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Robert Arneson Papers

Collection Creator:
Arneson, Robert, 1930-1992  Search this
Extent:
0.2 Linear feet (Box 1)
Type:
Archival materials
Date:
circa 1963-1977
Scope and Contents:
The series documents Arneson's career through an artist statement, a bibliography of published material about Arneson, and printed material including clippings, announcements and catalogs for Arneson's exhibitions, a press release regarding an Arneson exhibition at the San Francisco Museum of Art, and a few miscellaneous items. Correspondence found here is with art collector Rene di Rosa, and with various galleries, museums, and art publications, and includes letters regarding an NEA grant.
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Arneson papers, circa 1963-1977. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.arnerobe, Series 1
See more items in:
Robert Arneson papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9557a683a-a88d-4d31-8c2b-68a6487ffea4
EDAN-URL:
ead_component:sova-aaa-arnerobe-ref4

Exhibition Catalogs

Collection Creator:
Arneson, Robert, 1930-1992  Search this
Container:
Box 1, Folder 6
Type:
Archival materials
Date:
circa 1972-1977
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Arneson papers, circa 1963-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Arneson papers
Robert Arneson papers / Series 1: Robert Arneson Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw938283d12-9fea-4107-9cdd-c12f41a48f61
EDAN-URL:
ead_component:sova-aaa-arnerobe-ref10

Loan Receipts

Collection Creator:
Arneson, Robert, 1930-1992  Search this
Container:
Box 1, Folder 7
Type:
Archival materials
Date:
1974
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Arneson papers, circa 1963-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Arneson papers
Robert Arneson papers / Series 1: Robert Arneson Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4bddf3e-233f-4c55-a026-7e3c81a30a83
EDAN-URL:
ead_component:sova-aaa-arnerobe-ref11

Miscellaneous Printed Materials

Collection Creator:
Arneson, Robert, 1930-1992  Search this
Container:
Box 1, Folder 8
Type:
Archival materials
Date:
circa 1972
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Arneson papers, circa 1963-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Arneson papers
Robert Arneson papers / Series 1: Robert Arneson Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9a455c2ac-1066-4f32-a005-8164786f4ad5
EDAN-URL:
ead_component:sova-aaa-arnerobe-ref12

Press Release

Collection Creator:
Arneson, Robert, 1930-1992  Search this
Container:
Box 1, Folder 9
Type:
Archival materials
Date:
circa 1974
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Arneson papers, circa 1963-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Arneson papers
Robert Arneson papers / Series 1: Robert Arneson Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9e301da39-102b-4355-868a-d4322f78fabb
EDAN-URL:
ead_component:sova-aaa-arnerobe-ref13

Artist Statement

Collection Creator:
Arneson, Robert, 1930-1992  Search this
Container:
Box 1, Folder 1
Type:
Archival materials
Date:
1970
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Arneson papers, circa 1963-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Arneson papers
Robert Arneson papers / Series 1: Robert Arneson Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw92fd4cf09-a8e2-40d1-a8c2-ff5ff675d46b
EDAN-URL:
ead_component:sova-aaa-arnerobe-ref5

Bibliography

Collection Creator:
Arneson, Robert, 1930-1992  Search this
Container:
Box 1, Folder 2
Type:
Archival materials
Date:
circa 1975
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Arneson papers, circa 1963-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Arneson papers
Robert Arneson papers / Series 1: Robert Arneson Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw915252c06-b07c-45a8-a259-2c0220f935d3
EDAN-URL:
ead_component:sova-aaa-arnerobe-ref6

Clippings

Collection Creator:
Arneson, Robert, 1930-1992  Search this
Container:
Box 1, Folder 3
Type:
Archival materials
Date:
circa 1963-1977
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Arneson papers, circa 1963-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Arneson papers
Robert Arneson papers / Series 1: Robert Arneson Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9295239e2-bbe2-4d42-a62d-0c3c9a8dcbfb
EDAN-URL:
ead_component:sova-aaa-arnerobe-ref7

Correspondence

Collection Creator:
Arneson, Robert, 1930-1992  Search this
Container:
Box 1, Folder 4
Type:
Archival materials
Date:
circa 1968-1977
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Arneson papers, circa 1963-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Arneson papers
Robert Arneson papers / Series 1: Robert Arneson Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw93c1a8ea2-d14e-4c1d-8af0-a957f346525d
EDAN-URL:
ead_component:sova-aaa-arnerobe-ref8

Exhibition Announcements

Collection Creator:
Arneson, Robert, 1930-1992  Search this
Container:
Box 1, Folder 5
Type:
Archival materials
Date:
1970-1976
Collection Restrictions:
This collection is open for research. Access to original papers requires an appointment and is limited to the Archives' Washington, D.C. Research Center.
Collection Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Collection Citation:
Robert Arneson papers, circa 1963-1977. Archives of American Art, Smithsonian Institution.
See more items in:
Robert Arneson papers
Robert Arneson papers / Series 1: Robert Arneson Papers
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw95cd0278e-9420-4210-b01e-f2b72789a3db
EDAN-URL:
ead_component:sova-aaa-arnerobe-ref9

Oral history interview with Beverly Mayeri

Interviewee:
Mayeri, Beverly, 1944-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Dorothy Weiss Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
San Francisco State University -- Students  Search this
Sausalito Art Center  Search this
Susan Cummins Gallery  Search this
University of California, Berkeley -- Students  Search this
Adams, George  Search this
Argüelles, Jose  Search this
Arneson, Robert, 1930-1992  Search this
Bohn, Diana  Search this
Breschi, Karen  Search this
Chen-Ting, Mimi  Search this
De Staebler, Stephen, 1933-2011  Search this
Frumkin, Allan  Search this
Goldstein, David  Search this
Gruber, Wendy  Search this
Marler, Peter  Search this
Styles, Marilyn  Search this
Turkel, Marni  Search this
Van Dyke, Gail  Search this
Extent:
46 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2007 September 15-October 3
Scope and Contents:
An interview of Beverly Mayeri conducted 2007 September 15 and October 3, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Mayeri's studio, in Sausalito, California.
An interview of Beverly Mayeri, conducted by Mija Riedel for the Archives of American Art, at the artist's studio in Mill Valley, California, on September 15, 2007 and October 3, 2007. Mayeri speaks of her childhood in New Jersey; the artistic and creative activities of her parents; her mother, who was a watercolorist; her father, who was an inventor, woodworker, and artist; enjoying setting up and conducting biology experiments in high school; working as an intern marine biologist between senior year of high school and freshman year of college; attending the University of California, Berkeley and receiving her degree in zoology; becoming interested in clay during her senior year at Berkeley; her marriage, daughter, and time spent in New York City where she was unable to focus on ceramics; participating in classes and workshops at the Sausalito Art Center upon her return to California; her early functional, production work; being inspired by Karen Breschi's work, which led to the Mother series; working from her garage; attending graduate school at San Francisco State University; reading Erich Neumann's "The Great Mother" and becoming interested in the psychological world within individuals and expressing that through art; the development of the checkerboard theme in her work; expressing a personal truth that others will recognize in themselves; the prevalence of faces, animals, patterns, and texture in her work; portraiture and anatomy; working with dark clay; exploring environmental themes; the connection between expressing both human and environmental frailty; the cyclical nature of her work in returning to previous themes; conveying stillness versus gesture; her experience with galleries, including Susan Cummins Gallery, Dorothy Weiss Gallery, and Ivory Kimpton Gallery; the freedom of working with acrylic paint as opposed to glaze; and becoming more involved in environmental activism. Mayeri also recalls Peter Marler, Marni Turkel, Diana Bohn, Marilyn Stiles, Steven De Staebler, Robert Arneson, José Argüelles, Wendy Gruber, Mimi Chen-Ting, Gail Van Dyke, Daniel Goldstein, Allan Frumkin, George Adams, and others.
Biographical / Historical:
Beverly Mayeri (1944- ) is a ceramist in Mill Valley, California. Mija Riedel (1958- ) is a curator and writer from San Francisco, California.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 8 digital wav files. Duration is 4 hrs., 34 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Ceramicists -- California  Search this
Topic:
Decorative arts  Search this
Women artists  Search this
Women ceramicists  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.mayeri07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw997377c09-3baf-4233-99db-da26ed7261ee
EDAN-URL:
ead_collection:sova-aaa-mayeri07
Online Media:

Oral history interview with Jack Earl

Interviewee:
Earl, Jack  Search this
Interviewer:
Milosch, Jane  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Bluffton College (Bluffton, Ohio) -- Students  Search this
John Michael Kohler Arts Center  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
The Ohio State University -- Students  Search this
Toledo School of Art and Design -- Faculty  Search this
Virginia Commonwealth University -- Faculty  Search this
Arneson, Robert, 1930-1992  Search this
Atherton, Carlton  Search this
Bacerra, Ralph, 1938-2008  Search this
Bogatay, Paul  Search this
Fetzer, Margaret  Search this
Friley, Gene  Search this
Keland, Karen  Search this
Kerrigan, Tom  Search this
Kottler, Howard, 1930-1989  Search this
LaDousa, Tom  Search this
Littlefield, Edgar  Search this
Lugenbuhl, Darvin  Search this
Schuman, Norm  Search this
Shaw, Richard, 1941 Sept. 12-  Search this
Smith, Paul J.  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
5 Items (Sound recording: 5 sound files (4 hr., 32 min.), digital, 2 5/8 in.)
Type:
Collection descriptions
Archival materials
Interviews
Sound recordings
Place:
Ohio -- Description and Travel
Date:
2007 June 19-20
Scope and Contents:
An interview of Jack Earl conducted 2007 June 19-20, by Jane Milosch, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at the artist's home and studio, in Lakeview, Ohio.
Earl speaks of his childhood in Uniopolis, Ohio; using his father's tools in the garage to make toys; developing a long-lasting friendship with his high school art teacher; studying art at Bluffton College and learning to make pottery; learning to read in college and getting a minor in English; getting married while in college; graduating from Bluffton College and getting a job teaching at a local high school; teaching high school art for ten years in New Breman, Ohio; attending a graduate program at Ohio State University and earning a Master's in Ceramic Art; being influenced by professor Paul Bogatay while in graduate school; working at the John Michael Kohler Arts Center over one winter break; teaching at Toledo School of Art and Design following graduation from Ohio State University; learning to make European porcelain; beginning to apply oil paint to his ceramic pieces; copying imagery from European masterpieces; feeling uninspired by Virginia culture after moving there to teach at Virginia Commonwealth University; moving back to Ohio and enjoying the proximity of his children and grandchildren there; his belief that his artwork reflects his life; the greater market for ceramic artwork now compared to when he began working; continuing ceramic tradition by incorporating humor into his work; the importance of his family and Ohio culture to his work; writing a book with Karen Keland to promote crafts, especially ceramics; being much more interested in making things than in his teaching; the versatility of clay as a material; and his work habits. Earl recalls Darvin Lugenbuhl, Paul Bogatay, Carlton Atherton, Edgar Littlefield, Gene Friley, Margaret Fetzer, Howard Kottler, Robert Arneson, Tom LaDousa, Norm Schuman, Peter Voulkos, Paul Smith, Karen Keland, Tom Kerrigan, Ralph Bacerra, Richard Shaw, and others.
Biographical / Historical:
Jack Earl (1934- ) is a ceramic artist from Lakeview, Ohio. Jane Milosch is a curator from Silver Spring, Maryland.
General:
Originally recorded on 3 sound discs. Reformatted in 2010 as 5 digital wav files. Duration is 4 hr., 32 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Topic:
Ceramicists -- Ohio -- Interviews  Search this
Decorative arts  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.earl07
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw967300ee8-3349-484b-b052-b4e8bbd89566
EDAN-URL:
ead_collection:sova-aaa-earl07
Online Media:

Fendrick Gallery records

Creator:
Fendrick Gallery  Search this
Names:
Barbara Fendrick Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Arneson, Robert, 1930-1992  Search this
Bailey, William, 1930-2020  Search this
Benes, Barton Lidic  Search this
Brush, Daniel  Search this
Castle, Wendell, 1932-2018  Search this
Cottingham, Robert, 1935-  Search this
Drake, James, 1946-  Search this
Dreyfuss, John, 1949-  Search this
Dusenbery, Walter, 1939-  Search this
Frankenthaler, Helen, 1928-2011  Search this
Gilliam, Sam, 1933-  Search this
Johns, Jasper, 1930-  Search this
KaskeyRaymond J., 1943-  Search this
Lalanne, Claude  Search this
Lalanne, François Xavier  Search this
Maria da Conceição  Search this
Paley, Albert  Search this
Raffael, Joseph, 1933-  Search this
Summer, Carol  Search this
Tenneson, Joyce, 1945-  Search this
Woodyard, William  Search this
Extent:
106.4 Linear feet
0.008 Gigabytes
Type:
Collection descriptions
Archival materials
Gigabytes
Account books
Photographs
Date:
1952-2001
Summary:
The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relations with and representation of over 300 contemporary artists and sculptors, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler , Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.
Scope and Content Note:
The records of the Fendrick Gallery measure 106.4 linear feet and 0.008 GB and span the years 1952 to 2001. The bulk of the collection is comprised of artist's files that document the gallery's relationships with and representation of over 300 contemporary artists, including Robert Arneson, William Bailey, Daniel Brush, Wendell Castle, Robert Cottingham, James Drake, John Dreyfuss, Walter Dusenbury, Roger Essley, Helen Frankenthaler, Sam Gilliam, Jasper Johns, Raymond Kaskey, Claude and Francois Lalanne, Albert Paley, Joseph Raffael, Carol Summer, and numerous other artists. Also found are subject, exhibition, commission, administrative, and financial files, as well as files documenting the gallery's relationship with other museums and galleries.

Series 1, Artist's Files, measures almost 42 linear feet and dates from 1962-2001. Found here are files documenting the gallery's relationship with over 300 contemporary artists. Files typically contain correspondence, sales receipts, printed materials, exhibition catalogs and announcements, commission information, photographs, slides, and other materials.

Series 2, Albert Paley, 1970-2001, and undated, provides detailed documentation (14.5 linear feet) of the Fendrick gallery's representation of prominent American metal sculptor Albert Paley. The gallery represented Paley from the early 1980s through the early 1990s and devoted a great deal of its resources promoting Paley's work through exhibitions and commissioned sales. Correspondence between the Fendrick Galleries and Paley Studios is found in this series, along with publicity materials, commission proposals and sketches, exhibition materials, and audio-visual and photographic documentation of Paley's work. Researchers should also consult Series 3 for additional documentation of Paley's commissioned projects.

Series 3, Commissioned Works and Projects, 1972-2000, and undated, documents the variety of commissions and special projects the gallery arranged and managed on behalf of its represented artists. Because privately commissioned work and government-sponsored public art projects represented a significant source of revenue for the Fendrick galleries, the gallery devoted a substantial amount of time and resources towards securing these projects. These files contain applications, proposals, sketches, correspondence, photographs and other material arranged by name of project.

Series 4, Exhibition Files, 1961, 1970-1996, and undated, houses files relating to exhibitions organized by Fendrick Gallery. Found here are exhibition announcements, invitations, and catalogs; specific named exhibition files; and files concerning special projects or exhibitions, often jointly curated with other galleries or institutions. The Fendrick gallery was also actively involved in various governmental programs, such as Art in the Embassies Program, and organized traveling exhibits or loaned artwork to them.

The gallery's relationships with other galleries, museums, institutions, and art organizations is documented in Series 5, Museums and Galleries Files, 1952-2000, and undated. Many of the files concern loans, exhibition venues, and joint exhibitions or projects.

Series 6, Subject Files, 1952, 1960-2001, and undated contain numerous files arranged by subject heading. Here, researchers will find information collected and maintained by the gallery on various art medium, artists of interest, exhibition catalogs from museums and other galleries, information about small and fine art presses. Of particular interest are several folders entitled "Fine Art Printers & Publishers." Barbara Fendrick's early years in the art business centered upon exhibiting, promoting, and selling prints produced by young, emerging American artists. The information found here documents her growing personal relationships with some of the most prominent artists and printmakers of this era.

Records documenting administrative, business, operating, and financial affairs are arranged in Series 7, Administrative and Financial Files, 1960-2001, and undated. Found here are records of both the Barbara Fendrick Gallery (New York) and the Fendrick Gallery (Washington, D.C.), as well as files that document Barbara Fendrick's role as art consultant, appraiser, lecturer, exhibition juror, and guest curator. Found are numerous inventory cards, insurance records, consignment files, general correspondence, lists, loan files, notebooks, real estate files, card files on artists and clients, and history files. Of particular interest are the Day Books/Dailies maintained by the New York gallery staff consisting of entries and notes regarding prospective clients and their interests. The Telephone Log Books contain details of telephone conversations with artists, clients, dealers, and other art professionals. Series 7 also houses the financial records of both galleries, including invoices, financial statements, expenses, accounts, and tax records.
Arrangement:
The Fendrick Gallery records were processed to the series, subseries, and folder level. The collection is arranged into seven series. Items within folders, for the most part, were not fully sorted or preserved. When possible, materials were generally arranged at least by year. Within Series 1, Artists' Files, each set of folders for a particular artist are only given span dates. Due to the amount and complexity of material compiled on the artist Albert Paley, his files are arranged into a separate series of their own.

Missing Title

Series 1: Artists Files, 1962-2001, undated (Box 1-42, OV 108-110; 41.5 linear ft.)

Series 2: Albert Paley, 1970-2001, undated (Box 42-54; Box 107, OV 111-113, 117-118, FC 119; 14.6 linear ft., ER01; 0.001 GB)

Series 3: Commissioned Works and Projects, 1972- 2000, undated (Box 54-57; 3.5 linear ft.)

Series 4: Exhibition Files, 1961, 1970-1996, undated (Box 58-63; 5.5 linear feet)

Series 5: Museums and Galleries Files, 1952-200, undated (Box 64-73; 9.25 linear feet)

Series 6: Subject Files, 1952, 1960-2001, undated (Box 73-88, OV 115-116, FC 120; 15.6 linear ft.)

Series 7: Administrative and Financial Files, undated (Box 88-106; OV, ER02-ER03; 0.008 GB)
Historical Note:
The Fendrick Gallery was established in 1960 as a "by appointment only" gallery out of Barbara Fendrick's Washington, D.C., area home. Initially the gallery promoted contemporary American and European prints by emerging artists and also commissioned print editions by nationally-known artists. During the mid 1960s, the Fendrick Gallery also coordinated and produced art exhibitions on a contract basis for the United States Information Agency. The gallery was responsible for organizing the first large American art exhibition at the Department of State and the Federal Reserve.

In May, 1970 the Fendrick Gallery moved into a three-story townhouse in Georgetown and began presenting regular exhibitions open to the public. The gallery offered many prominent American artists, such as Robert Arneson, Jim Dine, Helen Frankenthaler, Jasper Johns, Louise Nevelson, and Robert Rauschenberg their first solo shows in the nation's capital. The Fendrick Gallery also represented many nationally known sculptors, such as John Dreyfuss, Walter Dusenbery, Raymond Kaskey, and Albert Paley.

Over the years, Fendrick Gallery promoted many emerging artists who were breaking down the barriers between art and craft in the areas of clay, furniture, metal, and book arts. The gallery held the first major show of contemporary ceramics on the East Coast, with the 1976 exhibition, Clay USA. The gallery also received critical acclaim for its exhibitions in the area of "book arts" and held four shows featuring the works of prominent American and international book artists.

In 1987 and 1988, the gallery expanded and opened the Barbara Fendrick Gallery in the Soho section of New York City. The New York location operated as both a gallery space and storage area and was often referred to as "The Warehouse." Both the Fendrick Gallery and the Barbara Fendrick Gallery closed in the summer of 1991, but Barbara Fendrick continues to work as an art consultant, appraiser, exhibition juror, lecturer, and guest curator.
Provenance:
The records of the Fendrick Gallery were donated to the Archives of American Art by Barbara Fendrick in 1999, with an addition to the records in 2001.
Restrictions:
The collection is open for research. Use of unmicrofilmed material requires an appointment.
Rights:
The Archives of American Art makes its archival collections available for non-commercial, educational and personal use unless restricted by copyright and/or donor restrictions, including but not limited to access and publication restrictions. AAA makes no representations concerning such rights and restrictions and it is the user's responsibility to determine whether rights or restrictions exist and to obtain any necessary permission to access, use, reproduce and publish the collections. Please refer to the Smithsonian's Terms of Use for additional information.
Topic:
Art -- Washington (D.C.)  Search this
Furniture designers  Search this
Artists -- Washington (D.C.)  Search this
Art, Modern -- 20th century -- Washington (D.C.)  Search this
Sculptors  Search this
Artists' books  Search this
Printmakers  Search this
Metal-workers  Search this
Function:
Art galleries, Commercial -- Washington (D.C.)
Genre/Form:
Account books
Photographs
Citation:
Fendrick Gallery records, 1952-2001. Archives of American Art, Smithsonian Institution.
Identifier:
AAA.fendgall
See more items in:
Fendrick Gallery records
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9c38a61dc-847b-4624-aa9c-0b53206502b3
EDAN-URL:
ead_collection:sova-aaa-fendgall
Online Media:

Robert Arneson : artist file, [photographs]

Artist:
Arneson, Robert 1930-1992  Search this
Physical description:
1 folder
Type:
Photograph
Artist files
Topic:
Art, American  Search this
Image number:
VFM VF000084
See more items in:
Photograph Study Collection
Data Source:
Photograph Study Collection, Smithsonian American Art Museum
EDAN-URL:
edanmdm:siris_jul_136777

Oral history interview with Robert Arneson, 1981 August 14-15

Interviewee:
Arneson, Robert, 1930-1992  Search this
Interviewer:
Jones, Mady  Search this
Subject:
Thiebaud, Wayne  Search this
Voulkos, Peter  Search this
Wildenhain, Marguerite  Search this
Type:
Sound recordings
Interviews
Topic:
Abstract expressionism  Search this
Ceramicists -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Theme:
Craft  Search this
Record number:
(DSI-AAA_CollID)11807
(DSI-AAA_SIRISBib)212219
AAA_collcode_arneso81
Theme:
Craft
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_oh_212219
Online Media:

Oral history interview with Robert Arneson

Interviewee:
Arneson, Robert, 1930-1992  Search this
Interviewer:
Jones, Mady  Search this
Names:
Thiebaud, Wayne  Search this
Voulkos, Peter, 1924-2002  Search this
Wildenhain, Marguerite  Search this
Extent:
96 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
1981 August 14-15
Scope and Contents:
An interview of Robert Arneson conducted 1981 August 14-15, by Mady Jones, for the Archives of American Art.
Arneson speaks of his family background, teaching himself to draw by copying comic strips, his early interest in commercial art and discovering ceramics. He discusses, teaching ceramics to high school students, his philosophy of teaching; and the influence of Peter Voulkos and the shift toward abstract expressionism and Pop art. He reminisces about the first exhibit of his work; getting established in galleries; teaching ceramics at the University of California, Davis; his major exhibitions; and museum purchases of his work.
Biographical / Historical:
Robert Arneson (1930-1992) is a ceramic sculptor from Benicia, California.
General:
Originally recorded on 5 sound cassettes. Reformatted in 2010 as 10 digital wav files. Duration is 5 hr., 11 min.
Sound quality is poor.
Provenance:
These interviews are part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
Restrictions:
Transcript available on the Archives of American Art website.
Occupation:
Art teachers -- California -- Interviews  Search this
Topic:
Abstract expressionism  Search this
Ceramicists -- California -- Interviews  Search this
Sculptors -- California -- Interviews  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.arneso81
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw965b05eec-54ad-49ad-aea8-d9b56394dd4c
EDAN-URL:
ead_collection:sova-aaa-arneso81
Online Media:

[Photographs of artists taken by Mimi Jacobs, photographer]

Photographer:
Jacobs, Mimi  Search this
Names:
Adams, Ansel, 1902-1984 -- Photographs  Search this
Adams, Mark, 1925-2006 -- Photographs  Search this
Allan, William George, 1936- -- Photographs  Search this
Anderson, Jeremy, 1921-1982 -- Photographs  Search this
Armer, Ruth, 1896-1977 -- Photographs  Search this
Arneson, Robert, 1930-1992  Search this
Arnoldi, Charles, 1946- -- Photographs  Search this
Asawa, Ruth -- Photographs  Search this
Beall, Dennis Ray, 1929- -- Photographs  Search this
Beasley, Bruce, 1939- -- Photographs  Search this
Bechtle, Robert Alan, 1932- -- Photographs  Search this
Bengston, Billy Al -- Photographs  Search this
Benton, Fletcher, 1931- -- Photographs  Search this
Berlant, Anthony -- Photographs  Search this
Bischoff, Elmer, 1916-1991 -- Photographs  Search this
Blunk, J. B., 1926- -- Photographs  Search this
Brice, William, 1921-2008 -- Photographs  Search this
Brown, Joan, 1938-1990  Search this
Celmins, Vija, 1938- -- Photographs  Search this
Chicago, Judy, 1939- -- Photographs  Search this
Conner, Bruce -- Photographs  Search this
Cunningham, Imogen, 1883-1976 -- Photographs  Search this
De Forest, Roy, 1930-2007 -- Photographs  Search this
DeFeo, Jay, 1929-1989 -- Photographs  Search this
DeLap, Tony, 1927- -- Photographs  Search this
Dickinson, Eleanor, 1931- -- Photographs  Search this
Diebenkorn, Richard, 1922-1993 -- Photographs  Search this
Dill, Guy, 1946- -- Photographs  Search this
Falkenstein, Claire, 1908-1997 -- Photographs  Search this
Francis, Sam, 1923- -- Photographs  Search this
Gilhooly, David -- Photographs  Search this
Goldyne, Joseph R.  Search this
Gooch, Gerald -- Photographs  Search this
Gordon, Russell Talbert, 1936- -- Photographs  Search this
Graham, Robert, 1938- -- Photographs  Search this
Hedrick, Wally, 1928-2003 -- Photographs  Search this
Holland, Tom, 1936- -- Photographs  Search this
Hopkins, Henry, 1928-2009  Search this
Howard, Robert Boardman, 1896-1983 -- Photographs  Search this
Hudson, Robert, 1938- -- Photographs  Search this
Ihle, John Livingston, 1925- -- Photographs  Search this
Irwin, Robert, 1928- -- Photographs  Search this
Johnson, Robert E. (Robert Emory), 1932- -- Photographs  Search this
Kauffman, Craig, 1932-2010  Search this
Light, Alvin, 1931- -- Photographs  Search this
Lobdell, Frank, 1921- -- Photographs  Search this
Martin, Bill, 1943- -- Photographs  Search this
McLean, Richard Thorpe, 1934- -- Photographs  Search this
Mullican, Lee, 1919-1998 -- Photographs  Search this
Nauman, Bruce, 1941- -- Photographs  Search this
Neri, Manuel, 1930- -- Photographs  Search this
Noguchi, Isamu, 1904-1988 -- Photographs  Search this
Oliveira, Nathan, 1928-2010 -- Photographs  Search this
Paris, Harold, 1925-1979 -- Photographs  Search this
Raffael, Joseph, 1933- -- Photographs  Search this
Ramos, Mel, 1935-2018 -- Photographs  Search this
Reichman, Fred, 1925- -- Photographs  Search this
Richardson, Sam, 1934- -- Photographs  Search this
Ruscha, Edward -- Photographs  Search this
Saar, Betye -- Photographs  Search this
Saunders, Raymond, 1934- -- Photographs  Search this
Shaw, Richard, 1941 Sept. 12- -- Photographs  Search this
Siegriest, Louis B., 1899- -- Photographs  Search this
Sinton, Nell, 1910-1997 -- Photographs  Search this
Thiebaud, Wayne -- Photographs  Search this
Todd, Mike, 1935- -- Photographs  Search this
Valledor, Leo, 1936-1989 -- Photographs  Search this
Villa, Carlos, 1936-2013 -- Photographs  Search this
Voulkos, Peter, 1924-2002 -- Photographs  Search this
Wasserstein, Julius -- Photographs  Search this
Wiley, William T., 1937-2021  Search this
Woelffer, Emerson, 1914- -- Photographs  Search this
Wonner, Paul, 1920-2008 -- Photographs  Search this
Zammitt, Norman, 1931- -- Photographs  Search this
Extent:
140 Items (photographic prints, b&w)
Type:
Collection descriptions
Archival materials
Date:
1971-1981
Scope and Contents:
Photographs of artists, many from the San Francisco Bay Area, taken by Mimi Jacobs.
Artists photographed: Ansel Adams, Robert Arneson, Ruth Asawa, Billy Al Bengston, Fletcher Benton, Robert Bechtle, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert B. Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Raymond Saunders, Richard Shaw, Louis Siegriest, Nell Sinton, Wayne Thiebaud, DeWain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William T. Wiley, Emerson Woelffer.
Photographs of Mark Adams, William Allan, Jeremy Anderson, Ruth Armer, Charles Arnoldi, Dennis Beall, Bruce Beasley, Tony Berlant, Elmer Bischoff, Vija Celmins, Judy Chicago, Bruce Conner, Roy de Forest, Tony DeLap, Guy Dill, Claire Falkenstein, Gerald Gooch, Russell Gordon, Wally Hedrick, Tom Holland, Robert Hudson, Robert Emory Johnson, Frank Lobdell, Robert Craig Kaufman, Richard McLean, Bill Martin, Manuel Neri, Bruce Nauman, Nathan Oliveira, Mel Ramos, Sam Richardson, Michael Todd, Julius Wasserstein, Paul Wonner and Norman Zammitt.
In 1999, additional photographs were donated including many duplicates of the previous donations. These include 50 mounted photographs of West Coast artists, twenty-four of which were exhibited in 1980 at the Museum of Contemporary Art, Los Angeles, and published in 50 West Coast Artists: A Critical Selection of Painters and Sculptors (1981, Chronicle Books). Photographs are of Ansel Adams, Robert Arneson, Billy Al Bengston, Robert Bechtle, Fletcher Benton, J. B. Blunk, William Brice, Joan Brown, Imogen Cunningham, Jay De Feo, Eleanor Dickinson, Richard Diebenkorn, Laddie John Dill, Archeliat Esherick, Sam Francis, David Gilhooly, Joseph Goldyne, Robert Graham, Henry Hopkins, Robert Howard, John Ihle, Robert Irwin, Allen Jones, Alvin Light, Lee Mullican, Isamu Noguchi, Howard Paris, Joseph Raffael, Fred Reichman, Ed Ruscha, Betye Saar, Richard Shaw, Louis Siegrist, Nell Sinton, Wayne Thiebaud, De Wain Valentine, Leo Valledor, Carlos Villa, Peter Voulkos, William Wiley, and Emerson Woeffer.
Biographical / Historical:
Photographer; Kentfield, Calif.; b. 1911; d. April 1, 1999. Known in the San Francisco Bay Area for her portraits of prominent local figures, many of whom were artists. She eventually expanded her scope beyond Northern California to included artists in the Los Angeles region as well. These images were widely reproduced in books and in exhibitions and in many cases became the portraits by which the individuals were best known. Among her subjects were Ed Ruscha, Robert Graham, Peter Voulkos, Joan Brown, Isamu Noguchi, Jay DeFeo, Wayne Thiebaud, Imogen Cunningham, and Richard Diebenkorn. Several exhibitions were devoted to the photographs as independent works of art, an acknowledgement of their pictorial qualities as well as their value as documents.
Provenance:
Donated 1976-1992 by Mimi Jacobs. Additional photos, many of them duplicates of previous donations, were donated in 1999 by Leslie Fleming, Jacobs' daughter, for the Estate.
Restrictions:
Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Microfilmed materials must be consulted on microfilm. Contact Reference Services for more information.
Occupation:
Photographers -- California  Search this
Topic:
Artists -- California -- Portraits  Search this
Artists -- California -- Photographs  Search this
Identifier:
AAA.jacomimi
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw99e52eeab-c8aa-437c-9967-ac2af528c69f
EDAN-URL:
ead_collection:sova-aaa-jacomimi

Oral history interview with Bill and Peggy Foote

Interviewee:
Foote, Bill, 1937-  Search this
Foote, Peggy, 1935-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Names:
California College of Arts and Crafts (San Francisco, Calif.)  Search this
Viola Frey Oral History Project  Search this
Arneson, Robert, 1930-1992  Search this
Bransten, Rena, 1933-  Search this
Carnwath, Squeak, 1947-  Search this
Champion, Gloria  Search this
Coykendall, Vernon  Search this
Fiske, Charles  Search this
Foote, Bill, 1937-  Search this
Frey, Viola, 1933-2004  Search this
Hanson, Shirley  Search this
Hoffman, Nancy, 1944-  Search this
Knecht, Gary  Search this
Laycox, Jack  Search this
Maybeck, Jackie  Search this
McDonald, Richard  Search this
Perry, Sam, 1963-  Search this
Schulz, Maryanne  Search this
Treadwell, Noni Eccles  Search this
Voulkos, Peter, 1924-2002  Search this
Wenger, Leslie  Search this
Extent:
5 Items (sound files (4 hrs., 38 min.), digital, wav)
131 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Sound recordings
Interviews
Date:
2014 February 16-17
Scope and Contents:
An interview with Bill and Peggy Foote conducted 2014 February 16-17, by Mija Riedel, for the Archives of American Art's Viola Frey Oral History Project at Bill's office and home in San Francisco, California.
Dr. and Ms. Foote speak of their early days growing up and their introduction to art; their meeting in Stockton; the beginnings of the Lincoln Square Gallery; their introduction to Viola Frey; their increasing involvement as art dealers in the Bay Area in the '60s and '70s; Peggy Foote's time at the California College of Arts and Crafts; their collection of Viola Frey's work and other artists' work; their interactions with Charles Fiske and Viola Frey; Frey's early years in Lodi; Frey's love of collecting jewelry and small ceramic figurines; and Frey's work in relation to gender issues. They also discuss Frey and Fiske's health issues; Frey's time at CCAC; Frey's relationship with Fiske; Frey's work as it related to Robert Arneson and Peter Voulkos and other Bay Area artists; Peggy Foote's gallery Conway Antiques in the 70's and 80's; Bill Foote's remembrances at Frey's memorial. Mr. and Ms. Foote also recall Shirley Hanson, Rena Bransten, Squeak Carnwath, Gary Knecht, Leslie Wenger, Nancy Hoffman, Richard McDonald, Maryanne Schulz, the Wiebe twins, Robert Arneson, Vernon Coykendall, Noni Eccles Treadwell, Sam Perry, Jackie Maybeck, Gloria Champion, Jack Laycox, and others.
Biographical / Historical:
Bill Foote (1937- ) and his wife Peggy (1935- ) are art collectors and retired art and antique dealers in San Francisco, California who collected Viola Frey's works of art. Mija Riedel (1958- ) is an independent scholar in San Francisco, California.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Occupation:
Antique dealers  Search this
Art dealers -- California -- San Francisco  Search this
Topic:
Art -- Collectors and collecting -- California -- San Francisco  Search this
Feminism and art  Search this
Genre/Form:
Sound recordings
Interviews
Identifier:
AAA.foote14
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw91dd75b8f-c2c8-4bd2-af4e-5c0e95429cbd
EDAN-URL:
ead_collection:sova-aaa-foote14
Online Media:

Oral history interview with John Roloff

Interviewee:
Roloff, John, 1947-  Search this
Interviewer:
Riedel, Mija, 1958-  Search this
Creator:
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
Names:
Fuller Goldeen Gallery  Search this
Gallery Paule Anglim  Search this
Gallery Reese Palley  Search this
George Lester Gallery (Rome, Italy)  Search this
Humboldt State University -- Students  Search this
Lance Fung Gallery  Search this
Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America  Search this
University of California, Davis -- Students  Search this
University of Kentucky -- Faculty  Search this
Arneson, Robert, 1930-1992  Search this
Beuys, Joseph  Search this
Butterfield, Deborah, 1949-  Search this
Kaltenbach, Stephen J.  Search this
Melchert, Jim, 1930-  Search this
Oppenheim, Dennis, 1938-2011  Search this
Voulkos, Peter, 1924-2002  Search this
Extent:
13 Items (Sound recording: 13 sound files (8 hr., 50 min.), digital, wav file)
155 Pages (Transcript)
Type:
Collection descriptions
Archival materials
Pages
Interviews
Sound recordings
Date:
2009 August 17-18
Scope and Contents:
An interview of John Roloff conducted 2009 August 17-18, by Mija Riedel, for the Archives of American Art's Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America, at Roloff's studio, in Oakland, California.
Roloff speaks primarily about the intersection of art and science; his desire to look at these disciplines from multiple perspectives in his work; the relationship between materials and their geological histories; his exploration and exposure of the physical processes associated with the making of art objects; Roloff talks at length about ceramics; the chemical properties of the clays and glazes; their connection to geological landscapes; and their transformation through the firing process; moreover, he discusses site specific works; the importance of location in giving context to a piece; as well as referencing a site through site based materials; furthermore, he expounds his theory of anthroturbation; discusses the parallels between man-made and natural structures; and ruminates about his work's visual engagement with ecological systems; Additionally, Roloff converses about several formative childhood experiences; how they shaped his later artistic interest and evolved into thematic elements in his work; studying marine geology at University of California-Davis; taking a ceramics class with Robert Arneson; becoming a dual art and science major; the spirit of experimentation at UC-Davis, which led to his early ceramic discoveries; pursuing graduate work at Humboldt University; teaching at the University of Kentucky-Lexington; developing his Exile and Rower series; showing his sculptures at Lester Gallery and Fuller Goldeen Gallery in California; his shift from studio work to landscape/installations; the development of his Ship and Kiln series; as well as his later photographic work; Roloff also recalls Stephen Kaltenbach, Deborah Butterfield, Peter Voulkos, Jim Melchert, Dennis Oppenheim, Joseph Beuys, Kenneth Baker, in addition to the following galleries: Lance Fang, Paule Anglim and Reese Paley.
Biographical / Historical:
John S. Roloff (1947- ) is a sculptor and ceramicist and lives and works in Oakland, California. Roloff also taught at the San Francisco Art Institute and Mills College.
General:
Originally recorded on 2 sound discs. Reformatted in 2010 as 13 digital wav files. Duration is 8 hr., 50 min.
Provenance:
This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators.
Restrictions:
Transcript available on the Archives of American Art website.
Topic:
Art -- Study and teaching  Search this
Art -- Technique  Search this
Ceramicists -- California -- Oakland -- Interviews  Search this
Ceramics -- Technique  Search this
Science -- Study and teaching  Search this
Sculptors -- California -- Oakland -- Interviews  Search this
Submarine geology  Search this
Genre/Form:
Interviews
Sound recordings
Identifier:
AAA.roloff09
Archival Repository:
Archives of American Art
GUID:
https://n2t.net/ark:/65665/mw9f4887af7-aabd-4e00-8143-9c793cab7f34
EDAN-URL:
ead_collection:sova-aaa-roloff09
Online Media:

Robert Arneson letter to Barbara Fendrick

Creator:
Arneson, Robert, 1930-1992  Search this
Fendrick, Barbara  Search this
Type:
Correspondence
Date:
1975 Dec. 2
Topic:
Art galleries, Commercial  Search this
Exhibitions  Search this
Sculpting  Search this
Sculpture  Search this
Record number:
(DSI-AAA)196
See more items in:
Fendrick Gallery records, 1952-2001
Data Source:
Archives of American Art
EDAN-URL:
edanmdm:AAADCD_item_196
Online Media:

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