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Oral history interview with Leon Golub, 1965

Interviewee:
Golub, Leon, 1922-2004  Search this
Interviewer:
Hooton, Bruce Duff, 1928-  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American -- 20th century  Search this
Painters -- New York (State) -- Interviews  Search this
Record number:
(DSI-AAA_CollID)11646
(DSI-AAA_SIRISBib)214184
AAA_collcode_golub65
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_214184

Oral history interview with Gerald Nordland, 2004 May 25-26

Interviewee:
Nordland, Gerald, 1927-  Search this
Interviewer:
Larsen, Susan C., 1946-  Search this
Subject:
Lachaise, Gaston  Search this
Gorky, Arshile  Search this
Johnston, Ynez  Search this
Diebenkorn, Richard  Search this
University of Southern California.  Search this
Type:
Sound recordings
Interviews
Topic:
Curators -- Interviews  Search this
Art historians -- Interviews  Search this
Art, American -- California -- San Francisco  Search this
Art, American -- New York (State) -- New York  Search this
Art, American -- 20th century  Search this
Art, American -- California -- Los Angeles  Search this
Record number:
(DSI-AAA_CollID)11679
(DSI-AAA_SIRISBib)249051
AAA_collcode_nordla04
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_249051

Oral history interview with Ira Spanierman, 2007 June 6-12

Interviewee:
Spanierman, Ira, 1928-  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Subject:
Adler, A. M. (Abraham M)  Search this
Fraad, Daniel  Search this
Fraad, Rita  Search this
Gerds, Abigail  Search this
Goodrich, Lloyd  Search this
Halles, Bruce  Search this
Halles, Diane  Search this
Heinrich, Hans  Search this
Hirsch, Norman  Search this
Leroy, Roy  Search this
Newington, Barbara  Search this
Novak, Barbara  Search this
Terra, Daniel J.  Search this
Thaw, Eugene Victor  Search this
Warner, Jack  Search this
Wilson, Peter (Cayuga)  Search this
Poskas, Peter  Search this
Noortman, Rob  Search this
Woodner, Ian  Search this
Cooper-Hewitt Museum.  Search this
Savoy Gallery  Search this
Syracuse University  Search this
Spanierman Gallery  Search this
Widgeon Point Charitable Foundation  Search this
Type:
Sound recordings
Interviews
Topic:
Art, American -- 19th century  Search this
Art, American -- 20th century  Search this
Art -- Collectors and collecting  Search this
Ashcan school of art  Search this
Gallery owners -- New York (State) -- New York -- Interviews  Search this
Hudson River school of landscape painting  Search this
Record number:
(DSI-AAA_CollID)13617
(DSI-AAA_SIRISBib)270857
AAA_collcode_spanie07
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_270857

Paul Sample papers, 1890-1974

Creator:
Sample, Paul Starrett, 1896-1974  Search this
Type:
Sketchbooks
Topic:
Drawing -- Vermont -- Norwich  Search this
Art, American -- 20th century  Search this
Record number:
(DSI-AAA_CollID)9053
(DSI-AAA_SIRISBib)211244
AAA_collcode_samppaul
Theme:
Sketches & Sketchbooks
Lives of American Artists
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_211244

Owen Gallery records, 1929-2010, bulk bulk 1980-2010

Creator:
Owen Gallery  Search this
Subject:
Davies, Arthur B. (Arthur Bowen)  Search this
Benton, Thomas Hart  Search this
Lawson, Ernest  Search this
Sloan, John  Search this
Shinn, Everett  Search this
Prendergast, Maurice Brazil  Search this
Owen, Michael  Search this
Yost, James  Search this
Luks, George Benjamin  Search this
Kuniyoshi, Yasuo  Search this
Henri, Robert  Search this
Glackens, William J.  Search this
Topic:
Art, American -- 19th century  Search this
Art, American -- 20th century  Search this
Art, Modern -- United States  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Ashcan school of art  Search this
Eight (Group of American artists)  Search this
Record number:
(DSI-AAA_CollID)16259
(DSI-AAA_SIRISBib)370966
AAA_collcode_owengall
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_370966
Online Media:

Ruth Bowman papers, 1936-2006, bulk bulk 1963-1999

Creator:
Bowman, Ruth, 1923-  Search this
Subject:
Lassaw, Ibram  Search this
Holtzman, Harry  Search this
Cézanne, Paul  Search this
Burkhardt, Hans Gustav  Search this
Bolotowsky, Ilya  Search this
Bengelsdorf, Rosalind  Search this
Holty, Carl  Search this
Ferren, John  Search this
Eakins, Thomas  Search this
Diller, Burgoyne  Search this
Noguchi, Isamu  Search this
Morris, George L. K.  Search this
McNeil, George  Search this
Mason, Alice Trumbull  Search this
Lipchitz, Jacques  Search this
Levine, Les  Search this
Albers, Josef  Search this
Anshutz, Thomas Pollock  Search this
MacDonald, Duncan (Broadcaster)  Search this
Wilfred, Thomas  Search this
Sloan, Helen Farr  Search this
Reinhardt, Ad  Search this
Picasso, Pablo  Search this
New York University  Search this
WNYC (Radio station : New York, N.Y.)  Search this
Massachusetts Institute of Technology  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
Newark Museum  Search this
KUSC (Radio station : Los Angeles, Calif.)  Search this
Craft and Folk Art Museum  Search this
Long Beach Museum of Art  Search this
Los Angeles County Museum of Art  Search this
American Federation of Arts  Search this
American Association of Museums  Search this
Canadian Museums Association  Search this
Brooklyn Museum  Search this
Type:
Photographs
Interviews
Sound recordings
Scripts (documents)
Topic:
Art -- Study and teaching  Search this
Art historians -- California -- Los Angeles  Search this
Art, American -- 20th century  Search this
Art historians -- New York (State) -- New York  Search this
Record number:
(DSI-AAA_CollID)11586
(DSI-AAA_SIRISBib)249278
AAA_collcode_bowmruth2
Theme:
Art Theory and Historiography
Lives of American Artists
Women
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_249278
Online Media:

Martin Diamond papers, 1928-2013

Creator:
Diamond, Martin, 1924-  Search this
Subject:
Diamond, Harriette  Search this
Martin Diamond Fine Arts  Search this
Type:
Photographs
Topic:
Art, Abstract  Search this
Art, Modern -- 20th century  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Art, American -- 20th century  Search this
Painters -- New York (State) -- New York  Search this
Transcendentalism in art  Search this
Record number:
(DSI-AAA_CollID)16158
(DSI-AAA_SIRISBib)366225
AAA_collcode_diammart2
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_coll_366225
Online Media:

Oral history interview with Ira Spanierman

Interviewee:
Spanierman, Ira  Search this
Interviewer:
McElhinney, James, 1952-  Search this
Creator:
Widgeon Point Charitable Foundation  Search this
Names:
Cooper-Hewitt Museum.  Search this
Savoy Gallery  Search this
Spanierman Gallery  Search this
Syracuse University -- Students  Search this
Widgeon Point Charitable Foundation  Search this
Adler, A. M. (Abraham M), 1902-1985  Search this
Fraad, Daniel  Search this
Fraad, Rita  Search this
Gerds, Abigail  Search this
Goodrich, Lloyd, 1897-1987  Search this
Halles, Bruce  Search this
Halles, Diane  Search this
Heinrich, Hans  Search this
Hirsch, Norman  Search this
Leroy, Roy  Search this
Newington, Barbara  Search this
Noortman, Rob  Search this
Novak, Barbara  Search this
Poskas, Peter  Search this
Terra, Daniel J., 1911-1996  Search this
Thaw, Eugene Victor  Search this
Warner, Jack  Search this
Wilson, Peter (Cayuga)  Search this
Woodner, Ian  Search this
Extent:
63 Pages (Trancript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2007 June 6-12
Scope and Contents:
An interview of Ira Spanierman conducted June 6-12, by James McElhinney, for the Archives of American Art, in the Spanierman Gallery, New York, New York. Spanierman speaks of growing up and living in New York City his whole life; the influence of working in his father's antique store; studying English at Syracuse University; how he got involved in the art business; becoming an auctioneer at Savoy Gallery working with silver and arms and armor; his collecting preferences; the influence of the Internet and technology; changes in the art market among buyers and collectors; the development and growth of art auctions; opening his first gallery and what kind of art he showed; interest in dealing 19th and 20th century American art; the kind of clientele he attracted; the Spanierman Gallery catalogues and publication program; publishing and distributing the catalogue raisonné; working and collaborating with other institutions like the Cooper-Hewitt; working with a panel of scholars to identify work that was fraud; the various kinds of collectors he has dealt with in the past and what kind of collectors he prefers to work with; opening a contemporary and modern wing to the gallery and the motivation behind that; relationships with artists; exhibiting members of the Ashcan School, the Ten, and the Hudson River School; trying to find artists that have been overlooked in the past and promoting a re-emergence of these figures and their work; a number of mentors in his life including Abe Adler and Roy Leroy; advice for younger collectors; what he sees in the future for the art market; a shift in privately owned art being turned over to museums; the educational aspect of his gallery; future goals of his gallery; the role of the museum today; what he has contributed to the art world; and how he would like to be remembered and thought of in the future. Spanierman also recalls Peter Wilson, Gene Thaw, Lloyd Goodrich, Abigail Gerds, Peter Poskas, Hans Heinrich, Daniel Terra, Jack Warner, Diane and Bruce Halles, Daniel and Rita Fraad, Barbara Newington, Robert Noortman, Ian Woodner, Barbara Novak, Roy Leroy, Abraham Adler, Norman Hirsch and others.
Biographical / Historical:
Ira Spanierman is a gallery owner from New York, New York. James McElhinney (1952- ) is a painter and educator from New York, New York.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 2 digital wav files. Duration is 2 hr., 21 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Art, American -- 19th century  Search this
Art, American -- 20th century  Search this
Art -- Collectors and collecting  Search this
Ashcan school of art  Search this
Gallery owners -- New York (State) -- New York -- Interviews  Search this
Hudson River school of landscape painting  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.spanie07
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-spanie07

Oral history interview with Leon Golub

Creator:
Golub, Leon, 1922-2004  Search this
Interviewer:
Hooton, Bruce Duff, 1928-  Search this
Extent:
1 Sound tape reel (Sound recording, 7 in.)
9 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Sound tape reels
Pages
Sound recordings
Interviews
Date:
1965
Scope and Contents:
An interview of Leon Golub conducted by Bruce Hooton in 1965 for the Archives of American Art.
Golub speaks of his education at the University of Chicago and the Art Institute of Chicago Art ; the unusual nature of the Expressionists; the influence of Classical art on his work; living in France; an interest in describing notions of humanity in his work; influences of primitive ideology on his work; the difference between public and private art; the idea of metaphysical and physical combat in his work, especially in relation to his service in the army; implications of certain paintings he had in his studio at the time of the interview. Golub also recalls Robert Indiana; Kathleen Blackshear, Robert Leventhal, Paul Wieghardt, Max Beckmann, Hugo Weber, Bill Payton, Alton Pickens, Oskar Kokoschka, Jean Dubuffet, Pablo Picasso, José Clemente Orozco, Jackson Pollock, and others.
Biographical / Historical:
Painter; New York, N.Y.; b. 1922, in Chicago, Ill.; d. Aug. 8, 2004, in Manhattan, N.Y.
General:
An unrelated interview of Stuart Klonis conducted by B. Hooton is also on this tape.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Topic:
Art, American -- 20th century  Search this
Painters -- New York (State) -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.golub65
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-golub65

Oral history interview with Gerald Nordland

Interviewee:
Nordland, Gerald  Search this
Interviewer:
Larsen, Susan C.  Search this
Names:
University of Southern California. -- Students  Search this
Diebenkorn, Richard, 1922-1993  Search this
Gorky, Arshile, 1904-1948  Search this
Johnston, Ynez, 1920-  Search this
Lachaise, Gaston, 1882-1935  Search this
Extent:
117 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2004 May 25-26
Scope and Contents:
An interview of Gerald Nordland conducted 2004 May 25-26, by Susan C. Larsen, for the Archives of American Art, in Chicago, Ill.
Nordland speaks about his birthplace and childhood home; parent's occupations; interests as a child; beginning interest in art history; first visits to the Los Angeles County Museum; relationship with Lincoln Kirstein; move to Yale; his book on Gaston Lachaise; attending the University of Southern California; meeting Man Ray; German sculpture; being drafted; first meeting with Richard Diebenkorn and working with Diebenkorn on a book; getting out of the Army; first paintings purchased; writing for "Frontier" magazine; the invitation to work at the Chouinard Art Institute; Institute teachers such as Richard Ruben, Robert Irwin, Don Graham; the founding of the California Institute of Arts (CalArts); classes and professors at CalArts; move to San Francisco in 1966; shows curated by Nordland on Gaston Lachaise, Fred Sommer, Peter Voulkos, Richard Diebenkorn, Burri, Caro, "African Art in Motion," Fritz Gardner, Jack Jefferson, Ed Moses, Controversial Public Art; meeting and marrying Paula Prokopoff; and other job offerings from Florida, Georgia, and California. Nordland also recalls Gifford Phillips, Mitchell Wilder, Josef Albers, Grace Moreley, Emerson Woelffer, Robert Motherwell, Arshile Gorky, Peter Voulkos, E. E. Cummings, Paul and Josephine Kantor, Adolph Gottlieb, Ynez Johnston, Richard Nickel, Clifford Still, A. E. Gallatin, Richard Diebenkorn and others. Nordland also comments on galleries including the Royer Gallery, Paul Kantor Gallery, Ferus Gallery, Landau Gallery, and others.
Biographical / Historical:
Gerald Nordland (1927- 2019) was an art historian, critic, educator, curator, and author who resided in Chicago, Ill. at the time of the interview.
General:
Originally recorded on 4 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 4 hrs., 56 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Curators -- Interviews  Search this
Art historians -- Interviews  Search this
Art, American -- California -- San Francisco  Search this
Art, American -- New York (State) -- New York  Search this
Art, American -- 20th century  Search this
Art, American -- California -- Los Angeles  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.nordla04
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-nordla04

Paul Sample papers

Creator:
Sample, Paul, 1896-1974  Search this
Extent:
2.8 Linear feet ((partially filmed on 4 reels))
Type:
Collection descriptions
Archival materials
Sketchbooks
Date:
1890-1974
Scope and Contents:
Correspondence biographical materials, photographs, sketchbooks, printed materials, exhibition materials, watercolors, price lists, inventories, and writings.
UNMICROFILMED: Correspondence with galleries, other artists, and friends; writings, including speeches and short stories; price lists; inventories of Sample's works; exhibition files containing catalogs, announcements, press releases, and clippings; certificates of award; sketchbooks, sketches, and watercolors; personal photographs; and photographs of works of art.
REEL 1197: Two sketchbooks containing watercolor and pencil sketches of Iceland, undated.
REEL 333-335: Correspondence; exhibition catalogs; writings; biographical data; clippings; and photographs.
Biographical / Historical:
Illustrator; Norwich, Vermont. Full name is Paul Starrett Sample. Born Louisville, Ky.
Provenance:
Material on reels 1197 and portions of 333-335 lent for microfilming and donated 1971-1977 by Paul Sample. Remainder donated in 1974 by his widow, Sylvia Sample.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Illustrators -- Vermont -- Norwich  Search this
Topic:
Drawing -- Vermont -- Norwich  Search this
Art, American -- 20th century  Search this
Genre/Form:
Sketchbooks
Identifier:
AAA.samppaul
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-samppaul

Owen Gallery records

Creator:
Owen Gallery  Search this
Names:
Benton, Thomas Hart, 1889-1975  Search this
Davies, Arthur B. (Arthur Bowen), 1862-1928  Search this
Glackens, William J., 1870-1938  Search this
Henri, Robert, 1865-1929  Search this
Kuniyoshi, Yasuo, 1889-1953  Search this
Lawson, Ernest, 1873-1939  Search this
Luks, George Benjamin, 1867-1933  Search this
Owen, Michael  Search this
Prendergast, Maurice Brazil, 1858-1924  Search this
Shinn, Everett, 1876-1953  Search this
Sloan, John, 1871-1951  Search this
Yost, James  Search this
Extent:
9.4 Linear feet
0.093 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Date:
1929-2010
bulk 1980-2010
Summary:
The records of Owen Gallery measure 9.4 linear feet and 0.093 GB and date from 1929-2010, bulk 1980-2010. The gallery, which operated from 1986 to 2009 in New York, specialized in late nineteenth and early twentieth century American art with an emphasis on The Eight, Ashcan, and early American modernism. Michael Owen and James Yost owned and directed the gallery. Found within the records are exhibition files; inventory and sales records; printed and digital material; and records regarding painter Yasuo Kuniyoshi. Material dating from before 1986 when the gallery was established is research related to an artwork's provenance.
Scope and Contents:
The records of Owen Gallery measure 9.4 linear feet and 0.093 GB and date from 1929-2010, bulk 1980-2010. The gallery, which operated from 1986 to 2009 in New York, specialized in late nineteenth and early twentieth century American art with an emphasis on The Eight, Ashcan, and early American modernism. Artists represented include Thomas Hart Benton, Arthur B. Davies, William Glackens, Robert Henri, Ernest Lawson, George Luks, Maurice Prendergast, Everett Shinn, John Sloan, and others. Michael Owen and James Yost owned and directed the gallery. Found within the records are exhibitions files; inventory and sales records; printed and digital material; and records regarding painter Yasuo Kuniyoshi. Material dating from before 1986 when the gallery was established is research related to an artwork's provenance.
Arrangement:
The collection is arranged as four series

Series 1: Exhibition Files, 1989-2010 (2.1 linear feet; Box 1-3, 0.001 GB; ER01)

Series 2: Inventory and Sales Records, 1929-2010, bulk 1980-2010 (5.7 linear feet; Box 3-8, 0.092 GB; ER02-ER04)

Series 3: Printed Material, 1994-2008 (0.4 linear feet; Box 8-9)

Series 4: Records Regarding Yasuo Kuniyoshi, circa 1955-2000 (1.2 linear feet; Box 9-10)
Biographical / Historical:
Owen Gallery, a New York gallery specializing in late nineteenth and early twentieth century American art, operated from 1986 to 2009 and was owned and directed by Michael Owen and James Yost. The gallery represented many artists associated with The Eight, Ashcan, and American modernism. Although exhibitions and the retail gallery have closed, the business remains in operation.
Provenance:
The Owen Gallery records were donated to the Archives of American Art in 2015 and 2016 by Michael Owen and James Yost.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center. Contact Reference Services for more information.
Rights:
The Owen Gallery records are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, American -- 19th century  Search this
Art, American -- 20th century  Search this
Art, Modern -- United States  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Ashcan school of art  Search this
Eight (Group of American artists)  Search this
Citation:
Owen Gallery records, 1929-2010, bulk 1980-2010. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.owengall
See more items in:
Owen Gallery records
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-owengall
Online Media:

Martin Diamond papers

Creator:
Diamond, Martin  Search this
Names:
Martin Diamond Fine Arts (Gallery)  Search this
Diamond, Harriette  Search this
Extent:
3.2 Linear feet
Type:
Collection descriptions
Archival materials
Photographs
Date:
1928-2013
Summary:
The papers of New York art dealer, writer and teacher Martin Diamond measure 3.2 linear feet and date from 1928 to 2013. The materials involve to a limited degree Diamond's wife, Harriette Diamond, co-owner and co-operator of Martin Diamond Fine Arts, Inc. Their gallery work and relationships with artists they represented are documented by writings, subject and artist files, and photographic materials. Subject files concern American abstract art, particularly the 20th century Transcendental abstract painters, and include printed materials, correspondence and photographic materials. Artists' files include similar materials and some writings by artists. Photographic materials are of artworks and exhibition installations.
Scope and Contents:
The papers of New York art dealer, writer and teacher, Martin Diamond measure 3.2 linear feet and date from 1928 to 2013. The materials involve to a limited degree Diamond's wife, Harriette Diamond, co-owner and co-operator of Martin Diamond Fine Arts, Inc. Their gallery work and relationships with artists they represented are documented by writings, subject and artist files, and photographic materials. Subject files concern American abstract art, particularly the 20th century Transcendental abstract painters, and include printed materials, correspondence and photographic materials. Artists' files include similar materials and some writings by artists. Photographic materials are of artworks and exhibition installations.
Arrangement:
The collection is arranged in 4 series. Materials are generally arranged by record type and chronologically thereafter.

Series 1: Writings, 1995 (Box 1; 1 folder)

Series 2: Subject Files, 1940-2008 (Box 1; 0.3 linear feet)

Series 3: Artists' Files, 1928-2013 (Boxes 1-3; 2.5 linear feet)

Series 4: Photographic Materials, 1988 (Boxes 3-4; 0.4 linear feet)
Biographical / Historical:
Art dealer and writer, Martin Diamond (b. 1924) owned Martin Diamond Fine Arts, Inc. with his wife, Harriette. The gallery was established in January 1976 and operated until 1986, specializing in pre-world War II American modern and Abstract Art. It then became a private gallery operating until 1996, when the couple retired. Martin Diamond was particularly interested in Transcendental Art, an area of Abstract Art focused on the artwork's spiritual qualities. His writings include Who Were They? My Personal Contact with 35 American Modernists Your Art Hisory Course Never Mentioned (1995) and his memoirs of his years as a New York City art dealer (1975-1985). Martin and Harriette Diamond presently reside in New Rochelle, New York. Artists represented by the gallery included Vaclav Vytlacil, Blanche Lazzell, and Marguerite and William Zorach.
Related Materials:
The Rutgers University Art Library in New Brunswick, New Jersey holds the "Martin and Harriet Diamond Vertical Files of American Art," which consists of 300 cubic feet of art exhibition catalogs dating from the late nineteenth century through the first half of the twentieth century.
Provenance:
The papers were donated to the Archives of American Art in 1993 and 2014 by Martin Diamond.
Restrictions:
Use of original materials requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Martin Diamond papers are owned by the Archives of American Art, Smithsonian Institution. Literary rights as possessed by the donor have been dedicated to public use for research, study, and scholarship. The collection is subject to all copyright laws.
Topic:
Art, Abstract  Search this
Art, Modern -- 20th century  Search this
Art galleries, Commercial -- New York (State) -- New York  Search this
Authors -- New York (State) -- New York  Search this
Educators -- New York (State) -- New York  Search this
Art dealers -- New York (State) -- New York  Search this
Art, American -- 20th century  Search this
Painters -- New York (State) -- New York  Search this
Transcendentalism in art  Search this
Genre/Form:
Photographs
Citation:
Martin Diamond papers, 1928-2013. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.diammart2
See more items in:
Martin Diamond papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-diammart2
Online Media:

Ruth Bowman papers

Creator:
Bowman, Ruth, 1923-  Search this
Names:
American Association of Museums  Search this
American Federation of Arts  Search this
Brooklyn Museum  Search this
Canadian Museums Association  Search this
Craft and Folk Art Museum  Search this
KUSC (Radio station : Los Angeles, Calif.)  Search this
Long Beach Museum of Art  Search this
Los Angeles County Museum of Art  Search this
Massachusetts Institute of Technology  Search this
Metropolitan Museum of Art (New York, N.Y.)  Search this
Museum of Modern Art (New York, N.Y.)  Search this
New York University  Search this
Newark Museum  Search this
WNYC (Radio station : New York, N.Y.)  Search this
Albers, Josef  Search this
Anshutz, Thomas Pollock, 1851-1912  Search this
Bengelsdorf, Rosalind, 1916-1979  Search this
Bolotowsky, Ilya, 1907-1981  Search this
Burkhardt, Hans Gustav, 1904-1994  Search this
Cézanne, Paul, 1839-1906  Search this
Diller, Burgoyne, 1906-1965  Search this
Eakins, Thomas, 1844-1916  Search this
Ferren, John, 1905-1970  Search this
Holty, Carl, 1900-1973  Search this
Holtzman, Harry  Search this
Lassaw, Ibram, 1913-2003  Search this
Levine, Les, 1935-  Search this
Lipchitz, Jacques, 1891-1973  Search this
MacDonald, Duncan (Broadcaster)  Search this
Mason, Alice Trumbull, 1904-1971  Search this
McNeil, George, 1908-1995  Search this
Morris, George L. K., 1905-1975  Search this
Noguchi, Isamu, 1904-1988  Search this
Picasso, Pablo, 1881-1973  Search this
Reinhardt, Ad, 1913-1967  Search this
Sloan, Helen Farr, 1911-2005  Search this
Wilfred, Thomas, 1889-1968  Search this
Extent:
26.7 Linear feet
21.99 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Photographs
Interviews
Sound recordings
Scripts (documents)
Date:
1936-2006
bulk 1963-1999
Summary:
The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writings and related research materials include her thesis,"Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.
Scope and Contents:
The papers of art historian and museum educator Ruth Bowman are dated 1936-2006, bulk 1963-1999, and measure 26.7 linear feet and 21.99 GB. Professional correspondence and subject files document Bowman's relationships with colleagues and reflect her interests, activities including curatorial work, and accomplishments as a museum educator. Writing and related research materials include her thesis, "Thomas Pollock Anshutz, 1851-1912" (M.A., Institute of Fine Arts, New York University, 1971), and unfinished projects. Also found are interviews conducted by Bowman with a wide range of individuals for a variety of purposes.

Biographical materials consist of certificates, resumes, and a few photographs of Ruth Bowman. Correspondence concerns Bowman's professional activities and interests. Among the most frequent correspondents are: American Association of Museums, Craft and Folk Art Museum (Los Angeles), Massachusetts Institute of Technology, The Metropolitan Museum of Art, and The Museum of Modern Art.

Writings by Ruth Bowman, published and unpublished, include a thesis and articles about Thomas Pollock Anshutz, catalogs for American Federation of Arts and The Newark Museum exhibitions, lectures, as well as articles about museum education and visual arts programs. Research relates to her writings about Anshutz, and to unrealized projects concerning Anshutz, Cézanne, Eakins, Picasso, and other subjects. Also found are two brief writings about Bowman.

Subject files--general subjects, artists' files, Ruth Bowman activities, and "Sunrise Semester"--contain the majority of Bowman's professional correspondence along with printed material, writings, photographs, and sound recordings. Among the most thoroughly documented general subjects are: The Brooklyn Museum's Trustees Retreat, Canadian Museums Association, a 1981 Craft Symposium, International Network for the Arts, Long Beach Museum of Art, Los Angeles County Museum of Art, "Museum Directors' Forum", New York University Art Collection, and Massachusetts Institute of Technology Council for the Arts. Artists' files are comprised mainly of printed material with a small amount of correspondence and some photographs. The Les Levine file consists of the first issue of Art-Rite featuring a brief article about Levine on its cover; Thomas Wilfred's file includes information about Lumia. Ruth Bowman activities include lectures, radio and television appearances, and participation in professional events. "Sunrise Semester," a collaboration between CBS television and New York University, offered early morning courses for college credit. Ruth Bowman was the instructor for "20th Century American Art," which is documented by general information, scripts, and sound recordings of all 46 classes.

Interviews conducted by Bowman are with English museum administrators and educators; people knowledgeable about a controversial proposal for an Annenberg Fine Arts Center at The Metropolitan Museum of Art; guests on KUSC radio shows "Sounds of Seeing" and "Live from Trump's"; and guests on the WNYC radio program "Views on Art." Interviews with miscellaneous individuals include Josef Albers, Hans Burkhardt, Carl Holty, Isamu Noguchi, and Helen Farr Sloan. Bowman interviewed a dozen American abstract artists, including Ilya Bolotowsky, Rosalind Bengelsdorf Browne, Burgoyne Diller, John Ferren, Carl Holty, Harry Holtzman, Ibram Lassaw, Jacques Lipchitz, Alice Mason, George McNeil, George L. K. Morris, and Ad Reinhardt for a thesis on the subject, but eventually wrote on a different topic. Two interviews with Bowman were conducted by Duncan MacDonald and an unidentified interviewer.
Arrangement:
This collection is arranged as 5 series:

Series 1: Biographical Materials, 1964-1984 (Box 1; 0.1 linear feet)

Series 2: Correspondence, 1963-1996 (Box 1; 0.7 linear feet)

Series 3: Writings and Related Research, 1942-1999 (Boxes 1-3; 1.5 linear feet)

Series 4: Subject Files, 1936-2006 (Boxes 3-12, 26; 9.6 linear feet)

Series 5: Interviews, 1963-1989 (Boxes 12-25; 9.2 linear feet, ER01-ER70; 21.99 GB)
Biographical / Historical:
Ruth Bowman (b. 1923) is an art historian and museum educator who worked in New York City and Los Angeles. She is known for her interest in using new communications technology for museum education, discovering Arshile Gorky's long forgotten murals at Newark Airport, and expertise in the work of Thomas Anshutz.

A graduate of Bryn Mawr College (B.A. 1944), where she had studied art history and classical archaeology, Ruth Bowman began a museum career in New York as an assistant curator at the Jewish Museum in the early 1960s. From 1963-1974 Ruth Bowman served as curator of the York University Art Collection and was involved in its transition to the Grey Art Gallery and Study Center. Bowman wrote her master's thesis on Philadelphia artist Thomas Pollock Anshutz and received a degree from the Institute of Fine Arts, New York University in 1971. During this same period, she was a staff lecturer at The Museum of Modern Art and taught art history in divisions of New York University. She was the instructor for a "Sunrise Semester" 20th century American art course broadcast nationally on CBS.

In 1974 Bowman and her family moved to California and she began an association with the Los Angeles County Museum of Art as Director of Education. She attended summer courses in arts administration at Harvard University (1975) and similar training provided by the British Arts Council (1976). She taught at University of California Santa Barbara, as well as at California State University at Fullerton and Long Beach. Bowman was active in the Council of the American Association of Museums (vice president), the Craft and Folk Art Museum in Los Angeles (vice president), and has served as a consultant to several museums and a corporate collection.

Ruth Bowman with her friend Harry Kahn (1916-1999) developed a collection of self-portraits by 20th century American artists, which she donated to the National Portrait Gallery in 2002. Mrs. Bowman is the widow of R. Wallace Bowman and currently resides in New York City.
Provenance:
Donated by Ruth Bowman in 2004.
Restrictions:
Use of original papers requires an appointment. Use of archival audiovisual recordings with no duplicate access copy requires advance notice.
Rights:
The Ruth Bowman papers are owned by the Archives of American Art, Smithsonian Institution. They may be used for research, study, and scholarship. Authorization to quote, publish or reproduce her unpublished writings and related research materials requires written permission from Ruth Bowman, 200 East 66th Street, Apt. B-2101, New York, New York 10021.
Topic:
Art -- Study and teaching  Search this
Art historians -- California -- Los Angeles  Search this
Art, American -- 20th century  Search this
Art historians -- New York (State) -- New York  Search this
Genre/Form:
Photographs
Interviews
Sound recordings
Scripts (documents)
Citation:
Ruth Bowman papers, 1936-2006, bulk 1963-1999. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.bowmruth2
See more items in:
Ruth Bowman papers
Archival Repository:
Archives of American Art
EDAN-URL:
ead_collection:sova-aaa-bowmruth2
Online Media:

Malcolm X: Man, Ideal, Icon Exhibition Records

Creator:
Smithsonian Institution. Anacostia Community Museum  Search this
Walker Art Center  Search this
Names:
Walker Art Center  Search this
Jones, Kellie  Search this
X, Malcolm, 1925-1965  Search this
Extent:
1 Linear foot (1 box)
Type:
Archival materials
Collection descriptions
Memorandums
Photographic prints
Articles
Correspondence
Exhibition records
Contact sheets
Exhibit scripts
Brochures
Date:
1994-04-01 - 1994-06-01
Summary:
An exhibition exploring the representation of Malcolm X in American visual culture. The show was organized by the Walker Art Center and exhibited at the Anacostia Museum from April 1 --June 1, 1994. Kellie Jones served as the curator. These records document the planning, organizing, execution, and promotion of the exhibition. Materials include correspondence, research files, exhibit scripts, administrative records, brochures, press coverage, education packets, loan agreements, floor plans, and catalogues.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist to make an appointment: ACMarchives@si.edu.
Topic:
African Americans in art  Search this
Museum exhibits  Search this
Art, American -- 20th century  Search this
Genre/Form:
Memorandums
Photographic prints
Articles
Correspondence
Exhibition records -- 1990-2004
Contact sheets
Exhibit scripts
Brochures
Citation:
Malcolm X: man, ideal, icon exhibition records, Anacostia Community Museum Archives, Smithsonian Institution
Identifier:
ACMA.03-035
See more items in:
Malcolm X: Man, Ideal, Icon Exhibition Records
Archival Repository:
Anacostia Community Museum Archives
EDAN-URL:
ead_collection:sova-acma-03-035

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