 3480 and 4314.

Separated Materials note:

The Archives of American Art also holds material lent for microfilming.

Reel B1 contains a scrapbook compiled by Seth Vose and annotated by Robert Vose that contains clippings, 1886-1900, and an 1889 letter from author and critic Alfred Trumble; and a scrapbook compiled and annotated by Robert C. Vose spanning the years 1920-1940, 1897, and 1905, containing clippings and handwritten lists.

Reel 2380 includes numerous photographs, circa 1890-1964, of Seth Morton Vose, Robert C. Vose, Sr., artists, collectors, and dealers associated with Vose Galleries; a Macbeth Gallery "smoker" in honor of Emil Carlsen; a drawing of Charles Emil Heil by George F. Wing, and a charcoal drawing after Monticelli by Albion Harris Bicknell. Many of the photographs are annotated by Robert C. Vose.

Reels 3936-3940 are comprised of account books, 1871-1887; a journal, 1889-1903, a ledger, 1889-1901; invoice books, 1896-circa 1954, inventories of paintings and drawings in stock, 1884, 1892 and 1906; exhibition records, 1911-1982?; traveling exhibition records, 1915-1949; and a record of paintings sold, 1876-1894. Written permission is required to access these reels.

Reels 4593-4594 contain clippings, undated and 1891-1989, chiefly about purchases, sales and exhibitions, but also pertaining to art dealers, museums, artists, and art events.

Reel 4909 contains a scrapbook of clippings, announcements, programs, and other printed materials, 1882-1993.

Lent materials were returned to the lender and are not described in the collection container inventory.

Provenance:

From 1965-1994, Vose Galleries of Boston loaned materials to the Archives of American Art for microfilming. Robert C. Vose, Jr. also donated records in several installments from 1974 to 1997.

Restrictions:

Use of original papers requires an appointment.

Rights:

Reels 3936-3940: Authorization to publish, quote or reproduce requires written permission from an officer of the Vose Galleries. Contact Reference Services for more information.

The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.

Topic:

Artists -- United States -- Photographs  Search this

Picture frame industry -- Massachusetts -- Boston  Search this

Picture frames and framing  Search this

Art, Modern -- 20th century -- Massachusetts -- Boston  Search this

Art, Modern -- 19th century -- Massachusetts -- Boston  Search this

Function:

Art galleries, Commercial -- Massachusetts

Art galleries, Commercial -- Rhode Island

Genre/Form:

Video recordings

Manuscript

Citation:

Vose Galleries of Boston records, circa 1876, 1890s-1996, bulk 1920s-1930s. Archives of American Art, Smithsonian Institution.

Sponsor:

Funding for the processing of this collection was provided by the Smithsonian Institution Collection Care Preservation Fund

Identifier:

AAA.vosegall

See more items in:

Vose Galleries of Boston records

Archival Repository:

Archives of American Art

EDAN-URL:

ead_collection:sova-aaa-vosegall

Interviewee:

Tomkins, Margaret, 1916-2002  Search this

Tomkins, Margaret, 1916-2002  Search this

Interviewer:

Guenther, Bruce  Search this

Subject:

FitzGerald, James  Search this

Artists Gallery (Seattle, Wash.)  Search this

Type:

Sound recordings

Interviews

Topic:

Abstract expressionism  Search this

Women artists -- Washington (State) -- Interviews  Search this

Artists -- Northwestern States -- Interviews  Search this

Art, Modern -- Northwestern States  Search this

Painters -- Washington (State) -- Seattle -- Interviews  Search this

Art, American -- Northwestern States  Search this

Record number:

(DSI-AAA_CollID)12308

(DSI-AAA_SIRISBib)212455

AAA_collcode_tomkin84

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_oh_212455

Creator:

Kent, Rockwell, 1882-1971  Search this

Kent, Rockwell, 1882-1971  Search this

Subject:

Wildenstein, Felix  Search this

Phillips, Duncan  Search this

Hays, Lee  Search this

Untermeyer, Louis  Search this

Zigrosser, Carl  Search this

Robeson, Paul  Search this

DuBois, W.E.B. (William Edward Burghardt)  Search this

Roosevelt, Franklin D. (Franklin Delano)  Search this

Ruggles, Carl  Search this

Stefansson, Vilhjalmur  Search this

Nearing, Helen  Search this

Nearing, Scott  Search this

Pach, Walter  Search this

Rasmussen, Knud  Search this

Reeves, Ruth  Search this

Seeger, Pete  Search this

Daniel, Charles  Search this

Cleland, T. M. (Thomas Maitland)  Search this

Davies, Arthur B. (Arthur Bowen)  Search this

Chamberlain, J. E.  Search this

Boyesen, Bayard  Search this

Chase, William Merritt  Search this

Freuchen, Peter  Search this

Gellert, Hugo  Search this

Gottlieb, Harry  Search this

Hartley, Marsden  Search this

FitzGerald, James  Search this

Keller, Charles  Search this

Miller, Kenneth Hayes  Search this

Henri, Robert  Search this

Jones, Dan Burne  Search this

United American Artists  Search this

United Office and Professional Workers of America  Search this

United Scenic Artists  Search this

National Farmers' Union (U.S.)  Search this

National Maritime Union of America  Search this

American Artists' Congress  Search this

Artists' Union (New York, N.Y.)  Search this

Artists League of America  Search this

Citizens' Committee for Government Arts Projects  Search this

Farmers Union of the New York Milk Shed  Search this

Federal Art Project  Search this

Federal Writers' Project  Search this

Macbeth Gallery  Search this

International Workers Order  Search this

Type:

Poems

Sketches

Business records

Photographs

Drawings

Topic:

Designers -- New York (State)  Search this

Mural painting and decoration  Search this

Politics and culture  Search this

Authors -- New York  Search this

Art, Modern -- 20th century -- United States -- Political aspects  Search this

Dairy farms  Search this

Federal aid to the arts  Search this

Illustrators -- New York (State)  Search this

Illustration of books  Search this

Works of art  Search this

World War, 1939-1945 -- Civilian relief  Search this

Art and war  Search this

Commercial art  Search this

World War, 1939-1945 -- Art and the war  Search this

Theme:

Lives of American Artists  Search this

Record number:

(DSI-AAA_CollID)9557

(DSI-AAA_SIRISBib)211757

AAA_collcode_kentrock

Theme:

Lives of American Artists

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_211757

Creator:

Gussow, Bernard, 1881-1957  Search this

Gussow, Bernard, 1881-1957  Search this

Subject:

Bouché, Louis  Search this

Maurer, Alfred Henry  Search this

Stella, Joseph  Search this

Weber, Max  Search this

Zorach, William  Search this

Exposition d'artistes de l'école Américaine (1919 : Paris, France)  Search this

Topic:

Art, American -- Exhibitions  Search this

Art, Modern -- 20th century  Search this

Theme:

American Art and Artists in a Global Context  Search this

Record number:

(DSI-AAA_CollID)10580

(DSI-AAA_SIRISBib)214056

AAA_collcode_gussbern

Theme:

American Art and Artists in a Global Context

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_214056

Creator:

Solomon, Alan R.  Search this

Solomon, Alan R.  Search this

Subject:

Castelli, Leo  Search this

Louis, Morris  Search this

Segal, George  Search this

Fahlström, Öyvind  Search this

Poons, Larry  Search this

Duchamp, Marcel  Search this

Bontecou, Lee  Search this

Picasso, Pablo  Search this

Provinciali, Michele  Search this

Reed, Lou  Search this

Lichtenstein, Roy  Search this

Mulas, Ugo  Search this

Sonnabend, Ileana  Search this

Rosenquist, James  Search this

Sabol, Audrey  Search this

Grisi, Laura  Search this

Noland, Kenneth  Search this

Scull, Ethel  Search this

MacElroy, Robert R.  Search this

Namuth, Hans  Search this

Newman, Barnett  Search this

Finkelstein, Nat  Search this

Stella, Frank  Search this

Sisler, Mary  Search this

Greenberg, Jeanine  Search this

Oldenburg, Patty  Search this

Morris, Robert  Search this

Scull, Robert C.  Search this

Hay, Alex  Search this

Dine, Jim  Search this

Kron, Joan  Search this

Chamberlain, John  Search this

Greenberg, Clement  Search this

Oldenburg, Claes  Search this

Frankenthaler, Helen  Search this

Paxton, Steve  Search this

Moore, Peter  Search this

Whitman, Robert  Search this

Novick, Elizabeth  Search this

Rauschenberg, Robert  Search this

Redon, Odilon  Search this

Schute, Terry  Search this

Warhol, Andy  Search this

Hay, Deborah  Search this

Rainier, Yvonne  Search this

Childs, Lucinda  Search this

Johns, Jasper  Search this

Dunn, Judith  Search this

Leo Castelli Gallery  Search this

Expo 67 (Montréal, Québec)  Search this

Pasadena Art Museum  Search this

Institute of Contemporary Art (Boston, Mass.)  Search this

Albright-Knox Art Gallery  Search this

Art Gallery of Ontario  Search this

Velvet Underground (Musical group)  Search this

Biennale di Venezia  Search this

Artforum  Search this

Amsterdam (Netherlands). Stedelijk Museum  Search this

Jewish Museum (New York, N.Y.)  Search this

University of California (System)  Search this

Cornell University.  Search this

San Francisco Art Institute  Search this

Centro de Artes Visuales (Asunción, Paraguay)  Search this

Los Once (Artists' group)  Search this

Harvard University  Search this

Type:

Drawings

Transcripts

Photographs

Interviews

Lithographs

Place:

Italy -- Venice

Topic:

Abstract expressionism  Search this

Art -- Study and teaching  Search this

Art -- Economic aspects  Search this

Art -- History -- Study and teaching  Search this

Performance art  Search this

Art, Abstract -- United States  Search this

Art -- Exhibitions  Search this

Art -- New York (State) -- New York  Search this

Authors -- New York (State) -- New York  Search this

Sculptors  Search this

Art, Modern -- 20th century -- United States  Search this

Educators -- New York (State) -- New York  Search this

Curators -- New York (State) -- New York  Search this

Theater  Search this

Pop art  Search this

Museum directors -- New York (State) -- New York  Search this

Theme:

Art Movements and Schools  Search this

Record number:

(DSI-AAA_CollID)7165

(DSI-AAA_SIRISBib)209301

AAA_collcode_soloalan

Theme:

Art Movements and Schools

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_209301

Creator:

Stuart, David, 1910-1984  Search this

Stuart, David, 1910-1984  Search this

Subject:

David Stuart Galleries  Search this

Topic:

Art, Modern -- 20th century -- California -- Los Angeles  Search this

Indian art -- Central America -- Photographs  Search this

Art, American -- California  Search this

Theme:

Art Market  Search this

Record number:

(DSI-AAA_CollID)8545

(DSI-AAA_SIRISBib)210723

AAA_collcode_stuadavi

Theme:

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_210723

Creator:

Gallery 1015  Search this

Gallery 1015  Search this

Subject:

Day, Larry  Search this

Keene, Paul F., Jr.  Search this

Lueders, Jimmy C.  Search this

Maitin, Sam  Search this

Staffel, Rudolf  Search this

Myers, Gladys  Search this

Topic:

Art -- Exhibitions -- Pennsylvania  Search this

Art, Modern -- 20th century -- Pennsylvania  Search this

Women art dealers -- Pennsylvania  Search this

Theme:

Art Market  Search this

Record number:

(DSI-AAA_CollID)9805

(DSI-AAA_SIRISBib)212243

AAA_collcode_gall1015

Theme:

Art Market

Data Source:

Archives of American Art

EDAN-URL:

edanmdm:AAADCD_coll_212243