Skip to main content Smithsonian Institution

Search Results

Collections Search Center
2,247,685 documents - page 1 of 500Result pages are truncated to 500.

Smithsonian Folklife Festival records: 1988 Festival of American Folklife

Creator:
Smithsonian Institution. Center for Folklife and Cultural Heritage  Search this
Names:
Smithsonian Folklife Festival  Search this
Extent:
1 Cubic foot (approximate)
Type:
Collection descriptions
Archival materials
Business records
Correspondence
Memorandums
Sound recordings
Audiocassettes
Contracts
Negatives
Video recordings
Slides (photographs)
Plans (drawings)
Videotapes
Audiotapes
Digital images
Notes
Photographic prints
Place:
Caribbean Area
Trinidad and Tobago
Puerto Rico
Date:
June 23-July 4, 1988
Summary:
The Smithsonian Institution Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998. The materials collected here document the planning, production, and execution of the annual Festival, produced by the Smithsonian Center for Folklife and Cultural Heritage (1999-present) and its predecessor offices (1967-1999). An overview of the entire Festival records group is available here: Smithsonian Folklife Festival records.
Scope and Contents note:
This collection documents the planning, production, and execution of the 1988 Festival of American Folklife. Materials may include photographs, audio recordings, motion picture film and video recordings, notes, production drawings, contracts, memoranda, correspondence, informational materials, publications, and ephemera. Such materials were created during the Festival on the National Mall in Washington, D.C., as well as in the featured communities, before or after the Festival itself.
Arrangement note:
Arranged in 6 series.

Missing Title

Series 1: Program Books, Festival Publications, and Ephemera

Series 2: American Folklore Society Centennial

Series 3: Festival Music Stage

Series 4: Ingenuity and Tradition: The Common Wealth of Massachusetts

Series 5: Migration to Metropolitan Washington: Making a New Place Home

Series 6: Music from the Peoples of the Soviet Union
Historical note:
The Festival of American Folklife, held annually since 1967 on the National Mall in Washington, D.C., was renamed the Smithsonian Folklife Festival in 1998.

The 1988 Festival of American Folklife was produced by the Smithsonian Office of Folklife Programs and cosponsored by the National Park Service.

For more information, see Smithsonian Folklife Festival records.
Introduction:
The 1988 Festival celebrated the centennial of the American Folklore Society, founded one hundred years earlier because of the need to document and study cultures that were seen as disappearing. Much of the Society's attention today, however, is engaged in the documentation and interpretation of emerging traditions and cultural expressions. Folklorists work in inner cities, conduct research on occupational groups, analyze processes of traditionalization and cooperate with other professionals in devising natural conservation and historical preservation strategies, which also promote cultural continuity, equity and integrity. Visitors to the 1988 Festival could learn about what it is that folklorists do and what impacts they have on the communities with which they work.

The other living exhibitions that made up this year's Festival also provided ample illustrations of this same view of the traditional. The Massachusetts program told a paradigmatic American story. Gay Head Wampanoag, Yankee settlers, Afro American migrants, and immigrants from Italy, Greece, Poland, the Cape Verde Islands, Puerto Rico, and Southeast Asia have not only preserved their traditions; through ingenious acts of individual and community creativity they have adapted them and endowed them with new meanings, as circumstances have changed. The Metropolitan Washington program pointed to the heightened consciousness of cultural issues associated with the migration experience. The program asked how immigrants from El Salvador, Ethiopia, China, Trinidad and Tobago, as well as domestic Anglo and Afro American groups historically migrating from nearby states, discard, reinvent, and reconstitute their traditions as they actively make a new place home. A varied contingent of musicians and performers from several republics of the Soviet Union demonstrated how truly ancient traditions nurtured in various pastoral, tribal, and religious environments have not merely survived but actually flourished in contemporary Soviet life. Also at the Festival were American musicians who, as part of a groundbreaking cultural exchange with the Soviet Union, would later travel to Moscow to participate in the International Folklore Festival in August 1988 and be reunited with the Soviet musicians participating in the Smithsonian's Festival.

The 1988 Festival took place for two five-day weeks (June 23-27 and June 30-July 4) between Madison Drive and Jefferson Drive and between 10th Street and 14th Street, south of the National Museum of American History and the National Museum of Natural History (see site plan).

The 1988 Program Book included schedules and participant lists for each program; the Program Book essays provided a larger context for the Festival presentations, extending beyond the traditions actually presented at the 1988 Festival.

The Festival was co-presented by the Smithsonian Institution and National Park Service and organized by the Office of Folklife Programs.

Office of Folklife Programs

Richard Kurin, Acting Director; Diana Parker, Festival Director; Anthony Seeger, Curator, Folkways Records; Thomas Vennum, Jr., Senior Ethnomusicologist; Peter Seitel, Senior Folklorist; Marjorie Hunt, Phyllis M. May-Machunda, Heliana Portes de Roux, Frank Proschan, Nicholas R. Spitzer, Folklorists; Jeffrey Place, Assistant Archivist

National Park Service

William Penn Mott, Jr., Director; Manus J. Fish, Jr., Regional Director, National Capital Region
Shared Stewardship of Collections:
The Center for Folklife and Cultural Heritage acknowledges and respects the right of artists, performers, Folklife Festival participants, community-based scholars, and knowledge-keepers to collaboratively steward representations of themselves and their intangible cultural heritage in media produced, curated, and distributed by the Center. Making this collection accessible to the public is an ongoing process grounded in the Center's commitment to connecting living people and cultures to the materials this collection represents. To view the Center's full shared stewardship policy, which defines our protocols for addressing collections-related inquiries and concerns, please visit https://folklife.si.edu/archives#shared-stewardship.
Forms Part Of:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife forms part of the Smithsonian Folklife Festival records .

Smithsonian Folklife Festival records

Smithsonian Folklife Festival records: Papers

1967 Festival of American Folklife records - [Ongoing]
Related Archival Materials note:
Within the Rinzler Archives, related materials may be found in various collections such as the Ralph Rinzler papers and recordings, the Lily Spandorf drawings, the Diana Davies photographs, the Robert Yellin photographs, and the Curatorial Research, Programs, and Projects collection. Additional relevant materials may also be found in the Smithsonian Institution Archives concerning the Division of Performing Arts (1966-1983), Folklife Program (1977-1980), Office of Folklife Programs (1980-1991), Center for Folklife Programs and Cultural Studies (1991-1999), Center for Folklife and Cultural Heritage (1999-present), and collaborating Smithsonian units, as well as in the administrative papers of key figures such as the Secretary and respective deputies. Users are encouraged to consult relevant finding aids and to contact Archives staff for further information.
Restrictions:
Access to the Ralph Rinzler Folklife Archives and Collections is by appointment only. Visit our website for more information on scheduling a visit or making a digitization request. Researchers interested in accessing born-digital records or audiovisual recordings in this collection must use access copies.
Rights:
Permission to publish materials from the collection must be requested from the Ralph Rinzler Folklife Archives and Collections. Please visit our website to learn more about submitting a request. The Ralph Rinzler Folklife Archives and Collections make no guarantees concerning copyright or other intellectual property restrictions. Other usage conditions may apply; please see the Smithsonian's Terms of Use for more information.
Topic:
World music  Search this
Food habits  Search this
Folk art  Search this
arts and crafts  Search this
Folk festivals  Search this
Folk music  Search this
Folklore  Search this
Genre/Form:
Business records
Correspondence
Memorandums
Sound recordings
Audiocassettes
Contracts
Negatives
Video recordings
Slides (photographs)
Plans (drawings)
Videotapes
Audiotapes
Digital images
Notes
Photographic prints
Citation:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife, Ralph Rinzler Folklife Archives and Collections, Smithsonian Institution.
Identifier:
CFCH.SFF.1988
See more items in:
Smithsonian Folklife Festival records: 1988 Festival of American Folklife
Archival Repository:
Ralph Rinzler Folklife Archives and Collections
GUID:
https://n2t.net/ark:/65665/bk59e9f3773-cd55-493f-94e0-c53650d914c4
EDAN-URL:
ead_collection:sova-cfch-sff-1988
Online Media:

Joe Segura papers and Segura Publishing Company records

Creator:
Segura, Joe (Joseph M)  Search this
Segura Publishing Company  Search this
Extent:
15 Linear feet
Type:
Collection descriptions
Archival materials
Date:
1977-2017
Scope and Contents:
The papers of Joe Segura and the Segura Publishing Company records measure 15.0 linear feet and date from 1977-2017. Material documents Segura's career as a printmaker to the founding and operation of his own printmaking company. Included are biographical information, administrative files, correspondence, project files regarding collaborations with artists, photographs of projects and people who work with Segura. Aportion of the collection is born digital.
Biographical / Historical:
Joe Segura (1946- ) is a printmaker in South Bend, Indiana. Segura founded the Segura Publishing Company, Tempe, Arizona, in 1981.
Provenance:
Donated in 2018 and 2022 by Joe Segura.
Restrictions:
This collection is temporarily closed for processing. Contact Reference Services for more information.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Occupation:
Printmakers -- Indiana  Search this
Topic:
Hispanic American artists  Search this
Identifier:
AAA.segurjoe
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9cd20e2b6-5fe9-438e-b17a-8882b9a78ff0
EDAN-URL:
ead_collection:sova-aaa-segurjoe

Duncan P. Schiedt Photograph Collection

Photographer:
Schiedt, Duncan P., 1921-2014  Search this
Extent:
65 Cubic feet (124 boxes)
Type:
Collection descriptions
Archival materials
Date:
1900-2012, undated
Summary:
Duncan Schiedt (1921-2014) was a jazz scholar, writer, photographer, film maker, researcher and pianist. He authored four books relating to jazz history. Many of his photographs and articles were featured in magazines, periodicals and documentaries. Schiedt also collected the work of other photographers on the subject of jazz. The collection primarily consists of photographs created by or collected by Mr. Schiedt.
Scope and Contents:
The collection consists of Schiedt's own photographs of jazz performers, photographs of jazz performers taken by other photographers, research notes, films, and recordings of jazz.
Arrangement:
Collection is arranged into five series.

Series 1: Background Information and Research Materials, 1915-2012, undated

Series 2: Photographic Materials, 1900-2012, undated

Subseries 2.1: Historical Photographs and Negatives, 1915-2012

Subseries 2.2: Artist Files Photographs, 1900-2000, undated

Subseries 2.3: Subject Files Photographs, 1916-2002, undated

Subseries 2.4: Roscoe Allen Photographic Prints, undated

Subseries 2.5: Individual Instrumentalists Photographic Prints and Negatives, 1938-1990, undated

Subseries 2.6: John Minor Negatives, undated

Subseries 2.7: Indianapolis Theater Photographic Prints and Negatives, 1935-1956, undated

Subseries 2.8: Theater and Vaudeville Negatives, 1910-1948, undated

Subseries 2.9: Glass Plate Negatives and Copy Prints, undated

Subseries 2.10: Publicity and Festival Negatives, 1930-1962, undated

Series 3: Charles T (Ted) Grubb Papers, 1919-1999, undated

Series 4: Scrapbooks, 1901-1950, undated

Series 5: Audiovisual Materials, undated
Biographical / Historical:
For over sixty-five years, professional photographer Duncan Preston Schiedt combined his love of jazz with his love of photography. Born in 1921 in Atlantic City, New Jersey to Jacob and Kitty Schiedt, he later moved with his family to New York City. In the mid-1930s, he discovered the two loves of his life. Ironically, he first heard jazz or "swing music" as it was then known in a radio broadcast while attending a boys' school in England in 1936. Back in the States by 1938, he was enthralled when a friend showed him his basement darkroom and taught him how to develop film. He soon bought his own camera and began taking pictures in the Times Square movie palaces, nightclubs, and big band shows of New York. In World War II, he served as a cameraman in the Army Air Force, where he recorded atomic bomb tests in the western Pacific area, including Bikini Atoll.

In 1950, Schiedt married Betty Benjamin and moved to Hollywood where he worked at the Atomic Energy Commission's film laboratory for eight months. After returning to civilian life, he worked as a photographer in advertising in New York before moving in 1951 to Pittsboro, Indiana, where his parents had relocated. He had two children, Cameron and Leslie.

Thereafter, his interests in jazz and photography merged and became more than a hobby, as he transformed himself into one of the country's leading jazz historians and photographers. He traveled the country to photograph performers in movie houses, night clubs, big-band shows, jazz festivals, and other venues. Schiedt always shot in black and white, since to him that was the essence of jazz. As he wrote in the introduction to his book, Jazz in Black and White: The Photographs of Duncan Schiedt, "Jazz is a black and white music. Its range, from blinding brilliance to deepest shadings, seems to demand the drama that black and white can so easily provide. Consequently, when I take a photograph of a jazz subject, I see it in those terms."

He processed all his own film in his own darkroom so that any picture bearing his name was totally his own work. His photographs have been exhibited in numerous galleries, including the Birmingham Civil Rights Museum, the Chicago Public Library, the Indianapolis Museum of Art, and the Pensacola Art Museum. While shooting, Schiedt also interviewed his subjects, and those interviews added to his ever-growing scholarship in the field. He was the author of three books, The Jazz State of Indiana, Twelve Lives in Jazz,and Jazz in Black and White: The Photographs of Duncan Schiedt, and co-author of Ain't Misbehavin': The Story of Fats Waller. His photographs and articles have been published in the leading jazz periodicals and magazines. Over the years, he also amassed a first-rate collection of historical photographs of jazz musicians. Both his historical photographs and his original work were featured extensively in Ken Burns' Public Broadcasting Station series "Jazz." Duncan Schiedt died on March 12, 2014.
Related Materials:
Materials in the Archives Center

Leonard Gaskin Papers, NMAH.AC.0900
Provenance:
Donated to the Archives Center in 2014 by Duncan Schiedt's daughter and son, Leslie Michel and Cameron Schiedt.
Restrictions:
Collection is open for research.
Rights:
Reproduction restricted due to copyright or trademark. Other intellectual property rights may apply. Archives Center cost-recovery and use fees may apply when requesting reproductions.
Topic:
Jazz  Search this
Musicians  Search this
Music  Search this
Citation:
Duncan Schiedt Jazz Collection, 1900-2012, Archives Center, National Museum of American History
Identifier:
NMAH.AC.1323
See more items in:
Duncan P. Schiedt Photograph Collection
Archival Repository:
Archives Center, National Museum of American History
GUID:
https://n2t.net/ark:/65665/ep81f29a1f3-28db-4274-babb-fe5a9ee71064
EDAN-URL:
ead_collection:sova-nmah-ac-1323
Online Media:

Dale-Patterson Family collection

Creator:
Dale, Dianne  Search this
Polk, P. H., 1898-1985  Search this
Names:
Barry, Marion, 1936-2014  Search this
Dale, Almore M., 1911-1984  Search this
Dale, Dianne  Search this
Dale, John Henry, Jr., 1888-1973  Search this
Dale, Lucille Emma Patterson, 1889-1973  Search this
Dale, Marie Howard, 1914-2011  Search this
Dale, Norman Edward, 1908-1991  Search this
Garner, Araminta Dale, 1913-1987  Search this
Patterson, Frederick D. (Frederick Douglass), 1901-1988  Search this
Patterson, Wilhelmina Bessie, 1888-1962  Search this
Extent:
6 Linear feet (9 boxes)
Type:
Collection descriptions
Archival materials
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Place:
Anacostia (Washington, D.C.)
Date:
1866 - 1990.
Summary:
The Dale-Patterson family papers, which date from 1866 to 2010 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892.
Scope and Contents note:
The Dale-Patterson family papers, which date from 1866 to 1990 and measure 6 linear feet, document the personal and professional lives of the Dale-Patterson family who came to live in Hillsdale, Anacostia, area of Washington, D.C., in 1892. The collection is comprised of correspondence, photographs, clippings, and ephemera.
Arrangement note:
The collection is arranged in four series:

Series 1: Dale-Patterson Family papers Series 2: Charles Qualls papers Series 3: Community Organizations Series 4: Subject Files
Biographical/Historical note:
The Dale family came to Washington, DC in 1886 when John Henry Dale, Sr., a gifted self-taught man, obtained a position as clerk in the newly contracted Pension Bureau building at 5th and G Streets, NW. First they lived near 13th Street and Florida Avenue, NW, then moved to Howard Road in Anacostia. Dale built a house at 2619 Nichols Avenue, now Martin Luther King, Jr. Avenue, drawing the plans and supervising the construction. The Dales and only one other family lived in this solidly built house for 100 years before it was sold to a church group and demolished.
General Note:
Finding Aid Note: This finding aid is associated with a MARC collection-level record.361883
Provenance:
The Dale-Patterson Family collection was donated to the Anacostia Community Museum on April 07, 2013.
Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Topic:
African Americans  Search this
African American families  Search this
Genre/Form:
Photographs
Programs
Clippings
Correspondence
Ephemera
Postcards
Citation:
Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.
Identifier:
ACMA.06-074
See more items in:
Dale-Patterson Family collection
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7c29572e9-2bd6-4b2a-8982-b527693b7885
EDAN-URL:
ead_collection:sova-acma-06-074
9 Page(s) matching your search term, top most relevant are shown: View entire project in transcription center
  • View Dale-Patterson Family collection digital asset number 1
  • View Dale-Patterson Family collection digital asset number 2
  • View Dale-Patterson Family collection digital asset number 3
  • View Dale-Patterson Family collection digital asset number 4
  • View Dale-Patterson Family collection digital asset number 5
  • View Dale-Patterson Family collection digital asset number 6
  • View Dale-Patterson Family collection digital asset number 7
  • View Dale-Patterson Family collection digital asset number 8
  • View Dale-Patterson Family collection digital asset number 9
Online Media:

Anacostia Coordinating Committee art show at Barry Farms Recreation Center

Collection Creator:
Dale, Dianne  Search this
Polk, P. H., 1898-1985  Search this
Container:
Box 14, Folder 7
Type:
Archival materials
Photographs
Date:
1953-1955
Collection Restrictions:
Use of the materials requires an appointment. Please contact the archivist at acmarchives@si.edu.
Collection Rights:
The Dale-Patterson Family collection is the physical property of the Anacostia Community Museum. Literary and copyright belong to the author/creator or their legal heirs and assigns. Rights to work produced during the normal course of Museum business resides with the Anacostia Community Museum. For further information, and to obtain permission to publish or reproduce, contact the Museum Archives.
Collection Citation:
Dale-Patterson Family collection, Anacostia Community Museum Archives, Smithsonian Institution, gift of Dianne Dale.
See more items in:
Dale-Patterson Family collection
Dale-Patterson Family collection / Series 2: Charles Qualls Papers / 2.3: Photographs
Archival Repository:
Anacostia Community Museum Archives
GUID:
https://n2t.net/ark:/65665/qa7ebef0131-59e2-422e-93f6-27275a24cef8
EDAN-URL:
ead_component:sova-acma-06-074-ref841

Phillips, Sandra

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 65, Folder 12
Type:
Archival materials
Date:
1996-1999
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files / Authors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw97bf58bdd-75be-4f54-9f77-8da7e4dfc1cf
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1834

Rickard, Jolene

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 65, Folder 13
Type:
Archival materials
Date:
1999-2000
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files / Authors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw968ba3822-dfca-4f12-aea0-5de8c0b29150
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1835

Romo, Tere

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 65, Folder 14
Type:
Archival materials
Date:
2000
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files / Authors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e98ae728-332c-426b-94e2-f4ff41b99c6c
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1836

Salvioni, Daniela

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 65, Folder 15
Type:
Archival materials
Date:
2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files / Authors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw920f184a7-b6fe-4034-ae63-4c7e22259fb9
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1837

Stone, Sandy

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 65, Folder 16
Type:
Archival materials
Date:
1999
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files / Authors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw965194abe-5973-47a2-aa68-2b497acdf10c
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1838

Tsukiyama, Gail

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 65, Folder 17
Type:
Archival materials
Date:
1999-2000
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files / Authors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91897780b-592d-4485-81f1-6b491d96057e
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1839

Wilson, Judith

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 65, Folder 18
Type:
Archival materials
Date:
2000-2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files / Authors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e7a29459-8b79-483a-9fd1-35f203f2aaf4
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1840

Author's Log of Permissions, Releases, and Consents

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 65, Folder 19
Type:
Archival materials
Date:
1999-2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files / Authors
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw988dec393-fa77-418c-a24f-b7f70d239f64
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1841

Book Draft

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 65, Folder 20-21
Type:
Archival materials
Date:
circa 2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9dc255c6f-16cf-443e-b948-7abd8110e059
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1842

Book Draft

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 66, Folder 1
Type:
Archival materials
Date:
circa 2001
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c9bb59e9-1c95-4cbe-af50-35431ec6c462
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1843

Correspondence

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 66, Folder 2
Type:
Archival materials
Date:
1997-2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9128478e6-30fe-468f-a010-46117e169745
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1844

Exhibition DVD, Environmental DVD; Helen Mayer Harrison, Bonnie Sherk, Reiko Goto

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 66, Folder 3
Type:
Archival materials
Date:
2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e50f67a7-00e4-4313-adda-e08fa532d431
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1845

Exhibition DVD, Performance DVD; Barbara Smith, Rachel Rosenthal, Susanne Lacy, Linda Montano, Nancy Buchanan, Pamela Z, Nao Bustamante, Rhodessa Jones, Johanna Haigood, Pauline Oliveros, Barbara McCullough

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 66, Folder 4
Type:
Archival materials
Date:
2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94fc626e4-4916-462d-9994-c770113548e3
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1846

Exhibition DVD; Vibeke Sorensen, Ilene Segalove, Susan Mogul, Nina Sobell, Martha Rosler, Suzanne Lacy and Leslie Labowitz, Wendy Clarke

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 66, Folder 5
Type:
Archival materials
Date:
2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a130ac63-611f-45c0-9bca-2832269e9770
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1847

Exhibition Labels

Collection Creator:
Fuller, Diana Burgess  Search this
Container:
Box 66, Folder 6
Type:
Archival materials
Date:
2002
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Diana Fuller Papers and Gallery Records, 1958-2004. Archives of American Art, Smithsonian Institution.
See more items in:
Diana Fuller papers and gallery records
Diana Fuller papers and gallery records / Series 7: Diana Fuller Personal and Professional Papers / 7.2: Parallels and Intersections: Art/Women/California, 1950-2000, Book and Exhibition Files
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw94145cf2b-f774-426f-bc64-b741952a6134
EDAN-URL:
ead_component:sova-aaa-fulldian-ref1848

Modify Your Search







or


Narrow By