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Der Hang zum Gesamtkunstwerk : europäische Utopien seit 1800 / [Gesamtidee für Ausstellung und Buch, Harald Szeemann ; Redaktion, Susanne Häni ... et al.]

Author:
Szeemann, Harald  Search this
Häni, Susanne  Search this
Kunsthaus Zürich  Search this
Physical description:
511 p. : ill. (some col.) ; 30 cm
Type:
Exhibitions
Place:
Europe
Date:
1983
C1983
19th century
20th century
Topic:
Arts, European  Search this
Arts, Modern  Search this
Aesthetics, Modern  Search this
Utopias in art  Search this
Call number:
NX542.H36 1983X
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_187632

Zero, un movimiento europeo : colección Lenz Schönberg : 8 abril-12 junio, 1988

Author:
Fundación Juan March  Search this
Subject:
Schönberg, Lenz Art collections  Search this
Physical description:
[120] p. : col. ill. ; 29 cm
Type:
Exhibitions
Place:
Europe
Date:
1988
C1988
20th century
Topic:
Zero (Group of artists)  Search this
Art, European  Search this
Avant-garde (Aesthetics)--History  Search this
Art--Private collections  Search this
Call number:
N6868.5.Z4 Z58 1988
N6868.5.Z4Z58 1988
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_379022

Der Hang zum Gesamtkunstwerk : europäische Utopien seit 1800 : 22. Dezember 1983 bis 19. Februar 1984, Orangerie des Schlosses Charlottenburg, Daadgalerie / [Konzeption der Ausstellung und Gesamtleitung, Harald Szeemann]

Author:
Szeemann, Harald  Search this
Daadgalerie  Search this
Schloss Charlottenburg  Search this
Physical description:
88 p. : ill. ; 26 cm
Type:
Exhibitions
Place:
Europe
Date:
1983
C1983
19th century
20th century
Topic:
Arts, European  Search this
Arts, Modern  Search this
Aesthetics, Modern  Search this
Utopias in art  Search this
Call number:
NX542 .H364 1983
Data Source:
Smithsonian Libraries
EDAN-URL:
edanmdm:siris_sil_652554

Fellows of Contemporary Art, European Trip

Collection Creator:
Wortz, Melinda  Search this
Container:
Box 13, Folder 33-35
Type:
Archival materials
Date:
1983-1984
Collection Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Melinda Wortz papers, 1958-1992. Archives of American Art, Smithsonian Institution.
See more items in:
Melinda Wortz papers
Melinda Wortz papers / Series 7: Subject Files / 7.2: General Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94ee15ecc-e7bc-4ca0-9e18-a5169d6e192f
EDAN-URL:
ead_component:sova-aaa-wortmeli-ref442

Jules Langsner papers, circa 1910-1998, bulk, 1950-1967

Creator:
Langsner, Jules 1911-1967  Search this
Uniform title:
New York times  Search this
Craft Horizons  Search this
Subject:
Macdonald-Wright, Stanton 1890-1973  Search this
Perls, Frank 1910-1975  Search this
Guston, Philip 1913-1980  Search this
Guston, Musa  Search this
Harwood, June  Search this
Feldman, Eddy  Search this
Kadish, Reuben 1913-1992  Search this
Brice, William 1921-2008  Search this
Feitelson, Lorser 1898-1978  Search this
Ray, Man 1890-1976  Search this
Ray, Julie  Search this
Turnbull, William d. 2002  Search this
Lundeberg, Helen 1908-1999  Search this
Adams, Clinton 1918-2002  Search this
Fogg, Adelaide  Search this
Lebrun, Rico 1900-1964  Search this
Ford Foundation  Search this
International Association of Art Critics  Search this
Art Institute of Chicago  Search this
Los Angeles County Museum of Art  Search this
University of Southern California Faculty  Search this
Solomon R. Guggenheim Museum  Search this
Santa Barbara Museum of Art  Search this
Graham Foundation for Advanced Studies in the Fine Arts  Search this
Fine Arts Patrons of Newport Harbor  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
California Watercolor Society  Search this
Pasadena Art Museum  Search this
Art in America  Search this
Physical description:
4.4 linear feet
Type:
Sound recordings
Collection descriptions
Place:
California
Los Angeles
Date:
1910
1910-1998
circa 1910-1998
bulk 1950-1967
Topic:
Art criticism  Search this
Painting, Abstract  Search this
Curators  Search this
Local number:
AAA 974-980
AAA 3090
AAA langjule
Restrictions & Rights:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information
See more items in:
Jules Langsner papers, circa 1910-1998, bulk, 1950-1967
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:siris_arc_211311

Jules Langsner papers

Creator:
Langsner, Jules, 1911-1967  Search this
Names:
Art Institute of Chicago  Search this
Art in America  Search this
California Watercolor Society  Search this
Ford Foundation  Search this
Graham Foundation for Advanced Studies in the Fine Arts  Search this
International Association of Art Critics  Search this
Los Angeles County Museum of Art  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
New York Times  Search this
Pasadena Art Museum  Search this
Santa Barbara Museum of Art  Search this
Solomon R. Guggenheim Museum  Search this
University of Southern California. -- Faculty  Search this
Adams, Clinton, 1918-2002  Search this
Brice, William, 1921-  Search this
Feitelson, Lorser, 1898-1978  Search this
Feldman, Eddy  Search this
Fogg, Adelaide  Search this
Guston, Musa  Search this
Guston, Philip, 1913-1980  Search this
Harwood, June  Search this
Kadish, Reuben, 1913-1992  Search this
Lebrun, Rico, 1900-1964  Search this
Lundeberg, Helen, 1918-  Search this
Macdonald-Wright, Stanton, 1890-1973  Search this
Perls, Frank, 1910-1975  Search this
Ray, Julie  Search this
Ray, Man, 1890-1976  Search this
Turnbull, William, 2002  Search this
Extent:
4.4 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Date:
circa 1910s-1998
bulk 1950-1967
Summary:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings normal="1941"> travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.
Scope and Contents note:
The papers of southern California contemporary art curator, critic, and historian Jules Langsner measure 4.4 linear feet and date from circa 1910s-1998, with the bulk of the materials dating from 1950-1967. Found within the papers are biographical material; correspondence with family, friends, and colleagues; writings by Langsner; exhibition files; printed materials; photographs of Langsner, others, travel, and works of art; and audio recordings of Langsner's lectures and eulogies given at his funeral.

Biographical materials consist of an address book and file, committee files, scattered financial statements, and documents related to the Ford Foundation and other foundations, teaching, and traveling.

The 0.9 linear feet of correspondence is of both a personal and professional nature. A significant portion of the correspondence is between Langsner and publications for which he wrote such as Art News, the New York Times, Meridian Books, Craft Horizons, Art International, and Art in America; galleries and museums where he lectured or curated exhibitions including the Art Institute of Chicago, California Water Color Society, Los Angeles County Museum of Art, Pasadena Art Museum, Santa Barbara Museum of Art, Museum of Modern Art, Guggenheim Museum, and the Fine Arts Patrons of Newport Harbor; colleges and organizations where he taught or was involved with such as the Graham Foundation, University of Southern California, International Association of Art Critics, and Ford Foundation; and artists that he worked with or knew personally including Rico Lebrun, William Turnbull, Man & Julie Ray, Lorser Feitelson, Helen Lundeberg, Adelaide Fogg, and Clinton Adams.

Letters to June Harwood were written while Langsner was traveling in 1964 and 1965 and discuss his travels and their relationship which culminated in marriage in Italy in 1965.

Among the 2.8 linear feet of the writings of Jules Langsner are articles for Art News, Art in America, Art International, Arts & Architecture, Aware, Beverly Hills Times, Craft Horizons, Creative Crafts, Goya Revista De Arte, Yomiuri, and Zodiac. There are also essays, lectures, poems, drafts, notes, jottings of ideas, proposals and published and unpublished manuscripts. There are drafts and unpublished versions of "Painting in the Modern World", and numerous other essays on contemporary art. There are also extensive handwritten notes on his travels, Asian art, European art, and other subjects.

Exhibition files concern "Black and White" (1958), "California Hard-Edge Painting" (1964), the Man Ray Exhibition (1966), and the William Turnbull Exhibition (1966).

Printed materials include miscellaneous flyers, brochures, and news bulletins, and press releases.

Photographs are of people, places, works of art, and exhibitions. There are photographs of Jules Langsner, June Harwood, Philip Guston, Musa Guston, William Brice, Eddy Feldman, Rube Kadish, Stanton MacDonald-Wright, Frank Perls, and unidentified individual people and groups. Photographs of Langsner's travels are of Japan, Korea, Taiwan, and other locations. Photographs of exhibitions include California Art Club, "Black and White," "California Painters & Sculptors, 35 & Under," and unidentified exhibitions. Photographs of works of art are by William Turnbull, Jack Zajac, Walter Mix, Marion Aldrich, Roger Majorowicz, and Jasper Johns.

Audio recordings include four untranscribed 7" reel-to-reel audio recordings and one cassette tape. The reel-to-reel tapes are of two lectures by Langsner, You & Art/Berlin Party, and of eulogies given at Langsner's funeral by Clement Greenberg, Henry Seldis, Peter Selz, Richard Brown, Donald Brewer, Tom Leavitt, Lorser Feitelson, Sam Francis, June Wayne, Gifford Phillips, and others. The cassette tape is a copy of eulogies.
Arrangement note:
The collection is arranged as 7 series. Photographs are arranged by subject, otherwise each series is generally arranged chronologically.

Missing Title

Series 1: Biographical Materials, 1957-circa 1960s (Box 1; 9 folders)

Series 2: Correspondence, 1948-1998 (Boxes 1-2; 0.9 linear feet)

Series 3: Writings, 1934-circa 1960s (Boxes 2-4; 2.8 linear feet)

Series 4: Exhibition Files, 1919, circa 1958-1966 (Box 4; 4 folders)

Series 5: Printed Materials, circa 1960s (Box 5; 2 folders)

Series 6: Photographs, circa 1910s-1960s (Box 5; 0.25 linear feet)

Series 7: Audio Recordings, 1954-1967 (Box 5; 0.25 linear feet)
Biographical/Historical note:
Jules Langsner (1911-1967) worked primarily in the Los Angeles area as a contemporary art critic, historian, and curator. He curated several seminal exhibitions of contemporary art, including the 1959-1960 show "Four Abstract Classicists" featuring the work of Southern California artists Lorser Feitelson, Karl Benjamin, Frederick Hammersley, and John McLaughlin.

Born Julius Harold Langsner in New York City on May 5, 1911, his family moved to Ontario, California in 1922. The family lived on a farm and opened the Paradise Health Resort which was run by Langsner's father, chiropractor Isadore Langsner, and was popular in Jewish and intellectual circles. In Ontario, Langsner became friends with three of the Pollack family sons, Jackson, Frank, and Sanford, as well as Philip Guston, Reuben Kadish, Leonard Stark, and Don Brown as a teenager. Guston, Kadish, and Jackson Pollock were later mentored by Lorser Feitelston which helped to foster in Langsner an interest in avant-garde painting.

Langsner went on to study philosophy at the University of California, Los Angeles. In the early 1940s, Langsner married and had a son, Drew Langsner. He divorced in 1946. In 1944, he enlisted in the United States Army and served as a psychiatric social worker and psychologist during World War II in the United States.

Art & Architecture magazine was the first to publish Langsner's art criticism in 1948. Throughout the 1950s and 60s his work was published widely in Art & Architecture as well as Art News, Art in America, Craft Horizons, Beverly Hills Times, Zodiac, and others. Langsner wrote extensively about art history in both published and unpublished manuscripts, including Painting in the Modern World which he worked on until his death. Additionally, he taught art history classes at the Chouinard Art Institute and University of Southern California and lectured for a variety of organizations and occasions.

Langsner curated several influential exhibitions in southern California, including the "Four Abstract Classicists" exhibition for the Los Angeles County Museum of Art in 1959 and in whose catalog he and Peter Selz coined the term "Hard-Edge painting." He curated the first full-scale retrospective of Man Ray in the United States at the Los Angeles County Museum of Art in 1966.

Langsner received a grant from the Ford Foundation in 1964 that allowed him to travel throughout Asia, the Middle East, and Europe for a year studying regional art and architecture. He wrote notes on his travels and corresponded frequently with June Harwood, a Hard-Edge painter, whom he married in Italy in 1965.

Jules Langsner died unexpectedly of a heart attack on September 29, 1967, in Los Angeles.
Related Archival Materials note:
The papers of Lorser Feitelson and Helen Lundeberg at the Archives of American Art contain a significant amount of writings by Jules Langsner, including exhibition catalog essays.

Papers of Jules Langsner, 1941-1967, are also located at the University of California, Los Angeles.
Provenance:
The Jules Langsner papers were donated to the Archives of American Art in several installments from 1973-1996, and in 2004 by June Harwood Langsner, widow of Jules Langsner. Notes for a lecture given at the Art Institute of Chicago in 1966 and 39 pieces of correspondence were donated in 1982 by the University of California Art Library, Los Angeles, via Librarian Virginia Steele.
Restrictions:
Use of original papers requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Art critics -- California -- Los Angeles  Search this
Art historians -- California -- Los Angeles  Search this
Topic:
Works of art  Search this
Painting, Abstract -- California  Search this
Art -- Study and teaching  Search this
Art criticism  Search this
Curators -- California -- Los Angeles  Search this
Genre/Form:
Photographs
Articles
Sound recordings
Essays
Lectures
Drafts (documents)
Manuscripts
Poems
Citation:
Jules Langsner papers, circa 1910s-1998, bulk 1950-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.langjule
See more items in:
Jules Langsner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw96ca20c0c-5a91-42e5-9ff4-d5217f7fd266
EDAN-URL:
ead_collection:sova-aaa-langjule
Online Media:

Writings

Collection Creator:
Langsner, Jules, 1911-1967  Search this
Extent:
2.8 Linear feet (Boxes 2-4)
Type:
Archival materials
Date:
1934-circa 1960s
Scope and Contents note:
Among the 2.8 linear feet of the writings of Jules Langsner are a large number of articles that he wrote for many different publications, as well as essays, lectures, poems, drafts, notes, jottings of ideas, proposals and published and unpublished manuscripts. There are drafts and unpublished versions of "Painting in the Modern World", and numerous other essays on contemporary art. There are also extensive handwritten notes on his travels, Asian art, European art, and other subjects.
Arrangement note:
The series is arranged as 3 subseries:

3.1: Articles, 1949-circa 1960s

3.2: Essays & Manuscripts, 1934-circa 1960s

3.3: Notes, circa 1950s-1960s
Collection Restrictions:
Use of original papers requires an appointment.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Jules Langsner papers, circa 1910s-1998, bulk 1950-1967. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.langjule, Series 3
See more items in:
Jules Langsner papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9672dc2f7-8c66-4bee-8fcb-e0d3870a58c3
EDAN-URL:
ead_component:sova-aaa-langjule-ref56

Miscellaneous

Collection Creator:
Hess, Thomas B.  Search this
Container:
Box 9, Folder 7-10
Type:
Archival materials
Date:
undated
Scope and Contents:
Includes African art, ancient art, European (old masters), tapestries, European (19th century), Japanese art, medieval art, Nepalese, Paraguay (missionary Baroque), Armenian church sculpture, Scythian art, Soviet art, and other subjects.
Collection Restrictions:
Use of original papers requires an appointment and is limited to the Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Thomas Hess papers, 1939-1978. Archives of American Art, Smithsonian Institution.
See more items in:
Thomas Hess papers
Thomas Hess papers / Series 4: Artist/Subject Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw98bce498d-e021-4ba3-938e-a2c3666dc2f1
EDAN-URL:
ead_component:sova-aaa-hessthom-ref188

The Tomb of Cyrus the Great, Iran 1976, from the series, Paradise Lost

Artist:
Georg Gerster (Swiss, born 1928)  Search this
Printer:
ERC Electronic Repro Center AG (Swiss)  Search this
Medium:
Ink-jet print on paper
Dimensions:
H x W (image): 32 × 49 cm (12 5/8 × 19 5/16 in)
H x W (sheet): 49.8 × 65.9 cm (19 5/8 × 25 15/16 in)
Type:
Photograph
Origin:
Switzerland
Date:
1976 (printed 2013)
Topic:
landscape  Search this
tomb  Search this
Contemporary Art  Search this
Switzerland  Search this
European Art  Search this
Credit Line:
Gift of Yasmine and Reza Pahlavi
Accession Number:
S2014.8
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye30f20d5b0-3dff-4c74-9ce1-3eea1ac94b81
EDAN-URL:
edanmdm:fsg_S2014.8

Necklace

Medium:
Glass
Dimensions:
H x Diam (cord with beads): 98 × 2.5 cm (38 9/16 × 1 in)
Type:
Glass
Jewelry and Ornament
Origin:
Italy
Date:
200-300
Topic:
Italy  Search this
European Art  Search this
Gellatly collection  Search this
Credit Line:
Long-term loan from the Smithsonian American Art Museum; gift of John Gellatly, 1929.8.149.1
Accession Number:
LTS1985.1.149.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3265ecd04-e1e3-49c0-af8f-72ac28a4a7a4
EDAN-URL:
edanmdm:fsg_LTS1985.1.149.1

Necklace

Medium:
Glass
Dimensions:
H x Diam: 44.3 × 1.9 cm (17 7/16 × 3/4 in)
Type:
Glass
Jewelry and Ornament
Origin:
Italy
Date:
200-300
Topic:
Italy  Search this
European Art  Search this
Gellatly collection  Search this
Credit Line:
Long-term loan from the Smithsonian American Art Museum; gift of John Gellatly, 1929.8.149.2
Accession Number:
LTS1985.1.149.2
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye318e89e75-35cf-4d1d-aacb-f230e9aa279b
EDAN-URL:
edanmdm:fsg_LTS1985.1.149.2

Necklace

Medium:
Glass and lapis luzuli
Dimensions:
H x Diam: 65.5 × 1 cm (25 13/16 × 3/8 in)
Type:
Glass
Jewelry and Ornament
Origin:
Italy
Topic:
Italy  Search this
European Art  Search this
Gellatly collection  Search this
Credit Line:
Long-term loan from the Smithsonian American Art Museum; gift of John Gellatly, 1929.8.149.7
Accession Number:
LTS1985.1.149.7
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3e326227c-77af-4672-88e4-b15e26f945e9
EDAN-URL:
edanmdm:fsg_LTS1985.1.149.7

Necklace

Medium:
Glass, emerald garnet, and amethyst
Dimensions:
H x Diam: 63 × 1.2 cm (24 13/16 × 1/2 in)
Type:
Glass
Jewelry and Ornament
Origin:
Italy
Topic:
Italy  Search this
European Art  Search this
Gellatly collection  Search this
Credit Line:
Long-term loan from the Smithsonian American Art Museum; gift of John Gellatly, 1929.8.149.8
Accession Number:
LTS1985.1.149.8
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3ed486476-ab46-4a05-bb0f-c79b25fe6f2a
EDAN-URL:
edanmdm:fsg_LTS1985.1.149.8

Necklace

Medium:
Glass, faience, and gold
Dimensions:
H x Diam: 49 × 1 cm (19 5/16 × 3/8 in)
Type:
Glass
Jewelry and Ornament
Origin:
Italy
Topic:
Italy  Search this
European Art  Search this
Gellatly collection  Search this
Credit Line:
Long-term loan from the Smithsonian American Art Museum; gift of John Gellatly, 1929.8.149.9
Accession Number:
LTS1985.1.149.9
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye31c7fe848-b7ae-460c-900e-3dda0d62c40f
EDAN-URL:
edanmdm:fsg_LTS1985.1.149.9

Cameo pendant (possibly Bacchus)

Medium:
Opaque white overlay on blue glass base set in gold
Dimensions:
H x W x D: 2.3 × 2.3 × 1.2 cm (7/8 × 7/8 × 1/2 in)
Type:
Glass
Jewelry and Ornament
Origin:
Italy
Date:
300-100 BCE
Topic:
Italy  Search this
European Art  Search this
Gellatly collection  Search this
Credit Line:
Long-term loan from the Smithsonian American Art Museum; gift of John Gellatly, 1929.8.152.1
Accession Number:
LTS1985.1.152.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye35cee205c-97f9-4701-91e8-75aee0024d92
EDAN-URL:
edanmdm:fsg_LTS1985.1.152.1

Intaglio, Figure of Maenad Standing Partly Turned to Left Looking Down

Medium:
Glass and gold Cast and carved
Dimensions:
H x W x D: 3.1 x 2.6 x 0.6 cm (1 1/4 x 1 x 1/4 in)
Type:
Glass
Jewelry and Ornament
Origin:
Rome, Italy
Date:
200-300
Topic:
Italy  Search this
European Art  Search this
Gellatly collection  Search this
Credit Line:
Long-term loan from the Smithsonian American Art Museum; gift of John Gellatly, 1929.8.152.4
Accession Number:
LTS1985.1.152.4
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3ee3d33f6-6a6f-4a2f-90c9-5b0ba4448360
EDAN-URL:
edanmdm:fsg_LTS1985.1.152.4

Mosaic Glass

Medium:
Glass
Type:
Glass
Origin:
Italy
Date:
50 B.C.-50
Topic:
Italy  Search this
European Art  Search this
Gellatly collection  Search this
Credit Line:
Long-term loan from the Smithsonian American Art Museum; gift of John Gellatly, 1929.8.155.1
Accession Number:
LTS1985.1.155.1
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye334b66b2e-8697-4adb-b781-d5c063950f87
EDAN-URL:
edanmdm:fsg_LTS1985.1.155.1

Necklace

Medium:
Glass
Dimensions:
H x Diam: 66.8 × 2.5 cm (26 5/16 × 1 in)
H x W x D (pendant): 4 × 2.9 × 0.7 cm (1 9/16 × 1 1/8 × 1/4 in)
Type:
Glass
Jewelry and Ornament
Origin:
Italy
Date:
100 B.C.-100
Period:
Roman period
Topic:
Roman Period (30 BCE - 395 CE)  Search this
Italy  Search this
European Art  Search this
Gellatly collection  Search this
Credit Line:
Long-term loan from the Smithsonian American Art Museum; gift of John Gellatly, 1929.8.159.11
Accession Number:
LTS1985.1.159.11
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye388f6eaf7-bfc3-40eb-8e90-3e90477fcd57
EDAN-URL:
edanmdm:fsg_LTS1985.1.159.11
Online Media:

Necklace

Medium:
Glass and faience
Dimensions:
H x Diam: 64 × 2.6 cm (25 3/16 × 1 in)
Type:
Glass
Jewelry and Ornament
Origin:
Italy
Date:
1-200
Period:
Roman period
Topic:
Roman Period (30 BCE - 395 CE)  Search this
Italy  Search this
European Art  Search this
Gellatly collection  Search this
Credit Line:
Long-term loan from the Smithsonian American Art Museum; gift of John Gellatly, 1929.8.159.12
Accession Number:
LTS1985.1.159.12
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3fbd8166e-d5a8-4cc9-8a4b-8603711395a8
EDAN-URL:
edanmdm:fsg_LTS1985.1.159.12

Ribbed bowl

Medium:
Glass; blown
Dimensions:
H x Diam (overall): 5.7 x 12.3 cm (2 1/4 x 4 13/16 in)
Type:
Glass
Vessel
Origin:
Italy
Date:
100-200
Period:
Roman period
Topic:
Roman Period (30 BCE - 395 CE)  Search this
Italy  Search this
European Art  Search this
Gellatly collection  Search this
blown  Search this
Credit Line:
Long-term loan from the Smithsonian American Art Museum; gift of John Gellatly, 1929.8.170.45
Accession Number:
LTS1985.1.170.45
Restrictions & Rights:
Usage conditions apply
See more items in:
Freer Gallery of Art and Arthur M. Sackler Gallery Collection
Data Source:
Freer Gallery of Art and Arthur M. Sackler Gallery
GUID:
http://n2t.net/ark:/65665/ye3a39b663d-4fd4-4932-aeea-8ddab793ca5f
EDAN-URL:
edanmdm:fsg_LTS1985.1.170.45

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